The Telepathic Writing Salon with host Christel Janssen is an intimate magical experience outside linear time through writings from unexpected but very real parts of ourselves. Each episode explores an immersive experience of telepathic writings that become like poems that are brutally honest and prophetic, magical, humorous, and inspiring. They are a play with perspectives and an opening of our senses. We let our future speak, the unlived parts of our history, we open ourselves to whole new potentials, the modern afterlife, the future of communication, our bodies, and the sensual experience of being a human. The Telepathic Writing Salon is a group of writers that writes from the nitty-gritty stuff of life through the opening of their senses. Your host is the author and telepathic writer Christel Janssen.www.thetelepathicwritingsalon.com
Layla says: "Art paired with purpose loses its ego."
She captures life as a series of adventures and expeditions into the unknown, returning always with a greater sense of what it means to be human. After studying journalism and global communications at Richmond International University in London she realized that visual imagery has the greatest impact on our modern communication process. At 21, she began a five-year photojournalism tour to war-torn and compromised regions with a focus on the plight of women. Love sees a world where art changes people, and people change the world.
Love's photography has been exhibited worldwide including a photographic selection to the White House permanent collection in 2008. She has shown at Paris Photo, Art Basel, the MoMa sponsored AiPAD Photography Show in New York. Ms. Love has participated in over 100 photographic exhibitions. Love's image the Fullest Bloom was adapted individually for over 30 Tiffany & Co. Diamond Showrooms worldwide attesting to Love's attention to detail and mastery of fine art printing."
www.laylaloveart.com
This experience was terribly painful, but at the same time, Christel describes how she went beyond the denial around it, beyond the unconsciousness, the way in which we block things out.
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"Deep listening is a practice," Laura says, something we don't learn in school. It is about how to respectfully listen to another person and holding the space for the truth in it.
Laura reveals: Story is going to save the world. In these intense times, story is how we are able to perceive each other's differences, it gives us a bridge to understanding each other.
Laura's new book Story Quest is a workbook about the Hero's journey. It is for writers to understand the writers personal journey inside of the collective journey. Laura discusses how the hero's journey shows up in our lives and in literature.
After the last episode, Christel interviewed other people, who had lost their partner to disease. They all described similar experiences, being in survival mode, a state of shock, and a sense of void that they were left with. Sometimes for a long time. Speaking about it now, was very liberating.
In this episode Christel writes to her partner that she lost over a year ago, it is like she is there with him, in a cave with dripping water. (he was a well driller in his life) and he starts to speak.
It is an example of telepathic writing, she says:'It is as if we are released from the story we created together.'
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Episode #010 of the Telepathic Writing Salon Podcast was about losing your virginity as the most precious act. Having sex for the first time, how it could have been such a beautiful thing, but mostly it isn’t, it is clumsy, overwhelming, a sense of losing your innocence, crossing a big threshold.
And the same is true for making love for the last time. Something which is hardly spoken about: is sex and intimacy and dying.
When 2 partners have shared a wonderful intimacy and then…one of them departs: is dying. And they know it. And their lovemaking and intimacy as they had it has to die too, at least at a certain level.
And I believe this could be a most beautiful thing, but also the ugliest
And that is what I am writing about today.
I had a lovely relationship with my last partner, who passed away last year. For 7 years to the day, we were together. And we shared many wonderful, intimate moments, the lovemaking was always good, or multilayered, honoring, expansive, uplifting, creative, and multisensory, so much beautiful exchange.
But then got sick. The cancer spread to his whole body. And he did not want to die. He didn’t want to acknowledge that he was dying it. He was desperately trying to fight it.
But then there were these actions, that showed that he knew it was the end of his life, and he would act upon it in desperate ways. One of which was our last intimate moment together, three weeks before he passed away.
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In episode 15, Christel read pieces about Clea's process, pieces that Clea never heard before. Now we hear Clea's side of the story, how she relived the experience again, how she felt the depth of it and felt how close she was to dying.
Christel and Clea have known each other for a long time, and Christel always believed in Clea's ability to heal but at some point, even that got compromised.
Christel tells how underneath it all she could aways feel this part in Clea that was always so vibrant and alive, but there was now also hope being swept away, swept away by the morphine that Clea took to deal with her incredible pain.
At some point, the cancer was metastasized everywhere in her body and she was in a hospital bed unable to move.
‘If you want to heal you need to stop the morphine’ Christel told her, when that came out in the writing. Clea stopped cold turkey. They did two Dreamwalks together, a process to go to the root of the choice to live. These were incredibly healing as Clea describes from that moment her body started to heal and the cancer markers in her blood that were very high before now decreased dramatically.
We hear Clea describe the different phases in her cancer and what ultimately healed her, what her advice to other people would be, and what she would like to tell the doctors.
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In 2007 Clea was treated with radiation for cancer in her breast, but a few years later it came back. And it spread throughout her whole body, eventually making her almost paralyzed in a hospital bed. Christel has always been her advocate, believing in her, believing in her choice against conventional methods, and in her ability to completely heal her self. Christel did a few 'dream walks' with her, which comes down to deeply asking the question: do you want to go back to your body and become fully alive, which has a tremendous effect on our ability to heal and create a miracle.
Clea had so much pain at some point that she needed morphine. Christel describes how she realized how morphine takes away the ability of the body to heal itself.
Christel writes from these experiences and the many layers that Clea went through, from looking for a cause of the disease, to completely reclaiming herself.
"I am meant to be a miracle" she whispered in her hospital bed.
Witness in this first episode the many worlds and dynamics behind the reality of cancer as Christel writes and reads from these states. In part two of Dancing at the Edge of Living and Dying Clea will be the guest in the Telepathic Writing Salon podcast and she will reveal her intense journey, and how she got through it.
She is stunned that one of the messages in the movie is the same as in her book: that interdimensional communication is possible, and that love is the only thing that can transcend space and time. In this episode, she describes why Interstellar directed by Christopher Nolan, really touched her, and how the scientific explanations in the movie validate her experiences.
She shares one experience in her book, in which she describes how telepathy with her lover in a coma took place.
To find out more:
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And each year, the moment they entered Italie, she would get sick, really sick. Each vacation she would spend in bed. Delirious, and hallucinating.
Now Christel looks back and writes from this state of in-between and realizes how wonderful those times were, that being sick and delirious brought her in these other states that gave her access to whole other parts of her life. She discovered she was able to move forward in time and already experience older parts of herself.
To find out more about Telepathic Writing:
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In 2004 a nine-year-old girl went missing in Toronto and there was a call for anybody who had any kind of information. When Adikanda’s daughter insisted to her mother to connect to her, Adikanda gave in and received a transmission. The parents recognized a connection to their daughter and for weeks Adikanda then received many transmissions from her.
At some point, the little girl died and the nature of the transmissions changed dramatically and became expressions of beautiful wisdom grace and awareness far beyond what a little girl would have known. They became teachings.
The girl asked to be called Oonah, which later appeared to be the name of her favorite aunt.
The one that she shares here is called: “the River…” and gives meaning to this whole experience for all of us.
It was received on July 23rd, 2004.
“… The River…it is about life… not that it is over, not that it is lost, but that it is a force of vitality beyond loss that sleeps inside of us all, ready at any moment to be awakened by our willingness to see.”
To find out more about Adikanda: www.Adikanda.com
To find out more about telepathic writing: www.thetelepathicwritingsalon.com
Who are we now as we slowly emerge from this frozen state of shock?
Christel writes from this question.
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The memory of the first time. How would the world look like if every girl could completely own her first experience in an intimate encounter with a man, without shame, without guilt, without pain? Christel explores this question by writing from her own first sexual encounter.
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As an introduction, Adikanda shares how the transmission surprised her, (even though she has done thousands of other transmissions from the deceased), in terms of George's relationship to the divine, or God. She shares how it humbled her, also as writing this as a white woman giving voice to an African American man. And she shares when she reads it out loud, how it feels like a real embodiment of George how it changes her voice and the way she speaks.
The piece is called: 'Ordinary man, a letter from George'.
"I was a man of God, please don't assume you know what this meant to me, I don't want any mistake, any more misunderstanding than what already lives in my name. I was a man of God in so many ways. And if you want to understand me, you have to begin here, you have to know me through this way of saying my name.
To me, God wasn't some faraway face, he was as real to me as the brother living next door. In fact, he was the man next door, the ordinary man, just like me. And by ordinary I don't mean boring, I don't mean plain, I mean a man who lived, who suffered who knew the taste of pain. This was my God, ..."
The piece is very personal and very moving and there is an invitation to understand that there is a meaning in this experience. Despite all the suffering. It is such a moving piece because when it is read out loud we can feel the George in ourselves. Or like George says: "...and you know, when you looked at me, at my helplessness, you saw yourself laying there you saw every cruel eye that ever brought you to the ground."
George ends with:
"... , he was an ordinary man, they say, but just look at the life his death began. I wouldn't have it any other way."
To read the whole piece go to:
https://www.thetelepathicwritingsalon.com/009-a-letter-from-george
Christel writes a piece from her nighttime consciousness, and gets a few answers about the current time we are living in.
At the end of this episode, she invites you as the listener to enter this nighttime consciousness with her and write from this communication.
To find out more about Telepathic Writing:
www.thetelepathicwritingsalon.com
Guest today is Adikanda. AdiKanda is a Toronto based intuitive and a published novelist, poet, playwright and songwriter. Her spontaneous writings come from an Alpha sleep state in the forms of poetry, spoken readings, meditations, and song, numbering in the thousands for clients worldwide. Many describe her work as life-changing and liberating beyond any modality they have experienced before. And I am one of her biggest fans. She is a master in Telepathic writing.
In this episode Adikanda shares how it started, what happened after, and how her body of work evolved. how she received for the ones that are not able to speak: like unborn children, or victims of a stroke, or partners whose communication has stopped, etc. Her favorite is the transmissions to be performed in live theater. The poems do not put parameters around time and the meaning sometimes reveals itself years later.
She will read an example of her work in the poem 'The Gift' which was created for a Wellness event in Toronto at a gathering of 400 engineers and geologists. She asked the question: What is the most important thing, for even the ones that are skeptical, to hear and receive?
Learn about Adikanda's work at www.Adikanda.com
To find out more about Telepathic writing:
www.thetelepathicwritingsalon.com
She introduces the concept of 'Delog,' which means 'returned from death' in Tibetan. Delogs are (usually) women who die for a few days, to roam around in the afterlife to then return to their body absolutely fine.
In 2005 Christel encountered a 'modern delog' who gave reports from the other side through her laptop screen. This forever changed her perspective on death, dying, illness, and life.
Be warned! This episode will stretch your mind and will definitely require a paradigm change but also might reveal what will be available to all of us in the near future.
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music credits Allan Thomas and others
In telepathic writing, Christel explores the question: How can I be so in Love?
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Before she turned 50, an age she dreaded, Christel invited her 49-year-old mother for a conversation and this is what happened.
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If you like to get the links and show notes to this episodes head to
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