nurevolution studios: Recent Episodes
nurevolution studios
An eclectic midtempo breaks mix presented as a gift to participants at Burning Flipside 2013.
EazyTom drops off an extended New Year’s Eve session with sounds you could definitely call ‘future’.
50 tracks over two hours, with a focus on smooth tempo variations, 8-bit and hip-hop influence.
Time traveling glitch DJ EazyTom takes a pause to drop a new mixdown dunked in crunk and dusted with a glaze of glitch from another planet.
In the beginning, there was a vast nothingness. A void that would soon be filled with substance. Substance that would reverberate and create sounds. Sounds such as these.
An hour of crunky glitch hop to burn up any dancefloor. Inspired by the action that went down in the Carpe Noctem dome on burn night 2011.
EazyTom pounds the floors of Austin’s Pink Palace with cybernetic kush bits for the bots to enjoy.
A new contributor to the camp and podcast earns his stripes in this two hour performance taken straight off the submixer from Thursday night at Flipside 2011.
As released on disc and gifted at Burning Flipside 2011, this mix represents the first artistic collaborative effort between Trey & Joe and touches on a variety of sounds and tempos.
A forty minute sampling of midtempo breaks inspired by battling cyborgs at a pink cabaret.
A new audible morsel for your earholes. It’s a sultry journey through melodic inlets and tidal whirlpools of bass.
Another complex hour of Trey’s unique perspective on what’s hot in breakbeat, past and present.
Equal parts filth and flavor, shaken at 96Khz and poured over your collective cortexes.
A 45 minute journey begging the listener to consider the unique vibes offered by lower and midrange tempos.
Trey returns to the uptempo arena with an hour long driving and often dark breakbeat mix.
An hour and forty-five minute set performed at a benefit show held for a friend at Shangri-la.
A high-energy breakbeat set from our good friend intended for Saturday night of FS2010.
A diverse mix meant to appeal to a wide audience as opposed to focusing on any particular genre.