Radio Tenthaus: Recent Episodes
Tenthaus
Radio Tenthaus broadcasts every Tuesday from 20:00-23:00 pm on 105.8FM and online via www.interfm.no. We feature artworks for radio including soundscapes, radio montage, field recordings, readings, audio documentary and sound collage alongside music and discussion with contributors from various backgrounds.
There are moments when you spend time with family and moments with friends. Then there are those moments, that you can only experience with Gudskul, where we gathered in the curator's flat, laughing, singing, exchanging ideas, and thinking together.
This is the second part of the conversation with Gudskul members who participated in Momentum and its curator Mechu Rapela. Hosted by our regular radio host and one of the curators of Momentum Wei Ting Tseng.
There are moments when you spend time with family and moments with friends. Then there are those moments, that you can only experience with Gudskul, where we gathered in the curator's flat, laughing, singing, exchanging ideas, and thinking together.
This is the first part of the conversation with Gudskul members who participated in Momentum and its curator Mechu Rapela. Hosted by our regular radio host and one of the curators of Momentum Wei Ting Tseng.
The artists Margrethe Pettersen, Line Solberg Dolmen, and curator Ebba Moi have shared an intimate insight about the process of the exhibition "Samtaler med det som renner dypt".
For their MOMENTUM 12 collaboration, a hidden creek in Jeløya will be made accessible through listening, intervention and movement in the landscape. The process explores fluidity - various bodies and movements of water, as well as underground and overground networks. Inspired by and in collaboration with the surroundings (sounds, stream, trees, plants, polypores, lichens and mushrooms), they will create a site-responsive work. A map handout with notes for guidance invites the audience to an outdoor sensory experience near Galleri F15
For this episode on Momentum Radio, we would like to introduce one of our partners in the project “The Artist is Present. Contemporary art residencies in schools” together with Latvian Centre for Contemporary Art.
Tenthaus has been main partner in the project “The Artist is Present. Contemporary art residencies in schools” together with Latvian Centre for Contemporary Art (LCCA) since November 2022. Seven Latvian artists have initiated residencies in schools and Tenthaus collective has been supporting the process through a dynamic exchange. The aim is to develop a stable contact between professional artists and local schools in Latvia.
While so far their interactions have happened online, Latvian artists in the project took part in Momentum 12 in June. On this occasion they had an anticipation of the Summer school, happening in Valmiera in August 2023. During the Summer School the artists together with Tenthaus artists facilitated workshops together for the local kids and youth; Momentum 12 was a place for experimentation and gathering between the Latvian artists, Tenthaus and other biennial participants. In Momentum 12 we open possibilities for inspiring encounters, creating a third space for creativity and resourceful experiences to further develop artistic collaborations during the Summer School.
Radio Momentum shares with you a conversation by curator Jacky Jaan-Yuan Kuo and artist Lin Junye from Fotobook DUMMIES Day 傻瓜書日, about the on-site specific artwork called "Bread and Butter Bookshop". The conversation is hosted by Wei Ting Tseng.
Fotobook DUMMIES Day focuses on image, self-publishing, and locality, with a practice of connecting communities, facilitating dialogue, and using unconventional exhibition spaces.
This time, they open up the Galleri F15 Library, which is usually closed to the public, to turn it into an on-site specific artwork called "Bread and Butter Bookshop". They use reading, chatting, and self-publishing to spark a conversation: Is the desire to own a photobook similar to buying bread or butter for daily consumption?
This is a conversation between curator Belén Santillán and artist Gabo Camnitzer about his work "50 Million Windows" at Momentum 12, hosted by Wei Ting Tseng/Zeng.
50 Million Windows is a collaborative drawing project inspired by the trailblazing public grade school teacher, Albert Collum's prompt to his students from 1963: "Draw every window in New York City." In the project’s first installment, the summer youth camp at Queens Museum (2021) attempted to draw New York City’s current 50,000,000 windows, while discussing what a window really is: where the word comes from ("wind-eye"), what differences in kinds of windows from neighborhood to neighborhood signify, and how our relationship to our windows changed over the course of COVID.
During Momentum 12, we invite you to look through the windows of this gallery and draw every window in Moss.
For today’s program, I am really excited to share the conversation with the curator Matilde Balatti and the artist of Momentum 12 Jaanus Samma, about the curatorial process of the exhibition “National Utopia”.
National Utopia presents two sets of harnesses and jockstraps that are inspired by traditional patterns from Norwegian folk costumes. Just like many Norwegian folk garments nowadays, these items have also been made by local craftsmen in Estonia.
Kabila Stéphane had a presentation of his curatorial work, including his period in LOCA. He also brought some LOCA journals. Stéphane Kabila is a Congolese curator and researcher working throughout the African continent. He is collaborating with Livingstone Office for Contemporary Art in Livingstone, Zambia, and Centre d’art Waza of Lubumbashi. He recently received an MA in Curatorial Studies from the Faculty of Fine Art, Music, and Design at the University of Bergen.
Stéphane Kabila is a member of the Lubumbashi working group of Another Roadmap of Arts Education Africa Cluster, a network of researchers and practitioners investigating the history, policies, and possible alternative practices in arts education. He is the co-founder of NidjeKonnexion, a support platform for young artists in Lubumbashi. At the University of Lubumbashi, he is the coordinator of Cogito Litteris, an association, and publication run by students of the Faculty of Letters and Humanities.
Three days before the opening of Momentum 12, I had the opportunity to join Stephanie Lüning and the curator Stefan Schröder at the P1 mobile studio for a relaxed chat. As our acquaintance deepened, we delved into our personal experiences, and I hope that you, too, can share in the intimacy of our conversation as Stephanie and Stefan opened up about their connection with art, and the curatorial process of “Collectivity Paintings, no. I & II Momentum Biennale and Island of Foam (version no. 24)".
For MOMENTUM 12, Stephanie Lüning is developing two projects. The first is a series of Collectivity Paintings created from ink derived from plant-based waste such as beetroot, onion, and walnut collected from Galleri F15 restaurant and birch and apple tree barks from local farms. The second project is site-specific foam actions made from rainwater and collected water waste around the exhibition venue.
In 2023 there will be approximately 20 Art Biennales that vary in size. With the “Embassy Project”, we are initiating a platform that invites these biennales to have their own embassy in Momentum12. Tenthaus´ practice is about making bonds, this extends into the Embassy project; creating a web of connections into an ecosystem of practice and knowledge exchange, and establishing a beginning for future opportunities for collaboration. Each biennale is invited to share a glimpse of their process, project, or practice with each other and the respective public.
And for today’s episode, we would like to share a conversation with one of the curators of Singapore Biennale 2023, Binna Choi, hosted by Tenthaus curators, Ida Uvaas, Mechu Rapela, Belen Santillan, Wei Ting Tseng, Matilde Balatti, and Ebba Moi.
We had a great opportunity to talk to Binna Choi, at Singapore Biennale’s office at SAM at Tanjong Pagar Distripark. In this episode, you'll discover what inspired Choi to curate the biennale, how they selected the participating artists, and the themes that emerged from the exhibition. You'll also learn about the curators' creative process, the challenges they faced, and their vision for the future of the biennale.
“How art came to you” is a collection of stories shared by artists and artist-run spaces around the world. They shared the moments when art first knocked on their doors and left an indelible mark on their lives. From chance encounters to life-changing events, these personal narratives explore why art became such a vital part of their existence. These stories celebrate the transformative power of art and discover the genuine, unfiltered stories behind the art that's touched their souls.
Script (KO/ENG): https://checker-serpent-5a1.notion.site/space-4-1-3-tenthaus-Radio-Programs-script-Recorded-Files-e1a48388162b4ebd9f4e9ddae3c42aa1
“How art came to you” is a collection of stories shared by artists and artist-run spaces around the world. They shared the moments when art first knocked on their doors and left an indelible mark on their lives. From chance encounters to life-changing events, these personal narratives explore why art became such a vital part of their existence. These stories celebrate the transformative power of art and discover the genuine, unfiltered stories behind the art that's touched their souls.
“How art came to you” is a collection of stories shared by artists and artist-run spaces around the world. They shared the moments when art first knocked on their doors and left an indelible mark on their lives. From chance encounters to life-changing events, these personal narratives explore why art became such a vital part of their existence. These stories celebrate the transformative power of art and discover the genuine, unfiltered stories behind the art that's touched their souls.
“How art came to you” is a collection of stories shared by artists and artist-run spaces around the world. They shared the moments when art first knocked on their doors and left an indelible mark on their lives. From chance encounters to life-changing events, these personal narratives explore why art became such a vital part of their existence. These stories celebrate the transformative power of art and discover the genuine, unfiltered stories behind the art that's touched their souls.
As the Embassy Project developed in Momentum 12, we have met tremendous amount of amazing curators, directors, artists of biennales around the world. The curator of The Larnaca Biennale, Yev Kravt, generously shared their podcast “What does home mean to you?” with Momentum 12, exploring the theme of Larnaca Biennale 2023, Home Away from Home within.
The Larnaca Biennale is a dynamic city-wide project that celebrates artistic experimentation in contemporary art. Featuring an international open call, exhibitions, theatre, performances, concerts, activities, lectures and workshops, this event draws in over 25,000 visitors. The Biennale's overarching theme, "Home Away From Home," invites artists to explore the complex concept of home in our rapidly changing world, running from Wednesday October 11 to Friday November 24, 2023.
Guest Speakers: Dr. Christos Peristianis, Pavlos Koronis
Podcast powered by Youth Makerspace Larnaca and broadcasted live via zoom with audience joining the conversation.
Link to the podcast: https://www.youtube.com/watch?v=T9qgxMs8Kgk
Text credit: Larnaca Biennale 2023
In this episode of Radio Momentum, we are delighted to feature Jan-Erik Beck, a renowned local artist from Moss. With a longstanding connection to the Momentum biennial, Jan-Erik has been involved since its inception, serving on the board and actively contributing to its establishment. As a sculptor and a dedicated educator at Einar Granum Kunstfagskole, his insights and experiences are invaluable. Hosting the conversation is Ebba Moi, one of the esteemed curators of Momentum 12.
In this episode of Radio Momentum, we invited the curators of Momentum 7, Power Ekroth and Erlend Hammer to share their insights, experiences, and challenges with curating this seminal exhibition. You'll also learn about the curators' creative process, the challenges they faced, and their vision for the future of the biennale. Joining them is Ebba Moi, a member of this year's biennale team, who will add her perspective and expertise to the discussion.
Radio Momentum invited Ina Blom and Jonas Ekeberg for a conversation about the Momentum 2 biennale they curated in 2000. They will talk about how they envisioned the biennale back then, and also what it has become now. The conversation will be together with Ebba Moi from this year's biennale team.
This is the second part of the episode on Radio Momentum, where Marthe Næstby, Guro Dyvesveen from the mediation department, and Eileen Anette Eklund Roalsvik from the sales department of Gallery F15, opened up to us and shared how art came to them, as well as how art brought light into their lives. We can expect a cozy and heartwarming lunch-time conversation, hosted by Valentina Martinez, a member of the Tenthaus collective and one of the curators of MOMENTUM 12.
In the first part of the episode on Radio Momentum, Marthe Næstby, Guro Dyvesveen from the mediation department, and Eileen Anette Eklund Roalsvik from the sales department of Gallery F15, opened up to us and shared how art came to them, as well as how art brought light into their lives. We can expect a cozy and heartwarming lunch-time conversation, hosted by Valentina Martinez, a member of the Tenthaus collective and one of the curators of MOMENTUM 12.
In this episode of Radio Momentum, Truls Solerød Johnsen from Galleri F 15 shares his personal stories and insights about the gallery's connection to the community. He provides an overview of both Galleri F 15 and Momentum, introducing its staff, history, environment, and vision. The conversation is hosted by Valentina Martinez, one of the curators of Momentum 12, and delves into the fascinating relationship between the gallery, the community, and the wider art world.
In this episode of Radio Momentum, Dag Aak Sveinar from Galleri F 15 generously share stories about his personal relationship with the gallery and its connection with the community. He offers an overview of both Galleri F 15 and Momentum, including an introduction to its staff, history, environs, and vision. The conversation is hosted by Valentina Martinez, one of the curators of MOMENTUM 12.
A Radio Series by Kirsty Kross for Tenthaus
Kirsty Kross introduces the series walking alone in the forest at night without a flashlight. Whilst on an arts residency at Dale Nordisk Kunstnersenter, a Scandinavian arts paradise, she has had much time for soul searching as an artist. Will she be able to negotiate the next period of her life and still keep making art?
The episode features an interview with Kate Pendry who has had a very prolific career writing and producing over 50 pieces for the theatre winning many awards for her work, including the Ibsen Prize in 2009. Kate discusses how she has dealt with the controversy surrounding her work which has even sometimes resulted in death threats. Now back on track after years of mental health problems, Kate also discusses her recovery and how acting remains her passion.
Featuring playlists by Kirsty Kross and Kate Pendry as well as an improvised noise set by Stavanger based art and music group, GN00R that was recorded in the forest at Dale i Sunnfjord.
Swearing warning. Kirsty Kross fell many times in the dark in the forest, almost lost an eye and did eventually get lost for about ten minutes. Research has proven though that people who swear are generally more honest.
1#: THIS IS IT?
For the first episode, we will be live with some of the students currently at KHIO who have been working on a collective antiracist proposal, including among other suggestions a long time anti-discriminatory plan and adding non-Western canons to the main curriculum.
The proposal emerged within the context of Black Lives Matter protests, a global movement of solidarity with George Floyd, who was murdered in the US by police officers as he called for his mother and said “I can’t breathe”.
His last words became an international slogan to express anger, loss and the feeling of belonging by relating to the cause and the condition.
As history has shown, social rights movements have always been embodied by students and youth organisations, and have usually been opposed firmly by the majority, not willing to give-up hegemony.
With its 6 departments, Kunsthøgskolen i Oslo (KHIO) is Norway’s largest art education institution. The school is not only expected to reach international standards but also be a leading example in the Nordic region.
In this show, we will focus on the content of the students’ proposal, their ideas, hopes and ambitions for the future.
The audience is invited to interact live with us by calling at +47 92 01 30 07
If you don’t want to talk, it’s also possible to ask for your favorite song!
Welcome,
Hanan Benammar
This episode led to the open letter to KHiO by students being read and discussed, you can read here, along with a petition.
In addition we read the electoral program of Måns Wrange and Anne-Linn Akselsen. The program was chosen with more than 60% of the votes in April 2019.
This week Radio Tenthaus hosts a live conversation with artist Anawana Haloba and curator Zasha Colah.
To have or partly grown up during Zambia’s complex one-party-rule policy of the ’80s, and the ’90s’ vibrant transitional period to a multi-party democracy, is a common experience shared between curator Zasha Colah and artist Anawana Haloba. Through their conversation Anawana Haloba revisits some of the turns that have formed lasting inspiration in her practice, together they will travel for a journey of social issues and politics against a rich background of Zambian music.
Anawana Haloba is an artist working between Oslo, Norway and Livingstone. She was educated at Evelyn Hone College of Applied Arts in Lusaka, Zambia. Haloba completed her BA at the National Academy of Arts in Oslo 2006, graduate of the Rijksakademie van Beeldende Kunsten in Amsterdam, the Netherlands and an alumnus of the Smithsonian Artist Research Fellowship in Washington DC. Haloba’s work has featured in both solo and group exhibitions, including, Centre Pompidou, Paris, France; National Museum of African Arts Smithsonian Institute, Washington DC, USA; the Rauma Biennale, Finland; ZKM Museum of Contemporary Art, Karlsruhe, Germany; Museum Berardo Collection, Lisbon, Portugal; la Biennale di Venezia, 2009; Sydney Biennale 2008, Australia; Manifesta 7, Bolzano, Italy, the Sharjah Biennial 08, 11 and 14th edition in 2019 in Sharjah, UAE, as well as the biennales in Sao Paulo (2016), Shanghai (2016) and Lyon (2017).
Zasha Colah is a curator interested in cultural sovereignty and cultural transference under repression. She co-curated the third Pune Biennale with Luca Cerizza, Habit-co-Habit 2017, and was part of the curatorial team of the second Yinchuan Biennale, Starting from the Desert. Ecologies on the Edge 2018, under Marco Scotini. Recent essays appear in The New Curator (Laurence King) as Clark House Initiative, The Curatorial Conundrum (MIT Press), Curating Under Pressure (On Curating), Liberty Taken (Stedelijk Museum, forthcoming). She teaches comparative curatorial theory in the Master of Visual Arts & Curatorial Studies department, Nuova Accademia di Belle Arti, Milan (since 2018). She is co-curator with Marianne Zamecznik of a year-long public art commission for Deichmanske bibliotek, National Public Library, Oslo.
This week Radio Tenthaus hosts a live conversation between artist Germain Ngoma and curator Drew Snyder. James Finucane speaks with Astrid from Latina-AmerikaGruppene (LAG) and Matilde Balatti speaks with Lise Bjørne Linnert about her series of workshops.
This broadcast is the last in the Sonic Scenography series. It is an investigation into the concept of ´sound pictures´ as described by Thørbjørn Reuter Christiansen in a conversation about his father, the composer and artist Henning Christiansen. The program includes a sequence of recordings where the confinement of the space is counterposed by recordings of nature and imposed rhythms, including the Henning Christiansen Archive.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
This week´s broadcast is made by Christian Tony Norum, currently artist-in-residence at Edvard Munch’s studio at Ekely in Oslo. The soundscape is comprised of recordings made by Norum in the space which is now administered by the Munch Museum and rented out to professional artists on a project basis. Norum is reciting excerpts of literature, anecdotes and fantasies, whilst playing music and recording his own movements whilst working in the space.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
This week´s broadcast is made by Rachel´s daughter Ruby and explores their mother daughter relationship. The recordings are of conversations about preparing and doing, and are made in different studios and maker-spaces in and around in Oslo.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
This week´s episode features a conversation with Håvve Fjell, who talks about his involvement with the project Slipp Botsen Fri (Set Botsen Free), which aims to transform Oslo´s former jail into a multi-disciplinary arts and culture venue. The conversation is followed by field recordings made by Rachel outside Oslo and Haldern prisons. Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
This weeks broadcast is a series of recordings from a stone quarry near Halden in south-west Norway. The sound is generated with objects and machinery found at the site and incorporates the enormous resonance of the space created by the flat, rock surfaces. Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
Today's broadcast comprises of excerpts read from a diary and book of suicide notes written by Rachel during her home imprisonment in Oslo. The texts are a reflection upon the themes of isolation whilst remaining as a functioning citizen in society, and aim to uncover a personal struggle with loneliness and exclusion. The question of how relationships are permanently changed after such a home internment are an undercurrent in the slightly tragi-comic theme of ´ending it all´ whilst confined without any supporting structure.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
This episode of Sonic Scenography is made by Ali Djabarry and Mohammadreza Ebrahim Salkooyeh and is a series of recordings investigating the spatial resonance of their separate incarcerations in Iran. They have replicated sounds and conversations remembered from that time to create a soundscape with these references. The recordings are supplemented by a live conversation with the duo, direct from the InterFM studio.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
This broadcast comprises of recordings from the Mojave Desert in California where Rachel performed a Rock Concert as part of the Joshua Treennial in 2019. The soundscape also includes a Q+A with the film maker James Benning from the premiere of his film about the politics of his current teaching role at CALARTS; the connection to his work is to do with spatiality and the audio aspect of the landscape. The concluding soundscape is from a recent concert with the French cult artist Ghédalia Tazartès.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
This week's recording was made at gallery openings and other cultural events in Oslo that Rachel attended during a period of home imprisonment in the winter of 2018. The soundscape is composed from events at Galleri Ramm, 1857, UKS, Oslo Nye Teater, Atelier Nord and Tenthaus at Eidsvollsplass.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
The third broadcast in the series is from Mexico City where Rachel was in solitary confinement due to the outbreak of the Corona pandemic. The recordings include a resonance concert made on the roof of the apartment block where the audience watched from the surrounding buildings.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
The second broadcast in the Sonic Scenography series is recorded during Rachel´s home confinement in Oslo. Featuring the voices of friends and family including Ruby Dagnall, Ida Dagnall, Eline Mugaas, Terje Nicolaisen, Gen Kelsang Tubchen and Tiger City Tattoo.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.
The first broadcast in the Sonic Scenography series is recorded on location in Lebanon with former prisoners in the capital Beirut and at Oscar Niemeyer´s unfinished World Fair site in Tripoli.
Sonic Scenography is a series of twelve radio broadcasts by artist Rachel Dagnall about the experience of incarceration. The theme is explored through non-verbal sound or sonic scenographies composed by former inmates in Beirut, Syria, the Mojave Desert, Oslo, Berlin and Barcelona.
The project aims to showcase artistic expressions about prison, surveillance and imposed mental and physical demarcation, and illustrate how such experiences distort or change our interpretation of space and immediate surroundings.
Actors move and create images of one specific place - both physical and mental - in the form of musical performances, physical movements, readings, conversations and more, with the use of resonance bringing a specific focus to the different rooms in which this takes place.
Sonic Scenography is commissioned by and produced in collaboration with Radio Tenthaus and forms Rachel’s Master project at the Norwegian Theatre Academy in Fredrikstad, Østfold.