San Francisco's Honey Soundsystem consist of touring residents Jacob Sperber (aka Jackie House), Jason Kendig, and Robert Yang (aka Robot Hustle / Beziér). The collective also runs the an in-house record label most known for it's work with long lost Patrick Cowley music. As of late the label has been instrumental in supporting music from artists that have played our events or influenced our sound. Forming in late 2006 the group has held many formations (as many as 6 members) and performed at and thrown events all over the US, Europe, even to the far reaches of Shanghai. Honey is most known for its 5 year Sunday night weekly party in San Francisco which saw hundreds of distinguished guests - many of whose sets have been recorded and shared on this Soundcloud page.
↓↓↓._____| _/_____/ __ |\___ \/ /_/ || |_> >\___ || __/\/|__|№2 // dpleated //[̲̅$̲̅(ツ)$̲̅] 3D art by www.vectorclash.comincludes CREATINE ∂+++++Pink Pantheress - PassionKassgocrazy - physcial (feat. take van)Natalie Red - AddictedNosgov - Goes Nowhere (nightcore)Cat Mother - Level 1Shygirl - WildfireParadoxically - Neko FreestyleNicolas - Every time I go to bedHeatace - B4Eightiesheadachetape - What we did in the desertAntymis - Another SystemNohpetS - 2a_FoundU_switchup_WIPFaRe 'N' HiTe on Makoto’s Theme (Dojo Redemption)DJ Hank - MkwaTOKYOPILL - Club CyberiaPink Pantheress - Nineteen (Nia Archives Remix)Trashiii - Sonic DolphinOoxygen - Final Wish Pt.2Mellow Jupiter - Don’t Hold Me BackOutback, Tuchscreen - Don’t U Kno?Meat Computer - Shut Down EntirelyDVRST - Gone CrazyNiNE8 - Noodle Poodle (Tommy Villers Remix)Yesterdayneverhappened - Partymonst3rLydels - IceLSB - Piano, Flute & StringsItsmebby - Watch the Moon
.___ __| _/_____ / __ |\___ \ / /_/ || |_> >\___ || __/ \/|__| №1 // dpleated //[̲̅$̲̅(ツ)$̲̅] 3D art by www.vectorclash.comincludes CREATINE ∂++++++pink pantheress - break It offaquasky - imagesnia archives - (over) thinkingmozey & shadey novelle - i can be your futuredoom doom - phantasy star online (f.t. yameii)MKSTN - final render (feat. CAPSUL)hxly xo - paper cutsTOKOYOPILL - b r e a t h e black balloons - Run2Youakiba - 人々の繋がりXNom - struckooxygen - final wishYAZ - anymoreLenzman - In my mind instrumentalpiri & tommy - on & onpiri & tommy - soft spotriovaz - you’re a parasitevillem - make tomorrowtake van - time goes byin explosions - anaesthetiadreamweaver - crystal skyXxtarlit - fleeting frozen heart
@djnitamusic
"After much thought I decided to present this mix in the style I first learned to practice as a young person approaching the end of a century. A mixtape, a personal letter from one friend to another. A lullaby, a soothing refrain to calm the storm in our souls. With this collection of songs I wish to honor those in our lives whose time has come and gone. To mourn their passing but also to celebrate their season, when life was high and our days seemed never-ending. Just as this loss seems to have drained our hearts leaving us empty and cold, the tide will eventually turn and fill us up once again, restoring our faith that love, like the stardust we are made of, is everlasting. Lest we not ever have to say goodbye, only see you soon my friend" - Nita Aviance
@corakoala
recorded live at the 1 year anniversary of Cora's 6G+ party at .tag Chengdu (China)
@carrieondisco
Carrie has been submitting regular mixes to the HNYPOT since its inception over 10 years ago. This 3 hour mix is a magnum opus she surprised us with and boy do we need it. Love to all of you out there listening in your pods <3
Painting by Cedrics of Hollywood
@keenanorrdc
If you enjoyed this mix and have the means please consider leaving a ca$h tip for Keenan (he was/is a full-time DJ during COVID-19). We will match all tips up to $200 - please leave a note 'tip for HNYPOT'
Tip$ Soundcloud: @keenanorrdc Venmo: @ keenanorrdc PayPal: djkeenan@gmail.com
A vinyl-only from @fivefivefivefivefive
"since I moved to NYC I've basically been spending most of my time digging thru classic house bins in an obsessive frenzy. There are so many great places here and I could never do that in New Orleans. So I decided not to fight that vibe and do an all vinyl mix of all old crunchy 90s/80s house digs. Nothing before 1995 I think..."
The debut ambient b2b set from San Francisco's beloved sometimes duo always one of a kind @solarsf and @mozhgan. This recording came from the 'Ambient Goodbye' chill-rave in San Francisco on October 25, 2019 inside @grayareaorg landmark Mission street theater space.
CAT# HNY-023 Artist : October Title: Eviction EP A1 Eviction 909 A2 Larry Bruce Chest Thumper A3 Hunger B1 Facemelter B2 Tropical Phil B3 Deth Ov Komedy (Digital Only)
Purchase the vinyl: https://honeysoundsystem.bandcamp.com/album/eviction-ep
It all started with a handful of cash but ended in eviction.
Always intended as a story in two parts, Jules Smith aka October's Eviction EP is the six-song follow up to his Pay Day EP, we unleashed in late 2018. An album's worth of material made 'just for Honey Soundsystem' Jules is back with his sleazy Prophet-one driven industrial disco.
As indulgent as the rave sirens and snare pummels on the title track seem, October's sheer mastery in production and studio mixing turn these tongue-in-cheek-in-your-face nightclub firecrackers into delicacies. Oh! And file 'Larry Bruce Chest Thumper' under Front 242 and i:Cube doing a line off of an iPhone together.
Still life by Mike Ojeda
The Berlin vinyl shop owner, house 'bomb' producer, label manager and all around aficionado @cinthie debuts for the HNYPOTCAST...
SOME VINYL IN HERE!
We are elated to host the San Francisco premiere of @ohpeach at our annual Folsom Sunday party. ˆ Info and tix are here: https://www.residentadvisor.net/events/1234854
3 Hours of the 5 hour debut of Guadalajara's @nvongold at Honey Soundsystem's Labor Day Sunday 2019 party. The recorder died for some of it, but damn are we happy we got what we did! <3
@fanafellahin
A mix for celebrating the New Moon of Muharram aka Islamic New Years (September 1)
Josh Cheon's hour long Hard French 2016 live set where he played all 7"s back to back. He's back on the El Rio patio Saturday April 1, 2017 for more soul stomping!
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/beesmunt-soundsystem-sensual-works-12-ep
Honey Soundsystem Records (aka HNYTRX) is pleased to present its final twelve inch of 2016, the ‘Sensual Works’ EP by Beesmunt Soundsystem. Unbeknownst to each other, the Honey crew in San Francisco and the Beesmunt duo in Amsterdam have been brothers from another mother working away in their respective zones for years. A bit of internet sleuthing and the two entities found each other, perplexed by the similarities in namesake and good vibes. Before exchanging a single word, earlier this year David and Luigi of Beesmunt sent Honey some demos. They were a declaration of peace and understanding of sorts and both "sound systems" immediately fell into one. The three tracks romanced all the Honey sensibilities including references to San Francisco 80's Hi-HRG synths, early House drum machine workouts, and melodic lines you can make-out on a dancefloor to. To make the marriage official, Honey enlisted its own Jason Kendig to remix the A-side into a no-nonsense thumper with a heart of gold. We think these tunes are going to become as reliable on the dancefloor as the Sequential Circuits drum sounds and DX7 patches they employ. Whether it be ending sets with the euphoric “Blissed Out” or peak-time banging call and response of “Playin' Myself”, Honey finally shares its best kept secret weapons of the year with the eager public.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/beesmunt-soundsystem-sensual-works-12-ep
Honey Soundsystem Records (aka HNYTRX) is pleased to present its final twelve inch of 2016, the ‘Sensual Works’ EP by Beesmunt Soundsystem. Unbeknownst to each other, the Honey crew in San Francisco and the Beesmunt duo in Amsterdam have been brothers from another mother working away in their respective zones for years. A bit of internet sleuthing and the two entities found each other, perplexed by the similarities in namesake and good vibes. Before exchanging a single word, earlier this year David and Luigi of Beesmunt sent Honey some demos. They were a declaration of peace and understanding of sorts and both "sound systems" immediately fell into one. The three tracks romanced all the Honey sensibilities including references to San Francisco 80's Hi-HRG synths, early House drum machine workouts, and melodic lines you can make-out on a dancefloor to. To make the marriage official, Honey enlisted its own Jason Kendig to remix the A-side into a no-nonsense thumper with a heart of gold. We think these tunes are going to become as reliable on the dancefloor as the Sequential Circuits drum sounds and DX7 patches they employ. Whether it be ending sets with the euphoric “Blissed Out” or peak-time banging call and response of “Playin' Myself”, Honey finally shares its best kept secret weapons of the year with the eager public.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/beesmunt-soundsystem-sensual-works-12-ep
Honey Soundsystem Records (aka HNYTRX) is pleased to present its final twelve inch of 2016, the ‘Sensual Works’ EP by Beesmunt Soundsystem. Unbeknownst to each other, the Honey crew in San Francisco and the Beesmunt duo in Amsterdam have been brothers from another mother working away in their respective zones for years. A bit of internet sleuthing and the two entities found each other, perplexed by the similarities in namesake and good vibes. Before exchanging a single word, earlier this year David and Luigi of Beesmunt sent Honey some demos. They were a declaration of peace and understanding of sorts and both "sound systems" immediately fell into one. The three tracks romanced all the Honey sensibilities including references to San Francisco 80's Hi-HRG synths, early House drum machine workouts, and melodic lines you can make-out on a dancefloor to. To make the marriage official, Honey enlisted its own Jason Kendig to remix the A-side into a no-nonsense thumper with a heart of gold. We think these tunes are going to become as reliable on the dancefloor as the Sequential Circuits drum sounds and DX7 patches they employ. Whether it be ending sets with the euphoric “Blissed Out” or peak-time banging call and response of “Playin' Myself”, Honey finally shares its best kept secret weapons of the year with the eager public.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/beesmunt-soundsystem-sensual-works-12-ep
Honey Soundsystem Records (aka HNYTRX) is pleased to present its final twelve inch of 2016, the ‘Sensual Works’ EP by Beesmunt Soundsystem. Unbeknownst to each other, the Honey crew in San Francisco and the Beesmunt duo in Amsterdam have been brothers from another mother working away in their respective zones for years. A bit of internet sleuthing and the two entities found each other, perplexed by the similarities in namesake and good vibes. Before exchanging a single word, earlier this year David and Luigi of Beesmunt sent Honey some demos. They were a declaration of peace and understanding of sorts and both "sound systems" immediately fell into one. The three tracks romanced all the Honey sensibilities including references to San Francisco 80's Hi-HRG synths, early House drum machine workouts, and melodic lines you can make-out on a dancefloor to. To make the marriage official, Honey enlisted its own Jason Kendig to remix the A-side into a no-nonsense thumper with a heart of gold. We think these tunes are going to become as reliable on the dancefloor as the Sequential Circuits drum sounds and DX7 patches they employ. Whether it be ending sets with the euphoric “Blissed Out” or peak-time banging call and response of “Playin' Myself”, Honey finally shares its best kept secret weapons of the year with the eager public.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/b-zier-cosmologist-ep/
Honey Soundsystem is pleased to release 'Cosmologist', the latest offering from our Resident DJ: Robert Yang aka Bézier. A multi-instrumentalist, Robert was trained in saxophone starting at age 10, before moving onto a Fender Telecaster after high school. After being exposed to Southern California rave culture in the late 90s, he moved onto DJing and collecting records. By the time he planted his roots in San Francisco in 2005, Robert had built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.
'Cosmologist' explores Robert’s personal universe with three tracks that connect his varied musical lineages. "Cosmos", a celebration of the late 80s/early 90s KIIS FM universe, is built around an infectious freestyle hook that morphs into a seven minute tour of intersecting styles. "Ether" begins as gothic night-driving electro, but breaks into fantasy-scapes inspired by Italo and 1980s Japanese anime theme songs. The final track, "d. Quelle", clocks in at over 11 minutes, incorporating bebop jazz solos drawn from his early exposure to improvisation techniques by Charlie Parker, Cannonball Adderley, and Stan Getz. All songs have been mixed by Mark Pistel (Meat Beat Manifesto, Consolidated) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/b-zier-cosmologist-ep/
Honey Soundsystem is pleased to release 'Cosmologist', the latest offering from our Resident DJ: Robert Yang aka Bézier. A multi-instrumentalist, Robert was trained in saxophone starting at age 10, before moving onto a Fender Telecaster after high school. After being exposed to Southern California rave culture in the late 90s, he moved onto DJing and collecting records. By the time he planted his roots in San Francisco in 2005, Robert had built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.
'Cosmologist' explores Robert’s personal universe with three tracks that connect his varied musical lineages. "Cosmos", a celebration of the late 80s/early 90s KIIS FM universe, is built around an infectious freestyle hook that morphs into a seven minute tour of intersecting styles. "Ether" begins as gothic night-driving electro, but breaks into fantasy-scapes inspired by Italo and 1980s Japanese anime theme songs. The final track, "d. Quelle", clocks in at over 11 minutes, incorporating bebop jazz solos drawn from his early exposure to improvisation techniques by Charlie Parker, Cannonball Adderley, and Stan Getz. All songs have been mixed by Mark Pistel (Meat Beat Manifesto, Consolidated) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/b-zier-cosmologist-ep/
Honey Soundsystem is pleased to release 'Cosmologist', the latest offering from our Resident DJ: Robert Yang aka Bézier. A multi-instrumentalist, Robert was trained in saxophone starting at age 10, before moving onto a Fender Telecaster after high school. After being exposed to Southern California rave culture in the late 90s, he moved onto DJing and collecting records. By the time he planted his roots in San Francisco in 2005, Robert had built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.
'Cosmologist' explores Robert’s personal universe with three tracks that connect his varied musical lineages. "Cosmos", a celebration of the late 80s/early 90s KIIS FM universe, is built around an infectious freestyle hook that morphs into a seven minute tour of intersecting styles. "Ether" begins as gothic night-driving electro, but breaks into fantasy-scapes inspired by Italo and 1980s Japanese anime theme songs. The final track, "d. Quelle", clocks in at over 11 minutes, incorporating bebop jazz solos drawn from his early exposure to improvisation techniques by Charlie Parker, Cannonball Adderley, and Stan Getz. All songs have been mixed by Mark Pistel (Meat Beat Manifesto, Consolidated) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/justin-cudmore-crystal-12
As a kid growing up in Illinois' tucked-away capital of Springfield, Justin Cudmore played the drums at home and in school as a jazz percussionist. In his college days Justin dove into electronic music, workshopping new-wave influenced beats in bands and DJing parties. Currently, Justin is a fixture across Brooklyn, popping up on dance floors and behind booths, where he has spun records at his Hotmix parties along with Mike Servito and Gunnar Haslam.
“Crystal” is Cudmore’s debut 12” single. Raw, rough and ready to rumble, “Crystal” marries snaking acid lines and bouncy grooves to a sample from cult underground film classic 'The Queen'. On the flip is Detroit-bred and Bunker resident DJ Mike Servito’s “730 Reshape”, that gives the wiggly worm vibe harkening back to the early days of Transmat, Warp and the minimalism of Dan Bell's DBX project. L.I.E.S. mainstay Gunnar Haslam provides his “Dekalb Avenue Remix” made while living in New York, a modular synth cruise with the top down. All tracks have been mastered and EQed for vinyl by George Horn at Fantasy Studios in Berkeley and labels are as pink as Crystal’s lipstick.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/justin-cudmore-crystal-12
As a kid growing up in Illinois' tucked-away capital of Springfield, Justin Cudmore played the drums at home and in school as a jazz percussionist. In his college days Justin dove into electronic music, workshopping new-wave influenced beats in bands and DJing parties. Currently, Justin is a fixture across Brooklyn, popping up on dance floors and behind booths, where he has spun records at his Hotmix parties along with Mike Servito and Gunnar Haslam.
“Crystal” is Cudmore’s debut 12” single. Raw, rough and ready to rumble, “Crystal” marries snaking acid lines and bouncy grooves to a sample from cult underground film classic 'The Queen'. On the flip is Detroit-bred and Bunker resident DJ Mike Servito’s “730 Reshape”, that gives the wiggly worm vibe harkening back to the early days of Transmat, Warp and the minimalism of Dan Bell's DBX project. L.I.E.S. mainstay Gunnar Haslam provides his “Dekalb Avenue Remix” made while living in New York, a modular synth cruise with the top down. All tracks have been mastered and EQed for vinyl by George Horn at Fantasy Studios in Berkeley and labels are as pink as Crystal’s lipstick.
BUY VINYL: https://honeysoundsystem.bandcamp.com/album/justin-cudmore-crystal-12
As a kid growing up in Illinois' tucked-away capital of Springfield, Justin Cudmore played the drums at home and in school as a jazz percussionist. In his college days Justin dove into electronic music, workshopping new-wave influenced beats in bands and DJing parties. Currently, Justin is a fixture across Brooklyn, popping up on dance floors and behind booths, where he has spun records at his Hotmix parties along with Mike Servito and Gunnar Haslam.
“Crystal” is Cudmore’s debut 12” single. Raw, rough and ready to rumble, “Crystal” marries snaking acid lines and bouncy grooves to a sample from cult underground film classic 'The Queen'. On the flip is Detroit-bred and Bunker resident DJ Mike Servito’s “730 Reshape”, that gives the wiggly worm vibe harkening back to the early days of Transmat, Warp and the minimalism of Dan Bell's DBX project. L.I.E.S. mainstay Gunnar Haslam provides his “Dekalb Avenue Remix” made while living in New York, a modular synth cruise with the top down. All tracks have been mastered and EQed for vinyl by George Horn at Fantasy Studios in Berkeley and labels are as pink as Crystal’s lipstick.
Honey Soundsystem is proud to present an unreleased disco 12” by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, "The San Francisco Sound." During the 70s, Patrick was the lighting technician at The City disco in San Francisco’s North Beach neighborhood. This was SF’s largest Gay entertainment complex, where everyone from Grace Jones to Sylvester would perform. Frank Loverde was performing there with his band Loverde when Patrick asked if the band would like to do backups on some songs he’d been working on. Frank, Linda Imperial and Timmy went to Patrick’s studio and laid down vocals for songs, most of which were never released and remained buried in the Megatone vaults.
In 2007 Honey Soundsystem was contacted by the former owner of Megatone Records John Hedges. Hedges’ was moving to Palm Springs and invited us over to his basement to collect over 2,000 records from his collection. Among the archives we noticed three moldy boxes of quarter inch reel to reel tapes. Included was the final mixed down reel for “Kickin’ In”, an epic 12-minute journey through disco, that Patrick recorded with Loverde in 1978. From the two minute plus drum solo that builds up to the introduction of a bouncing arpeggiated Prophet IV and the harmonized vocals, all transport the listener to another realm. The song encapsulates the Hi-NRG dance music that Patrick became known for. It was an “up” sound for the gay disco scene, music that would compliment and sometimes enhance all night dancing. On the flip are two earlier songs produced between 1975-77 featuring basslines by college classmate and studio mate Maurice Tani. Both songs feature Patrick narrating erotic gay sex fantasies inspired by San Francisco’s leather bars, back rooms and bathhouses. These songs show the sleazy side of Cowley’s slow burning, oozing electronic creations with layers and layers of synthesizer, guitar, drum machine and vocoder.
All songs have been mastered by George Horn, who originally mastered all of the Megatone Records releases at Fantasy Studios. Each 12” comes housed in our custom Honey Soundsystem die-cut jacket featuring an illustration of the San Francisco skyline. Also included is a 8 inch square postcard of the original “Kickin’ In” reel to reel box with Patrick’s handwriting on the front and lyrics on the back. “Patrick parted the veil and entered a dark world of forbidden vices, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.” - David Diebold ’Tribal Rites’
Honey Soundsystem is proud to present an unreleased disco 12” by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, "The San Francisco Sound." During the 70s, Patrick was the lighting technician at The City disco in San Francisco’s North Beach neighborhood. This was SF’s largest Gay entertainment complex, where everyone from Grace Jones to Sylvester would perform. Frank Loverde was performing there with his band Loverde when Patrick asked if the band would like to do backups on some songs he’d been working on. Frank, Linda Imperial and Timmy went to Patrick’s studio and laid down vocals for songs, most of which were never released and remained buried in the Megatone vaults.
In 2007 Honey Soundsystem was contacted by the former owner of Megatone Records John Hedges. Hedges’ was moving to Palm Springs and invited us over to his basement to collect over 2,000 records from his collection. Among the archives we noticed three moldy boxes of quarter inch reel to reel tapes. Included was the final mixed down reel for “Kickin’ In”, an epic 12-minute journey through disco, that Patrick recorded with Loverde in 1978. From the two minute plus drum solo that builds up to the introduction of a bouncing arpeggiated Prophet IV and the harmonized vocals, all transport the listener to another realm. The song encapsulates the Hi-NRG dance music that Patrick became known for. It was an “up” sound for the gay disco scene, music that would compliment and sometimes enhance all night dancing. On the flip are two earlier songs produced between 1975-77 featuring basslines by college classmate and studio mate Maurice Tani. Both songs feature Patrick narrating erotic gay sex fantasies inspired by San Francisco’s leather bars, back rooms and bathhouses. These songs show the sleazy side of Cowley’s slow burning, oozing electronic creations with layers and layers of synthesizer, guitar, drum machine and vocoder.
All songs have been mastered by George Horn, who originally mastered all of the Megatone Records releases at Fantasy Studios. Each 12” comes housed in our custom Honey Soundsystem die-cut jacket featuring an illustration of the San Francisco skyline. Also included is a 8 inch square postcard of the original “Kickin’ In” reel to reel box with Patrick’s handwriting on the front and lyrics on the back. “Patrick parted the veil and entered a dark world of forbidden vices, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.” - David Diebold ’Tribal Rites’
Honey Soundsystem is proud to present an unreleased disco 12” by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, "The San Francisco Sound." During the 70s, Patrick was the lighting technician at The City disco in San Francisco’s North Beach neighborhood. This was SF’s largest Gay entertainment complex, where everyone from Grace Jones to Sylvester would perform. Frank Loverde was performing there with his band Loverde when Patrick asked if the band would like to do backups on some songs he’d been working on. Frank, Linda Imperial and Timmy went to Patrick’s studio and laid down vocals for songs, most of which were never released and remained buried in the Megatone vaults.
In 2007 Honey Soundsystem was contacted by the former owner of Megatone Records John Hedges. Hedges’ was moving to Palm Springs and invited us over to his basement to collect over 2,000 records from his collection. Among the archives we noticed three moldy boxes of quarter inch reel to reel tapes. Included was the final mixed down reel for “Kickin’ In”, an epic 12-minute journey through disco, that Patrick recorded with Loverde in 1978. From the two minute plus drum solo that builds up to the introduction of a bouncing arpeggiated Prophet IV and the harmonized vocals, all transport the listener to another realm. The song encapsulates the Hi-NRG dance music that Patrick became known for. It was an “up” sound for the gay disco scene, music that would compliment and sometimes enhance all night dancing. On the flip are two earlier songs produced between 1975-77 featuring basslines by college classmate and studio mate Maurice Tani. Both songs feature Patrick narrating erotic gay sex fantasies inspired by San Francisco’s leather bars, back rooms and bathhouses. These songs show the sleazy side of Cowley’s slow burning, oozing electronic creations with layers and layers of synthesizer, guitar, drum machine and vocoder.
All songs have been mastered by George Horn, who originally mastered all of the Megatone Records releases at Fantasy Studios. Each 12” comes housed in our custom Honey Soundsystem die-cut jacket featuring an illustration of the San Francisco skyline. Also included is a 8 inch square postcard of the original “Kickin’ In” reel to reel box with Patrick’s handwriting on the front and lyrics on the back. “Patrick parted the veil and entered a dark world of forbidden vices, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.” - David Diebold ’Tribal Rites’
Generators is a nightclub project by Honey Soundsystem. It will be told in 6 chapters both online and in person over the course of 2015 as a part of our residency at Smart Bar Chicago.
CHAPTER FIVE: THE NIGHT Written by Leo Herrera Performed by Karis Wilde Composed by Jackie House Edited by Jacob Sperber
Join us for the dance portion of this episode on Saturday October 3rd at Smart Bar Chicago from 10pm - 5am. Interior installation done by Tom Slazinski.
Each episode is written, performed and composed by artists who have been invited to contribute to a greater symposium on the changing face of queer nightlife. More information on the project can be found at www.dionysusdance.com
BUY VINYL: https://jackiehouse.bandcamp.com/album/stydive Honey Soundsystem is proud to present, on their revitalized music label, a new 12” from their co-founder and heavily should er-padded DJ, Jackie House aka Jacob Sperber. Since 2010, Sperber has been driving the A&R side of the San Francisco dance-music troupe running the HNYTRX label and producing remixes with other members under the Honey name. Putting label duties on hold in 2013 Sperber cocooned into his music studio, entering as a brave brunette and exiting as an ambitious blonde.
"Stydive" is Jackie's debut to wax and has as much house-party in it as it does warehouse 4am. With a vocal sample nod to punk's past, “Stydive” pogo dances to dusty and stuttering live/analog drum rhythms and skips along a rude and infectious bass-line. Bound to find lovers of all persuasions for its dub-esque qualities, instantly recognizable hook, and open relationship with house music, this tune begged to have it's own side. That said, there is always room for some Matrixxman who takes Stydive to a strobe lit South of Market darkroom in his remix on the B. Spurting erotic lazers around a cavernous kick, this tune finishes off even the most experienced edger. Both songs have been EQed for vinyl and cut to lacquer by George Horn at Fantasy Studios. Each 12” comes housed in a custom made die-cut jacket featuring an illustration of the San Francisco skyline by Studio Nico.
Honey Soundsystem is proud to reinaugurate their record label with a new 12” from resident DJ Robert Yang, also known as Bézier. Over the past several years Robert has seen releases on the Dark Entries record imprint, the most recent of which is the “Telomeres” EP. The title track 皆 (pronounced ‘mina’) translates from Japanese to ‘Everyone’. "Mina" is the story of a journey through space. The initial ascent is marked by uncertainty: "Is this vessel safe, and where is it bound?". Calm resumes after leaving orbit, until the space craft reaches its final destination: an interplanetary discotheque! Mina was recorded and mixed this year with the assistance of Mark Pistel. The track also features SF drummer Kevin Woodruff of Tussle fame.
The B-side includes two previously released tracks, now available for the first time on vinyl. ‘Serengeti Drive’ is a chugging slow burner, and first appeared on Honey Soundsystem’s earlier HNYTRX compilation of queer dancefloor artists. ‘Mysteries of the Deep’ explores more aquatic terrain, and was released on the JACKTONE cassette compilation of Bay Area electronic music stars. Both tracks were recorded, produced and mixed by Robert in his home studio in 2009. Vinyl EQ and lacquer were cut by George Horn at Fantasy Studios. Each 12” comes housed in a custom made die-cut jacket featuring an illustration of the San Francisco skyline by Studio Nico.
Honey Soundsystem is proud to reinaugurate their record label with a new 12” from resident DJ Robert Yang, also known as Bézier. Over the past several years Robert has seen releases on the Dark Entries record imprint, the most recent of which is the “Telomeres” EP. The title track 皆 (pronounced ‘mina’) translates from Japanese to ‘Everyone’. "Mina" is the story of a journey through space. The initial ascent is marked by uncertainty: "Is this vessel safe, and where is it bound?". Calm resumes after leaving orbit, until the space craft reaches its final destination: an interplanetary discotheque! Mina was recorded and mixed this year with the assistance of Mark Pistel. The track also features SF drummer Kevin Woodruff of Tussle fame.
The B-side includes two previously released tracks, now available for the first time on vinyl. ‘Serengeti Drive’ is a chugging slow burner, and first appeared on Honey Soundsystem’s earlier HNYTRX compilation of queer dancefloor artists. ‘Mysteries of the Deep’ explores more aquatic terrain, and was released on the JACKTONE cassette compilation of Bay Area electronic music stars. Both tracks were recorded, produced and mixed by Robert in his home studio in 2009. Vinyl EQ and lacquer were cut by George Horn at Fantasy Studios. Each 12” comes housed in a custom made die-cut jacket featuring an illustration of the San Francisco skyline by Studio Nico.
Honey Soundsystem is proud to reinaugurate their record label with a new 12” from resident DJ Robert Yang, also known as Bézier. Over the past several years Robert has seen releases on the Dark Entries record imprint, the most recent of which is the “Telomeres” EP. The title track 皆 (pronounced ‘mina’) translates from Japanese to ‘Everyone’. "Mina" is the story of a journey through space. The initial ascent is marked by uncertainty: "Is this vessel safe, and where is it bound?". Calm resumes after leaving orbit, until the space craft reaches its final destination: an interplanetary discotheque! Mina was recorded and mixed this year with the assistance of Mark Pistel. The track also features SF drummer Kevin Woodruff of Tussle fame.
The B-side includes two previously released tracks, now available for the first time on vinyl. ‘Serengeti Drive’ is a chugging slow burner, and first appeared on Honey Soundsystem’s earlier HNYTRX compilation of queer dancefloor artists. ‘Mysteries of the Deep’ explores more aquatic terrain, and was released on the JACKTONE cassette compilation of Bay Area electronic music stars. Both tracks were recorded, produced and mixed by Robert in his home studio in 2009. Vinyl EQ and lacquer were cut by George Horn at Fantasy Studios. Each 12” comes housed in a custom made die-cut jacket featuring an illustration of the San Francisco skyline by Studio Nico.
For the fist time in what seemed like ages Honey got do our thing uninhibited for San Francisco on a Sunday night. No guests - just the full resident line-up and a really cool new lighting installation on a holiday 3-day weekend. This is Josh Cheon's set from that night 2am-3am deep house vibes and acid wash mom jeans.