This American Life: Recent Episodes

This American Life

This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.

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What happens when people create alternate versions of themselves and release them into the wild?

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  • Prologue: Host Ira Glass talks about a recent experience being interviewed and the realization that he was being asked about another version of himself. (4 minutes)
  • Act One: Reporter Evan Ratliff creates an AI version of himself and then sets it loose on the world. This story was adapted from Evan's podcast, Shell Game. (43 minutes)
  • Act Two: Emmanuel Dzotsi explores the phenomenon of people lying on first dates to project a better version of themselves. Plus, he gets into a very personal example from his own life. (8 minutes)

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When Zohran Mamdani won the primary race for New York mayor, the Democratic establishment's lukewarm response echoed the treatment of another charismatic, unconventional candidate decades earlier. This week, we bring you the story of Harold Washington, the greatest politician you've probably never heard of, and the backlash that ensued when he became Chicago's first Black mayor.

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  • Prologue: As New York City’s Democratic establishment attempts to resist the candidacy of Zohran Mamdani, we look back at another mayoral candidate who upset the established political machine. (7 minutes)
  • Act One: A history of the brief mayoral career of Harold Washington and its lessons for Black and white America, as told by people close to him. (39 minutes)
  • Act Two: Ira revisits interviews with Chicago voters from the 1997 and 2007 rebroadcasts of this episode. In 1997, ten years after Harold Washington’s death, not much had changed in Chicago. By 2007, attitudes had begun to shift slowly, and another Black politician from Chicago was on the rise — Barack Obama. Ira also speaks to David Axelrod, an advisor to both Harold Washington and Barack Obama. (10 minutes)

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Stories of people who try simple mind games on others, and then find themselves way in over their heads.

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  • Prologue: Host Ira Glass interviews Lori Gottlieb about the time she sent a letter to a writer in a magazine, a letter packed with white lies. (5 minutes)
  • Act One: Lori Gottlieb's story continues. One complication led to another, and before long, the writer seemed to be lying to her. Or maybe he wasn't. It was hard to tell. Years later, she still isn't sure what happened. (8 minutes)
  • Act Two: A group called Improv Everywhere decides that an unknown band, Ghosts of Pasha, playing their first ever tour in New York, ought to think they're a smash hit. So they study the band's music and then crowd the performance, pretending to be hard-core fans. Improv Everywhere just wants to make the band happy—to give them the best day of their lives. But the band doesn't see it that way. Nor does another subject of one of Improv Everywhere's "missions." (31 minutes)
  • Act Three: Scott Carrier and his family live in the same Salt Lake City neighborhood as Elizabeth Smart, the fourteen-year-old whose 2002 kidnapping made international news. Though Smart's picture was plastered everywhere throughout Salt Lake City and thousands of volunteers searched for her, her captors brazenly brought her back to the very neighborhood from which she'd been taken. They walked freely through the streets with her in broad daylight, yet no one recognized her. Scott talks with his neighbors and his son Milo—who had attended grade school with Smart—about what was going through their minds that prevented them from seeing what was right there in plain sight. (12 minutes)

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A group of immigration judges, who almost never speak to the press, describes the dismantling of our immigration court system from the inside.

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  • Prologue: Zoe Chace gives an eyewitness account of what has been happening at 26 Federal Plaza, an immigration courthouse in New York City. (5 minutes)
  • Act One: The judges walk us through how different their jobs have become in just the past few months, because of sweeping policy changes by Trump’s Department of Justice. (26 minutes)
  • Act Two: It gets extremely personal for the judges. Also, the story of one person who got pushed through the new immigration court system this summer. (23 minutes)

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Things are different on college campuses this year. We see inside the drama, with students and staff.

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  • Prologue: We go to orientation at Arizona State University and meet international students who are trying to make friends. (6 minutes)
  • Act One: The president of the Black Student Union at the University of Utah fights to keep the B in BSU. (30 minutes)
  • Act Two: A definition of antisemitism, canceled classes, and angry professors at Columbia University. (16 minutes)

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Small human plans that run into much larger obstacles.

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  • Prologue: Angela's dad, an accountant, made a spreadsheet to prepare for their family trip to a national park. But there are things you never think to put in a spreadsheet. (7 minutes)
  • Act One: A young couple, excited to start a new chapter in their lives, is suddenly put on a very different trajectory. (30 minutes)
  • Act Two: A sixteen-year-old plans out a prank, and a complete stranger from Honduras ends up in a million-dollar deal. What could go wrong? (25 minutes)

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Since October 7th, while the world has focused its attention on Gaza, the Israeli government has tightened the screws on the three million Palestinians in the West Bank in all sorts of dramatic ways. We travel to the West Bank to see these changes in person.

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  • Prologue: Ira joins Hamed on his Monday commute. He has to navigate a constantly changing series of checkpoints and roadblocks to get to work each day. Hamed works for Comet-ME, which sets up solar panels, water systems, and security cameras in small villages all over the West Bank. (13 minutes)
  • Act One: Settler violence has worsened significantly in the West Bank since October 7, 2023. Yael Even Or travels to a tiny village called Tuba, surrounded by Israeli settlements, to meet the 27-year-old resident trying to protect it. (26 minutes)
  • Act 2: Two quick snapshots of life in the West Bank since October 7th. (6 minutes)
  • Act Two: After October 7th, Israeli Minister of Security Itamar Ben-Gvir increased restrictions on Palestinian prisoners in Israeli security prisons. Prisoners started dying. Dana Chivvis looks into one of those deaths. (25 minutes)

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The story of the most commonly performed surgery, and what goes wrong with it – terribly wrong – 100,000 times a year in the United States. We’re excited to bring you the first episode of The Retrievals, Season 2, the new show from longtime This American Life producer and editor Susan Burton. It’s from Serial Productions and The New York Times.

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  • Prologue: Ira Glass introduces the first episode of an inventive new podcast from longtime This American Life producer and editor Susan Burton.
  • Act One: Susan Burton introduces Mindy, a labor and delivery nurse at UI Health at the University of Illinois at Chicago. (5 minutes)
  • Act Two: Another labor and delivery nurse at UI Health, Clara, gets ready to deliver twins at her own hospital and receives an epidural. (19 minutes)
  • Act Three: Clara’s anesthesia is not working. She is now in the middle of major abdominal surgery, and she can feel that surgery. (21 minutes)
  • Act Four: Heather, the head of obstetric anesthesia at UI Health, gets up onstage and asks a ballroom full of hundreds of anesthesiologists to wrestle with the question of why patients are feeling pain during C-sections, and what they can do to solve it. (8 minutes)

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Ira Glass talks with longtime producer Nancy Updike about the most personal stories they have put on the radio. This is a sample of the bonus episodes we regularly release to our This American Life Partners.

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Summer is a time when change seems more possible than ever. But is that really how it happens? Can people actually reinvent themselves in the warmer months? This week, we present stories — and some comedy — about people and their summer selves.

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  • Prologue: Host Ira Glass reflects on his feelings about going to the beach. (3 minutes)
  • Act One: Producer Dana Chivvis explores the case of a 66-year-old working lifeguard who is suing New York State for age discrimination after refusing to wear a Speedo on the job. (16 minutes)
  • Act Two: A troupe of comedians tells personal stories about summer experiences and improvises scenes based on them. (23 minutes)
  • Act Three: Producer Neil Drumming tells the story of his dad and his family’s timeshare in Orlando, Florida. (14 minutes)

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People on a mission to achieve their goals before their window of opportunity closes.

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  • Prologue: Guest host Emmanuel Dzotsi goes to a packed sports bar in Brooklyn for his favorite soccer team’s biggest game in years. (6 minutes)
  • Act One: Connie Wang tells the story of a championship window she didn't realize she was in — until it was too late. (14 minutes)
  • Act Two: Seth Lind, our Operations Director, isn’t a crier. But he wants to connect with his emotions, so guest host Emmanuel Dzotsi sets up an unconventional experiment. (14 minutes)
  • Act Three: Two college baseball teams with horrible losing streaks — a combined 141 games — are scheduled to play each other. One of them must finally win. (14 minutes)

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On his first day in office, President Trump decided to freeze all U.S. foreign aid. Soon after, his administration effectively dissolved USAID—the federal agency that delivers billions in food, medicine, and other aid worldwide. Many of its programs have been canceled. Now, as USAID officially winds down, we try to assess its impact. What was good? What was not so good? We meet people around the world wrestling with these questions and trying to navigate this chaotic moment.

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  • Prologue: Just one box of a specially enriched peanut butter paste can save the life of a severely malnourished child. So why have 500,000 of those boxes been stuck in warehouses in Rhode Island? (13 minutes)
  • Act One: USAID was founded in 1961. Since then, it has spent hundreds of billions of dollars all over the world. What did that get us? Producer David Kestenbaum talked with Joshua Craze and John Norris about that. (12 minutes)
  • Act Two: Two Americans moved to Eswatini when that country was the epicenter of the AIDS epidemic. With support from USAID, they built a clinic and started serving HIV+ patients. Now that US support for their clinic has ended, they are wondering if what they did was entirely a good thing. (27 minutes)
  • Act Three: When USAID suddenly stopped all foreign assistance without warning or a transition plan, it sent people all over the world scrambling. Especially those relying on daily medicine provided by USAID. Producer Ike Sriskandarajah spoke to two families in Kenya who were trying to figure it out. (8 minutes)

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In honor of Father’s Day, stories of sons and daughters finding out the one thing they've always wanted to know about their father. The answers aren't always what they’d hoped for.

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  • Prologue: As a kid, Aric Knuth sent cassette tapes to his dad, a merchant marine gone for months at a time. He’d leave one side blank and ask for a reply—but none ever came. Aric talks to Ira Glass about what it was like to finally ask his dad why. (7 minutes)
  • Act One: Lennard Davis was always told to avoid his no-good Uncle Abie. After his father died, Abie claimed he was actually Lenny’s biological father via artificial insemination. At first, the story seemed possible, then doubtful. It took Lenny more than 20 years to sort out whether it was true, and he finds out the answer—definitively—as tape is rolling. (31 minutes)
  • Act Two: Paul Tough’s father was a mild-mannered professor—until he suddenly left the family to pursue a lifelong quest: making contact with extraterrestrial life. For the first time, Paul joins him and asks the questions he’s long kept to himself about his father’s alien pursuits. (18 minutes)

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We got a tip about a meat plant selling pig intestines as fake calamari, wondered if it could be true, and decided to investigate. Doppelgängers, doubles, evil twins and not-so-evil twins, this week. Fred Armisen co-hosts with Ira Glass.

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  • Prologue: Fred Armisen worked up an imitation of Ira and put it into a sketch on Saturday Night Live a couple of years ago. But when they rehearsed it with an audience, there was not a roar of recognition; it seemed like Ira might not be famous enough to be mocked on network TV. Armisen finally gets a go as Ira’s doppelgänger in our studios by co-hosting this episode. (4 minutes)
  • Act One: Ben Calhoun tells a story of physical resemblance — not of a person, but of food. A while ago, a farmer walked through a pork processing plant in Oklahoma with a friend who managed it. He came across boxes stacked on the floor with labels that said "artificial calamari." So he asked his friend "What’s artificial calamari?" "Bung," his friend replied. "Hog rectum." Have you or I eaten bung dressed up as seafood? Ben investigated. (26 minutes)
  • Act Two: For decades, the writer Alex Kotlowitz has been writing about the inner cities and the toll of violence on young people. So when he heard about a program at Drexel University where guys from the inner city get counseling for PTSD, he wondered if the effect of urban violence was comparable to the trauma that a person experiences from war. Kotlowitz talks to a military vet from Afghanistan and a guy from Philadelphia who’s lived in some pretty bad neighborhoods to find out if they are doubles of some sort. (23 minutes)

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Conversations across a divide: People who are outside a war zone check in with family, friends, and strangers inside.

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  • Prologue: The Hammash family’s group chat unfolds over texts, starting before the war. (8 minutes)
  • Act One: When Yousef Hammash left Gaza a year ago, his sisters decided to stay behind. We hear about the toll that separation has taken on Yousef and the sister he’s closest to, Aseel. (30 minutes)
  • Act Two: Mohammed Mhawish, a reporter who left Gaza a year ago with his family, talks to a young woman in Gaza about how she manages her hunger. Israel blockaded all food from Gaza for more than two months. (15 minutes)
  • Coda: Chana gives a short update about Banias, a 9-year-old girl in Gaza she's been speaking with for months. (4 minutes)

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A show about people who are suddenly confronted with who they are.

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  • Prologue: Guest host Aviva DeKornfeld tells Ira Glass about breaking into a community pool as a kid, and the split-second decision that has haunted her ever since. (4 minutes)
  • Act One: Some people are great in a crisis. Others, not so much. Does that mean anything about who we really are? Tobin Low investigates. (10 minutes)
  • Act Two: Aviva DeKornfeld has the story of Leisha Hailey, who was certain she had the next million-dollar idea. (11 minutes)
  • Act Three: Comedian Mike Birbiglia talks about the questions his daughter asks him and how trying to answer them showed him surprising reflections of himself. (15 minutes)
  • Act Four: David Kestenbaum tells the story of the suspicious disappearance of multiple shoes and a woman determined to explain it. (8 minutes)

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People immersed in chaos try to solve for what it all adds up to.

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  • Prologue: A scientist who is used to organizing data starts tracking scientific meetings that seem to exist only on paper—meetings that might decide the fate of years of research. The NIH website shows one reality; the empty conference rooms tell another story. She graphs the chaos. (9 minutes)
  • Act One: American doctors returning from Gaza compare notes and start to see a pattern. (28 minutes)
  • Act Two: A woman watches her partner get taken in handcuffs with no explanation. Days later, she spots him in the most unexpected place. The coordinates of her life suddenly don't make sense as she navigates the bewildering map of the US immigration system. (23 minutes)

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A couple devises a strategy to get their daughter's killer prosecuted and to get attention for other Native families.

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  • Prologue: Mika Westwolf was killed in a hit-and-run on a Montana highway. Her parents thought the driver might get away with it. The driver was white. Mika was a citizen of the Blackfeet Nation. (1 minute)
  • Act One: Mika’s parents, Carissa Heavy Runner and Kevin Howard, share recordings of their interactions with law enforcement. (8 minutes)
  • Act Two: Carissa and Kevin take matters into their own hands. (20 minutes)
  • Act Three: The county prosecutor explains why he let Mika’s killer out of jail. Will Carissa and Kevin's efforts pay off? Sierra follows them to court. (33 minutes)

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Artifacts and exhibits of this particular moment we are living through.

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  • Exhibit One: Ira talks to producer Emmanuel Dzotsi, who brings the first exhibit into the studio with him: a chunk of concrete with some yellow paint on it. He got it from the demolition site in Washington, DC, where the giant Black Lives Matter letters are being dug out of the street with heavy equipment. (8 minutes)
  • Exhibit Two: Producer Aviva DeKornfeld talks to Ranjani Srinivasan, who tells the story of how her life was transformed over five days via a series of events that started out confusing and escalated to frightening. (25 minutes)
  • Exhibit Three: Producer Laura Starecheski takes us inside one dramatic court hearing on the Trump administration’s executive order and new policy banning transgender people from serving in the military. (20 minutes)

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Sometimes, life’s biggest mysteries require one very specific person to answer them.

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  • Prologue: 7-year-old Miles has lots of questions. More specifically, he has questions about the famous car chase from “The Blues Brothers” movie. We arrange for him to talk to stunt coordinator Gary Powell so he can get the answers he so desperately wants. (9 minutes)
  • Act One: Producer Aviva DeKornfeld looks into why comedian Daniel Sloss’s comedy special has been responsible for so many couples breaking up. (17 minutes)
  • Act Two: We hear from Kwaneta Harris, a former nurse incarcerated in Texas, who is constantly asked for medical advice by her neighbors. (17 minutes)
  • Act Three: Producer Diane Wu talks to Juna, a young woman who is getting advice from someone uniquely equipped to guide her to the love life she wants. (12 minutes)

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Unnecessary and outrageous lies that make you wonder — why lie about that in the first place?

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  • Prologue: Kasey, a woman who prides herself on her truthfulness, tries to help host Ira Glass figure out how to stop lying about one specific thing. (10 minutes)
  • Act One: Producer Dana Chivvis talks to reporter Liz Flock about a strange experience she had in 2011. (21 minutes)
  • Act Two: Host Ira Glass talks with M. Gessen about a lie they've been seeing out in the world a lot recently — the “bully lie.” (15 minutes)
  • Act Three: We find someone brave enough to stand up and make a case FOR lying. That person is producer Ike Sriskandarajah. (8 minutes)

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Zach Mack and his dad try to mend a rift between them in a very unusual way.

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  • Prologue: Ira Glass introduces Zach Mack’s story. (1 minute)
  • Part One: Zach and his father enter into an agreement that could change their entire relationship. (9 minutes)
  • Part Two: Zach’s mother and sister weigh in on the agreement. (28 minutes)
  • Part Three: With the year coming to an end, someone is going to have to say, “You were right, and I was wrong.” Will it change anything? (16 minutes)

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Stories from the heart of heartbreak.

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  • Prologue: Host Ira Glass talks with Lauren Waterman, who's in the middle of a break-up right now and grappling with totally contradictory feelings. (5 minutes)
  • Act One: In the wake of a break-up, writer Starlee Kine finds so much comfort in break-up songs that she decides to try and write one herself—even though she has no musical ability whatsoever. For some help, she goes to a rather surprising expert on the subject: Phil Collins. (29 minutes)
  • Act Two: Eight-year-old Betsy Walter goes on a campaign to understand her parents' divorce — a campaign that takes her to school guidance counselors, children's book authors, and the mayor of New York City. (10 minutes)
  • Act Three: Ira talks with divorce mediator Barry Berkman about why it's bad when the justice system gets involved in a break-up. (8 minutes)
  • Act Four: What divorce looks like from the dog's point of view. (5 minutes)

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People stuck in a loop, trying to find their way out.

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  • Prologue: Host Ira Glass talks to B.A. Parker about her birthday tradition. (6 minutes)
  • Act One: Producer Aviva DeKornfeld speaks with a father and daughter who have been playing the same game for 25 years. (9 minutes)
  • Act Two: Talia Augustidis asks a single question over and over. (5 minutes)
  • Act Three: Editor David Kestenbaum speaks with Jeff Permar, who is trapped in a Groundhog Day situation — with an actual groundhog! (9 minutes)
  • Act Four: Parking in a big city can be a real pain. Producer Valerie Kipnis speaks with a man who has taken it upon himself to try to mitigate the weekly hassle. (14 minutes)
  • Act Five: Short fiction from Bess Kalb about a groundhog named Susan, who has her own opinions about the holiday named after her species. (7 minutes)

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People climbing to be number one. How do they do it? What is the fundamental difference between us and them?

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  • Prologue: Ira Glass talks with Paul Feig, who, as a sixth-grader, at the urging of his father, actually read the Dale Carnegie classic How to Win Friends and Influence People. He found that afterward, he had a bleaker understanding of human nature—and even fewer friends than when he started. (9 minutes)
  • Act One: David Sedaris has this instructive tale of how, as a boy, with the help of his dad, he tried to bridge the chasm that divides the popular kid from the unpopular — with the sorts of results that perhaps you might anticipate. (14 minutes)
  • Act Two: After the September 11th attacks on the World Trade Center and the Pentagon, U.S. diplomats had to start working the phones to assemble a coalition of nations to combat this new threat. Some of the calls, you get the feeling, were not the easiest to make. Writer and performer Tami Sagher imagines what those calls were like. (6 minutes)
  • Act Three: To prove this simple point—a familiar one to readers of any women's magazines—we have this true story of moral instruction, told by Luke Burbank in Seattle, about a guy he met on a plane dressed in a hand-sewn Superman costume. (13 minutes)
  • Act Four: Jonathan Goldstein with a story about what it's like to date Lois Lane when she's on the rebound from Superman. (13 minutes)

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With Donald Trump’s victory this week, many people looked at the election results and thought, yeah, this is the country I thought it was. For some people, that was a hopeful thing. For others, kind of the opposite. This week, we talked with people who helped make it happen and some who are looking to what’s next.

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  • Prologue: Ira talks with Zoe Chace about watching Trump’s victory from an ecstatic room in Michigan. Then he checks in with a DC cop who was injured at the Capitol on January 6. (7 minutes)
  • Act One: Trump has claimed that he will be able to deport between 15 and 20 million people. But neither he nor his team have spelled out exactly how they’d do it. Producer Nadia Reiman looked into what mass deportation could actually look like on the ground if and when it comes to pass. (17 minutes)
  • Act Two: Trump won record numbers of Latino voters this year. Ike Sriskandarajah spent the day with a guy in Pennsylvania who's been working to bring Latino voters to Trump for years. (15 minutes)
  • Act Three: Ira talks with two of Trump’s “political enemies” about their post-election plans. (8 minutes)
  • Act Four: Ten different states had abortion rights measures on their ballots this election. Producer Miki Meek got curious about a particular kind of political ad that aired in many of those states and called up a few of the women whose stories were featured in them. (9 minutes)

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A wee flame, flickering in the dark.

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  • Prologue: Who’s trying to bridge the gap between Blue America and Red America? Ira gets a glimpse of one guy who might be able to do just that. (3 minutes)
  • Act One: A politically divided couple searches for a news source they both can trust. (26 minutes)
  • Act Two: "June" is making a tactical decision about her vote this election. (13 minutes)
  • Act Three: Frank Filocomo thinks people care too much about politics when it comes to dating. His dates don’t necessarily agree. (10 minutes)

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People who tell a lie and then believe the lie more than anyone else.

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  • Prologue: Sean Cole explains why he decided that he would speak with a British accent—morning, noon and night—from the age of fourteen until he was sixteen, and how he believed the lie that he was British must be true. (3 minutes)
  • Act One: The story of two young people who, in their search to figure out who they were, pretended to be people they weren't. Both were from small towns; both took on false identities. For two years in high school, producer Sean Cole spoke with a British accent. As a freshman in college, Joel Lovell told lies about his own diet and about his parents. (15 minutes)
  • Act Two: The story of a con man, one of the most successful salesmen in a long-running multimillion-dollar telemarketing scam, who finally got caught when he was conned himself. Producer Nancy Updike talks about the case with Dale Sekovich, Federal Trade Commission investigator. (16 minutes)
  • Act Three: Shalom Auslander reads his true story, "The Blessing Bee." It's about the time when, as a third-grader at an Orthodox Jewish school, Shalom saw his chance to both make his mom proud, and push his drunken father out of the picture. Part of his scheme involved winning the school's bee on the complicated Hebrew blessings you say before eating certain foods. The other part of the scheme: Sinning. (19 minutes)

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Thirteen parole board members decide whether or not one man should be released from prison.

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  • Prologue: Henry Dee has been locked up for most of his life, nearly 50 years. Now, he’s up for parole. Reporter Ben Austen tells the story. (19 minutes)
  • Part 1: The parole board members puzzle through the pros and cons of releasing Henry Dee from prison and cast their votes. (26 minutes)
  • Part 2: Reporter Ben Austen continues the story. (8 minutes)

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Ira Glass has news to share about some things happening here at This American Life.

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So much of the fight for the presidency is coming down to battles for small slices of voters who can help throw swing states to one candidate or another. Abbas Alawieh, a leader in the Uncommitted movement, grapples with how to get his voters the thing they want.

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  • Prologue: When you have some power, but not a lot, how do you wield it when you’re suddenly cast into the spotlight? (4 minutes)
  • Act One: Zoe Chace and Ben Terris follow Abbas Alawieh as he fights to broker a deal at the DNC – a way to potentially satisfy the people who voted “Uncommitted” in the primaries as a protest vote against Biden’s handling of the war in Israel and Gaza. (33 minutes)
  • Act Two: Three weeks after the Democratic National Convention, Abbas speaks at a tense community meeting in Michigan about the Uncommitted organizers’ general election recommendation and hears back from voters on how they feel about the Democratic nominee at this point. (15 minutes)

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Chen Almog-Goldstein was kidnapped by Hamas along with her three youngest children on October 7, 2023. This week, she tells the story of their life as hostages in Gaza.

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  • Prologue: The 251 hostages taken by Hamas a year ago have become a divisive symbol in Israel. Host Ira Glass talks about the father of one hostage, and what happened to him at a protest last week when he called for a hostage deal. (6 minutes)
  • Part One: On this week’s show, we’re airing excerpts of interviews with former hostages produced by an Israeli podcast, Echad Bayom. In these interviews they describe, in a remarkably detailed and complicated way, what happened to them a year ago.
  • Part Two: Chen’s story continues, with a description of what it was like to be hidden in a small apartment with her children and their captors. (6 minutes)
  • Part Three: Chen talks about the complicated relationship between her family and the people holding them hostage. (6 minutes)
  • Part Four: Chen describes hearing the Israeli news while in captivity, including one night when her own father was interviewed. (4 minutes)
  • Part Five: Chen talks about what it was like to walk around the streets of Gaza in disguise and their eventual release, 51 days after they were taken from their home. (13 minutes)

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People caught in limbo, using ingenuity and guile to try to get themselves out.

  • Prologue: Rachel has two kids. Elias, age seven, is a vegetarian. Theo, age five, is not. But Elias wants Theo, and everyone else in the house, to be vegetarian too. So Rachel and her husband are in the middle of negotiating the desires of two very strong willed kids. (12 minutes)
  • Act One: Sara Corbett's father-in-law Dick is 81. And he's become obsessed with a limbo most of us hate – the music he hears whenever he's on hold. (14 minutes)
  • Act Two: Mark Oppenheimer reports on agunah in the Orthodox Jewish community. An agunah is a woman whose husband refuses to give her a divorce – in Hebrew it means "chained wife." If you're an Orthodox Jew, strictly following Jewish law, the only real way to get divorced is if your husband agrees to hand you a piece of paper called a get. Without the get, women who want out of their marriages can stay chained to their husbands for years. In New York, a couple of rabbis were recently accused of using violence to force men to give their wives a get. (17 minutes)
  • Act Three: Brett Martin documents a previously unnoticed human phenomenon, one that involves airplanes, crying, and Reese Witherspoon. (11 minutes)

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One kid comes to America as an exchange student and commits herself to the senior year experience.

  • Prologue: We talk to high school seniors in Salt Lake City who are trying to have the perfect year. (5 minutes)
  • Act One: Every year, thousands of teenagers come from all over the world to experience American high school. Last year, thirteen students from Palestine came to the US on a program sponsored by the US State Department. We tell the story of a girl named Majd, from Gaza, and her extraordinary year in America. (50 minutes)

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People trying and struggling to see what another person sees.

  • Prologue: Guest-host Tobin Low talks to comedian Tig Notaro about a jarring ride to school with her son. (6 minutes)
  • Act One: Producer Aviva DeKornfeld heads to the Calgary Stampede to watch as men try out a machine designed to simulate menstrual cramps. (15 minutes)
  • Act Two: A man can’t seem to see anyone in his life for who they really are, plunging his life into chaos. (18 minutes)
  • Act Three: Senior Editor David Kestenbaum hears about a way to save some money and help save the world. All he needs is a little help. (5 minutes)
  • Act Four: Marie Phillips reads a short story involving an aloof friend, a goose, and some extreme gardening. (7 minutes)

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Iowa has three million people and a million come to their State Fair, each with their own goals and dreams for the fair. We hang out with some of them, to see if they get what they hoped for.

  • Prologue: A big bull, a giant slide, and cowboys on horseback shooting balloons are just a few sights you can take in at the Iowa State Fair. Some people come for the spectacle, and some are the spectacle. (8 minutes)
  • Act One: Bailey Leavitt comes from a family of carnies. For her, one of the most thrilling things she looks for at the fair is someone who is really good at luring people into spending money at their stand. She takes Ira on an insider’s search for “an agent.” (16 minutes)
  • Act 2: Motley Crue pledged never to play the fairgrounds. Then they did. We wondered what that had been like for them. They agreed to an interview, but then they flinched. (1 minute)
  • Act Two: What life lessons can kids learn at the 4-H rabbit competition? A lot. (11 minutes)
  • Act Three: The Iowa State Fair awarded coveted slots to just nine new food vendors this year. All of them are run by people who already own restaurants or who’ve done other big fairs. All except for an unlikely newcomer: Biscuit Bar. (19 minutes)
  • Act Four: As the ferris wheel goes dark and the fair is closing down, one game is racing to meet their quota. Ira watches until the end.

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When the best—and perhaps only—way to say something is to write it down.

  • Prologue: Ira goes out with a letter carrier, ‘Grace,’ as she delivers mail on her route. He learns about the people who bring us our mail and also how people treat their mail. (11 minutes)
  • Act One: Writing a letter decades after an event that shaped her life was the only way that Nicole Piasecki could make some sense of it. (18 minutes)
  • Act Two: Yorkshire, 1866. A farmer overcomes his timidity and writes a very important letter to a local beauty. (3 minutes)
  • Act Three: When senior editor David Kestenbaum was still a rookie reporter, he wrote an email to a legend. Then he waited...and waited...for a reply. (6 minutes)
  • Act Four: A woman writes an unusual letter on behalf of her husband. (1 minute)
  • Act Five: Producer Zoe Chace compares the letters a person gets and the letters they wish they got. (12 minutes)

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In a crisis, when all logic suggests that you get away from the dangerous thing, how will you respond?

  • Prologue: Ira talks to two members of a recreational swimming club who intentionally swam straight toward a shark that had just bitten their friend. (9 minutes)
  • Act One: Sarah Polley has always been reluctant to jump into challenging situations. Then something happened that changed all of that – something that also made her think her teeth were going to fall out. (19 minutes)
  • Act Two: Comedian Josh Johnson tells the story of a “trad wife” who stepped into an incendiary situation. And even as the flames consumed her, she kept stepping. (7 minutes)
  • Act Three: This summer, thousands of young people have taken to the streets in Nairobi to protest the Kenyan government. But behind those protestors are thousands of worried parents. Reporter Kimu Elolia talks to a woman whose son keeps lying to her. (17 minutes)

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We document one day in a Chicago diner called the Golden Apple, starting at 5 a.m. and going until 5 a.m. the next morning. We hear from the waitress who has worked the graveyard shift for over two decades, the regular customers who come every day, the couples working out their problems, assorted drunks, and, of course, cops.

  • Act One: In this act, we hear several stories that happened during the daylight hours of the diner's operation. The first is from Nancy Updike, who talks with early morning customers, including one guy who comes in mornings to play his accordion, and another who at the age of 8 was the youngest butcher in Illinois. We also hear from several regulars who come to the Golden Apple every day, more than once. Many of them are old and alone. They say they come for the coffee, and to talk to the waitresses. Reporter Susan Burton talks with two friends who used to be a couple. They stopped dating three years ago, but haven't stopped fighting about whose fault it was. An older lady who grew up in the neighborhood explains her neighbors' feelings towards African Americans and gay people. (29 minutes)
  • Act Two: In this act, we hear from the rowdier, drunker late-night patrons of the Golden Apple. A guy walks in with two young women, hoping to go home with one of them. A woman explains the difference between earthly time and other kinds of time. Two teenaged girls, best friends, spend four hours trying to meet a guy named Jeff at the diner. Two cops talk about TV, what they do on their breaks, and how sometimes it's okay to drive around all night on their beat doing nothing. (26 minutes)

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People rethinking some of the most important relationships in their lives — with their sister, their political party, and the nominee for president.

  • Prologue: Ira observes that we are in a moment of national reconsideration. (2 minutes)
  • Act One: Zoe Chace reports on a surprising guest at the Republican National Convention: Teamsters president Sean O’Brien. (18 minutes)
  • Act Two: Ira talks to Representative Seth Moulton about what it was like to be among the first members of Congress to call for President Joe Biden to step aside. (18 minutes)
  • Act Three: Two adult sisters revisit old rivalries when they compete for a world record in typing with their pinkies. (16 minutes)

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We head to some of the happiest places on earth: amusement parks! Ira Glass takes us behind the scenes at Worlds of Fun in Kansas City, where the young staff – coached by a funny, fun-loving boss just a little older than they are – truly seem to love their jobs.

  • Prologue: Host Ira Glass walks through a Kansas City Missouri amusement park called Worlds of Fun with Cole Lindbergh, who had a season pass to the park as a little kid, starting working there summers at 14, and then just stayed. Now he's a full-time, year-round employee, running the games department. It's possible he does this job better than anyone in the country. It's rare to witness someone so happily great at his job. (9 minutes)
  • Act One: Ira continues with Cole Lindbergh and the hundred teenagers who work for himin the games department at Worlds of Fun. We watch them compete againsteach other to see who can do the most business, in Cole's Sweet Sixteenbracket tournament, which pits all 32 games in the park against each other.We hear about all the things Cole does that other games managers don't. Heinvents games. He directs music videos starring his team. (23 minutes)
  • Act Two: We asked for your stories about amusement parks. Three hundred of youcalled in, with stories of fear, floating carnies and, um, vomit. (9minutes)
  • Act Three: Jonathan Goldstein returns to Wildwood, New Jersey, where he spent one not-fateful summer when he was sixteen. Jonathan's the host of the podcast Heavyweight. (13 minutes)

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Boen Wang has a theory that a lot of the misery in his life can be traced to a single moment that happened years before he was born. So he makes a pilgrimage to see if he’s right.

  • Prologue: Ira talks about what it’s like to go back to 1119 Bayard Street in Baltimore. (6 minutes)
  • Part One: Boen visits Norman, Oklahoma, where he was born, to meet the man he thinks changed his parents’ lives—and his life, too. (31 minutes)
  • Part Two: Boen’s friend, Andrew, and his parents take what he learned in Part One, throw it into a blender, and push puree. (20 minutes)

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Yousef is forced into a move he is not sure he can make.

  • Prologue: Since the beginning of the war in Gaza, Yousef Hammash has decided where to go next and when. In Rafah, he is out of options and faces his toughest move yet. (5 minutes)
  • Act One: Yousef does not even want to think about leaving Gaza. (18 minutes)
  • Act Two: The actual price — in cash — of getting out of Gaza. (31 minutes)

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Donald Trump has talked about taking retribution on his enemies since the early days of his 2024 presidential campaign. After his conviction last week in New York, his talk intensified. We try to understand what his retribution might look like by speaking with people who have the most to lose in a second Trump administration: people who believe Trump will be coming for them.

  • Prologue: Donald Trump has talked about taking revenge on his enemies since the early days of his 2024 presidential campaign. Ira Glass talks to reporter Jonathan Karl about how Trump has placed retribution at the center of his run and what we know about how he’s thinking about it. (16 minutes)
  • Act One: Reporter Alix Spiegel talks to two people with good reason to fear a second Trump administration. Former White House Press Secretary Stephanie Grisham spent six years with the Trumps but resigned after January 6th and wrote a scathing tell-all book about her experience. Fred Wellman worked for The Lincoln Project - a group of high-profile Republicans who pledged to keep Trump out of office during the 2020 campaign. (22 minutes)
  • Act Two: Alex Vindman became the face of the first Trump impeachment after he reported to his superiors that Trump had asked the President of Ukraine to investigate Hunter Biden, the son of his political opponent. At the time, Vindman believed that his Congressional testimony would not jeopardize him; now, he and his wife Rachel are having second thoughts. (14 minutes)
  • Act Three: After hearing from people who dread a possible second Trump term, we hear from those who are excited about it. Reporter Zoe Chace checks into whether his supporters are excited for retribution. (7 minutes)

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People tethered to one particular other person, whether they want to be or not.

  • Prologue: Guest host Emmanuel Dzotsi talks to Leroy Smith about how one high school basketball tryout forever changed Leroy’s relationship to a childhood friend. (7 minutes)
  • Act One: A man finds himself sucked into an intense head-to-head running competition against a perfect rival – all for free burritos from Chipotle. (18 minutes)
  • Act Two: Writer Simon Rich grapples with an A.I. chatbot that threatens to make him obsolete. (21 minutes)
  • Act Three: For writer Marie Phillips, moving in with her partner meant finding herself deeply connected to the woman who came before her. (12 minutes)

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How they organize the chaos of the world, for good and for bad.

  • Prologue: Ira interviews David Wallechinsky, who wrote a wildly popular book in the 1970s called The Book of Lists, full of trivia and research, gathered into lists like "18 Brains" and "What They Weighed." The book sold millions of copies and had four sequels and a brief spin-off TV show. The list books were like the internet, before the internet. (12 minutes)
  • Act One: John Fecile talks to his brother, Pat, about a list their other brother made before he died. They each have different ideas about what the list means and how they feel about it. (14 minutes)
  • Act 2: A brief visit with Bobby, who keeps a list in his phone of all the dogs in his neighborhood and their names to save him from the awkwardness of not knowing the name of someone’s dog – because people get upset if you don’t remember their dog’s name. (3 minutes)
  • Act Two: Reporter Masha Gessen talks to Russians living in America and elsewhere, about lists they’ve been put on by the Russian government in the last few years. Masha is also on one of these lists. Each list has its own complex rules and potential consequences, for the people on the lists and for their family members who live in Russia. (28 minutes)

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The trial for the men accused of orchestrating the September 11 terrorist attacks still hasn’t started yet. Family members of those who died that day are still hoping for some kind of accountability, more than 22 years later. This week, the story of how one victim’s sister is navigating this historic and twisted trial.

  • Prologue: Host Ira Glass introduces the new series that Serial is doing about Guantánamo Bay. This is the second of two episodes of theirs that we’re airing. (2 minutes)
  • Act One: We meet Colleen Kelly, a member of September 11th Families for Peaceful Tomorrows, and learn just how upside down and messed up the trial for the 9/11 accused has been over the past decade. (28 minutes)
  • Act Two: Sarah Koenig explains what’s probably the best possible outcome that everyone can hope for at this point. And why, when it hits the news someday — if it ever happens — it’s sure to be deeply misunderstood by lots of people. Plus a trip to Guantánamo with Colleen. (31 minutes)

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For years, Majid believed that if he could testify in court about what happened to him when he was held in a CIA black site, a judge and jury would give him a break. Finally, he got a chance to see if he was right.

  • Prologue: Ira talks about the exciting new series that Serial is doing about Guantanamo Bay. We’re airing two of those episodes on the show – one this week and one next. (2 minutes)
  • Act One: Majid Khan struggled with his identity when he was young. And then he realized exactly who he wanted to be – a member of Al Qaeda, carrying out orders for Khalid Sheikh Mohammed. He did bad things. But are the things that the U.S. Government did to him worse than his actual crimes? (38 minutes)
  • Act Two: Majid finally gets his day in court. At his sentencing hearing, he describes to the jury what his interrogators did to him. (20 minutes)

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While the seniors danced at Prom Night 2001 in Hoisington, Kansas—a town of about 3,000—a tornado hit the town, destroying about a third of it. When they emerged from the dance, they discovered what had happened, and in the weeks that followed, they tried to explain to themselves why the tornado hit where it did. Plus other stories that happen on Prom Night.

  • Prologue: A high school boy explains how prom is the culmination of his effort to get in with a cool group of people. (5 minutes)
  • Act One: Susan Burton reports on Prom Night 2001 in Hoisington, Kansas, a town of about 3,000. While the seniors danced, a tornado hit the town, destroying about a third of it. When they emerged from the dance, they discovered what had happened, and in the weeks that followed, they tried to explain to themselves why the tornado hit where it did. (25 minutes)
  • Act Two: Host Ira Glass talks with Francine Pascal, who's written or invented the plot lines for over 700 books for teenagers in the various Sweet Valley High series....Sweet Valley Kids, Sweet Valley Twins, Sweet Valley University, Sweet Valley Senior Year. She explains why a prom story is a must for teen movies and TV shows. (6 minutes)
  • Act Three: For a more typical view of prom night, we hear prom night at Chicago's Taft High School. (9 minutes)
  • Act Four: In this act, we argue that the epicenter of prom genius—the place where America's prom future is being born—is the town of Racine, Wisconsin. In Racine, they've added one ingredient to prom that takes it to a whole new level of intensity. Reported by Wendy Dorr. (10 minutes)

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Gladiators in the Colosseum. Sideshow performers. Reality television. We've always loved to gawk at the misery or majesty of others. But this week, we ask the question: What's it like when the tables are turned and all eyes are on you?

  • Prologue: Ira talks to Joel Gold, a psychologist and author, about a strangely common delusion known as the "Truman Show Delusion," in which patients believe that they are being filmed, 24/7, for a national reality television program. (6 minutes)
  • Act One: Producer Stephanie Foo speaks to Nasubi, a Japanese comedian who, in the 90s, just wanted a little bit of fame. So he was thrilled when he won an opportunity to have his own segment on a Japanese reality TV show. Until he found out the premise: he had to sit in an empty apartment with no food, clothes or contact with the outside world, enter sweepstakes from magazines… and hope that he won enough sustenance to survive. (23 minutes)
  • Act Two: Writer Ariel Sabar tells the story of Roger Barker, a psychologist who believed that humans should be studied outside the lab. So Barker dispatched an army of graduate students to follow the children of Oskaloosa, Kansas, and write down every single thing they did. Sabar wrote a book - a Kindle Single - about Roger Barker, called "The Outsider." (8 1/2 minutes)
  • Act Three: Charlie Brill and Mitzi McCall were a comedy duo back in the mid-1960s, playing clubs around Los Angeles, when their agent called to tell them he'd landed them the gig of a lifetime: They were going to be on The Ed Sullivan Show. The only problem was that their performance was a total fiasco, for a bunch of reasons, including one they never saw coming. David Segal reports. (17 minutes)

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A girl signs up for a class. A couple hires an accountant. A group of co-workers decides to pool their money and buy a couple of lottery tickets. In the beginning, they're full of hope and optimism — and then something turns. Stories of good ideas gone bad.

  • Prologue: Paul was a cop. One night he was pulling second shift when he had a perfectly good idea: He'd stretch out in the back seat and take a little nap during his break. He fell right asleep, and slept well until he woke up and realized the funny thing about the back seats of cop cars: The doors don't open from the inside. Paul is author of the book Bad Cop: New York's Least Likely Police Officer Tells All. (8 minutes)
  • Act One: It was two months into the tour. Katie Else and the rest of the Riverdance cast had been performing eight shows a week. They decided to pool their money for the Mega-Millions lottery. Lotto fever gripped the cast. They started to genuinely believe they would take home about $2 million each, and quit Riverdance the next day. They took the stage the night of the drawing and pulled off their best performance ever, "For the Lotto!," trying to direct their energy towards the win. An hour later, at the hotel bar, the numbers came in. (17 minutes)
  • Act Two: After years of neglecting their personal finances, Joel and his wife finally decide to sort things out. They hire a tax accountant named Len, whose casual manner is a real comfort, at first. But then, "casual" turns into "drunk" and then it's clear that he's just plain delinquent. Joel tries to take his business elsewhere, but Len refuses to let go of their file. He begs for a second chance, which it seems, came too late. Joel Lovell is executive editor at Pineapple Street Media. (8 minutes)
  • Act Three: Davy Rothbart was on a 136-city tour appearing on morning TV talk shows to promote his book Found: The Best Lost, Tossed, and Forgotten Items from Around the World. Just before one appearance he had what seemed like a great idea at the time. Without letting the host know, he tested it out, live, on-air. Davy is the creator of Found Magazine and author of the book of essays My Heart Is An Idiot. (6 minutes)
  • Act Four: When Elspeth was a girl, she wanted nothing more than her father's attention. He was busy, a doctor, and distant. One day he agrees to put on a volunteer seminar for their church, about his area of expertise: "The Function of the Heart." Elspeth and her best friend are the only two kids who show up, and Elspeth is attentive and engaged, the perfect student. It was an incredible experience for her, the best day she's ever spent with her dad...she thinks. That is, until her mother takes her aside and explains her big mistake. (8 minutes)

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It can be hard to know the right moment for something to happen.

  • Prologue: When Jordan was going into his senior year of high school in small town Utah, he and his buddies all lived together in a house, daring each other into Jackass-style pranks and stunts. There's one particular thing Jordan did that he did not want to talk to Ira about. (10 minutes)
  • Act One: Harmon Leon is a writer and comedian whose cocktail party story about “the-weirdest-gig-I-ever-did” is more weird—by a lot—than anyone else’s we’ve heard. He answered an ad several years ago that called for a hilarious sidekick to a celebrity on a hidden camera show. (30 minutes)
  • Act Two: One of the show's producers, Zoe Chace, tells Ira about a joke she made pretty soon after something terrible had happened.

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People taking it upon themselves to solve the tiny, overlooked crimes of the world.

  • Prologue: Host Ira Glass bikes around Manhattan with Gersh Kuntzman, in search of illegal license plates. (11 minutes)
  • Act One: Writer Michael Harriot reexamines the DIY criminal justice system his mom invented to deal with his bad behavior as a child. (20 minutes)
  • Act Two: Producer Aviva DeKornfeld talks to Caveh Zahedi about a crime he may or may not have committed, depending on who you ask. (7 minutes)
  • Act Three: Micaela Blei accidentally solves a crime that had been going on for a long time, right under her nose, and has to decide what to do next. She told this story onstage at The Moth. (7 minutes)
  • Act Four: Editor Bethel Habte examines video evidence of two parents trying to get to the bottom of a minor crime committed in their own home. (7 minutes)

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Mysteries that exist in relationships we thought couldn't possibly surprise us.

  • Prologue: Ira talks to Rachel Rosenthal, who spent years trying to figure out who had stolen her identity. She was closing bank account after bank account, getting more and more paranoid, until she realized she knew exactly who the thief was. (5 minutes)
  • Act One: Ira’s conversation with Rachel Rosenthal continues. She tells the story of why it took her so long to break up with her boyfriend, even after she figured out that he had stolen from her. We heard about Rachel's story via the podcast Risk! (9 minutes)
  • Act Two: Producer Neil Drumming conducts an experiment to find out: can two adults, both new in town, become friends, with the right help? (16 minutes)
  • Act Three: Comedian Kyle Mizono, in a live performance, tells about the time she met her hero, spent a week working with him every day, and it went really well. And then, she emailed him. (10 minutes)
  • Act Four: A short story by Lydia Davis about trying to calculate the cost of a love affair. The story is read by actor Matt Malloy. (12 minutes)

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The things we break and the ones we can't fix.

  • Prologue: Ira tells the stories of three things that broke–two of them in his own family. (8 minutes)
  • Act One: A teenage whiz kid invents a new toy for Milton Bradley. Then the trouble starts. (28 minutes)
  • Act Two: Reporter Dana Ballout sifts through a very long list—the list of journalists killed in the Israel-Hamas War—and comes back with five small fragments of the lives of the people on it. (10 minutes)
  • Act Three: A skateboarding legend makes a final attempt at a high-flying trick. (6 minutes)

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People waking up to the fact that the world has suddenly changed.

  • Prologue: Jackson Landers tells the story of a very strange decision he made one summer day. (6 minutes)
  • Act One: Elena Kostyuchenko tells the story of how she was probably poisoned after reporting on Russian’s invasion of Ukraine, and how she kept not believing it was happening. Bela Shayevich translated this story from Russian and reads it for us. (21 minutes)
  • Act Two: A recording of comedian Tig Notaro in the process of trying to catch up to the present and absolutely not being able to. (8 minutes)
  • Act Three: Producer Zoe Chace with a political fable that she noticed playing out last week in North Carolina. (11 minutes)
  • Act Four: Producer Tobin Low finds a group of people with a special relationship with the idea of catching up. (10 minutes)

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A series of phone calls to a man in Gaza named Yousef Hammash, between early December and now. He talks about what he and his family are experiencing, sometimes as they are experiencing it.

  • Act One: Over the course of one week in December, Yousef tries to get his sisters to safety, in Rafah. (29 minutes)
  • Act Two: Yousef is managing a camp of 60 people in Rafah, including his youngest sister, who is 8 months pregnant. Every day there’s talk that Israel will launch a ground assault in Rafah. Yousef and his sister make a plan for her to give birth safely, but it doesn’t go according to plan. And all 60 people in the family are looking to Yousef to tell them where they should go next and how to stay safe. (27 minutes)

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Your mother and I have something we want to talk with you about.

  • Prologue: A family sits down to discuss one thing. But then the true purpose of the meeting emerges. (9 ½ minutes)
  • Act One: For one kibbutz-dwelling family in Israel, the decision of where to land after the October 7th attacks goes back and forth… and back… and forth. (28 minutes)
  • Act One: For one kibbutz-dwelling family in Israel, the decision of where to land after the October 7th attacks goes back and forth… and back… and forth. (28 minutes)
  • Act Two: An excerpt from “Belles Lettres," a short story by Nafissa Thompson-Spires from her book Heads of the Colored People, performed by actors Erika Alexander and Eisa Davis with a cameo from our colleague Alvin Melathe. (14 minutes)

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An investigation of when and why people ask loaded questions that are a proxy for something else.

  • Prologue: Host Ira Glass talks with producer Tobin Low about the question he got asked after he and his husband moved in together, and what he thinks people were really asking. (4 minutes)
  • Act One: “What do you think about Beyoncé?” and other questions that are asked a lot, raised by people on first dates. (12 minutes)
  • Act Two: When a common, seemingly innocuous question goes wildly off the rails. (13 minutes)
  • Act Three: Why are people asking me if my mother recognizes me, when it’s totally beside the point? (14 minutes)
  • Act Four: Schools ask their students the strangest essay questions sometimes. The experience of tutoring anxious teenagers through how to answer them requires a balladier, singing their lived experience to a crowd as though it were the Middle Ages. (10 minutes)

Transcripts are available at thisamericanlife.org

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What it means to have words—and to lose them.

  • Prologue: Sometimes we don’t want to say what’s going on because putting it into words would make it real. At other times, words don’t seem to capture the weight of what we want to say. Susanna Fogel talks about her friend Margaret Riley, who died earlier this week. (6 minutes)
  • Act One: The story of a woman from Gaza City who ran out of words. Seventy-two days into the war, Youmna stopped talking. (27 minutes)
  • Act Two: For years there was a word that Val’s mother did not want to use. Val sets out to figure out why. (22 minutes)

Transcripts are available at thisamericanlife.org

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One call to a very unusual hotline, and everything that followed.

  • Prologue: Ira talks about a priest who set up what may have been the first hotline in the United States. It was just him, answering a phone, trying to help strangers who called. (2 minutes)
  • Act One: The Never Use Alone hotline was set up so that drug users can call if they are say, using heroin by themselves. Someone will stay on the line with them in case they overdose. We hear the recording of one call, from a woman named Kimber. (13 minutes)
  • Act Two: An EMT learns he was connected to the call, in more ways than he realized. (16 minutes)
  • Act Three: Jessie, who took the call, explains how she discovered the hotline. She keeps in touch with Kimber. Until one day, Kimber disappears. (16 minutes)
  • Act Four: We learn what happened to Kimber after she called the line. (10 minutes)

Transcripts are available at thisamericanlife.org

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Nine radio reporters. Two days. One rest stop on the New York State Thruway. Stories of people who are just passing through, and the ones who can’t leave, because this is where their jobs are.

  • Act One: Host Ira Glass describes scenes from a rest stop on the New York State Thruway, the Plattekill Travel Plaza, and the kind of people you might meet if you ever stayed long enough to talk with them. These include Robert Woodhill, the general manager, who needs a good sales day so he can beat his friend Andy, who manages a rest stop in Maine, in their weekly competition. Ira hangs out with a group of foreign students who’ve landed in Plattekill on a summer work program, and reporter Lisa Pollak gets travel tips from Lenny Wheat, who works at the rest stop’s information booth. Reporter Jonathan Goldstein spends a few hours in the rest stop parking lot. (30 minutes)
  • Act Two: More stories of travelers and workers at a highway rest stop. The competition between Plattekill and Maine continues. Reporter Sean Cole observes the lunch rush at the rest stop’s busiest restaurant and stumbles into a behind-the-scenes romance. Reporter Gregory Warner watches a cashier at the Travel Mart deal with an angry customer. Reporters Nancy Updike and Jay Allison hang out for the graveyard shift – midnight to 8 a.m. – and find a surprising amount of romance at the rest stop. (26  minutes)

Transcripts are available at thisamericanlife.org

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The mysterious hold supers have on their buildings, or that their buildings have on them.

  • Host Ira Glass visits the Upper East Side building in Manhattan where Peter Roach has been the super for about ten years. Peter has a lot of keys. He doesn't know what most of them unlock. (4 minutes)
  • Act One: Reporter Jack Hitt tells the story of how he helped organize tenants and threaten a rent strike in a New York City building back in the 1980s. Before long, Bob, the building super became his enemy. The situation got pretty ugly. Mobster ugly. Bob began to brag about how important he was in his native Brazil, how he could kill a person and be immune from prosecution. Only many years later did Jack find out how dangerous Bob really was. (23 minutes)
  • Act Two: The super in Josh Bearman's Los Angeles building was kind of a needy character. He would sometimes ask Josh to come into his apartment and help him out -- check whether his garbage was being moved by a ghost, for example. Then one day he told Josh a story that involved these elements: a gas station, a beautiful woman, an orchid, a snowman, Indonesia, and a check he'd written for $30,000. It was so crazy, that naturally, Josh believed it. (12 minutes)
  • Act Three: A man who we're calling "Dennis" inherits his father's job as a landlord of a big apartment building. His dad had warned him that bad tenants could drive even a good man to become heartless, but Dennis vowed that would never happen to him. He's tested on this point when he tries to help a couple that falls behind in their rent. He sets up a payment plan for them, teaches them how to make a budget, helps them with their personal problems. For six years, he stops himself from kicking them out. This story was co-produced by Sonari Glinton. (16 minutes)

Transcripts are available at thisamericanlife.org

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Legendary radio broadcaster Paul Harvey had a popular show called “The Rest of the Story.” Today on our show, we do just that. We hear from people who, whether they want to or not, find themselves face-to-face with the rest of their stories.

  • Prologue: Legendary broadcaster Paul Harvey had one of the most popular radio shows of all time. For 35 years he served up big twists and  jaw dropping reveals all with his one-of-a-kind delivery. (7 minutes)
  • Act One: Psychiatry used to be all talk. Then came a patient named Ray Osheroff. Producer Chris Benderev tells us what became of the man who changed therapy. (26 minutes)
  • Act Two: Contributor Samuel James thought he knew what happened to his mother. But he was wrong. Then he was wrong again. (9 minutes)
  • Act Three: A new resident in Berlin is greeted like a minor celebrity wherever she goes. The perks are nice, but does she really want to know why? Producer Bim Adewunmi has the rest of the story. (14 minutes)

Transcripts are available at thisamericanlife.org

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It’s the last few weeks of summer, so we’re going to the beach! This week, stories from the surf and sand.

  • Prologue: Host Ira Glass reflects on his feelings about going to the beach. (3 minutes)
  • Act One: Producer Dana Chivvis explores the case of a 66-year-old working lifeguard who is suing New York State for age discrimination after refusing to wear a Speedo on the job. (15 minutes)
  • Act Two: Alex Blumberg talks to Shane Dubow about a time decades ago, when Shane went sea kayaking and camping with his friends on the beach in Baja California, Mexico. When Shane’s neck stiffens up on him, he finds himself looking for an unlikely chiropractor, in the middle of nowhere. (11 minutes)
  • Act Three: This clip is from what Ira calls “the beachiest show” public radio ever made. It’s a segment from NPR’s 1970’s show, Ocean Hour. In it we hear from a man who lives on the beach, literally. He explains how it provides him everything he needs to survive. You can hear the original hour of radio, which included The Beachcomber, courtesy of Nation Public Radio, Inc. (3 minutes)
  • Act Four: David Sedaris comes from a big family, who for many years growing up, took annual vacations to the same beach house. In this story, David tells us about losing a sister, and how her death prompted a family reunion back at the beach. David is the author of many books, including Calypso. (27 minutes)

Transcripts are available at thisamericanlife.org

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Nadia's family is split between Russia and Ukraine, which is pretty common. And when Russia invaded Ukraine, it didn’t just start fighting on the battlefield. It sparked family conflict, too. An intimate story of the war from writer Masha Gessen. 

  • Prologue: An extended family, and eight fights. (1 minutes)
  • Fight #1: Luka’s parents – Nadia and Karen – try to figure out where to take him once war breaks out. (6 minutes)
  • Fight #2: Nadia and Karen have been arguing over Russian-ness since they needed to pick a school for Luka. (10 minutes)
  • Fights #3 and #4: Nadia remembers the times that Luka’s father would suggest going to Crimea for vacation, as if it wasn’t Ukrainian land occupied by Russia. And she remembers a present that Karen once gave Luka––the sort which had to be smuggled into the country. (6 minutes)
  • Fight #5: Nadia tells the story of her father, Alex, who lives near Bucha, and how differently he and she view the Russian atrocities there. (10 minutes)
  • Fight #6: Nadia tells the story of her mother, who lives in Russia, and how she won’t do the one thing Nadia keeps asking her to do. (2 minutes)
  • Fight #7: Karen sends Nadia a photo which drives them to a final showdown. (12 minutes)
  • Fight #8: Nadia’s step-father works for the Russian government. How to manage that? (4 minutes)
  • Epilogue: Nadia and Karen’s son, Luka, who most of these fights are about, gets the last word. (3 minutes)

Transcripts are available at thisamericanlife.org

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People  on the verge of a big change, not wanting to let go. And the people who give them the final push.

  • Prologue: Guest Host Sean Cole gets some scary news about his health, and decides to quit smoking. (5 minutes)
  • Act One: Sean Cole attempts to kick his 35 year-long smoking habit, using a book that’s said to have helped millions of people to quit. (33 minutes)
  • Act Two: Someone writes into the advice column Dear Sugar to ask whether or not they should quit a relationship, and gets a strange but very persuasive response. (9 minutes)
  • Act Three: Even people who vehemently disagreed with Heider Garcia wanted him to stay in his job. But then something happened that made staying impossible. Zoe Chace reports. (9 minutes)

Transcripts are available at thisamericanlife.org

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The true story of an abandoned house, discovered by a young boy in the 1970s, and the mysterious family who disappeared without a trace.

  • Ira introduces this week's story. (1 minute)
  • Act One: Adam Beckman tells the first part of his story, about how, back in the 70s, he and his friends broke into an abandoned  house in the small town of  Freedom, New Hampshire. The home turned out to be a perfect time capsule, containing the furniture, letters and personal effects of an entire family — abandoned for decades. It seemed like the family just vanished one day, leaving salt and pepper shakers on the table, notes on the bedroom mirror, and a wallet with money still inside. Adam and his friends read the letters, saving some as clues, and never forgot. (30 minutes.)
  • Act Two: Adam Beckman continues his story. He returns to the town in New Hampshire where he discovered the abandoned house as a kid and tries to find out what happened there. It turns out he's not the only one looking for an answer to that question. (25 minutes)

Transcripts are available at thisamericanlife.org

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Governor Ron DeSantis is running for president on the argument that he'll do for America what he's done for Florida. So what's it like in Florida?

  • Prologue: Florida is now the fastest growing state, and DeSantis says people are moving there from all over because of him. We speak to people who did make the move, at least in part, for DeSantis’s policies. (6  minutes)
  • Act One: Among the big items in DeSantis's run for president is medical freedom. Producer Zoe Chace wanted to understand its appeal and its growing popularity. So she spent some time in Sarasota County, where one man — at the side of former Trump appointee Mike Flynn — is creating a sort of little parallel universe for this very thing. (33 minutes)
  • Act Two: DeSantis has passed law after law about what can and can’t be taught in Florida classrooms, starting as early as elementary school. And last spring, Florida Republicans introduced a bill initially proposing to ban things like critical race theory and identity politics, or students majoring in things like gender studies in Florida universities. Reporter Emmanuel Dzotsi followed how things unfolded at one of the biggest universities there, Florida State, from the bill’s introduction all the way to its passage. He explains how professors and students have been preparing. (25 minutes)
  • Act Three: Among the legislation introduced by DeSantis that has passed is a ban on minors receiving transition care. The bill passed into law a few months ago. We speak with a teen whose family has since had to flee the state in order to access the care they needed. (2 minutes)

Transcripts are available at thisamericanlife.org

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Many Americans have dreamy and romantic ideas about Paris, notions which probably trace back to the 1920s vision of Paris created by the expatriate Americans there. But what's it actually like in Paris if you're an American, without rose-colored glasses?

  • Host Ira Glass talks with writer David Sedaris at the Louvre in Paris. David's never set foot inside, though he lives just a few minutes away. He says most people go to the Louvre because they think they should. Where he would take them if they wanted to see the city where he's lived for two years is very different. (6 minutes)
  • Act One: David Sedaris takes Ira on a tour of his favorite spots in Paris. He moved to France with no special feelings for the place. His head wasn't full of Ernest Hemingway and Gertrude Stein and Sartre and Proust; he was a blank slate. And so the places he's found as his favorites tend to be places where the people aren't mean to him when he speaks French, or places where very unusual and fascinating objects are sold, or place that are unlike anywhere in the States. (27 minutes)
  • Act Two: We hear from two Americans who live in Paris about what it is that draws the people who love France so much. (6 minutes)
  • Act Three: Is Paris still the racially tolerant place that Richard Wright and James Baldwin discovered in the 1940s? Janet McDonald talks about whether African-Americans are still welcomed in Paris so warmly, even after a half century of African migration to the city. Also: Why it's sometimes better for her to put on a bad American accent. Janet wrote the book Project Girl. (16 minutes)

Transcripts are available at thisamericanlife.org

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At a Yale fertility clinic, dozens of women began their I.V.F. cycles full of expectation and hope. Then a surgical procedure caused them excruciating pain. In the hours that followed, some of the women called the clinic to report their pain — but most of the staff members who fielded the patients’ reports did not know the real reason for the pain, which was that a nurse at the clinic was stealing fentanyl and replacing it with saline. What happened at that clinic? What are the stories we tell about women's pain and what happens when we minimize or dismiss it?

The Retrievals, a new five-part series from Serial Productions, is hosted and reported by longtime This American Life producer and editor Susan Burton. We're excited to bring you the first episode today.

  • Prologue: Ira Glass introduces the first episode of a brand new podcast from longtime This American Life producer and editor Susan Burton. (1 minute)
  • Act One: Susan Burton introduces some of the many women who went to a Yale fertility clinic for IVF treatment, and charts their experience from hopeful beginning to excruciatingly painful egg retrieval. (27 minutes)
  • Act Two: Often bypassing logic, the women go to great lengths to construct elaborate stories to make sense of their inexplicable pain. And then, a letter arrives. (25 minutes)

Transcripts are available at thisamericanlife.org

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Humans encounter non-human intelligences of various kinds and try to make sense of them.

  • Prologue: Ira has some thoughts about our country’s long history of alien invasion movies. (2 minutes)
  • Act One: In this past year we’ve witnessed a revolution in A.I. since the public rollout of ChatGPT.  Our Senior Editor David Kestenbaum thinks that even though there’s been a ton of coverage, there’s one thing people haven’t talked much about: have these machines gotten to the point that they’re starting to have something like human intelligence? Where they actually understand language and concepts, and can reason? He talks with scientists at Microsoft who’ve been trying to figure that out. (30 minutes)
  • Act Two: A short piece of fiction from the perspective of aliens who’ve been scouting Earth, from writer Terry Bisson. It’s called “They're Made Out of Meat.” It’s performed by actors Maeve Higgins and H Jon Benjamin. (5 minutes)
  • Act Three: A species of massive, mysterious, highly intelligent beings have recently been making contact with humanity. Or our boats, anyway. Many people seem convinced they are seeking revenge for past injustices. Producer Chris Benderev wondered if that was true. (7 minutes)
  • Act Four: Many of us, especially when we’re young, feel like we’re the alien, trying to understand and fit in with the humans on this planet. Producer Diane Wu spent some time recently with a teenage humanoid who feels that way.

Transcripts are available at thisamericanlife.org

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Ira's own father, Barry Glass, co-hosts this special Father's Day show.

  • Prologue: Ira talks with his father and co-host for this show, Barry Glass, about his own early days working in radio. (3 minutes)
  • Act One: LA writer/performer Sandra Tsing Loh discovers that a local rock band has recorded a song about her own father, wildly misinterpreting who he is. They think he’s a free spirit; she believes he’s a worried, miserly grump. She invites the band and her father into the studio to discuss it. (10 minutes)
  • Act Two: Ian Brown explains the lengths a normal dad will go to give his daughter a memorable birthday party, including a birthday stunt so crass that he and his wife shocked all of their friends. (12 minutes)
  • Act Three: Audio artist Jay Allison and writer Dan Robb present an audio montage on the moment Robb’s parents divorced. (11 minutes)
  • Act Four: Chicago playwright Beau O’Reilly talks about how he reconciled with his estranged father years ago by becoming an alcoholic just like him. (14 minutes)

Transcripts are available at thisamericanlife.org

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The one animal we can’t seem to live without, even when we really, really want to.

  • Prologue: At this spring’s announcement of New York City’s inaugural rat czar, we meet Darneice Foster, who despises the rats outside her apartment. And host Ira Glass introduces two special co-hosts for today’s show. (11 minutes)
  • Act One: Producer Elna Baker meets Todd Sklar, a man who can’t quit rats. (22 minutes)
  • Act Two: Fifty years ago, New York City started to put garbage out in plastic bags. This has become the number one food source for rats. Producer Ike Sriskandarajah investigates the decision that led to the city’s rat baby boom. (10 minutes)
  • Act Three: How did Alberta Canada pull off a feat that has eluded the rest of human civilization? Ira visits the largest rat-less land in the world. (15 minutes)
  • Act Four: We drop a hot mic into a hot mess of a rats’ nest. You’ll never believe what happens next. (3 minutes)

Transcripts are available at thisamericanlife.org

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In these dark, combative times, we attempt the most radical counterprogramming we could imagine: a show made up entirely of stories about delight.

  • Prologue: Ira Glass talks to Bim Adewunmi about her understanding of delight through American pop culture and the summer she spent in the US as a 19-year-old. Ira then hands the show over to Bim as guest host. (10 minutes)
  • Act One: Bim talks to poet Ross Gay, whose book inspired today’s show, about the discipline and rigor of seeking and holding onto delight. (8 minutes)
  • Act Two: Producer Robyn Semien captures a special morning for her five-year-old son, Cole, who is doing something delightful for the very first time: he’s getting to ride the school bus. (4 minutes)
  • Act Three: Producer Miki Meek speaks to Noriko Meek, her 72-year-old mother, about discovering delight late in life. (8 minutes)
  • Act Four: Producer Dana Chivvis follows the night zookeeper at the Denver Zoo as she doles out snacks and tucks the animals in. (9 minutes)
  • Act Five: What happens when a dealer of delight gets depressed? Podcast host Tracy Clayton talks to Bim Adewunmi about the road back. (17 minutes)

Transcripts are available at thisamericanlife.org

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Five years after the #MeToo explosion, what’s happened in the lives of the women who stepped forward and went public with their stories? We tell the story of a teenager who spoke out against one of the most powerful people in her state, and what happened next.

  • Prologue: Some powerful and well known men lost their jobs after #MeToo. But what about the women at the center of all this who’ve been way less visible after they told what happened to them? We hear about big and small ways the aftermath of coming forward continues to pop up in their daily lives. (10 minutes)
  • Act One: Back in 2021, a 19-year-old intern at the Idaho state legislature reported that a state Representative named Aaron von Ehlinger raped her. She went by the name Jane Doe. There was a public ethics hearing and Ehlinger resigned. State legislators talked about how proud they were of their ability to do the right thing so quickly. But the story that the public knows is very different from what actually happened to Jane. She talks about it in-depth for the first time. (25 minutes)
  • Act Two: Jane Doe walks into a public ethics hearing at the Idaho state capitol and navigates the aftermath. (23 minutes)
  • Act Three: Jane Doe sent some questions for us to ask Chanel Miller. For years, Chanel was known as Emily Doe. She wrote a victim impact statement that millions of people read. (A swimmer at Stanford University named Brock Turner sexually assaulted her while she was unconscious.) She talks about how she decided to come out with her real name and who Emily Doe is to her now. (9 minutes)

Transcripts are available at thisamericanlife.org

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We answer the following questions about superpowers: Can superheroes be real people? (No.) Can real people become superheroes? (Maybe.) And which is better: flight or invisibility? (Depends who you ask.) 

  • Host Ira Glass talks to comic artist Chris Ware, who thought about superheroes a lot of the time as a kid. He invented his own character and made a superhero costume, which he wore to school under his regular clothes. Everything went fine until he realized he would have to change for gym class. (6 minutes)
  • Act One: John Hodgman conducts an informal survey in which he asks the age-old question: Which is better: The power of flight or the power of invisibility? (14 minutes)
  • Act Two: Kelly McEvers with the story of Zora, a self-made superhero. From the time she was five years old, Zora had recurring dreams in which she was a 6'5" warrior queen, who could fly and shoot lightning from her hands. She made a list, pages and pages long, of all the things she could accomplish to actually become that superhero: martial arts, evasive driving, bomb defusing. By the time she was 30, most of her list had been checked off. She was as close to a superhero as any mortal could hope to come. But her dream had changed. (17 minutes)
  • Act Three: Ira talks with Jonathan Morris, the amazingly funny and charming editor of the website "Gone and Forgotten," an internet archive of failed comic book characters. Jonathan explains what makes a new superhero succeed, and what makes him tank. (9 minutes)
  • Act Four: Of course you can’t be a superhero without a supervillain trying to destroy you. And the most interesting supervillains, of course, are the ones who think that they're the real heroes, not the guys in the capes. Glynn Washington tells the story of Evil D. (9 minutes)

Transcripts are available at thisamericanlife.org

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Looping thoughts about people you barely know, or don't know at all. 

  • Prologue: We get a tip that an entire town is consumed by a huge, elementary-school-style crush on a local veterinarian. Guest host Lilly Sullivan goes to Utah to investigate the mystery of the hot vet. (8 minutes)
  • Act One: We do the thing the people in town would rather die than do – spill the crush to the legendary Dr. Artz himself. Lilly Sullivan reports. (8 minutes)
  • Act Two: Producer Alix Spiegel talks to one of her closest friends, Sarah Blust, about the time Sarah met a stranger who, unbeknownst to her, had already spent years thinking about her. (29 minutes)
  • Act Three: There are certain jobs where thinking about someone else’s life is just built into it. Aviva DeKornfeld has a theory that petsitting is a job like that. She talks to a couple of pet sitters to find out. (14 minutes)

Transcripts are available at thisamericanlife.org

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A week after Jerry Springer’s death, we go back to a story we first broadcast years ago, about a side of Springer most people don’t know and can’t imagine: his years as an idealistic politician in the mold of Bobby Kennedy. Plus other stories of people who try to leave some moment in their life behind, which can be hard.

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In 1912 a four-year-old boy named Bobby Dunbar went missing in a swamp in Louisiana. Eight months later, he was found in the hands of a wandering handyman in Mississippi. In 2004, Bobby Dunbar's granddaughter discovered a secret beneath the legend of her grandfather's kidnapping, a secret whose revelation would divide her own family, bring redemption to another, and become the answer to a third family's century-old prayer.

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It's funny the things that go through your head during a disaster.

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Summoning up stuff that’s usually hidden down deep.

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It’s been nine months since Roe v. Wade was overturned. We talk to people who wanted abortions right when the laws were changing in their states. They had to wait for appointments, for money to travel or abortion pills. And during that waiting, a lot of interesting things happened. We see how much life has changed, nine months later.

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People ​so close to each other, ​in ​extremely intimate situations​,​ who are also a million miles apart.

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A flute player breaks into a British museum and makes off with a million dollars worth of dead birds.

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The ghosts that visit us, the ghosts that never do, and the ghosts that walk among us.

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People staring down that hardest of questions: Is now the time? To leave?

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Exactly how much are the animals that live in our homes caught up in our everyday family dynamics?

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People who are tied together, but imagine radically different futures.

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When it comes to finding love, there seems to be two schools of thought on the best way to go about it. One says, wait for that lightning-strike magic. The other says, make a calculation and choose the best option available. Who has it right?

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Feeling lost and trying to figure out how to move ahead.

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Sometimes you raise your hand. Other times you’re just the only one left.

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People being dodged, delayed, and evaded—and what they do to put an end to it.

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They mean something, whether we want them to or not.

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Writer Etgar Keret tries to come up with the stories that capture his late mother, but it’s hard, he says, because she’s like Maria in West Side Story and she’s also like Thanos from the Avengers. He ends up with a series of very short stories — most just a few paragraphs long — that give glimpses of different sides of her. These written stories are interspersed with off-the-cuff stories he tells host Ira Glass.

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San Francisco’s Spider-Man burglar was remarkable. He dropped into buildings from skylights, leapt 10 feet from one roof to another. But mostly, his talent got him into trouble. This week, his story, and stories of other undesirable talents.

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People experiencing Christmas in brand new ways, giving the holiday even more meaning.

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Stories about one person single-handedly taking charge of a situation gone wrong.

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Something we’ve never done before: true stories told in the form of a game show.

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People trying to coax each other across the line, from one side to the other.

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People who try to revisit their childhoods—what they find and what they do not find.

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Why we tell them, and what happens after we do.

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In 2015, voters in Ohio approved a Republican constitutional amendment to end gerrymandering in the state—one of the first of its kind. And then Ohio Republicans drew electoral maps that violated their own constitutional amendment, and those are the ones they’re using in this year’s elections.

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We hear from kids who are dealing with some of the country’s most contentious debates. Debates that are supposedly about them.

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Two people go on excavations of their families’ pasts. Including the first episode of the new podcast, “We Were Three,” hosted by our longtime producer, Nancy Updike, and from Serial Productions and The New York Times.

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People taking it upon themselves to keep an eye on those in charge.

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Getting to the facts can be difficult, but it’s always the right thing to do. Except when it isn’t.

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Getting from Point A to Point B—with expert assistance.

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An exploration of the very upper limits of what you do for someone you love.

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There’s a program that brings together kids from two schools. One school is public and in the country’s poorest congressional district. The other is private and costs $43,000/year. They are three miles apart. The hope is that kids connect, but some of the public school kids just can’t get over the divide. We hear what happens when you get to see the other side and it looks a lot better.

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Our most ambitious live show ever! We pulled together a massive team of theater pros at the Brooklyn Academy of Music's Opera House—nearly 50 singers, actors, dancers and musicians. The result? Journalism turned into a Broadway musical, into opera. Mike Birbiglia, Sasheer Zamata, Stephin Merritt, Josh Hamilton, Lindsay Mendez, Lin-Manuel Miranda and others.

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When a fundamental part of yourself changes dramatically, are you still who you thought you were?

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With so many songs, movies, and books about the joy of the open road, it's hard to take just a normal road trip without huge expectations.

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Ten people were killed at a grocery store in Buffalo, NY. Their stories, as you’ve never heard them.

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In 1967, the first two Black students were enrolled at an all-white private boarding school in Virginia. The main reason they were there? To benefit the white kids.

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Stories of people racing against time to solve a huge intractable problem. Will they make it?

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People who love summer camp say that non-camp people simply don't understand what's so amazing about it. We attempt to bridge this gap of misunderstanding between camp people and non-camp people.

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We try something harder than anything we've ever tried before, by taking the random ideas that members of our own families have told us would be "perfect for the show," and turning them into actual stories.

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An investigation into a very basic question about people: Are most of us bad or good?

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The Supreme Court case that overturned Roe v. Wade began with a lawsuit filed by a Mississippi abortion clinic. On the day Roe was overturned, we were there. Stories from the center of this moment of history, the day it happened.

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Kids do not like being told it’ll make sense when they’re older. They’re pretty sure the grown-ups are wrong.

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Getting from A to B via Z.

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Stories of very small injustices and also one very big one.

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Kids navigating hairy situations all on their own, with no help from grown-ups.

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Government isn’t doing much to prevent school shootings. So parents are jumping in: parents whose kids have died in mass shootings, in the wake of each shooting. They take practical, effective action — and they get results.

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The one thing you know for sure when you're watching a romantic comedy is that it's going to turn out okay in the end. When you're living one? Not so much. This week, stories that unfold like rom-coms.

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Kids using perfectly logical arguments, and arriving at perfectly wrong conclusions.

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People staring squarely at the truth, and still finding it hard to believe what they’re seeing.

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A man finds himself thrust into a new world he didn’t necessarily ask to visit. He takes a look around.

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Four personal stories from the war in Ukraine.

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On a summer day in 1951, two baby girls were born in a hospital in small-town Wisconsin. The infants were accidentally switched, and went home with the wrong families.

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In this moment when autocrats and almost-autocrats are getting bolder and more powerful, we bring you two stories of resistance, from Hungary and Russia.

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People trying to jump in and solve other people's problems, putting themselves directly in the gap between the problem and the solution.

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It is a peculiar feeling to know with certainty that something big is about to happen to you. This week, we watch people go right up to the edge of inevitable change.

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Three people, and one animal, who know the path their lives will take until, suddenly, they don’t.

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The pandemic broke school. Can we ever go back?

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What goes on while mom and dad are away, that mom and dad never find out about. Including the story of two teenagers who decide to invent children to babysit, as an excuse to get out of their own house.

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Stories about Vladimir Putin. Did he come to power in 1999 by killing hundreds of innocent Russians? How’s he really seen in his home country? This show is a mix of old and new stories we’ve done about him.

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The casino game everyone thinks they can beat. 

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A woman wakes up and discovers her backyard has disappeared, and other stories from places slowly coming apart.

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A while back, one of our producers Brian Reed was in England giving a speech about the podcast he'd hosted, S-Town. A journalism student approached him, asking for advice about a story he wanted to look into – something that’d been big news in Britain, something he’d thought about for years. Brian and the student, Hamza Syed, decided to team up to try and solve the mystery at the heart of that story. The original idea was to put this on our show, but it got too big. Too many twists and turns! This week, it rolls out as a spectacularly great podcast called The Trojan Horse Affair. We’re excited to bring you their first episode today.

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Last week's story continues, about a Michigan couple who walked into a police officer's house and made a disturbing discovery. This week: the police officer suffers the consequences and so does the couple.

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Rob and Reyna Mathis make an unsettling discovery in the home of a local police officer. Soon, their whole city is asking questions about who the officer really is and what he's been doing.

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A doctor named Benjamin Gilmer gets a job at a rural clinic in North Carolina. He’s replaced another doctor named Gilmer – Dr. Vince Gilmer – who went to prison after killing his own father. But the more Benjamin’s patients tell him about the other Dr. Gilmer, the more confused he becomes. Everyone loved Vince Gilmer. So Benjamin starts digging around, trying to understand how a good man can seemingly turn bad. Sarah Koenig reports.

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Think back to two summers ago, the summer of 2020, when a series of violent, highly-publicized killings of Black Americans sparked outrage and a national movement to eradicate racism and its evils. That movement gave way to a newer, reactionary one, a backlash that is playing out in schools and school board meetings across America. Host Emanuele Berry shares stories about Black people who got tangled up in this current backlash in both extreme and very personal ways. 

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People use machines to find people they lost.

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People earnestly doing what they're told, and absolutely not getting what they were promised.

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In 2006, a new convert showed up at a mosque in Orange County, California. Known as Farouk al-Aziz, the convert was actually an FBI informant named Craig Monteilh. That informant’s infiltration of the mosque is at the heart of FBI v Fazaga, a case heard at the Supreme Court last month. We return to our episode from 2012, which tells the story behind it.

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This bird-focused week, stories about birds and the hearts they sway, the havoc they wreak, the lives they change.

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Getting the point across — or trying to, anyway.