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Wherein, the lads discuss the adaptation of The Lost City of Z by David Grann.
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Wherein, the lads discuss the adaptation of Hunt for the Wilderpeople by Barry Crump.
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Wherein, the lads discuss the adaptation of The Girl on the Train by Paula Hawkins.
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Wherein, the lads discuss the adaptation of Annihilation by Jeff VanderMeer.
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Wherein, the lads discuss the adaptation of A Wrinkle in Time by Madeline L'Engle.
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Wherein, the lads discuss the adaptation of Ready Player One by Ernest Cline.
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Wherein, the lads discuss the adaptation of Nothing Lasts Forever into Die Hard by Roderick Thorpe.
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Wherein, the lads discuss the adaptation of Room by Emma Donoghue.
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Wherein, the lads discuss the adaptation of Accidental Billionaires into The Social Network by Ben Mezrich.
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Wherein, the lads discuss the adaptation of All You Need is Kill into Edge of Tomorrow/Live. Die. Repeat by Hiroshi Sakurazaka.
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Wherein, the lads discuss the adaptation of Do Androids Dream of Electric Sheep into Blade Runner by Phillip K. Dick. Includes a discussion of Blade Runner 2049.
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Wherein, the lads discuss the adaptation of The Road by Cormac McCarthy.
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Wherein, the lads discuss the adaptation of Scott Pilgrim vs. the World by Bryan Lee O'Malley.
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Wherein, the lads discuss the adaptation of Minority Report by Phillip K. Dick.
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Wherein, the lads discuss the adaptation of Me Before You by Jo Jo Moyes.
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Wherein, the lads discuss the adaptation of The Shawshank Redemption by Stephen King.
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Wherein, the lads discuss the adaptation of the Captain America Civil War by Mark Millar.
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Wherein, the lads discuss the adaptation of Tinker Tailor Soldier Spy by John Le Carre (the Gary Oldman one).
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Wherein, the lads discuss the adaptation of The Light Between Oceans by M. L. Stedman.
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Wherein, the lads discuss the adaptation of The Curious Case of Benjamin Button by F. Scott Fitzgerald.
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Wherein, the lads discuss the adaptation of Casino Royale by Ian Fleming.
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Wherein, the lads discuss the adaptation of Brooklyn by Colm Toibin.
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Wherein, the lads discuss the adaptation of One Shot by Lee Child.
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Wherein, the lads discuss the adaptation of The Bourne Identity by Robert Ludlum.
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Wherein, the lads discuss the adaptation of Moneyball by Michael Lewis.
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Wherein, the lads discuss the adaptation of The Martian by Andy Weir.
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Wherein, Kyle discusses A River Runs Through It with John Maclean, son of the author.
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Wherein, the lads discuss the adaptation of Gone Girl by Gillian Flynn.
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Wherein, the lads discuss the adaptation of We Can Remember it for you Wholesale by Phillip K. Dick, which became the film, Total Recall.
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Wherein, the lads discuss the adaptation of Silver Linings Playbook by Matthew Quick.
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Wherein, the lads discuss the adaptation of Steve Jobs by Walter Isaacson, which became Steve Jobs (2015) not the atrocity Jobs (2013).
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Wherein, the lads discuss the adaptation of The Third Man by Graham Greene.
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Wherein, the lads discuss the adaptation of Old Man Logan by Mark Millar into the film Logan.
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Wherein, the lads discuss the adaptation of the magazine article that became the film, Argo.
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Wherein, the lads discuss the adaptation of The Girl on the Train by Paula Hawkins.
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Wherein, the lads discuss the adaptation of A River Runs Through It by Norman Maclean.
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Wherein, the lads discuss the adaptation of The Children of Men by P. D. James.
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Wherein, the lads discuss the adaptation of Catch Me If You Can by Frank Abagnale.
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Wherein, the lads discuss the adaptation of Arrival by Ted Chiang.
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Wherein, the lads discuss the adaptation of Stardust by Neil Gaiman.
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Wherein, the lads discuss the adaptation of Big Fish by Daniel Wallace.
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Wherein, the lads discuss the adaptation of The Prestige by Christopher Priest.
Also includes an in depth discussion with author Christopher Priest and his mixed feelings about the adaptation process and a certain director also named Chris.
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Wherein, the lads discuss the adaptation of Me and Earl and the Dying Girl by Jesse Andrews, as well as an interview with the author about the adaptation process and other fun detours.
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Wherein, the lads discuss the adaptation of True Grit by Charles Portis.
