This is ŠUM POD, a new series by Šum journal where we talk about emerging vectors in art, theory, pop culture, music, tech and beyond.
In this episode we reconnect with the world of ARIA in anticipation of its upcoming edition and sit down with Omsk Social Club, a sprawling artistic collective operating from between two lived worlds, one of life as we know it and the other of role play as a medium, to talk about their artistic practice, engagement with roleplay and personal take on the methodology as well as the inspirations that went into developing the Worlds’ End Hackathon, a Real Game Play they designed and will facilitate for ARIA this summer. Episode is hosted by Tjaša Pogačar and Brandon Rosenbluth.
ARIA - Algorithmic Ideation Assembly, is a week-long summer school that unfolds through a fiction-theory narrative to explore new possibilities for our world in a time of a changing planetary ecology. The second edition of ARIA taking place from 17 - 23 August is dedicated to spectrality and the ends of worlds, exploring rituals for mourning and ways of interfacing with the specters of the (deep) past and future haunting our ecologically fragile planet. Find more information about the mentors, speakers and the structure of the programme on the link below.
The call for participants is open until 26th of May!
https://projekt-atol.si/en/workshop/aria-open-call/
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Learn more about Omsk Social Club:
https://omsksocial.club/
https://www.instagram.com/omsk_social_club/
Follow Šum:
https://www.sum.si/
https://www.instagram.com/sumjournal/
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ARIA is produced by Projekt Atol Institute in collaboration with Šum journal in the framework of the More-than-Planet project.
ŠUM x 2024
Cover design: Dorijan Šiško; Jingle: Tisa Troha
Brandon Rosenbluth talks with artist Áron Birtalan about the politics and potentials of roleplay, mystical theology’s embrace of unknowing, attuning to the relational, and a radical submission to the more-than-human.
Learn more:
https://aronbirtalan.net/
https://www.instagram.com/gleemaiden/
Check out also the text Áron contributed for the 21st issue of ŠUM journal: https://www.sum.si/issues/aria-algo-rhythmic-ideation-assembly
In this episode, Jaša Bužinel sat down with Serbian musician Vladimir Lenhart aka Lenhart Tapes whose music has become known as 'ethno noise', or as he puts it – a musical Frankenstein made of different musical traditions, from world and ethno music to industrial and noise. Vladimir recently released the album DENS on the Ljubljana-based label Glitterbeat Records to great international acclaim. Since his early days, he has been a fan of the cassette format and tape manipulation, which represents the basis of his unique musical practice. We discussed his early days, his love for cassettes, contemporary cassette culture, the inception of the Lenhart Tapes project, his latest album Dens and much more.
Find out more:
https://www.lenhartapes.com/
https://lenhartapes.bandcamp.com/
https://www.instagram.com/lenhartapes/
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www.sum.si
Two Prague curators and theorists, Tina Poliačková and Noemi Purkrábková, discuss their work, recent trends in contemporary visual art and beyond, the posthumanist and “emo-romantic” turn, online exhibition documentation, offsite shows, the experience of digital media, game principles in exhibition-making, the role of fantasy and fiction in shaping our reality, and the limits of art in enchanting the world differently. This episode is hosted by Tjaša Pogačar, the jingle concocted by Tisa Troha, visual summoned by Dorijan Šiško.
Learn more and follow Noemi and Tina:
https://www.instagram.com/basic_knife_safety/
https://noemipurkrabkova.wixsite.com/noemip
https://www.instagram.com/dirrtina/
https://www.instagram.com/holesovickasachta/
Šum x 2023
www.sum.si
In this third ARIA transmission, Michael Marder disentangles the phoenix complex and takes us on a journey through the mechanisms of natural and social reproduction and replication, especially those ingrained in our individual and collective lives. Along the way, we survey and explore the limits, both internal and external, to the seamless phoenix-like reconstitution of the same (organism, psyche, society, environment) across the gap of death, total destruction and devastation.
Michael Marder is an Ikerbasque Research Professor at the Department of Philosophy at the University of the Basque Country (UPV-EHU), Vitoria-Gasteiz, Spain. His writings span the fields of ecological theory, phenomenology, and political thought. Find his latest book The Phoenix Complex at MIT press.
Learn more about Michael Marder’s work: https://www.michaelmarder.org/
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Transmitted from ARIA public programme in Cukrarna, Ljubljana in August 2023.
ARIA (Algo-Rhythmic Ideation Assembly) is a summer school designed as a role-playing game that takes place through the lens of a fiction-theory narrative to imagine new possibilities and planetary futures in a time of changing ecology. ARIA is developed by Tjaša Pogačar and Brandon Rosenbluth and produced by Projekt Atol in collaboration with Šum journal as part of the More-Than-Planet Project.
Projekt Atol: https://projekt-atol.si/en/workshop/aria-2023/
More-than-Planet: https://www.more-than-planet.eu/
Šum: https://www.sum.si/
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The pilot edition of ARIA was made possible by the support of the Slovenian Ministry of Culture, Ministry of Public Affairs, City of Ljubljana – Department for Culture, and Igor Zabel Association for Culture and Theory.
Co-funded by the European Union as part of the Creative Europe framework. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or EACEA. Neither the European Union nor the granting authority can be held responsible for them.
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ŠUM x 2023
The second transmission from ARIA brings a discussion with Michael Marder, Špela Petrič, Protektorama toxica and Simon Speiser. Hosted by Brandon Rosenbluth, the panel centers around the concept of anthropoforming as proposed by Helen Hester addressing questions of human and non-human co-evolutionary potentialities as directed by human innovation and imagination.
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Transmitted from ARIA public programme in Cukrarna, Ljubljana in August 2023.
ARIA (Algo-Rhythmic Ideation Assembly) is a summer school designed as a role-playing game which takes place through the lens of a fiction-theory narrative to imagine new possibilities and planetary futures in a time of changing ecology. ARIA is developed by Tjaša Pogačar and Brandon Rosenbluth and produced by Projekt Atol in collaboration with Šum journal as part of the More-Than-Planet Project.
Projekt Atol: https://projekt-atol.si/en/workshop/aria-2023/
More-than-Planet: https://www.more-than-planet.eu/
Šum: https://www.sum.si/
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The pilot edition of ARIA was made possible by the support of the Slovenian Ministry of Culture, Ministry of Public Affairs, City of Ljubljana – Department for Culture, and Igor Zabel Association for Culture and Theory.
Co-funded by the European Union as part of the Creative Europe framework. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or EACEA. Neither the European Union nor the granting authority can be held responsible for them.
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ŠUM x 2023
The first transmission from ARIA brings a talk by Florin Flueras about Unsorcery, a concept and practice exploring ways of sorcery that can eventually surpass or undo some of the contemporary realities and subjectivities. Unsorcery was an environment created by Alina Popa and Florin Flueras for developing practices, texts, and performances around the concepts: Life Programing, Artworlds, Second Body, Dead Thinking, Eternal Feeding, Black Hyperbox, and End Dream.
Florin Flueras’s work expands into spheres of politics, philosophy, spirituality, health care, media, education, and literature – affecting conventions and certainties, producing performative meetings between art and its outside. His writing is part of his works, and his works part of his writings. Learn more: https://www.fflueras.ro/p/florin-flueras.html
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Transmitted from ARIA public programme in Cukrarna, Ljubljana in August 2023.
ARIA (Algo-Rhythmic Ideation Assembly) is a summer school designed as a role-playing game that takes place through the lens of a fiction-theory narrative to imagine new possibilities and planetary futures in a time of changing ecology.
ARIA is developed by Tjaša Pogačar and Brandon Rosenbluth and produced by Projekt Atol in collaboration with Šum journal as part of the More-Than-Planet Project.
More-than-Planet: https://www.more-than-planet.eu/
Projekt Atol: https://projekt-atol.si/en/workshop/aria-2023/
Šum: https://www.sum.si/
___
The pilot edition of ARIA was made possible by the support of the Slovenian Ministry of Culture, Ministry of Public Affairs, City of Ljubljana – Department for Culture, and Igor Zabel Association for Culture and Theory.
Co-funded by the European Union as part of the Creative Europe framework. Views and opinions expressed are those of the author(s) only and do not necessarily reflect those of the European Union or EACEA. Neither the European Union nor the granting authority can be held responsible for them.
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ŠUM X 2023
Simon Speiser, a Berlin based artist talks about blending virtual reality and ancestral folklore, weaving science fiction with non-western conceptions of technology and believing in storytelling as a tool in the fight against dystopian thinking. The episode is hosted by Ondřej Trhoň.
Learn more about Simon Speiser’s work: http://www.simonspeiser.de/, https://www.instagram.com/ciriguaya/
Follow Ondřej Trhoň: https://www.instagram.com/ondrejtrhon/, https://ondrejtrhon.cz/
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This episode is created as part of Ondřej Trhoň’s residency with Projekt Atol and Šum journal in Ljubljana. The residency is organized within the ARIA / More-Than-Planet project and supported by the Slovenian Ministry of Culture and the City of Ljubljana – Department for Culture, and co-funded by the European Union as part of the Creative Europe framework. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or EACEA. Neither the European Union nor the granting authority can be held responsible for them.
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More-than-Planet: https://www.more-than-planet.eu/
Projekt Atol: https://projekt-atol.si/en/
Šum: https://www.sum.si/
ŠUM X 2023
András Cséfalvay, a Bratislava-based artist on extinction, ancestral memories imprinted in the mammalian brain, mourning trilobites, limitations of Western technics, Death Stranding, and combining cutting-edge technology with alternative and speculative storytelling to create new knowledge and help us inhabit the world anew. The episode is hosted by Ondřej Trhoň.
Follow András Cséfalvay:
http://www.andrascsefalvay.com/
https://www.instagram.com/andrascsefalvay/
Follow Ondřej Trhoň:
https://www.instagram.com/ondrejtrhon/
https://ondrejtrhon.cz/
This episode was created during Ondřej Trhoň’s residency with Projekt Atol and Šum journal in Ljubljana. The residency is organized as part of ARIA / More-Than-Planet project and supported by the Slovenian Ministry of Culture and the City of Ljubljana – Department for Culture, and co-funded by the European Union as part of the Creative Europe framework. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or EACEA. Neither the European Union nor the granting authority can be held responsible for them.
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More-than-Planet: https://www.more-than-planet.eu/
Projekt Atol: https://projekt-atol.si/en/
Šum: https://www.sum.si/
ŠUM X 2023
Under the mentorship of Metahaven, Holly Childs’ practice of post-Anthropocenic poetics and Gediminas Žygus’s post-club sound worlding have interwoven into a critical yet open ended multimedia output including two collaborative releases on Subtext, Hydrangea and Gnarled Roots, and performances presented in contexts from botanical greenhouses to Palais de Tokyo which explore our mediated existence within a post-Truth world. The episode is hosted by Brandon Rosenbluth.
Find out more about Holly's and Gediminas's work:
https://soundcloud.com/hydrangeadust
https://www.hollychilds.com/
https://linktr.ee/gediminaszygus
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ŠUM x 2023
www.sum.si
UK-based artist and producer Iglooghost interviewed about his otherworldly laptop music, artwork, puzzles, strange online artefacts and other multimedia content which all gravitate around a fictional ecosystem of strange entities and tiny gods. Episode is hosted by Jaša Bužinel. ///
Follow Iglooghost on https://www.instagram.com/iglooghost/
and https://iglooghost.bandcamp.com/
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ŠUM x 2022
www.sum.si
Shanghai-based Slovak philosopher Lukáš Likavčan interviewed about comparative planetology, geopolitics of “spectral Earth”, post-anthropocentric design practice, fashion, the role of art institutions and why he’s put his curatorial work on hold. This episode is hosted by Tjaša Pogačar from Šum.
More about Lukáš Likavčan's work: www.likavcan.com/
Follow Lukáš Likavčan on: https://www.instagram.com/lukas_likavcan/
Article on cosmo-engineers: www.likavcan.com/articles/cosmo-engineers
More Than Planet project: waag.org/en/project/more-planet/
ŠUM x 2022
www.sum.si
In the fourth episode of ŠUM Pod two members of the Prague-based polyfunctional collective BCAA System (Bilej Kluk, Reality Congress) and sound artist Oliver Torr talk about their collaborative multidisciplinary AV project Awoo, which exists at the intersection of electronic music, graphic and sound design, gaming and worldbuilding. The episode is hosted by Jaša Bužinel.
Check out Awoo at https://awoo.bcaasystem.com/, https://www.instagram.com/awoo_oooooo/
Follow BCAA System on https://www.instagram.com/bcaa_system/, https://www.instagram.com/realitycongress/
Follow Oliver Torr on https://www.instagram.com/oliver_torr/
ŠUM x 2022
https://www.sum.si/
In the third episode of Šum Pod we interview North American London-based writer, artist and organiser of New Mystics and New Worlds Alice Bucknell. We delve into worldbuilding, narratives framing space exploration, magic, speculative fiction as descriptive practice, and unravelling human language structures with the help of AI systems. This episode is hosted by Tjaša Pogačar from Šum.
Follow Alice Bucknell on:
https://www.instagram.com/alicebucknell/
More about her work:
https://alicebucknell.com/
Check out New Mystics:
https://www.newmystics.xyz/
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ŠUM x 2022
www.sum.si
Mystical Milanese music producer Heith (new album ‘X, wheel’ out via PAN) interviewed about cosmology, time, sigils, asemic writing, Indonesia, and concepts from Federico Campagna’s books ‘Technic & Magic’ and ‘Prophetic Culture’. The second episode of ŠUM Pod is hosted by Brandon Rosenbluth.
Follow Heith on:
https://heith.bandcamp.com
https://www.instagram.com/heith___/
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Šum x 2022
In the very first episode of Šum Pod we host London based artist and software developer Jelena Viskovic. We discuss her solo show Volumes: New Babylon, Constant Niewenhuys’ situationist heterotopia, feminist take on homo ludens and worldbuilding, talking stones, magic circles and teaching game design at UCL.
Watch Volumes: New Babylon trailer: https://vimeo.com/741803050
More about the exhibition: http://projekt-atol.si/en/work/volumes-new-babylon
Follow Jelena Viskovic on: https://www.instagram.com/jelovix/
This episode is hosted by Tjaša Pogačar and Maks Valenčič from Šum.
Šum x 2022