Selected Shorts: Recent Episodes
LiveWriters
Our greatest actors transport us through the magic of fiction, one short story at a time. Sometimes funny. Always moving. Selected Shorts connects you to the world with a rich diversity of voices from literature, film, theater, and comedy. New episodes every Thursday. Produced and distributed by Symphony Space.
SELECTED SHORTS host Meg Wolitzer presents four works that were presented as part of our live evening with WNYC’s Radiolab and hosts Lulu Miller and Latif Nasser. The theme was flight in many imaginative manifestations. Randa Jarrar’s “The Lunatics’ Eclipse” is a fable-like story of romance and interstellar travel, read by Abubakr Ali. Our second story is “Roy Spivey,” by Miranda July, and is a sly and gentle probing of celebrity culture. It’s read by Molly Bernard. Don Shea’s “Jumper Down” bares the vulnerability and resilience of a rescue worker. it’s read by Becca Blackwell. And our last story, “My Life as a Bat,” shares the secret life a mysterious creature in fact and fable. It’s by Canadian fiction master Margaret Atwood and is read by Zach Grenier.
Host Meg Wolitzer presents three works in which characters have unusual friends who change their lives—whether they like it nor not. In “Unicorn Me,” by Elizabeth Crane, a magical box delivers a unicorn who offers ambiguous advice. Miriam Shor performs. A sentient cockroach intrigues and alarms a woman in “The Double Life of the Cockroach’s Wife,” by Helen Phillips. It’s performed by Sarah Steele. And the latest iPhone knows everything about you in Weike Wang’s “iPhoneSE,” performed by Dawn Akemi Saito. All three stories were commissions for SELECTED SHORTS’ anthology Small Odysseys.
Host Meg Wolitzer presents three works of speculative fiction curated by best-selling author N.K. Jemisin. In John Scalzi’s “When the Yogurt Took Over” a popular breakfast staple decides it’s good for everyone. The reader is Jin Ha. Chatbots and A.I. can be helpful––but sometimes too helpful––as we hear in Alexandra Chang’s “Me and My Algo,” read by Catherine Cohen. And Jemisin herself reworks a classic by Ursula K. Le Guin in “The Ones Who Stay and Fight,” read by Teagle F. Bougere. Excerpts from Jemisin’s onstage remarks are included in this show.
Emma Roberts reads a story about a twenty-something's loneliness and longing at an Arizona Renaissance fair.
Host Meg Wolitzer presents two imaginative stories about different ways of thinking about coming together and what we celebrate when we do. In “On the Sudden Increase in Changeling Stock: A Report,” Daniel Lavery applies a statistical model where you would not expect to find one, with zany results. It’s read by Jin Ha. In our second work, master storyteller Ray Bradbury wildly reimagines the idea of “Homecoming,” in a story that first captivated reader Neil Gaiman when he was seven years old.
Host Meg Wolitzer presents three lively stories about the allure—or not—of summer. Italian writer Massimo Bontempeli creates a magical beach inside an apartment in “The Miraculous Beach, or Prize for Modesty.” The work was translated by Jenny McPhee and is read by Hugh Dancy. Humorist Samantha Irby doesn’t get summer, and presents a contrarian’s view in “The Case for Remaining Indoors,” read by Retta. And Denis O’Hare reads a baseball classic—W.P. Kinsella’s “The Thrill of the Grass.”
Host Meg Wolitzer presents three stories about fathers and fatherhood. In “Beauty and the Beast” by Simon Rich, a self-absorbed producer gets a little Disney sparkle from his daughter. The reader is Arian Moayed. “Bedtime Story” by Victor LaValle, read by Dion Graham, features a son soothing an anxious father; and a father-daughter hiking trip involves both bonding and danger in Percival Everett’s “Exposure,” read by Denis O’Hare. The show features on-stage remarks by O'Hare about fatherhood and includes comments by Percival Everett and Dion Graham.
Host Meg Wolitzer presents three works about idealized lives, and ideas about what constitutes an “ideal” life. “Boy Meets Girl” is Jen Kim’s humorous version of a Hollywood love story. It’s read by Tony Hale. In the John Cheever classic “The Worm in the Apple” a couple have the perfect life—but no one can believe it. It’s read by Anne Meara. And a harried mother fantasizes about a brand new life in Vanessa Cuti’s “Our Children,” performed by Claire Danes, followed by an interview with Danes..
Host Meg Wolitzer presents three works featuring birds, curated by writer and bird aficionado Amy Tan. Ben Loory’s “The Frog and the Bird,” is a twist the traditional fable genre; it’s performed by Mike Doyle. Teenagers are transformed in “Town of Birds,” by Heather Monley, performed by Yetide Badaki; and an avian love song goes viral in Mikkel Rosengaard’s “The Mating Call,” performed by BD Wong. Tan comments on the program’s theme and the stories and the actors provide backstage commentary.
Host Meg Wolitzer presents two works about losing something, but finding something revealing to take its place. In “Light,” by Lesley Nkeka Arimah, parents differ about how to raise a strong-willed daughter. The reader is Crystal Dickinson. And in Taryn Bowe’s “Camp Emeline,” performed by Edie Falco, a family struggles after a loss, but grief leads to self-discovery for the determined narrator. This lovely work also introduces Selected Shorts' first-ever on-air book club. Wolitzer joins a lively mother/daughter group to talk about Bowe’s work and how they related to it.
Host Meg Wolitzer presents three works from an evening with author and New Yorker cartoonist Roz Chast, inspired by Chast’s new book I Must be Dreaming. “The Wife on Ambien,” by Ed Park, is a sort of late-night fever dream. It’s read by John Fugelsang. In Tessa Hadley’s “Bad Dreams,” images that begin in books envelop a family in real life. The reader is Rita Wolf. Tom Barbash’s “Stay Up With Me” charts the rocky path of an old love affair. It’s read by Jason Ralph. And throughout the episode, Chast describes her cartoons based on her own weird and hilarious dreams.
Showing a lot of affection for the movies that are its source material, actor Ryan O'Connell performs Tim Jones-Yelvington's satirical story, "This Is a Dance Movie."
Host Meg Wolitzer presents two unconventional love stories, one classic, one contemporary, that avoid the usual tropes of “meet cute,” “opposites attract,” or “happily ever after” but are still engaging. In “Love in the Slump,” by Evelyn Waugh, clueless upper-crust newlyweds are sent on a comic odyssey. The reader is Jane Kaczmarek. And Esther Yi’s “Moon” explores something we often mistake for love—obsession, as a young woman is drawn farther and farther into K-Pop fandom. The story was selected by guest editor Min Jin Lee for Best American Short Stories 2023. It’s read by Hettienne Park. And we hear Lee’s and Park’s thoughts about the story.
Guest host Jane Kaczmarek presents two stories from the Best American Short Stories 2021 anthology selected by guest editor Jesmyn Ward. Both involve adolescents facing displacement or rejection, but the stories are set in very different environments: One takes place in a surreal, Soviet-occupied Afghanistan, and one inside a junior high school in Tennessee. First, Leo Solomon reads “Playing Metal Gear Solid: The Phantom Pain,” by Jamil Jan Kochai. Then we hear “Biology,” a beautiful story by Kevin Wilson, performed by Mike Doyle. And Ward comments briefly on her approach to creating this year’s diverse anthology.
Host Meg Wolitzer presents four stories in which characters shape their expectations and dreams to a manageable size in collaboration with Belletrist Book Club. So if you’re “Medusa,” as in our first story, by Tania James, you try to figure out how to live in the world instead of turning it to stone. The reader is Constance Zimmer. Parents in our second story, “We Only Wanted Their Happiness,” by Alexander Weinstein, make a tactical choice about technology. It’s performed by Randall Park. The narrator of Honor Levy’s “Good Boys,” read by Annie Hamilton, understands that infatuation is a phase. And a man and a woman sidestep romance in “Arrangements” by Charlie Watts, performed by Laura Harrier and Will Harrison. The show was recorded at the Getty Center in Los Angeles and features commentary by Emma Roberts and Karah Preiss of Belletrist Book Club. Since 2017, Belletrist Book Club has chosen more than 75 titles for the book club and dozens more for myriad content features across Instagram, TikTok, Facebook, and the newsletter The Belletrist Brief. In 2019, Emma Roberts and Karah Priess spun out Belletrist Book Club into a production company called Belletrist Productions. https://www.belletrist.com/
Host Meg Wolitzer talks with author Elizabeth Strout about her story “Home” and the fictional family Strout has created.
Host Meg Wolitzer presents three stories about social occasions for introverts and extroverts alike, curated with the Belletrist Book Club, founded by actor Emma Roberts and producer Karah Preiss. The show was recorded at the Getty Center in Los Angeles. Humorist Samantha Irby asks “Please Invite Me to Your Party,” but does she mean it? The reader is Richa Moorjani. Victoria Lancelotta’s “The Anniversary Trip,” performed by Judy Greer, is, and is not, about the married couple making the trip. And Jen Spyra takes it to extremes to get to the altar in perfect shape in “The Bridal Body,” performed by Erinn Hayes.This is Selected Shorts' first collaboration with Belletrist. Since 2017, Belletrist has chosen over 75 books for the book club and dozens more for myriad content features across Instagram, TikTok, Facebook, and a newsletter: The Belletrist Brief. In 2019, Emma and Karah spun out Belletrist Book Club into a production company called Belletrist Productions. https://www.belletrist.com
Host Meg Wolitzer presents three stories about the act of writing and how it can remake us--a prankish skit; a playful and tender investigation of creating with words; and a fraught social encounter between two characters who don’t ‘get’ each other’s stories. B.J. Novak takes on the old saying “Great Writers Steal” in a short piece read by Novak and Aasif Mandvi. In Etgar Keret’s “Creative Writing” a wife writes her way out of grief. It’s read by Alex Karpovsky. A dinner party becomes a scene of personal and political tension in Lorrie Moore’s “Foes,” performed by Joan Allen and Kyle MacLachlan. And Moore joins Wolitzer to talk about the story and creating fiction.
Host Meg Wolitzer presents four works in which nature and the out-of-doors drive both plots and character. Humorist Jenny Allen does battle with her stubborn plants in “Garden Growing Pains,” read by Kirsten Vangsness. The majestic Canadian border separates an Indigenous family in Thomas King’s “Borders,” read by Kimberly Guerrero. A housewife masters one of the elements in “Flying,” by Alyce Miller. The reader is Kirsten Vangness again. And a sudden storm creates a sense of abandon in the Kate Chopin classic “The Storm,” read by Jane Curtin. “Garden Growing Pains,” “Borders,” and “Flying,” were presented in cooperation with CacheArts and Utah Public Radio, KUSU-FM.
Paget Brewster and Andy Richter perform Erin Somers' masterly comical and sardonic story about an overwhelmed mom who acts on her fantasy of getting away from it all.
Host Meg Wolitzer presents stories so compelling that they were adapted for the screen. Selected Shorts and the prestigious Tribeca Festival collaborated and came up with three works that crossed the boundaries between fiction and film. An eerie game has unexpected consequences in Richard Matheson’s “Button, Button,” performed by Marin Ireland. The story inspired the horror film “The Box” starring Cameron Diaz and Frank Langella. Michael Stuhlbarg gives a rousing performance of Lewis Carroll’s “Jabberwocky;” and Andrea Martin reads the story that inspired the Hollywood classic All About Eve—Mary Orr’s “The Wisdom of Eve.”
Host Meg Wolitzer presents two humorous stories about marriages not made in heaven. In James Thurber’s classic “The Breaking Up of the Winships,” a long-married couple fall out over Donald Duck. The reader is Kristine Nielsen. And in Louise Erdrich’s “The Big Cat,” read by Keir Dullea, two powerful wives, a bemused husband, and a symphony of bone-jarring snores. The program also features an interview with Erdrich.
Much of Samantha Schweblin's writing has a kind of dangerous element to it, and that's in this story, too. It's kind of a nailbiter, but not for the usual reasons. This story was written for McSweeney's and was performed as part of Selected Shorts' celebration of the 25th anniversary of this mighty indie publisher. Performed by Carmen Lynch, a comic who has performed stand-up on The Tonight Show with Jimmy Fallon and The Late Show with Stephen Colbert, and has appeared on series including Inside Amy Schumer and Life & Beth. And she has just the right touch with the story. After her reading, she talks to host Aparna Nancherla about how she approached such a tricky story.
Guest host Roxane Gay (no mean cook herself) presents three stories centered on food. In “Three Great Meals” the late New Yorker humor writer Donald Barthelme tells you how to prepare breakfast, lunch and dinner from a terrifying medley of fast food and low-end canned goods. The story is read by Nate Corddry. In "Simple Recipes," author Madeleine Thien weaves together evocative memories of traditional meals prepared by her father, with more complex images of a family in conflict. The reader is Cindy Cheung. And finally, a Roald Dahl classic, “Lamb to the Slaughter.” This tale of a model housewife’s response to a marital crisis will make you view your Sunday roast in a whole new light. She’s embodied by Catherine O'Hara.
Host Meg Wolitzer presents perfect mismatches. In “The Man and the Moose” by Ben Loory, performed by Michael Cerveris, a man’s best bud has antlers. In “Red Dirt Don't Wash” by Roger Mais, performed by Brandon J. Dirden, a young man’s courtship is at risk—she doesn’t like his shoes. And a piano lesson is out of tune in “The Piano Teacher’s Pupil” by William Trevor, performed by Kathryn Erbe. Authors Elizabeth Strout and Marlon James present commentary from the stage at Symphony Space.
On this Selected Shorts, host Meg Wolitzer offers up stories about limited viewpoints and larger visions. In “You Can Find Love Now" by Ramona Ausubel, performed by Amy Ryan and Martin Short, an unusual character drops into the dating pool; in “The Weave,” by Charles Johnson, performed by Arnell Powell, a heist gets hairy; and in J. Robert Lennon’s “Blue Light, Red Light,” a child's fears find his family seeking tech support. It’s performed by Fred Hechinger.
Host Meg Wolitzer presents three stories about tangled lives; those situations; those people that pull you in and won’t let you go. These works focus on encounters that affect a character's life in some unusual or enduring way. “Missed Connection—M4W,” by Raphael Bob-Waksberg, takes the idea of “chance encounter” to its limits. It’s performed by Richard Kind. “My Years of Living Dangerously,” by Danielle Henderson, explores the idea of sin and redemption. It’s performed by Karen Pittman. And in Melissa’ Banks’ ruefully comic “Run Run Run Run Run Run Run Away,” performed by Julianna Margulies, one sibling makes a bad choice the other has to live with. Both Julianna Margulies and Karen Pittman talk about their readings backstage at the live show, which was hosted and curated by Meg Wolitzer.
In this bonus conversation, writers Margaret Atwood and A.M. Homes discuss everything from feminism, time, writing and dystopian fiction, to Atwood’s new short story collection “Old Babes in the Wood.” The interview was recorded in front of a live audience at Symphony Space.
Host Meg Wolitzer presents stories by the incomparable Margaret Atwood, drawn from our archives and a live performance evening hosted by the author. “There Was Once” is a brief satire about the art of writing and the importance of free speech. It’s performed by René Auberjonois, Zach Grenier, and Jane Kaczmarek. “Widows,” performed by Ellen Burstyn, is a delicate and ironic tale in which a recently widowed woman becomes accustomed to her new role. And Atwood is in full dystopian throttle in “Freeforall” where reproductive rights have become a matter of life and death. The reader is Becky Ann Baker. Both “Widows” and “Freeforall” have been published in Atwood’s new collection Old Babes in the Wood: Stories. Portions of Atwood’s onstage talk with fellow writer A.M. Homes are also featured.
In this bonus conversation, host and best-selling author, Meg Wolitzer, talks to host of WNYC’s All of It, Alison Stewart. Wolitzer reveals some of the secrets to great writing and the two share their own reading habits and thoughts about the importance of fiction.
It’s June, time to celebrate Pride privately and publicly. Host Meg Wolitzer presents four works that delve into the complexities of love, family and belonging. Ivan E. Coyote’s “No Bikini,” read by Becca Blackwell, offers one child’s act of quiet rebellion. Lovers drift together, and apart, in Michael Cunningham’s “Sleepless,” read by Mike Doyle. A newish couple faces harsh weather in Deesha Philyaw’s “Snowfall,” read by Michelle Beck, and poet Kay Ulanday Barrett shares their “Song for the Kicked Out.”
Host Meg Wolitzer presents four stories in which characters give, and get, a little assistance, from friends, strangers and family. A daughter copes with a cantankerous parent in “How to Take Dad to the Doctor,” by Jenny Allen, performed by Jennifer Mudge. A woman moves to a new town and makes a strange new friend in Laura van den Berg’s “Friends,” performed by Roberta Colindrez. A Tyrolean café improbably situated in South America is home to mysterious strangers and new and old romances, in Isabel Allende’s “The Little Heidelberg.” It’s performed by Kathleen Turner. And a budding singer and socialist gets unwelcome help from Mom in Grace Paley’s “Injustice,” performed by Jackie Hoffman.
American guest editor Andrew Sean Greer, “The Little Widow from the Capital,” by Yohanca Delgado, performed by Krystina Alabado. And our second story was selected by John Updike for the volume Best American Stories of the Century. It’s Grace Stone Coates’ “Wild Plums,” read by Mia Dillon. This episode features on-stage commentary by Greer. It's dedicated to mix engineer Dennis Jacobsen.
Host Meg Wolitzer presents two stories about selves obscured and revealed, by characters whose own identities are mysteries to them.In Aimee Bender’s “Un-Selfie, a woman reveals her extraordinary past to a stranger. The story was a commission for our 2022 Small Odysseys anthology, and is read by Alysia Reiner. In our second story, “Best Western” by Louise Erdrich, a young wife struggles to maintain a romantic fiction, until the real world crashes in on her. It’s read by Patricia Kalember.
A story with double timelines that depart and converge about marriage, love and the path not taken. Read by Holly Hunter (The Paino, Succession and Mr. Mayor). The story was written by Erin Somers. She has a novel, Stay Up with Hugo Best, and has been published in The Paris Review, The New Yorker and elsewhere. This particular story, "Ten Year Affair," was chosen for the Best American Short Stories collection of 2022. Too Hot is hosted by Aparna Nancerla. This episode includes a conversation between Aparna Nancherla and Erin Somers.
Host Meg Wolitzer presents stories chosen by On the Media’s Brooke Gladstone. Gladstone was our guest for a live Selected Shorts event in which all the stories explore the theme of tales we tell ourselves—and others. The title says it all in Mary Gordon’s “My Podiatrist Tells Me a Story about a Boy and a Dog” read by Bebe Neuwirth and Richard Masur. Two imaginative cooks reinvent themselves in a new country in Meron Hadero’s “A Down Home Meal for These Difficult Times” read by Chinasa Ogbuagu. And a child imagines an absent parent through her postcards in “Love, Your Only Mother” by David Michael Kaplan, read by Bebe Neuwirth. In addition to Gladstone’s on-stage remarks, this episode features backstage interviews with actors Masur, Neuwirth and Ogbuagu.
Meg Wolitzer presents two stories about secret spaces, and what they represent. In N.K. Jemisin’s speculative fantasy “Elevator Dancer” a security guard in a totalitarian regime is beguiled by an act of freedom. The reader is Laura Gomez. And Hugh Dancy reads Greg Jackson’s “The Hollow,” about a secret room, a purposeless life, and a guy who can’t stop talking about Vincent Van Gogh.
Host Meg Wolitzer shares our tribute to the influential and outspoken New Yorker Grace Paley, who would have turned 100 in 2022. Her emphasis on friends, family, and doing the right thing are evident in the three stories on this show. In “Wants,” a woman has a chance encounter while returning a lot of overdue library books. It’s read by Adina Verson. Two old friends work their way from childhood to middle age in “Ruthy and Edie,” read by Rita Wolf. And we meet a woman with a wonderfully checkered past in “Goodbye and Good Luck,” read by Joanna Gleason. Backstage interviews with Wolf and Gleason are featured.
On this show, host Meg Wolitzer gets friendly, and shares three stories about friendships of all kinds. Kelly Stout’s zinger “Let’s Get Drinks,” offers up the perils of conducting a social life via hyperbolic texts, which are hilariously performed by Jane Curtin and Jane Kaczmarek. Next, “True Friendship,” by Jorge Hernandez describes a life-long friend who’s almost too good to be—true. The reader is Michael Urie. And three misfits fit together in Anthony Marra’s “The Last Words of Benito Picone,” performed by John Turturro. A brief interview with Turturro follows the story.
On this show, Meg Wolitzer hands things off to guest host Hope Davis, who presents three stories about finding some kind of peace and stability in a variety of challenging circumstances. In Rabih Alameddine’s “Break” a trans woman reconnects with a sibling. The reader is Pooya Mohseni. Dave Eggers imagines a world changed by determined parents in “Your Mother And I,” performed by the late David Rakoff. And love triumphs over illness in Amy Bloom’s “Silver Water,” performed by Linda Lavin.
Host Meg Wolitzer presents two stories in which some things are saved and some are left behind. Both stories also have a connection to the German language. In Haruki Murakami’s “Lederhosen,” performed by Aasif Mandvi, the traditional German shorts become a singular obsession for one half of a married couple. In Elizabeth McCracken’s “Robinson Crusoe at the Waterpark,” a couple and their son find themselves in over their heads. Mike Doyle is the reader.
Roxane Gay's story was published in an issue of McSweeney's Quarterly Concern in which all the authors "covered" a story, in the way a musician might cover a famous song. Gay took a famous Margaret Atwood story, titled "Rape Fantasies," as her inspiration. Both "Rape Fantasies" and "Men on Bikes" are about imagination, revenge and joking about subjects that make people uneasy. It's read by actress Jane Kaczmarek.
Comedian Alison Leiby knows how to make us laugh about a subject people aren't prepared to laugh about. Her solo show "Oh God, a Show About Abortion," had a sold-out run in New York and has been touring the U.S. She and host Aparna Nancherla discuss how she approached finding the funny in a hot button topic.
On this Selected Shorts program, host Meg Wolitzer presents stories about journeys—physical and emotional—that end in unexpected places. In “A Woman Driving Alone,” by Marie-Helene Bertino, the main character travels s long way to see a friend, but seems also to be escaping a challenging moment in her life. The piece was commissioned for Selected Shorts’ anthology Small Odysseys, and is read by Amber Tamblyn. In Tom Perrotta’s “Nine Inches”, a teacher drives only across town, to chaperone a middle school dance, but almost gets into trouble himself. The story is performed by Santino Fontana.
Host Meg Wolitzer presents stories of inspirations small and large. In these tales, writers investigate moments in which art inspires life, or life inspires art, especially in a visual medium. In Elizabeth Crane’s “Blue Girl,” read by Valorie Curry, a young woman's secret life is given an unusual public forum. In Jai Chakrabarti’s “Lessons with Father,” commissioned for our Small Odysseys anthology, a middle-aged child tries to connect with her late father through brushstrokes. The reader is Purva Bedi. And in William Boyd’s “Varengeville” read by Dan Stevens, a young man strays from his famous family as he discovers himself on canvas.
On this week’s SELECTED SHORTS, we're going to hear stories about students and schools that abandon the usual rules to follow their own, unusual, codes of behavior. In "Singin' in the Acid Rain," by Patricia Marx, performed by Katrina Lenk, it’s recess at a post-apocalyptic school. Marx talks with Meg Wolitzer about the story and her unique brand of humor after the read, and check your feed for our bonus segment featuring the full interview. The class in “The School,” by Donald Barthelme, performed by Laura Esterman, is facing a difficult test; and young love is framed by larger issues in "Melvin in the Sixth Grade," by Dana Johnson, performed by Nikki M. James. We hear from James about this nuanced rite-of-passage story.On this week’s SELECTED SHORTS, we're going to hear stories about students and schools that abandon the usual rules to follow their own, unusual, codes of behavior. In "Singin' in the Acid Rain," by Patricia Marx, performed by Katrina Lenk, it’s recess at a post-apocalyptic school. Marx talks with Meg Wolitzer about the story and her unique brand of humor after the read, and check your feed for our bonus segment featuring the full interview. The class in “The School,” by Donald Barthelme, performed by Laura Esterman, is facing a difficult test; and young love is framed by larger issues in "Melvin in the Sixth Grade," by Dana Johnson, performed by Nikki M. James. We hear from James about this nuanced rite-of-passage story.
In this bonus conversation, host Meg Wolitzer talks to friend and New Yorker humorist Patricia Marx about her story “Singin’ in the Acid Rain,” and writing funny.
A routine that never changes can get old. So this week on Selected Shorts, host Meg Wolitzer presents three stories that shake up domestic life, teaching the characters something new about themselves and their circumstances. In “Scaffolding Man,” by Jenny Allen, performed by Patricia Kalember, a woman in a drab marriage is intrigued by a “hot” stranger. In "Myrna's Dad," by Cyn Vargas, a father’s changing occupations hide a family secret. The reader is Krystina Alabado. And in “Overtime,” by Hilma Wolitzer (Meg’s mom), read by Becky Ann Baker, a happy couple gets a jolt when the man’s ex moves into their apartment. After the story, Meg interviews Hilma about what gave her the idea and her writing in general.
Host Meg Wolitzer presents two stories about objects of love, and feelings that can't be returned, for very different reasons. In “A Love Letter,” by Greg Ames, a boy falls head over heels in a crosswalk. Actor and YA author Maulik Pancholy really captures teen ardor and angst in his reading. And in Kali Fajardo-Anstine’s “Sugar Babies,” another teenager learns about adult responsibility from an everyday pantry staple. The reader is Sonia Manzano, best known for her role on Sesame Street.
In this bonus conversation, host Meg Wolitzer talks to friend and Booker Prize-winning author George Saunders about crafting short stories, where ideas come from, and how his work has evolved over the years.
On this Selected Shorts we turn the show over to universally beloved author George Saunders. Saunders somehow finds the good, or at any rate the imperfectly human, in his characters. The result is a catalog as funny as it is moving, as devastating as it is hopeful. On this program, two stories that perfectly illustrate this. “Love Letter” is from Saunders’ latest collection Liberation Day. In it, an anxious grandfather who is ambivalent about the state of the world counsels an older grandchild. “Love Letter” is read by Stephen Colbert. And a favorite from our archives, “The Falls,” shows us two flawed men given a chance to do the right thing. Rene Auberjonois reads. Meg Wolitzer interviews Saunders at the end of the show.
Our new Too Hot episode features a story about memory, fantasy, and a realm somewhere between the two—a place to which we might escape, for a price (calling all Black Mirror and Westworld fans). It's dark, thoughtful, and surprisingly funny. It was written by author Kim Fu, and is part of her 2022 debut story collection, Lesser Known Monsters of the 21st Century, which among other honors was picked as a TIME Top 10 Fiction Book of 2022. Performed by actors Kirsten Vangsness, beloved for her long-running role on Criminal Minds, and Justin Kirk, known for series including Weeds, You’re the Worst, and Modern Family. The episode is hosted by Aparna Nancherla.
Meg Wolitzer presents three stories about quests and travel, which pose the question “How far do we need to go to find what we want, whether that something be an ephemeral pleasure, a lasting relationship, or a symbolic object?” In Margaret Atwood’s playful origin story “The Martians Claim Canada,” extraterrestrials invade—in search of a good musical. Jane Kaczmarek reads. In Lesley Nneka Arimah’s powerful “Options,” performed by Zainab Jah, a discarded daughter seeks love. And in the third, “Chivalry,” master fantasist Neil Gaiman finds the Holy Grail—in the most unlikely hands. Christina Pickles reads.
Meg Wolitzer presents three unexpected stories that let us see the holidays’ associations—family, friends, food, gifts, and goodwill—in different ways. Amy Krouse Rosenthal presents a playful encounter with the Almighty in “Interview with God,” performed by Jayne Atkinson and James Naughton. In Sherrie Flick’s “Heidi is Dead,” read by Adina Verson, a second wife tries to tune in with her in-laws. And John Cheever’s “Christmas is a Sad Season for the Poor” is a richly comic and warmhearted look at giving and receiving. Teagle F. Bougere reads.
Host Meg Wolitzer presents three stories about fathers and fatherhood. In “Beauty and the Beast” by Simon Rich, a self-absorbed producer gets a little Disney sparkle from his daughter. The reader is Arian Moayed. “Bedtime Story” by Victor LaValle, read by Dion Graham, features a son soothing an anxious father; and a father-daughter hiking trip involves both bonding and danger in Percival Everett’s “Exposure,” read by Denis O’Hare. The show includes comments by Dion Graham and Percival Everett.
Meg Wolitzer presents three stories in which plans go awry, or alter completely. In Ben Loory’s “Dandelions,” read by Wyatt Cenac, a suburb is invaded, and experiences a change of heart. Edwidge Danticat imagines an ultimate act and its consequences in “Cane and Roses,” read by Anika Noni Rose. And a romance with comic underpinnings changes course in Ray Bradbury’s “The Laurel and Hardy Love Affair,” read by Tate Donovan.
Meg Wolitzer hands off to guest host Roxane Gay in this rebroadcast of a show about considering people and feelings at a distance. Italian fabulist Italo Calvino observes young love on the slopes in “The Adventure of a Skier,” performed by James Naughton. In Edwidge Danticat’s “New York Day Women” a daughter watches her mother walking through Manhattan. The reader is Laurine Towler. And the James Baldwin grapples with what it means to be an American in "Notes for a Hypothetical Novel," performed by Brandon J. Dirden.
Host Meg Wolitzer presents two works in which characters are out of their element. Literally, in the case of Robert Coover’s witty reworking of the fable “The Frog Prince,” who finds human life exhausting. Parker Posey reads the story. In Cristina Henriquez’s “Chasing Birds” a married couple share an exotic holiday locale, but not much else. It’s voiced by Maryann Plunkett, who also comments on the story at the end of her read. The story is introduced by writer and bird aficionado Amy Tan.
SELECTED SHORTS host Meg Wolitzer presents three works about change. Yalcin Tosun’s “Muzaffer and Bananas” explores the awkward rites of passage of two teenaged boys. It’s performed by Arian Moayed. In Anya DeNiro’s “Take Pills and Wait for Hips,” performed by Pooya Mohseni, a trans woman reflects on her life before and after the change. And a former couple rehearse the disintegration of their relationship—on a street corner—in A.M. Homes’ “Goodbye to the Road Not Taken’ performed by Jane Kaczmarek and Tony Shaloub.
Host Meg Wolitzer presents three works in which characters have unusual friends who change their lives—whether they like it or not. In “Unicorn Me” by Elizabeth Crane, a magical box delivers a unicorn who offers ambiguous advice. Miriam Shor performs the story followed by a musical piece "Breathe," inspired by the story which was composed by Zina Goldrich and Marcy Heisler. Singer Maddie Corman, bassist Matt Scharfglass, and Zina Goldrich perform. A sentient cockroach intrigues and alarms a woman in “The Double Life of the Cockroach’s Wife” by Helen Phillips. It’s performed by Sarah Steele. And the latest iPhone knows everything about you in Weike Wang’s “iPhoneSE,” performed by Dawn Akemi Saito. All three stories were commissions for Selected Shorts’ anthology Small Odysseys.
Host Meg Wolitzer presents two works about growth helped along by some sort of fantastical assistance. The characters in these pieces are stuck; consciously or not, they're looking for something to give them just a little push. And that nudge comes in the form of magic. In “Isabella’s Garden” by Naomi Kritzer, a backyard nature site presents a young family with a new world of fertility. The reader is Jane Kaczmarek. In “My Dear You” by Rachel Khong, performed by Annie Q., the afterlife provides a perfect platform for questions about love, commitment, and the meaning of forever. After the reading, Wolitzer talks to Khong about the story and her writing process.
Host Meg Wolitzer presents three works featuring birds, curated by writer and bird aficionado Amy Tan. Ben Loory’s “The Frog and the Bird,” is a twist the traditional fable genre; it’s performed by Mike Doyle. Teenagers are transformed in “Town of Birds,” by Heather Monley, performed by Yetide Badaki; and an avian love song goes viral in Mikkel Rosengaard’s “The Mating Call,” performed by BD Wong. Tan comments on the program’s theme and the stories.
Host Meg Wolitzer presents three works that contemplate a way out—of our lives, and even of this world. In Joe Meno’s “Books You Read,” performed by Joan Allen, a young boy helps his jaded teacher to love reading again. J. Robert Lennon takes us into deep space and a conversation between a computer and a survivor in “Escape Pod W41,” performed by Stephen Lang. And marriage, and a friendship, are tested in Jac Jemc’s “Infidelity,” performed by Kathleen Chalfant. All three stories were commissioned for SELECTED SHORTS’ anthology Small Odysseys.
Host Meg Wolitzer presents three works that offer unusual perspectives on clothes and fashion—selling, making, and coveting. In Anne Enright’s “(She Owns) Everything,” read by Mary-Louise Parker, a saleswoman becomes a compulsive consumer; In “Clothes on the Ground: A Conversation with Leap,” we hear from a Cambodian garment worker, interviewed by Julia Wallace for the compendium Women in Clothes, edited by Sheila Heti, Heidi Julavits, and Leanne Shapton. Leap is voiced by Jennifer Lim. And shopping is an antidote to aging in Joanne Harris’s “Faith and Hope Go Shopping,” read by Lois Smith.
In this bonus conversation, host Meg Wolitzer talks to friend and Pulitzer Prize-winning author Elizabeth Strout about writing, short stories, and the use of recurring characters in her work.
Host Meg Wolitzer shares three stories about people who put things out of sight—and try to put them out of mind. In Lisa Ko’s “Nightlife,” read by Vanessa Kai, a pair of friends quietly sidestep feelings that might complicate their relationship. A teacher tries to help a parent see who her child really is in “The Hole” by Patrick Cottrell, performed by Becca Blackwell. And Elizabeth Strout brings us a beautiful and devastating story of a woman grappling with whether to put her mother into institutional care in “Home,” performed by Mia Dillon. Strout talks with Wolitzer after the reading. All three works were commissioned for the Selected Shorts’ anthology, Small Odysseys.
On this episode of Selected Shorts, host Meg Wolitzer presents three stories about change. A playful fantasy, a domestic dilemma, and a private struggle help us to adjust to the idea of transformation, losses, and gains. In “Sea Monster,” by Seth Fried, performed by Natasha Rothwell, a husband and wife reveal their secret identities to each other. In “Death by Printer,” by Mira Jacob, a widow learns to cope with loss—and technology. And a mature woman embraces the self she is becoming in Maile Meloy’s “Period Piece,” performed by Kelli O’Hara. The last two stories were commissioned for Selected Shorts’ anthology Small Odysseys.
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Host Meg Wolitzer presents three stories about the act of writing and how it can remake us--a prankish skit; a playful and tender investigation of creating with words; and a fraught social encounter between two characters who don’t ‘get’ each other’s stories. B.J. Novak takes the old saying “Great Writers Steal” literally in a short piece read by Novak and Aasif Mandvi. In Etgar Keret’s “Creative Writing” a wife writes her way out of grief. It’s read by Alex Karpovsky. A dinner party becomes a scene of personal and political tension in Lorrie Moore’s “Foes,” performed by Joan Allen and Kyle MacLachlan. And Moore joins Wolitzer to talk about the story and creating fiction.
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Host Meg Wolitzer presents three diverse stories that look at what gets left behind when life changes, gradually or suddenly. Restless retirees try on the ultimate next step in Greg Ames’ funny “Funeral Platter,” performed by Michael McKean and Annette O’Toole. The family in Julia Alvarez’s “Liberty” are on their way to a new life in America, but it’s difficult leaving the old one behind. The reader is Laura Gómez. And a trainer of guide dogs for the blind learns how to let go, in Amy Hempel's “The Dog of the Marriage,” performed by Joan Allen.
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Host Meg Wolitzer presents three pieces about marriages that outlive the romance. In Etgar Keret’s “A World without Selfie Sticks,” performed by Tate Donovan, a man meets the woman of his dreams; but she’s from an alternate universe. “On the Honeymoon,” by Javier Marias, a husband has a strange encounter with a woman in the street. It’s read by Ivan Hernandez. And in Duncan Birmingham’s “The Cult In My Garage,” performed by Michaela Watkins, an old college buddy turns up, and he’s got a mission.
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An FBI probe into potential terrorists at a prom is the perfect setup for this high-paced satire that covers youth, sex, politics, religion, education, and the government. Written by the award-winning author of Wrong End of the Telescope, and read by Raffi Barsoumian (DC's Legends of Tomorrow and The Vampire Diaries). It was one of the pieces commissioned by Selected Shorts for its new anthology, Small Odysseys.
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Host Meg Wolitzer presents three pieces about losing things: objects, opportunities, a primary sense, a new friendship. In “Any Other” by Jac Jemc, performed by Helen Hong, a woman rejects an offer without knowing the consequences. Namwali Serpell’s “Noseless” is about a loss many experienced during the pandemic; it’s performed by Kyrstina Alabado, Deborah S. Craig, Zach Grenier, and Calvin Leon Smith. And Lauren Groff’s “Such Small Islands” charts the perilous course of a childhood infatuation and betrayal that ends with figurative loss and a literal disappearance. It’s performed by Crystal Dickinson. In a special bonus: multi-instrumentalist Laura Gibson performs a song inspired by Groff’s story.
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In this bonus conversation, host Meg Wolitzer talks to comedian and writer Michael Ian Black about what he’s been reading and the tricky business of being funny.
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Host Meg Wolitzer presents two stories about the course of true love, from two very different perspectives. Sigrid Nunez explores a roller-coaster romance in a small town in “This Is It,” performed by Christina Pickles, and Simon Rich offers up Stone-Age love in a small cave in “I Love Girl.” It’s performed by Michael Ian Black, who also chats with Wolitzer about what he’s been reading and the tricky business of being funny.
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This week we reprise a great show from our archives: guest host Cynthia Nixon presents stories from New York Magazine’s online portal “The Cut,” which combines art, journalism, and the kind of fresh contemporary fiction that speaks to us. On this program, a woman tries on different identities, as well as clothes, in a dress shop fitting room, in “Fully Zipped” by Shelly Oria, performed by Katja Blichfeld. A new mother can’t seem to get the hang of breastfeeding in Curtis Sittenfeld’s “Bad Latch,” performed by Justine Lupe. And Parker Posey tackles mail order—and time travel—in Xuan Juliana Wang’s “Future Cat.”
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Host Meg Wolitzer presents four stories about journeys, both physical and emotional. Strangers size one another up on a busy city bus in Kurt Vonnegut’s “City,” performed by Bhavesh Patel and Sarah Steele. An excerpt from James Baldwin’s Another Country takes us on a frantic subway ride toward an ultimate moment. It is performed by Nathan Hinton. Hopeful immigrants try to reach America in a dubious boat in “The Long Voyage” by Leonardo Sciascia, performed by John Turturro. And a man in transit takes the opportunity to try to recover a bit of his past, in F. Scott Fitzgerald’s “Three Hours Between Planes,” performed by Stephen Colbert.
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Host Meg Wolitzer presents two stories about indomitable women. A mother grieves a loss fiercely in Carribean Fragoza’s “Lumberjack Mom,” performed by Roberta Colindrez. And Richard Yates’ classic “Fun with a Stranger” offers a portrait of an unforgettable teacher. It’s performed by Marian Seldes.
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Host Meg Wolitzer presents three stories that ask the big, basic questions: Who? What? Where? The characters resonate, the situations are intriguing, and each offers a fully realized world. In “What Animal Are You?,” by Etgar Keret, performed by Willem Dafoe, a celebrity writer and his son play themselves for the media. In Rumaan Alam’s “Nothing Can Come Between Us,” performed by Nathan Hinton, a man goes into sensory overdrive. And a fierce and traditional grandmother tries to find her place in a new world and a new family in Gish Jen’s “Who’s Irish?” performed by Frieda Foh Shen.
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Host Meg Wolitzer presents three works about women who defy the status quo and might therefore be perceived as “dangerous.” In Margaret Atwood’s “Unpopular Gals,” fairy-tale archetypes reclaim their power. The reader is Ann Harada. A boisterous and brilliant student threatens to upend the order of her high school in Shanteka Sigers’ “A Way with Bea,” performed by Pascale Armand. And a Victorian-era wife fights for her sanity in Charlotte Perkins Gilman’s classic “The Yellow Wallpaper,” performed by Carrie Coon. The show also includes commentary by the Egyptian-American journalist and activist Mona Eltahawy.
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In this bonus conversation, host Meg Wolitzer talks to journalist, activist and feminist writer Mona Eltahawy about her life, literature and what it means to be a "dangerous woman."
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Host Meg Wolitzer presents two stories about close—but complex—ties of family and friendship. Jamaica Kincaid offers up a lyrical, dreamlike account of the mother/daughter bond in “My Mother,” performed by Laurine Towler. In Laura van den Berg’s “Lessons” a quartet of youthful bank robbers faces hard questions about love and loyalty. The story is read by Emily Skeggs.
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