Videos – TheDigitalLifestyle.com: Recent Episodes

Ian Dixon

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In this Korg Minilogue tutorial I build a warm analog string/brass style patch from an initialized sound.

The patch uses two saw oscillators, subtle detuning, pitch-envelope drift, filter envelope movement, a slow free-running LFO, and a touch of delay/chorus from the desk to create a classic drifting analog character with a hint of CS-80-style warmth.

Timeline
00:00 Intro and finished string/brass sound
00:40 Starting from an initialized patch
01:00 Amp envelope: soft attack and controlled release
01:30 Oscillator 1 sawtooth and initial filter setup
02:00 Adding oscillator 2 and subtle detune
02:45 Using pitch envelope for analog-style drift
03:45 Why global pitch LFO is not the right choice here
04:30 Balancing pitch drift with filter movement
05:00 Filter cutoff, envelope depth and resonance
06:00 Adding slow LFO movement to filter cutoff
07:30 Turning off key sync for free-running filter motion
08:15 Voice sync and more organic movement
09:00 Delay, high-pass trimming and final tone shaping
10:30 Oscillator octave experiments
11:00 External chorus/delay/reverb and final patch demo
11:30 Wrap-up and tutorial suggestions

If you have a Minilogue sound you want me to build from scratch, leave it in the comments. Like the video and subscribe for more practical synth sound design tutorials.

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The Kawai K1m is a 1988 digital synth module with no resonant filters and no built-in effects, but it still has a distinctive late-80s character that makes it much more interesting than the spec sheet suggests.

In this video I take a first look at my Kawai K1m, explore the four-source sound architecture, PCM samples, additive-style wave building, joystick control, factory presets, multi mode and external effects, then try building a new patch from scratch.

Chapters:
00:00 Why the Kawai K1m is interesting
00:24 K1m overview and why I bought it
01:38 Dry sound and synth architecture
02:28 Four-source patches and muting parts
03:20 Waves, PCM samples and additive-style synthesis
05:10 Drum samples and looped waveforms
06:55 Programming controls, envelopes and joystick
07:59 Polyphony and the gritty K1m character
08:56 Factory sounds and D-50-style bells
09:59 Vocal sounds, effects and Miami Vice references
12:56 Editing patches with the software editor
14:10 Multi mode and layered performances
15:02 Building a new K1m patch
17:57 Is the Kawai K1m worth buying today?
19:08 What should I do next with the K1m?

If you enjoy classic digital synths, 80s sound design and hands-on synth demos, please like the video, subscribe to the channel, and let me know in the comments what you would like me to do next with the Kawai K1m.

Watch more synth sound design videos on the channel: https://www.youtube.com/@IanDixonTDL

Kawai #KawaiK1 #KawaiK1m #Synthesizer #SoundDesign #80sSynth #DigitalSynth #SynthDemo

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Suit & Tie Guy joins me for a TDL Synth Chat covering STG muSonics, Knobcon, modular synth history, why he moved away from software-based music making, and the stories behind his hardware design work.

Listen Now:
Listen Here (download mp3)

Suit & Tie Guy is the founder of Knobcon and the person behind STG Soundlabs / STG muSonics. In this long-form synth podcast we talk about early computer music, Numerology, hardware sequencing, the move from software to dedicated instruments, module design, the muSonics story, and why in-person synth events still matter.

Timestamps:
00:00 Intro
00:49 Suit & Tie Guy joins the show
02:07 Early music work and Mac game scoring
06:31 Numerology and analogue sequencing ideas
08:46 Live rigs, Hammond-style controllers and Manchester
11:35 Moving from software to hardware
14:07 KiCad, modular design and prototyping
17:35 Why dedicated hardware matters
20:40 Building a video studio for music technology
23:20 The Lyall four-voice synth and rare hardware
26:43 STG Soundlabs, mythology and muSonics
30:55 What muSonics is and why the name matters
33:37 Finishing the Moog 900-series idea
36:34 Knobcon and planning a part two
39:32 Synth communities and real-world connections
42:01 Sound design plans for the next chat

Let me know in the comments what you would like me to ask Suit & Tie Guy when he comes back for part two.

If you enjoy synth interviews, sound design and vintage electronic music technology, please like the video, subscribe to the channel and check out more TDL Synth Chat episodes on The Digital Lifestyle.

Knobcon:
https://www.knobcon.com/

muSonics / STG muSonics store:
https://musonics.square.site/

Suit & Tie Guy’s site also links the muSonics newsletter:
https://suitandtieguy.com/

SuitAndTieGuy #STGmuSonics #Knobcon #SynthPodcast #ModularSynth #Synthesizer #SoundDesign #TDLSynthChat

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💬 Join the ConversationIf you want more information about how to subscribe to podcasts read our Podcast How To page.

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Also available on streaming services:

https://open.spotify.com/album/6VDRLOIw2WGH3aMaeGlCXO?si=Nn8UU-bPQBSbSK2DEfQsbA

https://www.amazon.co.uk/music/player/albums/B0H4SC46CL

The Korg Multi/Poly has a powerful Layer Rotate feature inherited from the classic Mono/Poly idea of cycling through oscillators. In this video I show how to use Layer Rotate to add subtle analogue-style movement to pads, then push it further with four very different layers for wave-sequencing-style results.

I start from an initialized program, build a pad, copy it across the four layers, tweak each layer, then turn on Layer Rotate so every note cycles through the layers. After that I build a more extreme patch using different sound engines and show how it behaves with single notes, chords and the arpeggiator.

Timestamps
0:00 Intro sound demo
0:14 What Layer Rotate does
0:45 Two examples from an initialized program
1:13 Building a subtle pad sound
2:22 Copying the sound to all four layers
2:42 Tweaking each layer for variation
3:35 Switching on Layer Rotate
4:13 Subtle movement demo
4:36 Adding compression, chorus, delay and reverb
5:59 Rotate direction, layer count and reset source
6:49 Building a more extreme Layer Rotate patch
7:19 Digital percussive layer
7:35 Pulse-width layer
8:20 String-style third layer
8:54 Waveshaper fourth layer
9:23 Four layers with Rotate enabled
9:54 Trying it with the arpeggiator
10:45 Single notes vs chords
11:22 Expanding beyond one oscillator per layer
11:43 Example patch: four piano layers
12:20 Subtle rotating pad example
12:39 Final thoughts and use cases

If you use Layer Rotate on the Korg Multi/Poly, let me know how you use it in the comments. Like the video if it helped, and subscribe for more synth tutorials, sound design ideas and Korg Multi/Poly videos.

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In this Korg Wavestate tutorial I show how to build a multi-layered piano performance from scratch using velocity switching, wave sequencing, electric piano layers, strings, effects, and front-panel mod controls.

We start with an initialized performance and create a velocity-switched acoustic piano using multiple piano samples. Then we add a DX7-style electric piano layer, Mellotron-style strings, performance controls for bringing layers in and out, and an octave layer for a bigger stacked piano sound.

This technique is useful beyond piano sounds too: you can use the same approach with guitars, strings, brass, synths, or any layered performance where you want velocity and controls to shape the sound.

Timestamps
00:00 Intro demo
00:26 Building a multi-layered Wavestate piano performance
00:51 Starting from an initialized performance
01:00 Setting up wave sequencing and four sample slots
01:16 Selecting the piano samples
01:58 Comparing the different piano sample layers
02:05 Using velocity to switch sample start positions
02:33 Adjusting the amp envelope release
02:49 Finished velocity-switched piano layer
03:16 Adding an electric piano layer
03:44 Suitcase electric piano example
04:02 Swapping to DX7-style VPM piano samples
04:25 Shaping the electric piano envelope
04:38 Adding a string layer
04:53 Choosing Mellotron-style tape strings
05:06 Shaping the string envelope
05:28 Adding delay and effects
05:48 Adding chorus and delay to the electric piano
06:25 Bringing in the electric piano with a macro control
06:53 Assigning a second control for strings
07:14 Hearing all three layers together
07:27 Adding an octave piano layer
08:12 Balancing piano, EP, strings, and octave layer
08:47 Final layered piano performance overview
09:01 Why velocity switching works well on the Wavestate
09:16 Using the same technique for other instruments
09:18 Call for Wavestate tutorial suggestions
09:26 Like, subscribe, and wrap-up

If you have any Wavestate tutorial ideas or sounds you want me to build, let me know in the comments. I read the suggestions and often turn them into future videos.

Please like and subscribe if you found this useful, and thanks for supporting the channel.

KorgWavestate #Wavestate #SoundDesign #SynthTutorial #Korg #VelocitySwitching #PianoSound

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In this tutorial, I’ll show you how to recreate those classic 80s synth-pop analog bells on the Korg Multi/Poly. Taking inspiration from the legendary Roland JX-10 (which is essentially two JX-8P synths in one box), we’ll dive into how to layer oscillators and use component modeling to achieve that iconic hollow, phasing tone.

Whether you’re using the Multi/Poly or any other analog synth, these sound design principles will help you nail that vintage vibe. We’ll start from an initialized program and walk through everything from pulse width modulation and detuning to filter shaping and adding that essential chorus and delay.

Key Topics Covered:

Setting up square/pulse waveforms for a hollow bell tone.
Detuning techniques to mimic analog voice cards.
Shaping the sound with 24dB low-pass filters and envelopes.
Adding stereo depth using chorus, cross-delay, and stereo filters.
Experimenting with octaves and subtle noise for extra texture.
What synth sound should I recreate next? Leave a comment below with your suggestions! I’m working through a list of your requests, including that tricky “creaking ship” sound—stay tuned!

Timestamps
0:00 – Introduction to Synth Pop Bells
0:49 – Starting from an Initialized Program
1:18 – Oscillator Setup: Pulse Width & Waveforms
1:35 – Detuning for Analog Character
2:25 – Shaping the Bell with Filter Envelopes
3:30 – Adding Effects: Chorus, Delay & Reverb
4:21 – Testing Ring & Cross Modulation
5:04 – Adding Subtle Noise Texture
5:24 – Layering Octaves for Depth
7:18 – Stereo Filter & Panning Tips
7:56 – Adding Pitch Drift & Final Touches
8:40 – Outro & Suggest Your Ideas!

If you enjoyed this tutorial and want to see more Korg Multi/Poly content, make sure to subscribe to the channel!

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In this episode of The Digital Lifestyle Show, I’m joined by Mike Dunn from the Academy of Contemporary Music for a wide-ranging conversation about synthesizers, sound design, music education, hardware vs software, and the rapidly changing role of AI in music.

Mike shares his journey from growing up in Toronto and discovering synths like the Korg Poly-800 and Yamaha DX100, through touring and professional performance, to teaching the next generation of musicians.

We also explore how synthesis is taught today, why creative restrictions can actually improve your music, the continuing debate over hardware versus VSTs, and whether AI represents a threat to musicians or simply the next major technological shift—just like samplers, drum machines and DAWs before it.

There’s plenty here for synth fans, musicians, producers and anyone interested in where music technology is heading next.

Listen Now:
Listen Here (download mp3)

⏱️ Chapters

00:00 Intro
00:20 Meet Mike Dunn
00:48 Mike’s musical background
02:17 First synths: Korg Poly-800 and Yamaha DX100
05:11 VSTs, Ableton and vintage synthesizers
09:04 Hardware vs software synths
11:34 Teaching sound design
12:40 How students learn synthesis
15:28 Why creative restrictions help creativity
16:39 Choice paralysis in modern music production
17:32 Growing up with 80s synth technology
19:46 DX100, TR-808 and early samplers
26:16 How synthesizer priorities have changed
27:20 Presets, realism and the return of classic synth sounds
30:46 Arturia, Cherry Audio and learning synth history
33:02 Why hardware can inspire better sound design
34:51 Synths as performance instruments
38:51 Samplers, AI and changing music technology
39:13 Is AI just the next sampling revolution?
42:37 Will AI replace musicians?
45:05 How students feel about AI
47:31 Using AI creatively without losing authenticity
48:44 Could AI trigger the next musical revolution?
50:28 New music, live performance and avoiding streaming platforms
52:12 Why synth players should collaborate with other musicians
53:34 Advice for synth musicians
53:46 Academy of Contemporary Music and keyboard courses
55:08 Synthesis, Ableton and live performance education
58:14 Final thoughts

👍 Enjoyed the conversation?
E: mdunn@acm.ac.uk

W: www.acm.ac.uk
Let me know in the comments: Do you see AI as a threat to musicians, or simply the next tool in the evolution of music technology?

Please like the video, subscribe to the channel and turn on notifications for more synthesizer tutorials, sound design, music technology discussions and interviews.

Visit The Digital Lifestyle for more synth news, tutorials, sound packs and music technology content.

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💬 Join the ConversationIf you want more information about how to subscribe to podcasts read our Podcast How To page.

If you enjoyed the show, subscribe, share, and follow for weekly updates.

Also available on streaming services:

https://open.spotify.com/album/6VDRLOIw2WGH3aMaeGlCXO?si=Nn8UU-bPQBSbSK2DEfQsbA

https://www.amazon.co.uk/music/player/albums/B0H4SC46CL

Mastering the Multi/Poly: Creating a Classic String Ensemble & Bass Split (Hardware Only)

In this tutorial, I’m diving deep into the hardware of the Multi/Poly to recreate a classic split-layered string ensemble sound from scratch. No software editors here—we’re sticking strictly to the front panel to show just how fast and intuitive this synth can be.

What’s covered in this video:

Building Layer A: We start by crafting a lush “Selena-style” string sound using high-pass filters and multiple oscillators (octave shifts) to get that rich, vintage texture.
Adding Effects: Learn how to use the built-in ensemble modulation, phaser, and stereo cross delays to add width and movement to your strings.
Layer B & The Bass Split: We switch over to create a powerful, detuned saw bass and set up a custom key zone (stopping at C3) for a perfect performance split.
Final Tweaks: Balancing levels and fine-tuning the reverb for that “infinite space” feel.

The Multi/Poly is an absolute powerhouse for quick sound design. If you have any specific requests for more hardware or software tutorials, drop a comment below!

In this video I demo my brand‑new D‑50 Collection for the Korg Wavestate / Wavestate Native / Modwave / Modwave Native. The pack includes 60 performances and 170 programs, all inspired by the iconic Roland D‑50 — recreated using only the Wavestate’s native samples, four‑layer architecture, modulation, and wave sequencing.

If you love that late‑80s LA‑synthesis vibe — glassy bells, airy spectra, hybrid strings, warm pads, and digital‑meets‑analog textures — this pack is built for you.

⏱️ Timestamps 00:00 — Intro & overview of the D‑50 Collection * 00:29 — What inspired the pack * 01:08 — How the four‑layer architecture works * 02:16 — Start of sound demos * 02:30 — Afterthought (digital + analog bell layers) * 03:56 — Voices (classic D‑50 choir flavour) * 04:32 — Ambient Res Sweep * 05:28 — Using Spectrum for airy brightness * 05:58 — Arco Strings * 06:34 — Bouncing Bows * 06:50 — Breathy Chiffer * 07:21 — Bright Pad (sound design breakdown) * 08:57 — Choirs & low‑res choir * 09:04 — Soundtrack variations * 09:42 — Combi Strings * 10:13 — D50 Orc * 11:00 — EP Sweep * 11:30 — FanFair * 11:32 — Fantasia (two versions) * 12:51 — Glass Voice * 13:30 — Hammond Organ (with bright percussive layer) * 14:16 — Hard Core Stabs * 14:49 — Heaven * 15:11 — Horn Section * 15:38 — Hybrid Piano * 16:04 — Jet Strings * 16:14 — JMJ Machine (tempo‑synced loops) * 17:08 — JX Hall Strings * 17:18 — LA Atmosphere * 17:34 — Living * 17:57 — Made Up World * 18:22 — Mega Strings * 18:50 — Metal Harp * 19:13 — New Age Pad * 19:21 — Nightmare (upper & lower split recreated) * 20:29 — Not the Soundtrack * 20:29 — Digital Native Dance‑inspired patches * 22:01 — Nylon Atmosphere * 22:13 — D‑50 Pan Pipes * 22:26 — PCM Piano * 22:34 — Pit Go * 22:56 — Pressure‑sensitive Strings * 23:18 — Shakahaki * 23:25 — Sheamus * 23:52 — Soundtrack (closer version) * 24:15 — Sweeps * 24:43 — Spectrum Sweep * 25:32 — Star Heaven (two versions) * 26:27 — Harmonium * 26:42 — Template patch (build your own) * 26:55 — Bright EP * 27:35 — Vox Harmonium * 28:33 — Warm Bells (bright & mellow) * 29:08 — Resonant Sweeps * 29:37 — Warm Strings * 29:46 — Whistling Soldiers * 29:57 — WindPad * 30:16 — Pack summary & how to import * 30:54 — Request more D‑50 sounds / Volume 2 * 31:15 — Suggest other synths to recreate * 31:25* — Final CTA

📦 Get the Full Pack
Support the channel and download the full sound pack here: Get the D‑50 Collection

Transform Your Korg Wavestate Into a Roland D50 Today – TDL Sound Packs

Includes:

60 Performances
170 Programs
Fully aftertouch‑enabled
Four‑layer architecture throughout
Wavestate / Wavestate Native compatible

Get the Free Version! Korg Wavestate D‑50 Collection - Free Version (updated) 1 file(s) 10.31 KB Download 📣 If you enjoy these sounds, please like, subscribe, and leave a comment. Tell me which D‑50 patches you want recreated next, or which synth I should tackle for the next sound pack.

The Korg Opsix is widely celebrated as a powerhouse of FM synthesis, but there is a hidden gem inside its engine that many creators overlook: the Wave Shaper.

In my latest video, opsixwaveshaping, we step away from traditional frequency modulation and dive into a world of complex harmonics and digital textures inspired by the legendary Korg 01/W. If you’ve ever wanted to coax PPG-style vocal pads or shimmering D-50 bells out of your Opsix, this is how you do it.

The Magic of Wave ShapingWave shaping isn’t just about adding distortion; it’s about transformation. By taking a simple operator—like a sine or sawtooth wave—and running it through a shaper, you create jagged, harmonically rich waveforms that a standard FM operator simply can’t achieve on its own.

In the tutorial, I demonstrate how to use parallel routing (stacked algorithms) to blend clean tones with shaped harmonics. This allows you to maintain the fundamental “weight” of your sound while adding that signature digital “grit” on top.

Designing Iconic TexturesWe walk through several sound design techniques, including:

Vocal Synthesis: Using the “Fold” and “Reso” shaper types to mimic the formant-shifting qualities of classic wavetable synths.
High-Harmonic Bells: Creating those airy, 80s-inspired bell tones by pushing high-frequency operators into the shaper and taming them with internal filters.
Layering for Depth: How to detune operators and use Band Pass filters to add movement and “air” to your patches.

Why It MattersThe beauty of the Opsix is its ability to be “un-FM.” By mastering the Wave Shaper, you unlock a palette of sounds that feel more like additive or wavetable synthesis, making your instrument even more versatile for modern production.

Watch the full deep dive here:

Are you using the Wave Shaper in your patches? I’m always curious to see how other creators are pushing the boundaries of this synth. Check out the video, and let’s discuss your favorite sound design tricks in the comments!

In this video, I walk you through how to create a classic “Super Saw” sound using the Korg Multi/Poly. I’ll show you how to initialize a program, stack detuned oscillators, and apply filters to get that signature thick, electronic texture. I also dive into creating a sweeping effect and using the motion sequencer for rhythmic stabs.

Timestamps: 00:00 – Introduction and sound example * 00:54 – What is a Super Saw? * 01:17 – Setting up detuned sawtooth oscillators * 02:44 – Applying Low Pass and High Pass filters (Serial Mode) * 04:40 – Creating a filter sweep effect with envelopes * 05:52 – Creating rhythmic “stab” effects using the Motion Sequencer * 07:13 – Layering sounds: Combining stabs, drums, and swells * 08:15* – Final performance and wrap-up

Let me know in the comments if you have your own tips for perfecting the Super Saw or if you’d like to see more tutorials on the Multi/Poly!

In this video I build a D‑50‑inspired layered patch on the Korg Opsix, combining organ, bell tones, and a bright “spectrum‑style” layer — all without samples. It’s a practical, hands‑on walkthrough showing how far FM + wave‑shaping can go when you lean into the architecture.

If you enjoy these deep‑dive sound design sessions, hit Like, Subscribe, and drop a comment telling me whether you think this gets close to the D‑50 vibe.

⏱️ Timestamps 0:00 – Intro — Overview of the goal: building a D‑50‑style patch on the Opsix * 0:18 – What makes the D‑50 sound? Short samples + VA layers * 0:33 – Breaking down the layers Organ, bells, spectrum fizz * 0:50 – Choosing an algorithm Why Algorithm 24 gives flexibility * 1:33 – Building the organ layer Using additive waves for instant organ tone * 2:26 – Detuning for chorus‑like width Classic D‑50 trick * 3:12 – Envelope shaping Slow attack for the organ layer * 4:35 – Creating the bell layer Ring modulation for sweeter FM bells * 5:18 – Bell envelopes Short, bright, percussive * 6:07 – Listening to the D‑50 bell sample Matching the character * 6:59 – Starting the spectrum layer High harmonics + wave shaping * 7:42 – Wave shaper + filtering Sculpting the “fizz” * 8:51 – High‑pass filtering Removing lows to mimic PCM loops * 9:33 – Layer balancing Organ + bells + spectrum * 10:12 – Master filtering Taming the overall brightness * 11:10 – Noise‑based layer attempt Exploring another D‑50‑style texture * 12:37 – Refining bell envelopes Getting the decay right * 13:07 – Adding effects Chorus, delay, reverb for that lush D‑50 feel * 14:00 – Layer breakdown Organ, fizz, bells, high‑bell * 15:01 – Final thoughts* Did we get close to the D‑50 vibe?

🎧 Want more synth deep dives?Tell me what classic patches you’d like recreated next — DX7, M1, JD‑800, Wavestation, or something more obscure.

Oli Freke joins me for a drum-machine special on this week’s show. We talk about his new book Beat Gems, why rhythm boxes changed modern music, the sound of classic machines like the Roland CR-78, TR-808, TR-909, Linn LM-1, Oberheim DMX/DX and Yamaha RX5, and how drum machines helped shape synth pop, hip-hop, house, techno and 80s production.

Oli also opens up the Oberheim DX, shows the EPROMs inside, talks through the sounds, and demonstrates a classic DMX-style groove.

Listen Now:
Listen Here (download mp3)

Beat Gems – Drum Machines in Modern Music:
https://www.kickstarter.com/projects/bjooks/beat-gems-drum-machines-in-modern-music

Bjooks:
https://bjooks.com/

If you enjoy classic synths, drum machines, electronic music history and studio tech, please like the video, subscribe to the channel, and let me know in the comments which drum machine sound instantly takes you back to a particular record or era.

Chapters:
00:00 Oberheim DMX groove teaser
00:27 Welcome to drum-machine chat with Oli Freke
01:42 Beat Gems and how the book came together
03:14 Why rhythm matters in electronic music
05:45 Early rhythm boxes, Donca Matic and studio metronomes
07:10 Drum machines as songwriting tools
08:20 Connecting machines to musicians, genres and records
09:42 Dating records by their drum-machine sounds
11:30 Cameo, Linn 9000 and distinctive sampled hits
12:25 Drum machines, limitations and synth-pop workflows
14:30 Programmability, the 808 and early dance music
16:00 Real-time recording vs TR-style step programming
18:00 Why analog drum machines sounded futuristic
20:00 Disco, affordable production and the rise of electronic dance records
22:00 Realism, the Roland R-8 and the human rhythm composer
24:00 Computers, software drums and the return of hardware
26:05 How drum loops inspire writing
27:00 How far Beat Gems goes into modern drum machines
28:15 Affordable vintage drum machines and overlooked classics
30:20 Why Oli chose the Oberheim DX
32:00 Inside the DX: EPROMs, voice cards and tuning
34:00 DX sounds: kick, hats, toms, clap and percussion
35:20 The DX, DMX and hip-hop history
36:30 Blue Monday-style Oberheim demo
38:10 New Order, creative instinct and not overcomplicating
39:10 Favourite cheaper and mid-80s drum machines
40:15 Yamaha RX machines and tuning tricks
42:00 Engineering cleverness in early digital drum machines
43:10 Steely Dan, Roger Nichols and the Wendel story
46:05 How electronic drums shaped the sound of the 80s
47:00 How to get Beat Gems
48:10 Books, old tech culture and what Oli might do next

Watch the video on YouTube.

💬 Join the ConversationIf you want more information about how to subscribe to podcasts read our Podcast How To page.

If you enjoyed the show, subscribe, share, and follow for weekly updates.

Also available on streaming services:

https://open.spotify.com/album/6VDRLOIw2WGH3aMaeGlCXO?si=Nn8UU-bPQBSbSK2DEfQsbA

https://www.amazon.co.uk/music/player/albums/B0H4SC46CL

In this video I take a deep dive into the Korg Opsix arpeggiator — a real hidden gem on the synth, especially when paired with the sequencer. I walk through the modes, patterns, gate, octave settings, tempo divisions, and how the sequencer can drive the arpeggiator for evolving FM textures.

If you’re into FM sound design, D‑50‑style bells, or building rhythmic patterns on the Opsix, this one will give you plenty of ideas.

⏱️ Timestamps 0:00 — Intro * 0:21 — Why the Opsix arp is a hidden gem * 0:30 — What an arpeggiator actually does * 0:43 — Classic arpeggiator examples (Tangerine Dream, Jupiter‑8) * 0:57 — D‑50‑style bell patch demo * 1:07 — Clock settings: MIDI, internal, tap tempo * 1:23 — Arp on/off/latch explained * 1:34 — Basic C‑chord arpeggiation * 1:48 — Latch mode demo * 2:03 — Arp menu overview * 2:20 — Pattern modes * 2:27 — Manual mode (order of key presses) * 3:07 — Up / Down modes * 3:29 — Alt 1 & Alt 2 explained * 4:01 — Random & Trigger modes * 4:26 — Tempo divisions (1/16, 1/8, 1/4 etc.) * 5:36 — Gate length * 5:59 — Octave range (1–4 octaves) * 6:31 — Alt mode with multiple octaves * 6:47 — Why FM works so well with arps * 6:51 — Sequencer overview * 7:07 — Sequencer playing chords * 7:26 — Recording a new sequence * 7:43 — Sequencer driving the arpeggiator * 8:06 — Arp‑baked sequences * 8:36 — Final thoughts & ideas * 8:54* — Outro

🎛️ Want more Opsix, Modwave, Wavestate, or D‑50 videos?Drop your suggestions in the comments — I always read them and love hearing what you want to see next.

If you enjoy these deep‑dive synth videos, hit Like, Subscribe, and ring the bell so you don’t miss the next one.

The Roland D‑50’s Staccato Heaven is one of those instantly recognisable late‑80s patches: airy bells, bright spectrum layers, and that unmistakable LA‑synthesis shimmer. In this tutorial, I set out to recreate the sound on the Korg Wavestate using only the onboard samples and synthesis tools — no imported D‑50 PCM waves.

The goal wasn’t a perfect clone (that would require sampling the original), but a faithful, musical approximation that captures the character of the patch using the Wavestate’s architecture.

🎹 Understanding the Original D‑50 PatchUsing the D‑50 editor, we can break the patch down into its four partials:

Upper 1: Organ loop PCM
Upper 2: Spectrum PCM
Lower 1: Bell PCM
Lower 2: High‑tuned square wave (narrow pulse)

Each partial has its own envelope, filter behaviour, and chorus/EQ settings. The D‑50’s built‑in effects are a huge part of the sound, so matching the chorus depth and reverb space on the Wavestate is essential.

🧱 Building the Patch on the WavestateI started from a default INIT patch to keep things transparent.

Layer A – Organ FoundationThe D‑50 uses a short looping organ PCM. The Wavestate’s organ multisamples are too realistic, so I switched to DWGS organ waves (from the DW‑8000/MS2000 lineage). These have the right digital grain and looped quality.

Adjusted the amp envelope for a soft attack and gentle release
Added fast, deep chorus to mimic the D‑50’s upper‑layer effects
Balanced the level to sit behind the brighter layers

Layer B – Spectrum SparkleSpectrum is one of the D‑50’s secret weapons — thin on its own, magical in a mix.

Selected a Spectrum‑style PCM on the Wavestate
Matched the attack/decay/release envelope shape
Added high‑pass filtering with a touch of resonance
Applied the same chorus as Layer A

This layer adds the airy shimmer that makes the patch come alive.

Layer C – Bell ComponentThis was the hardest part. The D‑50’s bell PCM has a very specific timbre, and the Wavestate doesn’t have a direct equivalent.

After auditioning dozens of bells, I settled on a granular‑style bell sample that had the right thin, glassy quality.

Shaped the envelope for a quick transient and long release
Added reverb to give it the floating, ethereal tail
Slight high‑pass filtering to keep it light

Layer D – High‑Tuned PulseOn the D‑50, this is a square wave tuned up to C7, creating the twinkly, high‑frequency sparkle.

Chose a narrow pulse wave from the Wavestate’s single‑cycle options
Matched the envelope (slowish attack, quick decay)
Slight filter softening to tame harshness
Tuned the oscillator very high to recreate the D‑50’s top‑end sheen

🎛️ Bringing the Layers TogetherOnce all four layers were active, the patch was close — but too static. The D‑50 version responds strongly to velocity and keytracking, so I added:

Velocity sensitivity to amp levels
Keytracking to the pulse layer
Slight velocity modulation on the pulse width

This brought the dynamics to life and made the patch feel much more like the original.

🎧 Final ThoughtsThe biggest limitation is the bell sample, which is the one part of the D‑50 that’s hard to approximate without the original PCM. But even with that caveat, the Wavestate gets surprisingly close using only its internal waves.

If you did want a perfect match, you could sample the D‑50 bells and load them into the Wavestate — but for this project, I wanted to stay strictly within the onboard architecture.

I’m also working on a full LA‑style Wavestate sound pack, including D‑50 recreations, inspired patches, and new late‑80s‑style sounds built for modern workflows.

👍 Got a Sound You Want Recreated?I love these challenges. Drop your suggestions in the comments on the video or send them over — I’m always up for tackling another classic patch.

In this video we recreate that classic filter‑tracking pitch illusion — the one where the filter cutoff moves musically, but the oscillator pitch stays fixed.
Used by Joe Walsh (Life’s Been Good) and Edgar Froese (Stuntman era), it’s a brilliant trick for drones, sequences, and experimental lines.

You’ll learn how to build it from scratch on the Multipoly, including the key technique that keeps the pitch locked while the filter “plays” the melody.

⏱️ Timestamps
0:00 – Intro
0:20 – What the effect is & musical examples
0:30 – Why the pitch stays fixed while the filter moves
0:37 – Starting from an initialized patch
0:46 – First step: removing key tracking
0:53 – Why setting pitch slope to zero doesn’t work
1:02 – Korg & Dan Phillips explanation: why slope affects portamento
1:12 – The correct solution: using note‑number offset
1:19 – Keeping pitch fixed across the keyboard
1:28 – How the note‑number controller cancels pitch tracking
1:36 – Doing it at the tuning level for multi‑oscillator patches
1:44 – Setting controller = note number
1:53 – Value = 60 to match key position
2:00 – Demonstration: fixed pitch across the keyboard
2:07 – Moving on to the filter envelope
2:15 – Adding two saws + detune
2:25 – Filter tracking: the heart of the effect
2:39 – Full key tracking explained
2:43 – Watching the cutoff rise on the display
2:50 – Tweaking cutoff + resonance by ear
3:03 – Dialling in the musical “filter pitch”
3:16 – Dropping the oscillators an octave
3:26 – Adding chorus, tape echo, and reverb
3:44 – Trying to match the exact Froese pitch
3:53 – Why it’s tricky to get the exact note
3:59 – Balancing resonance, cutoff, and tracking
4:06 – Getting close to the Stuntman tone
4:15 – Self‑resonance option
4:32 – Closer to the musical tone
4:39 – Almost resonating in tune
4:47 – The drone underneath the filter tone
4:56 – Alternative method: apply tuning offset to one oscillator only
5:03 – Using other oscillators for additional layers
5:14 – Asking for note suggestions
5:22 – Thanks to Dan Philips (Korg) for the technique
5:30 – Outro

🎧
If you enjoyed this Multi/Poly deep‑dive, hit Like, subscribe, and drop a comment and let me know what you would like to see my cover next.
Your ideas shape the next videos.

Watch the video on YouTube.

The Roland D‑50 remains one of the most distinctive synths of the late 80s. Its combination of short PCM attack samples and subtractive synthesis created a whole new category: LA Synthesis. Those shimmering bells, airy pads, digital loops, and expressive brass patches defined an era — and they’re still instantly recognisable today.

In this tutorial, I explore how to recreate that hybrid LA flavour on the Korg Modwave, using its sample engine, virtual‑analog oscillators, flexible envelopes, and deep modulation options. While the Modwave doesn’t contain the original D‑50 samples, the architecture is surprisingly similar — and in many ways, far more capable.

This post walks through the two patches built in the video:

A Fantasia‑inspired hybrid pad
A D‑50‑style brass patch using PCM attacks + synth brass body

Why the D‑50 Sound Works So Well on the ModwaveThe D‑50’s architecture was built around limitations. Memory was expensive, so Roland used very short attack samples — bells, plucks, breath noises — and then blended them with subtractive synthesis for the sustain portion. Each patch had an Upper and Lower tone, each made of two “partials,” which could be PCM or synth.

The Modwave mirrors this beautifully:

Two layers (A/B), just like the D‑50’s Upper/Lower
Each layer can use samples or VA oscillators
Independent envelopes per oscillator
Layer‑level effects (chorus, EQ, delay)
Global reverb
Much deeper modulation than the original

This makes the Modwave a perfect modern platform for LA‑style sound design.

Patch 1: Fantasia‑Style Hybrid Pad1. Digital Attack Layer (Layer A)The first step is choosing a bright bell sample to emulate the D‑50’s signature attack. The Modwave includes plenty of bell and mallet samples — including some from the Wavestation — which sit comfortably in the same sonic family.

To recreate the short PCM transient:

Use Oscillator 1 in sample mode
Apply a very fast attack and short decay using the oscillator envelope
Turn down the oscillator’s main volume and let the envelope generate the level
Raise the sample pitch slightly to give it that airy sparkle

This gives you the classic “ping” at the start of the sound.

2. Digital Loop LayerThe D‑50 often used looped digital textures labelled Spectrum, Loop, or Digital Native Dance. The Modwave has similar material.

Load a loop‑style sample into Oscillator 2
Give it a slower attack and longer sustain
Keep it running underneath the bell transient

This forms the digital half of the hybrid sound.

3. Layer‑Level EffectsThe D‑50 relied heavily on chorus and cross‑delay. On the Modwave:

Add stereo chorus for width
Add cross‑delay for movement
Save the reverb for the final global stage

This already gets you very close to the LA character.

Patch 2: Synth Pad Layer (Layer B)The second layer provides the warm, evolving pad behind the digital attack.

1. Sawtooth or Pulse‑Width BaseA simple sawtooth works well, but pulse‑width modulation adds extra motion.

Start with a saw
Filter it down
Add a slow filter envelope for movement
Detune the oscillators slightly for width
Optionally use PWM + LFO for subtle drift

2. Reverb for SpaceThe D‑50’s reverb was a huge part of its identity. A low‑hall or plate reverb on the Modwave gives the right ambience.

3. Balance the LayersBlend Layer A’s digital attack with Layer B’s warm pad until you get that unmistakable late‑80s shimmer.

Patch 3: D‑50‑Style BrassThe second half of the tutorial builds a classic PCM brass attack + synth brass body patch — another D‑50 staple.

1. PCM Brass Attacks (Layer A)Load two short trumpet/brass samples:

Apply very fast envelopes
Keep them bright and snappy
Add chorus and delay for width

This recreates the D‑50’s layered brass transients.

2. Synth Brass Body (Layer B)The body of the sound comes from subtractive synthesis:

Use saw waves
Filter down with a medium attack
Add release for natural decay
Detune oscillators for thickness

3. The Secret: Pitch EnvelopeA defining D‑50 brass trick is a slight pitch rise at the start of the note.

On the Modwave:

Use an unused oscillator envelope
Route it to pitch
Set a quick rise‑and‑fall shape

This gives the brass that expressive “blat” at the start.

Final ThoughtsWhile the Modwave doesn’t contain the original D‑50 PCM library, its architecture makes it ideal for LA‑style hybrid sound design. By combining:

Short PCM attacks
Sustaining synth layers
Independent envelopes
Wide chorus and reverb
Subtle modulation

…you can capture the spirit of those iconic late‑80s patches while creating something new.

If you want to go even further, you can always sample your own D‑50 and import the raw waveforms — but there’s something creatively satisfying about building fresh sounds using the Modwave’s own tools.

The Korg Opsix is a powerful FM synthesizer that defies expectations. While FM synthesis is often associated with cold, digital tones, the Opsix’s Altered FM engine opens the door to warm, analog-style sounds. In this tutorial, we walk through how to recreate the iconic Juno-60 pad sound — complete with chorus — using the Opsix.

Why the Juno-60?The Roland Juno-60 is a legendary analog polyphonic synthesizer known for its lush pads, warm tone, and signature chorus effect. Recreating its sound on a digital FM synth like the Opsix is a fun challenge that showcases the flexibility of modern synthesis.

Step-by-Step Patch Creation1. Initialize the ProgramWe start from scratch by initializing the Opsix program. This gives us a clean slate to build our patch.

Choose a Simple AlgorithmSelect an algorithm with all carriers — no modulators. This simplifies the structure and gives us direct control over the tone.
Set Up OperatorsUse two operators with the Saw HD waveform. This mimics the sawtooth wave used in analog synths.
Add Detune and DriftTo emulate analog warmth, introduce slight detuning between the operators. Then use LFOs to add pitch drift, simulating the imperfections of vintage gear.
Filter and Envelope ShapingUse the Opsix’s master filter to tame brightness. Adjust the envelopes to create a slow attack and smooth release, perfect for pad sounds.
Apply ChorusThe chorus effect is key to the Juno-60 sound. Dial in a moderate mix and depth, then adjust the speed for a wide, lush stereo image.
Add Reverb and ModulationEnhance the atmosphere with reverb. Use LFOs to modulate pitch and panning subtly, adding movement and stereo interest.
Introduce NoiseUse a third operator to add a low-level hiss. This mimics the analog noise floor and adds realism to the patch.

Final TouchesAfter fine-tuning the modulation and effects, the result is a convincing Juno-60 style pad — warm, wide, and expressive. The Opsix proves its versatility by delivering analog-like character from a digital FM engine.

Explore MoreThis patch is part of a broader exploration of classic synth emulations on the Opsix. Check out other videos for recreations of the Poly-61, Poly-6, and MS-20. A dedicated Opsix sound pack is also available, featuring these patches and more.

Watch the full video tutorial to follow along and hear the patch in action. If you have suggestions for future Opsix or wavetable synth videos, drop them in the comments!

Roland’s D‑110 arrived in 1988 as an affordable way to get LA synthesis into a home studio. It wasn’t a D‑50, but its eight‑part multi‑timbrality made it a powerful all‑in‑one MIDI sound source at a time when most musicians didn’t have access to multitrack audio recording.

Why the D‑110 MatteredThe D‑110, along with the D‑10 and D‑20, gave musicians a complete arrangement tool in a single box. With an Atari ST or early Cubase setup, you could send drums, bass, pads and leads over separate MIDI channels and record the full performance straight to tape.

Its rear‑panel individual outputs also meant you could treat drums or bass separately in a mixer — a luxury for home studios in the late ’80s.

LA Synthesis in a Leaner FormThe D‑110 uses Roland’s LA synthesis, combining PCM attack samples with subtractive waveforms. It’s a simplified version of the D‑50 engine:

Short PCM attacks
Looping synth waveforms for sustain
Simpler envelopes and filters
One global effect per patch

Even with these limitations, the D‑110 can produce classic LA bells, plucks, digital vocals, solid basses and shimmering pads. Patches like Ice Rain and Bell Swing show how effective the PCM‑plus‑synth approach can be.

Drums, Editing and MT‑32 DNAThe built‑in drum kit includes sounds shared with the R‑8, and you can reassign tones using any internal PCM sample. Editing from the front panel is fiddly, but modern software editors make the synth far more approachable.

The same sound engine also powered the MT‑32, famous for its role in LucasArts and Sierra PC games — giving the D‑110 a surprising legacy outside the music world.

Why Keep One Today?They’re inexpensive, full of late‑’80s character, and great for layering digital textures. No, it’s not a multi‑timbral D‑50, but the D‑110 has its own lean, glassy charm that still works beautifully in retro‑inspired music.

If you use a Wavestate or Modwave, I’ve also created a D‑10/D‑110 sample pack so you can bring those LA textures into a modern workflow.

Wavefolding isn’t always the first tool people reach for on the Korg Opsix, but once you understand how it behaves, it becomes one of the most expressive ways to shape harmonics. In this video and breakdown, we take a deep dive into the Opsix wavefolder, how it differs from FM, and how to use it to build everything from metallic bells to lush digital pads.

If you’ve ever pushed the Opsix into harsher territory and wondered how to tame it, or if you’re curious about hybrid FM + wavefolding patches, this guide walks through the process step‑by‑step.

What Wavefolding Actually DoesWavefolding increases harmonic content by literally folding the waveform back on itself as it exceeds a threshold. Unlike FM, which introduces sidebands based on frequency relationships, wavefolding creates harmonics through amplitude‑driven distortion.

On the Opsix, this means:

More gain = more folds = more harmonics
Bias shifts the folding point
Different waveforms respond in dramatically different ways
Folding can sound harsh until you shape it with filtering and envelopes

The video demonstrates this visually using the built‑in analyzer, making it easy to see how each fold adds complexity.

Starting From an Initial PatchThe walkthrough begins with a simple, initialized program so you can hear exactly what the wavefolder is doing. From there, we explore:

How the first few folds sound
Why the tone becomes aggressive quickly
How to sculpt the harshness into something musical

This is where the Opsix shines — even extreme digital tones can be shaped into expressive patches with the right envelopes and filtering.

Adding Operators and DetuningOnce the basic folding behaviour is clear, the tutorial brings in Operator 2 to add movement and depth. Detuning the operators introduces subtle beating, which works beautifully with folded harmonics.

You’ll hear how:

Slight detuning adds width
Oscillator Mix changes the harmonic balance
Low ratios create warm, rounded folded tones
High ratios push the sound into metallic territory

This section is especially useful if you’re building evolving pads or digital bells.

Waveforms, Filters, and Harmonic SculptingDifferent waveforms fold in different ways. Saw waves, for example, produce a resonance‑like peak when folded, while additive waves generate rich, complex textures.

The tutorial covers:

Folding saws, sines, and additive waves
Using filters to tame the upper harmonics
Envelope shaping for attack control
Combining folding with the Opsix’s filter models

This is where the sound really starts to become playable and musical.

Building a Digital‑Style PadThe final section of the video shows how to turn folded harmonics into a lush digital pad. By layering operators, shaping the envelopes, and adding ensemble, delay, and reverb, the Opsix becomes a surprisingly atmospheric synth.

The result is a patch that feels modern, expressive, and unmistakably digital — but still warm enough to sit in a mix.

Wavefolding vs FM: When to Use EachThe video closes with a comparison of wavefolding and FM, showing how they can complement each other. Wavefolding adds harmonic density quickly, while FM gives you precise control over harmonic relationships. Together, they open up a huge palette of hybrid tones.

Watch the Full TutorialIf you want to follow along step‑by‑step, hear the examples, and see the analyzer in action, check out the full video on YouTube. It’s a practical, musician‑focused walkthrough designed to help you get more out of the Opsix wavefolder.

TDL Show #965

Welcome to this week’s podcast! Garry and I are joined by Microsoft MVPs Alexander Solaat Rødland and Rob Quickenden for an in-depth discussion on Microsoft Surface. We take a look back at the history of Microsoft’s hardware brand, exploring its evolution and key milestones. Then, we review the current Surface lineup and share our thoughts on what the future may hold for the Surface brand.

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Support me on Patreon!

Welcome to my new sound pack for the Korg Modwave! This collection focuses on vocal sounds, featuring atmospheric choirs, synthesized vocal sounds, and soundscapes.

 Atmospheric Vocals with My New Korg Modwave Sound Pack  1 file(s) 27.67 KB   Download   There are 50 performances and programs included for your Modwave, Modwave mkII, Modwave Rack, and Modwave Native. These sounds will introduce a wide range of vocal textures to the Modwave, including classic Mellotron, Vangelis, and Wavestation sounds.

To import the sounds, download and unzip the file. In the Modwave Librarian, select “Import” from the Library and browse for my MWbundle file.

I hope you enjoy the sounds! If you do, please consider supporting this site.

Welcome to Part Two of my Secrets of the Modwave series! In this video, I’ll show you how to create engaging drum patterns by combining the Motion Sequencer with the arpeggiator.

While the Motion Sequencer alone can’t retrigger samples on the Modwave, I’ll share a clever trick that lets you use both features together for impressive drum loops.

What You’ll Learn:

How to effectively use Motion Sequences Tips for combining Motion Sequencer and arpeggiator
Creating dynamic drum patterns with samples
Whether you’re a beginner or an experienced Modwave user, this simple technique is worth trying out!
If you have your own tips or tricks for using the Modwave, I’d love to hear from you in the comments below!

TDL Show #964

Welcome to this week’s show, and it’s a bit of a classic! I’m joined by musician and sound designer Peter “Ski” Schwartz, who shares insights from his extensive career in sound design. He discusses working on the prototype of the Korg M1 synth, describing how he influenced its design process and the samples it used. He also recalls creating the iconic Ski Jam patch on the Korg Wavestation, which was once labelled the “worst sound ever programmed on a synth.”

We also dive into his work on the filter for the Korg 01/W and his contributions to physical modeling synths like the Korg Prophecy, including his work on the ModLog controller for it. Peter talks about what separates a good virtual analog sound from a great one, and we bring things up to date with his recent projects on the Korg Modwave, Wavestate, and ARP 2600 plugin. Finally, we wrap up with a chat about the new Korg Multi Poly synth.

Links from this week’s show:

ART-Z ARP 2600 Power Pack – PluginGuru.com
Introducing Words of Nonsense my new electronic music album
Channelling Vox Humana: My New Track Inspired by Gary Numan’s Iconic Sound
How to Sample Your Synths & Plugins for Korg Modwave & Wavestate | Free Tools Guide
Korg Collection 5 – What’s included?
multi/poly – ANALOG MODELING SYNTHESIZER | KORG (U.K.)

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Welcome to Volume 3 of My Classic 1980s Roland D-110 Sample Collection!

If you enjoy my sound packs, consider supporting me on Patreon!

Take a journey back to the ’80s with the iconic sounds of the Roland D-110. This collection includes 26 performances featuring classic D-110 patches like Soundtrack, Strings, and Shakuhachi.

 1980s Roland D-110 Sample Collection Volume 3  1 file(s) 130.52 MB   Download   Each sample was personally crafted from the D-110, with carefully created loop points and performances designed for the Korg Wavestate.

In this collection, you’ll find:

Korg Wavestate performances
Korg Sample Editor multi-samples
Korg sample bank
WAV files

To use the collection:

Download and unzip the file.
Transfer the contents to your Wavestate, Wavestate mkII, Wavestate SE, Wavestate Rack, or Wavestate Native using the Korg Sample Editor.
Import the “ID-D110Vol3.wsbundle” using the Wavestate Librarian, and you’re ready to go!

Note for Wavestate Native users: Make sure to set your sample folder to the location containing the “ID-D110 Samples.Korgcompiledbank” file.

In the accompanying video, I demonstrate the sounds and provide a step-by-step guide for importing them into your Wavestate.

Don’t forget to download Volumes One and Two! A Modwave version is also available.

I recently got a Surface Laptop 6, which I’ll be putting through its paces for video and music production. Before diving into content creation apps, I thought I’d document my initial impressions.

I had the original Surface Laptop, so it’s interesting to see how this model has progressed. In the video, I go over the design of the Surface, explore features like the Windows Studio effects, and test out some music apps.

This isn’t a full unboxing video—plenty of those are out there already—but I wanted to capture my first impressions.

In my next video, I’ll take a deeper look at how it performs specifically for music production.

This is my new track, recorded using a Korg Modwave, Yamaha RX5 drum machine, Korg Wavestate, Behringer Solina, with a touch of Korg RADIAS and Jen SX1000.

Inspired by the PolyMoog Vox Humana sound I created for the Modwave, this track takes a journey down the Gary Numan path.

All the Modwave, RADIAS, and Wavestate sounds are from my sound sets available at TheDigitalLifestyle.com.

You can find the album on Spotify, Apple Music, Amazon Music, and other streaming platforms.

In this video, I’ll guide you step-by-step on how to sample your synths and plugins, convert them into different sample formats—including Korg Multisample—and load them into the Korg Sample Builder. You’ll learn how to set up looping, transfer the samples to your Korg Modwave or Wavestate, and incorporate them into custom performances.

This tutorial makes use of free tools, so it’s easy and accessible to start building your own sample banks tailored for Korg’s Modwave and Wavestate.

Tools Used in This Video:

MPC Beats – For sample editing and arranging
ConvertwithMoss – For converting to different sample standards
Korg Sample Builder – For organizing, looping, and transferring samples to Korg devices

Whether you’re a beginner or seasoned sound designer, this tutorial has everything you need to expand your sample library for any sampler, with a special focus on Korg’s versatile Modwave and Wavestate.

This week on the show, I’m talking to Oli Freke, author of the brilliant Synthesizer Evolution book, which traces the history of synthesizers from their early beginnings to the analog peak, the digital takeover, and back to analog.

We discuss how he got started writing the book and the amazing stories he discovered along the way. He shares his personal highlights and insights on the renaissance of analog synthesis.

We also dive into Oli’s new project, SynthTrax.net—a venture to document which synthesizers were used on all tracks. Just a small undertaking! Oli explains why he needs your help with this ambitious project.

Oli is a passionate synth and electronic music enthusiast, and it was a pleasure chatting with him.

Links from this week’s show:

SynthTrax
SYNTH EVOLUTION
Synthesizer Evolution: From Analogue to Digital (and Back)

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Welcome to Volume 3 of My Classic 1980s Roland D-110 Sample Collection!

If you like my sound packs then you can support me on PatreonTake a journey back to the ’80s with the classic sounds of the Roland D-110. This collection includes 26 performances of iconic D-110 sounds, including the classic Soundtrack, Strings, and Shakuhachi patches.

I personally sampled the D-110, crafted the loop points, and created performances for the Korg Modwave.

 1980s Roland D-110 Sounds for Modwave (Vol. 3)  1 file(s) 130.54 MB   Download   In this collection, you’ll find:

Korg Modwave performances
Korg Sample Editor multi-samples
Korg Sample bank
WAV files

To use the collection:

Download and unzip the file.
Transfer the contents to your Modwave, Modwave mkII, Modwave Rack, or Modwave Native using the Korg Sample Editor.
Import the “ID-D110Vol3.mwbundle” using the Modwave Librarian, and you’re ready to go!

For Modwave Native users, remember to set your sample folder to the location containing the “ID-D110 Samples.Korgcompiledbank” file.

In the video, I demonstrate the sounds and provide a step-by-step guide on how to import them into your Modwave.

Don’t forgot to download volume one and volume two!

Wavestate version coming soon!

Welcome to my first premium sound pack for the Korg Modwave. Buying the set helps support this site and helps me create more sets.
This collection includes 140 performances and programs inspired by classic Korg analog synths from the ’70s and ’80s. Using the oscillators and filter models of the Modwave, I’ve faithfully recreated the sounds of the Korg MS-20, Korg Polysix, and Korg DW-8000 synths. This means you’ll have access to iconic mono synth sounds, rich poly synth tones, and digital wavetables from the DW-8000.

There’s a wide range of sounds, all utilizing the extensive modulation options of the Korg Modwave. These sounds incorporate motion sequencing, mod controls, and Kaoss pad features.

£19.00 – Purchase CheckoutAdded to cartInstalling the sounds is simple. Just download the zip file, extract the .mwbundle file, and then, using your Modwave Librarian or Modwave Native, go to the Librarian section. Click on the three dots, select Import, browse to my file, and it will automatically load all the programs and performances into your Modwave, Modwave MKII, Modwave Rack, or Modwave Native.

This pack offers a complete set of fresh, classic Korg sounds for your Modwave.

If you are looking for free sounds checkout my extenstive set of free sounds.

Check out some of the sounds in action below!

I love creating my own sound collections, with a focus on Korg Modwave and Wavestate sound libraries.

My packs are designed to recreate the iconic sounds of legendary artists like Genesis, Pink Floyd, and Kraftwerk, while also emulating classic synths such as the ARP Odyssey, Korg Wavestation, and Polysix.
In addition, I host sound design Q&A sessions and interview leading developers from companies like Korg and Microsoft.

Why did I create a Patreon account?
As an independent creator, I fund all my own gear and cover web hosting costs, which are steadily rising as more people download my sound packs.
Supporting me on Patreon allows me to keep creating new sound packs and tutorials, while also providing resources to explore new synths and expand my collection.
Check out my Patreon for various support options, including free access to premium sets, early access to new sound packs, and much more!

Welcome to my latest soundscape collection for the Korg Wavestate! In this video, I’m showcasing a fresh set of ambient and soundscape-style performances, perfect for creating lush atmospheres and chilled-out vibes.

What’s Inside:

Lush landscape sounds
Evolving sequences
Soothing pads
Ethereal vocal textures

I’ll also walk you through how I created these sounds, offering a tutorial on Wavestate programming. Whether you’re new to the Wavestate or a seasoned pro, these sounds will inspire your next production.

Download the Set for FREE

 Soundscape Collection for Korg Wavestate | Free Download  1 file(s) 40.64 KB   Download   I hope you enjoy the collection! Let me know your thoughts in the comments and feel free to share how you use these sounds in your own projects.

Discover the hidden features and powerful capabilities of the Korg Modwave in this exclusive video! We dive deep into the secrets of this innovative synthesizer, sharing tips and tricks that will enhance your sound design and music production. In part one, we explore Motion Sequencing 2.0 and how to get the most out of it.

Future videos will look at other tips and tricks on the Modwave. Don’t miss this essential guide to mastering the Korg Modwave!

00:00 Introduction
01:11 Start from Init
02:05 Using the Motion Sequencer
10:09 Envelope trick
13:43 Using the shape lane
25:14 Probability
28:28 End part 1

TDLShow962

This week on the show, I’m joined by musician and synth enthusiast Sean Faling. Sean has an extensive collection of vintage synths and runs a vintage synth group on Facebook. He shares how he got into collecting synths, the work involved in maintaining them, and offers his tips on finding rare bargains.

Over the next few weeks, I have a range of exciting interviews and topics lined up, including discussions on Windows 11, Surface devices, synths, and much more!

Links from this week’s show:

Vintage Synthesizers and Effects | Groups | Facebook
home (distanceresearch.net)
https://www.youtube.com/@distanceresearch

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Over the years, Tony Banks and Genesis have crafted some iconic sounds featured in classic tracks like “Watcher of the Sky,” “Behind the Lines,” “Cinema Show,” “Invisible Touch,” and “Abacab.”

 The Genesis Collection for the Korg Wavestate: Tony Banks Inspired classic sounds  1 file(s) 31.64 KB   Download   These legendary sounds originated from iconic instruments such as the Mellotron, ARP Pro Soloist and Quadra, Korg Wavestation, and Yamaha DX7. Inspired by the classic sounds of Genesis and Tony Banks, this collection for the Korg Wavestate features 40 performances of classic sounds spanning from Foxtrot to Calling All Stations.

Included are Mellotron sounds, ARP Pro Soloist, ARP Quadra, organs, DX7, and Korg Wavestation sounds. Download the ZIP file and import it into the Wavestate, Wavestate Native, Wavestate mkII, or Wavestate Rack. No samples are needed with this collection.

Here are the sounds in action:

I was given a small set of samples of the classic Casio VL-1, so I thought I would create a little Sample Pack—a compact collection of 5 iconic sounds from the legendary Casio VL-1, specially designed for both the Korg Modwave and Korg Wavestate. This mini pack distills the essence of the VL-1 into five carefully curated sounds, giving you a taste of its timeless character.

What’s Included? Mini Casio VL-1 Sample Pack for Korg Modwave and Wavestate (5 Sounds) 1 file(s) 5.94 MB Download
This pack offers a selection of classic VL-1 tones, perfect for adding retro vibes to your productions: VL-1 Piano: The charmingly lo-fi, iconic preset piano sound. * Flute: A bright, simple lead that’s unmistakably vintage. * Fantasy: A square lead-type sound. * Rhythm: Samples of the classic VL-1 drum sounds (all three of them!). * Violin:* A fun, playful take on the VL-1’s violin preset.

Included in the pack are the samples, Korg multisample files, Korg sample bank, and Modwave presets. For Wavestate users, you can have fun creating your own presets!

The Mini Casio VL-1 Sample Pack may be compact, but it’s packed with creative potential. Whether you’re working on retro synthwave tracks, lo-fi beats, or just need a few quirky sounds for your palette, this mini pack is a great way to get started with VL-1 sounds.

This mini pack is a quick and easy way to bring the retro charm of the Casio VL-1 to your Modwave or Wavestate. Perfect for those who want to experiment with vintage sounds or add a touch of nostalgia to their tracks.

Special thanks to Shane Parker for the sample files and for allowing me to share them.

Since 2019, there has been a bug in Windows and Korg drivers that causes issues when connecting Korg synths to Windows 10 and Windows 11. Over time, I’ve found a few ways to resolve this problem, so I decided to create a new video and instruction post to help others out.

The issue arises when you connect a Korg device, such as a Kronos, microKey, Minilogue, or RADIAS, and despite the driver being correctly installed, the synth won’t communicate with your DAW or editor software.

In my case, my Keystage editor didn’t work despite it being detected in Windows, my Minilogue wouldn’t communicate with Cubase, and my RADIAS editor didn’t function either.

I had a video walkthrough at the bottom of the post if you want to follow along with me.

Do You Need the Drivers?

The first step is to check if you actually need the Korg drivers. Many recent synths will work with the default Windows drivers. For example, my Keystage controller worked with Cubase without the Korg drivers. However, I still needed the audio driver, which isn’t included in the Microsoft driver package, so I installed the Korg drivers for that.

First, try using your synths without the Korg drivers. If you find that you need the drivers, make sure you download the latest version.

Fixing the Korg USB Driver Issue

If you need the drivers but your devices still don’t work, there is a known solution. The issue is caused by Korg USB drivers only working with the first 10 MIDI slots in Windows (not to be confused with MIDI channels).

You can check the available slots by running the Korg Uninstall USB MIDI Device Utility, which is installed alongside the Korg MIDI drivers. Running this tool doesn’t remove anything; it just shows the order in which the drivers are installed.

When you open the tool, you’ll see your Korg devices listed. If they are assigned to a slot outside of 0 to 9 (e.g., MIDI12), this is the issue. To fix this, you’ll need to move your synth to one of the lower slots. Unfortunately, this can’t be done using any of the provided tools—you’ll need to use Regedit to modify the Windows Registry. CAUTION: Be careful when using Regedit, as making incorrect changes can harm your system.

Here’s how to do it:

Open Regedit (type “REGEDIT” in the search bar and hit Enter).
Go to HKEY_LOCAL_MACHINE\SYSTEM\CurrentControlSet\Control\Class.
Now, press F3 and search for KORGUM64.DRV. 1.
Once you’ve found the node, go up a couple of levels and you’ll see the driver name, e.g., Keystage. 1.
Create a new String value. Right-click in the blank area on the right and select New > String Value. 1.
Name the string Alias and set its value to MIDI1 for your first device, MIDI2 for your second device, and so on.
Next, navigate to HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows NT\CurrentVersion\Drivers32. 1.
Add a new String value with the name midi1 and set its value to KORGUM64.DRV, then repeat for each device.

This will shift the Korg devices to the lower slots and move other devices (which don’t have the 10-slot issue) to the higher slots.

Once you’ve completed these steps, reboot your system, power off and on your devices, and then open the Korg Uninstall tool again to check which slots they are now assigned to. Don’t worry if it says “Corrupt” in the list—I think that is caused by adding the alias.

This method worked for me, so hopefully, it will work for you as well.

For step-by-step instructions, check out my new video.

Here is a list of devices this solution should work with (taken from Korg’s website):

Synthesizers / Keyboards
ARP ODYSSEY
ARP ODYSSEY Module
KingKORG
KROME
microKORG XL+
minilogue
monologue
MS-20 mini
Pa300
Pa300 Brazilian Edition
Pa300 Bulgarian Edition
Pa300 Chinese Edition
Pa300 Indian Edition
Pa300 Indonesia Edition
Pa300 Iran Edition
Pa300 Peru Edition
Pa300 Romania Edition
Pa300 Serbia Edition
Pa300 Turkey Edition
Pa300 Vietnam Edition
Pa3X MUSIKANT
Pa3X Le MUSIKANT
Pa4X
Pa4X ORIENTAL
Pa4X MUSIKANT
Pa600
Pa600QT
Pa600 MUSIKANT
Pa700
Pa700 ORIENTAL
Pa700 RD
Pa900 MUSIKANT
Pa1000
SV-2
Grandstage
KROSS
prologue
EK-50
KROME EX
minilogue xd
KRONOS Gold
KRONOS SE
KROSS 88 MB
i3
KROME EX COPPER
NAUTILUS
miniKORG 700FS
NAUTILUS AT
EK-50 CSA
EK-50 Limitless
EK-50 U
NTS-1 digital kit mkII
Pa5X
Pa5X MUSIKANT
Pa5X ORIENTAL
KRONOS(sold out)
KRONOS (2011)(sold out)
KRONOS Platinum(sold out)
KRONOS X(sold out)
KROSS 1(sold out)
M3(sold out)
M3 XPanded(sold out)
M50(sold out)
microKORG XL(sold out)
microSAMPLER(sold out)
microSTATION(sold out)
microX(sold out)
MP10Pro(sold out)
Pa2X Pro(sold out)
Pa3X(sold out)
Pa3X Le(sold out)
Pa500(sold out)
Pa500 ORIENTAL(sold out)
Pa500 MUSIKANT(sold out)
Pa588(sold out)
Pa800(sold out)
Pa900(sold out)
PS60(sold out)
R3(sold out)
RK-100S(sold out)
SV-1 Black(sold out)
TR(sold out)
TRITON Extreme(sold out)
X50(sold out)
KRONOS LS(sold out)
KROSS SE(sold out)
KRONOS TITANIUM(sold out)
RADIAS(sold out)

DJ & Production Tools
electribe
electribe sampler
KAOSS PAD KP3+
KAOSSILATOR PRO+
SQ-1
NTS-1 digital kit
volca sample2
SQ-64
NTS-2 oscilloscope kit + PATCH & TWEAK with KORG
NTS-2 oscilloscope kit
NTS-3 kaoss pad kit
KAOSS PAD KP3(sold out)
KAOSSILATOR PRO(sold out)
MS-20 Kit(sold out)
MS-20M Kit + SQ-1(sold out)

Computer Gear
microKEY
microKEY Air
microKEY2
nanoKEY Studio
nanoKEY2
nanoKONTROL Studio
nanoKONTROL2
nanoPAD2
padKONTROL
taktile
nanoSERIES2 BLYL/ORGR
Keystage
K-Series(sold out)
KONTROL49(sold out)
microKONTROL(sold out)
nanoKEY(sold out)
nanoKONTROL(sold out)
nanoPAD(sold out)
TRITON taktile(sold out)

Software
KORG Kontrol Editor

Drums & Percussion
drumlogue

Digital Pianos / Home Products
B2
B2N
B2SP
XE20
XE20SP
G1
G1 Air
Liano
C-520(sold out)
C-720(sold out)
HAVIAN 30(sold out)

KORG Hybrid Pianos
KHP-2000
KHP-5000
KS-320(sold out)
KS-520(sold out)

Effects
PANDORA mini
PANDORA stomp
PX5D(sold out)

Welcome to volume two of my classic 1980s Roland D-110 sample collection. The Roland D-110 is a classic multitimbral synthesizer released in 1988, known for its iconic 80s sounds such as “Fantasy” and “Atmosphere.” It was a streamlined version of the legendary 1987 Roland D-50, designed for use in studios with sequencers like Steinberg Pro 32.

This new collection of samples and performances brings the classic 80s sound to the Korg Wavestate. It includes over 60 performances that recreate the original D-110 sounds, as well as some original performances using the D-110 samples.

This is Volume 2 and you can download volume one from this link. The ZIP file contains 66 performances and all the necessary samples. To add them to your Korg Wavestate, follow these steps:

 Roland D-110 Sample Pack for Wavestate (Volume 2)  1 file(s) 213.21 MB   Download   1. Download and unzip the ZIP file.

Use the Korg Sample Editor to transfer the contents to your Wavestate, Wavestate mkII, Wavestate Rack, or Wavestate Native.

Inside the ZIP file, you’ll find:

Korg Wavestate Performance
Korg Sample Editor Multisamples
Sample Bank
WAV files needed for the collection

Unzip the file and import the “ID-D1102.wsbundle” using your Wavestate Librarian. If you already have a sample bank open, launch the Korg Sample Editor and import the multisamples from the “D-110 Sample Bank/Samples” folder. If you don’t have a sample bank yet, open the “D-110 Samples.korgbank” in the Korg Sample Editor and transfer it to your Wavestate.

For Wavestate Native users, set your Wavestate’s user sample folder to the location containing the “ID-D110 Samples.Korgcompiledbank” file.

At Synthfest over the weekend, I caught up with Oli Freke, author of the amazing Synth Evolution books and posters. Oli explains the background of the books and why he decided to hand-draw illustrations of over 500 synths, samplers, and drum machines.

Find out more at synthevolution.net.

Welcome to volume two of my classic 1980s Roland D-110 sample collection. The Roland D-110 is a classic multitimbral synthesizer released in 1988, known for its iconic 80s sounds such as “Fantasy” and “Atmosphere.” It was a streamlined version of the legendary 1987 Roland D-50, designed for use in studios with sequencers like Steinberg Pro 32.

 More 80s Vibes! Roland D-110 Inspired Collection for Modwave (Volume 2)  1 file(s) 115.43 MB   Download   This new collection of samples and performances brings the classic 80s sound to the Korg Modwave. It includes over 60 performances that recreate the original D-110 sounds, as well as some original performances using the D-110 samples.

This is Volume 1 (L-X) and you can download volume one from this link. The ZIP file contains 66 performances and all the necessary samples. To add them to your Korg Modwave, follow these steps:

Download and unzip the ZIP file.
Use the Korg Sample Editor to transfer the contents to your Modwave, Modwave mkII, Modwave Rack, or Modwave Native.

Inside the ZIP file, you’ll find:

Korg Modwave Performance
Korg Sample Editor Multisamples
Sample Bank
WAV files needed for the collection

Unzip the file and import the “ID-D1102.mwbundle” using your Modwave Librarian. If you already have a sample bank open, launch the Korg Sample Editor and import the multisamples from the “D-110 Sample Bank/Samples” folder. If you don’t have a sample bank yet, open the “D-110 Samples.korgbank” in the Korg Sample Editor and transfer it to your Modwave.

For Modwave Native users, set your Modwave’s user sample folder to the location containing the “ID-D110 Samples.Korgcompiledbank” file.

There are full instructions included in the video where I take you step by step through it.

Wavestate version coming soon!

In the video, I demonstrate the sounds and provide a step-by-step guide on how to import them into your Modwave.

As well as being great synths, the Korg Modwave and Wavestate can also be used with custom samples, allowing you to incorporate any sound into your synth patches. With 4GB of user sample memory available on both synths, you can truly expand their sonic potential. In this video, I provide a step-by-step guide on how to import your own samples and get them into the synths.

Both synths use Korg Sample Builder, and I walk you through the process of importing WAV files, setting up key zones, and working with loop points. I also demonstrate how to manage your samples and transfer them into the synths. Finally, I show you how to use these samples in the Wavestate and Modwave.

Being able to import custom samples opens up a world of sonic possibilities on both the Wavestate and Modwave, and it’s well worth investing time to learn. On the Wavestate, you can create complex sequences using your own samples, while the Modwave offers rich modulation routing options, enabling you to do things like FM modulation with samples and use the motion sequencers.

User samples on the Modwave and Wavestate are easy to use and unlock a massive world of possibilities.

Soon, Microsoft will release the Windows 11 2024 Update, also known as the 24H2 update. This update is already available on the new Surface devices with Copilot, but what will it bring to existing Windows 11 users?

While this year’s update may not include the major headline changes we saw in the early days of Windows 10, it does feature some nice improvements to the user experience. In this video, I highlight some key features of the Windows 11 24H2 update, such as new compression formats and improvements to Quick Actions.

The update will be delivered via Windows Update.

In this session, we dive deep into the world of custom samples on the Korg Modwave and Wavestate.
I’ll show you how to use Korg’s Sample Builder to import WAV files, set up looping, and configure key zones. We’ll then send the samples to the synth and work with them in the synth engine.

Thanks for tuning in, and don’t forget to join us next month for more live sound design sessions!

This is my new collection of sounds for the Korg Wavestate. This set focuses on vintage analog string machines, bringing warm, nostalgic tones to the Wavestate.

You’ll find classic Solina sounds, Mellotron strings, Elka strings, and ARP tones. These sounds evoke the essence of Pink Floyd (think “Shine On You Crazy Diamond”), Vangelis, and more!

The patches take full advantage of the Korg Wavestate’s unique wave sequencing features, as well as its multiple filter models.

Download them for free and enjoy the sounds!

Installation Instructions:

Download and extract the MWbundle file from the zip.
For Korg Modwave hardware:
- Open your Modwave librarian.
- Import the MWbundle file.
For Modwave Native:
- Go to the Library.
- Select “Import” from the menu.

These sounds are compatible with Korg Modwave, Modwave mkII, Modwave Rack, and Modwave Native.

 Vintage Analog Strings: New Sound Collection for Korg Wavestate  1 file(s) 34.27 KB   Download

Welcome to this week’s podcast! On the show this week Garry and I talk about our new projects, for me a new home theatre audio system and Garry a new medical dispense smart system. We also talk about my new Modwave sound pack, road trips in EV, our Youtube milestone and lots more.

Links to this week’s show:

Home | SynthFest UK
Unlock Massive Analog Sounds: New Korg Modwave Sound Collection
10k Milestone Reached! Heartfelt Thanks to Our Awesome Community!
Unlock New Tones: Free Sound Pack for the Korg ARP 2600 Plugin

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Welcome to my new sound collection for the Korg Modwave! The Modwave is a brilliant synth for creating massive analog sounds thanks to its rich and extensive modulation routing. With this collection, I’ve created a set of rich analog sounds, including leads, pads, sequences, and drum tracks.

In the accompanying video, I demonstrate the sounds and explain how I created them, so you’ll also get a lesson on the Modwave itself.

To add these sounds to your Modwave, simply download the zip file, unzip it, and then import them into your Modwave using the Librarian software or directly into the Modwave Native.

 Analog Sounds: New Korg Modwave Sound Collection  1 file(s) 73.93 KB   Download   This pack is compatible with the original Modwave, Modwave Native, Modwave mkII, and Modwave Rack.

We Did It! 10k Subscribers! Thank You!

A huge thank you to each and every one of you for helping us reach this incredible milestone of 10,000 subscribers! Your support means the world to me and keeps me inspired to create more content that you love.

A special shoutout to those who have gone the extra mile with tips and donations—your generosity fuels my passion for sound design.

There’s plenty more on the way, including new sound packs, in-depth sound design tips, gear reviews, and tech insights. Stay tuned for all the exciting content I have in store!

Download my patches and explore more at:
https://thedigitallifestyle.com

Welcome to my second set of free sounds for the Korg ARP 2600 plugin. This collection includes screaming leads, Pink Floyd-inspired sequences, brass sounds, pads, lead sounds, and much more. The sounds fully utilize the 2600’s features, and the accompanying video explains the techniques used to create them.

 Sound Pack for the Korg ARP 2600 Plugin Volume 2  1 file(s) 15.39 KB   Download   Korg’s ARP 2600 is a brilliant new recreation of the classic ARP 2600 semi-modular synth, and these sounds will provide you with a fresh palette of tones.

Don’t forget to download volume one!

In this video, I break down how I recreated the intro to Elton John’s Funeral for a Friend using the new Korg ARP 2600 plugin. The original track, released in 1973, was crafted by engineer David Hentschel on the monophonic modular ARP 2500 synth. In my recreation, I utilized the Korg ARP 2600 plugin to capture the essence of this classic sound.

I used five instances of the Korg ARP 2600 plugin in Cubase and started with a MIDI file from here. As you can hear in the video, I got pretty close to the original sound with the 2600, and I’ve made the sounds available as a free download.

 Elton John’s Funeral For a Friend sound pack for Korg ARP 2600 Plugin  1 file(s) 4.56 KB   Download

In this video I have recreated the intro of the classic 1973 Elton John track Funeral for a friend. Originally created by engineer David Hentschel on the modular APR 2500 synth this recreation uses the new Korg ARP 2600 plugin.

I used five instances of the Korg ARP 2600 plugin in Cubase and a started with a MIDI file from here. As you can hear I got pretty close with the 2600 and my next video will be a breakdown of how to create the sounds and free downloads of the patches.

In this video, I’m excited to share my custom patches designed specifically for the Korg Minilogue.

Leveraging the powerful four-voice analog synth engine, I’ve created a diverse range of sounds, including bell tones, expressive leads, deep basses, and re-creations of some iconic synth sounds.

What You’ll Find in This Video:

Sound Demonstrations: Hear each custom patch in action, showcasing the unique character and versatility of the Minilogue.
Import Tutorial: Step-by-step guide on how to easily import these custom sounds into your own Minilogue.
Whether you’re looking to expand your sound palette or just curious to hear what the Minilogue can do, this video has something for every synth enthusiast!

Minilogue: Free Custom Patches for Bells, Leads, and More! 1 file(s) 16.89 KB Download

Welcome to This Month’s Sound Design Livestream!

In this session, we dive deep into the world of massive digital sounds on the Korg Modwave! Using wavetables and FM synthesis, we explore how to craft bold, futuristic tones that push the boundaries of digital sound design.

But that’s not all—I’ve also turned my attention to the Korg Wavestate, demonstrating how to create lush analog sounds and utilize the powerful wave sequencing capabilities of this versatile synth.

Preview Alert! I gave you a sneak peek at some of my upcoming sound packs for the Modwave, Wavestate, and ARP 2600. Get ready for some fresh, inspiring sounds coming your way soon!

As a special bonus, all the demo sounds created during the show are available as a free download. Grab them now and experiment in your own projects!

 August 2024 Live Stream Download:Korg Modwave Digital Mastery & Wavestate Analog Magic  1 file(s) 11.59 KB   Download   Thanks for tuning in, and don’t forget to **join us again next month** for more live sound design sessions!

The Roland D-110 is a classic multitimbral synthesizer released in 1988, known for its iconic 80s sounds such as “Fantasy” and “Atmosphere.” It was a streamlined version of the legendary 1987 Roland D-50, designed for use in studios with sequencers like Steinberg Pro 32.

This new collection of samples and performances brings the classic 80s sound to the Korg Modwave. It includes over 60 performances that recreate the original D-110 sounds, as well as some original performances using the D-110 samples. You’ll find classic sounds like “Fantasy” and “Atmosphere,” along with choir, piano, brass, flute, and synth sounds. While some of these sounds are distinctly late 80s, many remain highly usable today. Additionally, I’ve recreated the D-110’s full drum kit so you can capture that quintessential 80s vibe.

This is Volume 1 (A-F), with the next set scheduled for release in a few weeks. The ZIP file contains 66 performances and all the necessary samples. To add them to your Korg Modwave, follow these steps:

Download and unzip the ZIP file.
Use the Korg Sample Editor to transfer the contents to your Modwave, Modwave mkII, Modwave Rack, or Modwave Native.

Inside the ZIP file, you’ll find:

Korg Modwave Performance
Korg Sample Editor Multisamples
Sample Bank
WAV files needed for the collection

Classic 80s Sounds on Your Modwave: D-110 Sample Pack 1 file(s) 233.20 MB Download Unzip the file and import the “ID-D110.mwbundle” using your Modwave Librarian. If you already have a sample bank open, launch the Korg Sample Editor and import the multisamples from the “D-110 Sample Bank/Samples” folder. If you don’t have a sample bank yet, open the “D-110 Samples.korgbank” in the Korg Sample Editor and transfer it to your Modwave.

For Modwave Native users, set your Modwave’s user sample folder to the location containing the “ID-D110 Samples.Korgcompiledbank” file.

There are full instructions included in the video where I take you step by step through it.

Wavestate version coming soon!

In the video, I demonstrate the sounds and provide a step-by-step guide on how to import them into your Modwave.

Time for another sound design video!

I have created many sound packs for various synths, including packs based on Pink Floyd, Genesis, Vangelis, and Kraftwerk. I have also reproduced classic synths like the Jupiter-8, JX-3P, and Polysix on the Korg Modwave. I have received many requests to explain the process I use for recreating sounds. So far, I have shown how to recreate sounds from a Jen SX1000 on the Modwave, and this time I am going to attempt to recreate the brass sound from Yazoo’s “Don’t Go.”

 Yazoo’s Don’t Go brass sound for Korg Modwave  1 file(s) 3.05 KB   Download   Unlike the SX1000 video, I don’t have the original synth in front of me, so this tutorial is done by ear and demonstrates the process I follow when recreating sounds.

Enjoy the video and download the patch for the Modwave.

This week, Garry and I are joined by Dan Phillips, head of Korg’s R&D, to talk about the new ARP 2600 virtual instrument. Dan explains the background of the ARP 2600 and why Korg chose to recreate it in virtual form.

He details the function of each part of the synth and shares some tricks to get amazing sounds out of it. We also have the opportunity to ask Dan about the next synths to be modeled in the Korg Collection.

Links from this week’s show:

TDL Show #947 – Dan Phillips from Korg R&D – TheDigitalLifestyle.com
Korg Collection 5 – What’s included?
Free sound pack for the new Korg ARP 2600 plugin
Exploring the New Korg ARP 2600 Plugin: Classic Sounds with Modern Features
TDL Podcast Survey 2024
Korg.com

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

In this video, I look at the classic 1988 Roland D-110 Multitimbral synth module. In 1987, Roland released the D-50, which used LA (Linear Arithmetic) synthesis. This synthesis method uses small samples for the attack portion of the sound and traditional subtractive synthesis for the rest of the sound. Since sample memory was very expensive in the 80s, the short attack samples provided a realistic effect without the massive cost of instruments like the Fairlight. The D-50, with its realistic and digital sounds (along with its digital chorus), was a massive hit.

After the release of the D-50, Roland capitalized on its success with the release of the D-20 and D-10 synths, as well as the D-110 module. The synth engine was changed, and the structure was simplified from the D-50, with the chorus being removed. However, what was new was that they were all 8-part multitimbral with a drum section. The D-20 included a multitrack sequencer that could make use of this new feature. The D-10 and D-20 have keyboards, while the D-110 is a rack-mount module designed to be controlled by MIDI. When hooked up to a sequencer like Pro 32 on an Atari ST, the D-110 could be used with 8 tracks of instruments and 1 drum track. This was before the days of digital DAWs, so this was a great feature. As you can hear in the demo, the D-110 is able to produce very nice 80s tones and was only really held back by a very confusing architecture of patches, timbres, and tones.

In the video, I look at the D-110 module, talk about its architecture, and demonstrate its classic 80s sounds. I have sampled all the sounds on the D-110 and plan to release special sound packs for the Korg Modwave and Wavestate soon, so make sure you subscribe to our YouTube channel!

Welcome to my new sound pack for the Korg Wavestate! This is the Korg M1 Collection for the Wavestate, featuring some of the M1’s iconic sounds and the sounds of the ’80s. House organs and pianos, classic choirs, instantly recognizable Universe, and even some classic Korg T1 presets are included.

All the sounds have been handcrafted for the Wavestate by me, going through the factory presets and creating some special sounds using the M1’s sounds, while taking advantage of the Wavestate’s features. The collection is made up of over 60 performances, programs, sequences, and there is even a set list to try.

 The Ultimate Korg M1 Sound Pack for Wavestate  1 file(s) 33.51 KB   Download   To start using the sounds, download the zip file, unzip it, and then import it into your Wavestate using the Wavestate Librarian software or directly into the Wavestate Native.

The pack works with Wavestate, Wavestate mkII, Wavestate Module, Wavestate SE, and Wavestate Native.

In this video, I review the new LinknLink Smart Home temperature and humidity sensor, as well as the person detection sensor. These are low-cost smart home sensors that can enhance your smart home experience.

The sensors are controlled with your smartphone and support Alexa and Google Home integration. With routines via the app or Alexa, you can use the sensors to trigger smart home actions like turning on heaters or an air conditioner. The sensors are easy to set up and simple to integrate with the rest of your smart home.

The modules available are:

eHub with IR and RF emitters for appliance controls (this will be covered in a future video) (£43.99)
Human Sensor that detects the presence of a person (£15.99)
Temperature and humidity sensor (£19.99)

Amazon links:

eHub: US: https://www.amazon.com/dp/B0C5H3YKQ8 UK: https://www.amazon.co.uk/dp/B0C5H3YKQ8

eMotion: US: https://www.amazon.com/dp/B0CBBKT35B UK: https://www.amazon.co.uk/dp/B0CBBKT35B

eTHS: US: https://www.amazon.com/dp/B0CB9TMSZB UK: https://www.amazon.co.uk/dp/B0CB9TMSZB

Welcome to my new Windows 11 hands on video! This video looks at the changes to build 26257 of Windows 11 for Windows Insiders on the Canary Channel.

In the video I look at the new features and the new issues with build 26257.

In this video I look at what’s included in the new Korg Collection 5. The original collection was launched back in 2004 as the Korg Legacy Collection with five synths and has now grown to 15 instruments ranging from classic mono synths of 1971 to virtual analogues of 2002 The Korg Collection 5 added three new virtual instruments: The Vox Continental organ, the EP-1 electric piano and the classic 1971 ARP 2600 semi-modular synthesiser. In the video I look at the new instruments in the collection and the other instruments including:

ARP 2600
Vox Continental Organ
EP-1 Electric Piano
microKorg
Electribe
KAOSS Pad
miniKorg 700s
Prophecy
Triton / Triton Extreme
ARP Odyssey
MS-20
Polysix
MonoPoly
M1
Wavestation
MDX-E

If you want a full in-depth video on the new Korg ARP 2600 checkout my other video.

Welcome to my free sound pack for the brand new Korg ARP 2600 plugin synth. Korg has just released its new plugin version of the classic ARP 2600 as part of the Korg Collection 5. The plugin is a faithful recreation of the ARP 2600, accurately capturing its iconic sound while adding a few extra features like a step sequencer and an effects rack.

This collection features a wide range of sounds for the 2600, including lead sounds, pads, sequences, and some recreations of classic sounds from the likes of Genesis, Vangelis and Yazoo.

 New Korg ARP 2600 Plugin sound pack volume 1  1 file(s) 20.22 KB   Download   In this video, I explain how I designed the sounds and how to import them into your own 2600. So go beyond the presets and download my sounds!

Korg has just released its new plugin version of the classic ARP 2600 as part of the Korg Collection 5. The plugin is a faithful recreation of the ARP 2600, accurately capturing its iconic sound while adding a few extra features like a step sequencer and an effects rack.

In this video, I demo the new synth (which is available as both a plugin and standalone) and create some brand-new sounds with it.

The ARP 2600 is a semi-modular synthesizer first introduced in 1971, featuring three VCOs, a ring modulator, and two envelope generators. The Korg version adds a couple of different filter types, a step sequencer, an extra filter, an extra envelope, and multiple effect units. It also includes a range of interesting presets.

Korg’s 2600 was developed by Korg’s R&D team in the US and shares patch management and many effects with the Modwave and Wavestate synths.

While I don’t have a real ARP 2600 to compare it with, the synth sounds great and is really easy to get started with. Once you get into patching it, you can create some amazing sounds.

I have created a special sound pack for the Korg ARP 2600, which is available now!

 New Korg ARP 2600 Plugin sound pack volume 1  1 file(s) 20.22 KB   Download

This is my new set of original patches for the Korg Modwave. The Lo-fi collection features over forty lo-fi and analogue synth sounds that have a warm and grainy quality to them.

The collection includes warm strings, wobbly leads, bells, Jan Hammer leads, and even some FM sounds. I have recreated some classic synths, including the Minimoog, Minilogue, and SX1000. In the video, I demonstrate the techniques I use to recreate these sounds, including making vinyl record effects and fake echo.

 The Lo-Fi Collection: Original Patches for Korg Modwave  1 file(s) 71.23 KB   Download   Enjoy the video and download the sound pack!

This is my demo song made with just the 1988 Roland D-110 Multi-Timbral Sound Module. After the release of the D-50, Roland capitalized on its success with the release of the D-20 and D-10 synths, as well as the D-110 module. The synth engine was changed and the structure was simplified from the D-50, and chorus was removed. However, what was new was that they were all 8-part multitimbral with a drum section. The D-10 and D-20 have a multitrack sequencer that can make use of this new feature. The D-10 and D-20 have keyboards, while the D-110 is a rack mount module designed to be controlled by MIDI. Hooked up to a sequencer like Pro 16 on an Atari ST, the D-110 could be used with 8 tracks of instruments and 1 drum track. This was before the days of digital DAWs, so this was a great feature. As you can hear in the demo, the D-110 is able to produce very nice 80s tones and was only really held back by a very confusing architecture of patches, timbres, and tones. I added chorus and reverb in the DAW. Full video about the D-110 coming soon! I will have a D-110 sound pack for the Korg Modwave and Wavestation in the near future, so subscribe so you don’t miss out!

I have created many sound packs for various synths, including packs based on Pink Floyd, Genesis, Vangelis, and Kraftwerk. I have also reproduced classic synths like the Jupiter-8, JX-3P, and Polysix on the Korg Modwave. I have had many requests to explain the process I use for recreating sounds, so in this walkthrough, I will go through the process of recreating my 1978 Jen SX1000 on a Korg Modwave.

 Classic Jen SX1000 monosynth sound pack for Korg Modwave  1 file(s) 11.85 KB   Download   I start by creating patches on the SX1000 and then recreate the patches by ear on the Modwave. I create a range of sounds on the SX1000, including deep rumbling bass sounds, square lead sounds, and interesting bass sounds, and then recreate them on the Modwave. With this tutorial, you will see how I approach sound design on the 1978 monosynth and then apply the same techniques on the Modwave. Whether you have a Modwave or any other synth, this video will show you the basics of analog synth sound design.

I have included the sounds created during the video as a free download on TheDigitalLifestyle.com.

I hope this video helps you with sound design!

Welcome back to my Windows 11 Insider Preview hands on videos! This video looks at build 26252 of Windows 11 for Windows Insiders on the Canary Channel. The build has new features on the lock screen and a new way of pinning apps to the taskbar. Also in the video I look at the fixes in 26252.

Welcome to my new collection of performances for the Korg Modwave. This set takes its inspiration from soundscapes, soundtracks, and sequenced sounds. In the video, I demonstrate the sounds and explain the background of some of the patches.

There are 23 performances for the Modwave. Most of the sounds feature polyphonic aftertouch, and some utilize the Kaoss pad. You’ll find sweeping soundscapes, digital pads, massive analog sounds, and hybrid sequences.

 Soundscapes & Sequences: Free Korg Modwave Performances  1 file(s) 58.68 KB   Download   Download this free sound pack for the Korg Modwave, Modwave Native, Modwave mkII, and Modwave Module, and experience the magic of the Modwave.

To get started with this collection, download the zip file, unzip it, and then import the bundle file into your Korg Modwave Librarian or directly into Modwave Native.

Here are the sounds in action:

“Tangram” is one of my favorite Tangerine Dream tracks, and I’ve included most of Set 1’s sounds in my new Tangerine Dream sound pack for the Korg Modwave. In this video, I fire up Cubase and break down the first part of Set 1, showcasing the sounds I created on the Modwave.

 Free Sound Pack Inspired by Tangerine Dream for Korg Modwave  1 file(s) 130.53 KB   Download   All the sounds featured in the track are available in my new Tangerine Dream sound pack for the Korg Modwave.

Released in 1990, the Korg Wavestation is a unique digital synthesizer that combines PCM samples, vector synthesis, and wave sequencing. Unlike the music workstations that were becoming popular at the time, such as the M1 and Roland D20, the Wavestation is a pure synthesizer. It does not include a sequencer, but it is a very rich instrument capable of producing lush pad sounds and rhythmic sequences. Fueling its sonic capabilities are two distinct forms of synthesis: wave sequencing and vector synthesis.

 Atmospheric Sounds from the Korg Wavestation for the Korg Wavestate  1 file(s) 66.05 KB   Download   Many of the samples and wave sequences from the Wavestation are included in Korg’s Wavestate. I have recreated some of my favorite atmospheric sounds from the Wavestation on the Wavestate. This collection focuses on atmospheric sounds from the original Wavestation brought to life on the Wavestate.

This free download includes performances and programs for the Korg Wavestate, Korg Wavestate Native, Korg Wavestate mk2, and Wavestate SE, all inspired by the 1990 Korg Wavestation. The download consists of over 100 programs and performances that will transport you back to the digital days of the early ’90s. Included are famous sounds used by groups like Genesis and faithful reproductions of classic presets. All sounds were meticulously crafted by ear using the same waveforms and, in many cases, the same wave sequences as the original.

To use my collection with the Korg Wavestate, simply download the zip file, unpack it, and then use the Wavestate Librarian software or Wavestate Native to import the bundle. This will import all the programs and performances seamlessly.

If you have a Korg Modwave, I also have a Wavestation sound pack available for the Modwave.

In this video, I demonstrate some of the sounds.

I recently launched a new Tangerine Dream collection for the Korg Modwave. Included in the collection are all the synth sounds from “Dolphin Dance” (Underwater Sunlight, 1988). In this video, I fire up Cubase and Modwave Native to break down the “Dolphin Dance” track and show how I used just the Modwave for all the synth sounds. All the sounds in the video are available as a free download.

 Free Sound Pack Inspired by Tangerine Dream for Korg Modwave  1 file(s) 130.53 KB   Download

This collection is inspired by one of my favourite electronic music groups of all time: Tangerine Dream.

Tangerine Dream is a pioneering electronic music group founded in 1967 by Edgar Froese in Berlin, Germany. Renowned for their ambient, space, and progressive electronic sounds, they played a crucial role in the development of electronic music. The band’s innovative use of synthesizers, sequencers, and other electronic instruments helped shape the genre, influencing countless artists and composers. Throughout their career, Tangerine Dream released numerous albums, including landmark works such as “Phaedra” (1974) and “Rubycon” (1975), which are celebrated for their atmospheric and experimental qualities.

 Free Sound Pack Inspired by Tangerine Dream for Korg Modwave  1 file(s) 130.53 KB   Download   This collection features iconic sounds from albums like “Phaedra,” “Poland,” and “Tangram,” as well as tracks like “White Eagle” and “Dolphin Dance.” There are over 80 performances and programs of atmospheric pads, sequences, lead sounds, and sound effects.

So download this free sound pack for the Korg Modwave and experience the magic of Tangerine Dream.
To get started with this collection, download the zip file, unzip it, and then import the bundle file into your Korg Modwave Librarian or directly into Modwave Native.

Here are the sounds in action:

I’m very excited to share news about a new free sound pack coming for the Korg Modwave. The Tangerine Dream collection features over 80 performances and programs of atmospheric pads, sequences, lead sounds, and sound effects, all based on Tangerine Dream’s iconic sounds.

This collection includes sounds from albums like “Phaedra,” “Poland,” and “Tangram,” as well as tracks like “White Eagle” and “Dolphin Dance.”

Tangerine Dream is a pioneering electronic music group founded in 1967 by Edgar Froese in Berlin, Germany. Renowned for their ambient, space, and progressive electronic sounds, they played a crucial role in the development of electronic music. The band’s innovative use of synthesizers, sequencers, and other electronic instruments helped shape the genre, influencing countless artists and composers. Throughout their career, Tangerine Dream released numerous albums, including landmark works such as “Phaedra” (1974) and “Rubycon” (1975), celebrated for their atmospheric and experimental qualities.

The set will be available next week for the Modwave. In the meantime, check out some of my other Wavestate and Modwave sound packs, including sounds from classic synths, Kraftwerk, and Genesis.

Here are some examples of the sounds:

In this video I look at the changes to Windows 11 Insider Preview build 26231 for Windows Insiders on the Dev Channel. The build has changes to Windows share and a new PC rename dialogue box. I also look at the fixes in the build.

This is volume two of my Fairlight Collection for the Korg Wavestate (there is a Modwave version also available). Volume one focused on strings and vocals; this collection focuses on guitars, bass, and drums.

The CMI Fairlight was a digital synthesizer, sequencer, and sampler from Australia. Its samples became synonymous with 1980s pop music, featuring instantly recognizable sounds used by artists like Thomas Dolby, Peter Gabriel, Jan Hammer, Kate Bush, and many more.

This collection for the Korg Wavestate features original Fairlight IIx samples and includes classic sounds. There are crunchy guitars, clean chorus guitars, tons of basses, and a full drum kit.

 Fairlight Collection Vol2: Guitar, Bass and Drums for Korg Wavestate  1 file(s) 2.80 MB   Download   The ZIP file contains 45 performances and samples. To add them to your Korg Wavestate, download the ZIP file, unzip it, and use the Korg Sample Editor to transfer them to your Wavestate, Wavestate mkII, Wavestate Module, or Wavestate Native.

Included in the ZIP are the Korg Wavestate Performance, Korg Sample Editor Multisamples, Sample Bank, and the WAV files needed for the collection. Unzip the file and import the “FairlightVol2.wsbundle” from your Wavestate Librarian.

If you already have a sample bank open, launch the Korg Sample Editor and import the multisamples from the “Fairlight Samples V1/Multisamples” folder. If you don’t have a sample bank yet, you can open my “Fairlight Samples V2.korgbank” in the Korg Sample Editor and transfer it to your Wavestate.

For those with Wavestate Native, set your Wavestate’s user sample folder to the location containing my “FairlightVol2.Korgcompiledbank” file.

In the video, I demonstrate the sounds and explain how to import them into your Wavestate.

Regulars of this channel will know I am a big fan of the Korg Modwave and have produced many sound packs for it. So when the Wavestate Module was released, I jumped at the chance to try it out.

The Wavestate Module has the same features as the Wavestate mkII, minus the keyboard. This means it has 120 voices (double the original) and includes all the sounds from both the mkII and SE versions. The front panel has been redesigned to suit the 4U 19″ desktop/rack format. The power button has been moved from the rear to the front, and it includes rack mounting points.

In this video, I unbox the Wavestate Module, update the firmware to the latest version, and connect it to a Korg Keystep to try out MIDI 2.0 Property Exchange and polyphonic aftertouch. I also look at the rear panel to see how it fits in a rack and try out some of the sounds.

This is my first look at the Wavestate Module, and I plan to release sound packs for the synth very soon.

I am back with Windows 11 hands on videos and this time its 26227 for Windows Insiders on the Canary Chanel. This build seems a big change to the way that Copilot works within Windows and there are some interesting new fixes.

This week on the podcast, we have a very special guest. Dan Phillips is the manager of product development at Korg R&D in the US and has worked on various products over his years at Korg, including the Wavestation and OASYS projects, as well as recent devices like the Wavestate and Modwave.

Dan talks about the products he has worked on at Korg and the process of bringing new products to life at the company. He discusses writing the manuals, working with sound developers, and provides a background on the Wavestate and Modwave projects.

Dan also shares insights about new software synths coming from Korg this summer in Korg Collection 5, including the brand new ARP2600 virtual synth. Dan is passionate about synthesizer design and music, and he is great to chat with.

So, get yourself a drink, sit back, and enjoy the brilliant Dan Phillips!

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

On this week’s TDL Show, I have a fascinating interview with Dan Phillips, the Manager of Product Development at Korg R&D in the US. We discuss bringing synths like the Modwave and Wavestate to the market, classic synths like the Wavestation, and the brand-new ARP2600 coming to the Korg Collection 5 later this year.

In this excerpt from the interview, Dan talks about the philosophy of the new ARP2600 synth and other new synths coming to the Korg Collection 5.

The full interview will be out tomorrow (30/05/2024).

This is volume two of my Fairlight Collection for the Korg Modwave. Volume one focused on strings and vocals; this collection focuses on guitars, bass, and drums.

The CMI Fairlight was a digital synthesizer, sequencer, and sampler from Australia. Its samples became synonymous with 1980s pop music, featuring instantly recognizable sounds used by artists like Thomas Dolby, Peter Gabriel, Jan Hammer, Kate Bush, and many more.

This collection for the Korg Modwave features original Fairlight IIx samples and includes classic sounds. There are crunchy guitars, clean chorus guitars, tons of basses, and a full drum kit.

 Fairlight Collection Vol2: Guitar, Bass and Drums for Korg Modwave  1 file(s) 2.77 MB   Download   The ZIP file contains 45 performances and samples. To add them to your Korg Modwave, download the ZIP file, unzip it, and use the Korg Sample Editor to transfer them to your Modwave, Modwave mkII, Modwave Rack, or Modwave Native.

Included in the ZIP are the Korg Modwave Performance, Korg Sample Editor Multisamples, Sample Bank, and the WAV files needed for the collection. Unzip the file and import the “FairlightVol2.mwbundle” from your Modwave Librarian.

If you already have a sample bank open, launch the Korg Sample Editor and import the multisamples from the “Fairlight Samples V1/Multisamples” folder. If you don’t have a sample bank yet, you can open my “Fairlight Samples V2.korgbank” in the Korg Sample Editor and transfer it to your Modwave.

For those with Modwave Native, set your Modwave’s user sample folder to the location containing my “FairlightVol2.Korgcompiledbank” file.

In the video, I demonstrate the sounds and explain how to import them into your Modwave.

A package arrived for me yesterday that I am very excited to receive. It’s a synth but which is it any why did I get it?

There will be plenty of sound packs coming for it soon!

Welcome to my brand new sound pack for the Korg Modwave. This collection features classic sounds from one of the most influential electronic music groups of all time. Kraftwerk is a pioneering German electronic music band formed by Ralf Hütter and Florian Schneider in 1970. The group is widely regarded as one of the most influential bands in the history of electronic music, and their innovative approach has had a profound impact on a variety of music genres, including synthpop, hip-hop, and techno.

This sound pack includes sounds from various eras of Kraftwerk, including “Autobahn,” “Computer World,” “The Model,” and many others. Additionally, there are sounds inspired by Kraftwerk for use in your own tracks. There are over 40 performances exclusively for the Korg Modwave, Modwave Native, Modwave mkII, and Modwave Module.

 Korg Modwave: Kraftwerk Sound Pack  1 file(s) 68.07 KB   Download   To get started with this collection, download the zip file, unzip it, and then import the bundle file into your Korg Modwave Librarian or directly into Modwave Native.

In this video, I demonstrate the sounds and explain how I went about recreating the iconic sounds.

The Korg Modwave has a very interesting and powerful set of filters that enable you to create a rich range of sounds. You can filter the basic waveforms, wavetables, and samples, and use the custom filters to create interesting and varied sounds.

Join me on 21/05/2024 at 8pm UK / 12pm PST for a sound design live stream where I will delve into the world of filters on the Modwave. We will explore creating patches and trying different input sources. I hope to see you there!

The Akai AX73 is a somewhat forgotten gem of an analog synth. Featuring six voices that can be used in poly mode, dual mode, or mono mode, stacking all six Voltage-Controlled Oscillators (VCOs), it boasts a 24 dB/oct VCF filter and intriguing modulation routing that gives it a unique sound.

Recently, I gained access to a vast selection of AX73 multi-samples and created a set of performances for the Korg Modwave with them. I thought it would be of interest to Korg Wavestate users as well, so I have created this sound pack for the Wavestate. This sound pack comprises over 50 performances for the Wavestate, utilizing the original samples from the AX73 that I’ve meticulously created multi-samples with. Most of them are single multi-sample performances, and some are wave sequences.

The collection features an array of captivating sounds, ranging from deep basses to resonant filter sweeps and warm string sounds.

To get started, simply download the zip file, unzip it, and import the bundle file into your Wavestate, Wavestate Rack, Wavestate SE, or Wavestate Native. If you already have a sample bank, launch the Korg Sample Editor and import the multi-samples from the “ID-AX73_V1/Multisamples” folder. If you don’t yet have a sample bank, you can open my “Akai AX73 V1.korgbank” in the Korg Sample Editor and transfer it to your Wavestate.

 Korg Wavestate: Akai AX73 Sound Pack  1 file(s) 248.51 MB   Download   For more information on working with samples and the Modwave and Wavestate, check out my how-to video: Importing Custom Samples into Korg Modwave and Wavestate Synthesizers (with free Fairlight sound) (youtube.com)

In this video I look at the changes to Windows 11 Insider Preview Build 26212 for Windows Insiders on Canary Channel. This build has some new sharing features and a number of fixes to the OS. In the video I also go through the known issues.

Welcome to my new sound pack for the Korg Modwave: The Berlin / Ambient Set. This collection features soundscapes, atmospheric tones, and sequenced sounds. I struggled to come up with a name, so “Berlin / Ambient” it is!

The set exclusively utilizes the built-in waveforms and samples of the Korg Modwave; no additional samples are needed. You’ll find sounds inspired by rhythmic bass sequences in the Berlin and Tangerine Dream style, as well as soundscape textures, digital sweeps, and ambient floating tones. Some of the sounds were crafted during our recent live stream sound design session on YouTube.

 The Berlin / Ambient Set for Korg Modwave  1 file(s) 99.39 KB   Download   Included are 47 performances and 19 programs that you can use alongside your own sound design endeavours.

In the accompanying video, I demonstrate the sounds and share the sound design principles behind the performances. This will empower you to create your own intriguing sounds.

The Korg Keystage is a brilliant MIDI 2.0 controller for controlling hardware and software synthesizers, especially Korg’s own Modwave and Wavestate. With MIDI 2.0, there is bidirectional transmission of data, so you get real-time display of the synth’s patch name and its parameters.

On the front panel of the Keystage is a rotary control that you can use to scroll through the synth’s patch names. When you hook up the Keystage to Korg’s Wavestate or Modwave, scrolling through the patches with the dial at first seems like it’s going in a random order. It doesn’t go through the patches in the order that they are listed on the patch list of the synth, and to a new user, it can be a bit confusing.

Actually, it’s really simple. The dial goes through a Set List in sequence. You can have multiple set lists and select the active one on the synth. With the Wavestate and Modwave Librarian software (or directly on the Native versions), you can easily create and edit set lists.

In this video, I show you how to create your own set lists and use them with the Korg Keystage.

The Akai AX73 is a somewhat forgotten gem of an analog synth. Featuring six voices that can be used in poly mode, dual mode, or mono mode, stacking all six Voltage-Controlled Oscillators (VCOs), it boasts a 24 dB/oct VCF filter and intriguing modulation routing that gives it a unique sound.

I recently gained access to a vast selection of AX73 multi-samples, which I’ve now brought into the world of the Modwave. This sound pack comprises over 50 performances for the Modwave, utilizing the original samples from the AX73 that I’ve meticulously created multi-samples with. To prevent overwhelming the user sample space on the Modwave, I’ve included only one or two samples per multi-sample, resulting in a complete collection of just 135 MB.

The collection features an array of captivating sounds, ranging from deep basses to resonant filter sweeps and warm string sounds.

To get started, simply download the zip file, unzip it, and import the bundle file into your Modwave, Modwave Rack, Modwave mkII, or Modwave Native. If you already have a sample bank, launch the Korg Sample Editor and import the multi-samples from the “ID-AX73_V1/Multisamples” folder. If you don’t yet have a sample bank, you can open my “Akai AX73 V1.korgbank” in the Korg Sample Editor and transfer it to your Modwave.

 Akai AX73 Sounds Pack for Korg Modwave  1 file(s) 248.49 MB   Download   For more information on working with samples and the Modwave, check out my how-to video: Importing Custom Samples into Korg Modwave and Wavestate Synthesizers (with free Fairlight sound) (youtube.com)

If you own a Korg Wavestate and would like a version for your machine, please let me know!

Introducing my first collection for the Korg Wavestate! Featuring original Fairlight IIx samples, dive into classic sounds like the orchestral hit and ARR1, alongside iconic samples from hits like Kate Bush’s “Running Up That Hill” and Yes’s “Owner of a Lonely Heart,” as well as countless ’80s classics.

If you have a Korg Modwave I have a version of the Fairlight Collection Vol1 for the Modwave.

The Fairlight CMI was a groundbreaking digital synthesizer, sequencer, and sampler hailing from Australia. Its samples became emblematic of 1980s pop music, featuring instantly recognizable sounds favored by artists such as Thomas Dolby, Peter Gabriel, Jan Hammer, Kate Bush, and many more.

Introduced in 1982 at an eye-watering price of £30,000 (equivalent to more than a house at the time), the Fairlight IIx boasted 8-bit samples and a 32kHz sample rate. It was capable of reproducing sounds that were previously impossible to create on analog synths of the era.

 Fairlight Collection Vol1: Strings, Brass & Vocal for the Korg Wavestate  1 file(s) 6.14 MB   Download   The ZIP file contains 50 performances and samples. To incorporate them into your Korg Wavestate, simply download the ZIP file, unzip it, and use the Korg Sample Editor to transfer them to your Wavestate, Wavestate SE, Wavestate Rack, or Wavestate Native.

Included in the ZIP are the Korg Wavestate Performances, Korg Sample Editor Multisamples, Sample Bank, and the WAV files required for the collection. Unzip the file and import the “FairlightVol1.wsbundle” using your Wavestate Librarian.

If you already have a sample bank open, launch the Korg Sample Editor and import the multisamples from the “Fairlight Samples V1/Multisamples” folder. If you don’t have a sample bank yet, you can open my “Fairlight Samples V1.korgbank” in the Korg Sample Editor and transfer it to your Wavestate.

For those with Wavestate Native, set your Wavestate’s user sample folder to the location containing my “FairlightVol1.Korgcompiledbank” file.

That’s it! You’re now ready to journey back to the ’80s with your Fairlight!

The CMI Fairlight was a digital synthesizer, sequencer, and sampler from Australia. Its samples became synonymous with 1980s pop music, featuring instantly recognizable sounds used by artists like Thomas Dolby, Peter Gabriel, Jan Hammer, Kate Bush, and many more.

The Fairlight IIx was introduced in 1982 at the staggering price of £30,000 (more than a house at the time). It boasted 8-bit samples and a 32kHz sample rate, capable of reproducing sounds that were impossible to create on analog synths of the era.

This collection for the Korg Modwave features original Fairlight IIx samples and includes classic sounds like the orchestral hit and ARR1. Among the sounds are those from Kate Bush’s “Running Up That Hill,” Yes’s “Owner of a Lonely Heart,” and countless ’80s hits.

The ZIP file contains 47 performances and samples. To add them to your Korg Modwave, download the ZIP file, unzip it, and use the Korg Sample Editor to transfer them to your Modwave, Modwave mkII, Modwave Rack, or Modwave Native.

Included in the ZIP are the Korg Modwave Performance, Korg Sample Editor Multisamples, Sample Bank, and the WAV files needed for the collection. Unzip the file and import the “FairlightVol1.mwbundle” from your Modwave Librarian.

 The Fairlight Collection Vol1: Strings, Brass and Vocal for the Korg Modwave  1 file(s) 5.83 MB   Download   If you already have a sample bank open, launch the Korg Sample Editor and import the multisamples from the “Fairlight Samples V1/Multisamples” folder. If you don’t have a sample bank yet, you can open my “Fairlight Samples V1.korgbank” in the Korg Sample Editor and transfer it to your Modwave.

For those with Modwave Native, set your Modwave’s user sample folder to the location containing my “FairlightVol1.Korgcompiledbank” file.

That’s it! You’re now ready to journey back to the ’80s with your Modwave!

Welcome to our live sound design event. In this session I am delving into sound design on the Korg Modwave, I am looking at creating vibrant leads, using the motion sequencer and working with your own custom samples.

So join us at 8pm (UK) 23/04/2024 for our live session. I look forward to seeing you there!

Welcome to my quick look at Windows 11 build 26200 for Windows Insiders on the Windows Canary Channel. The Dev and Canary Channel have diverged and the Canary build goes on to a new branch.

The build has the return of the watermark and a couple of minor changes.

Over the years, Tony Banks and Genesis have crafted some iconic sounds featured in classic tracks like “Watcher of the Sky,” “Behind the Lines,” “Cinema Show,” “Invisible Touch,” and “Abacab.”

These legendary sounds originated from iconic instruments such as the Mellotron, ARP Pro Soloist and Quadra, Korg Wavestation, and Yamaha DX7. Inspired by the classic sounds of Genesis and Tony Banks, this collection for the Korg Modwave features 36 performances of classic sounds spanning from Foxtrot to Calling All Stations.

Included are Mellotron sounds, ARP Pro Soloist, ARP Quadra, organs, DX7, and Korg Wavestation sounds. Download the ZIP file and import it into the Modwave, Modwave Native, Modwave mkII, or Modwave Rack.

 The Genesis Collection the for Korg Modwave  1 file(s) 68.89 KB   Download   Be sure to check out my other free sound packs for the Korg Modwave, including Pink Floyd, Vangelis, string machines, and other synth sets.

Here are the sounds in action:

I’ve been diving deep into sound design on the Korg Modwave lately, and I’ve received numerous requests for various sounds. This got me thinking—why not host a live stream on YouTube focused on sound design with the Korg Modwave?

Join me on Tuesday, April 23rd, 2024, at 8pm UK time / 12pm PST / 9pm CET for an exciting live stream session. I’ll be demonstrating how to create sounds from scratch on the Modwave and incorporating custom samples.

During the stream, I’ll tackle creating CS80/Vangelis-style lead sounds, crafting smooth Pink Floyd-style pads, and even developing a custom Fairlight sound. Additionally, I’d love to hear your suggestions for sounds to explore during the stream. Leave a comment letting me know what types of sounds you’d like to see me create on the Modwave.

UPDATE: This is the live stream event

Don’t forget to subscribe to my YouTube channel to receive notifications for this event and other exciting content!

One of the great features of the Korg Modwave and Korg Wavestate is the ability to import your own custom samples into the synths. This allows you to use custom WAV files in your performances.

This guide will walk you through the process of importing and transferring multisamples into the Modwave and Wavestate, including Modwave Native and Wavestate Native. Understanding this process is essential, especially as I have some interesting custom sample sets coming soon for the Modwave and Wavestate.

In a few weeks, I will be releasing a custom sound pack for the Modwave and Wavestate based on the classic 1980s Fairlight. This means you will be able to play the iconic 1980s sounds used by artists like Kate Bush, Peter Gabriel, Pet Shop Boys, Frankie Goes to Hollywood, and many others.

This guide provides instructions for importing multisamples. To get you started, I’ve included a free Fairlight sound (the famous “arrhh” sound) in the ZIP file. It contains the raw sample file, Korg multisample files, and files for the native versions. Simply download the file, unzip it, and use the Korg Sample Editor to transfer the sounds to the Modwave and Wavestate.

This process is compatible with the Modwave (Modwave Native, Modwave Rack, Modwave, and Modwave mkII) and Wavestate (Wavestate Native, Wavestate Rack, Wavestate, Wavestate mkII, and Wavestate SE).

 Custom Fairlight "Arr" sound for the Korg Modwave and Korg Wavestate  1 file(s) 40.40 KB   Download   Download the files, follow the guide, and stay tuned for a full set of Fairlight patches soon. I also have some other sample sets in the works!

Welcome to the Pink Floyd Collection for the Korg Modwave! This selection of performances recreates the iconic sounds of Pink Floyd. Experience the haunting strings and mesmerizing lead sounds from ‘Shine On You Crazy Diamond.’ Immerse yourself in the legendary sequence of ‘On the Run’ from ‘Dark Side of the Moon,’ along with classic tones from ‘Animals,’ ‘The Wall,’ ‘Momentary Lapse of Reason,’ and ‘The Division Bell.’

Explore a diverse range of pads, leads, pianos, organs, and sound effects meticulously crafted for your creative journey.

Download the set for free, unzip the file, and import it into your Modwave, Modwave Native, Modwave Rack, or Modwave mkII.

 Pink Floyd Sounds: Free Collection for Korg Modwave  1 file(s) 47.40 KB   Download

Get ready to embark on a sonic adventure inspired by Pink Floyd’s timeless music!

Welcome to a quick Windows 11 Insider Preview build video. In this video I look at the changes to build 26100 of Windows 11 for Windows Insiders on the Dev and Canary Channels. As Microsoft get closer to the completion of Windows 11 24H2 this build doesn’t have any new features but it does have fixes. Also, in the video I look at the known issues with build 26100.

Welcome to my latest Korg Modwave collection! This is the 1970s String Machines collection for the Modwave. Back in the early 1970s, polyphonic synthesizers were extremely expensive, heavy, and unreliable. Musicians wanted a simple machine for recreating the expensive real string sections.

This led to a range of instruments that produced lush ensemble-sounding machines, which were based on organ-style divide-down technology. While they were ultimately replaced by affordable poly synths, they still have a unique sound.

This collection recreates the classic sounds of the Solina String Ensemble, Korg Delta, Korg Trident (a multi-instrument machine with a string section), Roland VP-330 (with Human Voice Choir sound), and Elka sounds.

There are over 40 performances and programs enabling you to recreate the string sounds of Jean-Michel Jarre, Pink Floyd, and Vangelis. There are string sounds, vocal sounds, and even Celeste and the occasional brass sound.

 1970s String Machines Collection for Korg Modwave  1 file(s) 55.55 KB   Download   To get started with the sounds, simply download the zip file, open it up, and import the bundle file into the Modwave, Modwave MkII, Modwave Rack, or Modwave Native.

Introducing my brand new sound collection for the Korg Modwave! This collection draws inspiration from the classic sounds of the Yamaha CS80, famously used by Vangelis for the iconic 1982 Blade Runner soundtrack.

Included in this collection are performances and programs featuring the legendary Blade Runner CS80 synth. Additionally, you’ll find CS80 string and brass synths, massive atmospheric sounds, and selections from Jon & Vangelis sounds.

 Blade Runner Inspired: CS80 Sounds for Korg Modwave  1 file(s) 44.84 KB   Download   The Yamaha CS80 stands as a pinnacle of analogue synthesis, renowned for its rich and expressive sounds. With two analogue oscillators per voice, polyphonic aftertouch, performance controls, and a ribbon controller, it has left an indelible mark on the world of music. Beyond Vangelis, it has been utilized by artists such as Chicago, Kraftwerk, Simple Minds, Paul McCartney, Toto, Tony Banks, and the BBC Radiophonic Workshop.

This collection aims to capture the essence of Blade Runner, Vangelis, and the CS80 itself. Simply download the zip file, unpack it, and import the sounds into your Korg Modwave, Modwave Native, Modwave Rack, or Modwave mkII. Immerse yourself in the evocative world of Blade Runner with these timeless sounds.

Welcome to a short Windows 11 hands on video. This time I look at the build 26085 for Windows Insiders on the Dev and Canary channels. This build has a couple of changes and fixes which I look at in the video and I also look at the new known issues to watch out for when trying out this latest Windows Insider builds.

Introducing my latest free collection of sounds for the Korg Modwave: The Digital Collection. This assortment harks back to the late 80s, a time when analogue synths were being supplanted by the latest digital alternatives like the Ensoniq VFX, Roland D50, Korg M1, and Yamaha SY77.

These synths boasted a distinct clean, crisp digital sound, replacing analogue Voltage-Controlled Oscillators (VCOs) and filters with digital samples featuring analogue emulation.

The Digital Collection draws inspiration from these late 80s digital synths. Within the collection, you’ll find an array of sounds, including bells, choral layers, piano layers, and more. Some performances are directly influenced by sounds from the Ensoniq VFX, Roland D50, Yamaha SY77, and Korg M1. With 51 performances and 20 programs available, you’ll have plenty of material to enhance your own collections.

 The Digital Collection for Korg Modwave  1 file(s) 100.99 KB   Download   Simply download the zip file, unpack, and import into your Korg Modwave, Modwave Native, Modwave Rack, or Modwave mkII, and transport yourself back to the late 80s!

Here are the sounds in action and I also show you how I achieved some of sounds.

In this video I look at the new Windows 11 build for Windows Insiders on the Dev and Canary Channels. Build 26080 has a unified Microsoft Teams app, changes to Copilot and File Explorer. As well as looking at the new features and changes I also look at the new known issues on build 26080.

I received a question from a commenter asking if it’s possible to recreate the classic Vox Humana sound from the Polymoog on the Korg Modwave. This iconic sound, notably used by Gary Numan in tracks like “Cars” and “Our Friends Electric,” has become synonymous with a certain era of music.

In this video, I guide you through the process of creating the Vox Humana sound on the Korg Modwave. Starting from scratch, I demonstrate how to set up each oscillator and utilize various effects to achieve that distinctive tone.

This classic sound not only resonates beautifully on the Modwave but can also be applied using similar techniques on other polyphonic synthesizers.

 Polymoog Vox Humana for the Korg Modwave  1 file(s) 3.23 KB   Download

As a bonus, the sound I create in the video is available as a free download for the Modwave. Now you can experiment and enjoy the iconic Vox Humana sound in your own music.

The Korg Keystage is a MIDI 2.0, Poly aftertouch controller, ideal for managing virtual synths. It comes with presets for various Korg synths such as the Modwave, Opsix, and Wavestate. Moreover, you can customize the controls to seamlessly work with any software synth.

In this video, I guide you through the process of customizing the controllers on the Korg Keystage for use with plugins like the Korg miniKorg. I demonstrate how you can utilize MIDI learn to quickly set up your configuration and how to create your own mappings.

The new Korg Keystage controller is a MIDI 2.0 keyboard with MPE and polyphonic aftertouch capabilities. Featuring an OLED display, 8 controls, and a built-in USB audio interface, it’s designed to enhance your music production experience.

The controller allows you to manage modern DAWs and virtual instruments using its transport controls and rotary knobs. With MIDI CI, you can receive real-time data feedback from your software. Additionally, the Keystage 49 boasts a built-in arpeggiator and 32 chord modes.

In this video, I unbox the Keystage 49, guide you through the firmware update, and help you set it up. I demonstrate how to utilize MIDI 2.0 for optimal control and showcase the customization options for controlling virtual instruments.

I showcase its compatibility with Korg Wavestate, Opsix, and Modwave, all of which support MIDI CI, providing real-time information on control actions. Furthermore, I explore its functionality with older plugins and its integration with Cubase. The video highlights the arpeggiator and chord modes, as well as the polyphonic aftertouch feature.

This week on the podcast, we are joined by Microsoft’s Pete Brown, who is implementing MIDI 2.0 in Windows. MIDI (Music Instrument Digital Interface) is a system for connecting musical instruments and has been around since the early 80s. MIDI 2.0 marks the most significant change to the protocol in its lifetime, and Pete’s team is working to introduce a new MIDI stack into Windows.

Pete explains what MIDI is and delves into the reasons behind the necessity of MIDI 2.0. He discusses Microsoft’s decision to rewrite the MIDI stack in Windows, making it open source, and highlights the benefits this will bring. Additionally, he treats us to live demos showcasing the new MIDI 2.0 functionality in Windows 11.

Links from this week’s show:

Windows Midi Services | Windows MIDI Services (microsoft.github.io)
Releases · microsoft/MIDI (github.com)
https://twitter.com/pete_brown
https://aka.ms/Win10AudioTweakGuide

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Welcome back to the second installment of our Korg Collection 4 showcase! In Part 2, we continue our exploration of Korg’s legendary synthesizers, uncovering even more sonic wonders. From the vintage charm of the MonoPoly and MS-20 to the cutting-edge sounds of the Triton, Prophecy, Kaoss Pad, and microKorg.

Links to part 1: https://www.youtube.com/watch?v=fB6AZWuE_VU

The Korg Collection 4 for Mac and Windows is a compilation of software synths that faithfully recreates many of Korg’s legendary synthesizers. Initially launched in 2002 as the Korg Legacy Collection, it includes both classic analogue and digital synths. You can explore the timeless analogue sounds of the 1978 MS-20, delve into digital classics like the Korg Wavestation, and experience the 2000’s vibes of the 2004 Triton Extreme.

The collection features a lineup of iconic synths, such as:

Korg M1 (1988)
Korg Wavestation (1990)
Korg Polysix (1981)
Korg MonoPoly (1981)
Korg MS-20 (1978)
Korg Triton (1999)
Korg Triton Extreme (2004)
Korg Electribe-R (1999)
Korg Kaoss Pad (1999)
Korg miniKorg (1974)
Korg MicroKorg (2002)
Korg Prophecy (1995)
ARP Odyssey (1972)

These virtual synths function as standalone applications and plugins (VST, AU, AAX). There’s a free trial available from Korg for those interested in trying them out. The full sets cots $399.

This collection of sounds is inspired by the classic 1978 ARP Quadra synth.

The Quadra, launched in 1978, was a four-section synth that featured a Bass synth, string section, poly synth, and lead synth.

All four sections could play simultaneously, making the dual oscillator/dual layer architecture of the Korg Modwave ideal for recreating some of the Quadra’s classic sounds.

The Quadra was used by iconic musicians such as Tony Banks of Genesis, Duran Duran, New Order, and John Carpenter.

This set of performances and programs aims to emulate the Quadra’s sound by utilizing dual layers to capture the essence of its distinct sections.

Many of these sounds were employed by Tony Banks of Genesis in both studio and live performances during the late ’70s, and some may sound familiar to fans.

A couple of these sounds support poly aftertouch, taking advantage of the Korg Keystage 49’s capabilities. Stay tuned for a full poly aftertouch collection coming soon!

Download and unzip the files, then import them into your Modwave, Modwave mkII, Modwave Rack, or Modwave Native. Also, check out my other free Modwave sounds available.

 Korg Modwave ARP Quadra Sound Collection  1 file(s) 59.02 KB   Download

Following on from my recent video on why the Yamaha DX7 is still a classic, here is my top 10 list of famous eighties sounds for the DX7 / TX7 (the desktop version of the DX7).

The DX7 was a staple of the eighties music scene with its fresh sounds, but it was difficult to program, so many people stuck to using the presets. The sounds soon became ubiquitous and clichéd of the era, but to me they still sound great.

So here are my top ten famous DX7 / TX7 sounds from the 80s. You can download my DX7 / TX7 sound set from our downloads page.

In this video I look at the new build of Windows 11 Insider Preview build 23536. This build doesn’t have any new features but there are plenty of fixes. I also look at the known issues with the build.

This collection of patches and sounds is inspired by the Korg MS2000. The MS2000 was one of Korg’s first virtual analogue synth and it capable of some interesting sounds. As well as having the standard analogue waves it also has DWGS (digital waves) that you can sweep through. In this collection there are sounds using […]

In this video I look at the changes to Windows 11 build 23531 for Windows Insiders on the dev channel. There are few changes to the build including the search box which I look at, and I also look at the known issues and fixes with the build.

When you think of classic 80s synth, one of the most well-known is the Yamaha DX7. Slightly less well known is its little desktop brother, the TX7, which is a desktop version of the DX7 with exactly the same sounds minus the panel sound editing. These days you can download thousands of DX7 sounds from […]

One of my top articles is how to fix MIDI issues with Korg drivers and Window 10 and Windows 11. Today I came across a new issue that will stop Korg devices connecting with Windows 11 via Bluetooth and I thought it would be worth posting the fix. With the release of 22H2 of Windows […]

In this video I look at the changes to Windows 11 build 23526 for Windows Insiders on the dev channel. The build has a change to the expiration date and some improvements to the start menu. In the video I also look at the fixes and known issues with build 23526.

In this video I look at the changes to Windows 11 Insider Preview build 25931. This is a new build for the canary channel, and it includes some features recently introduced in the dev channel and security improvements. In the video I also look at the fixes and known issues.

The Solina String Ensemble is the classic string machine of the 1970s. It was used by Pink Floyd, Elton John, OMD, Tangerine Dream, Japan and many more. Behringer have brought back the Solina with a reproduction of the original in a smaller desktop-form factor. Still using the analogue circuit, it is 49 note polyphonic (using […]

In this video I look at the new features in Windows 11 build 23521 for Windows Insiders on the dev channel. The build has new features for Windows 365 users, Taskbar improvements and Task Manager changes. In the video I also look at the changes, fixes and probably what is going to be the least […]

In this video I look at the new features in build 25926 of Windows 11. The build has just been released for Windows Insiders on the canary channel and includes many of the features previously seen in the dev channel builds. In the video I also look at the known issues with the build.

The Solina String Ensemble is the classic string machine of the 1970s. It was used by Pink Floyd (Shine on You Crazy Diamond and on the Animals album), Elton John, OMD, Tangerine Dream, Japan and many more. The original 70s machines are heavy and getting increasingly rare, but there is something special about their odd […]

In this video I look at the new features in Windows 11 build 23516. The build has just been released for Windows Insiders on the dev channel and has new screen casting features. In the video I also look at the changes, fixes and known issues with the build.

In this video, I am going to show you how to customise-your Taskbar in Windows 11. I will show you how to hide the unused chat icon, add useful icons and optimise the task bar for tablets.

In this video I look at build 23511 for Windows Insiders on the dev channel and 25915 for Windows Insides on the canary channel. The canary channel build gains many of the features from the dev channel including the new File Explorer, so in the video I look at the changes. Build 23511 for dev […]

Windows 11 introduced a new widgets feature that gives you a combination of customised news feed and light weight quick access apps. The widget board includes widgets from Microsoft like Outlook and Phone Link, and you add widgets from 3rd party apps like Spotify and Facebook. In this video I show you how to customise […]

In this video I look at build 23506 of Windows 11 for Windows Insiders on the dev channel. This build has file sharing improvements, Windows Copilot for all and security improvements. In the video I also look at the fixes and known issues in build 23506.

In this article and video I review my 2016 Korg Minilogue. This is the most recent instrument I have reviewed, but it’s actually a bit of a retro-inspired synth that was Korg’s first analog polyphonic synthesizer since the 1985 Poly 800 Mk2. The Korg Minilogue is a four voice real analog synthesizer with 37 slim […]

In this video I look at the changes to Windows 11 build 25905. With this build the Canary Channel switches from ZN_RELEASE to RS_PRERELEASE which means this could be the basis of the next version of Windows. The build has the introduction of some features previously seen in the Dev Channel as well as some […]

Welcome to my free sound collection for the Korg Modwave. This collection of 42 sounds is inspired by the legendary 80s synthesiser, the Korg DW8000. The DW8000 used single cycle digital waveforms with an analogue filter, which gave it a unique sound for the era. The Korg Modwave features the waveforms from the DW8000 and […]

If you are like me and have too many synths, you will soon run out of inputs on your mixer. I didn’t want to buy another larger mixer so instead I picked up a sub mixer. The ALLWIN 4 channel stereo sub mixer is a USB-C powered mixer with 4 stereo (or switchable to mono) […]

In this video I look at the new features with Windows 11 build 23493. This build has the new Windows Copilot feature, a new home page in Settings and adds support for many new archive formats including 7ZIP and TAR files. In the video I look at the new features, the fixes, and the known […]

In this video I look at the change to Windows 11 build 23486. The new build has improvements to passwordless sign-on to web sites using Passkeys, so I see how it works in practice. I also look at the changes dynamic lighting and I also look at the known issues to Windows 11 Insider Preview […]

This is the Yamaha DX100, Yamaha’s budget FM synth from 1985. Priced around £350, and the baby brother of the DX7, the DX100 is a 49 key mini key portable synth, that can run on batteries and even has a strap so you can use it as a keytar. While it may look like a […]

It’s two for one again with this week’s build video! In this video I look at the changes to Windows 11 Insider Preview build 23481 and 25393. 23481 is for Insiders on the dev channel and 25393 is for Insiders on the Canary channel. Microsoft haven’t detailed what’s changed in 25393 but I did find […]

Launched in 1986 for $1195, the Yamaha RX5 Digital Rhythm Programmer was Yamaha’s flagship drum machine and possibly the ultimate in 80s drum machine technology. While it doesn’t have the classic status of Roland’s TR808 or TR909, the RX5 does deserve classic status due to its sound shaping features, great 80s drum sounds and sturdy […]

In this video I look at the two new builds for Windows Insiders. I look at build 25381 for the canary channel and 23475 for the dev channel. Microsoft haven’t documented the changes to 25381 but they have detailed the File Explorer, dynamic lighting, and other changes in build 23475. In the video I look […]

This is a quick video to look at the new Windows 11 build 25381. This is for Windows Insiders on the canary channel and just a couple of minor changes to the OS. Microsoft doesn’t detail the changes to the OS for the Canary Channel in the way it does the other channels so I will look out for other changes.

In this video I take a look at the new features and changes to Windows 11 Insider Preview Build 23466. This build has a new feature to enable you to link your phones photos to Windows and the new Gallery feature is rolling out to all Insiders on the dev channel.

In the video I also look at the fixes and known issues.

This week Microsoft released a new build of Windows 11 for Windows Insiders on the dev channel (build 23466). The build includes a new Windows Backup features. The cloud backup feature backs up your PC and then gives you the option of resorting the settings when you setup a new PC. It backs up apps installed from the Microsoft Store, PC settings and some of the personalisation settings.

In this video I backup using the new tool and then build a new virtual machine to try restoring the backup on.

Microsoft are about to release the next feature update to Windows 11. The Moment 3 update features improvements to the widget boards, new settings, and improvements to the Taskbar. As with recent Windows 11 updates this is a small update delivered via a monthly Windows update rather than the large 4GB update we have had in the past.

WidgetsThe widgets board has been updated. The board is now split with your main widgets on the right side and the news feed on the left side. This makes it easier to see the important widgets in one place. There is also an improved Widget picker and there are also new widgets from Facebook available.

TaskbarThere are some improvements to the Taskbar with this update:

VPN status icon in the system tray showing if there is an active connection.
The option to show seconds in the system tray.
Copy button to copy two-factor authentication (2FA) codes from email notifications.
Bing AI button the search box
Animated Taskbar weather icons

File ExplorerFile Explorer now has access key shortcuts in the context menus. Use the menu key on the keyboard and it will show the quick access keys.

Settings* Settings now shows the storage capacity of your OneDrive subscription. * There is a new setting to enable how touch keyboard behaves when a physical keyboard is connected. * USB4 setting pages for viewing USB4 peripherals and devices. * Additional setting to download updates and not wait for Patch Tuesday. * A new Presence Sensor privacy setting.

Also, the performance of search in settings has been improved.

Task ManagerTask Manager has a new live Kernal dump feature for developers.

AccessibilityVoice access has an improved in-app help page along with additional languages:

Chinese (Simplified and Traditional)
French (France, Canada)
German
Italian
Japanese
Portuguese (Brazil, Portugal)
Spanish
Danish
English (Ireland, other English dialects)
Korean

When will you get the Moment 3 update? It will ship in late May or early June via Windows Update.

This is the Korg MS2000, released in the year 2000 and was Korg’s analog modelling synthesizer, aimed at evoking memories of the classic 1970s MS series including the MS20, SQ10 analog sequencer and VC-10 vocoder. In 2023, there are plenty of actual analog synths available at affordable prices, like Korg’s Minilogue, but at the start of the millennium that wasn’t the case. So, a virtual analog with real hands-on controls for around £600 was extremely exciting.

I scanned my original MS2000 brochure if you want to download it.

Analog modelling synthesizerThe MS2000 has a traditional subtractive system architecture. Two oscillators that feed into a mixer (with noise), ring mod and sync, two envelope generators, two LFOs, digital delay and Chorus/Flanager. There is a virtual patchbay, trying to bring back the memory of synths like the MS20 where you can route LFO, velocity, envelopes and midi inputs to destinations like pitch, oscillator control or the filter.

The MS2000 can be operated in four voice mode or you can have it in split or dual modes (reducing your polyphony to 2 notes). Oscillator 1 has Sawtooth, PWM and Triangle waves. There is a sine wave that can be modulated using FM, vox wave, noise, audio in and DWGS waves. The DWGS waves come from synths like the DW8000 and are 64 single cycle digital waves. The filter has 12/24dB low pass, band pass and high pass options and is self-oscillating. The filter has its only envelope generator as well as a distortion effect that beefs up the sound.

Mod Sequencer & ArpeggiatorAnother powerful feature is the mod sequencer. This is a 3 x 16 step sequencer that you can use to adjust pitch, filter, or any of the other synth parameters. You can create some interesting sequences and effects with this. You can use it for musical sequences or just to add some movement to the sound.

There is also a decent arpeggiator with six different types. When in split or layer mode each timbre can have its own arpeggiator.

Effects & VocoderThere is a digital delay, equalizer and Chorus, Flanger and Phaser effect. There are no reverbs on the MS2000. There is a vocoder which via the external microphone input using a sixteen channel bandpass system.

ConnectorsIt has full sized MIDI in, out and through. Stereo outputs, two audio inputs and foot pedal inputs.

LegacyAs well as the keyboard version, there was also the MS2000R, a rack mount version and in 2003 Korg released the MS2000B. This had an updated sound set, black colour and dedicated vocoder microphone but that was the last version that was released.

In 2002, Korg released the MicroKorg, a small minikey version of the MS2000 synth engine based on the MS2000 (less flexible Vocoda, improved arpeggiator and lack the MS2000 motion sequencer) and without the real time controls of the MS2000.

Amazingly the MicroKorg is still being manufactured in 2023 and is one of the best selling synth of all times. Korg have even produced a VST version of the MicoKorg which is part of the Korg Collection.

VideoIn this video I explain the architecture of the MS2000 and demonstrate some of its sounds and features.

When Korg launched the Triton workstation back in 1999, they also announced a set of expansion boards for synths. The original Triton and the Korg KARMA, which is a special version of the Triton (see my video) had 32mb of sample ROMs built in, and the expansion slots enabled installing of two 16mb boards. Korg produced eight expansion boards for the Triton and KARMA series, costing £155 each. These boards added new sounds to the already powerful workstations, such as orchestral instruments, vintage keyboards, dance music sounds and more.

The EXB boards available were:

EXB-PCM01 Pianos/Classic Keyboards
EXB-PCM02 Studio Essentials
EXB-PCM03 Future Loop Construction
EXB-PCM04 Dance Extreme
EXB-PCM05 Vintage Archives
EXB-PCM06/07 Orchestral Collection (two-slot expansion)
EXB-PCM08 Concert Grand Piano
EXB-PCM09 Trance Attack

In this video, I am going to focus on EXB-PCM05 Vintage Archives, which I have installed on my Korg KARMA along with EXB-PCM01 and EXB-MOSS, which is a physical modelling DSP board that I have previously featured. Incidentally, you can try out all these expansion boards in the VST Korg Triton, which is part of the Korg Collection (see my video).

Vintage Archives is made up of 16mb of multi-samples from a range of vintage synths and keyboard instruments. It includes many of Korg’s vintage synths like the 700S, Polysix and Delta, as well as Oberheim, ARP and Mellotrons. Back in 1999 when they were first launched, virtual analog synths were a new thing and VST technology was in its infancy, so this was a great way of getting some classic instrument sounds into your workstation.

Some of the sounds are still very usable and relevant today. In the video, I browse the programs and look at some of the combis (6 programs combined). I also installed the KARMA GEs designed for the Vintage Archives boards, so many of the programs and combis have the special advanced arpeggio from KARMA (see my other post for details on KARMA).

In this video you get two Windows builds for the price of one! I am looking at build 25357 for Windows Insiders on the Canary Channel and build 23451 for Windows Insiders on the Dev Channel. Both builds have new widgets, the Dev Channel build has updated UI in File Explorer and other interesting changes.

In the video I also look at the known issues with the builds.

In this video I look at the new build of Windows 11 for Windows Insiders on the Canary channel. Build 25352 has a change of development branch and a new widgets that is rolling out to Windows Insiders.

In this post and video, I am going to be looking back at my Korg Karma workstation, which is a unique member of the Korg Triton series of workstations. The Korg Karma launched in 2001 as a member of the Triton series of workstations at a price of £1599.

What is KARMAWhat made the Korg Karma unique is KARMA, which stands for Kay’s Algorithmic Real-time Music Architecture (The name comes from Steven Kay, the developer). KARMA is kind of like a super advanced arpeggiator along with auto pattern generation. It uses pre-created patterns that dynamically generate sequences based on various inputs including velocity, key, note order and timing. It produces interesting rhythms and sequences that you can change by the way you play and via real time controls.

The patterns are called GE (Generated Effects) and there are over 1000. In program mode, a single GE is applied to a sound and in Combi mode there are 4 GEs per patch. Some GEs replicate real instrument styles like guitar strumming, there are drum patterns and complete backings. Plus, there are also traditional style arpeggios. You can create your own GEs using a separate application, but it can get pretty complicated very quickly.

Synth EngineThe synth engine is straight from the Triton. Korg called it HI (Hyper Integrated) which is PCM samples through a 24db low pass and 12db lowpass/high pass filter. There are 32mb of samples made up of 425 mutlisamples and 413 drum samples. The engine has 62 voices (31 in double mode) plus six more if the EXB-MOSS board is installed. There are 5 insert and 2 master effects plus EQ, along with 55 drum kits.

The Karma can operate in Program Mode which is a single sound. There is Combi Mode which is multiple sounds split or layered, and there is sequencer mode which has 16 channel, 200,000 events and 200 songs.

ExpansionAs well as 32mb of samples there are two expansion slots. I have the EXB-PCM01 Piano/Classic keyboard expansion, and the EXB-PCM05 Vintage Archives. Also available are:

PCM02 Studio Essentials
PCM03 Future Loop Construction
PCM04 Dance Extreme
PCM07 Orchestral
PCM08 Concert Grand Piano
PCM09 Trance Attack

There is also the ESB-MOSS board which I have covered in a separate video. This is a DSP synth with physical modelling and FM type synth engines and six additional notes of polyphony.

The Karma loses the Triton’s sample features, and the large touchscreen is replaced by a smaller screen with function keys. There is no ribbon controller or serial interface on the Karma.

As soon as you start using the Karma enabled sounds you realize the power of the GEs and the wide range of styles they offer. In Combi mode I find them a little bit too much like auto-accompaniment on an arranger keyboard but in Program mode the effects are much more useful and easier to incorporate in your own music.

Karma was also available in other workstations from Korg, including the Kronos, OASYS and M3. Plus, there are software versions, but the Karma was the first instrument to ship with it included.

Over the last few years, I haven’t really used my Karma but having rediscovered it for this article I found some of the Karma patterns very inspiring. While some of the sounds have dated, some aspects of the Karma have aged very well.

In this video I demonstrate some of the Karma patterns and pre-sets to give you an idea of what it can do.

In this video, I look at the Orico 4 port USB hub. The hub costs £7.99 and is a slim device that is ideal for Windows laptops, Macbooks and even mobile devices. The device has 4 USB 3.0 ports and a USB type A cable that plugs into your PC or laptop (a USB C cable is also available). It supports 5Gbps data transfers and doesn’t require any additional drivers. It works with PCs, laptops, Xbox, PS5 and mobile devices. In the video I unbox the Orico hub, take a look at the design and try out copying files on my Surface. The hub costs £7.99 on Amazon UK.

In 1999, Korg launched the OASYS PCI card for PC and Mac. It was a multi-synthesis engine that included sampling, FM and physical modelling. The high price ($2000 in 1999) meant only 2000 cards were sold and the project was cancelled.

However, the technology made its way to other products, including the Z1 physical modelling synth. Its technology then was brought down to an expansion card for the Korg Triton and Karma workstations.

The Korg EXB-MOSS (Multi-Oscillator Synthesis System) board fits inside the Triton or Karama and adds a new Bank F to the synth with 128 new programs. MOSS has PCM, analog, VPM (variable phase modulation) and physical modelling.

The 12 oscillator types are:

Standard
Ring Modulation
Cross Modulation
Sync
VPM
Comb filter
Resonance
Organ model
Electric piano model
Brass model
Reed model
Plucked string model
Bowed string model

Where this system excels over samples is that you have full control over the way the sounds are made. For example, the brass model enables you to model the physical characteristics of the instrument, including things like the bell shape. On a guitar, it models the pickup location, pluck strength and other parameters. This gives you a full range of expressions for each sound using velocity, aftertouch and real time controls (CC) so you have as much control of the sounds, just like you do with a physical instrument. So, you end up with rich and expressive sounds, but it does mean programming isn’t as simple as subtractive synthesis or using samples.

With massive gigabytes of multi-samples available now, physical modelling seems to have fallen by the wayside. But as with all music technology, the tech comes back around eventually when it becomes “vintage”.

As you can hear in the demo video, there are some great FM type sounds, expressive guitars, organs, brass and bowed sounds which all have a full range of dynamics.

In this video I give a brief overview of Korg MOSS and demonstrate how the synth engine works with various sound demos. If you want to jump to sound demos only without any talking, go to this part of the video:

In this video I look at Windows 11 build 23440 and build 25346. Build 23440 is for devices on the dev channel and build 25346 is for Windows Insiders on the canary channel. The dev channel build has changes to the start menu, the clock, and network diagnostic tools. The canary channel build has some features first tested in the dev builds and some new settings.

In the video I also look at the fixes and known issues with the build 23440 and 25346.

In this video I unbox and review SoundPeat’s RunFree Lite Bluetooth headphones. The headphones cost £33 and are over ear design with a single band linking them together. The specs are:

Open-Ear design
28g
16.2mm large drivers
Bluetooth 5.3 (with Bluetooth multi-point so you can switch between devices quickly)
17-hour battery
USB C charging with small cable included.
IPX4

I found the headphones comfortable to wear once you have them tucked behind your ears, plus the open design means you get airflow around the ears. These are not the in-ear types of earbuds they place over the ear. They are unlikely to fall out of your ears and get lost on your cycle ride like the small buds. Another advantage of this open over-ear design is you can hear background sounds, so if you were using it on a bike, you can still hear traffic noise.

The sound quality is good with plenty of bass (but not as much as an in-ear design) and you can customise the EQ via the SoundPeats app. For £33 these are great for using while running or cycling. They are light with a good sound and the open design means you can still hear your environment.

Thanks to SoundPeat for sending me a set to try out (link: RunFree Lite – Bluetooth Air Conduction Sport Headphones – SOUNDPEATS)

Herer is my unboxing and review video:

In this video I look at the changes to Windows 11 Insider Preview Build 23435. This build has a new gallery view in File Explorer and the File Picker, as well as new presence sensor settings and other changes. In the video I also look at the known issues and fixes in build 23435.

Before Android devices, before iPads, before Surface tablets and when Windows laptops were still chunky devices, Microsoft tried a category of PCs for people wanting to take a PC on the go.

Project Origami was Microsoft’s attempt in 2006 to bring together a set of specifications for small lightweight mobile PCs. The category was called UMPC (Ultra Mobile PCs) and OEMs like Samsung, Sony and OQO all brought out devices.

SpecificationsThe specifications were screens of eight inches or smaller with a minimum resolution of 800×400. They had to have a touch screen or at least support a Pen input, and they ran either Intel or VIA processors. They had around 256mb to 2gb of RAM and small drives, between 25gb and 100gb.

Full versions of WindowsWhat set them apart from Windows Mobile devices was they ran full version of Windows and not a cut down version of an OS. 2006 that was Windows XP Tablet Edition and later they shipped with Windows Vista and then Windows 7. The idea was they would be full PCs but with a form factor that made them ideal for web browsing and media consumption.

Origami ExperienceWindows XP wasn’t designed for small form factor devices and even the Tablet Edition wasn’t ideal for the small screens. So, Microsoft created the Origami Experience designed for these devices running Windows XP and Windows Vista. It was a large UI with big touch targets, media player and photo viewer. It even had an application launcher but once you launched an application you were back to small touch targets.

You could also use Windows Media Center which was Microsoft’s ten-foot application designed for PCs connected to TVs, and this worked well on the small screens.

Rise and fall of the UMPCThe UMPC category started in 2006 with the Samsung Q1 (which I had) and devices from AMtek and OQO. Sony released the VIAO UX (which I still have) and the UX had a flash-based SSD which made it one of the best performing UMPCs. There were also devices from Raon and Wibrain. In 2007 Bill Gates introduced the OQO Model 2 at CES which went on to be one of the most popular UMPCs. In 2008 there was the HTC Shift which ran Windows Vista.

However, there were problems with UMPCs and its why they don’t really exist anymore. The fundamental issues with UMPCs were performance, price, and user experience.

The Samsung Q1 was over £1000 and the Sony VGN-UX1XN was around £2000. If they had been £500 or less, they may have been picked up by consumers but at over £1000 they would only ever be a niche device.

The other issue was performance. Slow processors, low amounts of RAM and small disks didn’t work well with Windows, especially Windows Vista. My Q1 was always slow, the Sony with its SSD was a little quicker but the 1.33ghz Intel Core Solo process wasn’t that quick. The final nail in the coffin was the small touch targets in Windows, the Origami Experience shell helped but you soon end up at the standard Windows UI and on a five-inch device that is not easy to use. It wouldn’t be until Windows 8 that Microsoft put the touch UI front and centre in the OS.

So, by 2010 Microsoft stopped marketing UMPCs and OEMs left UMPCs for tablets, Ultra books, and netbooks. There were some 7-inch tablets released in the Window 8 era, but we haven’t really seen the UMPC form factor return other than some specialist devices.

In this video I look back at UMPCs and my Sony UX running Windows Vista with the Origami Experience loaded.

Did you have a UMPC? Let us know in the comments.

In this video I look at the changes, fixes and known issues with Windows 11 Insider Preview Build 23430 and 25336. Build 23430 is for devices on the dev channel and 25336 is for devices on the canary channel. There are new notifications and settings in the builds. I also look at the known issues with the Windows Insider builds.

The Roland TR-505 was launched in 1986 for £225. It belonged to the same family as the Roland TR-909, TR-808, TR-707, TR626 and TR-606. The drum machine had similar sounds to the TR-707, with the Latin sounds from the TR-727. It was designed to be a budget-friendly entry-level machine.

The front panel featured an LCD display for viewing the functions and programming the patterns. There were 16 pads for pattern selection and real-time programming. The only controls were a volume control and a tempo control. So, there was no pitch or envelop settings.

The sixteen sounds in the TR-505 did not have the instantly recognisable classic sounds of the TR-909 or 808, but they did have a clean punchy sound from the 12-bit / 25kHz samples. The clap sounded great, as did the cowbells. In a mix with an 80s-style track, they blended in remarkably well. The sounds included kick, snare, low tom, mid tom, hi tom, rim shot, closed hi-hat, open hi-hat, low conga, high conga, timbale, low and hi cowbell, clap, crash and ride cymbal. There was also an accent pad.

Back in 1986, a cassette interface was the standard way of saving data, I remember saving patches from Yamaha DX100 synth of course tapes where the only storage medium on my ZX Spectrum, and that’s what the TR-505 supported. There was no cartridge support or midi dump of the user patterns. It had full-sized midi in and out ports, but no midi through or sync input. It supported midi sync with start and stop sync codes, and you could play the sounds over midi.

There were 48 factory patterns and 48 user patterns, and you could combine patterns to make songs. The factory patterns were the standard for the 1980s-style music. They included disco, marches, waltzes and Latin rhythms, which had their own retro charm. For your own patterns, you could change the pattern length and overall step length, and you could create your patterns in step or real-time modes.

Another budget aspect of the drum machine was a stereo / mono ¼ inch jack output (with a fixed stereo field). So, there were no individual outputs, but for the original price of £225 that was to be expected. I bought the machine a few years ago for £150 and after a bit of cleaning and polishing, the machine was as good as new. It was quick to program and had punchy 80s sounds and rhythms, which made it a really useful piece of kit alongside my Yamaha TX7 and other equipment.

The Roland TR-505 was a simple and affordable drum machine that offered 16 sounds and 96 patterns. Although it did not have the iconic sounds of the TR-909 or 808, it had a clean and punchy sound that suited the 1980s-style music. It was easy to program and use, and it supported midi sync and playback. The TR-505 may not be the most sought-after drum machine today, but it still has a nostalgic charm and a place in the history of electronic music.

Two builds for the price of one with this video! In this video I look at build 25330 for Window Insiders on the Canary Channel, and build 23424 for Windows Insiders on the Dev Channel.

Build 23424 has an updated widgets board and improved support for the Microsoft Wheel. Build 25330 has the new Wheel settings and some other changes. Also, in the video I look at the fixes and known issues in the builds.

While clearing out my loft, I came across two 8mm film reels given to me by my late Grandmother. I remember my grandfather being a keen home movie maker, but I have never seen any of the films. With my grandparents and mother not being around anymore, I thought I would get the films digitized so we could see what’s on them.

I looked at a few different conversion services. As I have only two reels to convert, I didn’t need to buy a conversion projector (which would cost around £250), so I looked for online services. I did try a high street photo shop, but they wanted to charge £250! In the end, I used Bushey Digital, who charged just over £60 for the two films, and they arranged collection and delivery. It took a couple of weeks for Alan and his team to convert them and return the films along with a USB stick with the two converted films in mp4 format.

The quality of the conversion was fantastic, and my grandfather did a great job back in the 1960s putting together a film of the British seaside. I have two films, one of Scarborough in 1964 showing Scarborough harbour, a naval battle in Peasholm Park, the steam train, the tramway, Bridlington harbour, and the tree walk wonderland at night in Peasholm Park.

The second film is a family holiday from 1962, featuring my grandparents and my mother as a young girl enjoying their seaside holiday. I have to admit it was quite an emotional watch for me and my family.

As the films have no audio, I decided to add some 60’s style music to them. I used Mellotron tape loops from the 1960s to create an authentic-sounding soundtrack. I will probably do a separate post about that process.

So, it was well worth the time and money to bring the films to life for the next generation. Here is Scarborough in 1964. You can really get a feel for the British Seaside in the 1960s!

In this video I look at the new features in Windows 11 build 25324. The build has just been released to the Canary channel which Microsoft describe off “hot off the press”, and they don’t always describe the changes but for this build they detailed the changes.

This build has an updated widgets board, USB4 support and improved password protection.

Back in 1990, Boss launched the RE-1000 Digital Multi Echo. This was an attempt by BOSS to recreate the legendary RE-201 Space Echo using modern (for 1990) design and a rack mounted format. For an early digital reverb, it has a nice, warm, and fat sound thanks to a warmth control that introduces wow and flutter, emulating the RE-201.

I got the unit cheap around 1990 due to it having some damage on the input jacks, which I really must get around to sorting out.

Here are the specs:

Two inputs
Stereo or mono output
Independent Input gain with overload indicators
Pre EQ (low and high controls)
Output Balance (from fully dry to fully wet)
Decay
Warmth

Modes:

Multi Echo 1
Multi Echo 2
Multi Echo 3
Multi Echo 4
Echo 1
Echo 2
Echo 3
Echo 4
Echo & Rev 1
Echo & Rev 2
Echo & Rev 3
Echo & Rev 4
Rev 1
Rev 2
Rev 3
Special

The combination of the warmth control and being able to overdrive the input gives some interesting tones, very much like the old Echoplexes and Space Echoes. It adds a lot of warmth to my Yamaha TX7 and old Jen SX100, and I leave the synths permanently connected via the RE-1000, even though there are plenty of effects options in the DAW.

In this video I hooked up my TX7 and demonstrated the different effects of the RE-1000.

In this video I look at the changes to Windows 11 Insider Preview Build 23419 for Windows Insiders on the rebooted dev channel (see my post for details on the changes to the channels). I look at the new features, fixes and known issues with this dev channel build.

If you are looking for classic 80s vintage synth sounds, then you are instantly going to think of the Yamaha DX7. It’s one of the most iconic and influential synths of all time and used on countless eighties hits. Think A-ha, Kenny Loggins, Phil Collins and Brian Eno. However, before you hit ebay or Reverb searching for the DX7 you should consider its little brother: the TX7.

The TX7 is a desktop module version of the DX7. It has the same sound engine as its big brother, with 6 operator / 32 algorithm FM and 12bit Digital to Analog converters.

Back in 1985 when the TX7 was launched Yamaha aimed the TX7 at existing DX7 owners as module that expanded the DX7, so you could layer sound and create split sounds on the TX7 to use in conjunction with the DX7. Yamaha envisioned TX7 owners controlling the TX7 from a DX7 or from the CX5M MSX based computer.

With this design Yamaha decided not to put any sound editing function on the TX7, so from the front panel there is no way to edit or create sounds on the device. In the eighties that meant it was only worth looking at if you had a DX7 but now with a PC or Mac you can edit patches, create sounds, and manage banks of patches without a DX7.

Sound Editing on the TX7You can use tools like Sound Quest Midi Quest, DX Manager, or syx transfer tools to manage and edit sounds on the TX7. You can also transfer sounds from the free virtual DX7 emulator called Dexed. With a tool like DX Manager you can edit the sounds in real time on the TX7 and manage the patch banks.

There are literally thousands of DX7 patches available online and all of them work with the TX7. There is a massive range of patches available including the orignal factory banks for the DX7,DX5 and DX1.

Why chose a TX7 over a DX7One reason to buy a TX7 over a DX7 is price. On eBay or Reverb you can find a TX7 for less that £300, while a DX7 is going to cost well over £500.

Another reason is size. The TX7 is a desktop module, it originally designed to sit on top of the DX7. So, it is going to take up a lot less space than the DX7 and you can control it over MIDI from your own keyboard of choice. It’s also a lot lighter than a 14kg DX7 so its way more portable.

I wanted the DX7 sound but didn’t have enough space for another keyboard. I also think the TX7 has that classic 80s synth look.

Extra Performance controlsThe TX7 also has extra performance patch memories over the DX7. Each of the 32 patch memories also stores performance data. This means that you can adjust parameters like MIDI channel, note range, pitch bend range, portamento time, etc., for each individual sound and save them with it.

This allows you to create splits and layers with other synths or modules without having to change settings every time you switch patches. For example, you can set up one patch to play only on the lower half of your keyboard and another one to play only on the upper half. Or you can set up two patches with slightly different tuning or effects and layer them together for a richer sound.

The DX7 only has a single performance memory so you would have to change the parameters manual each time.

ConclusionThe Yamaha TX7 is a much-underrated synth that deserves more attention from vintage synth enthusiasts. It has all the classic sounds of the legendary DX7 but it’s cheaper, more portable, and more flexible than its bigger brother.

If you are looking to get into vintage FM synthesis and want real vintage hardware, then the TX7 is a device well worth looking into.

In this video I look at the history of the TX7, the sounds and the editing options.

Yamaha TX7 Video

Back in 1989 when I used a DX100 with its distinctive FM sound, I wanted a sound module that added real sounding pianos to my setup. Professional sounding piano modules were expensive at the time, so I picked up this little budget unit. The Yamaha EMT-10 costs around £250 and gives you twelve sample sounds in a small compact unit. Designed by Yamaha’s Piano and home organ division, rather than the professional instruments unit like the DX7 meant that this was designed for home users but for the times the sounds were actually pretty good.

The EMT-10 uses AWM (Advanced Wave Memory), which is a sample-based-technology and has eight note polyphony. You could chain two units together for sixteen note polyphony, to help with this it has an audio input and power output.

As well as piano sounds it also has electric piano, guitar, harpsichord, strings, brass, upright bass, electric bass, and slap bass. You can split the bass sounds so you can have any of the bass sounds for the left hand, and the other sounds for the right hand. There are also some controls for adjusting the brightness and envelope.

As you can hear in the video for 1989 the sounds are good, 8 note polyphony is a bit of a limit but it was a budget device. In 2023, there isn’t much call for the EMT-10 but some of the sounds have an interesting quality.

Did you have an EMT-10? Or one of the other EM instruments in the range? Let me know in the comments!

In this video I look at the changes to Windows 11 Insider Preview build 25314 and 23403. 25314 is for the new Canary Windows Insider channel and 23403 is for the rebooted Dev channel. If your device was on the dev channel before it will automatically be pushed to the Canary channel as get the new build.

Many of the changes are shared across both builds to I thought it would make sense to cover both in one video. I look at the changes, fixes and the known issues in both builds.

This week Microsoft announced their plans for the Windows Insider Program for 2023 and introduces a new Channel. The new channel is called the Canary Channel and be used for testing major changes, APIs and development that need a longer lead time. With the new channel Microsoft have also taken the opportunity to change the Dev channel.

In this video I explain the changes to the Windows Insider Channels, what the build number ranges mean and how you can move between the channels.

In this video, I look at the main changes to Windows 11 build 25309 for Windows Insiders. Build 25309 has a new modern style audio mixer, finally getting rid of the old Windows 7 style UI. With this mixer you can control the volume levels of each app separately and control your audio devices.

Also in the build, are updates to the touch keyboard, snap layouts and why you may see for a pizza icon in your File Explorer.

Looking at my little classic synthBack in 1988, people were hyped up about digital synths and getting rid of their old analog synths. Classics were almost given away which are now worth thousands. While I didn’t have the foresight to pick up a real classic which would now be worth thousands, I did buy a Roland JX3P in 1989 which are now worth over £1200 but I sold it just before the prices of old synths blew up. I did buy this little gem for £30 if you go off Reverb prices are now worth around £1000.

In this blog post, I will share with you my experiences with the Jen SX1000 mono synth. The Jen SX1000 is an analog mono synth released in 1977 for around £210 and was a budget synth aimed at beginners. It was sold through mail order catalogues (remember them?) along with cheap hifi and home electronics.

Jen was an Italian company that also produced a not so well loved electronic piano, a string synth and a pre-set SX2000 synth and closed its doors in 1982.

Jen SX100 SpecsBack to the SX1000, on the synth most of the circuitry is analog but there is a basic DCO which feeds analog circuits. It is actually a great synth for a beginner due to its simple controls and self-explanatory layout. (no menus on this synth!) There is a dedicated ADSR envelope for the VCA and VFC and a noise section containing white and pink noise with its own level control.

The VCO puts out Triangle, Square and Pulse Width waveforms and the pulse width can be modified by a dedicated control and by the LFO. Running a slow LFO on the pulse width makes for some interesting low rich sounding sounds, without it the single oscillator sound a bit thin.

The VCF has a frequency control, resonance, LFO and envelope level (with its own ADRS). Turning the resonance up gives you plenty of self-oscillation.

There are no performance controls, there is a glide control and a tune control but this doesn’t return to centre so it’s not really a replacement for a pitch wheel. The LFO can be used to add vibrato and to modify the filter cut-off. The LFO can’t be pushed up to FM type sounds, but it is good for vibrato and PWM.

The 37 note C-to-C keyboard isn’t great, it’s very clunky which isn’t a surprise given the age and the budget nature of synth and there is nothing fancy like velocity or aftertouch. There are wooden sides, and it has a metal front. The little coloured caps on the knobs tend to fall off and mine was missing some when I got it in 1988. Mine also has a broken top C key which I have never been able to find a suitable replacement.

Maintaining the synthAs with lots of vintage equipment they need a little love every now and then, I clean the knobs with some contact cleaner which removes some of the noise from the controls.

LimitationsAnother limitation is there are no external controls, no midi or CV/Gate inputs. There are 3rd party kits available but I kept mine as it was so its strictly old school audio out only.

While Jen SX1000 hasn’t got the classic status of many vintage synths I have seen it listed over £1000 on Reverb which seems a little optimistic to me. With the broken key and missing caps I don’t think mine is worth that much but then it’s been with me for over 30 years so I am not going to get rid of it now and I still use it for the odd low bass drone sound.

Here is the synth in action, let me know what you think in the comments.

Video demo of the Jen SX1000

UPDATED (01/03/2023) Yesterday Microsoft released the latest feature update to Windows 11. KB5022913 delivers the features via Windows Update if you are running Windows 11 22H2.

There is a small but useful set of improvements in the March 2023 update for Windows 11 (also known as the Moment 2 update) and in the post and video I will show my highlights and why you will want it.

Tablet Optimized taskbarFor users of tablets Windows 11 now has a tablet optimized taskbar. When you use Windows 11 on a touch device without a keyboard the taskbar automatically collapses and then you can swipe up to bring up a larger, finger friendly task bar with larger icons. When you select an app the task bar automatically collapses again.

New search UIThe search button has been replaced with a search box you can type directly into. In settings you can change between this new mode or back to the icon.

Updates to the notification areaThe notification area has been updated with rounded corners and an improved Windows 11 look.

Task ManagerTask Manager has a few improvements. You can now search or filter on the application name, publisher or PID of a task which should make it easier for you to find the task you are looking for. The update also adds support for dark and light mode.

Energy consumption recommendationsWindows 11 now has energy consumption recommendations. The OS will recommend setting changes to reduce energy consumption and then apply the changes if you want them.

AccessibilityThere is an updated Narrator with more voices and additional controls. Also, there is enhanced support for braille devices.

How to get the Windows 11 March 2023 UpdateGetting the update is just a case of waiting for Microsoft to release the update and it will come down via Windows Update. The update is small and just requires a quick reboot to apply the changes.

Let me know your thoughts on the changes to the OS in the comments.

Video: What’s new in the Windows 11 March 2023 Feature Update

When I run an Uno Drum machine into my mixing desk while it’s connected to my PC via USB, I get an annoying ground hum. I also get the same problem when I plug my Yamaha synth in if I control it via a USB midi interface. However, using a Ground Loop Filter / Isolator, I was able to remove the annoying noise.

A Ground Loop Filter / Isolator is a passive device that breaks the electrical connection between two audio sources and prevents unwanted currents from flowing through them. The one I have tried is a Friencity Ground Loop filter which has a 3.5mm input and output. So, I plugged my drum machine into the filter and then the filter into my mixer. This completely got rid of the noise and I can keep my drum machine connected via USB.

The unit costs £8.49 from Amazon and has solved my problem with the hum from my drum machines and synths. Here is my video of the device in action:

In this video I look at the changes to Windows 11 build 25300. The build has just been released for Windows Insiders on the dev channel and I look at the changes, fixes and the new known issues with build 25300.

Make sure you check out our other videos on our YouTube channel.

If you are a fan of the Uno Drum, the analog/PCM drum machine from IK Multimedia, you might be interested in my new custom sound sets that I created for it. In this blog post, I will share with you details of my sound set, and how you can get it for yourself.

NOTE: Custom kits are not supported by IK Multimedia so you upload these sets are your own risk. If you want to understand how the process works read my how create your own Uno Drum set guide.

 Ian Dixon Uno Drum Custom Sound Sets Vol1  1 file(s) 1.52 MB   Download   What is the Uno Drum?The Uno Drum is a portable and affordable drum machine that combines analog and PCM sounds, with up to twelve elements per kit. It has a built-in sequencer, effects, and a touch interface that allows you to tweak and perform your beats on the fly. It also has a USB port and MIDI, so you can connect it to your computer or other devices.

What are my custom sound sets for the Uno Drum?Set 1 – Yamaha RX5The Yamaha RX5 is a programmable digital sample-based drum machine built by Yamaha in 1986. It has 24 built-in digitally sampled sounds which I have sampled and loaded into the collection. There are also a couple of extra samples included and a snare that I have added some reverb to get that 80s sound.

Set 2 – Simmons SDS5Over the years I have built up a selection of Simmons SDS5 samples. Released in 1981 the hexagonal padded devices were used by many classic eighties artists.

Set 3 – Linn Drum and Roland TR-505The Linn drum came out in 1982 and these samples I have collection of the years, so I am not exactly sure which models they came from. Also in this set are all the sounds from my Roland TR-505 was released in 1986 and has a nice simple 80s sound. There is bonus snare that sounds like the snare Jan Hammer used for Miami Vice also included.

My custom sound sets are a collection of custom sample kits that I created by following my how to create your own sound sets for the Uno Drum guide. I wanted to create a sound set of some specific instruments including my own Yamaha RX5 and Roland TR-505. I also created kits that are suitable for techno, house, hip hop, trap, dubstep, synthwave, and other genres. Most of the sounds have a vintage vibe.

Due to the memory limitations of the Uno Drums not all pads have sound on each of the five options.

How can you get my custom sound set?If you are interested in getting my custom sound set for the Uno Drum, you can download it from my website for free! Each kit is made up of a DFU file and a file to upload the kits the Uno Drum. You will need to have the Uno Drum Anthology kits installed and then follow these steps: You will also need a USB cable to connect your Uno Drum to your computer.

To get your sounds to the Uno Drum we can use the transfer tool that comes with the Uno Drum sound packs. So, start off by downloading and installing the Uno Drum sound sets from IK Multimedia. Get used to transferring the sets from IK Multimedia before you start with my collection.

Once you have done that you can download and unzip file into one of the folders with the Drum transfer tool

E.g. C:\Users\isdix\OneDrive\Documents\IK Multimedia\IK Product Manager\UNO Drum\UNO_Drum_Anthology_Libraries_WIN\UNO Drum Anthology Libraries WIN\UNO Drum Anthology 8 Sound Content Installer 1.0.0 WIN

Then you run the cmd file for the kit you want to install. So, for the RX5 run RX5.cmd and for the LINN/TR505 run TR505.cmd

This will copy the required file and start the Uno Drum transfer tool. After rebooting the Uno Drum you should have the new sounds.

ConclusionI hope you like my custom sound set for the Uno Drum, and that it will help you make some awesome beats. I would love to hear your feedback and suggestions, and to see what you create with the kits. You can contact me through my website or social media and share your music with me and other Uno Drum users.

Here are sounds in action and how to transfer them to your Uno Drum.

In this review and video, I want to share with you my experience with the D-Link DUB-2332 adapter, which is a USB-C (with USB-A adapter included) to 2.5G Ethernet adapter that lets you connect your laptop or desktop to a high-speed wired network. As well as having the ethernet port it also has three USB 3.0 ports. If you need to connect to a wired network or are getting tired of the slow and unreliable Wi-Fi connection, then this is a device worth looking at.

FeaturesThe D-Link DUB-2332 adapter was easy to set up and use. I just plugged it into my laptop’s USB-C port and connected it to my Ethernet cable. No drivers or software were needed, it was plug and play. The adapter has a sleek and compact design, with an LED indicator that shows the network status and speed. It also supports IEEE 802.3bz standard, which means it can automatically detect and switch between 2.5G, 1G, and 100Mbps network speeds. The three USB ports are USB 3.0 which makes it great for a device like my Surface Laptop Studio which only has a couple of USB C ports.

PerformanceThe performance of the adapter was impressive. I ran some speed tests and got consistent results of over 2Gbps download and upload speeds over my local network, which was a huge improvement from my Wi-Fi connection. I also noticed a significant reduction in latency and packet loss, which made things like video streaming and Teams calls much smoother.

ConclusionOverall, I am pleased with the D-Link DUB-2332 adapter. It is a simple and effective solution to get your PC on to a wired network. If you are looking for a USB-C to 2.5G Ethernet adapter, I highly recommend you check out the D-Link DUB-2332 adapter. The D-Link DUB-2332 adapter costs £22.49 from Amazon. Leave a comment below if you have any questions or feedback about the adapter.

None

In this video I look at the changes to Windows 11 Insider Preview build 25295. The new build is available for Windows Insiders on the dev channel and has relatively few changes. In the video I look at the new search UI options, the fixes, and the new known issues in the build.

Make sure you check out our other videos on our YouTube channel.

In this video I look at the changes to Windows 11 in build 25290 for Windows Insiders on the dev channel. This build has new widgets for you to try and is once again available on ARM devices. In the video I look at the new widgets, the fixes with the build and look at the new known issues with build 25290.

Make sure you check out our other videos on our YouTube channel.

Many laptops and tablets come with USB-C ports so a USB-C hub is now an essential part of your kit. The D-Link DUB-2327 is a 6 in 1 USB-C hub that works phones, tablets and laptops. It has full sized HDMI, two USB 3.0 ports, SD and MicroSD slots and a USB C port which can be used for accessories or as a power supply (up to 60W).

I tested it with my Surface Go and used it to charge my device, connect a 4k monitor and a wireless keyboard and mouse. So now I can use it as a dock on my desk and with it being small I can throw it my bag when travelling. I also tried it with my Surface Duo 2 Android phone and a Samsung Galaxy phone where I could also use the hub as a dock.

The hub costs £60.98 on Amazon which makes it a lot cheaper than official docks like the Microsoft Surface Dock.

Here is my video review of the D-Link DUB-2327 6 in 1 USB-C Hub:

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In this video I look at the main power modes and settings in Windows 11. Windows 11 manages your PCs power consumption for you but there are some key settings to getting the most performance and battery life in Windows. I also at the control you have over apps and how much power they can consume.

In this video I look at the new Messenger widget and other changes to Windows 11 build 25284. The new build is for Windows Insiders on the dev channel and has a new Facebook Messenger widget included. In the video I also look at the fixes and known issues with build 25284.

Part of the Korg Collection of VST instruments included the now legendary microKorg which part of its appeal is its brilliant vocoder. You can use it as a standalone instrument but it’s more useful when used in your DAW.

Using the microKorg’s vocoder is a little different to using a standard synth sound from the VST so in this video I show you how you can use the VST microKorg as a vocoder effect on your audio tracks. It’s simple once you know how and great fun playing with the vocoder. I don’t go into details on the actual vocoder settings on the microKorg as that is a video for another time!

In this Windows 11 quick tip I am going to show you how to remove apps from Windows 11. Sometimes you want to get rid of old apps or free up space and Windows 11 makes it easy for you to remove them.

Go to Settings and then apps and you should see a list of apps installed on your PC. From there you can sort by name and date installed. I find most useful is sort by Size, so you can find out which apps are using the most space.

Once you find the app you want to remove click on the … and select remove. You will be then asked to confirm you want to remove the app and prompted with a User Account Control dialog so you can confirm you want to remove the app.

Windows will then remove the app from your system. Some apps give you the option of keeping or removing user files, this varies from app to app.

Here is my video guide on how to uninstall apps from Windows 11:

In this video I look at the update to Notepad that brings tabs that has started rolling out for Windows Insiders along with build 25281. The new build is for Windows Insiders on the dev channel and has updates to Spotlight and graphics settings.

Also in the video I look at the fixes and known issues with build 25281.

In this video I try out Korg’s Modwave Native software on a Surface Laptop Studio to see how well the virtual instrument works on a Windows touch device. The ModWave native is a virtual version of the Korg ModWave which is hands on synth with multiple controllers and the touch KAOSS pad.

In the video I see how well touch works on the Modwave Native and how you can control the KAOSS pad and controls like envelopes and wave selection. You can use it as a VST or standalone. Normally I used it as a VST in Cubase but for this demo I used it in standalone mode.

Korg’s Modwave native costs $199 from Korg and if you have a Modwave you get the crossgrade price of $49.99

Apologies for my light reflecting on the screen at times! Hopefully it’s not to distracting.

Last year’s update to Windows 11 introduced a new Start Menu folder feature. With folders you can tidy up your Start Menu and make things easier to find.

The first step is to make sure you have the Windows 11 2022 Update installed. You can check you have the update by going to Settings, System and About. You should see the system version as 22H2 and if you do you are good to go. If it says 22H1 then you haven’t gotten the update yet, and you checkout my guide on how to getting the Windows 11 2022 Update.

To create folders on the Start Menu in Windows 11 you drag one icon over the other and Windows then creates a folder. You can then drag additional items into the folder and give it a suitable name.

It’s as simple as that. It makes your Start Menu much cleaner and it’s a great way of organising your Start Menu.

In this video I look at the changes to build 25276 for Windows Insiders on the dev channel. In the video I look at the new features, changes, and the known issues with the build 25276. There are new features for Task Manager and some new known issues to watch out for.

In this video I look at the FAJIA Ultra Low Noise 6 Channel Line Stereo Mixer. The USB-C Powered mixer is designed for mixing microphones, guitars, keyboards into a single output with six switchable stereo / mono ¼ inch Jack inputs and a single ¼ inch jack output. The compact unit has a metal case, it feels solid and well made with individual level controls for each input and a single output. There is also a four LED output level monitor. The manufacturer says it’s ultra-low noise with no hum or hissing.

After running out of inputs on my main mixer and having setup new racking for the synths on the other side of the room I decided rather than running multiple cables around the room I would use this mixer on one side of the room and run a single cable around the room to my main mixer. The unit is powered by USB-C and included is a USB-B to USB-C cable, the mains plug is not included so you will need to provide that yourself. It does give you the flexibility to power it from a mains plug, PC or power bank.

The main thing I wanted to check was if there was any noise introduced and I am pleased to say there wasn’t. The individual volume control means you have some flexibility in levels, and I could turn down the input of my noisy old Yamaha RX5 drum machine. You can see and hear in the video there wasn’t any extra noise introduced by the mixer.

For £28.99 on Amazon it compares well to my Moukey MAMX3 8 (£39.99) which is a great sub-mixer but isn’t available at the moment.

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In this video I try out a cheap wireless USB adapter to see how well it works and whether it’s a suitable replacement for running midi cables around my room. The SHUIAGUO MS1 mini wireless MIDI adapter which costs £15.89 on Amazon and included in the kit is the Midi In / Out plugs, a USB receiver that you plug into your PC (for iPhone/iPad and Mac you don’t need the USB part) and a microUSB cable for charging up the Midi receiver. The manufacturers say you can get around 48 hours battery life and you can plug it into the USB adapter to charge it up.

In the video I try connecting up to my Windows laptop and my some of my synths. I see how easy it is to get started and compare the latency to a standard MDI cable so I can find out how much latency the wireless connection introduces.

So far, I haven’t had any drop out or connection issues and the device is saving me from running MIDI cables around the room. It would also be great if you want to get into a bit of Keytar action!

Amazon link: https://amzn.to/3X8t5dH

In this video I look at the build 25267 of Windows 11 for Windows Insiders on the dev channel. Build 25267 has some changes to the search UI on the taskbar as well as plenty of fixes. In the video I also look at the known issues.

Make sure you check out our YouTube channel for more videos and have a list to our weekly podcast.

Welcome to my latest Windows 11 hands on video! In this video I look at the changes in Windows 11 build 25262 for Windows Insiders on the dev channel. This build has a change to Widgets and extra support options, in the video I also look at the fixes and known issues in build 25262.

Make sure you check out our YouTube channel for more videos and have a list to our weekly podcast.

In this video I show how you can use the updated Windows 11 Snipping Tool to record the screen.

Microsoft are testing a new screen recorder feature in the Windows 11 Snipping Tool. Currently testing Windows Insiders on the dev channel with the feature you can record a screen session and then save and share it later. I found it only records the screen and not audio, but it will be a handy tool for capturing the screen.

In this video I look at Tonor’s wireless microphone. It would be ideal for karaoke, speeches, podcasting or anytime you want a microphone free of cables. The kit includes a cardioid microphone which is powered by two AA batteries and a rechargeable receiver. Toner say you get around 6-8 hours from a 2-3 hour charge time.

There are 15 channels of RF that can be used, and it has a 200ft operating range.

In the video I unbox and setup the system and try out the microphone. You can hear the audio quality of the microphone and I go for a wander around my house to check the signal strength.

The microphone costs $42.99 from Amazon.

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Korg recently launched version 4 of its collection of virtual synths and in this video I look at what’s included in the collection. The original collection was launched back in 2004 as the Korg Legacy Collection with five synths and has now grown to twelve instruments ranging from classic mono synths from 1971 to virtual analogs of 2002.

With the Korg Collection 4 Korg have added the miniKorg, Electribe and KAOSS pad.

In the video I look at each synth in the collection and give you a flavour of what each one can do. The full package costs $299 from Korg and support VST and AAX as well as standalone versions. They run on Mac and PC.

Including in the collection:

microKorg
Electribe
KAOSS Pad
miniKorg 700s
Prophecy
Triton / Triton Extreme
ARP Odyssey
MS-20
Polysix
MonoPoly
M1
Wavestation
MXE-X

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