4K Shooters: Recent Episodes
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Blackmagic Design has just expanded the capabilities of the Blackmagic Cinema Camera 6K with Camera 10.2.2 Update, bringing a substantial collection of autofocus and production features to the full-frame cinema camera. The update adds phase detect autofocus alongside continuous autofocus, face and object detection, while also introducing new focus controls and several workflow-oriented features. The release follows the recent addition of PDAF to the Blackmagic PYXIS 6K and brings the same autofocus technology to Cinema Camera 6K users. Phase Detect Autofocus Arrives on the Cinema Camera 6K The headline feature is phase detect autofocus, or PDAF. Camera 10.2.2 adds PDAF
The post Blackmagic Camera 10.2.2 Adds PDAF and New Production Tools to the Cinema Camera 6K first appeared on 4K Shooters.
Generative AI can produce increasingly convincing characters, environments and video, but getting precise control over how those elements behave within a shot remains a significant challenge. Autodesk is addressing that problem with a major expansion of Flow Studio, introducing 3D Editor + Canvas, a workflow that combines directable 3D scene control with AI-powered 2D generation and refinement. Rather than relying entirely on prompts or reference images to define characters, animation, camera movement and composition, creators can now work directly in a 3D environment. Autodesk says this gives users greater control over cameras, animation, blocking and the environment while still allowing
The post Autodesk Flow Studio Brings Directable 3D Control to Generative AI Filmmaking first appeared on 4K Shooters.
Wide-angle lenses for medium format systems often prioritize image quality and coverage over speed and portability. Zhong Yi Optics is taking a different approach with the new PITTURA 30mm f/2.4, a native wide-angle prime designed for Fujifilm GFX and Hasselblad XCD systems. The just announced PITTURA combines a 30mm focal length with a maximum aperture of f/2.4, a 0.2m minimum focusing distance, and a precision-machined all-metal barrel. Zhong Yi Optics positions the lens as a portable option for modern medium format systems, with a field of view equivalent to approximately 24mm on full-frame. A Fast Wide-Angle Option for Medium Format
The post ZY Optics PITTURA 30mm f/2.4 Gives Fujifilm GFX and Hasselblad XCD a Fast Wide-Angle Prime first appeared on 4K Shooters.
Blackmagic Design continues to refine DaVinci Resolve 21 with version 21.0.4, bringing a collection of targeted improvements across media management, editing, color, scripting and playback. Following the earlier 21.0.x updates, this release focuses less on headline creative features and more on the details that can make complex post-production workflows easier to manage. Among the most notable additions are more flexible proxy relinking, support for Sony FX5 X-OCN clips and new scripting API capabilities, while several fixes address playback, retiming, media management and image decoding. More Flexible Proxy Relinking DaVinci Resolve 21.0.4 makes the Relink Clips workflow more flexible by allowing
The post DaVinci Resolve 21.0.4 Adds Flexible Proxy Relinking, Sony FX5 X-OCN Support and More first appeared on 4K Shooters.
Not every production calls for a multi-terabyte memory card. For shorter shoots, hybrid assignments, and productions where media is rotated regularly, a smaller capacity can be a practical way to balance recording time, data management, and media costs. Angelbird is expanding its professional memory card portfolio with a new 256GB option for its AV PRO SE CFexpress B v4 lineup. The new card is designed for video recording and high-resolution burst photography, with Angelbird specifying sustained write speeds of up to 500 MB/s and sustained read speeds of up to 2,500 MB/s. The emphasis is on maintaining dependable performance during
The post Angelbird Expands CFexpress Type B v4 Lineup with New 256GB Card first appeared on 4K Shooters.
Long lenses tend to impose a familiar compromise: more reach usually means more weight. Sony’s new FE 100-400mm F5.6-8 OSS takes a different approach, putting a 100-400mm full-frame zoom into a package weighing just 23.1 ounces, or approximately 654g. The new Sony E-mount lens is aimed at photographers who need substantial telephoto reach without carrying the bulk associated with larger professional optics. Its combination of a broad focal range, optical stabilization, fast autofocus, and compact construction makes it particularly relevant to wildlife, sports, travel, and outdoor shooting. A Lightweight Route to 400mm The lens covers 100mm through 400mm, giving shooters
The post Sony FE 100-400mm F5.6-8 OSS Makes Full-Frame Telephoto Reach More Portable first appeared on 4K Shooters.
Camera backpacks are increasingly expected to function as more than dedicated equipment carriers. For creators moving between shooting, travel, commuting, and everyday work, the ability to carry camera equipment alongside personal essentials can be just as important as protection. Lowepro is addressing that demand with the new Fastpack IV Collection. The latest generation of the Fastpack range combines quick camera access, revised storage, durable materials, and a more adaptable interior. The collection is designed for photographers, videographers, and content creators who need a single backpack that can change roles throughout the day. Fast Camera Access and a Redesigned Opening A
The post Lowepro Fastpack IV Collection Adds Smarter Organisation for Creators first appeared on 4K Shooters.
Extreme macro cinematography leaves very little room for error. At 5x or 10x magnification, even a small change in camera position or working distance can alter the composition, while moving a light or diffusion system can completely change the way a subject is rendered. Laowa is taking a different approach with its new Aksen Ultra Macro series, a pair of full-frame parfocal zoom lenses covering the 1-10x magnification range. The series comprises the Laowa Aksen 45mm f/2.8 1-5x Ultra Macro APO and Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO. Both are offered in photo and cine versions, with the
The post Laowa Aksen Takes Full-Frame Macro from 1x to 10x first appeared on 4K Shooters.
The growing convergence between mirrorless cameras and dedicated cinema production is giving filmmakers more options when building compact camera systems. Cooke Optics is expanding its interchangeable-mount lens platform with the addition of Nikon Z mount support for its SP3 spherical primes and AP3 1.5x anamorphic lenses. The new option comes through a licensing agreement with Nikon and allows Cooke customers to use the company’s compact cinema optics with Nikon Z mount cameras without relying on third-party mount adapters. Cooke’s Interchangeable Mount Strategy Expands Cooke introduced the SP3 series as a full-frame spherical cinema lens family designed specifically for modern mirrorless
The post Cooke Adds Nikon Z Mount Support to SP3 and AP3 Cinema Lenses first appeared on 4K Shooters.
Lens compatibility has expanded dramatically over the past decade, but flange focal distance remains one of the few engineering barriers that cannot be solved with a simple adapter. P+S Technik’s new HEXAMO Mount System addresses that challenge with a purpose-built mechanical solution, enabling Leitz HEKTOR Cine Prime lenses to be paired with the ARRI ALEXA platform for the first time through a dedicated mount conversion. The Leitz HEKTOR Cine Prime series was designed around mirrorless camera mounts with very short flange focal distances. Because the ARRI ALEXA 35 mm camera platform uses a considerably longer flange distance, a conventional mechanical
The post P+S Technik HEXAMO Mount Brings Leitz HEKTOR Cine Primes to ARRI ALEXA Cameras first appeared on 4K Shooters.
Blackmagic Design has released Desktop Video 16.2, a small but important compatibility update that enables support for the company’s newly announced UltraStudio Mini 12G hardware. While the release doesn’t introduce new software features, it provides the drivers and system support required for users adopting Blackmagic’s latest Thunderbolt 4 capture, playback, and replay devices. The update adds compatibility for three new products: UltraStudio Mini Monitor 12G UltraStudio Mini Recorder 12G UltraStudio Mini Replay 12G Desktop Video is the software package that powers Blackmagic Design’s capture and playback ecosystem, providing the drivers, firmware management, and application integration needed for professional video I/O
The post Blackmagic Desktop Video 16.2 Adds Support for New UltraStudio Mini 12G Devices first appeared on 4K Shooters.
The appeal of Leica M lenses has endured for decades thanks to their compact design and distinctive optical rendering. While many Canon RF users have adapted these classic manual-focus lenses to modern mirrorless cameras, autofocus has remained out of reach. Megadap aims to bridge that gap with the introduction of the M2RF, a new adapter that enables manual-focus Leica M lenses to autofocus on Canon RF mount cameras through the adapter’s motorised electronic helicoid. According to the company, it is the world’s first Leica M to Canon RF autofocus adapter. Designed for both full-frame and APS-C Canon RF cameras, the
The post Megadap M2RF Brings Autofocus to Leica M Lenses on Canon RF Cameras first appeared on 4K Shooters.
Nearly three months after its debut at NAB Show 2026, OWC has begun shipping the Express 4M2 Ultra, a compact Thunderbolt 5 four-bay NVMe enclosure designed to meet the growing storage demands of modern video production. Delivering transfer speeds of up to 6,622 MB/s and offering flexible RAID configurations, the enclosure is aimed squarely at filmmakers, editors, photographers, and VFX professionals working with increasingly demanding 8K and 12K workflows. Originally unveiled in April, the Express 4M2 Ultra combines Thunderbolt 5 bandwidth with the flexibility of user-installed NVMe SSDs, giving creative professionals the freedom to build a storage solution that matches
The post OWC Express 4M2 Ultra Now Shipping: Thunderbolt 5 RAID Performance Arrives for Professional Workflows first appeared on 4K Shooters.
Blackmagic Design has just released DaVinci Resolve Studio 21.0.3, a maintenance update that focuses on workflow refinements, compatibility improvements, and bug fixes rather than introducing major new creative tools. While modest in scope, the release delivers several meaningful enhancements for editors, colorists, and post-production professionals working on demanding productions. Among the highlights are new retime curve options, improved handling of interlaced media, more flexible keyframe editing, restored Intel QuickSync encoding options for supported older hardware, and expanded scripting capabilities for automated workflows. The update also includes numerous fixes across the Edit, Fusion, Color, and Deliver pages. More Control Over Retime
The post DaVinci Resolve Studio 21.0.3 Improves Retime Controls, Interlaced Media Handling, and Workflow Reliability first appeared on 4K Shooters.
Sony has expanded its Cinema Line with the FX5, a compact full-frame cinema camera that brings several high-end production features to a more portable form factor. Building on the success of the FX3 while borrowing technology from Sony’s higher-end cinema systems, the FX5 introduces a newly developed 16.6MP full-frame sensor, 5K (3:2) Open Gate recording, internal 16-bit X-OCN LT capture, triple base ISO, and the company’s renowned Electronic Variable ND filter. At the heart of the camera is a newly developed 16.6MP full-frame Exmor R CMOS sensor paired with Sony’s BIONZ XR image processor. The FX5 can record 5K Open
The post Sony Expands Cinema Line with FX5 Featuring 5K Open Gate, Internal 16-Bit X-OCN LT, and Electronic Variable ND first appeared on 4K Shooters.
Lens adapters have evolved well beyond simple mount converters. Increasingly, they have become integral parts of modern camera rigs by combining lens adaptation, filtration, and workflow improvements into a single accessory. MOFAGE’s new POCO II Drop-In Filter Adapter follows that direction with a redesigned system that expands compatibility, reduces weight, and introduces a modular mounting architecture for filmmakers using professional PL and EF lenses on mirrorless cameras. Building on the original POCO design, the second-generation model retains its integrated drop-in filter concept while adding interchangeable mounts, broader lens compatibility, and a more compact form factor. The result is a more
The post MOFAGE POCO II Expands Modular Lens Mount Flexibility with Built-In Drop-In Filters first appeared on 4K Shooters.
Camera support systems continue to evolve as filmmakers demand equipment that is lighter, faster to deploy, and easier to transport. SmallRig’s latest announcement builds on the success of its TRIBEX platform with the introduction of the TRIBEX PRO X-Clutch Hydraulic Monopod, alongside two new travel tripods that emphasize portability without compromising stability. Together, the new products aim to streamline production for filmmakers, photographers, and hybrid shooters working in fast-paced environments. The centerpiece of the announcement is the SmallRig x Potato Jet TRIBEX PRO X-Clutch Hydraulic Monopod, available in four configurations: Basic, Standard, Ball Head, and Fluid Head versions. At the
The post SmallRig Introduces Lightweight Travel Tripods and Hydraulic TRIBEX PRO Monopod first appeared on 4K Shooters.
Storage performance has become an increasingly important part of modern video production. As camera resolutions continue to climb and codecs become more demanding, editors need drives that can keep pace with large media libraries without significantly increasing the cost of a workstation. Samsung’s new 990 SSD targets that sweet spot, offering PCIe Gen4 performance for editors, photographers, and everyday users looking to upgrade their internal storage. Available in 1TB and 2TB capacities, the M.2 NVMe drive delivers flagship-class sequential speeds while focusing on improved power efficiency and value. Fast Sequential Performance for Large Media Files The Samsung 990 uses a
The post Samsung Launches the 990 SSD, Bringing Fast PCIe Gen4 Storage to Production Workflows first appeared on 4K Shooters.
Pancake lenses have long offered an appealing combination of portability and full-frame image quality, making them a practical choice for photographers and filmmakers who prefer a lightweight kit. Viltrox’s latest addition to its EVO lineup follows that philosophy with the new AF 26mm f/2.8 EVO, an autofocus pancake prime for Sony E and Nikon Z mirrorless cameras. The lens combines a slim metal design with features such as a dedicated aperture ring, quiet STM autofocus, USB-C firmware updates, and a close focusing distance, all while maintaining a compact footprint. A Versatile Wide-Angle Prime The AF 26mm f/2.8 EVO is designed
The post Viltrox Expands Its EVO Series with the Compact AF 26mm f/2.8 Pancake Prime for Sony E and Nikon Z first appeared on 4K Shooters.
The ultra-wide zoom category has traditionally involved compromises. Wider focal lengths often require larger optics, heavier construction, and more specialized accessories. Tamron is taking a different approach with the new 12-20mm F2.8 Di III, a full-frame mirrorless zoom designed to deliver an expansive perspective while maintaining a compact, production-friendly design. Available for Sony E-mount and Nikon Z-mount cameras, the lens combines an exceptionally wide 12mm starting point with a constant F2.8 aperture, giving photographers and filmmakers a versatile tool for capturing landscapes, architecture, interiors, travel, documentary projects, and cinematic establishing shots. The new lens represents Tamron’s widest full-frame mirrorless zoom
The post Tamron Rolls Out Its Widest Full-Frame Mirrorless Zoom Yet with the 12-20mm F2.8 Di III first appeared on 4K Shooters.
Whether you’re color grading a commercial, editing a documentary, retouching high-resolution photographs, or preparing graphics for print, accurate color reproduction is fundamental to the creative process. BenQ’s latest Creative Pro display, the PD2732U, is designed to deliver that precision while combining professional-grade color performance with modern connectivity and workflow-enhancing features at a competitive price. Designed for photographers, filmmakers, designers, and digital artists, the new 27-inch 4K IPS monitor emphasizes color fidelity over gaming-centric specifications. It offers factory-calibrated accuracy, broad color gamut coverage, Thunderbolt 4 connectivity, and hardware calibration support, making it a versatile addition to today’s production environments. Professional Color
The post BenQ Unveils PD2732U 4K Creative Monitor with Thunderbolt 4 and 99% Adobe RGB Coverage first appeared on 4K Shooters.
Fujifilm continues to strengthen its large-format cinema ecosystem with the introduction of the FUJINON GF19-35mmT3.5 PZ OIS WR, a wide-angle power zoom lens developed specifically for the G Mount system. Joining the previously announced GF32-90mmT3.5 PZ OIS WR, the new lens delivers ultra-wide coverage while matching its companion in size, weight, gear placement, and handling, allowing cinematographers to swap between the two with minimal rig adjustments. Designed to complement the GFX ETERNA cinema camera, the new lens combines a constant T3.5 aperture, integrated servo zoom, optical image stabilization, and cinema-oriented mechanics into a versatile package for narrative, documentary, commercial, and
The post Fujifilm Builds Out Its Large-Format Cinema System with the GF19-35mmT3.5 PZ OIS WR first appeared on 4K Shooters.
Recording high-quality audio outside a traditional studio often means carrying multiple devices, cables, and accessories. Hollyland aims to simplify that workflow with the new MELO P1, an integrated wireless recording system that combines a condenser microphone, smart audio mixer, wireless monitoring earphones, and remote control into a single portable package. Designed for musicians, livestream hosts, and mobile productions, the MELO P1 brings recording, mixing, monitoring, and wireless control together in one coordinated ecosystem. Whether used for home recording, street performances, live music broadcasts, or social media productions, the system is intended to reduce setup time while keeping the recording chain
The post Hollyland MELO P1 Packs a Complete Wireless Recording Studio Into a Portable All-in-One System first appeared on 4K Shooters.
Nearly nine years after the RX10 IV debuted, Sony has officially introduced the RX10 V, bringing its flagship bridge camera into a new generation of imaging technology. Rather than reimagining the concept, Sony has modernized a platform that has long been favored by wildlife, sports, aviation, travel, and documentary photographers for its ability to cover an extraordinary focal range without the need for interchangeable lenses. The RX10 V combines a 20.1MP 1-inch Exmor RS stacked back-illuminated CMOS sensor with Sony’s latest BIONZ XR image processor and a dedicated AI processing unit. Alongside faster autofocus, improved subject recognition, and significantly enhanced
The post Sony Revives the RX10 Series with the New RX10 V, Bringing AI Autofocus, 4K60 10-bit Video, and a Refined All-in-One Design first appeared on 4K Shooters.
Modern live productions are increasingly expected to deliver the visual quality associated with premium cinema while maintaining the reliability and efficiency of established broadcast workflows. Addressing that demand, ARRI has just introduced the ALEXA 35 Live Xtreme, a new live production configuration that combines the acclaimed image quality of the ALEXA 35 platform with significantly expanded high frame rate capabilities over standard SDI infrastructure. Designed for sports, concerts, entertainment, and large-scale live events, the new system allows broadcasters to capture dramatic slow-motion footage without relying on separate specialty high-speed cameras. By extending the capabilities of the existing ALEXA 35 Live
The post ARRI Expands Live Broadcast Capabilities with ALEXA 35 Live Xtreme and High Frame Rate SDI Support first appeared on 4K Shooters.
Capturing high-speed outdoor action demands far more than simply pointing a camera at the subject. Unpredictable weather, difficult terrain, changing light, and limited opportunities for repeat takes require careful planning and equipment that can adapt quickly in the field. For a recent campaign introducing the Santa Cruz Nomad V7 mountain bike, filmmakers Paolo Concari and Jacopo Cosmelli relied on the Blackmagic PYXIS 12K to document aggressive downhill riding while maintaining a cinematic visual style. Working alongside athlete Jonny Livorti, the production combined lightweight camera builds, thoughtful lens selection, and flexible recording formats to capture dynamic footage across technical trails. Here
The post From Trail to Timeline: Filming Fast-Paced Mountain Bike Action with the Blackmagic PYXIS 12K first appeared on 4K Shooters.
FilmConvert has continued expanding support for the latest camera releases, with FilmConvert Nitrate and CineMatch now offering dedicated camera profiles for the Sony a7R VI. The update gives editors and colorists a calibrated starting point for grading footage captured with Sony’s newest high-resolution mirrorless camera while making it easier to maintain consistent color across multi-camera productions. As with previous profile additions, the latest update ensures Sony a7R VI users can integrate the camera into existing FilmConvert workflows without relying on generic camera transforms or extensive manual adjustments. Dedicated Profiles for Accurate Color Grading The new Sony a7R VI profiles are
The post FilmConvert Nitrate and CineMatch Add Sony a7R VI Camera Profiles first appeared on 4K Shooters.
Demand for full-frame cinema lenses has grown steadily in recent years, particularly among productions looking for distinctive optical rendering without stepping into ultra-premium lens systems. Zhongyi Optics, known globally for its Mitakon lenses, is entering that space with the new Zone T1 Full-Frame Cine Lens Series. The initial lineup includes three native focal lengths – 35mm, 50mm, and 75mm – each featuring an exceptionally bright T1.0 maximum aperture, Full Frame and VistaVision coverage, interchangeable PL and EF mounts, and a standardized cinema housing designed to simplify on-set operation. The series is making its debut through an Indiegogo campaign before becoming
The post Zhongyi Unveils Zone T1 Full-Frame Cine Lens Series with Ultra-Fast T1.0 Optics first appeared on 4K Shooters.
Blackmagic Design has just released DaVinci Resolve 21.0.2, a maintenance update focused on improving workflow reliability, interface consistency, and overall performance across the editing pipeline. Rather than introducing major new tools, this release refines several areas of Resolve that editors, colorists, and post-production teams interact with every day. Among the most notable improvements are faster IntelliSearch performance, more accurate retime curve visualization, better thumbnail previews when bypassing Color or Fusion processing, and a series of fixes affecting keyframes, still exports, and media management. Faster Project Navigation with Improved IntelliSearch One of the standout improvements in Resolve 21.0.2 is enhanced IntelliSearch
The post DaVinci Resolve 21.0.2 Brings Faster Searches and More Reliable Editing Tools first appeared on 4K Shooters.
Managing media and power efficiently has become increasingly important as production kits continue to shrink while shooting demands grow. SmallRig’s latest releases address both needs with two new accessories: the Multifunctional Portable SSD and the T99 99Wh V-Mount Power Bank. Together, they offer practical solutions for media offloading, external storage, and powering a wide range of production equipment in the field. In addition to these products, SmallRig also introduced the Air Spotlight 36° Lens Kit, expanding its lighting accessory lineup. Multifunctional Portable SSD Combines Storage and Card Readers Available in 1TB and 2TB capacities, SmallRig’s new portable SSD combines high-speed
The post SmallRig Expands Production Lineup with Portable SSD and T99 99Wh V-Mount Power Bank first appeared on 4K Shooters.
ProGrade Digital has expanded its CFexpress Type A lineup with two new Iridium-series memory cards, becoming the first to receive both VPG400 and VPG800 Video Performance Guarantee (VPG) certifications. Available in 512GB and 1TB capacities, the new cards are built on the CFexpress 4.0 standard and are designed to support both current and upcoming recording requirements. The new cards utilize a PCIe Gen 4 interface with an NVMe 1.4c controller, delivering maximum read speeds of up to 1,800 MB/s and write speeds of up to 1,700 MB/s. ProGrade also rates the cards for sustained write speeds of up to 1,500
The post ProGrade Unveils First Dual VPG-Certified CFexpress 4.0 Type A Memory Cards first appeared on 4K Shooters.
Batteries rarely steal the spotlight, yet efficient power management can make the difference between a smooth shooting day and unnecessary downtime. Tilta’s latest accessories tackle that challenge with two practical additions to its ecosystem: the All-in-One Recharge Companion for NP-FZ100 batteries and the Foldable 6-Bay Charging Station for Sony NP-F batteries. Rather than releasing another set of standard chargers, Tilta has developed multifunction devices that reduce the amount of gear users need to carry while making charging, storage, and media management more efficient. Tilta All-in-One Recharge Companion for NP-FZ100 Batteries Designed around Sony’s popular NP-FZ100 battery platform, the new Recharge
The post Tilta Simplifies On-Set Power with New NP-FZ100 Recharge Companion and Foldable 6-Bay NP-F Charger first appeared on 4K Shooters.
Leica has just unveiled the SL3-P, the latest addition to its full-frame mirrorless lineup, offering a refined balance between high-resolution photography and professional video production. While Leica’s heritage is firmly rooted in still imaging, the SL3-P continues the company’s evolution into the hybrid camera market with features that cater just as much to filmmakers as photographers. Accompanying the camera are two new L-Mount lenses – the Summilux-SL 50mm f/1.4 ASPH. and the APO-Macro-Elmarit-SL 100mm f/2.8 – expanding Leica’s premium lens lineup with versatile options for narrative filmmaking, documentaries, commercial productions, and close-up cinematography. A Hybrid Flagship for Modern Productions Rather
The post Leica SL3-P Brings Open Gate 8K and ProRes Recording to Professional Filmmakers first appeared on 4K Shooters.
A versatile standard zoom is often the backbone of a creator’s kit, and Tamron is now bringing one of the most respected APS-C options to two major mirrorless ecosystems. The company has officially announced Canon RF and Nikon Z mount versions of its popular 17-70mm F/2.8 Di III-A VC RXD, expanding access to a lens that has already earned a strong following among Sony E and Fujifilm X users. Combining a useful focal range, a constant f/2.8 aperture, and built-in image stabilization, the lens is positioned as an all-purpose solution for photographers, filmmakers, and hybrid creators who want professional performance
The post Tamron’s Popular 17-70mm f/2.8 Zoom Finally Arrives for Canon RF and Nikon Z APS-C Cameras first appeared on 4K Shooters.
While DaVinci Resolve 21 introduced a substantial list of new features, version 21.0.1 which was just released, focuses on refinement, stability, and compatibility improvements across the application. The latest update addresses a wide range of issues spanning color management, Fusion, media management, transcription, HDR delivery, and the Photo page. Although this is primarily a maintenance release, it includes several updates that will be welcomed by filmmakers, editors, colorists, and post-production professionals looking for a more reliable day-to-day editing experience. Improved DNG and Apple ProRAW Processing One of the most notable updates in DaVinci Resolve 21.0.1 is the resolution of multiple
The post DaVinci Resolve 21.0.1 Update Improves ProRAW and DNG Workflows, Fusion Stability, and HDR Rendering first appeared on 4K Shooters.
Protective cases rarely grab headlines, but they remain one of the most important investments for filmmakers transporting expensive equipment between shoots, locations, and productions. From cinema cameras and lenses to wireless video systems and monitors, the safety of that gear often depends on the case surrounding it. Pelican has announced its Next Generation Protector Series, introducing the company’s most significant update to its flagship hard-case lineup in years. The refresh brings a new proprietary shell material, redesigned latches, and an upcoming modular organization system aimed at improving both durability and usability. A Stronger Protector Series At the core of the
The post Next Generation Pelican Protector Cases Introduce Stronger Materials and Better Gear Organization first appeared on 4K Shooters.
Core SWX has introduced the PowerVault, a modular all-in-one battery charging, power distribution, and monitoring system designed for professional film and broadcast production. Housed in a rugged IP65-rated carrying case, the PowerVault combines multi-format battery charging, device power delivery, battery monitoring, and equipment organization into a single portable solution. At the heart of the system is a configurable charging platform featuring five charging bays that can be adapted to support a wide range of battery formats. Through interchangeable charging adapters, users can charge V-Mount, Gold Mount, Core SWX SNAP, Sony BP-U, Sony NP-F, Canon BP-A, Canon LP-E6, Panasonic BLK22, AA,
The post Core SWX Rolls Out PowerVault All-in-One Charging and Power Management System first appeared on 4K Shooters.
Following its recent launch, First Rush has received a substantial update that expands its on-set monitoring and recording capabilities. Version 2.1 introduces live color adjustment tools, professional image analysis scopes, real-time compositing features, SDI clip playback, and a new Companion Viewer application for iPhone and iPad. Designed as a native Apple Silicon multicamera SDI recording solution, First Rush supports synchronized recording from compatible Blackmagic Design and AJA capture hardware. The application can automatically follow camera record triggers, capture multiple feeds simultaneously, record Apple ProRes files, and generate metadata for post-production workflows in applications such as Final Cut Pro and DaVinci
The post First Rush 2.1 Adds Live Color Controls, Professional Scopes, Real-Time Compositing, and iOS Companion Viewer first appeared on 4K Shooters.
As productions increasingly mix camera platforms and lens ecosystems, maintaining compatibility without sacrificing reliability has become a growing priority for cinematographers. To address that need, DZOFILM has announced two new additions to its accessory lineup: the Octopus II Multi-Mount Lens Adapter and the Marlin 1.4x Extender. Designed to support everyone from content creators and livestreamers to commercial cinematographers and feature film crews, the new accessories focus on expanding lens compatibility, improving workflow efficiency, and helping filmmakers maximize existing lens investments across multiple camera systems. Octopus II: A Lighter and More Capable Multi-Mount Adapter The Octopus II represents the second generation
The post DZOFILM Introduces Octopus II Adapter and Marlin 1.4x Extender for Greater Lens Flexibility first appeared on 4K Shooters.
Viltrox has just announced the new AF 28mm F4.5 Chip L, a full-frame autofocus pancake lens designed for L-Mount mirrorless cameras. Combining an ultra-slim profile with a lightweight design, the lens is aimed at photographers seeking a highly portable full-frame option for travel, street photography, and everyday shooting. The AF 28mm F4.5 Chip L continues Viltrox’s expansion within the L-Mount ecosystem, bringing one of the company’s most compact designs to users of Panasonic, Leica, and Sigma L-Mount cameras. The lens supports in-camera correction functions and is optimized to integrate smoothly with modern L-Mount systems, delivering a simple and unobtrusive shooting
The post Viltrox Expands L-Mount Lineup with the Ultra-Compact AF 28mm F4.5 Chip L first appeared on 4K Shooters.
Modern post-production extends well beyond the edit timeline. Today’s creatives are expected to cut footage, build composites, design motion graphics, source assets, and deliver polished content across multiple formats. Adobe’s latest Creative Cloud updates acknowledge that reality, introducing workflow enhancements designed to reduce friction at nearly every stage of the production process. While the June rollout touches several Creative Cloud applications, the most significant additions for filmmakers and content creators arrive in Premiere Pro and After Effects. Premiere Pro Adds Practical Enhancements Editors Will Actually Use Rather than focusing on headline-grabbing features, Adobe’s latest Premiere Pro updates target the everyday
The post Adobe Refines the Production Pipeline with Major Updates Across Creative Cloud first appeared on 4K Shooters.
FilmConvert has added support for the GoPro MISSION 1 PRO in both its Nitrate and CineMatch plugins, giving editors and colorists new tools for working with footage from the latest action camera. The newly released camera pack introduces dedicated profiles designed specifically for the MISSION 1 PRO, enabling users to bring the camera into existing post-production pipelines with greater ease. Whether the goal is to create a stylized look using FilmConvert Nitrate’s film emulations or to balance footage from multiple camera systems in CineMatch, the update streamlines the process. For Nitrate users, the new profile provides an accurate starting point
The post FilmConvert Nitrate and CineMatch Gain GoPro MISSION 1 PRO Support first appeared on 4K Shooters.
As content creation workflows continue to shift toward lighter and more mobile production setups, the need for reliable, all-in-one storage solutions has never been greater. SmallRig’s latest release addresses that demand by combining high-speed storage, integrated card readers, and intelligent backup capabilities into a compact device designed for creators on the move. Introduced at Cine Gear 2026, the new Multifunctional Portable SSD marks SmallRig’s entry into the portable storage market. The company is positioning it as a versatile media management tool for filmmakers, photographers, and content creators who want to simplify their on-location workflow. Built for Modern Production Workflows At
The post SmallRig Debuts Magnetic Portable SSD Built for Smartphone Filmmaking and Fast Media Management first appeared on 4K Shooters.
Insta360 has officially entered the premium gimbal camera market with the launch of the new Luna Ultra, a Leica co-engineered flagship designed for creators who demand professional image quality, advanced stabilization, and versatile shooting tools in a highly portable form factor. Combining a dual-lens design with 8K video capture, AI-powered tracking, and a detachable touchscreen, Luna Ultra aims to bridge the gap between smartphones and dedicated filmmaking cameras. The new device will be available beginning June 10 through the Insta360 Store, Amazon, Best Buy, and select retailers worldwide. Leica Optics and 8K Imaging At the heart of Luna Ultra is
The post Insta360 Launches Luna Ultra, a Leica Co-Engineered 8K Gimbal Camera for Next-Generation Mobile Filmmaking first appeared on 4K Shooters.
Godox has just announced the launch of the new LC500R Air and LR150 Air, a pair of innovative inflatable LED lights designed for creators who need portable, versatile, and easy-to-use lighting solutions. Featuring lightweight inflatable light heads, integrated battery handles, and flexible mounting options, the new products target content creators, photographers, videographers, and livestreamers working both in the studio and on location. The LC500R Air and LR150 Air share a common modular design philosophy, utilizing the same battery handle and controller architecture while offering two distinct lighting formats: a wand-style RGB light and a ring-shaped light designed for beauty, portrait,
The post Godox’s New Inflatable LED Lights Promise Professional Lighting in a Travel-Friendly Package first appeared on 4K Shooters.
Viltrox has expanded its APS-C mirrorless lens lineup with the introduction of two new short telephoto portrait primes: the AF 75mm F1.8 EVO and AF 90mm F2.2 EVO. Designed for Sony E, Nikon Z, and Fujifilm X-mount cameras, the new lenses aim to deliver professional-level portrait performance while maintaining a compact and lightweight form factor. The latest additions to the EVO series are tailored for portrait, wedding, street, and lifestyle photography, offering focal lengths equivalent to approximately 112.5mm and 135mm in full-frame terms. Both lenses emphasize subject isolation, flattering compression, and smooth background rendering, making them attractive options for photographers
The post Viltrox Rolls Out 75mm F1.8 EVO and 90mm F2.2 EVO for Sony E, Nikon Z, and Fujifilm X Mounts first appeared on 4K Shooters.
A new macOS application called First Rush aims to streamline on-set editorial workflows by combining SDI recording, multi-camera monitoring, and metadata capture in an affordable package designed specifically for working editors. Developed by Korean on-set editor and software developer Jinkyu Han, First Rush was created to address a gap between high-end production tools and the practical needs of freelance editors working on film and television sets. The software runs on Apple Silicon-powered Macs and focuses on simplifying camera recording and clip management during production. One of First Rush’s standout features is automatic recording triggered by a camera’s SDI REC flag.
The post First Rush Brings Affordable SDI Auto-Recording and Multi-Camera Monitoring to On-Set Editors first appeared on 4K Shooters.
Atomos has announced the immediate availability of the new Sumo PRO-19, a 19-inch 4K HDR monitor-recorder-switcher designed for on-set monitoring, video village, and DIT workflows. Unveiled at Cine Gear 2026, the Sumo PRO-19 succeeds the Sumo 19SE and introduces one of the most requested upgrades from users: a native 4K HDR display. The new 19-inch DCI-P3 monitor delivers significantly higher image detail and precision for critical focus, exposure, and HDR evaluation. The launch also marks the introduction of Fujifilm FLog-2C support across Atomos’ latest monitor-recorder lineup, including the Ninja RAW, Ninja TX GO, Ninja TX, Shogun AV-19, and Sumo PRO-19.
The post Atomos Sumo PRO-19 4K HDR Monitor-Recorder-Switcher Now Shipping first appeared on 4K Shooters.
Kinefinity has officially unveiled the Vista Full-Frame 6K Digital Cinema Camera, a compact and affordable addition to its growing lineup of digital cinema cameras. Designed for independent filmmakers, content creators, and owner-operators, the Vista combines a full-frame sensor, professional recording formats, interchangeable lens mounts, and advanced connectivity features in a lightweight form factor. At the core of the camera is a full-frame 6K CMOS sensor capable of recording up to 6K resolution at 50 frames per second. For high-speed capture, the Vista can record UHD 4K at up to 100 fps in Super 35 mode, enabling smooth slow-motion footage while
The post Kinefinity Introduces Vista Full-Frame 6K Digital Cinema Camera first appeared on 4K Shooters.
ZEISS has unveiled the Horizon Anamorphic series, a new family of full-frame 2x anamorphic cinema lenses that combines classic cinematic imaging characteristics with an entirely new lens technology platform designed for modern production workflows. Rather than focusing solely on optical performance, the Horizon series integrates motorization, metadata management, and customizable image rendering directly into the lens system. The result is a cinema lens platform that aims to simplify production while maintaining the visual qualities cinematographers expect from high-end anamorphic optics. The Horizon lineup consists of seven focal lengths: 35mm, 40mm, 50mm, 75mm, 100mm, 150mm, and 200mm. Most of the series
The post ZEISS Unveils Horizon Anamorphic Series with Intelligent Lens Technology Platform first appeared on 4K Shooters.
The next major evolution of personal computing may not be defined by faster applications or more powerful hardware alone. Instead, it could be shaped by intelligent AI agents capable of understanding goals, automating tasks, and working alongside users in ways that traditional software never could. At Computex 2026, NVIDIA and Microsoft unveiled RTX Spark, a new AI-native computing platform designed to bring that vision to Windows PCs. Built around NVIDIA’s latest Blackwell architecture and optimized for local AI execution, RTX Spark represents one of the industry’s most ambitious efforts to transform the PC into an intelligent partner for productivity, creativity,
The post NVIDIA RTX Spark Signals the Arrival of the AI-Native PC for Creators first appeared on 4K Shooters.
Nikon has officially added a pair of Nextorage Type B CF Express memory cards to its list of supported memory cards for the new Nikon ZR mirrorless camera. In addition to these Nextorage models, the list features various memory cards from brands like Lexar, ProGrade, and SanDisk. As the first camera emerging from the collaboration between the iconic photography brand and the innovative digital cinema startup, the Nikon/RED ZR is a full-frame handheld cinema camera that competes directly with Sony’s FX3 and FX30. Drawing from the specifications of the Z9 and Z6III, the Nikon ZR offers internal 6K video capture
The post Nikon Expands List of Memory Cards Compatible with the Nikon ZR first appeared on 4K Shooters.
LG has expanded its popular UltraFine lineup with two new monitors specifically designed for content creators, editors, and professionals who demand precision. The new UltraFine 6K (32U990A-S) and UltraFine 5K2K Curved (40U990A) offer high-resolution clarity, wide color accuracy, and robust connectivity in sleek, industrial designs tailored for modern workflows. UltraFine 6K: Precision in Every Pixel At the top of the lineup is the LG 32U990A-S, a 31.5-inch 6K UltraFine IPS LCD monitor featuring a resolution of 6144 x 3456. This high pixel density provides razor-sharp detail, making it ideal for 6K video editing, photography, and design work. The display achieves
The post LG Unveils UltraFine 6K and 5K2K Monitors for Creative Workflows first appeared on 4K Shooters.
RØDE has just given creators a new way to stand out by introducing color-coded versions of its popular Wireless Micro system. The new Wireless Micro-Color Edition adds a splash of personality to an already compact and powerful wireless microphone, letting users match their gear to their style while maintaining the professional-grade audio quality the system is known for. The lineup now includes five finishes: the original black, Arctic white, and three new vibrant colors – red, orange, and blue. Beyond looks, the specs remain identical to the classic models. Each transmitter offers RØDE’s broadcast-quality sound, ultra-low latency, and a range
The post RØDE Adds Color to the Wireless Micro With New Editions – and Drops the Price first appeared on 4K Shooters.
Venus Optics has expanded its Proteus 2x Cinema Lens lineup with the introduction of the new 20mm prime anamorphic lens. The Laowa Proteus 20mm T2 offers a reliable wide-angle option for establishing shots while maintaining the performance and affordability that the Laowa brand is known for. Designed for Super 35 sensors and compatible with 6:5 open gate capture, the Laowa Proteus 2x 20mm T2 is designed with 17 glass elements, organized in 15 groups, and features a constant 2x squeeze ratio. Like the other lenses in the Proteus series, it has a ten-bladed constant T2 aperture with a 60° aperture
The post Venus Unveils Proteus 2x 20mm Wide Angle Anamorphic Cine Lens first appeared on 4K Shooters.
FilmConvert has introduced new camera packs for the Panasonic LUMIX S1R II and Panasonic LUMIX S1II, enhancing its camera support lineup. With these updates, filmmakers and hybrid creators can now apply tailored film emulations and cross-camera color matching in FilmConvert Nitrate and CineMatch. The S1R II represents Panasonic’s latest high-resolution hybrid camera, featuring a 44.3MP full-frame BSI CMOS sensor paired with the advanced L2 processor. It offers impressive video capabilities, including 8.1K recording at up to 30fps, 5.8K at up to 60fps, and 4K at up to 120fps, along with support for internal ProRes, ProRes RAW, and HEVC/H.264 codecs. Additionally,
The post FilmConvert Expands Support for Panasonic S1 Mirrorless Cameras first appeared on 4K Shooters.
Sony has introduced its first G Master Macro Prime Lens, the FE 100mm F2.8 Macro GM OSS. This lens delivers extreme close-up views while ensuring the advanced optical clarity, image stabilization, and ergonomic handling that define the G Master series. With a maximum magnification of 1.4x, the FE 100mm GM allows photographers to capture stunning close-ups with vivid detail and texture, revealing elements often difficult to see with the naked eye. Additionally, with an optional teleconverter, users can achieve up to 2.8x magnification, enabling them to get even closer while working from a comfortable distance without disturbing their subjects. This
The post Sony Launches First GMaster Prime Macro Lens first appeared on 4K Shooters.
Recording video with an action camera often results in lackluster audio quality. Zoom has tackled this issue head-on with the Instamic Pro Plus C, an ultra-compact, waterproof audio recorder designed for complete submersion and harsh conditions. With an impressive IP67 rating, the Pro Plus C withstands full submersion at depths of up to one meter for thirty minutes. It performs exceptionally well in challenging environments, including dust storms, rain, sleet, and freezing temperatures. Equipped with 32-bit float recording, the Pro Plus C seamlessly connects via Bluetooth to various action cameras, including multiple Insta360 models, the GoPro HERO12 and HERO13 Black,
The post Zoom Instamic Pro Plus C Promises Audio Recording that’s Completely Waterproof first appeared on 4K Shooters.
Adobe has finally launched its flagship video editor on mobile, bringing Premiere to iPhone after years of requests from mobile content creators. This new app aims to offer the professional editing experience that many thought would remain exclusive to desktop platforms. For decades, Premiere has served as a fundamental tool for filmmakers, YouTubers, and editors who require significant creative control. While mobile video content has surged in popularity, Adobe has lagged behind with lightweight alternatives like Premiere Rush, which have never quite met the needs of professionals. This release is a welcome development, demonstrating Adobe’s understanding of how much creators
The post Adobe Finally Brings Premiere to iPhone for Pro Editing on the Go first appeared on 4K Shooters.
Panasonic has just unveiled its first long-range ultra-zoom hybrid lens as part of the S Series full-frame lens lineup: the LUMIX 100-500mm f/5-7.1 OIS. This compact lens is touted as the smallest 500mm zoom lens available for full-frame cameras. When paired with either of Panasonic’s teleconverters, users can effectively double the focal length, greatly enhancing their shooting capabilities. Despite its impressive zoom range, this lens presents some challenges, including increased shake and potential image softness. However, Panasonic assures photographers that the 100-500mm will deliver “tack sharp detail” throughout the entire focal range. Thanks to its dual image stabilization (IS) system,
The post Panasonic Launches Its First Long-Range Ultra-Zoom Hybrid Lens first appeared on 4K Shooters.
GoPro has announced two new action cameras: an upgraded version of its entry-level Hero action camera and the second-generation GoPro Max 2, which features 360-degree shooting in 8K resolution. Additionally, the company has introduced a new AI-powered gimbal that enhances stabilization for both their camera lineup and other smartphones or cameras. This development highlights that GoPro could be expanding its focus beyond just action sports. Back To the Max Kicking off the 2025 lineup is the GoPro Max 2, an 8K 360-degree action camera. As the second generation in the Emmy award-winning Max line, the Max2 offers what GoPro calls
The post GoPro Announces a Trio of New Products, including Two Updated Cameras first appeared on 4K Shooters.
With the release of its latest camera pack, FilmConvert has brought the Panasonic LUMIX GH7 into the FilmConvert Nitrate and CineMatch ecosystem. The update gives Panasonic shooters access to film emulations and cross-camera color matching designed specifically for the GH7’s sensor. Unveiled in June 2024, the GH7 builds on the GH6’s foundation while pushing Micro Four Thirds technology forward. At its core lies a 25.2MP BSI CMOS sensor with phase-detect autofocus, capable of recording 5.7K ProRes 422 and 422 HQ internally. The camera also supports Apple ProRes RAW and ProRes RAW HQ, captured either to CFexpress Type B cards or
The post FilmConvert Now Supports Panasonic LUMIX GH7 Mirrorless Camera first appeared on 4K Shooters.
Sony has announced the launch of two new high-speed CF Express Type A memory cards: the 480GB CEA-G480T and the 240GB CEA-G240T. These high-performance memory cards are specifically designed for both high-end consumer use and professional cinema applications. Released under Sony’s Tough brand, the new G series memory cards utilize the PCI Express Gen 4 x1 specification. They deliver a minimum sustained write speed of up to 400 MB/s, a peak read speed of up to 1.8 GB/s, and a write speed of up to 1.7 GB/s. This performance makes them compatible with select Cinema Line and mirrorless Alpha cameras,
The post Sony Adds CF Express 4 Type A Cards to its Sony Tough Portfolio first appeared on 4K Shooters.
DJI has launched the fifth generation of its highly successful Mini Pro drone series, the DJI Mini 5 Pro. This new model features increased flight times, an upgraded active tracking system with 360° obstacle avoidance, and a 1-inch CMOS image sensor that captures 4K video with an expanded dynamic range, allowing for stunning aerial images even in low-light conditions. At the heart of the DJI Mini 5 Pro is a high-resolution camera that features a 50MP 1-inch sensor, a first for any drone in under 255g. The Mini 5 Pro can capture intricate details in low-light scenarios, such as dusk
The post DJI Introduces Fifth-Generation Mini Pro Drone In Europe and Canada first appeared on 4K Shooters.
Blackmagic has introduced the Camera ProDock, launching alongside Apple’s iPhone 17 Pro and Pro Max. This ProDock enhances production capabilities by providing multiple connection options within a mobile cinematic pipline, allowing users to synchronize the iPhone with other cameras in a multi-camera setup using timecode, genlock, and additional professional tools. When users connect the iPhone 17 Pro and Pro Max to the Camera ProDock, they gain access to advanced camera connections, including HDMI, dual SDI ports, a BNC connection, and three USB-C ports. The dock facilitates genlock support, timecode management, audio integration, SSD recording, and other essential features for effective
The post Blackmagic Unveils ProDock for iPhone, Adds MultiCam Sync to App first appeared on 4K Shooters.
Atomos has expanded its Shinobi line of 4K field monitors with the introduction of the Shinobi 7 RX, a 7-inch ultra-bright HDR monitor designed for directors and focus pullers alike. The Shinobi 7 RX boasts an impressive brightness of 2200 nits, making it ideal for outdoor shooting. This revamped monitor now incorporates native features from the Atomos TX-RX wireless video system, enhancing workflow efficiency for assistant camera operators with wireless capabilities and touch-to-focus options. “With the Shinobi 7 RX, we have improved everything people loved about the original Shinobi 7,” said Atomos CEO Peter Barber. “It has consistently been one
The post Atomos Rolls Out the New Shinobi 7 RX Ultra Bright Field Monitor first appeared on 4K Shooters.
FUJIFILM has announced the launch of the GFX Eterna 55 Cinema Camera, marking its inaugural entry into the cinema camera market. This camera features advanced color science and high-resolution circuitry, delivering an uncompressed color gamut and dynamic range, Open Gate recording, multiple LUT supports, and over 20 film styles tailored specifically for moving images. At the heart of the GFX Eterna 55 is a 102 MP CMOS II HS large format image sensor, which is nearly 1.7 times larger than Fujifilm’s previous sensors. It boasts a native 4:3 Open Gate image format, offering one of the tallest image frames available
The post FujiFilm Drops New Eterna 55 Cinema Camera first appeared on 4K Shooters.
The collaboration between Nikon and RED continues to yield exciting results, now marked by Nikon’s first foray into the cinema camera market with the introduction of the Nikon ZR. This full-frame, handheld cinema camera is the inaugural model in Nikon’s Z Cinema series. Designed in partnership with its sister company RED, the Nikon ZR boasts impressive capabilities found in models such as the Z9 and Z6 III, including internal 6K video capture with the choice of Nikon N Raw, 12-bit REDcode Raw, or ProRes Raw formats, offering frame rates of up to 60 frames per second. Notably, the ZR is
The post Nikon Announces First Cinema Camera In Collaboration with RED – Nikon ZR first appeared on 4K Shooters.
Canon has entered the small form cinema camera market with the launch of the new EOS C50, a full-frame cinema camera designed to compete directly with the Sony FX3. Equipped with a full-frame 7K image sensor and internal RAW recording capabilities at up to 60 frames per second, the C50 aims to deliver exceptional production quality. Targeting mobile content creators and social media influencers, the Canon EOS C50 allows users to elevate their productions beyond smartphones and traditional mirrorless camera setups. Weighing just one and a half pounds, it stands as Canon’s lightest and most compact cinema camera, while also
The post Canon Unveils C50 Cinema Camera, Is It an FX Killer? first appeared on 4K Shooters.
In a highly produced keynote presentation that has become synonymous with Apple’s annual product unveilings, Apple CEO Tim Cook and his team announced the new iPhone Air, a Unibody iPhone 17 Pro, next-gen Apple Watch, and Air Pods Pro 3 as part of their fall 2025 lineup. But you’re here to learn about the Pro line, which emphasizes a thinner, more robust design that promises longer battery life. And the buzzword of the event was “plateau.” Robust Unibody Design For content creators, the standout features lie in the iPhone 17 Pro and Pro Max. These models showcase a newly redesigned
The post Apple’s 17th Generation Pro iPhones Offer Unibody Design and All-Day Battery Life first appeared on 4K Shooters.
Adobe has launched a mobile version of Premiere specifically designed for content creators on the go. Premiere for Mobile promises to be both free and powerful, featuring professional-level tools like sound effects, voiceover recording, a multi-track timeline, and an intuitive interface tailored for social media. The interface resembles familiar editing software, offering a multi-track timeline that includes audio waveforms, unlimited video imports, 4K HDR support, and options for adding subtitles. Users can utilize AI-driven generative audio sound effects, allowing them to create specific text inputs to generate sound effects that capture precise timing, emotion, and impact. Additionally, the enhanced AI
The post Adobe Launches Premiere for Mobile As Part of Fall Update first appeared on 4K Shooters.
DZOFilm has just introduced the Vespid Prime II cinema lens series, a second-generation lineup aimed at improving resolution and color accuracy while reducing chromatic aberration and lens flares. This series features a constant T1.9 aperture and a focal length range of 18mm to 105mm, making it compatible with large format sensors up to 46.5mm, and it is suitable for medium format platforms as well. The Vespid Prime II lineup includes six prime lenses: 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Each lens provides a 46.5mm image circle and maintains a consistent T1.9 aperture speed rating. The aspherical design specifications are
The post DZOFilm Reveals Second Generation Vespid Prime Cine Lenses first appeared on 4K Shooters.
Canon has unveiled a mysterious image of a new compact cinema camera, mainly shrouded in shadow, just ahead of its anticipated announcement on September 9th. The image displays a tally light and features a zoom-style lens attached to a compact, pocket-sized camera body. Accompanying the image is the tagline, “A new way to capture the world. Coming 9.9.25.” The inclusion of a front-facing tally light strongly suggests that this camera primarily targets video creators, likely offering features for both broadcast and live streaming. A closer examination of the image reveals additional intriguing details. View this post on Instagram
The post Canon Teases New Compact Cinema Camera to Rival Sony’s FX Line first appeared on 4K Shooters.
Blackmagic has taken a bold step in the industry by reducing the prices of select URSA Cinema Camera Kits. This decision follows a previous price increase aimed at offsetting tariffs in the United States. Rather than passing these costs onto customers, Blackmagic is relocating the production of some cinema cameras to lower prices. Here are the key details. In April, Blackmagic announced that it would be implementing price increases in Australia due to the impact of US tariffs. For example, the price of the Pyxis 12K Cinema Camera rose by 32%, making it $6,595. Additionally, the entry-level Pyxis 6K camera
The post Blackmagic Reduces Prices of select URSA Cinema Camera Kits first appeared on 4K Shooters.
DJI has launched the third generation of its popular DJI Mic wireless system. The DJI Mic 3 features a smaller design and offers 32-bit float internal recording, marking a significant advancement in professional-grade wireless audio recording. This compact, lightweight, and discreet mic provides flexible usage, adaptive gain control, dual-level noise cancellation, and multiple voice presets. Let’s explore the details. Designed for maximum convenience, the DJI Mic 3 weighs only 16 grams. It includes a detachable rotating clip that can be adjusted for optimal audio capture and can be worn using either a magnetic or clip-on attachment. The all-in-one charging case
The post DJI Introduces Mic 3, Taking Wireless Audio to the Next Level first appeared on 4K Shooters.
Nikon has announced a new firmware update for the Z6 III Mirrorless Camera, bringing it in line with features from its higher-end full-frame mirrorless counterparts, the Z8 and Z9. This firmware update also enables compliance with the C2PA standard, which safeguards against unauthorized scraping of generative AI. Firmware version 2.0 introduces support for Nikon’s Authenticity Service, an initiative designed to ensure adherence to the Content Provenance and Authenticity (C2PA) standard. This system records provenance metadata and maintains it through editing, establishing a chain of custody for any history of image alterations. The C2PA system aims to protect content creators and
The post Nikon Updates Z6III, Adding Features Found in Higher-End Models first appeared on 4K Shooters.
RØDE has expanded its support for the RØDECaster Video streaming console with a new firmware update that introduces NDI connectivity for live streaming, production, and recording. This update also includes PT camera control and several advanced switching tools. Key features of NDI streaming include high-quality, low-latency video, which is transmitted with minimal delay while maintaining high fidelity. NDI operates over existing local area networks (LANs) through an Ethernet connection, making it easy to integrate into current infrastructure. Additionally, NDI supports bidirectional communication, allowing both the sending and receiving of video and audio signals. This capability facilitates remote control, talkback, and
The post Unlocking PTZ and NDI: RØDECaster Video Gets a Feature Boost first appeared on 4K Shooters.
Following its planned roadmap for steady improvements to two of its pro-cine camera platforms, Sony has launched a new firmware update that introduces a new, simplified menu interface. Known as the Big 6, the quick-access menu interface gives touchscreen access to the six most used camera settings, giving shooters immediate tactile access for adjustments on the fly. And there’s more. First seen on the high-performance Sony BURANO and VENICE cinema cameras, the Big 6 menu is now available on the mid-range Sony FX3, FX3A, and FX30 cameras, providing content creators with fast access to view and adjust essential settings, such
The post Sony Quickens FX Pro Cine Menu with Big 6 Update first appeared on 4K Shooters.
Leitz has introduced its new HUGO cinema lens, enhancing its growing lineup. The Leitz HUGO 40mm T1.5 prime lens, designed for modern digital sensors, offers a cinematic quality defined by gentle field curvature and fall-off. This lens adds to the existing HUGO offerings, which include focal lengths ranging from 18mm to 135mm. Rainer Hercher, the Managing Director of Leitz, mentioned that filmmakers have frequently requested the 40mm prime for the HUGO lineup. He believes the 40mm T1.5 will quickly become a classic due to its rich colors, artistic flares, and rounded image field. This lens delivers low contrast and sharp
The post Leitz Adds Fast 40mm HUGO Prime to Leitz Cine Lineup first appeared on 4K Shooters.
Insta360 pushes the boundaries of camera technology by introducing the compact Go Ultra pocket camera, leveraging advancements from their ACE and X lines of action cameras. This new model features a sensor that is over 220% larger than those in previous Go models, allowing it to capture sharp 4K video at 40 frames per second with reduced noise and improved brightness, especially in low-light conditions. Unlike the pill-like design of the Go 3, the Ultra adopts a square shape while still delivering impressive image quality day and night. At its core, the Insta360 Go Ultra includes a 1/1.28” CMOS sensor
The post Insta360 Launches Go Ultra, Its Latest Step in Pocket Cameras with a Tiny Footprint first appeared on 4K Shooters.
FilmConvert has expanded its collection of supported digital camera platforms by adding two new devices from DJI: the DJI Mavic 4 Pro drone and the DJI Osmo Action 5 Pro action camera. Users of these devices can now achieve a film-like texture and accurate camera matching by utilizing the FilmConvert Nitrate and CineMatch plugins. The DJI Mavic 4 Pro drone features a 1-inch CMOS sensor that captures impressive 4.3K video at 60 fps and 48 MP still images, ensuring cinematic image quality and color accuracy. Its advanced obstacle avoidance system and robust flight time of up to 40 minutes enhance
The post FilmConvert Adds More DJI Models to Its Camera Profile Collection first appeared on 4K Shooters.
Kron Technologies has recently issued an update to its Chronos 4K 12 high-speed cinema camera, enhancing its already impressive capabilities and adding remote capture support. This latest firmware update not only introduces HDMI playback support but also enables remote control automation, along with cross-platform playback functionality. These improvements make the Chronos 4K 12 an even more versatile tool for filmmakers and content creators looking to add high-speed, slow-motion image capture to their quiver of cinematic tools. With the ability to capture stunning 12-bit 4K video at speeds of up to 481 frames per second, the Chronos 4K 12 stands out
The post Chronos 4K 12 High-Speed Camera Gets Remote Support and More first appeared on 4K Shooters.
Zoom has just unveiled the H6Studio, its next-generation portable audio recorder. Featuring 32-bit float recording, larger microphone capsules, and studio-grade preamps, the H6Studio is designed to be the most advanced and user-friendly recorder the company has ever produced. Building on the success of the four-track H5Studio, the new H6Studio doubles the recording capability, capturing up to six individual tracks plus one stereo mix for a total of eight at sampling rates of up to 96 kHz. It also supports individual sampling rates from 44.1 to 192 kHz. Its F-series preamps deliver an impressive 127 dBu EIN for exceptionally clean, low-noise
The post Zoom Introduces the H6Studio Portable Audio Recorder first appeared on 4K Shooters.
Insta360 has generated excitement among drone enthusiasts and content creators with its new AntiGravity initiative, which focuses on 360-degree drone designs. The company has now unveiled the AntiGravity A1, a well-thought-out immersive drone that appears to be worth the wait. The A1 not only features an innovative 360-degree aerial cinematography design, but it also incorporates many elements found in DJI’s top-rated drones. Equipped with a dual 180-degree lens camera system mounted above and below the drone, the A1 can capture stunning 8K video in a round format. This design effectively makes the drone invisible in the footage, allowing viewers to
The post Insta360 Announces First AntiGravity Drone Model first appeared on 4K Shooters.
The Mavis Camera app, a comprehensive cinema camera application for the iPhone, has rolled out an update that adds support for the Atomos Ninja Phone Video Co-Processor. With version 7.0, content creators can now capture video through the Ninja Phone and connect professional cameras and lenses via HDMI to iPhones and iPads. Renowned for its intuitive and ergonomic control, the Mavis Camera app allows users to manually adjust recording formats, frame rates, color balance, focus, and more. It also offers professional-grade monitoring tools, including focus peaking, false color, zebras, waveform, timecode, and vectorscope. This ensures that creators have complete freedom
The post Mavis Camera App Introduces Support for Atomos Ninja Phone first appeared on 4K Shooters.
Sony has released firmware update 3.0 for its flagship A1 II full-frame mirrorless camera, delivering refinements aimed at streamlining workflow and making the camera more intuitive for both photographers and filmmakers. The A1 II, capable of capturing 8K video and still images at 30 frames per second, now offers a more ergonomic way to easily read on-screen metadata while switching between landscape and portrait aspect ratios or pausing mid-shoot. But there are even more improvements to streamline the camera’s overall workflow. A key highlight is the automatic horizontal and vertical display switching. As the camera changes orientation, the on-screen layout
The post Sony’s Latest Firmware Brings Greater Flexibility to the A1 II first appeared on 4K Shooters.
Blackmagic Design has released DaVinci Resolve Studio 20.1, a significant update that is free for existing customers and available for download from the company’s support site. One of the most notable features is native support for Apple Vision Pro spatial and immersive workflows on macOS, but this is just the beginning. This new version focuses heavily on immersive video projects, offering a long list of new features and improvements. Users can organize, edit, and render immersive content for playback in the headset, with real-time monitoring over 5G Wi-Fi. Editors can now create immersive projects and preview them directly using the
The post DaVinci Resolve Studio 20.1 Brings Apple Vision Pro Support, Keyframe Overhauls, and More first appeared on 4K Shooters.
Canon USA, along with its branches in Australia and Asia, has released a repair notice concerning the EOS R50 mirrorless camera. This notice highlights a potential issue that may affect the functionality of the mode dial, prompting the need for repairs to rectify the problem. Launched in 2023, the Canon EOS R50 targets budget-conscious content creators eager to produce engaging vlogs and selfie videos. Nicknamed the “jack of all content creation trades,” this camera boasts a compact design featuring a 24.2 MP APS-C CMOS image sensor. It can capture stunning 4K video at 30 frames per second, utilizing an impressive
The post R50 Mode Dial Issues Prompt Free Repairs from Canon first appeared on 4K Shooters.
Teradek has released a firmware update for its CTRL.5 wireless lens controller, adding Wi-Fi Camera Control for supported RED and ARRI cameras. This update introduces a new Camera page on the controller’s display, allowing users to view and adjust key camera settings remotely over a wireless connection. With the firmware 2.01 update, users can now control settings such as ISO, frame rate, shutter speed, and white balance directly from the CTRL.5 unit. These functions can also be assigned to user-defined buttons on the controller for faster access during production. “Camera Control has always been part of our roadmap,” stated Colin
The post Teradek Enhances CTRL.5 Controller with Wireless Support for RED and ARRI Cine Cameras first appeared on 4K Shooters.
ARRI has announced the release of a new full-frame cinema camera, the ALEXA 35 Xtreme. This model brings several updates along with a proprietary codec that enhances performance. The new camera is equipped with an advanced image processor, faster memory, and improved frame rates, featuring the new ARRICore Codec that delivers higher resolution images at lower data rates. At the core of the ALEXA 35 Xtreme is a newly designed sensor that allows for faster frame rates due to its larger memory capacity. It can capture up to 330 frames per second and offers 17 stops of dynamic range. In
The post ARRI Takes ALEXA to the Xtreme with Updated Design and New High Performance Codec first appeared on 4K Shooters.
DJI has introduced its first Osmo 360° action camera, crafted to give creators the freedom to capture every angle without missing a moment. This camera meets the demands of modern storytelling in 360°, equipped with essential features for a cutting-edge experience. At its core, the DJI Osmo 360 camera contains an 8K 1-inch HDR image sensor that records native 8K 10-bit HDR 360° video in D-Log M at up to 50 frames per second and takes 120 MP still images. Users can shoot continuously at 30 fps for over 100 minutes, thanks to the built-in 105GB of storage. The sensor
The post DJI Ticks All the Boxes with First 360 Camera first appeared on 4K Shooters.
Adobe is launching an innovative project that leverages the capabilities of generative AI. In collaboration with director Sam Finn, the company will release “The Unfinished Film,” which showcases how AI can help realize that unfinished project you’ve been dreaming about. Filmmakers often have ideas that are simply ahead of their time, whether due to financial constraints or technological limitations. Historically, content creators have had to wait for advancements to catch up with their imaginations. However, Adobe is marking what it calls a “new era of creative possibility,” made possible through its Adobe Firefly mobile app. “Whether you want to reimagine
The post Adobe Harnesses AI for New Generative Film About Unfinished Projects first appeared on 4K Shooters.
Podcasters seeking to expand their audience and collaborate with other online content creators now have an innovative tool at their disposal. RØDE has launched RØDE CallMe, a subscription-based feature that facilitates worldwide collaboration between RØDECasters and others over the internet. It’s designed for simplicity and ease of use. In partnership with Vortex Communications in the United Kingdom, RØDE CallMe offers studio-quality remote connectivity with ultra-low latency, enabling creators worldwide to connect seamlessly. As a free update, RØDE CallMe enables content creators to connect via WiFi or Ethernet without requiring third-party software or additional hardware. “By collaborating with Vortex, we’ve eliminated
The post RØDE Introduces New Collaboration Feature for RØDECaster Pro II and Duo Platforms first appeared on 4K Shooters.
Insta360 has emerged as a formidable competitor to DJI’s dominance in the drone market with its new AntiGravity drone initiative, designed to capture aerial cinematography from a 360-degree perspective. The AntiGravity line of drones aims to create a new category of UAV, claiming to be the first 360-degree drone capable of true immersive capture. This upcoming lineup promises to deliver 8K resolution and a lightweight design of just 249 grams, allowing drone enthusiasts to remain under the FAA’s registration requirements. The core concept behind the AntiGravity initiative focuses on transforming the perception of drones from mere aerial tools to providers
The post Insta360 Takes Aim at DJI with New AntiGravity 360 Drone Line first appeared on 4K Shooters.
Nikon has announced the addition of native Z-mount locking lens mounts for the RED V-Raptor and Komodo-X Cinema cameras, eliminating the need for adapters. This feature will be identified by a gold-colored locking lever. Since acquiring RED in 2024, Nikon has consistently worked to integrate the two corporate cultures. Earlier efforts included adding support for Z-mount lenses to the large format 8K Vista Vision V-Raptor and the 6K Komodo , which required an optional Z to PL-mount adapter priced at $1,500. Nikon also updated the firmware for RED’s Komodo-X to support Nikon RAW in its professional IPP2 Workflow.
The post RED Expands Native Support for Locking Z-Mounts on V-Raptor and Komodo-X Cine Cams first appeared on 4K Shooters.
Just days after its introduction, Canon has withdrawn the latest firmware update for its flagship R1 full-frame mirrorless camera after receiving reports of a bug that causes playback issues with video files recorded on media larger than 2 TB. This problem also affects the R5 Mark II, but doesn’t affect any other camera updates that were made available under the initial announcement. A promising update Firmware Update version 1.1.0 aimed to introduce several exciting new features for the Canon R1 and Canon R5 Mark II, including support for CFExpress Type 2 memory cards with capacities up to 8 TB. The
The post Playback Issues Sideline Canon’s Latest R Series Firmware Update first appeared on 4K Shooters.
Atomos has just announced the all-new Ninja TX, a next-generation monitor-recorder in the flagship Ninja lineup. With a compact form factor and improved thermal efficiency, the Ninja TX has been completely redesigned for camera-to-cloud applications and high-speed performance. “This is the most advanced and capable Ninja we’ve ever built,” said Peter Barber, Atomos CEO. “While it may look similar at first glance, the Ninja TX is re-engineered from the ground up. There’s nothing carried over from previous models.” The Ninja TX is capable of capturing 8K at 30 frames per second (fps) in RAW video format. It can store original
The post Atomos Announces Next Gen 8k Monitor Recorder with the Ninja TX first appeared on 4K Shooters.
ASUS has announced a new 32-inch high-resolution color display designed to attract Mac users and content creators. The ProArt Display, model PA32QCV, features an impressive 6K resolution, a highly accurate color gamut, and Thunderbolt 4 connectivity. Could this new flagship monitor be an Apple Pro XDR killer? Unveiled at CES 2025 last January, the ProArt Display provides ample screen real estate with its 32-inch size, supporting HDR10 and VESA HDR 600 color standards to enhance contrast and dynamic range. Compared to a typical 4K display, it offers 145% more screen space, an Adaptive-Sync refresh rate of 48-60 Hz, and achieves
The post ASUS Debuts New 6K ProArt Display, Aimed at Apple XDR Users first appeared on 4K Shooters.
This summer, Canon is making waves with an expansive firmware update set to roll out on July 17, 2025. The imaging giant is demonstrating that the EOS ecosystem is more than just a camera line – it’s a constantly evolving platform. From the flagship EOS R1 to the compact PowerShot V10, this update delivers significant performance enhancements across the board, expanding creative possibilities while reinforcing Canon’s commitment to reliability, speed, and professional workflows. One of the most notable features in this update is the introduction of C2PA support – the Coalition for Content Provenance and Authenticity – available on the
The post Canon Supercharges EOS Mirrorless Lineup with Impressive July Firmware Update first appeared on 4K Shooters.
Sony has announced the return of its flagship compact point-and-shoot camera, the RX1R III. This model features a larger full-frame sensor and a fixed wide-angle 35mm f/2.0 Zeiss lens. However, the steep price tag of $5,100 – over twice that of the previous version – has sparked significant discussion. This pocket-sized camera boasts an impressive 61 MP Exmor R backside-illuminated image sensor, nearly 18 MP more than the second-generation RX1R. The full-frame 35mm format enhances low-light performance, sharpness, and color fidelity. With Sony’s advanced BIONZ XR image processing engine, users benefit from a wider dynamic range and reduced noise. Moreover,
The post Sony’s RX1R Returns with a Larger Sensor, Fixed Wide-Angle Lens, and a Much Higher Price first appeared on 4K Shooters.
RØDE’s Wireless Micro microphone system for smartphones has seen tremendous success, prompting the company to enhance the system with a new camera receiver. Best of all, this camera receiver is a free bonus to both existing and new users. The RØDE Wireless Micro Ultra Compact wireless microphone system has become a favorite among mobile filmmakers looking to improve their audio quality while capturing content on their smartphones. RØDE recently made the system even easier to use by releasing a firmware update that introduced direct connect functionality, allowing users to bypass the plug-in wireless receiver when utilizing the RØDE Capture
The post RØDE Stuns with Free New Wireless Micro Camera Module first appeared on 4K Shooters.
Adobe has released a summer update to Creative Cloud aimed at streamlining the process from concept to final delivery. This update leverages AI to help users create better storyboards in Firefly, enhance photos in Lightroom and Photoshop, and remove distracting glass reflections that hinder achieving the perfect image. For video content creators, Creative Cloud now offers a new space for idea development and storyboard creation, utilizing generative AI to produce videos and animatics. The Firefly Boards space enables production teams to collaborate effectively during pre-production, allowing them to refine projects before filming. By using image model data from partners such
The post Adobe’s Summer Update Streamlines Workflows from Idea to Delivery first appeared on 4K Shooters.
SIGMA has launched a new addition to its popular Art Lens line: the 17-40mm F1.8 DC Art zoom lens. This release marks the first APS-C lens in nearly a decade and is specifically designed for crop sensor mirrorless cameras. As the spiritual successor to the 18-35mm F1.8 DC HSM Art lens for DSLR cameras, the new 17-40mm Art lens boasts an improved optical design that enhances brightness and resolution. It delivers fast and flexible performance, making it an excellent choice for content creators seeking a cinematic edge at an affordable price. Equipped with high-speed, silent linear focusing motors and minimal
The post SIGMA Adds to Art Lens Line with new 17-40mm F1.8 Zoom first appeared on 4K Shooters.
The heir apparent of Olympus has announced the launch of the new OM System mirrorless camera, the OM-5 Mark II. This model captures the essence of Olympus while introducing several innovative features, including a computational photography option, creative and video shooting modes, and a redesigned menu system. “At OM SYSTEM, we believe creators deserve tools that support their vision without adding bulk or complexity,” the product announcement states. “The OM-5 Mark II is a camera built on trust — refined for those who explore more, carry less, and demand real performance from their gear.” The OM-5 Mark II retains several
The post OM System Unveils OM-5 Mark II with New Features Borrowed by Higher Models first appeared on 4K Shooters.
Sony has announced the next phase of its firmware update road map for the Sony BURANO 8K Cinema Camera. This update introduces several new shooting modes, including a 1.8x de-squeeze anamorphic option. With the release of version 2.01, users gain access to three new capture formats, including a 3.8K FFcrop in 16:9 for slow-motion video capture at up to 120 fps. There’s also a pair of new Super 35 modes, including a 4:3 anamorphic for capturing at up to 60 fps, and a 1.9K 16:9 ifor capturing at speeds of up to 240 fps. Keep in mind that selecting the
The post Sony Burano Gains a Wide Range of new Features, including Shooting Modes, in New Firmware Update first appeared on 4K Shooters.
Nikon is enhancing its original Z8 mirrorless camera with a new firmware update, bringing significant improvements such as pixel shift shooting, enhanced color control, and better autofocus. The key features of firmware version 3.00 include a new pixel-shift shooting mode, which works alongside focus shift shooting or bracketing to enhance image quality in various lighting conditions. Overall performance has been upgraded, resulting in images with greater detail and dynamic range. Nikon claims to be the first camera company to integrate multiple functions that allow the capture of high-resolution images up to 180 MP. Additionally, in AE bracketing mode, moiré patterns
The post Nikon Announces New Firmware for Z8 with Enhanced Color and Autofocus Control first appeared on 4K Shooters.
DJI’s Enterprise Division has introduced the Matrice 400, a new flagship drone that promises to transform mid-level aerial cinematography. Originally engineered for industrial use, this drone can carry a payload of up to 6 kg, features advanced obstacle avoidance technology, and offers a flight time of up to one hour. Built for extreme conditions, the Matrice 400 has an IP55 all-weather rating and operates effectively in temperatures ranging from -20° C to 50° C (-4° F to 122° F). It is specifically designed for inspecting high-tension electric lines, towers, offshore platforms, and similar structures. By utilizing LiDAR and mmWave radar
The post The DJI Matrice 400 Is an Enterprise Drone Higher-End Filmmakers Might Want to Look At first appeared on 4K Shooters.
SanDisk has launched its PRO-CINEMA line of Type A CFExpress Media Cards, designed specifically for professional videographers and content creators who demand both speed and durability in their storage solutions. These high-performance media cards support video capture at resolutions up to 8K, making them ideal for filmmakers looking to enhance video quality and efficiency. Leveraging the advanced PCIe Gen 4 protocol, the SanDisk PRO CINEMA Type A media cards achieve exceptional write speeds of up to 1650 MB/s and read speeds up to 1800 MB/s. This remarkable performance enables rapid file transfers and smooth content capture during extended recording sessions.
The post SanDisk Launches Pro Cinema Type A CFExpress Media Cards first appeared on 4K Shooters.
Canon has recently announced a comprehensive firmware update scheduled to arrive by the end of July 2025, which will deliver significant enhancements to its Cinema EOS and PTZ camera lines. The update brings critical new features and workflow improvements to the EOS C400 and C80 cinema cameras, alongside upgrades to Canon’s full PTZ lineup, including the CR-N700, CR-N500, CR-N300, CR-N100, and the outdoor CR-X300. New Cinema Camera Features At the center of the announcement are the EOS C400 and C80, two cinema cameras already favored for their versatility. With the new update, both models gain a revamped Peripheral Border Display
The post Canon Releases Cinema Camera Firmware Updates Alongside PTZ Improvements first appeared on 4K Shooters.
Nikon has released a firmware update to breathe new life into the Z6 II and Z7 II full-frame mirrorless cameras. This update, version 1.70, adds support for new power zoom lenses, enhances language options, and addresses various user-reported issues. A notable feature in this update is the compatibility with power zoom lenses, such as the NIKKOR Z DX 12-28mm f/3.5-5.6 PZ VR and the NIKKOR Z 28-135mm f/4 PZ Lens. These units allow for smooth electronic zooming, which is particularly useful for videographers using handheld gimbals or drones, as it eliminates the need for rebalance when zooming at extreme focal
The post Nikon Adds Power Zoom Support to Z6II and Z7II Mirrorless Cameras first appeared on 4K Shooters.
Viltrox has launched a new camera monitor specifically designed to address the challenges of outdoor shooting, where bright ambient light can hinder camera operators’ ability to see the video signal. The Viltrox DC-A1 features an exceptionally bright screen that greatly enhances visibility in these conditions. This monitor is equipped with a seven-inch, 2800-nit (cd/m²) IPS touchscreen panel, delivering full HD images with HDR color and boasting a 100% sRGB accuracy rating. It also offers a refresh rate of up to 60 Hz, ensuring smooth video playback. In addition to its impressive display, the DC-A1 provides a variety of professional-grade tools,
The post Viltrox Introduces New Camera Monitor Designed for Outdoor Shooting first appeared on 4K Shooters.
amaran has launched a new line of desktop-mounted lights specifically designed for gaming and live streaming content creators. The Verge and Verge Max lights provide flicker-free illumination that is easy on the eyes, allowing creators to work comfortably for extended periods. Both models feature bi-color edge-lit LED lights that deliver low-glare illumination. They are flicker-free and RG0 certified, which eliminates UV light and minimizes blue light exposure. These lights produce a color temperature range of 2700-6500K CCT and achieve a lux rating of 822 at a distance of 3.3 inches. Color accuracy ratings are impressive, with a CRI of 96,
The post With Verge, amaran Delves Into Desktop Lighting for Live Streaming first appeared on 4K Shooters.
Blackmagic Design has officially launched DaVinci Resolve 20 after completing extensive beta testing and initial development. This latest version of their post-production suite introduces a wealth of advanced features that enhance the efficiency of workflows in editing, visual effects, and color grading. Among these new capabilities are improved keyframing, a voiceover tool, and enhanced AI functionalities, all complemented by cloud integration. In response to user feedback and the increasing demand for AI-driven solutions, DaVinci Resolve 20 incorporates several significant enhancements. The key frame system has been revamped to include a dedicated curve view and timeline drawer, facilitating a more intuitive
The post DaVinci Resolve 20 Exits Beta, Officially Ships first appeared on 4K Shooters.
Sony has just introduced the FX2, the latest addition to its FX line of cinema cameras. Designed specifically for mobile-oriented content creators, this hybrid platform boasts several impressive features, including a tiltable electronic viewfinder. The FX2 features a 33-megapixel full-frame backside-illuminated Exmor R image sensor that offers 7K oversampling with full pixel readout, and over 15 stops of dynamic range when using Sony’s S-Log3 codec. This capability allows for fine detail in both highlights and shadows, providing a wide latitude for color grading. It supports Log shooting in various modes, including Cine EI, Cine EI Quick, and Flexible ISO, catering
The post Sony Announces FX2 Hybrid Cinema Camera first appeared on 4K Shooters.
Atomos has launched its new StudioSonic Shotgun Microphone, designed to enhance the wireless audio experience for filmmakers, journalists, and content creators. This versatile microphone features a dual-mode design that supports both wired and wireless audio connectivity, delivering professional-grade performance while ensuring security and safety. “With StudioSonic, we’re providing a microphone that meets the mobility and precision demands of today’s content creators,” said Peter Barber, the new CEO of Atomos. “It combines robust construction, flexible connectivity, and studio-quality audio all in an attractive directional shotgun form factor.” The StudioSonic Shotgun Microphone includes a uniquely designed locking USB-C connector for a secure
The post Atomos Introduces StudioSonic Wireless Shotgun Mic first appeared on 4K Shooters.
FilmConvert has launched a new camera pack for its FilmConvert Nitrate and CineMatch software, officially adding support for the recently released Blackmagic PYXIS 6K Cinema Camera. This update allows users to apply accurate film emulation and cross-camera color matching to PYXIS footage, enhancing post-production workflows for filmmakers and colorists utilizing Blackmagic’s latest full-frame offering. Announced at NAB 2024, the PYXIS 6K is Blackmagic’s sleek and modular full-frame cinema camera, designed for high-end production without unnecessary bulk. It features a 6K full-frame sensor (6048 x 4032), delivers 13 stops of dynamic range, and includes built-in ND filters. The camera accommodates EF,
The post FilmConvert and CineMatch Roll Out Support for Blackmagic PYXIS 6K first appeared on 4K Shooters.
With a new firmware update, the award-winning RØDE Wireless Micro Microphone system no longer requires a receiver to connect to a smartphone. The new feature, called Direct Connect, allows content creators to connect the Wireless Micro transmitter directly to an iOS device, thereby eliminating the need for a receiver. Celebrated for its compact design and impressive battery life of up to 21 hours, the RØDE Wireless Micro recently won the Best Microphone award at Rolling Stone’s 2025 Audio Awards. Its intuitive design and professional-grade sound quality make the Wireless Microphone a highly accessible wireless solution for audio recording, and the
The post RØDE Eliminates Need for Receiver with Latest Micro Update first appeared on 4K Shooters.
The GoPro Hero13 already boasts an impressive wide-angle view, but GoPro is taking it a step further with the new Ultra Wide Edition lens mod, perfect for capturing immersive point-of-view (POV) action shots. “The Ultra Wide Lens Mod is my secret weapon for capturing the most stable and immersive ‘put-you-in-the-moment’ POV videos,” says professional freeride mountain biker and YouTube creator Sam Pilgrim. “Blink, and you’ll think you’re sitting on my handlebars.” The GoPro Ultra Wide Lens Mod is designed for content creation across various aspect ratios. With a stunning field of view of up to 177°, it expands the perspective
The post GoPro Ships Ultra Wide Edition Hero13 with Lens Mod first appeared on 4K Shooters.
DZOFILM has introduced the Arles Lustre Cinema Prime line of lenses, featuring an impressive T1.6 speed rating for most of the collection, combined with a vintage-inspired aesthetic. By merging cutting-edge optics with artistic character, the new Lustre Cinema Primes deliver a nostalgic vibe enhanced by modern technology. The lenses feature a T1.6 aperture speed rating for focal lengths from 21mm to 100mm, while the 14mm, 135mm, and 180mm lenses have a T2.2 rating. And while the Lustre lenses are slightly slower than the original Arles series primes, which boasted a T1.4 rating, the Lustre line maintains a similarly flawless and
The post DZOFilm Launches New Lustre Cinema Primes first appeared on 4K Shooters.
Breathing new life into a five-year-old mirrorless platform, Sony has released a free firmware update that promises to bring support for LUTs, a new LOG shooting mode, and more. The update brings the A7S III a bit closer to its cinematic cousin, the FX3. Sony firmware version 4.0 for the ILCE-7SM3 (aka the a7S III) adds a new LOG shooting mode to the A7S III, which allows shooters to display the monitor image with custom-designed LUTs. Unfortunately, this eliminates the use of S-Log2 gamma setting in favor of S-Log3. A corresponding update to Sony’s Catalyst Browse and Catalyst Prepare also
The post Sony Releases Firmware Update for A7SIII, Bringing Cinematic Tools first appeared on 4K Shooters.
Venus Optics has recently introduced an exciting addition to its Laowa brand: the Laowa 15mm f/4.5 wide-angle macro lens. This innovative lens aims to meet the increasing demand for versatile photography tools, especially for those who enjoy capturing both macro and wide-angle shots. One of the standout features of the Laowa 15mm f/4.5 is its impressive magnification ratio of 0.5x, allowing photographers to engage in ultra-close-up photography with a minimum focusing distance of just 5.08 inches (12.9 centimeters). This capability enables the capture of intricate details in subjects that are often overlooked. According to Venus Optics, the combination of wide
The post Venus Optics Introduces New Wide-Angle Prime Macro Lens first appeared on 4K Shooters.
ZHIYUN has announced the launch of its fifth-generation Smooth 5E smartphone gimbal under the Cinepeer line. This new gimbal features an improved design, enhanced roll-axis motors for easier low-angle shots, upgraded reactive control buttons for one-handed operation, and integration with the Apple Watch, allowing users to track their shots remotely. Let’s explore its features. The Cinepeer Smooth 5E utilizes an orthogonal three-axis design, which provides a broader range of motion along with five professional shooting modes for cinematic image stabilization while in action. It offers a tilt and roll range of 349° and a full 360° pan range. Users can
The post ZHIYUN Releases New Smooth 5E Smartphone Gimbal first appeared on 4K Shooters.
Panasonic has officially unveiled the next generation of its S1 full-frame mirrorless camera, introducing two models: the Panasonic S1 II and the S1 II E. Both models feature enhanced image sensors and can capture 6K30p video and still images in burst mode at speeds of up to 70 frames per second. However, key differences set them apart. The Panasonic S1 II full-frame mirrorless camera features a partially stacked 24.1 MP image sensor, which allows it to capture 6K video at up to 30 frames per second. It also excels in capturing blackout-free still images in burst mode at speeds of
The post Panasonic Announces Next Gen S1 in Two Models, Plus a new New Lens first appeared on 4K Shooters.
DJI has just introduced the new MAVIC 4 Pro drone, a device that not only meets but exceeds rumored expectations. With an extended range, longer battery life, and a groundbreaking 360-degree rotating gimbal, the MAVIC 4 Pro stands ready to become an essential tool for content creators. Let’s delve into its impressive features. The MAVIC 4 Pro is powered by a triad of cameras, including a new 100MP Hasselblad 4/3 CMOS sensor complemented by two telephoto sensors, each boasting 48MP. This makes it DJI Global’s flagship product for content creation. The innovative “Infinity gimbal” enables 360-degree rotation and upward image
The post DJI’s New MAVIC 4 Pro May Be Even Better Than Rumors Suggest first appeared on 4K Shooters.
Wooden Camera has equipped the Blackmagic URSA Cine Large Format line with a set of well-designed accessories that enhance on-set workflows and improve performance. These new accessories are individually available and compatible with both the 12K and 17K URSA Cinema Cameras. There are two available systems: the Core System and the Elite Accessory System. The Core System includes an improved Riser Plate, an ARCA Base Plate, and a Top Plate. In contrast, the Elite Accessory System features a Riser Plate, an ARCA Base Plate, a Top Plate, an Extension Block, a Dual Rod Clamp on the Top Plate, and a
The post Wooden Camera Kits Out Blackmagic’s Latest Large Format Cine Cameras first appeared on 4K Shooters.
DJI has teased its next-generation drone in a brief seven-second video on X, sparking speculation among UAV enthusiasts that it may be the Mavic 4 Pro. This new drone aims to serve as a flagship model for high-end content creators, marking a return to advanced features after a focus on entry-level consumer UAVs like the DJI Neo and Flip. With the tagline “Spin Your World,” DJI will officially unveil the drone on May 13th. The teaser starts with a standard aerial shot of what appears to be a rocky beach, which then spins and transforms into a close-up of a
The post DJI Hints At Next Gen Mavic 4 Pro with Spinning Triple Cameras for Expanded Coverage first appeared on 4K Shooters.
Blackmagic Design continues to refine DaVinci Resolve, ensuring that the latest Version 20 remains efficient despite an influx of new features. Currently in its third round of beta testing, this update enhances the video editing, color grading, visual effects, and audio capabilities that users have come to rely on. Key Features of Version 20 Among the standout additions in Resolve Version 20 is a new voiceover tool. This feature includes recording and monitoring capabilities that streamline post-production processes. Additionally, the innovative AI-driven Intelliscript tool automatically generates an editing timeline based on an imported script, allowing users to start working efficiently
The post DaVinci Beta 3 Released for Testing, Offering Even More Features and Fixes first appeared on 4K Shooters.
The details about Canon’s third-generation R6 Full Frame Mirrorless camera are gradually becoming clearer, with an expected release later this year. Reports based on a wireless signal registration in Japan suggest that the R6 Mk. III could feature a redesigned stacked CMOS R3 image sensor. This camera is designed to fit between the R5 Mk. II and Canon’s flagship R1. However, we must consider whether these rumors hold any weight or if the R6 Mk. III will truly come equipped with impressive specifications. The rumor originates from Canon Rumors, a prominent source for Canon-related news, so it should be taken
The post New Specs for the Canon R6 III Continue to Surface in New Rumor first appeared on 4K Shooters.
Blackmagic has released a new camera update to enhance support for its larger URSA Cine 17K 65 and 12K LF cameras while also addressing several annoying bugs. The conventional Cinema Camera 6K update also tackles issues that have frustrated users. Although the 17K URSA 65 cinema camera isn’t yet available for shipping, the camera, along with its 12K URSA LF cousin, will benefit from a significant improvement in Camera OS version 9.5.1. This update enhances image support for 65mm open gate recordings, refining the overall image quality and improving the performance of the sensors. As a result, the cameras will
The post Blackmagic Improves Support for 17K, 12K, and 6K Cine Cameras first appeared on 4K Shooters.
Canon has announced a new RF Mount Telephoto Lens, but users in the US may have to wait some time before they can purchase it. The RF 75-300mm f/4-5.6 expands the focal length range for R System cameras, offering a lightweight telephoto option that has a nostalgic feel reminiscent of 90s optics. Featuring a single large zoom ring, the RF 75-300mm f/4-5.6 allows you to adjust the focal length with just a quarter turn. This lens is ideal for sports and nature content creators looking to capture subjects from great distances. It provides full-frame coverage, and when mounted on APS-C
The post Canon Announces New RF Telephoto, But You Can’t Get It in the US Just Yet first appeared on 4K Shooters.
ARRI has completed beta testing of its new Camera Companion App, designed to empower camera operators and assistants to fully control up to two separate ARRI cameras. Users can enhance their experience with premium add-ons, and the app is compatible with both iOS and macOS devices, allowing for a customized interface that reflects individual preferences. The Camera Companion App streamlines on-set workflows and can expand to accommodate nearly unlimited cameras. Users can create new projects and even explore a simulated camera when the physical camera is unavailable. Connecting to an actual ARRI system is easy, whether via the camera’s WiFi
The post ARRI’s Customizable Camera Control App Exits BETA, Now Available for Subscription first appeared on 4K Shooters.
ZHIYUN has released a new, compact COB video light that, despite an ultra-slim design, stays relatively cool during use. The Molus X 100 RGB spotlight offers vibrant full-color RGB performance and an impressive brightness of 12,600 LUX – quite remarkable for a light about the size of an iPhone. Co-designed with filmmaker Cam Mackey, the Molus X 100 RGB is the thinnest 100W RGB spotlight in its category. It features a heat sink that’s under 2cm thick, a total body thickness of 3cm, and weighs only 384g (13.55 oz). Its innovative DynoVort Cooling System ensures noise-free heat dissipation. Despite its
The post ZHIYUN Launches New Compact 100W RGB Light For Filmmakers on the Go first appeared on 4K Shooters.
TTArtisan has launched a new wide-angle cinema prime lens featuring an innovative capability. The TTArtisan 35mm T2.1 Dual Bokeh Cine Lens enables filmmakers to create two distinct styles of bokeh: a soft, standard bokeh and a bubble-like effect for a dreamier look. With a T2.1 aperture setting, the TTArtisan 35mm T2.1 Dual Bokeh Cine Lens offers a super shallow depth of field, enhancing its performance in low-light conditions. The lens incorporates a declicked aperture with an 11-bladed design, which not only delivers a smooth, round bokeh but also produces a spherical bubble-like presentation in bubble mode. Filmmakers can select between
The post TTArtisan’s Innovative New Cine Lens Has Not One, But Two Different Bokehs first appeared on 4K Shooters.
B&H aims to clear its inventory of older camera bodies and lenses to make way for the next generation. The current Deal Zone sale features cameras and accessories from brands like Sony, Panasonic, and Canon, offering savings of up to $600 for those seeking a second camera or filling gaps in their collection. Let’s take a quick look at the highlights. Kicking off the sale is the Panasonic S5 Mirrorless camera. The first-generation S5 impressed during its release with a 24.2 MP full-frame CMOS image sensor, capable of capturing 4K video at 60 frames per second, complete with 10-bit internal
The post Fresh Deals Can be Had at B&H Deal Zone first appeared on 4K Shooters.
Matthews Studio Equipment has launched a new Master Rigging Kit that is both compact and comprehensive, providing everything you need to mount lights, cameras, and a wide variety of other on-set gear. Designed for smaller crews, the MSE Master Rigging Kit can become a one-person crew’s best ally for mounting, rigging, and hanging equipment. Housed in a well-organized Craftsman-style case, the Master Rigging Kit contains all the essentials a filmmaker requires to place lights, cameras, and microphones exactly where they are needed. The 148-piece kit features a MICROGrip Head with dual 3/8” holes for mounting metal extension rods and a
The post New Rigging Kit Makes Even A One-Man Crew A Competent Gaffer first appeared on 4K Shooters.
Sony has announced the release of the FE 50-150mm F2 GMaster lens, which it claims is the first telephoto lens to feature a maximum focal length of 150mm with a fast F2 aperture. This lens delivers performance comparable to that of a prime lens while offering the flexibility of a telephoto zoom, making it suitable for a wide range of high-performance applications without sacrificing resolution or detail. While this GMaster lens is designed for cinematic and video production in mind, it performs impressively well for still applications such as portraits, weddings, sports, and other events. The standout feature of this
The post Sony Launches New 50-150mm F2 GMaster Lens first appeared on 4K Shooters.
Insta360 has launched its fifth-generation X series 360-degree action camera, touted as the toughest action camera yet. This innovative device captures 8K30p video, delivering crisp cinematic footage and a rugged design that can withstand various conditions. “X5 redefines 360° cameras by addressing real challenges faced by creators,” said JK Liu, the founder of Insta360. “With features like replaceable lenses and AI-powered low-light shooting, we’ve created our dream camera – rugged enough for adventure, capable of producing high-quality footage, and intelligent enough to effortlessly capture epic moments.” The heart of the Insta360 X5 360° action camera features dual 1/1.28 inch sensors
The post Insta360 Unveils Fifth Gen X 360 Camera that’s Built Like a Tank first appeared on 4K Shooters.
Hollyland is challenging the dominance of RØDE and DJI with its new wireless microphone system that offers 32-bit float recording and wireless monitoring through over-ear headphones. The company is best known for its button-sized wireless mic transmitters that blend seamlessly with the subject. The new Lark Max 2 system can capture nearly unlimited dynamic range and allows for untethered monitoring, marking an impressive advancement. First introduced by RØDE in 2023, 32-bit float recording expands the audio dynamic range, preventing issues such as clipping and distortion that often occur when the recording volume is set too high. This innovation means users
The post Hollyland Previews Lark Max 2: 32-Bit Float Wireless Mics with Wireless Monitoring first appeared on 4K Shooters.
Tilta has officially launched the long-awaited second generation of its popular Nucleus-M Wireless Lens Control System. The new mk II version enhances the follow-focus array by offering Focus, Iris, and Zoom functionalities, and it is compatible with built-in neutral density cameras and various optical designs. At the heart of this system is the redesigned FIZ Handwheel controller, which is now smaller and more compact. Powered by Sony NPF550 batteries, the FIZ Controller wirelessly manages the four motors for Focus, Iris, Zoom, and more, while also allowing users to adjust ISO, White Balance, Shutter Speed, and other camera settings supported by
The post Tilta’s NextGen Nucleus-M II Wireless Lens Control System Announced first appeared on 4K Shooters.
SmallRig’s line of compact and affordable V-Mount batteries delivers excellent value. Their new X99 batteries are not only powerful but also weatherproof and intelligent, featuring a touchscreen and an app that keeps content creators informed about battery life and its location. The Renan Ozturk X-Touch Triple-Proof V-Mount Battery – quite a name – incorporates eight 3400 mAh LG power cells for extended use. Utilizing SmallRig’s 100w ADC charging technology, it supports fast charging and efficient heat management. Known as the X99, this battery offers multiple charging options including D-Tap, BP, USB-C and A, and DC, and can power multiple devices
The post SmallRig Showcases Impressive Products at NAB, Including a V-Mount Battery That Tracks Its Location first appeared on 4K Shooters.
SanDisk aims to future-proof its line of media cards by introducing the new microSD Express Memory Card, which utilizes a PCIe 3.1 NVMe interface for enhanced writing speeds and faster read/write performance, ideal for high-resolution content creation. The company is also updating its external SSDs, offering USB 3.2 Gen 2 specifications for quicker transfer rates. The new UHS-1 U3 and A1 certified microSD Express cards deliver impressive read and write speeds of 880 MB/s and 440 MB/s, respectively, with sustainable write speeds reaching 210 MB/s. They support recording up to 5.3K video at 30 frames per second and will be
The post SanDisk Introduces NextGen microSD Media Cards Supporting PCIe 3.1 first appeared on 4K Shooters.
Cine Lens manufacturer NiSi has launched the Aureus line of Cinematic Primes, featuring a set of five lenses with focal lengths ranging from 18mm to 85mm, all boasting a constant T1.4 aperture, making them ideal for modern large format sensors. These lenses not only deliver fast performance but also provide sharp resolution from edge to edge, all while remaining budget-friendly. The five-lens set includes the following focal lengths: 18mm, 25mm, 35mm, the versatile 50mm, and the portrait-friendly 85mm. Designed for full-frame and Vista Vision sensors, these lenses ensure edge-to-edge sharpness with zero focus breathing, along with impressive low-light performance due
The post NiSi Unveils Aureus: A New Contender in Cine Prime Lenses first appeared on 4K Shooters.
ATOMOS is enhancing its camera-to-cloud service by introducing the ATOMOSphere, a robust new cloud-based ecosystem for media storage, backup, camera-to-cloud workflows, file sharing, review, and approval, among other features. This platform aims to directly compete with Frame.io and other camera-to-cloud ecosystems, connecting not only ATOMOS products but also the cameras they support. The ATOMOSphere offers a user-friendly, single sign-on interface and a background uploading system that allows for fast and straightforward backup to the cloud, even while video cameras are still recording. “With ATOMOSphere, we’re connecting creatives across the globe,” said Peter Barber, Chief Operating Officer of ATOMOS. “We have
The post ATOMOS Launches AtomoSphere to Compete with Frame.io in Camera-to-Cloud Services first appeared on 4K Shooters.
Canon has temporarily reduced the price of its C500 Mk. II Cinema Camera to just under $5,000, down from the original price of $11,000. However, users need to act quickly, as this deal is valid for less than 24 hours. Featuring a 5.9K Full Frame CMOS sensor and a DIGIC DV7 processor, the C500 Mk. II can capture 12-bit 6K and 4K RAW video. Since its launch in 2019, it has become a staple in the digital content creation space. Certified as Netflix Approved, the C500 Mk. II is highly regarded for its impressive 15 stops of dynamic range and
The post Canon Slashes the Price of C500 Mk. II, But You Have to Act Fast first appeared on 4K Shooters.
At this year’s NAB Show, Blackmagic Design made waves with a slate of significant announcements, including the reveal of the new upgraded PYXIS 12K digital film camera, a powerful update through DaVinci Resolve 20, and more than 20 additional new products and software enhancements across its lineup. Introducing the PYXIS 12K The standout announcement is the new Blackmagic PYXIS 12K, an advanced full-frame digital film camera designed for high-end cinematic production. Standing on the shoulders of its popular PYXIS 6K modular box style cinema camera, the new variant features a 36 x 24mm RGBW 12K sensor (12288 x 8040) and
The post Blackmagic Design Unveils PYXIS 12K Camera and Major DaVinci Software Updates at NAB 2025 first appeared on 4K Shooters.
Nikon has enhanced its mid-range full-frame mirrorless camera lineup by introducing the Z5 II Mirrorless Camera. With the integration of advanced AI tools, the Z5 II aims to elevate content creation through improved autofocus, enhanced low-light performance, cinematic-inspired presets, and more. At the core of the Z5 II is a highly sensitive 24.5-megapixel backside-illuminated (BSI) CMOS image sensor. This sensor captures intricate details and textures, even in low light, while effectively minimizing noise. With Pixel Shift technology, the Z5 II can record 14-bit 6K RAW still images and oversampled 4K video at up to 60 frames per second with a
The post Nikon Introduces the Second-Generation Z5 II Mirrorless Camera first appeared on 4K Shooters.
Adobe is leveraging the power of artificial intelligence to streamline the post-production process. The latest Creative Cloud update for Spring 2025 introduces groundbreaking features in Premiere Pro, After Effects, and Frame.io, designed to enhance workflow efficiency, reduce tedious tasks, and improve media asset management security. With new AI-driven search capabilities, generative video extension tools, instant language translation, and enhanced security in Frame.io, this update promises to transform the editing experience. Premiere Pro: Media Intelligence and Search Panel – The new AI-powered Media Intelligence and Search Panel allows users to locate clips more quickly by recognizing content in seconds. Editors can
The post Adobe Rolls Out AI-Powered Enhancements in Creative Cloud Spring 2025 Update first appeared on 4K Shooters.
On the eve of NAB in Las Vegas, LED light manufacturer Aputure has announced its new flagship STORM XT52 Video Light. Designed around the company’s revolutionary BLAIR light engine, the Storm XT52 promises to deliver exceptionally accurate white light as well as color adjustability that covers the majority of the HDR color space. “We set out to create the most powerful point source LED in the industry,” said Ted Sim, President and Co-Founder of Aputure. “Customers have been asking us to unlock the color potential of BLAIR, and the customer is always right. So, we added a Limited HSIC+ control
The post Aputure Releases New Flagship STORM LED Light with BLAIR Engine first appeared on 4K Shooters.
While smartphones have sounded the death knell for many point-and-shoot cameras, Canon believes there is still a future for this platform, particularly among video content creators. To that end, the company has reintroduced a pair of next-generation PowerShot compact pocket cameras designed with wide-angle zoom lenses, vari-angle LCD touchscreens, and high-resolution video support. Could the point-and-shoot camera reclaim its status as the king of online video content? Kicking off this new lineup is the Canon PowerShot V1 digital camera. Featuring a full-frame 1.4-inch CMOS sensor and a 16-50mm f/2.8-4.5 wide-angle zoom lens, the PowerShot V1 is built for vlogging and
The post Canon Unveils New Pocket Cameras Tailored for Video Creators first appeared on 4K Shooters.
Less than six months after reducing the price of the RED Komodo 6K Camera, the company, in collaboration with its Nikon partners, has lowered the price again, making it as affordable as Blackmagic’s entry-level Cinema Cameras. A new firmware update introduces several features from the higher-priced KOMODO-X platform, enhancing the user experience. OS Tweaks The 1.8.3 firmware update for the KOMODO provides new user pages that are accessible through the KOMODO LCD touchscreen. Users can now adjust settings more easily, reducing calibration time and allowing for quicker setup at the start of the shooting day. Additionally, users can utilize KOMODO’s
The post Nikon RED Updates Komodo Firmware, Drops the Price Again first appeared on 4K Shooters.
Insta360 continues to shake up the action camera market with its new Xplorer Adventure Bundle for the Ace Pro 2. This bundle features a custom-designed grip cage by Tilta, transforming the action camera into a sleek, high-performance 8K street photography rig. Equipped with a 5nm1/1.3-inch 8K image sensor and Leica’s advanced SUMMARIT lens, the Insta360 Ace Pro 2 captures 8K video at up to 30 frames per second, 4K video at 60p with active HDR and low-light PureVideo support, or straight 4K at 120p. The Leica SUMMARIT lens provides a 157° field of view, delivering sharp, wide-angle images and exceptional
The post Insta360 Gets a Grip for the Ace Pro 2 first appeared on 4K Shooters.
Angelbird, a well-known manufacturer of professional-grade media cards, has launched its fourth-generation AV Pro SE Type B CFExpress media cards. These cards utilize advanced PCIe technology to ensure efficient recording and high-speed data transfer, specifically designed for ultra-high-resolution RAW media. According to Roman Rabitsch, CEO and founder of Angelbird, “Our vision was clear: to deliver unmatched performance, seamless compatibility, and unparalleled reliability. These cards are built to meet today’s production demands while preparing for the challenges of tomorrow.” Next Gen Type B Performance The latest AV Pro SE Type B cards incorporate version 4 technology along with an upgraded PCIe
The post Angelbird Doubles Down on Type B Media with Next Gen V4 Tech first appeared on 4K Shooters.
Adobe has launched the first commercial generative video model designed specifically for content creators and professional video artists. The Adobe Firefly Video Model is both IP-friendly and safe for commercial use, enabling brands to deploy their generated content confidently, ensuring professional results free from copyright issues. This new web-based application allows users to generate ideas and refine them for production-ready content seamlessly. It offers creative control and supports cross-media workflows, making the post-production process faster and more scalable. Generate Video produces video clips from text prompts using large language models, facilitating the creation of various camera angles, 3D sketches, storyboards,
The post Adobe Introduces the First Commercial Generative AI Video Tool for Firefly first appeared on 4K Shooters.
RØDE has announced a new firmware update for the RØDECaster Video production console, packed with new features and improvements designed to elevate your video and audio production. In firmware version v1.1.00.792 for the RØDECaster Video, users gain access to exciting tools, including a switch-to-transition feature for playback, scene audio capabilities for switching, auxiliary routing, bit rate control, and a last-ditch video recovery feature to safeguard against lost power or connectivity. Let’s take a closer look. Switch-to-Transition for Playback: This new feature allows users to choose from several playback options: play a video file once, loop it indefinitely, or switch to
The post RØDE Rolls Out New Features with RØDECaster Video Firmware Update first appeared on 4K Shooters.
RED has updated REDCINE-X Pro to support Nikon’s N-RAW format, integrating RED’s IPP2 workflow. This allows users to process clips shot in N-RAW alongside RED’s color science. Since Nikon acquired RED in 2024, many anticipated an integration of Nikon’s advanced features into RED and vice versa. This collaboration aims to enhance professional-grade content creation. Following the release of RED LUTs for N-RAW workflows, the addition of Nikon RAW support in REDCINE-X Pro signifies a significant step forward in this partnership. The updated software enables users to create RED Wide Gamut RGB and Log 3G10 color spaces using Nikon RAW. This
The post RED Adds Nikon RAW to Its Professional IPP2 Workflow first appeared on 4K Shooters.
Nikon has introduced the new Nikkor Z 35mm F/1.2 S fast wide-angle prime lens, which offers high-speed optical performance and smooth, picturesque bokeh. This lens is designed to create a dramatic shallow depth of field while capturing the essential details of the subject in focus for a more cinematic storytelling experience. As the 40th lens in Nikkor’s lineup of Z-mounted optics, the 35mm F/1.2 S combines sharpness and texture while providing a wider view of the environment surrounding the subject. Soft, organic features – such as skin tones and hair – are rendered naturally, while reflective objects remain free of
The post Nikon Launches 35mm F1.2 Z Lens That’s All About the Bokeh first appeared on 4K Shooters.
Content creators who have heavily invested in the Blackmagic ecosystem now have a high-resolution option for large-format filmmaking. The new Blackmagic URSA Cine 12K Cinema Camera features a fully customizable body that is compatible with existing accessories in your kit. “When we launched URSA Cine 12K many people said they would like to purchase the body of the camera only because they already have accessories for feature film production,” said Grant Petty, Blackmagic Design CEO. “We didn’t do this model as an upgrade because people don’t like giving up their old cameras to trade in, so we just offered the
The post Blackmagic Releases Customizable URSA 12K Cinema Camera Body first appeared on 4K Shooters.
Anton/Bauer has designed a new mobile power station to meet the demands of professional cinematographers in the field. The EDEN Portable Power Station dependable power to its mobile power grid design, to fuel the demands of high performance cinema cameras and other gear on location. “Until now, filmmakers had to rely on products designed for recreational use, which often fell short of powering professional-grade cinematography equipment,” said Andrew Hutton, Head of Product Management at Anton/Bauer. “With EDEN, we’ve created a solution that embodies reliability and performance while addressing the specific needs of cinematographers.” EDEN’s professional design provides up to 2.5kWh
The post Anton/Bauer Joins the Portable Power Revolution with EDEN first appeared on 4K Shooters.
Canon has announced a firmware update that addresses timecode inaccuracies in the Canon C80 and Canon R5C cameras. This update not only resolves the current issue but also incorporates several improvements from previous updates for users who may have skipped them. The main feature of versions 1.0.2.1 and 1.1.0.1 is enhanced timecode accuracy when the cameras are powered off. Additionally, the setting is now configured to to better support this enhancement. Improvements from the earlier firmware include fixing an issue that caused the image to “shake” during video recordings of moving subjects, such as people
The post Canon Fixes Timecode Issues Affecting R5C and C80 Cinema Cameras first appeared on 4K Shooters.
Blackmagic Design has released an updated version of the Camera OS operating system for the Blackmagic PYXIS 6K Cinema Camera and Monitor, continuing to enhance overall performance and reliability. The company has also launched new versions of the Blackmagic RAW Player and Video Assist for better support, along with an updated version of Cloud Store Software to resolve issues with syncing original camera files via camera-to-cloud. Blackmagic Camera OS Update 9.2.1 The 9.2.1 update for the Blackmagic Camera OS addresses a Bluetooth connectivity issue that occurs when switching from playback to record on the PYXIS 6K Cinema Camera. Additionally, the
The post Blackmagic Updates: CameraOS, Video Assist, Cloud Store & B-RAW Player first appeared on 4K Shooters.
ARRI is targeting independents who work across multiple disciplines and genres with the introduction of the ALEXA 35 camera system, which offers an entry-level price that can be adjusted through flexible licenses added as needed. The more affordable ALEXA 35 Base model allows users to expand its capabilities with additional licenses on a weekly, monthly, or annual basis, as well as a permanent rate for long-term users. The new base configuration closely resembles the flagship ALEXA 35 Premium model, differing mainly in its flexible licensing options. The ALEXA 35 Base features the same Super 35 Sensor, allowing for up to
The post ARRI Introduces New Low-Cost Alexa 35 Camera with Flexible Licensing Options first appeared on 4K Shooters.
Team Group has announced the launch of the world’s first 2TB v90 SDXC card. The T-Create Expert SDXC UHS-II V90 SD Card promises fast read and write speeds for 8K video, offering ample storage to accommodate the larger file sizes associated with high-resolution content. Based in China, Team Group specializes in creating RAM and media cards tailored for high-performance applications, including gaming, video and still photography, and graphic design. Although the brand may be relatively unknown outside of China, Team Group has quietly surpassed leading manufacturers to reach the 2TB milestone for high-speed UHS-II media. Higher speed and capacity In
The post Revolutionary V90 UHS-II SD Card Sets New Standard with 2TB Capacity first appeared on 4K Shooters.
Panasonic has announced new firmware updates for several LUMIX S full-frame and G micro four-thirds mirrorless cameras. The updates include version 3.2 for the S5II, version 2.2 for the S5IIX, version 1.3 for the GH7, and version 2.3 for the GH9II. These updates introduce expanded features such as enhanced connectivity with the Lumix Smartphone app, improved subject detection, MP4 compatibility, and a new open gate mode. Let’s take a closer look at the details. Version 3.2 for the S5II and Version 2.2 for the S5IIX bring several notable improvements: MP4 (Lite) Compatibility: A key enhancement for content creators is the
The post Panasonic Updates LUMIX S and G Series Firmware first appeared on 4K Shooters.
Canon has introduced the new RF 16-28mm F2.8 IS STM lens, expanding its lineup of affordable zoom options for users of Canon’s mirrorless cameras alongside the RF 28-70 lens. Geared towards content creators, this lens promises enhanced image quality, ease of use, and portability for both photography and videography. Engineered for professionals and enthusiasts alike, the RF 16-28mm F2.8 IS STM utilizes fast STM stepping motors to deliver rapid autofocus through dual-pixel CMOS AF 2. It features smooth aperture control and effectively identifies and tracks subjects within the frame. With a constant F2.8 aperture and ultra-wide zoom range, this lens
The post Canon Previews New RF 16-28mm F2.8 Lens, and a New Switching App first appeared on 4K Shooters.
Sony has recently unveiled a series of firmware updates for its mirrorless and cinema cameras, introducing new features and enhancements. The updates target the Alpha 1, Alpha 1 II, and Alpha 9 III mirrorless cameras, as well as the Sony BURANO Cinema Camera. Key improvements include expanded shutter speed options, custom user LUT support, new recording modes, and more. Here’s a breakdown of the updates: Updates for Alpha 1, Alpha 1 II, and Alpha 9 III The firmware updates bring significant enhancements to the Alpha series cameras. Version 3.0 for the Alpha 1 and Alpha 9 III, along with version
The post Sony Announces New Firmware for a Variety of Cameras first appeared on 4K Shooters.
As the annual Sundance Utah Film Festival approaches, Adobe has announced its winter updates to Creative Cloud. These updates aim to reduce the workload for video professionals by introducing new features in Premiere Pro, After Effects, and Frame.io, streamlining video editing and effects workflows like never before. Premiere Pro Currently in Beta testing, the update for Premiere Pro will feature an AI-driven Media Intelligence and Search Panel to help users locate the right clips quickly. This new panel allows post-production artists to customize a system for reviewing, logging, and finding the appropriate clips, enabling them to assemble their edits efficiently.
The post Adobe Institutes New Features for Creative Cloud on the Eve of Sundance first appeared on 4K Shooters.
Blackmagic has announced that its flagship URSA 12K LF Digital Cinema Camera has received approval for all projects destined for Netflix. Now included in the Netflix Approved Camera List, the URSA 12K LF joins a select group of cinema cameras that have successfully passed Netflix’s stringent review for image capture requirements and best practices. Other Blackmagic models on this official list include the URSA Mini Pro 4.6K G2 and the URSA Mini Pro 12K OLPF. Netflix employs a dedicated camera lab facility for thorough testing and evaluation. The platform examines new cameras against strict criteria, including dynamic range, color reproduction,
The post Blackmagic URSA Cine 12K LF Receives Official Netflix Certification first appeared on 4K Shooters.
Imagine if a DJI Mini and a DJI Neo came together to create a new drone. You might end up with a device that’s perfect for vlogging and ideal for beginners eager to enter the drone scene: the DJI Flip. The newcomer features four caged rotors protected by full coverage propeller guards that conveniently fold underneath the unit for easy storage. Compact and lightweight, the Flip weighs just 249 grams, allowing it to avoid FAA registration requirements and fit easily into a purse or carrying pouch for transport and safe storage. Equipped with a 48MP 1/1.3 inch CMOS sensor, the
The post DJI Launches All-in-One Vloging Drone, Ideal for Beginners first appeared on 4K Shooters.
Canon has developed the Camera Color Matching Application specifically for Windows-based post-production workflows. This application integrates the Canon CR-N700 PTZ Camera into editing and color grading processes, ensuring the image fidelity and color accuracy of the PTZ line are maintained across live broadcasts, multi-camera shoots, and mainstream online content creation. Maintaining color consistency and resolution can be challenging when using multiple camera models in a post-production workflow. The complexities increase significantly when integrating various camera models from different manufacturers, making computational support essential. The CR-N700 PTZ 4K camera is particularly suitable for live streaming and broadcast situations that require a
The post Canon Creates A New Custom Color Matching App for PTZ Camera Integration first appeared on 4K Shooters.
Hollyland, a Chinese film gear company, was the first to introduce compact Lark wireless microphones designed for on-camera use. These microphones have gained immense popularity due to their discreet circular design, which lacks logos that would draw attention. The company has now launched the new Lark M2S, which is 30% smaller than the previous Lark M2 while maintaining the same high-performance audio quality. Roughly the size of a button, the sixth-generation Lark M2S is designed to seamlessly integrate into any character’s costume while delivering professional-grade audio. With dimensions of 1.3 cm x 0.63 cm, the ultra-compact wireless microphone is logo-free
The post Hollyland’s Latest Wireless Mic is the Smallest Available first appeared on 4K Shooters.
DJI has unveiled its next-generation O4 Air Unit Pro Drone System, featuring the innovative O4 transmission protocol. This new video transmission system elevates first-person (FPV) drones to new heights, providing more precise controls, ultra-low latency, and an extended transmission range. The camera has also received significant upgrades. “FPV enthusiasts will be thrilled with the stunning visuals they can capture using the O4 Air Unit Series,” said Ferdinand Wolf, Product Experience Director at DJI. “The O4 Air Unit Pro provides a robust, high-performance FPV experience, regardless of how fast you fly, while the O4 Air Unit offers flexibility in a lightweight
The post DJI’s Next-Gen O4 Air Unit System Arrives first appeared on 4K Shooters.
ProGrade Digital, a renowned media card company, is broadening its range of media peripherals with the launch of the P20 Pro Thunderbolt 4 Media Hub. This innovative hub is specifically crafted to enhance professional content creation workflows, delivering ample power to charge a laptop along with up to three additional mobile devices. To ensure a tidy workspace, the PG20 Pro seamlessly integrates with ProGrade’s highly-regarded media card readers. Wes Brewer, Founder and CEO of ProGrade Digital Inc., stated, “While the marketplace for Thunderbolt 4-based hubs is quite saturated, we took the time to consider how professionals utilize our card readers
The post ProGrade Unveils PG20 Pro Thunderbolt 4 Hub for Creative Workflows first appeared on 4K Shooters.
If a new rumor is trustworthy, Canon could be developing a video-focused hybrid APS-C camera aimed at rivaling the Sony FX line of mirrorless cinema cameras. This new camera seems to be a follow-up to the popular M series and targets content creators on platforms like YouTube. While the camera will feature an APS-C style sensor and lens mount, details about the potential EOS RC mirrorless camera remain scarce. However, many speculate it will adopt a body style similar to the EOS M6 Mk. II. If Canon intends to compete with Sony’s FX design, it may need to adjust its
The post Video-Focused Canon RC Hybrid Rumored for 2025 first appeared on 4K Shooters.
Traditionally, Peter McKinnon, a prolific photographer and popular YouTuber, was not impressed with the quality of 360-degree action cameras. While these cameras allowed extreme sports enthusiasts to capture third-person views of their adventures, they fell short in cinematic quality. That all changed with the release of the Insta360 X3, followed by the X4. McKinnon has now become a convert and is partnering with Insta360 to offer a bundle that simplifies the process of capturing that perfect shot. Declaring the Insta360 X4 the “greatest action camera ever to exist,” McKinnon believes the 360° platform is a true game changer for content
The post Insta360 Teams Up with Peter McKinnon to Create A Useful 360° Camera Bundle first appeared on 4K Shooters.
Typically, NAB serves as the technological paradise where content creators glimpse upcoming advancements. However, those interested in technology should not overlook the new devices being unveiled at CES. In anticipation of this major tech event, monitor manufacturers are introducing new OLED monitors that promise refresh rates of up to 500 Hz, providing a significant advantage for 8K workflows. Kicking off this monitor showcase, Samsung presents its 27-inch 500Hz Odyssey monitor. This model comes in two configurations: the G60SF QD-OLED and the G8 G81SF QD-OLED. Both displays promise 4K resolution, with refresh rates of 500Hz and 240Hz, respectively. Specifically, the G60SF
The post New 4K Monitors with Hi Refresh Rates Are Hitting the Market first appeared on 4K Shooters.
With half of the Mac product line upgraded to the M4 platform, Apple has focused on updating the Mac Studio and Pro. Both of these computer designs are overdue for a refresh, but rumors suggest that M4 variants are still at least six months away. During Apple’s recent M3 refresh, the company chose not to update the Mac Studio and Mac Pro with the M3 Ultra chip design, leaving them stuck with the M2 generation. However, with the MacBook Air and MacBook Pro updates now completed, the Cupertino rumor mill indicates that significant improvements for both platforms are likely on
The post Mac Studio and Pro M4 Updates Rumored At Least Six Months Away first appeared on 4K Shooters.
As we enter 2025, Magic Lantern is setting ambitious goals to enhance cinematic features on the Canon platform. This innovative hacked firmware empowers users of older Canon cameras to access features like Raw Video and higher resolution recording, making it appealing for content creators who haven’t upgraded to newer models. It appears 2025 will continue this trend. What is Magic Lantern? Magic Lantern is a free software add-on that operates from the SD/CF card, adding numerous features to Canon EOS cameras that Canon did not include in the original firmware. Tools like on-screen overlays, higher-resolution image capture, and headphone monitoring
The post After Nearly 15 Years in Development, Magic Lantern is More Alive than Ever first appeared on 4K Shooters.
Blackmagic Design has announced the release of Blackmagic Camera 9.2, a significant update that enhances its cameras with several key features. This update is especially important for users of the Blackmagic PYXIS 6K, as it introduces support for the Blackmagic PYXIS Monitor, greatly expanding the camera’s capabilities and providing filmmakers with new tools to improve on-set workflows. The integration with the PYXIS Monitor is a game-changer, ensuring seamless compatibility and enhanced functionality for the Blackmagic PYXIS 6K. This addition facilitates better monitoring, more accurate framing, and increased efficiency during shoots. Additionally, the camera now supports remote control through the Blackmagic
The post Blackmagic Camera Update Offers Expanded PYXIS Support & New Features first appeared on 4K Shooters.
Viltrox has announced the release of the AF 35mm F1.7 Air Series lens, offering a compact and budget-friendly option for beginner photographers seeking to move beyond the standard kit lens. Designed in the APS-C format for X, E, and Z mounts, this lens provides a versatile focal length suitable for portraits, landscapes, street photography, and more. Equipped with a Stepping Motor (STM), the lens ensures fast, silent, and precise autofocus, making it a reliable tool for capturing still and moving subjects. Eye and face detection features enhance usability, simplifying the photography process for both beginners and experienced users. “This lens
The post Viltrox Launches AF 35mm F1.7 Air Series Compact Lens for Beginners first appeared on 4K Shooters.
Atomos has announced a significant firmware update for its popular Shinobi II HDR monitor, which introduces expanded camera support, enhanced touch-to-focus functionality, and other performance improvements. The update, version 11.03.00, is now available and further enhances the capabilities of the renowned 5-inch HDR display. The Shinobi II has earned praise for its slim, lightweight design and robust feature set, making it an indispensable tool for vloggers, photographers, and filmmakers. Its core features include a bright 5-inch HDR display capable of 1500 nits of brightness, ensuring excellent visibility even in direct sunlight. With a wide color gamut and HDR support, the
The post Atomos Shinobi II Monitor Adds Enhanced Touch-to-Focus in Latest Update first appeared on 4K Shooters.
Blackmagic Design has announced a price reduction for its Pocket Cinema 4K camera to $995. This micro four-thirds cinema camera was groundbreaking in its time, but with the availability of a new 6K version and the market’s gradual embrace of an 8K standard, its relevance may be waning. But thanks to this price decrease, don’t count out this plucky cinema camera just yet. “The Blackmagic Pocket Cinema Camera 4K has been popular among customers as both a digital film camera and a studio camera when used with ATEM Mini switchers. It offers a wide dynamic range for digital filmmaking and
The post Grab the Blackmagic Design Pocket Cinema 4K for just $995 first appeared on 4K Shooters.
Venus Optics has expanded its Nanomorph optics design with a new set of large-format 1.5x anamorphic lenses. This professional-grade lens lineup caters specifically to large format and full-frame cameras and aims to deliver exceptional image quality that redefines anamorphic filmmaking for a wider range of creators. With an impressive image circle of Ø44.71mm, the Nanomorph LF series ensures full-frame sensor coverage while reducing vignetting and enhancing image quality. This design allows cinematographers to maximize the resolution of standard cameras, such as the ARRI Alexa LF 4.5K Open Gate, across the anamorphic spectrum. The series includes four focal lengths: 32mm T2.9
The post Venus Optics Introduces Laowa Nanomorph Large Format Anamorphic Cine Lenses first appeared on 4K Shooters.
Insta360 believes it’s time to elevate those hectic production meetings. The company known for its 360-degree video cameras It’s time to elevate your hectic production meetings. Insta360 has unveiled a new dual-camera, AI-powered 4K Video Bar that provides comprehensive coverage of meetings in stunning 4K. Featuring dual cameras, a whiteboard mode, and a 14-mic array, the Insta360 Connect aims to enhance both online and in-person meetings by ensuring everyone in the room is captured. Honored with the Best in Show award for AI AV technology at the Infocomm 2024 conference, the Insta360 Connect boasts dual 4K cameras: one wide-angle for
The post Insta360 Announces insta360 Connect Video Bar For Total Meeting Coverage first appeared on 4K Shooters.
ARRI has announced the ARTEMIS 2 Live, a compact and lightweight camera stabilizer specifically designed for live productions, including sporting events, concerts, and other similar events. The ARTEMIS 2 is fully modular and upgradeable, thereby enabling camera operators to transform it into more cinematic steady cam-style setups, such as a fully configured ARTEMIS 2 or the more cinematic TRINITY 2. This versatility provides shooters with expanded options for various work opportunities. As an entry point into ARRI’s Camera Stabilizer Systems, the ARTEMIS 2 Live is highly adaptable to the demands of any production, be it a live event or a
The post ARRI Launches Artemis 2 Live Camera Stabilizer first appeared on 4K Shooters.
Atomos has announced that its new Ninja Phone Video CoProcessing Module now supports Frame.io Camera to Cloud integration, thanks to official certification through Adobe. The Ninja Phone interface is compatible with the latest iPhone and iPad Pro models, allowing them to function as a monitor recorder while streaming real-time uploads of original camera files and proxies to the cloud. This innovative system combines Atomos processing technology with the Apple iPhone 15 Pro or Pro Max, transforming the device into an external monitor and recorder capable of 10-bit Apple ProRes encoding from any professional HDMI camera source. The Ninja Phone system
The post Atomos’ Ninja Phone Receives Frame.io C2C Certification first appeared on 4K Shooters.
Blackmagic has officially announced that preorders are now open for the new Blackmagic URSA Cine Immersive Cinema Camera. Blackmagic CEO Grant Petty proclaims that the URSA Cine Immersive is the world’s first commercial digital film camera with built-in cloud storage technology and a “true end-to-end workflow” for Apple Immersive Video. “With this innovative system, filmmakers can record remarkable moments,” stated Petty, “like action-packed scenes, unique perspectives, stunning landscapes, intimate performances, and more, all with incredible fidelity, offering viewers an unparalleled sense of realism and immersion.” Designed for content creation tailored to Apple’s Vision Pro virtual reality goggles, the URSA Cine
The post Blackmagic URSA Cine Immersive Camera Is Available Now for Preorder first appeared on 4K Shooters.
Nikon has introduced significant updates to the Z9 mirrorless camera and its NX MobileAir companion app, enhancing their appeal for professional filmmakers. These updates include advanced features such as adjustable shutter angles on the Z9 and wireless camera-to-cloud integration with Frame.io via the NX MobileAir app and Android-based smartphones. With Nikon’s acquisition of RED, professional-grade features from RED’s architecture are now becoming integral to Nikon’s platform. The latest firmware update, version 5.1.0, exemplifies this integration by providing filmmakers with tools to achieve greater creative control. Among the highlights is the addition of a new shutter mode, which allows users to
The post Nikon Updates Firmware for Z9 and NX MobileAir App with Pro Features first appeared on 4K Shooters.
Amaran has launched a new video light for mobile devices that promises to be both brighter and easier to attach to a smartphone for instant low-light shooting. The Amaran Go is an ultra-compact, MagSafe-compatible video light featuring a flip up two-way mini LED projection, designed for quick mounting that allows for fast recording in dim conditions. “The launch of Amaran Go addresses the growing demand for high-quality, portable content creation solutions and reinforces Amaran’s reputation as a preferred brand for creators,” stated Aaron Tsai, VP of Marketing at Amaran. “This product effectively ticks off all the essential tools needed to
The post amaran Unveils Go MagSafe Video Light for Mobile Filmmaking first appeared on 4K Shooters.
Blackmagic Design has released DaVinci Resolve 19.1.1, bringing a host of enhancements and fixes across its Edit, Fusion, Color, and Fairlight pages. Whether you’re a video editor, colorist, VFX artist, or audio professional, this update ensures a smoother, more efficient workflow from Blackmagic’s flagship post-production suite. Let’s explore the highlights of this latest update. Edit Page The Edit Page has received several critical updates to improve functionality and reliability. Key fixes include: Improved Multicam Editing: Two notable issues with multicam editing have been resolved. The first addresses difficulties in switching multicam angles at edit points, and the second resolves inconsistencies
The post Key Improvements Arrive to Blackmagic DaVinci Resolve 19.1.1 Plus a Limited-Time Discount first appeared on 4K Shooters.
With the ALEXA 265, ARRI offers shooters a compact and lightweight large-format camera option, one that is a third of the size of their flagship 65mm cinema camera, the ALEXA 65. This new model maintains the performance, color science, and C4 Workflow that ARRI users expect, positioning itself as a potential favorite for filmmakers seeking a robust run-and-gun platform. Building on the compact design of the ARRI 35, the ALEXA 265 captures 6.5K video images with an impressive 15 stops of dynamic range. It features the familiar LogC4 workflow and employs the REVEAL color science along with a state-of-the-art new
The post ARRI Announces a Smaller, More Compact 65mm ALEXA first appeared on 4K Shooters.
RØDE has unveiled the Wireless GO Gen 3 Microphone System, a feature-packed addition to its wireless audio lineup. Breaking away from the trend toward more miniaturized designs, the iconic design of the Wireless GO Gen 3 prioritizes performance and reliability with up to 40 hours of onboard recording, 32-bit float recording, and Intelligent GainAssist, solidifying its position as an essential tool for creators and audio professionals. RØDE CEO Damien Wilson underscored the innovation behind the system, noting, “The original Wireless GO established a whole new category in 2019, redefining wireless audio recording with a compact, reliable, and high-quality solution. The
The post RØDE Launches 3rd Gen Wireless Go first appeared on 4K Shooters.
Venus Optics is pushing the boundaries of compact cinema lenses with the innovative Sword Macro line, which features full-frame cinema lenses. Covering an impressive focal length range of 15mm to 180mm, the lightweight Laowa Sword series weighs less than 1 kg (2.2 lbs), making it one of the lightest options on the market. With a maximum lens magnification of 1-2x, the Sword line delivers exceptional sharpness and clarity, whether shooting extreme close-ups or wide-angle shots. Engineered to minimize chromatic aberration, these lenses effectively eliminate color fringing and ensure clarity and accurate color reproduction from edge to edge of the image
The post For a More Compact Cine Lens Design, Venus Optics Draws Its Sword first appeared on 4K Shooters.
ZHIYUN stands out as a leader in camera gimbals, and its latest model, the Cinepeer Crane 4E Stabilizer, exemplifies this excellence. With enhanced stabilization and a lightweight, user-friendly design, the Crane 4E offers ergonomic, professional-grade performance at an affordable price. Weighing just 1630g, the Crane 4E is meticulously designed to improve weight distribution, reducing wrist strain on the camera operator by up to twenty-five percent while lightening the overall load by twenty percent in sling mode. When used in a dual-handle configuration, the gimbal is also up to 15 percent easier to carry and maneuver while capturing images. Engineered with
The post ZHIYUN Announces Crane 4E with a Lighter, More Robust Design first appeared on 4K Shooters.
FilmConvert has again extended its robust toolkit for filmmakers, introducing a new camera pack supporting the iPhone 16 Pro. This update, available for both FilmConvert Nitrate and CineMatch users, makes it easier to elevate mobile filmmaking to cinematic heights. The iPhone 16 Pro boasts impressive video capabilities, cementing its status as a powerful tool for creators on the go. With its triple-lens camera system, 48MP main sensor, and cutting-edge computational photography, the iPhone 16 Pro can capture ProRes and Dolby Vision HDR video at up to 4K 60fps. It also introduces Apple Log, providing filmmakers with more dynamic range and
The post FilmConvert Nitrate and CineMatch Add Support for iPhone 16 Pro first appeared on 4K Shooters.
DJI’s Power Expansion Battery system provides hours of power on set by daisy-chaining it to the Power 1000 portable power station. Its modular design enables efficient energy storage in a compact size, allowing users to add as many batteries as needed. “We’re excited for the DJI Power Expansion Battery 2000 to enhance outdoor exploration while offering peace of mind for power storage at home,” said Ferdinand Wolf, Product Experience Director at DJI. “Nothing disrupts an adventure or creates anxiety during a storm like power shortages. Fortunately, the compact size and stackable design of the DJI Power Series alleviates these concerns.”
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Blackmagic Design has streamlined its backend data center architecture and announced a reduction in the monthly cost of Blackmagic Cloud by up to 50%. The average monthly price now stands at $15 per TB. “This new, lower price for Blackmagic Cloud storage is exciting and will enable many more customers to adopt cloud workflows,” said Grant Petty, CEO of Blackmagic Design. “This initiative reflects the core values of Blackmagic Design. Our engineers have done an excellent job of reducing the cost of Blackmagic Cloud.” If unfamiliar with the service, Blackmagic Cloud enhances camera-to-cloud support for DaVinci Resolve and other Blackmagic
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Western Digital has announced the availability of its latest Sandisk V90 Extreme PRO SD cards for preorder. These high-performance cards are purposefully designed for professional photographers, videographers, and users handling large media files, offering an optimal balance of speed and capacity. As advancements in camera technology continue to elevate media file sizes with resolutions exceeding 8K, there is an increasing demand for faster and larger memory options. The new Extreme PRO SD cards directly meet this need, especially as camera manufacturers push resolution into double digits at rapid transfer speeds. This demand for speedier writing media cards with expanded capacities
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DJI has launched the new DJI Mic Mini Wireless microphone, continuing the trend of “mini” in the wireless audio market. This microphone boasts an impressive battery life of up to 48 hours and features dual noise-canceling recording tracks, along with a third safety track. It serves as DJI’s response to the RØDE Wireless Micro. Designed to be ultra-light and compact, the DJI Mic Mini promises long-lasting battery life while delivering stable, high-performance wireless audio, all for under $170. “Content creators can rely on capturing remarkably dynamic, crystal-clear sound in any environment, benefiting from the wearability and functionality of the DJI
The post DJI Mic Mini Takes Center Stage in the Wireless Audio Revolution first appeared on 4K Shooters.
It’s almost surreal how fast time since last Black Friday has passed by. With 2025 just around the corner and the entire holiday season right ahead of us, it’s time to take a closer look at some of the most exciting end-of-year deals for all fellow filmmakers out there wishing to grab some excellent pieces of equipment at hefty discounts. As always, Black Friday is a fantastic opportunity to shop around, hence we have collected some of the best deals available out there. Let’s dive right in! B&H HOLIDAY DEALS Canon Canon has savings across practically the entire mirrorless camera
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Aputure, a leader in innovative lighting solutions, has announced its new Storm line of BLAIR CG lights, which boast a color spectrum that surpasses all other LED-style lighting fixtures. These lights employ an advanced RGB LED engine design that significantly outperforms traditional RGB options in terms of spectral fidelity. The BLAIR Color Engine, which includes Blue, Lime, Amber, Indigo, Red, Cyan, and Green color values, extends beyond standard RGB and natural light. This design gives filmmakers the capability to replicate artificial effects, such as neon glows or other non-natural colors and lighting conditions. As a result, users gain access to
The post Aputure Introduces New Storm LED Lights with Dynamic new BLAIR Engine first appeared on 4K Shooters.
Angelbird is keeping pace with the rapid digital revolution by releasing a new Type A CFExpress 4.0 memory card. Designed for use with 8K cinema cameras and beyond, the AV Pro CFE 4.0 Type A cards are optimized for Sony cameras, making them ideal for video recording and extended burst photography. There’s also a next-gen card reader to handle the heavy lifting of data transfer. Let’s take a closer look. The Angelbird AV Pro CFExpress Cards offer consistent read and write speeds of up to 800/1700 MB/s, with burst speeds reaching up to 1800 MB/s, thanks to a PCIe 4.0
The post Angelbird Evolves Beyond 8K With New CFExpress 4.0 Media Cards first appeared on 4K Shooters.
SIGMA has just announced the release of four new APS-C prime lenses as part of its Contemporary line, each featuring a maximum aperture of f/1.4. The new lenses include the 16mm f/1.4 DC DN, 23mm f/1.4 DC DN, 30mm f/1.4 DC DN, and 56mm f/1.4. Here’s a detailed look at each lens. SIGMA 16mm f/1.4 DC DN The SIGMA 16mm f/1.4 DC DN Contemporary Lens is the widest of the group, featuring 16 elements arranged in 13 groups. This design incorporates two special low-dispersion (SLD) elements, three fluorite low-dispersion (FLD) elements, and two aspherical elements, all intended to minimize distortion,
The post Sigma Unveils Four New Prime Lenses for Its Contemporary Line first appeared on 4K Shooters.
Sony has announced the release of the alpha 1 II, a full-frame mirrorless camera designed for professionals. The a1 II utilizes artificial intelligence to achieve an optimal balance of high resolution and speed while incorporating many of the most requested features from Sony’s high-end cinema camera lineup. “When developing the successor to our esteemed flagship model, we made it our mission to incorporate feedback from the industry and the community of alpha 1, alpha 7R V, and alpha 9 III users,” said Yang Cheng, Vice President of Sony Imaging Solutions. “The result is a powerhouse of a camera – our
The post Sony Announces Next Gen Flagship a1 II Mirrorless Camera first appeared on 4K Shooters.
Apple has released Final Cut Pro 11, marking the first major update in nearly 15 years. This upgrade is optimized for the artificial intelligence revolution and includes a version specifically designed for the iPad. Additionally, a new version of Final Cut Camera for the iPhone has also been launched. New AI-driven features include a “magnetic mask” that allows for a one-click target selection to separate it from the background and perform rotoscoping. Users can then adjust the image for color, and lighting, or apply effects from the non-linear editor’s (NLE) effects browser. Final Cut Pro 11 also introduces closed captioning
The post Apple Launches Final Cut Pro 11 and Updates for iPad and Final Cut Camera App first appeared on 4K Shooters.
Fujifilm has finally entered the professional cinema market with the launch of a new large-format cinema camera called the GFX Eterna. This camera is designed to capture rich and true-to-life cinematic visuals with enhanced flexibility, aiming to compete in – and potentially revolutionize – the digital content creation space. As the demand for various types of video production grows – ranging from feature films and short films to documentaries and web content – there is an increasing need within the film industry for high-quality videos that can be produced quickly and affordably. According to the product announcement, the GFX Eterna,
The post FUJIFILM Is Developing its First Cinema Camera first appeared on 4K Shooters.
Zeiss has launched the new Supreme Zoom Radiance line of high-end cinema zoom lenses, each featuring a constant aperture speed of T2.9. This set includes three lenses: 15-30mm, 28-80mm, and 70-200mm. They are coated with the same T blue lens coating found in the Zeiss Supreme Prime line. The iconic design of the new Zoom Radiance line allows for effective control of lens flare, enhancing depth, texture, and atmosphere in cinematic shots. The T blue coating enables consistent flare reproduction from shot to shot, especially when directed light is focused straight down the lens barrel. By incorporating zoom, the flare
The post Zeiss Rolls Out New Supreme Zoom Radiance Cine Set first appeared on 4K Shooters.
RØDE has announced the new Wireless Micro, specifically designed for mobile filmmakers. This wireless system is about half the size of RØDE’s other Wireless microphone systems but offers the same functions and features. Let’s take a closer look. Featuring a “clip-and-go” design, the RØDE Wireless Micro aims to maintain a small, unobtrusive footprint while delivering the high-performance audio that content creators expect from RØDE. Key features include Gain Assist Technology, an omnidirectional pickup, and up to 21 hours of battery life. The RØDE Wireless Micro is set to become smartphone users’ go-to wireless microphone system. The system includes two transmitters
The post RØDE Unveils A More Compact Version of Its Wireless Microphone Platform first appeared on 4K Shooters.
Sony has unveiled a comprehensive firmware roadmap designed to introduce new features and enhancements to its Cinema Camera Line. This plan aims to address the evolving demands of the digital filmmaking landscape and will affect the VENICE 2, FX6, FX3, FX30, and BURANO cinema cameras. Here’s a detailed overview of the forthcoming updates for each model: VENICE 2 The upcoming version 4.0 firmware for the Sony VENICE 2 will introduce support for the EL Zone exposure system, which presents exposure values in stops rather than IRE. This change aligns camera exposure more closely with lighting design and reinstates the correlation
The post Sony Introduces Firmware Roadmap to Cinema Camera Lineup first appeared on 4K Shooters.
Nikon has just announced the new Z50 II compact mirrorless camera, designed for hybrid content creators who capture moments in both still images and videos. The camera boasts a film-inspired aesthetic, improved user-friendliness, and enhanced color accuracy. “The Z50 II is a gateway to a whole new world of expression,” said Fumiko Kawabata, Senior Vice President of Marketing and Planning at Nikon Inc. “This camera incorporates some of the best technology from our renowned professional-level cameras, yet it is compact enough to take anywhere.” The Z50 II is crafted to be both simple and powerful, hinting at its professional-grade
The post Nikon Announces Z50 II Mirrorless Camera for Hybrid Content Creation first appeared on 4K Shooters.
In a significant firmware update for its Cinema EOS line (many discounted through Canon’s annual Holiday sale), Canon has addressed various issues and introduced expanded feature support, including camera-to-cloud applications and multi-camera functionality for mobile devices. One of the key new features is enhanced support for Frame.io’s camera-to-cloud platform, which includes activating and transmitting proxy files over WiFi. This update primarily impacts the brand-new Canon EOS C400 and C80 Cinema Cameras. Additionally, the Canon C70 Cinema camera and EOS R5C mirrorless camera will now be compatible with the RF 17-120 Cine-Servo lens and the new hybrid RF 70-200 F2.8
The post Canon Updates EOS Cinema Camera Line with New Features and Fixes first appeared on 4K Shooters.
B&H is kicking off holiday shopping early with a massive sale on popular cameras and computers. Shoppers can save up to $3,000 on Canon products, $400 on Sony items, nearly $5,000 on Nikon, and more. Plus, there’s free shipping available! Cameras A closer look at the available deals reveals significant savings, especially with bundled items. For instance, Nikon enthusiasts can grab a Z7 II mirrorless camera bundle, which includes a carrying bag and a 128GB Lexar Pro SD card, for just $1,996.95 – an instant savings of over $1,000. Users can also add a 24-70mm zoom lens for an additional
The post The Holidays Get a Head Start at B&H with Huge Sale first appeared on 4K Shooters.
SanDisk has quietly introduced a new Extreme Pro 2TB UHS-I V30 SDXC media card. This card was first noticed as a new size option in SanDisk’s pull-down menu and appears to have launched without any major announcement. The new 2TB variant doubles the capacity of the UHS-I SD cards that SanDisk released in 2019, alongside their line of microSD media cards. This increase in storage capacity is likely to breathe new life into older 4K and HD camera systems, allowing them to serve as effective secondary cameras for the time being. Additionally, the cards are compatible with camcorders, laptops, audio
The post SanDisk Releases 2TB Extreme Pro SD Cards first appeared on 4K Shooters.
Canon is expanding its collection of RF L mount lenses with three hybrid options designed for both photography and video, ensuring high performance across both mediums. Joining the previously released 35mm RF L and 24-105mm RF L lenses, these three new offerings include the RF 24mm F1.4 L VCM, RF 50mm F1.4 L VCM, and the RF 70-200mm F2.8 L IS USM Z mount lens. These RF L mount lenses are tailored for Canon’s mirrorless cameras and deliver sharp, clear images with low distortion throughout the frame. They incorporate Canon’s latest actuator and focusing system for quiet, precise autofocus and
The post Canon Announces Trio of New Hybrid RF L Series Lenses first appeared on 4K Shooters.
Sennheiser has announced a new wireless microphone system designed to compete with DJI and RØDE in the personal wireless microphone market. The Profile Wireless Microphone system aims to deliver high-quality audio, making it ideal for freelancers, content creators, and videographers who want to enhance their audio without excessive costs. Hendrik Millauer, Product Manager for Broadcast and Film at Sennheiser, stated, “We cannot imagine content creation today without compact 2.4 GHz mic systems. I am proud that Sennheiser is adding an all-in-one microphone system to its portfolio that truly makes a difference for creators and videographers. We’ve equipped the Profile Wireless
The post Sennheiser Joins the Personal Wireless Mic War first appeared on 4K Shooters.
Apple is enhancing its iMac lineup by doubling the RAM capacity and upgrading the processor to the latest M4 Apple Silicon, which now supports Apple Intelligence. Additionally, in line with the rumors, Apple’s new Mac Mini has been downsized to a palm-sized form while boosting performance. The M4 iMac Starting with the base model, the 24-inch iMac features the standard M4 processor, which includes four performance CPU cores and four efficiency cores. This configuration offers a balance of speed and energy efficiency, making it ideal for everyday tasks like web browsing, content creation, and basic productivity. Moreover, the base model
The post Apple Doubles Up on Specs for Its New M4 Macs first appeared on 4K Shooters.
A new product that is taking crowdfunding by storm is the Unify Drive UT2 Portable NAS, designed to make network-attached storage portable and capable of backing up to 16TB of data while on the go. This drive is an ideal companion for content creators seeking a secure backup solution during their travels. Targeted at content creators, travelers, and anyone needing a reliable backup solution, the Unify Drive UT2 utilizes artificial intelligence for enhanced privacy protection, functioning without the need for an internet connection. With just a single click, this pocket-sized device can back up data files and will automatically sync
The post New Portable NAS for Content Creators Lights Up Kickstarter first appeared on 4K Shooters.
Recent rumors suggest that Apple is preparing to launch a long-awaited refresh of the iMac to the M4 platform, along with upgrades to the Mac Mini. This enhancement is part of Apple’s ongoing initiative to improve macOS desktops with newer, faster processors that leverage the company’s advanced capabilities. Despite a decline in market share for Mac desktops in favor of more portable MacBooks and iPads – particularly in the trend toward a post-computer world – Apple continues to focus on developing office workstations for applications that require higher performance in a centralized setting. Typically, the iMac represents the next logical
The post iMacs, MacBook Pros, and Smaller Mac Mini Set for M4 Refresh first appeared on 4K Shooters.
The new 8K Insta360 Ace Pro 2 action camera, co-developed with Leica and powered by AI, is set to revolutionize the mobile action camera market. It features the first dual AI chip with a 1/1.3” 8K CMOS image sensor, enabling 8K video at 30 fps or 4K video at up to 120 fps. Additionally, its HDR and PureVideo low-light performance enhance the capabilities of AI technology. “Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We believe these upgrades establish a new
The post Insta360’s 8K Ace Pro 2 Shakes Up the Action Camera Space first appeared on 4K Shooters.
Venus Optics has introduced a new cine zoom lens to its Ranger line of Laowa Zoom Lenses. The full-frame 16-30mm T2.9 cine zoom enhances the focal length range of the Ranger line without burdening content creators with a heavy lens. The lightweight Ranger compact line of cine zoom lenses weighs approximately 800 grams and is less than 11 cm long. It offers a sharp, fast zoom range that covers the full-frame image area. With this addition, the entire Ranger cine line now spans from 16mm to 180mm, boasting an impressive 11x optical zoom range. These lenses are designed to provide
The post Venus Optics Adds 16-30 Zoom to Its Ranger Line of Cinema Lenses first appeared on 4K Shooters.
ZHIYUN is fully committed to integrating artificial intelligence features into its line of gimbal stabilizers. The latest release, the Cinepeer CQ5 three-axis smartphone gimbal, employs AI for tracking, acting like a personal camera assistant. The CQ5 offers true hands-free control (though users still need to hold it) and uses artificial intelligence alongside voice commands to make adjustments that keep video images steady. By simply saying “Hey Cami,” users can control physical adjustments, track subjects, and execute various commands to enhance video quality on their smartphones. The ZY Cami App allows content creators to access several cinematic effects, including smart follow,
The post AI Continues to Drive Zhiyun Gimbals For Professional Quality Stabilization first appeared on 4K Shooters.
Amaran, known for its expanding line of innovative lighting solutions, has introduced the compact amaran Ace 25x and amaran 25c LED lights. Designed for creators on the go, these lights offer industry-leading brightness and battery life, making them ideal for travel vloggers, wedding videographers, and influencers who need professional lighting in a portable package. The amaran Ace 25x (bi-color) and Ace 25c (full-color) deliver up to 32W of light output, providing double the brightness of similarly sized lights. At a distance of 0.5 meters and a color temperature of 5,600K, the Ace 25x emits up to 6,320 lux, while the
The post Amaran Unveils Ace 25x & 25c: Compact LEDs for Content Creators first appeared on 4K Shooters.
DJI has introduced the Air 3S drone. The Air 3S features a 1-inch CMOS sensor capable of capturing 10-bit video with up to 14 stops of dynamic range, making it well-suited for capturing detailed landscapes and travel videos. The newcomer is equipped with two cameras: a 24mm wide-angle camera with a 1-inch 50MP CMOS sensor for capturing expansive landscape shots, and a 70mm medium telephoto camera with a 48MP 1/1.3 inch sensor and 3x optical zoom for detailed images with reduced distortion. The DJI Air 3S can capture 10-bit 4K video using H.265 video encoding and DJI’s color science, providing
The post DJI’s NextGen Air 3S Takes to the Skies with 14 Stops of Dynamic Range first appeared on 4K Shooters.
Venus Optics is shaking up the anamorphic lens market with a new modular design that allows camera operators to swap out lens flare modules for the perfect look. With a 2x anamorphic squeeze and organic falloff, the Laowa Proteus 2X anamorphic lenses offer a modern twist on a classic optical design. Available in six focal lengths, ranging from 28mm to 100mm, the Laowa Proteus Flex 2x lenses provide sharp close-focus capabilities while minimizing focus breathing – an issue that can distract viewers. For those looking to reduce lens flare and optical reflections, the Proteus Flex series offers a specialized coating
The post Laowa’s Proteus Anamorphic Lenses Flex with Multiple Modular Lens Flares first appeared on 4K Shooters.
At Adobe’s 2024 MAX event in Miami, the video app company unveiled an advanced generative video AI app for Adobe Firefly, along with over 100 new tools for Creative Cloud. The new app allows creators to generate realistic-looking video content from well-written prompts. Additionally, Adobe introduced new video editing workflows in Premiere to support Firefly, AI-powered idea generation in Photoshop, and more. The company also announced a new program designed to educate the next generation of creators. Notably, Adobe has enhanced the Adobe Firefly Video app with even more powerful AI models, allowing for text-to-video and image-to-video capabilities within the
The post Adobe Launches Generative AI Video Along with Over 100 Creative Cloud Tools first appeared on 4K Shooters.
For many content creators, especially those working with mirrorless or DSLR cameras, the high cost and weight of anamorphic lenses can be a significant barrier to entry. But Chinese lens manufacturer Blazar is looking to change this dynamic by offering its new Cato 2x series of full-frame cine lenses representing a bold step in making high-end cinematic lenses available to a broader audience. Previewed at the NAB (National Association of Broadcasters) show in 2024, Blazar’s Cato 2x anamorphic lenses are available in four focal lengths: 40mm, 55mm, 85mm, and 125mm. What’s particularly striking about the Cato 2 line is that
The post Blazar Makes Anamorphic Lenses More Affordable and Lighter first appeared on 4K Shooters.
Users wanting a powerful and reliable camera may want to take another look at the Panasonic S9 Mirrorless Camera. This full-frame mirrorless camera boasts a 24.4 MP image sensor, 5-axis dual in-body image stabilization, and phase hybrid autofocus. It can capture 10-bit 6K video at up to 60 fps using various codecs. Panasonic has now expanded this model with new lens kits, a firmware update, and a few extra color schemes. The S9 supports 3:2 open gate recording and offers up to 14 stops of dynamic range. It also supports CInelike D2/V2 video recording for a more streamlined post-production workflow.
The post Panasonic Expands S9 Lineup with New Colors, Lens Kits, and a Firmware Update first appeared on 4K Shooters.
Convergent Design has announced that it will no longer support its popular Odyssey/Apollo video switcher and OLED HD monitor. The Odyssey/Apollo, which was first released in 2014, can still be found in many camera setups, but Convergent Design has announced that users must activate their Odyssey for continued use before the end of October. The company stated, “Unfortunately, while your Odyssey/Apollo hopefully has many years of life, we are now shutting down the service and repair of these units and creating new activation keys. Yes, the party has come to an end.” Convergent Design recommends that any necessary repairs to
The post Convergent Design Sets End of Life Date for Odyssey/Apollo Monitor Support first appeared on 4K Shooters.
The holiday shopping season is just over the horizon and that means Apple is expected to announce updates to its MacBook Pro line, with 4th generation Apple Silicon chips coming to its entry-level 14-inch MBP and the mid to higher-level 14 and 16-inch models receiving higher-end Apple Silicon upgrades. The Fall Apple hardware event is scheduled for later in October and will also feature a new M4 iPad Mini and a redesigned M4 Mac Mini. According to Bloomberg’s Mark Gurman, Apple has traditionally followed an annual release schedule for most of its products, including software and hardware such as computers,
The post Apple’s October Event Should Be All About the Mac … Mostly first appeared on 4K Shooters.
Blackmagic has announced a new update for DaVinci Resolve 19, which introduces several new features, including support for decoding MPEG transport stream clips and improved audio alignment when replacing clips in the media bin. The version 19.0.2 update also addresses various bugs reported by users. One of the key features of this update is the ability to decode MPEG transport stream clips with a .ts suffix. This addition has been well-received, though some users note that it may initially be limited to specific file types, with potential expansion in future updates. Users have also noticed improved RAM performance management in
The post Blackmagic Issues New Update to DaVinci 19 first appeared on 4K Shooters.
Samsung has unveiled its latest M.2 SSD, the 990 EVO Plus, designed to take advantage of Gen 4.0 x4 technology. This makes the drive ideal for demanding tasks such as content creation, gaming, and other high-performance applications that require fast data processing. The 990 EVO Plus boasts remarkable speed, delivering read speeds of up to 7,250 MB/s and write speeds reaching 6,300 MB/s. These figures are more than double the performance of its predecessor, providing users with significantly faster processing times. Despite these enhanced speeds, the 990 EVO Plus maintains impressive energy efficiency, offering over 73% better power management compared
The post Samsung Releases New M2 SSD with PCIe 4.0 Speed first appeared on 4K Shooters.
Adobe has recently unveiled the latest versions of Photoshop Elements and Premiere Elements, incorporating AI-powered tools and features to provide content creators with professional-grade post-production capabilities in just a few clicks. These updates, available in the 2025 versions of the applications, enable users to merge images, remove unwanted objects from scenes, create more captivating titles, adjust the depth of field post-capture, and experiment with color grading and costume options. Let’s take a quick look. Premiere Elements 2025 Premiere Elements 2025 introduces a streamlined timeline for faster editing workflows, with video and audio tracks grouped alongside commonly used editing options in
The post Adobe Boosts Elements Apps with New AI-Powered Features first appeared on 4K Shooters.
ProGrade is entering the SSD storage market with a new high-performance hard drive boasting transfer speeds of up to 2.5 GB/second and storage capacities of up to 8 TB. The PG10 Pro will be based on the latest USB4 specification, providing read/write speeds of up to 2,500 MB/second, making it suitable for use with the latest high-end cinema cameras. Wes Brewer, founder of ProGrade Digital, stated, “We have recognized for years that there is an opportunity to expand further into the professional workflow with a high-capacity, high-performance SSD. We were waiting for just the right time to enter with a
The post ProGrade Introduces SSD Drives with Blazing USB4 Speeds first appeared on 4K Shooters.
The Small Rig S60 Wireless Microphone may look a bit more like a tiny button on a shirt, but it can deliver professional-grade audio recording from nearly a thousand feet away. It is designed for mobile content creators who want to attach a wireless mic to a subject unobtrusively. The S60 is so small and lightweight that it’s doubtful anyone would even notice it. The key to the S60’s minimalist form factor and long range of its antenna. This technique uses Laser Direct Structuring (LDS) technology to fuse conductive materials such as copper, silver, gold, or nickel directly into the
The post SmallRig’s Mighty New Wireless Microphone is Tiny but Powerful first appeared on 4K Shooters.
Insta360 has introduced two new 4K webcams that offer significant improvements over standard webcams, featuring enhanced video and audio quality. The Link 2 and 2C Webcams are equipped with AI-powered algorithms for subject tracking and other advanced capabilities, making them suitable for transforming a typical Zoom meeting into a professional webcast. According to JK Liu, the Founder of Insta360, the company has taken into account user feedback and expanded the possibilities of what a webcam can achieve. The Link 2 and Link 2C webcams are designed to provide premium 4K imaging, clear audio, and user-friendly AI-powered features, allowing individuals to
The post Insta360 Announces New Webcams That Go Far Beyond the Zoom Device first appeared on 4K Shooters.
Competition is intensifying in the online video production space with the introduction of the new RØDECaster Video by RØDE. This new console is an extension of the successful RØDE Streamer X and RØDECaster lines, and it can connect up to six cameras and multiple audio devices using XLR, USB, and RØDE’s fourth-generation wireless connectivity. The goal is to provide content creators with professional-grade video switching capabilities while delivering high-quality RØDE sound. The announcement claims that similar to how the original RØDECaster Pro revolutionized podcasting, the RØDECaster Video is set to do the same for video production. It offers a comprehensive
The post RØDE Dives Deeper into Video with Bold New Production Console first appeared on 4K Shooters.
DJI has surprised the action camera community by releasing the new Osmo Action 5 Pro. This camera boasts over 13.5 stops of dynamic range and up to four hours of battery life. It also features subject tracking and an impressive color gamut for capturing exciting moments. The Osmo Action 5 Pro comes equipped with a 1/1.3” CMOS 4 nm sensor with a 2.4 μm pixel size, promising a cinematic dynamic range. The camera can capture images in 10-bit D-Log M and has support for Hybrid Log Gamma HLG. In terms of video capabilities, the Action 5 Pro can capture 4K
The post DJI Introduces Osmo Action 5 Pro with Over 13 Stops of Dynamic Range first appeared on 4K Shooters.
SmallHD has launched a new, ultra-bright ten-inch field monitor with up to 2000 nits of brightness and touchscreen camera control. The Ultra 10 monitor includes features such as support for WiFi 6 and an all-weather IP rating of 54. Greg Smokler, VP of Cine Products, describes the Ultra 10 as a new class of monitor combining the versatility of a touchscreen handheld with the powerful processing and larger viewing area of 4K production monitors. The 10-inch screen size enhances visibility, and its ergonomics allow for use in various production situations. As the largest 4K production monitor in the SmallHD Ultra
The post SmallHD Rolls Out New 10-inch Smart Monitor Supporting Bolt 6 first appeared on 4K Shooters.
Over the weekend at IBC in Berlin, Germany, Panasonic announced two new multi-purpose box cameras with large format image sensors. These cameras are designed to meet the demands of various types of production, including broadcast, live event streaming, and online digital content creation. The Panasonic AW-UB50 and AW-UB10 are tailored for content creators using video marketing, educational video tools, and live video streaming. Both 4K cameras feature full-size MOS image sensors (full size for the UB50 and 4/3 for the UB10), dual native ISO, and a high dynamic range of 14+ stops and 13 stops respectively when capturing using Panasonic’s
The post Panasonic Unveils Trio of New Cameras for Live Event or Streamed Productions first appeared on 4K Shooters.
Atomos made several significant announcements at IBC 2024, focusing on upgrades and collaborations. They have partnered with Dropbox and Frame.io and have updated their Ninja Phone and Shinobi II External Monitor, making Atomos products more useful. Frame.io Atomos expands its camera-to-cloud workflow by collaborating with Frame.io. Users of the Ninja or Shogun can now send footage directly to the cloud using Frame.io Version 4. This new collaboration aims to simplify the workflow across multiple production levels, reducing the need for disconnected tools and systems. Frame.io V4 is designed to be flexible, fast, and intuitive, delivering personalized content and reducing the
The post At IBC, Atomos is All About Collaboration and Upgrade first appeared on 4K Shooters.
Blackmagic has introduced a new 5-inch HDR touchscreen monitor for its modular PYXIS 6K Cinema Camera at IBC. This monitor supports full camera control to the PYXIS Cinema Camera and comes with additional monitoring tools. The price tag for this monitor is also very competitive. The new PYXIS monitor is adjustable and features a super bright 1500-nit display, making it suitable for use as a viewfinder not only for the PYXIS but also for the URSA line of cinema cameras. It comes with multiple mounting points for attaching directly to any camera or rig. The monitor has a robust metal
The post Blackmagic Drops a New PYXIS Monitor, Plus the Price of the New URSA 17K Camera first appeared on 4K Shooters.
Last year, Cooke introduced the affordable SP3 Cine Lens set, which is based on its iconic Cooke Panchro/i Classic series optical design. The original 5-lens set now has a sixth member with the introduction of the Cooke SP3 18mm T2.4, its widest lens to date. The Cooke SP3 Cinema line comprises 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm primes, each with a T-stop of T2.4. These cinema lenses offer full-frame coverage and dual focus and iris rings, and they are suitable for use with Sony E, Canon RF, Leica M, and L mount lenses thanks to a simple, user-interchangeable mount
The post Cooke Widens SP3 Set with New 18mm T2.4 Cinema Lens first appeared on 4K Shooters.
In its annual Creative Cloud Fall Update, Adobe has unveiled a suite of new tools and enhanced features for Premiere Pro, Adobe After Effects, and Frame.io. These updates focus on several key responsibilities for video editors, including the growing importance of color management. As the post-production landscape evolves, editors face tighter deadlines and budgets. Whether working on short-form or long-form content, the pressure to deliver faster while taking on more responsibilities has increased. This includes managing color and overseeing the entire production process from start to finish. Color Management in Premiere Pro To meet these demands, Adobe has significantly enhanced
The post Adobe Boosts Premiere Pro Color Tools, Expands 3D Capability In After Effects first appeared on 4K Shooters.
Canon has just unveiled the EOS C80 cinema camera, which is seen as the next step in a content creator’s hardware journey. The camera features a triple base ISO, Dual Pixel AF II, and a Stacked 6K backside illuminated CMOS image sensor. In addition to these features, the full-frame camera also includes advanced features such as 12-G SDI, time code, and WiFi support. The C80 is capable of capturing 6K video at 30 frames per second in Cinema Raw Light and also supports 10-bit 4:2:2 XF-AVC oversampled from the same 6K sensor in the EOS C400. This sensor provides increased
The post Canon Unveils EOS C80 Cinema Camera with Stacked 6K Sensor first appeared on 4K Shooters.
Apple CEO Tim Cook took center stage at Apple Park to introduce the company’s latest flagship smartphone, the iPhone 16. Packed with new features, including the advanced A18 chip, expanded RAM starting at 16GB, and the introduction of Apple Intelligence (Apple’s new AI initiative), the iPhone 16 aims to deliver exceptional performance for content creators and users alike. The newcomer has been reimagined with a focus on artificial intelligence, integrated through Apple Intelligence to enhance the user experience. Constructed from aerospace-grade aluminum with 80% recycled materials, it features a fifth-generation Ceramic Shield glass display that is 50% tougher than its
The post Apple Announces Intelligent New iPhone 16 first appeared on 4K Shooters.
DJI has just introduced a new drone designed for adventure seekers, which can be controlled without a remote and launched from the palm of your hand. The DJI Neo weighs just under 5 ounces (135g), making it the company’s lightest and most compact UAV to date. It offers full gesture control, AI-based subject tracking, and 4K video recording capabilities. Ferdinand Wolf, Creative Director at DJI, stated, “The DJI Neo aims to provide people with the latest technology in the smallest form factor, enabling them to capture their daily lives as cherished memories, safely and effortlessly.” The DJI Neo Drone operates
The post DJI Launches Consumer-Friendly New Drone Controlled without Remote Control first appeared on 4K Shooters.
GoPro has announced the launch of two new action cameras: the flagship Hero13 Black and a more affordable, streamlined Hero model aimed at beginners. The Hero13 Black is part of a new ecosystem featuring interchangeable lenses, expanding creative possibilities for users with options like a wider field of view, close-up macro shots, and a cinematic anamorphic lens. Hero13 Black: Packed with Features and Performance The Hero13 Black is a powerhouse, offering a host of upgrades. It boasts longer battery life, faster Wi-Fi 6 connectivity, and a next-gen GP image sensor that delivers an impressive field of view. The camera can
The post GoPro Unveils HERO13 with New Lens Eco System first appeared on 4K Shooters.
Tamron has recently unveiled an updated iteration of its highly sought-after 50-400mm f/4.5-6.3 Di III VC VXD Zoom Lens optimized for use with both full-frame and APS-C Nikon Z-mount cameras. This latest version shares the same fundamental design as its predecessor tailored for Sony E-mount cameras, initially launched in 2022, and is positioned as a versatile all-in-one solution for photographers seeking a single, multipurpose lens to carry on their photography expeditions. Comprising 24 elements arranged into 10 groups, the lens incorporates two XLD (eXtra Low Dispersion), three LD (Low Dispersion), one GM (Glass Molded Aspherical), and one Hybrid Aspherical lens
The post Tamron Goes Zooms Out for Nikon’s Z-Mount Cameras first appeared on 4K Shooters.
The B&H End-of-Summer sale is underway, featuring fantastic discounts on Nikon mirrorless cameras and Z-mount lenses, with savings of over $1000 on select items. Sony photographers can also take advantage of deals offering savings of up to $600. Let’s take a closer look. Nikon’s top-of-the-line Z8 Full Frame Mirrorless Camera is available for $3696.95, reflecting a $300 discount. The Z8 boasts a 45.7 MP Stacked CMOS sensor and can record 8.3K video at 60 fps when using Nikon N-Raw, and 10-bit internal color. Customers can save an additional $200 when combined with the Nikkor 24-120 F/4 zoom lens. The Nikon Z7
The post Now Is the Time to Save Big on Select Nikon and Sony Cameras and Lenses first appeared on 4K Shooters.
Small HD has recently updated its flagship Ultra 7 Cinema Monitor, offering camera operators the option to add a personalized touch to their gear. The 7-inch monitor now comes with the choice of up to 10 different colors for customizing buttons and bumpers, allowing users to better personalize or color-code their setup. The Small HD Ultra 7 monitor features an impressive brightness of 2300 nits, HDMI 2.0 connectivity, and 6G-SDI support. It is also part of the Bolt wireless ecosystem. Designed with edge-lit LEDs, it offers a resolution of 1920×1200 and is certified to IP54 for protection against dust and
The post SmallHD Gives Its Flagship Ultra 7 Monitor a Splash of Color first appeared on 4K Shooters.
Sony has announced the second-generation FE 85mm F1.4 G-Master II Lightweight Telephoto Portrait Lens for its full-frame E-Mount Mirrorless and cinema platforms. The lens is designed to be an ideal optic for portrait, wedding, travel, and cinematic video photography, as it is compact and lightweight without sacrificing performance. The FE 85mm F1.4 G Master lens is the 76th addition to the E-mount catalog. It promises significant improvements in resolution, accurate color, smooth bokeh, and fast focus. This lens fully leverages Sony’s full-frame mirrorless Alpha cameras and Sony cinema cameras like the Sony BURANO. A cinematic design The FE 85 II
The post Sony Announces Fast New 85mm F1.4 G-Master II Lens first appeared on 4K Shooters.
Apple has announced that its annual Fall iPhone event will occur on Monday, September 9th at 10:00 am. Dubbed “It’s Glowtime,” the event promises to launch four new models of the iPhone 16, two new Apple Watches, maybe fourth-generation noise-cancelling AirPods, and updates to iOS 18, macOS Sequoia, and other operating systems for the Apple ecosystem. It is believed that Apple will update all four models of the iPhone with a new 3 nanometer A18 chip and integration of Apple Intelligence, the company’s foray into providing artificial intelligence features into the design. Outside of what looks to be a modest
The post Apple’s “It’s Glowtime” iPhone 16 Event Coming September 9th first appeared on 4K Shooters.
Blackmagic has released DaVinci Resolve 19 after a lengthy BETA test to improve its flagship color grading and video editing studio suite. The new release includes over 100 updated tools and features, spanning across its editing, color grading, video effects, and audio sections. This update is one of the most comprehensive in the app’s history. One of the main feature updates is the new multi-source video cut pane option, allowing teams to work on the same footage while keeping the original camera files time-synced to protect the overall workflow. This prevents users from accidentally undoing changes made by another team
The post Blackmagic’s DaVinci 19 Emerges Out of Beta with Over 100 Upgraded Tools and Features first appeared on 4K Shooters.
Western Digital has introduced the development of high-capacity 4TB and 8TB microSDUC media cards, along with what the company is presenting as the world’s first 16TB M.2 portable SSD drive. These innovations are targeted towards applications that require higher capacity, such as extended 8K video content, gaming, and AI, which are all expected to demand increasing storage space. Rob Soderberry, the executive vice president and general manager of Western Digital’s Flash Business Unit, emphasized the significance of aligning the product and technology roadmap with the evolving AI environment, stating, “As AI technologies advance and become increasingly integrated into the world
The post Western Digital Announces Development of 4TB and 8TB microSD Media Cards first appeared on 4K Shooters.
Content creators can now control their studio or on-set lights remotely using a new virtual gaffer. The new amaran app provides specialized controls for creators on platforms such as YouTube, TikTok, gaming networks, and live video streams. The app allows real-time adjustments, applying effects, and more. It is compatible with a range of operating systems, including iOS, Android, macOS, Windows, and HarmonyOS. This makes it a versatile ecosystem that offers numerous options for creating the perfect ambiance from a distance. Additionally, there are desktop and Stream Deck controls available for enhancing live video streams. Ted Sim, Co-Founder of Amaran, stated,
The post Amaran Launches New App for Remote Lighting Operation first appeared on 4K Shooters.
Atomos has announced that its Ninja Phone module, which converts your iPhone 15 or 15 Pro into a camera field monitor and recorder, has started shipping. Previewed at NAB last spring, the Ninja Phone offers 10-bit ProRes and H.265 recording thanks to its video coprocessor and can record and monitor from a professional-grade cinema camera through HDMI. “Ninja Phone is the perfect tool for video professionals who want to adopt a cloud workflow without a complex and expensive technology footprint,” says Atomos CEO and Co-Founder Jeromy Young. And it’s great for the thousands of content creators who capture, store, and
The post Atomos Ships Ninja Phone CoProcessor Module first appeared on 4K Shooters.
SmallRig has introduced a new cost-effective wireless follow-focus system, the SmallRig Wireless Follow Focus Lite (Model 4296), designed to be accessible to a wide range of users. Building on the success of its predecessor, this system offers many advanced features found in the higher-end MagiFiz system, showcasing low latency and an impressive battery life that lasts throughout the day. Model 4296 is capable of providing approximately 4.3kg of force per square centimeter (equivalent to about 61 pounds per square inch), ensuring seamless operation with heavy cinema lenses or longer telephoto lenses without any binding or slowdown. The wireless remote features
The post SmallRig’s New Wireless Follow Focus Is Easy on the Wallet first appeared on 4K Shooters.
Insta 360 has recently introduced an update to its Insta 360 app, designed to streamline video editing and sharing processes. The updated app incorporates enhanced algorithms leveraging AI capabilities to produce more refined, cinematic, and professional video outputs. Highlighted as one of the top three video editing apps by Wirecutter in 2024, the Insta 360 app is compatible with a range of Insta 360 action cameras, including the latest X4 8K 360° model. It facilitates the transformation of various creative camera shots, such as third-person viewpoints and aerial drone-style shots, into professional-looking videos with ease. The latest version of the
The post Insta360 Updates App with Improved AI and Editing Tools first appeared on 4K Shooters.
Designed for use with smartphones and tablets, the Lexar Go Portable SSD is currently seeking backers on Kickstarter. This plug-in USB-C SSD device is extremely compact and is available in capacities of up to 2TB. Thanks to Apple’s shift from the Lightning connection to USB-C, Lexar has developed a device that caters to both mobile platforms, expanding the storage for video content during filming. “Lexar Professional GO Portable SSD with Hub is an absolute game changer.” – Patrick Rambles The USB-C SSD offers impressive transfer speeds of up to 1050 MB/s (read) and 1,000 MB/s (write) using the USB 3.2
The post Lexar’s Go Portable SSD: For Mobile Content Creators Who Need Space first appeared on 4K Shooters.
Blackmagic has just released version 2.0 of its Camera app for iOS, which comes with several new powerful features. These include the ability to control multiple phone cameras and offer high frame rates using the iPhone 15 Pro. The update also brings expanded support for the iPad Pro, as well as the addition of features such as batch copy and delete. Multi-camera remote control With the new version 2.0, the Blackmagic Camera app allows content creators to remotely control and monitor multiple iPhone cameras running the app, all connected over a secure network. Users can view up to nine cameras
The post Blackmagic Updates iOS Camera App With Multi Phone Camera Support first appeared on 4K Shooters.
Apple is planning to redesign the M4 Mac Mini to make it the smallest Apple desktop computer ever. The goal is to make the Mini about the size of the current Apple TV, with a NUC-sized aluminum shell. It’s expected to be available starting in October. According to Mark Gurman’s Power On Newsletter at Bloomberg, this will be the first redesign of the MacMini since 2010. Two models are planned: one with a standard consumer-grade M4 chip for regular use, and a higher-end model with an M4 Pro chip. The Pro model will have support for more RAM and a
The post Apple Plans Complete Redesign for M4 Mac Mini first appeared on 4K Shooters.
The 6th beta release of DaVinci 19 by Blackmagic is now available for user testing. This release includes new support for Blackmagic RAW and live streaming from multiple cameras. The update also incorporates support for the Blackmagic PYXIS 6K and URSA Cine 12k LF cinema cameras, allowing direct ingest of Blackmagic RAW files into the editing suite along with metadata. Additionally, it introduces several new features and performance improvements, as outlined below. Please note that items marked with * are still in progress. Cut and Edit Panes: – New multi-source option for viewing time-synced footage. – Support for displaying clip
The post Blackmagic Seeds Resolve 19 Beta 6 for User Testing first appeared on 4K Shooters.
Sony has released a new M2L-X software-based live production switcher for both remote and in-house production, including streaming and cloud operations. The switcher offers 24 separate inputs with hybrid processing and can be controlled on public clouds from any workstation on the network. “As a key component of Sony’s Networked Live portfolio,” the announcement goes on to state, “ enables production resources to be optimally connected, used, and shared, from virtually any location.” Taking the next logical steps first established by the M2 Live system in 2022, the upgraded M2L-X system acts as a live video switcher, supporting streaming
The post Sony Introduces New Software-Based Live Production Switcher first appeared on 4K Shooters.
7Artisans offers a range of affordable cinema optics that deliver professional cinema-quality imagery without costing a fortune. Their newest product is the Sprite 24mm-96mm T2.9 Cine Zoom, which could be a versatile option for mobile content creators. Designed for 8K Cinematography, the Sprite 24-96mm zoom offers a focal coverage that spans most of the image range, with a parfocal constant aperture of T2.9 to provide better performance in lower light settings. This makes it a convenient all-in-one solution for content creators shooting in the field. The lens comprises 21 elements organized in 16 groups, with a 13-bladed aperture for smooth,
The post 7 Artisan Releases New Cine Zoom for Indies on a Budget first appeared on 4K Shooters.
We are excited to let you know that B&H is presently hosting a summer sale on their stock of Sony cameras and lenses, offering notable discounts for content creators. Below is a brief overview of some of the featured items: Cameras 1. Sony A7RV: Priced at $3498, currently offered with a $400 discount and complimentary 2-day shipping. The A7RV boasts a remarkable 61MP full-frame Exmor R BSI sensor, 8K capability, 4K RAW video at 16-bit color, or 8K at 10-bit color. It also features 8-stop five-axis image stabilization and an AI-based autofocus tracking system, making it an excellent choice for
The post B&H Has a Sony Summer Sale Going on That Could Save Creators Hundreds first appeared on 4K Shooters.
Atomos has unveiled its Shinobi 5-inch Field Monitor update, introducing the Shinobi II 5.2-inch monitor. This compact, thin, and lightweight monitor offers remarkable brightness of up to 1500 nits. It is tailored to cater to vloggers, content creators, and videographers. The Shinobi II provides 4K monitoring with 10-bit HDR video, delivering up to 10+ stops of dynamic range when shooting in Log/PQ and HLG. Moreover, Atomos has integrated camera control support into the HDR monitor, enabling compatibility with Canon, Panasonic, and Sony mirrorless platforms via USB-C. Additionally, the Z Cam E2 is supported through a serial cable connection. Atomos also
The post Atomos Adds Shinobi II to Its 5-Inch HDR Monitor Lineup first appeared on 4K Shooters.
There’s a new 8K 360 Camera setting its sights to take down the roundabout King Insta360. The Kandau Qoocam 3 Ultra 8K 360 Camera is based on the current Qoocam 3, but with greater resolution, 10-bit color, and more. The Qoocam 3 Ultra is designed with dual 1/1.7” CMOS image sensors, GPS, and a Bluetooth connection for remote control through a smartphone. By contrast, the Insta360 must rely on smartphones, or the Insta360 GPS Preview remote to record that metadata. The camera’s 10-bit color with HEVC video formatting gives the camera ultra high definition 8K video recording internally with a
The post There’s a new 360° Camera Seeking to Take Over the 8K Action Space first appeared on 4K Shooters.
Wooden Camera has introduced the Elite Accessory System tailored for the Canon C400 camera. This innovative system boasts a modular design, enabling rapid assembly and adaptability, thus optimizing on-set efficiency and allowing users to promptly commence scene capture. During the annual Cine Gear Expo held in June, the preview of the Canon EOS C400 Elite Accessory System garnered a positive reception. Dominick Aiello, Senior Director of Accessories at Creative Solutions, revealed enthusiasm regarding the impending availability of this comprehensive collection upon the camera’s release. Notably, the system empowers users to expand the number of mounting points and power options significantly
The post Wooden Camera Unveils Elite Accessory System for new Canon C400 Camera first appeared on 4K Shooters.
Hollyland has announced a new field monitor with a variety of features, described as the Swiss army knife of monitors. The monitor supports live video streaming via RTMP and is suitable for live production events, on-location capture, film production, and electronic newsgathering. The Pyro 7 is a compact seven-inch monitor offering wireless video transmission and monitoring across dual bands with frequency hopping to maintain signal reliability. It operates at both 2.4 GHz and 5.0 GHz and can handle connections for up to four different receivers simultaneously. It also provides HDMI and SDI loop-out connections for additional connectivity. The Pyro
The post Hollyland Launches Super Bright Pyro 7-in-1 Field Monitor first appeared on 4K Shooters.
Hobolite has recently launched the Avant Max and Avant Mini Max BiColor LED lights. These lights are designed for content creators who need a durable, compact light source that also looks stylish. The design is reminiscent of vintage Hasselblad models from the 1960s, with a leather-like cover available in black or brown. Although they have a vintage appearance, the lights come with modern features such as an easy-to-use button and knob layout, an LED screen that shows dimming and battery life, and a custom magnetic mounting system. They also support Bluetooth and NFC for control via a mobile device or
The post New BiColor Lights by Hobolite Are Designed with a Retro Style first appeared on 4K Shooters.
Fresh off its acquisition of RED Digital Cinema, Nikon has hinted at its plans to incorporate RED’s digital technology into its broad range of digital camera platforms. To expand market share and compete at a higher performance level, the company looks to bring RED’s superior color science and other professional designs into its prosumer and consumer-grade platforms. “Video performance is required in recent years,” stated Nikon President Yoshiaki Tounari in a recent interview. “We are seeing signs of recovery in interchangeable lens cameras. There are business opportunities.” Nikon purchased RED Digital Cinema last Spring, for a shockingly affordable price of
The post Nikon to Incorporate RED Science into Cameras To Expand Customer Base first appeared on 4K Shooters.
DJI has introduced a new software-defined radio (SDR) transmission technology that promises to provide wireless transmission of high-definition video at high bitrates at an affordable price. The DJI SDR Transmission system is designed to offer a wireless standard for smaller crews, similar to consumer-grade WiFi, but with better performance. “Since the beginning, we intended our DJI PRO line to be a comprehensive and reliable ecosystem of drones, cameras, and creator tools for both professional filmmakers in the industry and content creators to aspiring storytellers,” says Paul Pan, Senior Product Line Manager at DJI. “Our new DJI SDR Transmission delivers
The post DJI Announces New Software-Defined Wireless Video Transmission Technology first appeared on 4K Shooters.
Blackmagic has released Camera Version 1.1 to further align the Android app with the iOS variant of their successful, free cinema camera app. The update for Android, adds several new features including video monitoring via HDMI, pull focus support, and expansion of the number of Android phones that can run the app. Mobile filmmakers can now connect a video monitor recorder to their Android device via a USB-C to HDMI connection, enabling users to have the option to monitor video from a secondary source via HDMI. Using a monitor recorder, Blackmagic states that the Camera app can also record video
The post Blackmagic Updates Camera App to Further Align Android Platform first appeared on 4K Shooters.
After several years of development and speculation, Canon has finally launched its flagship professional-grade R1 full-frame mirrorless camera, as well as a mid-level R5 Mark II camera for enthusiasts. The Canon R1 features 20-frame pre-shooting technology and autofocus tracking of up to ten subjects within the frame, ensuring that photographers never miss a moment. Canon R1: Designed primarily for professionals, the Canon R1 continues Canon’s 1 series professional cameras’ legacy through high performance, reliable construction, and a robust design ideal for photojournalism, sports, and wildlife photography. The R1 features a backside illuminated and stacked 24.2-megapixel full-frame sensor with Canon’s new
The post Canon Finally Announces R1 Pro Grade Mirrorless Camera, with R5 Mark II For the Rest of Us first appeared on 4K Shooters.
Portkeys has released a new budget-friendly director’s monitor, the Portkeys HS8, which offers directors the ability to view 1080P HD footage from a 4K 60p video signal. The monitor supports custom LUTS and excels in brightness when used outdoors. The Portkeys HS8 is an eight-inch HD monitor that can receive 4K video signals at up to 60 frames per second via HDMI. It also supports SDI at up to 1080p at 60 frames per second and has the option for wireless reception through an optional dual-band CineView wireless module. With 1100 nits of brightness, the monitor ensures excellent viewing in
The post PortKeys Offers A New 8-Inch Director’s Monitor for Viewing on a Budget first appeared on 4K Shooters.
Audiences are willing to tolerate many imperfections when watching a movie, but poor sound is not one of them. So when content creators using the Sony FX6 reported an audio issue in the FX6 Cinema Camera, Sony knew they had to promptly update the firmware. The Sony PXW FX6 features a full-frame 10.2-megapixel image sensor capable of capturing 4K Raw at up to 120 frames per second, offering up to 15+ stops of dynamic range, and 10-bit 4:2:2 color science with bit rates of up to 600 Mb/s. The camera is compact, lightweight, and well-suited for shooting on location. A
The post Sony Releases Firmware Correction to Audio Issue in the FX6 Cinema Camera first appeared on 4K Shooters.
Well-known Apple analyst Ming-Chi Kuo has revealed the potential roadmap for Apple’s iPhone camera development, projecting advancements up to 2027 with the iPhone 19 Pro. Kuo mentioned in a recent blog post on Medium, that the upcoming updates are expected to be the most significant in the history of the mobile device, and will be meted out piecemeal as each model moves through the upgrade path. The next update, expected for the iPhone 16 Pro, is rumored to feature an improved quad-reflex camera system with the tetraprism lens design, which was first introduced in the iPhone 15 Pro Max in
The post Apple’s Camera Roadmap Promises Improved Optics, Cinematic Tools first appeared on 4K Shooters.
Sony has introduced the second generation ZV-E10 II mirrorless camera, which is designed with new features and tools specifically for daily content creators and vloggers. This APS-C camera has an improved E mount PZ 16-50mm f/3.5-5.6 OSS II lens. The camera’s mirrorless design includes optimized video streaming and vlogging tools in a compact, pocket-sized package with enhanced audio. The E10II is powered by a new APS-C 26MP Exmor R CMOS backside-illuminated sensor and BIONZ XR processor, providing up to eight times greater performance for capturing 4K video at 60 frames per second from a 5.6K oversampled signal. This is the
The post Sony ZV-E10 II Promises to Elevate Your Vlogging first appeared on 4K Shooters.
Insta360 has introduced the new Flow Pro Gimbal Stabilizer, the first handheld device incorporating Apple’s new DockKit subject tracking technology. This technology allows for more precise subject identification and tracking from the iPhone’s native camera app and over 200 third-party camera apps, effectively transforming the device into a handheld stabilizer and camera operator in your pocket. Apple Driven The Apple DockKit subject tracking technology, first unveiled at this year’s World Wide Developer’s Conference, leverages the power of the iPhone to accurately track a subject through either the front or rear camera, ensuring that the subject remains in sight and in
The post Insta360’s New Flow Pro is More Than a Gimbal, It’s a Camera Operator in Your Pocket first appeared on 4K Shooters.
Imagine Entertainment, Adobe, and The Film Zone have announced a new short film competition called From Minutes to Movies ShortFest. This competition aims to help short film creators get their work noticed and potentially turned into feature-length films under the mentorship of Hollywood filmmakers. The competition will provide cash prizes, mentorship, and opportunities for the winners to develop their short films into full-length feature films, documentaries, or TV shows. Prizes: First Place: $7,500, assistance from Imagine Entertainment in shopping for the entrant’s treatment, a trip to attend Adobe MAX 2024 in Miami, Florida (October 14-16), mentorship from Imagine Entertainment and
The post Imagine Entertainment and Adobe Are Looking for Creators to Take the Next Step first appeared on 4K Shooters.
To celebrate more than 50 million cameras sold in the last ten years, GoPro is currently offering a sale on its flagship Hero12 Black action camera, providing a $150 instant rebate. This discount applies to the camera alone or any of GoPro’s bundled kits and also includes a free one-year subscription to GoPro Premium. This sale raises the question of whether a new Hero 13 is on the horizon, as it’s about that time. Flagship Action The Hero12 Black can capture 5.3K HDR video at up to 30 frames per second, 4K at 120 fps, and 2.7K at up to
The post GoPro Is Having a Sale. Is a New Hero Coming? first appeared on 4K Shooters.
A new device is being crowd-funded which claims to transform any smartphone, whether Android or iOS, into a micro four-thirds cinema camera. The Sneaki Design Switch Lens device brings an improved image sensor and MFT lens mount to work in concert with your smartphone producing a higher-quality cinematic image compared to the phone’s built-in camera. The Switch Lens comes with a standard 21 MP Type-1 Sony 1-inch CMOS image sensor. Users have the option to upgrade to a better micro four-thirds sensor through stretch goals, which promises twice the image coverage of a smartphone’s standard camera sensor. This upgraded option
The post SwitchLens Can Transform Any Smartphone into a Cinema Camera first appeared on 4K Shooters.
Sony has announced a new high-speed still image and video transmitter that provides content creators with a dedicated and secure camera-to-cloud connection for live events and streaming applications. The PDT-FP1 5G Portable Data Transmitter provides a stable connection over 5G networks, giving creators a valuable data transmission option that doesn’t stall due to an untimely cellphone call. “The PDT-FP1 allows me to transmit from where I am shooting rather than having to return to a media center,” stated photographer and photojournalist Nick Didlick. Dildick traveled the world with the device and found it to be a reliable wireless transmitter for
The post Sony Launches Dedicated Portable Data Transmitter for Camera-to-Cloud Applications first appeared on 4K Shooters.
Don’t miss this awesome Lumix Summer Sale running in July! You can save up to $1,000 on select Panasonic mirrorless cameras and photography equipment. The sale includes discounts on Lumix S5 II bundles, as well as various other Panasonic camera platforms and lenses. Take a closer look at the available deals. Cameras With a 24.2 MP full-frame CMOS image sensor, Phase Detection Auto-Focus, and 5-axis in-body image stabilization, the Panasonic Lumix S5 II can capture 10-bit 6K color video in a variety of codecs, with over 14+ stops of dynamic range. Panasonic has also beefed up the camera’s cinematic clout
The post Score Big Savings on Panasonic Cameras at This Awesome LUMIX Summer Sale first appeared on 4K Shooters.
ZHIYUN has announced another handheld gimbal stabilizer, this time for smartphones, which incorporates AI into its design. The Smooth 5S AI Stabilizer promises professionally smooth video at an affordable price tag. With solid AI driven subject tracking and extended creativity, this handheld stabilizer uses AI to its full advantage. An upgrade of the original Smooth 5S design, the ZHIYUN Smooth 5S AI features intelligent algorithms that can grab and track subjects with subtle adjustments to keep them in sharp and clear focus while on the move. The advanced magnetic AI Tracker module uses gesture control to manage tracking functions easily
The post ZHIYUN Upgrades Fifth Gen Smooth Stabilizer, Driven by AI first appeared on 4K Shooters.
We already know that Canon is officially developing the flagship R1 full frame mirrorless camera, but now it looks like the second generation R5 Mk. II will join the fleet, and both cameras could arrive as early as mid-July. CanonRumors, the usual source of all murmurings from Lake Success, came across a posting on the Chinese Social Media Network Weibo, which states that Canon has registered two cameras in 2024, dubbed DS126928′ and ‘DS126922.’ These cameras are now believed to represent the Canon R1 flagship, and the next-gen consumer-grade R5 Mk. II. Designed to fit squarely between consumer-grade mirrorless cameras
The post Canon R1 and R5 Mark II Cameras Rumored to Drop Next Month first appeared on 4K Shooters.
The free Blackmagic Camera app impressed Apple enough that they used it to film a video announcing products during last year’s WWDC. A year later, a version for Android has been released, much to the delight of content creators. The app is designed to support Samsung and Google Pixel smartphones and offers many of the same digital film features and controls as the iOS variant. Grant Petty, Blackmagic Design CEO, said, “We are excited to be able to provide customers with Samsung Galaxy or Google Pixel phones the same controls (through Blackmagic Camera) as our professional cameras. It’s really exciting
The post Blackmagic Finally Brings Its Popular Cinema Camera App to Android first appeared on 4K Shooters.
Today, RØDE announced the addition of a white edition of its flagship audio production console, the RØDECaster Pro II. Designed to be an affordable and powerful audio production console for content creators, the RØDECaster Pro II is a great all-in-one solution for everything from podcasting to music recording, and live streaming. Joining the dual version of this popular audio console is the second generation RØDECaster Pro II, as well as supporting limited edition versions of the RØDE PodMic and NTH 100 headphones, and the Wireless ME Dual set microphones as well. It features up to six-channel audio recording with professional-grade
The post RØDE Adds RØDECaster Pro II to its Limited Edition White Collection first appeared on 4K Shooters.
FilmConvert has expanded its range of camera profiles to include the Blackmagic Pocket Cinema Camera 6K Pro. This addition allows filmmakers to use FilmConvert’s color grading, film look conversion, and camera matching capabilities with Blackmagic’s latest cinematic powerhouse. The Blackmagic Cinema Camera 6K Pro now joins FilmConvert’s library, which already supports over 17 camera manufacturers. This new camera pack provides users with various film looks derived from authentic film stocks, as well as grain presets and customizable controls to enhance the cinematic quality of their footage. The Blackmagic Cinema Camera 6K Pro offers professional-grade features as the advanced successor to
The post FilmConvert Now Supports the Blackmagic Pocket Cinema Camera 6K Pro first appeared on 4K Shooters.
Venus Optics has introduced the new Laowa Argus T1 Cine Series, declared as the world’s first ultra-fast cine series with ultra-wide focal lengths. This series features a super-fast T1 aperture across the set’s entire focal length and is available in full-frame, Super 35, and micro four-thirds lens formats. The three-lens full-frame set includes 28mm T1, 35mm T1, and 45mm T1 focal lengths, offering an angle of view from 51.3 to 75.2°. These lenses are designed with 14 elements organized in 9 groups, except for the 45mm, which has 13 elements. Each lens has 15 aperture blades and a magnification ratio
The post Venus Optics Launches New Lens Series with Ultra Wide Focal Length Options first appeared on 4K Shooters.
To celebrate over 50 million action cameras sold in the last 15 years, GoPro is having a summer sale with significant discounts on the Hero 12 Black Action Camera. During what the company calls the “best deal of the year,” users can save up to $150 on GoPro’s Flagship Action camera and receive a free one-year subscription to GoPro Premium. Could this mean a new Hero is on the horizon? The GoPro Hero 12 Black comes with a range of professional image-capturing features. It includes a 24.7MP 8:7 image sensor that can record 5.3K60 video or 8x 2.7K Slow Motion
The post GoPro is Having a Summer Sale first appeared on 4K Shooters.
With the tiny Action Pod camera module and some out-of-the-box thinking, Insta360’s Go 3 redefines what an Action Camera can do. In response to the demand for higher resolution, the company has introduced the new Go 3S, which offers 4K HDR video, Dolby Vision, and the ability to be located through Apple’s Find My Network. At the core of the Go 3S is a redesigned processor that provides 50% more processing power to capture 4K video at up to 40 fps. The camera also offers double the number of pixels for a more accurate color gamut and dynamic range. The
The post Insta360 Enhances Go 3S Action Camera with 4K and Apple Find My Compatibility first appeared on 4K Shooters.
Aimed squarely at content creators and high-performance photographers, Nikon has announced the new Z6 III full-frame mirrorless camera. With features that will appeal to video creators and photographers alike, the Z6 III promises 6K internal N Raw video, ProRes Raw options, and high frame rates of up to 240 fps. It also allows for the pre-release capture of stills at up to 120fps. At the heart of the new Z6 III is a 24.2 MP partially stacked CMOS image sensor with high-speed processing circuits embedded in layers above and below. This sensor architecture can take advantage of Nikon’s Expeed 7
The post Nikon Announces Z6 III Mirrorless Camera Stacked with 6K Features first appeared on 4K Shooters.
Zhiyun Tech has just launched the new Weebill 3E handheld camera gimbal, which is incredibly lightweight and compact, almost small enough to be concealed behind a sheet of paper. The company promotes this gimbal as “a compelling solution for filmmakers,” emphasizing its design that prioritizes lightness, versatility, and user-friendliness. The Weebill 3E is highly portable and ergonomically designed to ensure comfort during extended shooting sessions. It integrates upgraded stabilization algorithms to deliver smooth footage, particularly when used with full-frame mirrorless camera setups. The gimbal’s powerful motors enable precise and stable subject tracking. The W3E also features customizable controls, including an
The post Zhiyun Introduces Paper-Sized Weebill Gimbal Stabilizer first appeared on 4K Shooters.
Nikon is hinting at a new camera announcement scheduled for June 17, 2024. The Nikon “Ready to Perform” event suggests a new camera, rumored to be the Z6III. This camera promises to have an expanded dynamic range and color gamut, targeting content creators. Interestingly, the announcement doesn’t seem to feature its counterpart, the Z7III. In the past, Nikon has released two cameras simultaneously. For instance, the Z6 was launched alongside the Z7 in 2018, and the Z6II debuted with the Z7II in 2020. Due to the impact of COVID-19 and the global chip shortage, 2022 passed without any new releases
The post Nikon Teases Rumored Z6 III for June 17th Announcement first appeared on 4K Shooters.
Qualcomm has entered the CPU competition against Apple, Intel, and AMD, and Blackmagic has announced that DaVinci Resolve 19 now supports the Snapdragon X Elite CPU. This update includes over 100 new features, promising faster performance, improved AI tools, better tracking and image stabilization, and enhanced audio panning. Grant Petty, CEO of Blackmagic Design, stated, “We’re thrilled that our customers can now use lightweight machines running on Snapdragon X Elite for their creative work. We are eager to see how our customers will utilize the new computer optimized for many of our AI processes.” Remember this information: In Resolve 19
The post Blackmagic DaVinci Resolve 19 Now Supports Snapdragon X Elite Processors first appeared on 4K Shooters.
Less than a week after discontinuing the GH6, Panasonic announced the next-generation GH7. The newcomer features the same 25.2 MP micro four-thirds Live CMOS image sensor as its predecessor but comes with improvements in dynamic range, offering 13+ stops. It also introduces Panasonic’s new Phase Hybrid Auto-Focus for enhanced subject tracking in low-light scenarios. The GH7’s Live CMOS sensor incorporates DR Boost, which combines high-gain and low-gain images to capture more information in both highlight and shadow, extending the camera’s dynamic range by 1-2 extra stops. This enhancement also expands the minimum ISO from 250-2000 in V-Log without adding more
The post Panasonic Announces the GH7, Boldly Stating the Micro Four Thirds Isn’t Done Yet first appeared on 4K Shooters.
On the eve of CineGear 2024, Canon unveiled a new cinema camera called the EOS C400 Camera. This full-frame camera features a 6K backside-illuminated stacked CMOS sensor, a native RF mount, support for Canon’s next-generation dual pixel AF II autofocus, and the ability to capture 12-bit raw original camera files at 6K up to 60 frames per second using a new triple-base ISO, providing a wider dynamic range in various shooting conditions. The C400 uses Canon RAW Light to capture the full frame of the image sensor, and it can also oversample that 6K sensor for improved 4K image quality
The post Canon Announces New C400 6K Cinema Camera and CineServo 17-120mm Lens first appeared on 4K Shooters.
Stores in Japan are indicating that the Panasonic GH6 mirrorless camera is being listed as “discontinued,” which could mean that the next-generation GH7 might be released later this year. The Micro Four-Thirds camera platform is popular among video content creators, and a new model could potentially introduce new features such as AI and other tools that users are interested in. The report comes from the Japanese tech site Asobinet via 43Rumors, which suggests that production of the GH6 may be coming to an end. However, it’s important to note that this has not been officially confirmed and could potentially be
The post Panasonic GH6 Is Rumored to be Discontinued, Paving the Way for the GH7 first appeared on 4K Shooters.
Sony has announced upcoming firmware updates in a road map for the BURANO Cinema Camera. The two updates, scheduled for release later this year, promise new recording formats, monitoring features, and new de-squeeze options users have requested. BURANO Version 1.1 Scheduled for release later this month, the BURANO version 1.1 update will provide support for live event streaming and production, as well as a 1.5x de-squeeze display when using anamorphic lenses. The update will also introduce S700 protocol support over Ethernet, enabling remote control when using an RCP panel. Sony will also add controls for adjusting exposure, white balance, and
The post Sony To Add Many New Features in BURANO Update Roadmap first appeared on 4K Shooters.
Sigma has just announced the addition of a new 28-45mm F1.8 DG DN lens to its Art Lens lineup. Designed with a full-frame image space, the lens promises an expanded focal range and magnification factor, plus a cinematic depth of field for extreme up-close capture. The Art Lens Line was developed with content creators in mind, especially those who rely on a moving camera. The lenses are compact, and light, and travel more easily than single prime lenses without sacrificing that trademark professional look. This is largely thanks to Sigma’s incorporation of both aspherical and low dispersion lens elements for
The post Sigma Adds 28-45mm F1.8 to Its Art Lens Lineup first appeared on 4K Shooters.
Blackmagic has recently launched an update to its free Blackmagic Camera app, version 1.4. This update introduces support for “off-speed video clips” and expands cloud support for organizations and teams. It also includes a new widescreen overlay and addresses issues related to audio input and incorrect aspect ratio when using the de-squeeze option. The highlight of the Camera 1.4 update is the support for recording off-speed video clips. The app can now capture time-lapse or slow-motion footage and display it accordingly. For example, when shooting at 48 fps and replaying at 24 fps, the clip will display in slow motion
The post Blackmagic Camera App Now Supports Off Speed Shooting and Expanded Cloud Tools first appeared on 4K Shooters.
Summertime is here, and it’s time for action-packed adventures. Insta360 is currently running a summer sale on its complete lineup of action cameras, offering discounts of up to 25 percent, where users can save up to $138. Sadly, the latest Insta360 X4 360° action camera is not included in the sale, but the previous model, the X3, is available at an 11% discount or $399. Additionally, users purchasing the Standard Bundle will receive a gift, including a water flask or a 114cm Invisible selfie stick (while supplies last). The X3 can capture 4K video in Single Lens Mode, or 5.7K
The post Insta360 Is Having a Summer Sale with Savings Up to 25% OFF first appeared on 4K Shooters.
We recently featured the Zhiyun Molus X60 Bi-Color light, which is so compact that it can fit in the palm of your hand. Not to be outdone, GoDox has unveiled the ML100 Bi compact light, which looks even thinner than Zhiyun’s pocket-size design and is twice as bright. The 120-watt ML100Bi COB LED light has a color temperature of 2800-6500K, with a CRI/TLCI index of ≥98/97 respectively. The light promises accurate cinematic color reproduction and has a LUX rating of 34300 Lux at 1 meter. The key to the ML100Bi’s compact design is the addition of a pair of reflectors
The post Godox Unveils a Smaller ML100 Bi BiColor Light Option first appeared on 4K Shooters.
Hollyland, a Chinese film tech company, has launched a new dual-band 4K wireless video monitoring system. The Pyro S Series of video monitors can switch between 2.4 GHz or 5 GHz frequencies and provides encrypted video transmission at distances of up to 1300 feet (400m). This system aims to offer the latest wireless video transmission protocols to small or medium crews at an affordable price. The Pyro S system utilizes Auto Dual Band Detect Frequency Hopping (ADH) technology to ensure stable video quality at a stable HD bitrate of 8-12 Mbps with frame rates of up to 30 fps. It
The post Hollyland Releases New 4K Wireless Video System with Impressive Color and Range first appeared on 4K Shooters.
Panasonic has just introduced the new ultra-compact Lumix S9 full-frame mirrorless camera, accompanied by a 26mm F8 L mount pancake lens. The Lumix S9 features a 24.4 MP full-frame S5II image sensor and utilizes Phase Hybrid Autofocus, combining phase detection auto-focus (PDAF) and contrast-based depth-from-defocus (DFD) technology to track and focus on fast-moving subjects. The camera also includes 5-axis dual internal in-body image stabilization (IBIS), providing up to 5 stops of camera shake reduction, or up to 6.5 stops of image stabilization with a compatible lens. For video, the S9 offers various formats appealing to content creators, including the ability
The post Panasonic Unveils Full Frame Lumix S9 Compact Mirrorless Camera first appeared on 4K Shooters.
Sigma Corporation has announced a new addition to its outstanding Art Lens Line. The new 24-70mm F2.8 DG DN II Art Lens represents a significant evolution from the previous model, with the addition of next-generation technologies for improved performance. Additionally, it is about 10 percent lighter than its predecessor. Designed with 19 elements organized in 15 groups, the new 24-70mm F2.8 Art lens has six fluorite low dispersion (FLD) lens elements, offering the highest high light transmission level. The lens also includes 2 special low dispersion (SLD) lens elements and 5 aspherical lens elements. This combination produces improved rendering performance,
The post SIGMA Announces 24-70 F2.8 Art Lens with Improved Performance Across the Entire Zoom Range first appeared on 4K Shooters.
Blackmagic has announced a sale on its popular 6K Cinema Camera, offering discounts of up to 40 percent. However, the company warns that the stock is limited, sparking speculation about the potential release of a new higher-resolution model in the near future. The base Pocket 6K model comes with professional features, including a 6K full-frame image sensor, optical low pass filter, support for Blackmagic Raw and Pro Res video codecs, and camera-to-cloud functions with proxy recordings. The 6K Cinema Camera also supports lenses from Blackmagic’s participation in the L-mount alliance. Lenses from Leica, Panasonic, and Sigma provide full metadata transfer
The post Blackmagic Puts 6K Cinema Camera on Sale – Is There A New One Coming? first appeared on 4K Shooters.
Another week begins, and so does another round of next-generation mirrorless cameras. Fujifilm has launched the Fuji GFX 100X II Medium Format camera with a massive 102 MP BSI CMOS II image sensor for capturing 4K video in F-Log 2, and the X-T50 APS-C camera for capturing 6K video with AI-assisted autofocus. There are a few more Fujifilm announcements worth noting as well. Let’s dive right in! Fuji GFX 100X II The newly developed 102 MP 43.8 x 32.9mm CMOS II sensor combined with FUJIFILM’s X-Processor 5 image engine supports ultra high definition 4K video capture at up to 30
The post FujiFilm Unveils 2nd Gen GFX100X II Medium Format and X-T50 APS Mirrorless cameras first appeared on 4K Shooters.
Canon has finally made the development of the EOS R1 official with an announcement. The highly speculated flagship mirrorless camera has finally begun development, which largely means that sharp-eyed camera enthusiasts will see various versions out in the wild this summer. Described as a mirrorless camera geared toward professionals, the vaguely worded announcement of the EOS R1 promises top-class performance with the high reliability sought in a flagship model. Canon’s press release states that with new “never-before-seen advancements” in Canon’s dual-pixel AF II autofocus, the camera is bound to exceed expectations within the realm of sports, news, and video production.
The post After Years of Rumors, Canon Finally Makes R1 Mirrorless Camera Official first appeared on 4K Shooters.
AtomOS 11.06.00 has been released recently, introducing new features for all Ninja and Showgun monitor/recorders, including streaming and camera-to-cloud support. The update also extends the Atomos workflow to Fuji users for LOG2 and ProRes Raw recording. Version 11.06 now offers camera-to-cloud support with secure reliable transport (SRT) streaming. For filmmakers, streaming has become an essential part of the workflow. Even for cameras that don’t support this feature, relying on Atomos Ninja and Shogun monitor/recorders enables the ability to send original camera files to the cloud, which can greatly speed up the post-production process. SRT, an open-source protocol developed by Haivision,
The post Atomos Update Monitor OS for Live Streaming and Fuji Support first appeared on 4K Shooters.
Panasonic is set to unveil a new Lumix mirrorless camera on May 23rd, with rumors suggesting the possibility of two or even three new cameras. These cameras were discovered on Asian patent registration sites and are referred to as P2303A, P2302A, and P2304A. Additionally, a new patent application indicates that Panasonic is working on a new modular box-shaped cinema camera. The company released a teaser featuring a pair of eyes staring at the Lumix logo, along with the tagline “Capture true color,” “invite” (in Japanese), and the date “20240523.” The new cameras could be the next-generation micro 4/3s GH7, full-frame
The post Panasonic Poised to Announce New Camera(s) On May 23rd first appeared on 4K Shooters.
FilmConvert has just released a new profile for the DJI Mini 4 drone. This profile can be used to enhance the color grading of videos through FilmConvert Nitrate color grading software or for camera matching with other camera footage through the CineMatch software. The fourth generation Mini Pro drone from DJI has been redesigned with a 1/1.3 inch 48MP camera sensor that offers improved performance through dual native ISO and extended battery life. Despite these enhancements, the drone still weighs just 249 grams, keeping it under the FAA’s limit for mandatory registration. A Cinematic UAV Equipped with an f/1.7 aperture
The post FilmConvert Rolls Out New Camera Pack Profile for DJI Mini 4 Pro UAV first appeared on 4K Shooters.
Blackmagic recently unveiled the second beta version of DaVinci Resolve 19, packed with improvements and bug fixes to streamline post-production workflows and enhance creative control across all program panes, including editing, color, Fusion, Resolve FX, and Fairlight. This update includes the ability to apply grades to clips or node stack layers, support for safe area overlays during playback, better audio trimming in media management and a boost in the performance of video codecs. Here are the key highlights of DaVinci Resolve 19 Beta 2: Cut Page: DaVinci Resolve 19 Beta 2 introduces new features to the Cut page, such as
The post Blackmagic Releases DaVinci Resolve 19 Beta 2 first appeared on 4K Shooters.
Calling it the most exciting update since the introduction of the original iPad, Apple CEO Tim Cook and his band of renouns announced a new iPad Lineup using the M4 Apple Silicon processor. Let’s take a closer look at the details below. iPad Air But first, Apple kicked off their highly produced keynote to introduce the new iPad Air, which is capable of editing videos, playing games with intensive graphics, and even doing the books. The new iPad Air is powered by the less powerful M2 processor and comes in two liquid-retina display sizes – 11 inches and 13 inches.
The post Apple iPad Pro Makes a Leap to the M4 Processor and Tandem OLED Display first appeared on 4K Shooters.
SmallRig has recently introduced a new NP-series compatible battery with advanced features. This battery is designed for professionals, hobbyists, and anyone using cameras, external monitors, and other power-related equipment. One of the most notable features of this new battery is its USB-C charging capability. Unlike traditional batteries that require a separate charging puck, the NP-F970 can be directly recharged via USB-C without a charger. This means you can charge it using your laptop, power bank, or any other USB-C port device. The NP-F970 can also be used as a power bank for both USB-PD and USB-A devices, making it more
The post SmallRig Reinvents NP Batteries with USB-C Rechargeable Connections first appeared on 4K Shooters.
Venus Optics has recently unveiled a series of new Laowa wide-angle lenses that are said to be the world’s widest rectilinear camera lenses for aerial platforms, offering nearly zero distortion. These lenses have been designed for high-end DJI drones with the Zenmuse gimballed camera array. The DL mount 11mm and 14mm full-frame lenses are lightweight and compact and come with an assurance from Venus Optics of sharpness and significantly reduced chromatic aberration and lens distortion. While the Laowa 11mm F4.5 FF RL lens is not a Zero-D lens, it offers impressive image quality with a 126° angle of view and
The post Venus Optics Shows Off World’s Widest Drone Lenses with Zero Distortion first appeared on 4K Shooters.
B&H is currently running a springtime sale with discounts on various items, including cameras, drones, and Apple laptops. These deals, called DealZone discounts, suggest that there may be new models of these products on the way, and the company is making room for new inventory. Let’s dive into the details below. You can get the DJI Osmo Action 4 Standard combo starting with cameras with almost a 33% discount. This flagship action camera comes with a 1/1.3” CMOS image sensor and a 155° field of view. It can record 4K video at up to 120 frames per second or 1080p
The post B&H Spring Sale Offers Great Deals from DJI, Canon, and even Apple first appeared on 4K Shooters.
A new app has been developed for the Apple Watch that allows camera operators to control their Sony Alpha mirrorless cameras remotely. Vladimir Belohradsky developed the Alpha Remote Controller app and it connects the Apple Watch to a Sony Alpha mirrorless camera via Bluetooth, enabling camera control of essential features and an extended range of capabilities. Users will be able to access a range of C1 features including AF-ON buttons, shutter release with half-press support, start/stop recording of video, and even power zooming in and out with speed adjustment on supported lenses. The app also allows users to manually adjust focus
The post You Can Now Control Your Sony Alpha Camera with Your Apple Watch first appeared on 4K Shooters.
Content creators who are interested in adding aerial footage to their content have a lot of options to choose from in the market. However, finding a drone that is not too complicated or too basic to learn this valuable skill can be challenging. DJI has addressed this gap with its affordable DJI Mini 4K drone, which is primarily designed for beginners. Let’s take a closer look at this drone. Priced at around $300, the Mini 4k is an excellent drone for beginners who want to learn the ins and outs of cinematic drone flying. The three-axis gimbal-mounted 4k ultra HD
The post Content Creators Looking to Add Affordable Drone Footage Should Try the DJI Mini 4K first appeared on 4K Shooters.
Sony has released firmware updates for several Alpha Mirrorless cameras, including Alpha 9 III and Alpha 1. The updates include over 45 new features, tools, and fixes. Firmware Version 2.0 for Sony a9III (ILCE-9M3) can add Shot Marks automatically to movie frames after recording. There’s also a remote triggering function and support for the relay playback function. Sony is adding support for their Content Provenance and Authenticity (C2PA) format, which will protect against images being used in generative AI without permission or compensation. Sony’s Custom Grid Line display feature is now available for license. Users can now prioritize their favorite
The post Sony Rolls Out New Firmware For Alpha 9 III and Alpha 1 first appeared on 4K Shooters.
SIGMA has made an entry into the market of autofocus lenses for the RF platform with six new APS-C RF Autofocus lenses. Canon’s new third-party license has opened up opportunities for new lens designs, and Sigma’s upcoming lenses are expected to appeal to photographers and videographers alike. The six APS-C autofocus lenses will be part of Sigma’s Contemporary line, with four prime lenses and two zooms. Let’s take a closer look at each one. Firstly, the SIGMA 16mm F1.4 DC DN | Contemporary, built with 16 lens elements including three FLD glass elements is designed for low-light performance, minimal optical
The post SIGMA Unveils 6 New APS-C Canon RF Mount Autofocus Lenses first appeared on 4K Shooters.
Adobe has announced the development of a set of powerful new generative AI video tools that promise to reimagine the post-production workflow as we know it. These tools are designed to help filmmakers improve the production value of their edits and enhance their creativity. The new AI-based tools come with a notification strategy that informs the user when an AI asset was generated and from what source. According to Ashley Still, Senior Vice President of, the Creative Product Group at Adobe, the company is “re-imagining every step of the video creation and production workflow to give creators more flexibility and
The post Generative AI Video is Coming to Adobe Firefly and Premiere Pro first appeared on 4K Shooters.
RØDE is poised to ship a new version of the Wireless Me system, which includes a second transmitter. It will be available beginning in May 2024. The RØDE Wireless Me Dual is essentially the same system that builds on the success of its predecessor, the Wireless Me It offers encrypted 2.4GHz digital wireless technology, making it the world’s premier wireless microphone system tailored for mobile smartphone cameras, traditional cameras, and computers. The Wireless Me has always supported using a second transmitter to capture and record wireless audio. Users have been able to purchase a second transmitter for about $80. However,
The post RØDE to Ship Wireless Me Duo with Second Transmitter first appeared on 4K Shooters.
The Beaverlab Excope DT1 is a telescopic lens designed for mobile filmmaking that can capture images from as far as 400mm away. It combines advanced optics design with the latest generation of digital imaging technology to achieve up to 400mm focal length with full HDR and AI-powered image processing, resulting in sharp and colorful images. The DT1 telescopic lens module is a more independent camera than the lens. It works with any smartphone, but it is specifically created to take advantage of the next-generation 48 MP image sensors. The Exope DT1 is currently available on Kickstarter and features an independent
The post New 200x Mobile Camera Module Converts a Smartphone into a Telescope first appeared on 4K Shooters.
Freefly Systems recently launched its latest camera, the Ember S5K, at this year’s NAB confab. The camera is equipped with high frame rates and high-resolution capabilities, making it capable of capturing lightning-fast imaging. With 2.5K resolution, the Ember S5K can record up to 3563 frames per second with a heavy crop, or 2277 fps uncropped, which is an impressive feat as most cameras tend to sacrifice detail for speed. Freefly Systems is a renowned company that provides professional handheld gimbals and drone camera platforms. They have been working on creating the “smallest, easiest, and most fun to use high-speed imaging
The post Freefly Introduces New HiRes High-Speed Camera first appeared on 4K Shooters.
Insta360 is a company that is challenging GoPro’s position in the action camera market through continuous innovation. Their newest product, the Insta360 X4, is set to redefine the space as it is the first camera with a field of view of 8K 360 degrees. The Insta360 X4 is equipped with an AI-powered 5 nm chip and a smart control system, which will revolutionize shooting on the slopes and take it to a whole new level. The Insta360 X4 can capture 8K video in the round or 4K 60p in single camera mode. It records everything around the camera, allowing the
The post Insta360 Announces the X4 8K 360 Action Camera first appeared on 4K Shooters.
Atomos has unveiled a new device that turns a mobile phone into a powerful video recorder. The Ninja Phone system combines Atomos processing with the Apple iPhone 15 Pro or Pro Max to create an external monitor recorder that can provide 10-bit Apple Pro Res encoding from any professional HDMI camera connection. The two-piece Ninja Phone system consists of the Atomos Ninja Phone Video Co-Processor and the mounted case. It is targeted toward social media users and is built around a sturdy mounting case and encoding module. The case has multiple cold shoe mounts for the addition of accessories, and
The post Atomos’ New Module Transforms Your iPhone into a Ninja Monitor/Recorder first appeared on 4K Shooters.
Every year, Blackmagic Design unveils its latest innovations on the eve of NAB, and this year is no exception. Blackmagic has unveiled a trio of cinema cameras that are set to redefine visual storytelling. These cameras include the Blackmagic URSA Cine 12K, the Pyxis 6K modular camera, and the eagerly anticipated URSA 17K, which is set to arrive later this year. Each device embodies Blackmagic’s evolving philosophy of democratizing professional content creation with innovative filmmaking technology at a very competitive if not disruptive, price point. “We wanted to build our dream high-end camera that had everything we had ever wanted,”
The post Blackmagic Takes NAB By Storm with New Cameras first appeared on 4K Shooters.
Mobile filmmakers can now capture professional-grade cinematic footage on their iPhones with ProRes Log, which is now available on the iPhone 15 Pro Max’s cinematic tools. However, this improvement comes at a cost. Tilta has launched a new Khronos Cage Ecosystem that offers a comprehensive solution for mobile filmmakers by transforming the phone into a cinema camera rig. The Khronos system provides power, protection, and all the necessary accessories to capture stunning cinematic footage. The Khronos system caters to every aspect of a filmmaker’s needs, making it quick and easy to set up while providing professional quality tools to keep
The post Tilta Reimagines Mobile Filmmaking with Its New Khronos Cage Ecosystem first appeared on 4K Shooters.
Frame.io has received a significant update with new features introduced by Adobe that make online collaboration easier and extend the workflow beyond traditional post-production activities. The latest version, Frame.io Version 4, has introduced capabilities such as casting, location scouting, and supply chain management to cover the entire project from start to finish, rethinking the camera-to-cloud experience. Adobe’s announcement states that over the last decade, users have pushed the boundaries of Frame.io in ways that the company hadn’t originally considered. By expanding beyond video post-production into photography, design, social media, live events, sports, e-commerce, and more, it has the users’ passion
The post In Beta, Adobe Offers Massive New Update to Frame.Io with Version 4 first appeared on 4K Shooters.
DJI has announced its latest professional-grade gimbal stabilizers, the RS4 and RS4 Pro. These gimbals can carry both mirrorless and cinema payloads while expanding autofocus through an optional LiDar-based autofocus assembly. They have improved movement, faster balancing algorithms, and a one-button vertical adjustment without having to rebalance. The RS4 and RS4 Pro are designed to support cameras according to each weight. The RS4 The RS4 can handle DSLR and mirrorless camera platforms with weights up to 6.6 pounds and supports mobile devices like the iPhone 15 Pro Max. It also has an extended tilting axis of about 8.5 mm. The
The post DJI RS 4 New Pro Gimbals Reinvented, Unlocking New Angles first appeared on 4K Shooters.
Razer has recently introduced its latest laptop, the Blade 18. It is powered by an i9 processor and boasts a large screen with outstanding performance, making it an ideal choice for both gamers and content creators. The laptop comes with a desktop-grade design and a unibody form factor that aims to establish Razer as a top-tier brand for content creators. Built for speed Razer claims that the Blade 18 sets new standards in content creation and gaming with its i9 processor and Thunderbolt 5 connections. Thunderbolt 5 offers a game-changing level of performance, which blurs the line between desktop performance
The post Razer Makes a Bold Move into Creativity with the Blade 18″ Laptop first appeared on 4K Shooters.
Sachtler has launched a new series of lightweight tripods specially designed for video and broadcast work in the field. The Ace M Mk. II and Ace XL Mk. II tripods have robust fluid heads that promise low drag and multi-step counterbalancing. They are designed to carry camera payloads ranging from 9.7-17.6 pounds (4.4-8 kg) while maintaining an overall weight of just under 10 pounds. According to Barbara Jaumann, product manager at Sachtler, “The new ACE M Mk II and ACE XL Mk II are among the lightest-weight tripod systems on the market, but still offer the key features that have
The post Sachtler Launches NextGen Ace Mk II Tripod Heads first appeared on 4K Shooters.
Insta360 has announced a comprehensive update to its Insta360 Studio video editing software. The update provides some highly anticipated new features including the ability to compine multiple 360 files into a single timeline, a new speed editing tool, and being able to edit multiple clips with transitions and media assets. “These developments make Insta360 Studio a highly flexible editing tool that meets the demands of modern creators,” states the Insta360 Announcement, “and makes it capable of producing seriously clean, ready-to-share edits. Whether 360° footage or regular flat images, Insta360 Studio can handle it all.” After shooting a day’s worth of
The post Insta360 Studio Gets an Update to Boost Multiple Editing Streams first appeared on 4K Shooters.
Sony has announced firmware updates for several of its Alpha mirrorless cameras. These updates will bring new features such as focus breathing compensation, C2PA authentication, and true 24p 4K DCI support. Sony promises that these updates will not only improve video reliability but also ensure the authenticity of images in a rapidly growing AI-driven space. The updates will apply to the Sony Alpha 1 (Ver. 2.00), Alpha 7S III (Ver. 3.00), Alpha 7 IV (Ver. 3.00), and after April 2024, the Alpha 9 III (Ver.2.00). Sony claims that these updates will make each camera model easier to use while maximizing
The post Sony Updates Firmware for Alpha Mirrorless Cameras for Performance and Image Protection first appeared on 4K Shooters.
Blackmagic Design is currently developing an update to the operating system that powers their Cinema Cameras. The new Blackmagic Camera 8.6 Beta OS adds up to 13 new features to the Blackmagic Pocket Cinema Cameras, and the G2 and Pro 6K Cinema Camera models. The Blackmagic Camera 8.6 Beta update improves the reliability of Gyro Metadata and USB Drive Detection. It will also introduce new tools, such as networking support, proxy upload to Blackmagic Cloud (for 6K models only), and mobile phone tethering that allows users to connect to the camera when out in the field. Additionally, the update will
The post Blackmagic Announces New Beta of Camera OS first appeared on 4K Shooters.
Fresh of its acquistion of RED for its creative portfolio, Nikon has announced a new Nikkor 28-400mm F4-8 VR Z mount lens. This lens is a full-frame super zoom lens that is designed for Nikon full-frame mirrorless cameras and is considered to be one of the most versatile zooms in the Nikkor portfolio. The Nikkor Z-mount lens is designed for content creators, travel and sports photographers, and wildlife shooters. It offers an extremely long focal length of 28mm-400mm, providing a 14.2x optical zoom range, the first of its kind for Nikkor Z lenses. Despite its long reach, the Nikkor 28-400mm
The post Nikon Introduces a New 28-400mm Super Zoom Lens first appeared on 4K Shooters.
Canon has released new firmware updates for its popular EOS R5 and R3 Mirrorless Cameras. These updates are focused on improving the camera’s performance, storage, and lens support, and also address several previous issues and annoyances. The Canon EOS R5 Firmware version 2.0 enables servo zooming through remote control when using the EOS Utility or Camera Connect software. This feature requires a Canon Power Zoom Adapter PS-E2 or E2B and a compatible lens. The update also allows for CF Express media storage options up to 2TB when using cards larger than 2TB. Firmware version 2.0.0 also fixes some minor issues
The post Canon Updates Firmware for R5 and R3 Mirrorless Cameras first appeared on 4K Shooters.
Sigma recently announced the launch of its new 50mm F1.2 DG DN Art Lens, which is touted to be “fast, sharp, and small”. The lens is 30% smaller than Sigma’s 35mm F1.2 Art Lens and boasts a new streamlined optical design. Weighing 1.6 pounds (745g) and measuring 3.2 x 4.3″ (81 x 108.8mm), the lens is considered the lightest and brightest lens in its class. While it is shorter than the 35mm lens, it is about 2.5 oz (75g) heavier. It is 14.1 ounces heavier and 1.5 inches (30.8mm) longer than Sigma’s diminutive 50mm F2 Contemporary lens. The new optical
The post SIGMA Announces Ultra Fast “Nifty Fifty” Art Lens first appeared on 4K Shooters.
Blackmagic Design has recently released a targeted update to its popular editing software – DaVinci Resolve. While not a usual comprehensive overhaul, version 18.6.6 brings specific enhancements for users of Sony and Panasonic cameras, particularly in encoding features crucial for editing workflows. Focus on Sony and Panasonic Workflows The DaVinci vs. 18.6.6 update expands support for encoding formats commonly used with Sony and Panasonic equipment. Notably, it introduces compatibility with 50 MXF Op Atom and AVC 100 formats. Editors working with these cameras will now have more streamlined encoding options within DaVinci Resolve. For editors working with Sony and Panasonic
The post Blackmagic’s Latest DaVinci Resolve Update Targets Sony, Panasonic first appeared on 4K Shooters.
ZhiyunTech has just announced a new ultra-compact video light design that offers not only color ratings just under 100 on the TLCI scale but with an active cooling system built in, it can cool for nearly an hour between charges. The COB light produces 60 watts of power output and can stay lit at full power for 50 minutes before recharging. The Molus X60 is a bi-color with a temperature range of 2700-6500 K and offers a CRI rating of 95 and a TLCI rating of 97. Meanwhile, its RGB twin, the Molus X60 RGB, surpasses that color accuracy rating
The post Content Creators Can Now Get Compact Illumination with Zhiyun’s Molus X60 first appeared on 4K Shooters.
Logitech has announced its entry into the streaming business with a new Micro Four-Thirds camera that can wirelessly stream from anywhere. The MEVO Core delivers 4K video for up to six hours of continuous runtime while streaming 1080p video to various services such as YouTube, Twitch, and others. The camera boasts an 8.3MP micro four-thirds CMOS sensor capable of capturing 4K video at up to 30 frames per second and an aspect ratio of 16:9. It can also live stream 1080p at up to 6Mb/s, with 2K and 720 options available. The ISO range of the camera is 100-25600, and
The post Micro Four-Thirds Takes Center Stage in Logitech’s MEVO Core Streaming Camera first appeared on 4K Shooters.
It’s quite ironic that a company that sells camera accessories called “Tilta” has created a tool to keep a camera level. However, the Tilta Tiny Bubble Levels are now a must-have for any camera operator. They come with 1/4-20 screws and can be attached to a camera cage or any other part of a camera rig to give the shooter an easy way to check the camera’s level. There are two types of Tiny Bubble Levels: the Tilta Universal Bubble Level and the Tilta Rotatable Bubble Level. The Universal Bubble Level has a circular design with a circle in the
The post Tilta’s New Bubble Levels Keeps Your Camera on the Straight and Level first appeared on 4K Shooters.
FilmConvert has recently announced that the GoPro Hero 12 Black is now part of its camera pack library. This enables action-oriented content creators to make more visually stunning cinematic videos with their action camera footage. Boasting a 12-megapixel GP2 sensor, the GoPro Hero 12 Black delivers high-resolution photos and supports video recording up to 5.3K at 60 frames per second. With next generation Hypersmooth 6.0 video stabilization technology, the Hero 12 minimizes shaky shots for professional-quality results. The Hero 12 Black also sports GoPro’s own flavor of Log, enhancing dynamic range and color grading flexibility for advanced users. The FilmConvert
The post FilmConvert Welcomes GoPro Hero 12 Black To Its Collection of Camera Packs first appeared on 4K Shooters.
Nikon has recently released a firmware update for the Z9 full-frame mirrorless camera, which brings some exciting new features for both still image and video applications. Firmware version 5.0 includes expanded sports photography and portrait functions, as well as support for new video features like tighter zoom control, custom menu organization, and varied playback speeds. The Nikon Z9 camera has been in the news lately since NASA selected it as their primary imaging platform for the upcoming Artemis Moon Missions. While the NASA model will be modified to survive the rigors of spaceflight, the new firmware update has been released
The post Nikon Rolls Out Firmware 5.0 for Z9 Full Frame Mirrorless Camera first appeared on 4K Shooters.
Canon has announced a new firmware update for the Cinema EOS C500 Mark II that expands support for RAW video capture and increased color gamut. The new Raw Light LT firmware will open up Raw across all frame rates and provide access to over 68 billion colors. Launched in 2019, the second generation C500 Mk. II expanded Canon’s cinematic presence with up to 6K video performance at 60 frames per second and over 15 stops of dynamic range. The C500 Mk. II also supported Cinema Raw Lt. with 12-bit color at up to 40 frames per second and 10-bit raw
The post Upcoming Firmware Update Boosts RAW Support for Canon C500 Mark II first appeared on 4K Shooters.
DJI has updated the DJI Action 2 action camera with new combos that have expanded the camera’s storage capabilities fourfold. The new Action 2 Dual Screen Combo and Action 2 Power Combo will support 128 GB of internal storage, up from the previous configuration of 32 GB. With a modular design that includes a swappable front touch screen OLED display, the Action 2 supports 4K video at up to 120 frames per second and four-mic stereo audio capture. The camera has a 155° field of view with image stabilization and a durable, dust and waterproof design. The camera can be
The post DJI Expands Storage Capability in the Modular Action 2 Camera first appeared on 4K Shooters.
Nikon is buying RED Cinema Cameras, positioning itself dead center in the realm of digital cinema. This strategic partnership is set to reshape the landscape of both the film industry and photography and was finalized by a membership agreement between RED founder Jim Jannard and current RED CEO/Fire chief Jarred Land. “This acquisition marks a significant milestone for Nikon, melding its rich heritage in professional and consumer imaging with RED’s innovative prowess,” states the RED Announcement. “Together, Nikon and RED are poised to redefine the professional digital cinema camera market, promising an exciting future of product development that will continue
The post Nikon’s Makes a Cinematic Power Play Buying RED first appeared on 4K Shooters.
More speculation about the next-generation Canon R5 Mark II camera has surfaced, suggesting that the camera will launch in the mid to late Spring. The camera is expected to feature 8K Raw with AI-driven autofocus capabilities and a new DIGIC processor, which is likely to excite content creators. According to Canon Rumors, the new mirrorless camera will be equipped with a 45MP backside illuminated CMOS Image sensor and a new DIGIC Processor, which will allow for 8K Raw internal image capture, as well as 4K video at up to 120 frames per second. It is unclear whether Canon will offer
The post More Canon R5 Mark II Specs Leaked first appeared on 4K Shooters.
Apple has announced the release of two new MacBook Air laptops, both equipped with the latest Apple Silicon M3 processors. These laptops come in 13 and 15-inch sizes and offer up to 18 hours of battery life. In addition, they support running up to two external displays, making them a potential desktop replacement for video editors who need a good platform for editing footage on location. The new M3 processors are designed with Apple’s latest 3-nanometer technology and have an 8-core CPU and 10-core GPU. They also offer support of up to 24 GB of unified memory. These features give
The post Apple Announces Two New MacBook Air Laptops with the Latest M3 Processor first appeared on 4K Shooters.
Nikon has announced a new program that focuses on the creative video capabilities of the Z8 Full Frame Mirrorless Camera. The program, known as “* Days with Z8,” will showcase diverse visual storytelling and how the Z8 helps content creators push the limits of their cinematic creativity. “We are thrilled to showcase the incredible short films these creators made that embody authenticity, creativity, and visual storytelling,” said Naoki Onozato, President and CEO of Nikon Inc. “At Nikon, we are committed to empowering creators and providing them with the tools they need to bring their visions to life, such as the
The post Nikon Spotlights Z8 Video Capabilities with New 8 Days Campaign first appeared on 4K Shooters.
FilmConvert has added the Panasonic Lumix S5 II X to its comprehensive list of camera packs for color grading, film look conversion, and camera matching. The new camera pack joins a list of over 17 different camera manufacturers and provides a range of film looks based on film stocks, grain presets, and customizable controls to make the footage more cinematic. Designed to be a special edition professional variant of the S5 II, the Lumix S5 II X provides All-Intra and ProRes internal recording, external recording to SSD, 10-bit recording in FullHD up to 180 fps, wired and wireless streaming, USB
The post FilmConvert Now Supports the Panasonic S5 IIX first appeared on 4K Shooters.
Sony has just announced four new LUTs that BURANO users can use to create an engaging cinematic look. The look-up tables include Warm, Cool, Vintage, and Teal with Orange, and have been designed with the industry standard s709 an s709 when in Cine El mode. The compact Sony BURANO Full Frame cinema camera is designed as an affordable and matching alternative to the higher-end VENICE 2 cinema camera and can capture 8.6K footage at up to 30 fps and 8.2K footage at up to 60 fps. Capable of capturing in full-frame and Super 35 mm modes, the BURANO has the
The post Sony BURANO Cinema Camera Now in Stock + New LUTs Available to Download first appeared on 4K Shooters.
It seems that Topaz Labs is poised to release a new version of Topaz Video AI, which will feature some new tools that will not only make the upscaling of legacy video better, but add support for exporting 3D LUTs, slow motion, and motion deburring. The new version will also now support DaVinci Resolve as a plugin via OpenFX. “At Topaz, our AI models go beyond camera limitations, dissecting noise into intricate details,” states Topaz. “We’re not just silencing noise; we’re amplifying your artistic vision.” Developed with temporally aware AI models, Topa Video AI is able to instantly upscale video
The post AI Upscaler Topaz Video Gets Some Great New Tools and Features first appeared on 4K Shooters.
Rumor has it that DJI is expected to launch a new, modular-style cinema camera at NAB in Las Vegas this year. Taking the lessons learned from the Ronin 4D Gimballed Cinema camera, the company is looking to create a gimbal-less version that is more traditional in design but will still enjoy the support of the DJI Ronin ecosystem. The basic idea is to create a traditional module like Ronin cinema camera that can compete with the likes of the Sony FX6 or Canon C70. It would seem to be a matter of taking off the gimbal array and attaching the
The post DJI Expected to Announce New Cinema Camera at NAB 2024 first appeared on 4K Shooters.
Adobe Premiere Pro has received a pretty useful update that expands its use of artificial intelligence to streamline the overall post-production workflow and adds social media integration to TikTok at the touch of a button. The new 24.2 update provides editors with tools such as Enhanced Speech for cleaning up ambient audio, Audio Category Tagging for improved organization, and Interactive Fade Handles to control audio tracks precisely. Let’s take a closer look at these and other new features. AI Audio Tools Fresh out of Beta testing, the new Enhanced Speech AI tool dramatically reduces background and ambient noise and improves
The post New Adobe Premiere Update Adds Audio AI Tools and Native TikTok Integration first appeared on 4K Shooters.
Sony has just announced a new FE 24-50mm F2.8 G Lens. The Signature optical line for the camera company’s full-frame platform, promises to “split the difference” between the heavier 24-70mm F2.8 G Master lens and the more lightweight 20-70mm F4 G, giving users all the performance without the heft. “The demand for light and compact standard zoom lenses is increasing, and our new FE 24-50mm F2.8 G lens offers an F2.8 standard zoom option for creators seeking portability, without a sacrifice. It is a lens option ready to go anywhere,” said Yang Cheng, Vice President, of Imaging Solutions, Sony Electronics
The post Sony’s New 24-50mm F2.8 G Set to Expand Full Frame Lens Lineup first appeared on 4K Shooters.
Fuji has just announced the X100 VI point-and-shoot mirrorless camera, which can capture 6.2K video and make it rock steady thanks to in-body image stabilization. The camera can also add a film-like simulated grain to make the video appear more cinematic. Equipped with the same 40 MP X-Trans CMOS image sensor from the X-H2 APS-C mirrorless camera coupled with Fuji’s X 5 processor, the X100 VI can capture 6.2K 30p video with 64-bit processing and 10-bit color. The camera can also capture 4K HQ video by oversampling from the sensor and outputting a sharper image with a frame rate of
The post Fuji Adds IBIS to Sixth Gen X100 Mirrorless Camera first appeared on 4K Shooters.
Venus Optics has announced a new wide-angle lens which the company says is the first autofocus rectilinear lens available. Designed to celebrate the company’s 10th anniversary, the Laowa 10mm F2.8 zero D FF Autofocus Lens offers focus tracking for both still and video applications and is available in both Nikon and Sony lens mount configurations, with a manual-only RF and L mount design also available. “We are proud to introduce our first auto-focus lens in the Laowa lens lineup our signature Zero-D feature, an ultra-short 12mm close focusing distance, and versatility,” states the Venus Optics Website. “This lens is a
The post Venus Optics Launches the 10th Anniversary Laowa 10mm F2.8 Prime Lens first appeared on 4K Shooters.
For those of you who might be interested, B&H has a sale currently going on that offers some pretty solid discounts on cameras which could hint at new generations coming over the horizon. There are also a host of new products hitting the portal as well. Let’s take a look. Sony Cameras are on sale with the Sony a7 III offering up to $205 off in a wide variety of configurations. Through a 24.2 MP Exmor image sensor, users can capture UHD 4K30p Video with HLG & S-Log3 Gammas with Sony’s new 693-Point Hybrid AF System. $200 off is nothing
The post B&H’s Latest Sale Offers Attractive Discounts on Camera Kits & Bundles first appeared on 4K Shooters.
Sachtler has just announced a new series of fluid heads designed to meet content creators’ unique needs, whether they are operating as a one-man crew or part of a huge professional production. The Cine Fluid Heads combine a self-proclaimed host of innovative features with reliable flexibility and smooth camera movement. There are three models to choose from, the Cine 20, Cine 30, and Cine 50, each of which Sachtler proudly proclaims are the smallest and lightest in class. Each model is specifically designed for the specific needs of content creators using camera setups ranging from mirrorless camera rigs, to fully
The post Sachtler Unveils New Cine Series Fluid Heads first appeared on 4K Shooters.
Adding to its mobile-centric Z-Finder smartphone camera cage and viewfinder, Zacuto has announced the Micro Boom, a lightweight, telescoping mic extension for capturing the best audio during an interview. Designed to function as an on-camera boom operator, the Micro Boom is a lightweight, telescoping boom pole that uses the smaller 3.5mm audio cable to connect smaller microphones for off-camera sound. This makes it ideal for capturing interviews on the fly, without having to pause to mic a subject up thereby giving them time to try and formulate their responses. The result is a more natural interview that doesn’t sacrifice sound
The post Zacuto Introduces the Micro Boom, a Boom Pole On Your Camera first appeared on 4K Shooters.
Teradek has announced Teradek TV, a new live feed remote review platform for production and collaboration. The new viewing platform will enable productions to create a worldwide video village, enabling real-time viewing of content creation with low latency. “Teradek TV enables any production team, project, or even an entire studio to ‘drag and drop’ their video village or post suite into the cloud,” said Greg Smokler VP/GM of Cine Products. “The platform is quick, intuitive, and scalable because it’s built on the powerful video streaming technology stack that Teradek has developed over the last 15 years.” Easy to set up
The post Teradek Launches New Live View Platform for Remote Collaboration first appeared on 4K Shooters.
Blackmagic has released version 18.6.5 of DaVinci Resolve which adds support for Sony Burano video clips, as well as reading gyro stabilization metadata from the Blackmagic Cinema Camera 6K. The update also expands import and export tools and cleans up some issues that users have been complaining about. Let’s take a deeper look. Kicking off the update is support for Blackmagic Raw 3.6.1 (B-Raw) along with Sony users now having the ability to import X-OCN clips straight from the Sony Burano cinema camera. The 16-bit video files have the benefit of having much smaller file sizes than typical camera RAW
The post New Update of DaVinci Resolve Arrives with Expanded Camera Tools and Raw Video Performance first appeared on 4K Shooters.
Nikon has announced its first firmware update for the Z8 Full Frame Mirrorless Camera and it is packed with a variety of new features photographers are sure to take advantage of. Though not as comprehensive as the firmware 2.0 update for the Nikon Z9, which made that camera practically a new model, Nikon states that the firmware 2.0 update for the Z8 is the camera’s first significant one and borrows several new features from the Z9 for still images and video. Firmware version 2.0 for the Z8 has many of the features found in the newer Z9 including autofocus options,
The post Nikon Rolls Out First Z8 Major Firmware Update first appeared on 4K Shooters.
Zeiss has just announced a new line of high-speed cinema prime lenses specifically designed for full-frame mirrorless camera users. The Nano Prime family will have a constant aperture of T1.5 and comes with six lenses covering an overall focal length of 18mm-100mm. “With the Nano Primes, “we are closing the gap between entry-level and high-end lenses,” explains cinematographer Christophe Casenave, Cinematography executive for Zeiss, “enabling all filmmakers to create a cinematic look even in this price segment.” Developed as an entry-level cinema prime lens set for mirrorless camera users, the Nano Prime family is designed to offer versatile and high-performing
The post Zeiss Just Dropped a New Line of Cine Primes for Mirrorless Users first appeared on 4K Shooters.
Sony has announced that the third-generation Alpha 9 full-frame mirrorless camera will be shipping earlier than planned. The new schedule will put the A9 III in the photographer’s hands weeks ahead of schedule. Dubbed a “significant milestone in digital imaging,” the Sony a9 III will be the world’s first mirrorless camera with a global shutter and can capture 4K video at up to 120 frames per second. It has a 24.6 full-frame Exmor RS CMOS image sensor and uses Sony’s latest BIONZ XR Image processor with real-time subject recognition and tracking. The a9 III also relies on 5-axis in-body image
The post Sony to Ship A9 Mark III Earlier Than Initially Announced first appeared on 4K Shooters.
Today we are more than excited to give a heads-up that B&H’s popular “Deal Zone” sale is happening right now, with special deals on Canon, Nikon, Panasonic, and even Apple computers. It seems to be another enticing opportunity for aspiring filmmakers that maybe you don’t want to miss too, so let’s take a quick look. Nikon: Kicking off the event is a host of Nikon products. Cameras, Nikkor Lenses, and other Nikon products are on discount of up to $500 off. Nikon fans can save up to $200 on the Nikon Z8 mirrorless camera, or $300 when paired with the
The post B&H Has a Huge Deal Zone Sale Going On first appeared on 4K Shooters.
Word out of social media websites in China suggests that Apple has been developing next-generation image sensors with Sony for the iPhone 16 Pro Max that will be larger and more advanced. The camera sensor should offer 14-bit color and will greatly expand the computational photography that the mobile phone is famous for. The news comes from the Chinese Twitter-like social media portal Weibo from an iPhone watcher by the name of “Digital Chat Station.” DCS says that Apple will be positioning the iPhone 16 Pro Max as an “image flagship,” that will largely be focused on computational photography and
The post iPhone 16 Pro Max Rumored to Have Larger, More Advanced Image Sensor first appeared on 4K Shooters.
New specs and feature details continue to emerge for the rumored Nikon Z6 III full-frame mirrorless camera. With features including 6K Raw at up to 60 frames per second and 8-stop vibration reduction taken from the Nikon Zf, this third-generation Z6 looks to be the best yet. If it’s true that is. The surmised specs laid out by Nikon Rumors, are believed to include support for 6K60p Raw through Nikon’s optimized N-Raw codec, and perhaps laying to rest the speculation that Nikon will opt for the mid-performance N-Log instead. Other features include 4K120 (cropped) or 4K60 using ProRes RAW, all
The post New Specs Emerge for Rumored Nikon Z6 III Mirrorless Camera first appeared on 4K Shooters.
Gradually over the last five years, the iPhone has been adding features that have moved the mobile device closer to a serious cinematic tool. With a 5x optical telephoto lens, Log recording, and 4k60 recording to an external SSD, the iPhone 15 Pro max, is even closer to being a serious cinema camera. Let’s take an in-depth look at the new features that make the iPhone 15 Pro Max worth considering as a cinema camera in your pocket. Multiple lens options First and foremost, Apple has redesigned the 3x telephoto camera to have a 5x focal length with a 35mm
The post The iPhone 15 Pro Max is Finally a Cinema Camera in Your Pocket first appeared on 4K Shooters.
Panasonic has just unveiled its latest addition to the Lumix series with the Lumix G9M2. This significant update to the popular G Series Micro Four Thirds mirrorless camera brings a host of new features, including an advanced autofocus system, improved video capabilities, and enhanced image stabilization. The Lumix G9M2 boasts a brand-new 25.2 Digital Live MOS Sensor designed to deliver high-resolution images and an impressive dynamic range of over 13+ stops when using V-Log/V-Gamut and Dynamic Range Boost. Upgraded Autofocus and AI-Powered Object Recognition This camera also comes equipped with an updated image processor that is twice as fast as
The post Panasonic Announces New G9 II Micro Four-Thirds Camera with Enhanced Autofocus, Video Capabilities first appeared on 4K Shooters.
Sony has announced the BURANO, the latest in the Cine Alta line. A compact full-frame 8.6K cinema camera, the BURANO is designed to be a more affordable and accessible alternative to Sony’s higher-end VENICE 2 camera. The newcomer features a new large 3.6 x 2.4 cm full-frame image sensor that can record 8.6K footage at up to 30fps and 8.2K footage at up to 60fps. The BURANO utilizes both full-frame and Super 35mm modes with support for a larger array of lenses, and Sony color science that is designed to produce more accurate skin tones and cinematic colors. Sony’s Exmor
The post Sony Unveils Compact BURANO Full-Frame 8.6K Cinema Camera first appeared on 4K Shooters.
Nikon’s Mark Robert’s Motion Control Robotics Division continues to develop robotic products that not only appeal to indie content creators, but they’re doing it at a very affordable budget price. Their latest new product is the SR-1 Small Robotic Pan Tilt Head, which is not only easy to set up, but provides what Nikon calls “impossible new camera angles” over what can be accomplished by hand. “The SR-1 is a powerful new tool for professional photographers and videographers,” stated Paddy Taylor, Head of Broadcast Solutions for MRMC. “It is perfect for use in situations where it is difficult or dangerous
The post Nikon’s Robotics Division Adds Smart Pan Tilt Head for Impossible New Camera Angles first appeared on 4K Shooters.
If you want an incredible cinema experience it is very hard to beat IMAX. The big screen, extra resolution, and serious sound just make watching movies in a proper IMAX theater even more immersive. Back in the day, shooting in IMAX meant working with specialized cameras and tons of expensive and large film reels. Since digital has taken over there are now a bunch of interesting cameras certified to deliver for IMAX productions. Making a camera ready for IMAX shooting is difficult and because of that it can be hard for many filmmakers to get their hands on. If you
The post 7 IMAX Certified Cameras You Can Maybe Get Your Hands On first appeared on 4K Shooters.
Another week and another camera comparison. This time it is putting the little guy against one of the industry powerhouses: Blackmagic vs ARRI. Blackmagic is still a smaller contender with their very affordable Pocket series of cameras while ARRI continues to focus on the ultimate professional cinema camera. Today we get to see those two go head to head. Filmmaker Blake Ridder took out the Pocket 6K Pro along with an ALEXA Mini to see just how easy (or hard) it is to tell the difference between the footage. It’s always interesting to see just how far modern cameras have
The post Pocket 6K Pro vs ARRI ALEXA Mini – Can You Spot the Difference? first appeared on 4K Shooters.
You can’t just take the latest AI tools and throw them at your videos to make magic just yet. However, you can definitely leverage AI and combine it with some relatively simple edits to create some breathtaking effects in no time at all. Among those AI tools at your disposal is generative fill in the latest Adobe Photoshop beta and when it works well it looks amazing. Take that, work with some transitions in Premiere Pro, and you can create a seamless transition effect that is super convincing. If you want to know more, filmmaker KYLER HOLLAND put together a
The post Creating Seamless Transitions in Premiere Pro Using Generative Fill first appeared on 4K Shooters.
GoPro has announced a new Hero12 Black action camera which pushes the camera’s 1/1.9” 8:7 image sensor to the brink thanks to a new Lens Mod 2.0 and a ton of professional-grade features. Not strictly a “dot upgrade,” in the slightest, the new GoPro Hero12 Black is built from the ground up after feedback from users wanting to do more. What makes the Hero12 GoPro’s first true professional camera? Well, first off, GoPro has added its own flavor of Log. GoPro isn’t the first, nor will it be the last to create a lossless codec capable of squeezing every bit
The post GoPro Drops Hero12 Black Stacked with Professional Features first appeared on 4K Shooters.
With the new SP3 Cinema Lenses, Cooke is bringing their iconic “Cooke look” and bringing it to a full-frame mirrorless platform. For the first time ever, the classic cinema lens company is designing cinema optics to be used with more mainstream cameras without sacrificing the aesthetic that Cooke is known for. A Lens Legacy Based on Cooke’s successful Speed Pancro lenses, the Cooke SP3 prime lenses promise outstanding optical performance from a lightweight and compact design, with precision-tooled iris focus mechanisms and, of course, that iconic “Cooke look.” The prime lenses are available in focal lengths ranging from 25mm, 32mm,
The post Cooke’s New SP3 Full Frame Cine Lenses Offer Wider Mount Support For that Classic Look first appeared on 4K Shooters.
As expected, ProGrade Digital has announced its first Type B CF Express media card utilizing the new CF Express Gen 4 architecture. The new Cobalt Class Type B Memory Card offers a massive 1.3 TeraByte capacity and promises to be ProGrade’s fastest card to date. Based on a PCI Gen 4 X2 interconnect design, the Cobalt class card transmits data via an NVMe host interface. The result offers a rated read speed of 3,000 MB/s and sustained write speeds approaching 2,800 MBs. “Our inclusion of PCIe Gen 4 controller technology, coupled with the upcoming UBS 4.0 high-speed readers will allow
The post As ProGrade Cobalt Enters the Fray, the CF Express 4 War Begins first appeared on 4K Shooters.
Angenieux has developed a new convertible zoom lens, which can switch between Super35 mm to Full Frame/Vista Vision camera platforms with the simple addition of a rear optical module. The third in a series of convertible lenses, the EZ-3 is an ideal addition to a cinematographer’s quiver when switching between camera platforms from one day to another is an important skill, and a small footprint is of great advantage. At its base configuration, the EZ-3 is a 45-165mm T2.3 to 3.0 zoom which covers a Super 35mm image sensor. To convert it to full frame or Vista Vision image formats,
The post Angenieux Unveils ES-3 Convertible Zoom Lens for Jumping from S35 to Full Frame Cinema Cameras first appeared on 4K Shooters.
Now that the Panasonic S5 II and S5 IIX are out in the wild – and a looking like worthwhile upgrades for filmmakers—it’s time to start looking into how you can get them kitted out. That is always a critically important step for any “hybrid” camera that uses an often less-than-ideal body design for filmmaking. Fortunately, plenty of companies have come out with solutions and rigs to make using mirrorless cameras a much more enjoyable experience. If you want some inspiration on how to build your own S5 II cine rig then you can turn to filmmaker Arber Baqaj who
The post Building the Ultimate Panasonic S5 II/S5 IIX Cinema Rig first appeared on 4K Shooters.
Even budget cinema cameras have a wide range of prices. Two of the most popular, the Blackmagic Pocket 6K Pro and the Sony FX3, have a price differential of $1,400. Considering budget matters a lot more at this lower price points you’ll need to take a close look at all the features and whether you are going to be getting the best bang for buck when you make a decision. If these two cameras are the ones on your wish list then you are in luck. Filmmaker Alex Zarfati takes a look at both to help figure out which camera
The post Sony FX3 vs Pocket 6K Pro – Which One is the Best Camera for Your Budget first appeared on 4K Shooters.
There are new AI tools coming out every day. While the idea of these tools becoming so advanced they may replace some jobs in the near future is scary, today they are often just nice options to have on hand to upgrade your own skills. Video editing is one area where companies are beginning to push these new tools and you should make sure to learn what you can. One super popular option for text is ChatGPT, but did you know that you can leverage that tech to give a boost to Premiere Pro? If you want to know more
The post Using ChatGPT & Premiere Pro to Take Your Video Editing to the Next Level first appeared on 4K Shooters.
Nanlite has hit the market again with a new generation of RGB LED lights. The PavoTube II XR and Forza II RGBWW LEDs are designed for more consistent illumination, with a wider color gamut for adjustable color rendition and temperature settings. What makes these new lights stand out from the previous generation is the fixtures can adjust the CCT with green and magenta tuning and full HSI color control. And they can do it wirelessly using a built-in CRMX Lumennd Radio wireless DMX controller. Added to the already available 2.4 GHz WiFi and Bluetooth connections, the native DMX control interface
The post NanLite Unveils NextGenForza II and Pavotube II XR LED Lights first appeared on 4K Shooters.
The Compact Flash Association has announced a new fourth-generation specification for CFexpress card design. The new specification, promises performance boosts of up to twice that of the current Type 3 design spec, for faster read/write speeds and high-speed data transfer of large files for 8K video and beyond. With a maximum throughput of up to 2GB/s per PCIe lane, the new Gen 4 PCIe spec provides what is described as 16 “Giga transfers per second” to reach the 2GB threshold. Though conventional media cards rarely reach or even surpass the theoretical maximum of any spec design, the new barometer will
The post A New 4th Gen CFExpress Standard Doubles Card Speed first appeared on 4K Shooters.
Sony has announced a pair of new Alpha 7C series mirrorless cameras with full-frame image sensors and video capabilities that content creators are sure to enjoy. Marked as the second generation of the A7C series, the new cameras begin with the 61 MP Sony A7C R, and the more compact 33 MP Sony A7C II. The A7C R offers a full-frame backside illuminated Exmor R image sensor designed chiefly for portrait, wildlife, and landscape photography. With a 61 MP BIONZ XR Image Processor, the camera is capable of 10-bit 4:2:2 4K video at 60 frames per second and supports Sony
The post Sony Unwraps A7C R and A7C II Mirrorless Cameras, Plus a New G Master Lens first appeared on 4K Shooters.
September is usually the time when Apple lays out all its latest offerings in time for the holiday shopping season. It is expected that the company will launch a new iPhone 15, a next-generation Apple Watch, and a redesigned iPad Pro. However, rumors suggest that the announcement of new M3 Macbooks may be delayed by at least a few weeks. According to Bloomberg’s Mark Gurman, writing in his weekly Power On Newsletter, Apple will be delaying the launch of the M3 MacBook Air and MacBook Pro until at least October, with its official announcement coming in a simple press release
The post Rumors Suggest M3 MacBooks May be Delayed to October first appeared on 4K Shooters.
I remember the days when upgrading the hard drive of your Mac was as simple as looking up a short guide on the internet and making sure you had the right screwdrivers to open up the computer. It’s not so simple anymore with Apple Silicon. However, that doesn’t mean it is impossible to pull off you’ll just need to take even more care and understand more about Apple’s computer designs. While I might not crack open the latest MacBooks just yet if you are the proud owner of an Apple Silicon Mac mini you may be able to tackle an
The post How to Upgrade the M1 Mac mini SSD from 256GB to 2TB first appeared on 4K Shooters.
RED vs ARRI, a tale as old as… well, a tale as old as RED has been a company. It did very quickly become a common question in the industry as RED stepped in specifically to take on the established players. Today, there’s less of a question on if RED can compete and more of a question of what qualities does RED have and how does that compare to ARRI. To answer some of those questions we fortunately have people like filmmaker Blaine Westropp who are willing to put in the work to create side-by-side comparisons. On the testing block
The post RED KOMODO vs ARRI ALEXA Mini LF – Side-by-Side Image Comparison first appeared on 4K Shooters.
When it comes to audio equipment there have been a few pieces of gear that always show up on the must-have lists. One example of this is the Sennheiser MKH 416. It’s one of a few shotgun mics that has been constantly recommended for its quality and reliability. It is pricey though at around $1,000. That’s where the new competition comes in. Lots of new companies are creating outstanding audio gear for much cheaper while delivering nearly the same performance. Today, we are going to check out one of the new options: the Synco Mic-D2. Audio expert Tom Antos seems
The post Check Out This Budget Hi-Quality Shotgun Mic for Your Productions first appeared on 4K Shooters.
If content creators have been shy about subscribing to Version 7.5.3 of FiLMiC Pro, the time is perfect to give it a try. The annual subscription to the popular mobile video creation app is on sale for $19.99, which is over 60 percent off the normal $50 subscription rate. FiLMiC Pro’s annual back to school sale is in full swing. The company hints that users don’t have to be a registered student either. “Whether you’re a current student or a lifelong learner, we invite you to take advantage of our “Back to School” Sale,” states the FiLMiC Facebook page. “Annual
The post FiLMiC Pro is Currently On Sale for $19.99 first appeared on 4K Shooters.
With Apple’s upcoming Fall Event just weeks away, rumored details about upgrades to the iPhone 15 Pro have been leaking onto the interwebs. According to experts like Mark Gurman and Ming-Chi Kuo, Apple’s flagship mobile phone will offer thinner bezels, a new pericope-style telephoto camera, and finally, a USB-C port will replace the “courageous” Lightning connector. Here’s a quick rundown of all the changes coming to the iPhone 15 Pro. Upgrades The iPhone 15 Pro and 15 Pro Max will be built around a lightweight titanium chassis with slightly curved edges that brings back the vibe of the iPhone from
The post Here Are the Rumored Upgrades for the iPhone 15 Pro first appeared on 4K Shooters.
Wooden Camera now offers a custom-built articulating hinge setup for SmallHD Smart 5 camera monitors. The hinge was specifically designed to align perfectly with the pinholes on any of the SmallHD Smart 5 Monitors while offering a convenient and stable way to tilt the camera screen up to 180 degrees while securely attaching various cameras through a standard mount. Based on a similar design found on the Wooden Camera RED Komodo Top Mount, the hinge connects to any 3/8’-16 mounting points utilizing ARRI standard locating pins. The upper attachment which connects to the Smart 5 monitor features a 1/4”-20 screw
The post Wooden Camera Creates Monitor Hinges for SmallHD Smart 5 Monitors first appeared on 4K Shooters.
One of the chief complaints against the RØDE Wireless Me microphone was that it didn’t offer on-board recording or an LCD screen indicating levels for more precise audio control. However, being a budget version of RØDE’s successful Wireless Go microphone system, it wasn’t designed to. Now RØDE has announced a professional-grade version that has these features, and a lot more. “In 2019, RØDE was the first company to create a compact and easy-to-use workflow that forever changed the way creators capture audio for their content,” says RØDE CEO Damien Wilson. “The Wireless GO II took this even further, adding incredible
The post RØDE Announces Wireless Go Pro-grade Microphone System first appeared on 4K Shooters.
It has been a long while since Sony refreshed their APS-C camera lineup and now we are finally on the verge of having the new flagship a6700 shipping out to early adopters. It has some excellent upgrades that bring it more in line with Sony’s latest releases though if you are expecting it in your mailbox any day now you’ll still want to go in and make some tweaks before you hit record. Checking out filmmaker Sean De Wispelaere, who happens to have his hands on an a6700 already, we have six tweaks that you should make right away so
The post Six Tweaks for the Sony a6700 Wоrth Considering first appeared on 4K Shooters.
Netflix approval is a badge of honor for many camera companies. Recently, we have seen a big push in marketing as well as updates for existing cameras that are designed get them on the list. If you are working on your own this might not mean much, but if you aspire to work on Netflix-funded productions you’ll need to be aware of the requirements and have a camera that fits the bill. These, fortunately, don’t need to cost an arm and a leg. Though they may not be the cheapest cameras out there, there are plenty of Netflix-approved cinema cameras
The post 5 Affordable Netflix Approved Cinema Cameras for 2023 first appeared on 4K Shooters.
Getting that sweet orbiting shot around your subject can be a massive pain. There are, of course, legitimate solutions to this problem, but they can cost a lot. There is often one good solution to the cost problem: DIY. Building your own rigging is not always as hard as it seems and often you can get it set up in a better or more custom configuration based on your specific needs. With that in mind, today we are going to check out an awesome-looking orbit camera rig from Bestboy Adam. From the initial samples it definitely does the job of
The post Check Out This Dope and Dirt-Cheap DIY Orbit Camera Rig first appeared on 4K Shooters.
Lexar has announced its next-generation Silver Series media cards in both CFexpress Type B and UHS-II SD varieties. The cards will come in 128GB-512GB capacities for the professional grade Type B silver models, and 128GB-512GB for the Professional Silver Pro SDXC UHS-II variety. Type B cards, for instance, are compatible with the VPG400 specification and are capable of read/write speeds of up to 1750 MB/second and 1300 MB/s respectively. The cards are designed using PCIe 3.0 x2 Bus architecture and can support the writing of 8K video files. The cards are also backward compatible with cameras that take XQD media
The post Lexar Announces Faster Silver Series Media Cards first appeared on 4K Shooters.
The Quick Precision Tripod Head takes the best parts of a three-way, ball, and other tripod-based mounting platforms to create a fast and easy-to-adjust tripod head. By taking the strong points from each head design, the creators have crafted what they say is a precision and quick-adjusting tripod head for lining up the perfect shot. Providing minute adjustments across any of the three axes, the Quick Precision Tripod can keep multiple axes steady and unmoved, while a third gets the proper adjustment. Normally, when adjusting a traditional ball head, any movement of one axis will cause the other two to
The post The Quick Precision Tripod Head Redefines The Classic Video Mount first appeared on 4K Shooters.
Atomos has announced a pair of new Ninja high-resolution ProRes monitor recorders designed from the ground up with a new operating system that makes them both faster and easier to use. The new Ninja Ultra and Ninja recorders are capable not only of recording 6K ProRes RAW video in a variety of codecs but can also upload 4K 60p Raw proxy files in a camera-to-cloud workflow when coupled with the Atomos Connect module. At the heart of both new recorders are AtomOS 11, a completely overhauled operating system that the company says is cleaner, fresher, and faster. The OS is
The post Atomos Unveils Ninja Ultra and Ninja Monitor/Recorders with a Simpler OS first appeared on 4K Shooters.
Vegas Creative Software has announced the integration of BorisFX Mocha tracking into its flagship video editing and composite software suite. Vegas Pro 21 is a cloud-enabled suite that offers editing, compositing, and video effects, and now with the integration of Mocha Vegas, offers a powerful planar tracker with built-in motion tracking and image stabilization. In partnership with BorisFX, Mocha VEGAS is specifically designed to support Vegas Pro 21 and includes a custom interface for instant access to the app’s sophisticated planar tracking technology. Tracking data is instantly available and applied in multiple ways including tracking and image stabilization, and offers
The post VEGAS Editor Gets Boost with Boris Mocha Tracking Tool first appeared on 4K Shooters.
There are a lot of newcomers to the cine lens category. All of them have their own history. Some brands came from making cheap lenses and have slowly improved to the point that now they are offering premium glass. Others went straight to the high-end and challenging established players. And some just went straight for that middle ground of quality glass as respectable prices. Those three summaries describe three current brands that have become popular in the past few years: Viltrox, Atlas, and DZO. If you are interested in any of these brands – or at least seeing how they
The post DZO vs Viltrox vs Atlas Cine Lenses – Which are the Best? first appeared on 4K Shooters.
The ALEXA 35 is the shiny new cinema camera from ARRI and so it is (rightfully) getting all the attention these days. We shouldn’t forget about their existing cameras, especially the ALEXA Mini it is almost replacing. I say “almost” replacing because it is still an incredible camera that even being a last-gen product maintains an advantage over the latest and greatest: color. Let’s cut to the core of the matter though and see just how the images compare between the ALEXA 35 and ALEXA Mini. For a good look at both these cameras we can turn to filmmaker Joel
The post ARRI ALEXA 35 vs ALEXA Mini – Side-by-Side Image Comparison first appeared on 4K Shooters.
Going portable with Apple systems often means picking out an iPad and making some compromises when it comes to software. The split between macOS and Apple’s mobile solutions means you are often trading features and functions to get the essential pieces you need. Or, you could try to blend the best aspects of both systems to create a cool setup for creatives on the go. Creator Tausif Hussain has created an interesting solution that uses a Mac mini as the main brain while an iPad Pro sits in as the monitor to create a portable setup. You’ll get to use
The post Building the Ultimate Mac mini and iPad Pro Setup for Creative Professionals on the Go first appeared on 4K Shooters.
DJI has announced its entry into the wireless video transmission system space with its new DJI Video Receiver and Transmission Standard Combo. The setup ensures low latency transmission with extended range, with the sending and receiving of encrypted video data. Designed specifically for use with production monitors, the new combo is linked to the DJI Pro wireless ecosystem in both High Bright, and Standard configurations. The High Bright Combo integrates with reception, monitoring, recording, and overall control, while the Standard Combo adds support for metadata transmission through SDI with output for fractional frame rates on production monitors. The Video Receiver
The post DJI Expands into Wireless Video Transmission with new Standard Combo Setup first appeared on 4K Shooters.
Photo accessories company MIOPS has a new camera grip for the iPhone which not only promises an ergonomic photographic experience for mobile content creators but is also MagSafe for mounting recharging. The MIOPS Spark grip is designed with multiple buttons for menu and remote operations and promises the same level of experience as a real camera. “Whether you’re chasing storms, exploring nocturnal landscapes, or marveling at the majestic display of lightning, Spark enables you to embrace the magic of the moment and immortalize it with the exceptional capabilities of your iPhone,” states the MIOPS Kickstarter page. “No more missed opportunities
The post MIOPS Introduces New MagSafe Grip for the iPhone first appeared on 4K Shooters.
Canon is rumored to be experimenting with the addition of multiple Raw image resolutions for the Canon R5 MK II still image mode. If true, the addition could be the first step towards using the entire full-frame sensor data information for improved video. But it’ll take some additional support to make it happen. The intel comes from Canon Rumors, of course, and comes with a warning that there’s a lot of conflicting information about what’s going on. But it certainly could be an exciting development to expand Raw image support for a camera that is just dying to use more
The post Canon Rumored to Increase Raw Resolution for R5 MK II first appeared on 4K Shooters.
Chinese camera accessories company Hollyland enters the camera business with a social media-centric streaming camera. The VenusLiv promises to give social content creators the ability to choose between shooting native vertical 1080p video or going horizontal for a more cinematic look. The newcomer uses a half-inch 12 MP CMOS sensor and a 5” vertically mounted articulating LCD touchscreen, with twin 1/4-20 tripod mounts on the side and bottom. A built-in gyroscope automatically rotates the screen user interface to make it easier to operate. The camera has a built-in 3x optical zoom lens which equates to a 24-70mm focal length. With
The post Hollyland Introduces Social Media-Centric HD Streaming Camera first appeared on 4K Shooters.
Almost like clockwork it has been another couple months and time for DJI to launch another drone. It’s an exciting one—the Air 3. This is often the sweet spot in DJI’s drone lineup as it isn’t as expensive as the Mavic and offers a bit more than the Mini series. Speaking of… the Mini 3 Pro is an impressive drone itself and puts up tough competition against the new Air. The dilemma of choosing between these two models may now be your current problem. If you are looking for a direct comparison to help you decide then you’ll want to
The post DJI Mini 3 Pro vs DJI Air 3 – Which One to Pick? first appeared on 4K Shooters.
Looking at what was upgraded with the RED KOMODO-X it seems like the perfect balance between the original KOMODO and the newer DSMC3 camera systems. An upgraded Super 35mm sensor, enhanced ergonomics, support for the latest accessories, and more make the KOMODO-X a great, more compact option for RED filmmakers. If you are looking to pick up a new camera or happen to be the proud new owner of a KOMODO-X then you might want to learn how to make the most of it. For that, we are again turning to filmmaker Tyler Edwards who has eight tips to help
The post 8 Tips to Get the Most Out of the RED KOMODO-X first appeared on 4K Shooters.
You will almost never know enough about your favorite NLE. Part of that is because they are adding new features all the time. The other reason is simply that these are very dense pieces of software and it takes years of experience and some good advice to figure out the tricks that’ll help improve your speed and productivity. If you work in DaVinci Resolve you are in luck as professional colorist Darren Mostyn has compiled a list of 10 must-know hacks that will help you out. Sounds like it is time to put that fresh install of the recently-out-of-beta 18.5
The post 10 Must-Know DaVinci Resolve Tricks to Use as a Pro Colorist first appeared on 4K Shooters.
Nikon’s acquisition of Mark Roberts Motion Control (MRMC) is yielding some impressive dividends that content creators of all budgets can take advantage of thanks to the new Cinebot Mini motion control robot. The single-arm motion control robot can record camera movements in multiple axes, and replay those movements over and over again without the need for complex programming. Users just grab a connected camera, move it, and the Cinebot Mini records each movement. “MRMC continues to develop the most innovative technologies to meet the evolving needs of the film and cinematography industries,” said MRMC CEO Assaff Rawner. “(The Cinebot Mini)
The post Nikon’s Robotics Unit Brings Repeatable Motion Control to All Content Creators first appeared on 4K Shooters.
DJI has just announced the launch of its next-generation Osmo Action 4. The camera has an improved 1/1.3” image sensor and a wide f2.8 aperture which promises improved image quality and better low-light performance, plus a longer-lasting battery for users to keep shooting. The newcomer’s new lens offers an ultra-wide field of view of 155° and offers improved image stabilization which features HorizonSteady, a 360° stabilization mode, plus RockSteady 3.0+ for better horizon balancing and first-person viewpoint capture. The camera can also capture 10-bit D-Log M color for a wider dynamic range and over 1 billion colors. An advanced
The post DJI Introduces Osmo Action 4 Camera with New Advanced Sensor first appeared on 4K Shooters.
With just weeks to go before Apple announces the next generation iPhone 15, Bloomberg’s Mark Gurman believes the new mobile handset is one step closer to being Apple’s “dream iPhone design. ” With improvements to the overall manufacturing process, the handset’s screen promises a smaller bezel, faster performance, and final adoption of USB-C for faster transfer rates. “Apple Inc. designers have long dreamed of an iPhone that is truly all-screen,” writes Gurman in his Power On newsletter, “with no borders around the display and no cutouts for cameras or sensors … the iPhone 15 this fall will take another step
The post Apple’s iPhone 15 to Take One Step Closer to Bezel-less Design first appeared on 4K Shooters.
A pair of new models of the Sony A7C full-frame mirrorless camera line is about to hit the market, according to recent Sony Rumor sites. The Sony a7CR and a7CII will offer improved focusing, and AI-based facial recognition and processing features. Known for being the smallest full-frame mirrorless camera in the Alpha 7 line to benefit from five-axis in-body image stabilization, Sony a7C uses an over-sampled 24.2 MP backside illuminated CMOS image sensor to provide 4K video with up to 15-stops of wide dynamic range. And in these two new models, Sony has boosted the camera design with better color
The post Sony Rumored to Release Two New AI-Centric Mirrorless Cameras first appeared on 4K Shooters.
RED solved one of the biggest issues with their system with the release of the DSMC3 series – being able to pick it up and shoot straight out of the box. While this is huge since it means you have to collect a bunch of accessories, like a display, just to get started, there are some limitations with design that will demand that you build up your own rig. One limitation, in particular, is the screen size and location on the KOMODO-X. It’ll work in a pinch, sure, but it certainly isn’t ergonomic or the highest quality available being only
The post What’s the Best On-Camera Monitor for the RED KOMODO-X first appeared on 4K Shooters.
A few months back we took a look at how the Panasonic S5 II stacked up against the Sony a7 IV. It did hold up very well. However, we ended that saying that if you wanted the best option for video it might be worth waiting for the S5 IIX. That camera has finally arrived so it is time again to put it up against the a7 IV. This time the comparison is coming from filmmaker Troy Mairs. With the S5 IIX’s much heavier emphasis on video functionality, this should be a much more interesting set of tests and could
The post Panasonic S5 IIX vs Sony a7 IV – Which One is Right for You? first appeared on 4K Shooters.
AI tools are here to help. Nearly every common piece of video editing software now has some degree of AI integration at this point though perhaps the most eye-catching results have come from Adobe’s Firefly beta. Using generative AI we can now simple ask the software to make a change and it’ll use AI to create it almost seemingly out of nothing. It’s incredible. One cool use case is to create more interesting backgrounds for your videos. Matti Haapoja has been using it to build virtual sets for his videos and the results are impressive. Learn how you can do
The post How to Enhance Sets in Your Videos Using AI first appeared on 4K Shooters.
Crucial’s latest X9 Pro and X10 Pro SSD hard drives are built for speed and are designed with content creators and photographers in mind. The drives are available in capacities of up to 4 TB and utilize USB 3.2 Gen 2×2 protocol. Moreover, they are completely backward compatible with the Gen 2 and Gen 1 USB 3 standards. Let’s take a look. “We designed and built our two new portable SSDs, the Crucial X9 Pro and the Crucial X10 Pro, to specifically address these demanding workloads,” said the Crucial statement. “With more photos and videos being taken than ever before,
The post Crucial Releases Pro Level SSDs with Blazing Speeds first appeared on 4K Shooters.
Over at B&H, Canon, and Payboo have teamed up for special deals with up to twenty percent savings on select cameras and lenses. The sale provides an additional five percent off when using the Payboo Credit Card for savings of up to $750. Let’s take a look at what deals are available: Canon EOS R3 Thanks to this Payboo sale, the time may be ripe to pick up the top-end Canon EOS R3 full-frame mirrorless camera. The R3 features a 24mp full-frame stacked backside illuminated CMOS image sensor, dual pixel Autofocus II with eye control AF, and is capable of
The post Canon and Payboo Team Up for Deals Thru B&H first appeared on 4K Shooters.
The rumor that DJI was going to announce a new mid-level UAV for aerial cinematography proved to be right on the money, as the company announced the DJI Air 3 drone. The latest generation drone features a gimballed dual camera array with DJI’s next-generation O4 transmission system and an omnidirectional obstacle sensing system. But what may be its most game-changing feature is the Air 3’s revolutionary battery design, which offers up to 46 minutes of flight time. The result is more loitering time to set up shots, and do so from an even greater distance. Two Cameras in One “The
The post DJI Announces Air 3 Drone with Remarkable 46 Minutes of Flight Time first appeared on 4K Shooters.
With a massive list of improvements to its premiere video editor, Blackmagic Design has seeded version 18.5 to users through a free download. And one of the chief features is an A.I.-driven neural engine that not only creates subtitles and transcripts but offers direct upload to TikTok, as well as other social media platforms, and many more improvements for audio, color correction, and video effects. Let’s take a closer look and deep dive into the details. Transcribing Documentarians who capture interviews, normally have to spend hours of their post-production time or budget hundreds or even thousands of dollars to transcribe
The post Blackmagic Releases Feature Rich, A.I.-Driven DaVinci Resolve 18.5 first appeared on 4K Shooters.
Kinefinity got a good start with cinema cameras by giving them features closer to that of a RED while pricing them like a high-end mirrorless camera. Now, with the MAVO mark2 series we are seeing that same methodology and even better overall performance. It could be one of the best affordable cinema cameras out there. If you want to find out if it is in fact as good as it seems we can turn to ProAV TV who put together a lengthy review on the new MAVO mark2 S35. Image quality, frame rates, ISO performance, anamorphic modes, and physical design
The post Closer Look at the Kinefinity MAVO II S35 first appeared on 4K Shooters.
Finally, Sony has taken the new tech found in the FX30 and used it to make a new flagship APS-C mirrorless – the a6700. The only problem now is trying to figure out which one is better for you. Both offer similar functionality and relatively similar price points. However, the design is vastly different and each does have distinct features that make them better suited to different types of users. If you have the dilemma of choosing between these two great cameras you’ll want to check out this comparison from Mark Bennett’s Camera Crisis. By diving deep into the differences
The post Sony a6700 vs FX30 – Which One is Right for You? first appeared on 4K Shooters.
We’ve talked about how to speed up your editing in Resolve using AI tools already so now it is time to look at some of the new AI features Adobe has readily available. These tools are looking very, very good these days. Today, we are going to stay a bit focused on the audio side of things – an area I think many video editors don’t spend as much time as they should. Audio is just as important as your video though and that’s why you should check out Adobe’s AI audio enhancer. Coming from filmmaker Blaine Westropp is a
The post How to Make Your Audio Sound Much Better with Adobe AI first appeared on 4K Shooters.
Video editing is all about shortcuts. To that end, a desktop console can help by programming favorite tasks and macros so that a function can be repeated with a touch of a button. That’s where DaptKey comes in, with a fully programmable array of buttons, switches, and dials, to give the most seasoned cutter an edge when it comes to editing. Functionally similar to the Loupedeck, the DaptKey desktop console has twenty customizable Cherry MX buttons and five separate turning dials. All twenty-five buttons and dials come complete with OLED touchscreen displays integrated within. These are presumably for indicating what
The post DaptKey Console Offers Fully Customizable Workflow for Post Production Work first appeared on 4K Shooters.
It didn’t take Smallrig very long to crank out some useful accessories for the recently announced Sony A6700 mirrorless camera, and while they were at it, they made some supporting gear for the ZV-E1 camera as well. The accessories offered include a full cage, half cage, baseplate, and cold shoe mount, amongst other offerings, and with up to 15 percent off, users can get some pretty good deals. Let’s take a closer look. Sony A6700 Accessories The accessories for the Sony A6700 include a full cage kit, that features an added hinge arm at the battery door, and an HDMI
The post SmallRig Offers New A6700 and ZV-E1 Accessories, and There are Deals to be Had first appeared on 4K Shooters.
DJI is teasing a new announcement that has drone pilots buzzing over what the new UAV could be. Many believe the new drone will be a mid-tier DJI Air 3, which will come with a dual-camera array and a newly designed controller. The leaks come not from any insider, per se, but from the recent FCC filings by DJI. The filings indicate that the company is planning on releasing the new Air 3 drone really soon, with the July 25th announcement date seeming to support that theory. Double Up | July 25th, 9 AM EDT Discover More: https://t.co/sFykjRl9ed pic.twitter.com/wrlaEAujII —
The post DJI Teases DoubleUp Drone Event for June 25th first appeared on 4K Shooters.
Zhiyun Tech has announced a 4th generation version of their Crane gimbal stabilizer. The Crane 4 combines a lightweight form with heavy-duty support for stabilizing camera payloads over 13.2 pounds. The Crane 4 has taken lessons learned from the previous generations and has been redesigned with a longer arm length, extended quick-release plate for greater support, and stronger balance motors to provide a more stable image while the camera is on the move. The Crane also has a new balancing algorithm that provides greater balance with an easier setup time. Zhiyun has also made it easier to switch between portrait
The post Zhiyun Tech Brings Next-Gen Crane 4 Gimbal Stabilizer to Creators first appeared on 4K Shooters.
The Canon R8 is a solid full-frame offering from Canon that fleshes out the middle of their mirrorless lineup. With 4K 60p recording and a 24MP sensor it is a very capable system at a price point that should be within reach for many advanced users. Add in 10-bit and Canon Log 3 and you have a great video camera on your hands that has the features for some real work. Being a mirrorless and not a cinema camera it is lacking in ergonomics so you’ll want to rig it up if you want to maximize video potential. For a
The post Rigging Up the Canon R8 from Scratch first appeared on 4K Shooters.
RED kept a lot of the great things about the original KOMODO and made some things even better with the release of the KOMODO-X. One of the more significant changes was an updated Super 35mm sensor with better dynamic range. Presumably, this should lead to improvements in many aspects of image quality, potentially even low-light performance, so why not test it against the Sony FX3, which is considered one of the best for challenging lighting environments. In many ways this is yet another full-frame vs Super 35mm sensor comparison, but that’s still fun to see with every new advancement. If
The post RED KOMODO-X vs Sony FX3 Low-Light Test first appeared on 4K Shooters.
One of the surprising releases this year was a cheaper, vlogging-oriented camera from Sony that featured the same sensor and, theoretically, image quality of the a7S III and FX3. The ZV-E1 is a tempting camera for many and it even just got updated so it can realize the full potential of that tech with a max recording rate of 120 fps in 4K. One thing to consider though is the fact that the smaller, simpler body design doesn’t have the same heat control as the other cameras. Without a fan or larger body the ZV-E1 may have some overheating concerns.
The post How Bad is the Sony ZV-E1 Overheating in 4K 120p Mode? first appeared on 4K Shooters.
Arnaud Moro is a photographer, director and cinematographer based in Amsterdam. Originally from the south of France, he graduated in 2015 from the National School of Architecture in Marseille. With his own way of seeing the world, space and light around him we find out what’s in his camera bag. Below, you can check out the second episode of his latest work ‘A Day In’ – a piece that celebrates the breathtaking beauty of Real de Catorce, a village in the central Mexican state of San Luis Potosí. This village is the cocoon of the Wixárika culture, one of the oldest indigenous cultures
The post What’s in My Bag: Filmmaker Arnaud Moro and His Experience with the BMPCC 4K first appeared on 4K Shooters.
Sony continues to bolster its line of video content-creator tools by announcing the A6700 APS-C mirrorless camera. The company also announced the Sony FE 70-200mm F/4 G OSS II zoom lens and the Sony ECM-M1 on-camera external microphone. Let’s take a closer look at how these three new Sony products will help mobile content creators to become more cinematic. Sony A6700 Mirrorless Camera Combining a 26-megapixel APS-C backside illuminated Exmor R CMOS image sensor with the same Bionz XR processor found in the Sony ZV-E1, the A6700 mirrorless camera enjoys up to eight times more processing power than the previous
The post Sony Introduces a Trio of Content Creation Tools Including the A6700 Mirrorless Camera first appeared on 4K Shooters.
Lens maker Sirui is looking to lure content creators with a trio of low-cost APS-C cinema lenses, which promise to make their content more cinematic and do so for under $500 each. The prime lenses, which include 24mm, 35mm, and 55mm models, cover Super 35 and APS-C image sensors and a super fast T1.2 aperture. The NightWalker 24mm has six high-index elements, while the 35mm uses one extra-low dispersion element and one high-index lens element. The 55mm lens has one ED element and four high-index elements. The lenses are fully manual in focusing, with a minimum focusing distance of .3-.6m
The post Sirui Announces Affordable Night Walker Cinema Lenses first appeared on 4K Shooters.
Sony is poised to announce a new mirrorless camera tomorrow. The news comes from Sony’s YouTube channel which has already setup for a live stream with the title “Next generation creativity on the go.” There isn’t much more in the way of details for the announcement, other than it is scheduled to go live on July 12th at 10:00 PM EDT. Sony Alpha Rumors, however, is convinced that this will be an announcement of the new Sony A6700 mirrorless camera, and a new 70-200 GII macro lens, which they state is about a third smaller than the previous generation. According
The post Sony Teases A New Mobile-Centric Camera for Content Creators first appeared on 4K Shooters.
A new open-source app can leverage a camera’s movement data to stabilize video footage with rock-steady results. GyroFlow supports a variety of cameras from its built-in gyro and can use the visual data and the gyro data to correct for camera movement, making video footage more cinematic and professional looking. GyroFlow works much like Warp Stabilizer in Premiere Pro but takes the extra step of analyzing gyro data that is written into the video file’s metadata as the camera moves within the frame. The app then smoothes out the camera movement, stabilizing it. GyroFlow doesn’t work with every camera on
The post GyroFlow Can Stabilize Your Footage For Free first appeared on 4K Shooters.
Sony has a lot of lenses. There’s definitely too many for anyone to actually get all of them, not that anybody actually needs all of them. What you do need is a solid selection to pull from to make sure all your filmmaking needs are covered. If you are looking for insight on what some of the best Sony lenses there are then this list of six put together by filmmaker Kofi Yeboah may help. He runs through his favorites – all of which are full-frame – and explains what makes each one good and useful. Maybe you’ll find your
The post 6 Best Lenses for Your Sony Mirrorless Camera to Pick in 2023 first appeared on 4K Shooters.
Now that Apple has completed the transition to its own silicon we have a complete and updated lineup to check out. For video editors looking for their next desktop workstation there are a couple to focus on: the Mac mini and Mac Studio. You might think that the M2 Max Mac Studio is the one you have to get for the extra power, but is the new M2 Pro-equipped Mac mini able to do the job in a smaller size and at a lower price? This type of technical analysis is best left to a few trusted experts such as
The post M2 Pro Mac mini vs M2 Max Mac Studio for Video Editing – Which One to Opt For? first appeared on 4K Shooters.
Just because you have a camera that is supposed to be one of the best in low-light situations it doesn’t mean you are immune to noisy footage. Good technique is still key to capturing clean footage. Even the Sony FX3 and FX6 with their highly-sensitive full-frame sensor are susceptible to noise and they basically hold the title for best low-light cameras. Speaking of those two models, if you have been having trouble with noisy footage from your FX3 or FX6 or you simply want to avoid it altogether with your new gear then you’ll want to learn these three tips
The post 3 Tips on Avoiding Noise When Shooting with Your Sony FX3 or FX6 first appeared on 4K Shooters.
Atomos has announced Ninja Cast, a clever desktop app that can link a laptop to the Atomos Ninja V or Ninja V+ external monitor recorder, converting it into a live-streaming video switcher. The app links the AtomX Cast add-on device with a user’s desktop computer, offering complete control of all features and functions. Available in both Windows and macOS variants, the Nina Cast Desktop Software offers control of all buttons and settings and mirrors the same functionality available on the AtomX Cast hardware. Users can also take advantage of enhanced features that are easily available through the hardware interface. Users
The post Atomos Launches Ninja Cast and It Turns Your Ninja into a Video Switcher first appeared on 4K Shooters.
Apple is working on a new cinema monitor that will do double duty as both a Mac video monitor and a smart home display that is always on. The display design is rumored to be the basis of their next-generation Studio Display and Pro XDR Displays. “I’m told Apple is working on multiple next-generation monitors, including a large-screen panel with an iOS device chip and software stack,” Gurman teased on Twitter. “The idea is that the screen could double as a Mac monitor and a smart home display with a low-power mode.“ The leak came from none other than Mark
The post Apple is Developing a Smart Home Display Monitor That’s Always On first appeared on 4K Shooters.
The summer of firmware updates continues with Panasonic announcing an update to the Lumix GH6 Micro Four Thirds mirrorless camera, which will add RAW video output via an external recorder, as well as higher frame rates in 4K. The update is scheduled to be available on July 11th. In the last few weeks, camera makers have recently updated firmware with similar features. Sony added support for high frame rates up to 120 fps in 4K and 240 fps in 1080p, while, Canon’s update of the R5C brings expanded support for the company’s ever-massive catalog of EF-mounted lenses through the ROS
The post Panasonic Updates GH6 Firmware to Add Higher Frame Rates and Raw Support first appeared on 4K Shooters.
Canon has announced that the EOS Series of digital cameras has surpassed 110 million cameras produced, and 160 million interchangeable lenses. The milestones were achieved in March and May of 2023 respectively. Specifically, the EOS R6 Mk. II full-frame mirrorless camera, introduced in December of 2022, was the 110 Millionth camera to come off the line, while the RF100 F2.8 L Macro IS USM mirrorless lens, launched in July 2021, claimed the 160 millionth lens to be made. Launched in March of 1987, the EOS brand and EF mount interchangeable lenses were the world’s first fully electronic lens mount camera
The post Canon Surpasses Two Impressive Milestones for EOS Cameras first appeared on 4K Shooters.
The ARRI ALEXA is still the gold standard of cinema cameras. Much of that is simply because of the image—not just because of quality, but because of the color rendering. The ARRI look has yet to be surpassed and attempting to mimic it with the camera you have is a common goal. Though reaching those goals can be very difficult. Coming from Anamorphic on a Budget is a way to get an ARRI look without dropping the cash on an actual ALEXA Mini. By using a proper LUT in realtime you can perhaps transform a Panasonic S5 IIX into a
The post How to Match the Panasonic S5 IIX to an ARRI ALEXA Mini first appeared on 4K Shooters.
Sony has made good use of the phenomenal full-frame sensor found in the FX6 and a7S III. The FX3 was the next one to see it and now there is the even more affordable ZV-E1. We are going to look at those last two in particular since they are both video-focused models and while they share a sensor—and theoretically image quality to some extent – they come in at vastly different price points and with an array of different features. Filmmaker Anthony LiPani has got his hands on both of these cameras and does a deep dive on the differences
The post Sony ZV-E1 vs Sony FX3 – Which One is Right for You? first appeared on 4K Shooters.
I remember when DaVinci Resolve was just a niche software for advanced color grading work that most people never touched. Now it’s a full-fledged NLE with an entry price of $0. Not only that, Resolve is now a class-leading editor in terms of features and it continues to grow with every major release. This last update brought a ton of exciting AI features that should speed up your edit. If you want to better understand all these AI-driven features and how they can supercharge your editing process then you will want to check out this video from Kevin Stratvert. These
The post How to 10x Your Video Editing in Resolve Using AI first appeared on 4K Shooters.
Earlier this year, Sony announced the ZV-E1 4K camera, essentially an A7SIII in a more compact, vlog-centric form factor. One thing that content creators were clamoring for, was the ability to capture 4K video at higher frame rates. Now with a new camera update, users get their wish. As a bit of a reminder, the Sony ZV-E1 has the same basic circuitry as both the A7SIII and the Sony FX 3. With a compact, mirrorless form factor the ZV-E1 has an E-mount interchangeable lens mount and a flip-out, articulating LCD touchscreen. The camera captures 10-bit 4:2:2 4K video with full
The post Sony Updates ZV-E1 With High Frame Rate Support first appeared on 4K Shooters.
In partnership with B&H, Canon has released custom Cinema Camera Kits for the Canon EOS C70 and EOS R5 C Cinema Cameras. The select bundles will offer a Canon RF 24-70mm F/2.8 L IS USM Zoom lens which will give shooters the ability to shoot wide angles and close-ups from a single lens. The C70 and R5 C mirrorless Cinema cameras are designed to operate as both still image and cinema-style cameras with Dual Pixel CMOS Autofocus technology and up to 16+ stops of dynamic range. The C70 has a Super35 Dual Gain output sensor with Canon’s Digic DV7 image
The post Canon Releases Cinema Kit for RF Mount R5C and C70 Cameras first appeared on 4K Shooters.
There are products that get released that are simply just the next step in a design process. And then there are products that change the game so much, that you don’t remember your creative life before them. The Insta360 Go 3 may just change the action camera game forever. The tiny pill-like design has been around since the beginning of the Go series, but with the third generation, Insta360 has listened to customer feedback and introduced the Action Pod, which does double duty as a charging hub. And thanks to its 2.2” flip touchscreen screen the Pod can also serve
The post Insta360 Reinvents the Action Cam, and It Changes Everything … Again first appeared on 4K Shooters.
A leaked photo and product listing for the next-generation DJI Air 3 drone has found its way onto Twitter, with a rumored release date of June 28, 2023. The listings show the UAV, plus two Fly More Combos, each with separate controllers, an optional charging up, and a host of accessories. The leak came from a handful of drone followers on Twitter, including Deals Drone which not only outlines the product listings and shipping dates but also shows several images and a video showing flight testing. The tweet also states that the Air 3 is designed to weigh under 500
The post DJI Air 3 Drone Rumored to Drop This Week first appeared on 4K Shooters.
When we started using compact mirrorless cameras for video we quickly found that the portable power solutions used for them was lacking. Easy to carry around and fit in a small body sure, but not enough to get through a day of video shooting. A serious power solution is necessary. To realize a real power option you’ll need to think about your rig and make sure you have the pieces necessary to make use of it effectively. If you want to see one of these builds in action you’ll want to watch this video from filmmaker Josh Sattin. He seems
The post Setting Up the Ultimate Camera Power Solution for Your Mirrorless Camera first appeared on 4K Shooters.
Raw 8K video at up to 60 fps all internal. Those are specs of some top-tier cinema cameras. Which is why it is so surprising that it is also something that the Nikon Z9 mirrorless camera can pull off. Nikon’s push into video continues to impress with every subsequent release and this one absolutely pushed the boundaries of what we have come to expect on mirrorless systems. Specs alone won’t prove that the camera is good though, you’ll want to see how it actually performs. For that, we can turn to LensProToGo who did the work and got us raw
The post ISO Performance and Recovery Test of the Nikon Z9 first appeared on 4K Shooters.
Per the relatively new player AXIBO, the PT4 System is “the pinnacle of motion control technology.” That’s quite a claim. It’s a good sign then that some well-known reviewers are calling it an impressive piece of kit. Leveraging deep learning and advanced mechanics, this motion control system might just be the one to beat. If you were curious to learn more about all the capabilities—including some fancy autonomous options – you can turn to the always reliable Gerald Undone. He takes a closer look at the PT4 and goes through all the pieces, features, and performance characteristics to see if
The post Closer Look at the AXIBO PT4 Motion Slider first appeared on 4K Shooters.
Nikon has announced a pair of Nikkor lenses that stretches out focal length while being lightweight and easier to carry while shooting handheld. The Nikkor 70-180mm F/2.8 and the Nikkor 180-600mm F/5.5-6.3 VR also offer up to adding up to 5.5 stops of image stabilization in the process. Let’s take a look. NIKKOR Z 70-180mm f/2.8 With a constant F/2.8 aperture, the NIKKOR Z 70-180mm f/2.8 promises great low-light performance with what Nikon calls an “enticing” looking bokeh. The 70-180mm lens has 19 elements organized in 14 groups, including five extra-low dispersion elements, one super extra-low dispersion element, and three
The post Nikon Reaches Out with Two New Lenses first appeared on 4K Shooters.
Starting today, B&H will have a three-day Mega Deal Zone sale with deals on hundreds of popular camera accessories, computers, and more. Users can save up to $2,500 on equipment and add some sorely needed tools to a rental kit by acting fast. Let’s take a look at a few examples. Camera Gear: Leading off the sale is the Blackmagic Design Pocket Cinema Camera 6K G2. The 6K Pocket cinema camera has a Super 35 HDR Sensor, support for BMDs Generation 5 Color Science, a Canon Active EF Mount, Mini XLR Inputs, and a 5″ Tilting LCD Touchscreen. The 6K
The post B&H Has Its Annual Summer Mega Sale Going On Right Now first appeared on 4K Shooters.
Canon has expanded lens support for the Canon R5C 8k Full Frame mirrorless camera, with an expected major firmware update that provides expanded support for dual-pixel CMOS Autofocus, as well as correction of peripheral illumination and chromatic lens aberration. Firmware update 1.0.4.1 also adds support for Canon’s line of EF-mounted lenses through a Canon’s EOS R .71x lens adapter and a variety of other beneficial tools when shooting in 8K. Once updated, the Canon R5C will have support enabled for the following Canon lenses: CN-E14-35mm T1.7 L S, CN-E20-50mm T2.4 L F, CN-E45-135mm T2.4 L F, CN8x15 IAS S/E1. The
The post Canon R5C Gets Expanded Lens Support with its Latest Firmware Update first appeared on 4K Shooters.
Prograde has announced their next generation Type B CF Express Gold Card that maxes out at 2 TB in storage capacity while promising the same performance as their previous 2nd Generation cards which peak at 256GB. The card joins ProGrade’s collection that includes 1TB and 512GB CF Express cards which were announced in January. “The introduction of our 3rd generation CF Express 2 TB Gold cards provides the extra-large capacity and performance needed for a very broad range of video capture needs,” stated Wes Brewer, Founder, and CEO, of ProGrade Digital. “Our introduction of a 2 TB capacity point, ensures
The post ProGrade’s NextGen CF Express Card Cracks the 2 TB Ceiling for Storage first appeared on 4K Shooters.
Shooting with pro settings usually means relying on an editor to actually take that footage and transform it into some beautiful. Unfortunately, that isn’t always the case. Inexperienced editors or even those working on tight deadlines might not be able to make the most of your well-shot video and in worst-case scenarios you might have your name attached to clips that don’t look as great as they should. You certainly can’t solve all the issues that pop up when you hand off your footage, but you can help the process out. Filmmaker Robert Machado has a solution to keep the
The post How to Set Up Your Sony Camera Using a Baked-In LUT first appeared on 4K Shooters.
Sony’s FX6 is a wonderful camera. It is nearly ideal for independent filmmakers and solo operators due to its size and feature set. It’s price, while relatively affordable in the world of cinema cameras, does mean it won’t find its way into everyone’s hands. Some of us are likely going to be using the smaller and cheaper Sony a7S III or FX3 to get the job done. These smaller cameras do come very close in functionality to the bigger FX6 – they even feature the same full-frame sensor. They can get even closer if you use these four hacks from
The post Upgrading the Sony FX3 to FX6 Functionality Using These 4 Hacks first appeared on 4K Shooters.
Not everyone can afford to have the latest and greatest computer at all times. Some of us are often using hardware that is just a bit more out of date then we would like for the cameras and footage we are working with today. Still, editing 4K is doable on pretty much any computer with a few key workflow tweaks and settings. If you want to find out how to pull this off when you are using Adobe Premiere Pro then there is no better place to turn than Premiere Basics. Even if you aren’t running into slowdowns all that
The post How to Edit 4K Video on Every Computer first appeared on 4K Shooters.
With the annual launch of the iPhone just six months away, there are plenty of leaks and rumors about what could be coming with the next-generation iPhone 15. Here’s a fast roundup of what we’ve heard buzzing around the interwebs. A more powerful A17 Bionic Chip Apple is working on a faster, A17 Bionic chip for the Pro and Pro Max which will take advantage of the three-nanometer manufacturing process. By contrast, the base model iPhone 15 and iPhone 15 Plus will likely be upgraded to the current 4-nanometer A16 Bionic chip that was first used in the iPhone 14
The post Here Are the Latest Rumors for the iPhone 15 first appeared on 4K Shooters.
Venus Optics has announced a new full-frame cinema zoom lens line and the first two lenses may be all you ever need. The Laowa Ranger Compact Cine Zoom Series starts with the Ranger 28-75mm T2.9 and the Ranger 75-180mm T2.9 cine lenses, and are designed for one-man crews and independent filmmakers looking for a big budget look with an indy budget price tag. The weight of each lens is 3.08 pounds (1.4kg) and a length of between 179.3-189.5mm with an 80mm outer diameter, making them very lightweight, yet with a robust built quality that can withstand heavy use in the
The post Venus Optics Introduces New Full Frame Ranger Cine Zoom Lenses first appeared on 4K Shooters.
Sphere Studios, has announced a new cinema camera that promises a cinematic 18K image in a compact, mirrorless camera form factor. The Big Sky cinema camera has a 316-megapixel HDR image sensor with a 40x image resolution from its square global image sensor. The Big Sky was developed for what the company calls an “immersive experience at an unparalleled scale” and is believed the camera will be used to create immersive content for Sphere Entertainment’s giant VR space in Las Vegas. The company says that the new camera system will provide a new standard of image fidelity with edge-to-edge sharpness
The post There’s a New Large Format Cinema Camera in Town with a Huge 18K Sensor first appeared on 4K Shooters.
SIGMA has recently announced a new 14mm f/1.4 DG DN Art Lens. The ultra-wide prime is designed to capture low-light situations, particularly the night sky through stellar photography, but can also render landscapes and architecture with minimal distortion. The 14mm F/1.4 lens is constructed with 19 elements, organized into 15 groups, complete with one special low dispersion (SLD) lens element, three “F” low dispersion (FLD) lens elements, and three aspherical lens elements which are designed to reduce chromatic aberration and lens distortions that can occur due to atmospheric conditions such as sagittal coma flare, ghosting, and others. The lens has
The post SIGMA Goes Wide with New 14mm f1.4 DN Art Lens first appeared on 4K Shooters.
First shown off at NAB, the WEEBILL 3S is an evolution of Zhiyun’s popular gimbal series. This is certainly an area that is not lacking for choice, but Zhiyun has done a good job of separating out their gimbals from the competition with unique features. The WEEBILL especially as it brought a built-in microphone and light to the conversation. With the 3S they have revamped the quick-release system and kept emphasizing a compact and lightweight form factor that is perfect for everyday content creation using advanced DSLR and mirrorless systems. For more details on what may make the WEEBILL 3S
The post Is it Worth Upgrading to the Zhiyun WEEBILL 3S Gimbal? first appeared on 4K Shooters.
In a shocking move, DJI entered the cinema camera space with the Ronin 4D. The fact that it exists wasn’t the only surprising part about it. It was a full-frame system that had an integrated gimbal and the potential for autofocus thanks to LiDAR Range Finder. Lots of new tech and excellent specs definitely got a lot of people’s attention. Entering this market isn’t easy, especially when you have options like the RED KOMODO as stiff competition with more traditional operation. How about a direct comparison? Filmmaker Ryan Kao went and tested the Ronin 4D directly against his KOMODO to
The post DJI Ronin 4D vs RED KOMODO – Can You Guess Which is Which? first appeared on 4K Shooters.
We have seen a lot of wireless mic systems over the past few years. The 2.4GHz options have exploded in popularity thanks to their simplicity and effectiveness – having a more affordable entry point has also helped a ton. Saramonic has been getting more and more involved and has a new product that looks like a new take on this growing market: the BlinkMe B2. Sporting some big and colorful screens along with a circular shape and nice-looking receiver unit this is a very different take from the many we have seen already. For a closer look we have a
The post Closer Look at the Saramonic BlinkMe Wireless Mic first appeared on 4K Shooters.
Lens manufacturer Irix has released a pair of E-Mount lenses as part of their Dragonfly line of high-end optics. The lenses include the Dragonfly 150mm F/2.8 Macro, and the ultra-wide Dragonfly 15mm F/2.4 prime lens. The new full-frame, manual focus lenses are designed with de-clickable aperture rings for silent focusing and smoother rotation, with less focus breathing. The lenses are also weather-sealed for working in severe weather, which is bound to appeal to documentarians who spend their life out in the field on location. Irix 150mm F/2.8 Dragonfly Individually, the lenses have unique specs that set them apart from the
The post Irix Releases Two New Sony E-Mount Compatible Lenses first appeared on 4K Shooters.
Canon and Atomos have announced that the ProRes Raw output will now be supported in the Canon R5, R5C, and R6 Mk. II mirrorless cameras. Through a new downloadable plugin, users will be able to read original camera files and edit them in video editors like Final Cut Pro. “This new feature for the ProRes RAW ecosystem is absolutely going to change the way people think about recording ProRes RAW,” states Trevor Elbourne, Atomos CEO. “For the first time, the filmmaker literally gets the best of all worlds: shoot in ProRes RAW with the option to immediately apply camera-specific processing,
The post ProRes Raw Video Output Now Supported in Canon R5 and R6 Mk. II Mirrorless Cameras first appeared on 4K Shooters.
Memory Card company Nextorage is going after the portable storage market with a vengeance by announcing the NX-P2SE Portable SSD Drive. The drive, which represents the company’s first foray outside of flash-based memory cards, is extremely compact and offers peak transfer speeds. The NX-P2SE Portable SSD drive comes in two capacities … a 1TB and 2TB drive with 3 TLC NAND Flash memory. With a USB-C connection, the P2SE promises transfer speeds up to 1,050 MB/s (reading) and 1,000 MB/s (writing). There is one caveat, however. To achieve those speeds, users must have a computer or other device that supports
The post Nextorage Announces First Portable SSD Drives, and They’re Pretty Fast first appeared on 4K Shooters.
Apple has finally completed the three-year-long transition away from the Intel platform by releasing the M2 Mac Pro powered by an M2 Ultra processor. The company also upgraded last year’s premiere Mac Studio to the M2 platform, released a 15” Mac Air notebook, and has finally launched their hyped AR headset, the Apple Vision Pro. Let’s take a look. A larger Mac Air Apple got the ball rolling by introducing a 15” MacBook Air. At 11.5mm thin and weighing just 3.3 pounds, a ½ pound lighter than the lightest laptops. The MacAir is powered by the M2 Apple Silicon chip
The post Apple Completes Silicon Transition with M2 Ultra Mac Pro, Apple Studio, and Finally Brings AR Headset to Market first appeared on 4K Shooters.
Tons of new recording options came to the Panasonic Lumix S5 IIX – enhanced video capabilities are kind of its whole deal—and with it are likely the questions surrounding which modes are actually the best to use. Long GOP? All-I? It can be a mystery when you have to balance concerns about storage, media, or even your entire rig. If you want a deeper understanding of codecs themselves and how they relate to the S5 IIX we have filmmaker Josh Cameron to thank for a new guide on the subject. Even if you don’t totally understand, at the very least
The post Long GOP vs All-I Codec on the Panasonic S5 IIX – Which One to Opt for? first appeared on 4K Shooters.
Still the standard after so many years, the ARRI ALEXA Mini LF is a remarkable camera. Most of us will never be able to purchase one for ourselves, but due to the camera’s popularity it isn’t unheard of to find yourself on set with a rental unit. In those cases you’ll definitely want a better understanding of what you can do to get it rigged up for your shoot so you can save time before, during, and after the shoot. Someone who is actually fortunate enough to get an ALEXA is Matti Haapoja. Fortunately for us, he is going to
The post Rigging Up the ARRI ALEXA Mini LF as an Indie Filmmaker first appeared on 4K Shooters.
Compact microphones have made getting great audio a lot easier for filmmakers. Besides a few exceptions, most of these require running cables here or there to get things working. If you are hoping to add a dedicated recorder to the mix for cleaner audio or take advantage of new tech like 32-bit float you are going to need an even more elaborate setup. Or, you can find a solution that let’s you run your mic effectively wirelessly. Caleb from DSLR Video Shooter has been working on gear solutions and his next one is the MicBack. This small piece will allow
The post How to Make Your Camera Mic Wireless first appeared on 4K Shooters.
Nikon has announced the new Nikkor Z DX 24mm F1.7 Compact Prime Lens. Designed for APS-C/DX style mirrorless cameras, the super-fast compact prime promises high-resolution imaging in low light, with large, buttery bokeh. As Nikon’s first prime APS-C lens for their Z-mount DX platform, the Nikkor 24mm F1.7 provides a 35mm equivalent of 36mm, with an impressive 61-degree angle of view and large bokeh for that cinematic, out-of-focus background vibe. “The quality of the bokeh is unique to fast maximum apertures and allows users to dramatically emphasize their subjects in still-life and portrait photography,” the announcement states. “The new 24mm
The post Nikon Announces 24mm F1.7 Z DX Compact Prime Lens first appeared on 4K Shooters.
Crucial is blazing a trail for lightning-fast read/write speeds with its new T700 PCIe 5.0 M2 SSD Drives. With read/write speeds that are twice as fast as the previous generation, this new M2 SSD is tailor-made for high-resolution video editing and CGI applications. Harnessing Microsoft’s DirectStorage support protocol, the T700 can offer up to 60 percent loading of assets, as well as faster GPU decompression and up to 99% less CPU utilization. This translates to the GPU taking more of the load off the main processor when loading assets. The T700 has a Tri-Level Cell flash memory design with 232L
The post Crucial Launches T700 PCIe 5.0 M2 SSD Drives with Up to 12K Writing Speeds first appeared on 4K Shooters.
DJI is only scratching the surface of what it can do with its revolutionary Ronin 4D Cinema Camera and has released a trio of new accessories including a new LiDAR 4D Expansion Plate, Range Finder Cable Hub, and 3-Channel Follow Focus controller to dial in the camera’s autofocus within 3D space and with minimal latency. The accessories are designed to reduce setup and range calibration, by routing all metadata through a centralized routing box with minimal cable connections. The DJI Ronin 4D Cinema Camera is the world’s first four-axis cinematic platform which incorporates gimbal-operated image stabilization directly into the camera’s
The post DJI Announces a Trio of New Accessories for Ronin 4D first appeared on 4K Shooters.
RØDE has announced the availability of the world’s first audio/video capture interface and control device. The RØDE Streamer X offers an all-in-one streaming solution for video and audio content creators and looks to be an offshoot of its phenomenally successful RØDECaster Pro line. The Streamer X device may be RØDE’s attempt to compete squarely with fellow Australian video company Blackmagic Design and its popular ATEM Mini streaming device. And while the company’s maiden foray into video capture looks relatively small and compact, looks can be deceiving. “As RØDE’s first hardware product with video functionality, it represents a huge milestone for
The post RØDE’s Streamer X Ships first appeared on 4K Shooters.
If you have been patiently waiting for the Panasonic Lumix S5 IIX to arrive you are finally in luck as it should start shipping in the next couple weeks. Fortunately, we can already check out plenty of rig solutions since its sibling, the base S5 II, has been out for a while and all the accessories should work perfectly on both. The only thing to account for is taking advantage of some of the extra functions on the S5 IIX model. For a compact rig solution that allows you to maximize the potential of the S5 IIX we can turn
The post Rigging Up the Lumix S5 IIX from Scratch first appeared on 4K Shooters.
Big camera news last week was the release of the RED KOMODO-X. Imagine the compact form factor of the original but with some nice improvements that put it more in line with the bigger DSMC3 cameras. That means an upgraded sensor, enhanced I/O, and more. The only thing that did change was that the body got a bit longer to fit in the extra equipment. If you are curious to know all the changes that came to the KOMODO-X then we have CVP as a brilliant resource. Understanding the features might also help make up for the fact that this
The post Everything You Need to Know About the RED KOMODO-X first appeared on 4K Shooters.
As a new filmmaker there are some lessons that you will unfortunately learn when you make a mistake and it becomes engrained in your head to never do again. Or, learn from the mistakes that other people already made and are willing to share with you so that you don’t run into terrible situations. Tomorrows Filmmakers is here to help with a ton of tips for newer filmmakers. Today, they are looking at 10 things you should check before you hit record. This is the whole “measure twice, cut once” philosophy where if you make sure it’s right before you
The post 10 Must-Know Things to Check Before Pressing Record first appeared on 4K Shooters.
FujiFilm is like the Avis of the camera world. They are simply trying harder. And this time around, it has upgraded the X-S platform with the announcement of the new X-S20 Mirrorless Camera, which is so light, it could be a great tool for content creators on the move. The X-S20 has boosted its imaging capabilities with a new 26.1 X-Tras CMOS 4 APS-C backside illuminated image sensor, X-Processor 5 imaging engine, which provides more reliable performance, and image stabilization, and a new Vlog mode which makes recording up to 6.2K video easier and faster. The camera can capture video
The post FujiFilm X-S20 Mirrorless Camera and Super Wide 8mm Prime Lens first appeared on 4K Shooters.
Designed as the spiritual successor to both Canon’s iconic Digital Rebel DSLR camera line and the M series mirrorless line, the just announced EOS R100 has many similar features to its predecessor, except for the noticeable absence of an electronic viewfinder. The R100 is housing a stock, 24.2 MP APS-C CMOS image sensor, the latest DIGIC X processor capable of a max ISO of 128,000 and features Dual Pixel AF II autofocus support alongside a 1.04 million dot vari-angle touchscreen LCD. Furthermore, the newcomer can capture cropped 4K video at 30 frames per second, uncropped Full HD video recording at
The post Canon EOS R100 Announced Along with a 28mm f/2.8 Wide Angle Lens first appeared on 4K Shooters.
Sony has taken user feedback to heart and released the second generation ZV-1 II vlogging camera. The point-and-shoot has a wider zoom lens, an upgraded microphone, and offers facial recognition to keep everyone in frame and in focus. The ZV-1 II offers an ultra-wide 18-50mm f/1.8-4 Vario Sonnar zoom lens, which now uses facial recognition software to keep up to three people in the frame. The lens is designed with 9 elements in 9 groups, including 5 aspherical and 1 advanced aspherical element, and a 7-bladed circular aperture. Each element has Sony’s special T Coating to suppress ghosting and flaring.
The post Sony Updates Its Vlog Line with ZV-1 II first appeared on 4K Shooters.
Though not strictly designed for cinematic use, DJI’s enterprise-level Matrice series gets an impressive upgrade with the DJI Matrice 350 (M350) RTK Commercial drone. The Matrice M350 offers extended flight time, all-weather construction, advanced navigation and object avoidance, and various payload configurations for just about any aerial mission, which could include aerial cinematography. Inching its way toward breaking the coveted one-hour flight ceiling, the Matrice M350 can have a maximum flight time of up to 55 minutes and a top-flight altitude of just under 23,000 feet (7000m). Though it’s important to remember that federal and local aviation regulations will restrict
The post DJI Upgrades Their Enterprise Drone Line with Matrice 350 RTK first appeared on 4K Shooters.
Podcasts have been having their moment for the past few years and for many experienced podcasters the next step has been to upgrade to video. YouTube being increasingly supportive of the format makes it even more enticing to capture new listeners/viewers. Editing a lengthy video podcast can be a huge time commitment however, so it is worth finding some tricks to speed things up. Tools are your friend and filmmaker Javier Mercedes might have one called AutoPod that’ll automate the editing of video podcasts in Premiere Pro. It looks like it’ll work with multicam projects and even help produce some
The post How to Automatically Edit Video Podcasts in Premiere Pro Blazing Fast first appeared on 4K Shooters.
The Panasonic S5 IIX is almost here. This more video-focused version of the S5 II bring a lot of features that should please videographers without costing a whole lot more. It seems like a no-brainer if you want the best video you can get out of the camera. Still, it’s worth looking at whether the camera as a whole is delivering the quality you expect. For in-depth reviews on new cameras one place we always look is at Gerald Undone with his comprehensive and consistent testing and analysis. Whether it’s image quality, raw performance, live streaming, or more it’s covered
The post Closer Look at the Panasonic S5 IIX first appeared on 4K Shooters.
Over time you will acquire a ton of filmmaking gear. It’s inevitable if you do it for long enough. When you get started a bag or case or two and a closet might be able to do the trick. But, once you start adding bigger lights, modifiers, stands, tripods, rigs, and all the miscellaneous tools you need to make the most of them you’ll find a proper storage solution is necessary. Getting your gear properly organized is no small feat and something that will probably take a good while. To get an idea of what an ideal organization system looks
The post How to Organize Your Filmmaking Gear for Pro Gigs first appeared on 4K Shooters.
In what looks to be a studio camera aimed squarely at social media-based content creators, Yongnuo is set to announce a new 4K micro four-thirds model in the coming days. The YN433 Camera is expected to run on Android OS and will be capable of not only 4K/30p video capture but also 2K live streaming through an onboard USB-C connection. Taking lessons (and mistakes) from their previous M43 cameras, the YN450 and YN455, the Chinese-based camera gear company has moved away from the Canon EF lens mount in favor of a micro four-thirds lens mount to keep everything in the
The post Yongnuo Showcases a New Micro Four-Thirds Studio Camera first appeared on 4K Shooters.
DJI has dropped a teaser for a new drone, which will be announced on May 18th, 2023. The news was leaked by DJI’s Enterprise Solutions division, which leads many to speculate this could be a follow-up to the DJI Matrice 300 RTK. Fully Powered to Forge Ahead May 18, 2023 | 9 AM (EDT) Learn more: https://t.co/PV7Ww7jRKt pic.twitter.com/2fWZOmjkg5 — DJI (@DJIGlobal) May 15, 2023 The promo for the new drone has been entitled “Fully Powered to Forge Ahead,” and could indicate that the DJI Enterprise division is poised to launch the next-generation Matrice M350 with improvements to advanced AI capabilities,
The post Another New Drone is Coming from DJI This Week first appeared on 4K Shooters.
After leaks, speculation, and relentless teasing by self pro-claimed fire chief Jarred Land, RED has officially launched its latest cinema camera … the RED Komodo-X ST. Designed with RED’s latest DSMC3 architecture as a follow-up to the original Komodo cinema camera, the new X-version retains most of the features of the original Komodo, but in a compact form factor. At the heart of the Komodo-X is a redesigned 19.9 MP Super 35mm CMOS sensor and IPP2 Image processor with a global shutter providing 6K resolution in REDCode RAW, with frame rates of up to 80 fps. Additional filming resolutions supported
The post RED Ends Speculation with Official Komodo-X Launch first appeared on 4K Shooters.
As Apple prepares to announce another round of M2 Macs at WWDC, word comes out of Cupertino that the company is also field-testing laptops with M3 Apple Silicon chips. The news comes from Apple insider Mark Gurman’s Power On newsletter, which highlights the company’s plans for readying its next-generation processor thru the testing of third-party apps to ensure compatibility. “My belief is the first Macs with M3 chips will begin arriving toward the end of the year or early next year,” Gurman wrote in his monthly Newsletter. “While the first 15-inch MacBook Air with an M2 chip is set to
The post Apple Testing M3 Laptops Ahead of WWDC first appeared on 4K Shooters.
There have been a lot of camera releases this year. And, in good news for us regular folk, many of these were in that mid-range sweet spot of price to performance. This means they are cameras that many people will end up buying. The problem is deciding which one to get. This time around we are going to take a look at three cameras: the Canon EOS R8, Sony ZV-E1, and Panasonic Lumix S5 II. These are all very different cameras. Our guide to these new releases is Fulaan Creative who runs through all the differences to help you make
The post Canon R8 vs Sony ZV-E1 vs Lumix S5 II – What’s the Best Camera in 2023 first appeared on 4K Shooters.
Love it or hate it vertical video is here to stay. With tons of consumption taking place on smartphones and similar devices it’s an inevitable fact of life. Your problem might be that you are still working on creating content with a more normal 16:9 aspect and still need to occasionally produce some pieces for vertical devices with that tool. Now, mirrorless and other small cameras now often come with vertical shooting modes. Cinema cameras like the ARRI ALEXA 35 not so much. ARRI themselves isn’t ignoring vertical video, however, as they have just released a video on the ARRIChannel
The post Shooting 9:16 Video with the ARRI ALEXA 35 first appeared on 4K Shooters.
It’s the little things that make the biggest difference. In filmmaking that usually means all the bits and pieces that you use for a rig or setting up your lighting that will have a bigger impact on your shot and general capabilities than your actual camera system. Unfortunately, it often turns out to be this type of equipment that beginners tend to ignore when they first get started. Filmmaker Troy Mairs is someone who has learned this lesson on his our journey and has plenty of gear that he wishes he either bought sooner or invested more in up front.
The post 7 Essential Filmmaking Accessories You Should Get first appeared on 4K Shooters.
After much speculation and rumor, Nikon has made the Z8 Full Frame Mirrorless Camera official. With a 45.7 megapixel stacked CMOS Backside Illuminated (BSI) Image Sensor and Expeed 7 processor, the Z8 is capable of capturing 12-bit 8K video at 60 frames per second using Nikon N-Raw lossless codec. Nikon says that the image sensor enjoys such a fast scan rate, that there is no need for a mechanical shutter, and rolling shutter distortion has been virtually illuminated. The camera also has a four-axis, tilting touchscreen LCD screen and a blackout-free Real-live viewfinder. There is also an option to shoot
The post Nikon Announces 8K Z8 Mirrorless Camera first appeared on 4K Shooters.
Last January, Panasonic showcased the next generation S5 II and S5 IIX full-frame mirrorless cameras, with 12-bit 6K resolution. Now the company has announced that through an upcoming firmware update, the S5 IIX will support both Apple ProRes RAW and Blackmagic RAW. When it was announced at CES, the Panasonic S5 II set the confab on fire with a new phase detection autofocus system, improved rolling shutter suppression, and a brand new Venus image engine for capturing 5.9K video from its new 24.4 MP CMOS image sensor. Both the sensor and Venus image engine were developed with Leica under the
The post Panasonic Introduces Blackmagic RAW Support for S5 II, S5 IIX first appeared on 4K Shooters.
RED is about to launch a new variant of the Komodo 6K Cinema Camera and has teased the official announcement on Instagram. Being a tad long in the tooth by comparison to the company’s 8K models, the Komodo is generally considered to be a secondary camera. But now with Komodo-X, RED looks to up the Komodo’s game to a primary role with a host of new features. News of the RED Komodo X broke during the Carlos Quintero podcast live stream when RED Fire Chief Jarred Land called in to provide a little clarity of what RED has in store
The post RED Teases Komodo X Cinema Camera Ahead of Major Announcement first appeared on 4K Shooters.
When FiLMiC Pro went with a full subscription for its mobile filmmaking app, whether the app would offer enough regular updates to justify the weekly $2.99 rate caused many users to balk at making the transition. But now, the app is introducing full LUT support, which should at least cause filmmakers to take a second look. Whether a mobile filmmaker, Youtuber, or journalist, version 7.4 offers high-performance cinematic imagery without the need to invest in a host of accessories to “look the part.” The new features will enable FiLMiC users to create a cinematic look and apply a variety of
The post FiLMiC Pro Announces LUT Import Support for Mobile Filmmakers first appeared on 4K Shooters.
Building a rig is more of an art than a science. It depends on the camera, what parts are available, your everyday shooting needs, the degree of customization required, and plenty more. We love checking out the various builds and have showcased plenty, like these ones for the Z CAM E2, Sony a7S III, Pocket 6K Pro, among others. One camera we seem to have missed up to this point is the Panasonic GH6. Not anymore as today we are highlighting a sweet rig for it. Designed for handheld use, this GH6 rig from Pragmatic Filmmaking is a great demonstration
The post Building the Ultimate Panasonic GH6 Rig first appeared on 4K Shooters.
Canon is a huge brand in the camera industry and even though they may not always be the first to the party, when they show up they tend to do things big. Think about the 5D Mark II. It wasn’t the first DSLR with high-quality video recording, but it was the camera that changed everything. Jumping off of that success Canon decided to make something a bit better tuned to filmmakers – that’s how we ended up with the original C300. This camera is legendary as it delivered broadcast-ready footage with a Super35 sensor and the popular EF mount. It
The post Closer Look at the Legendary Canon C300 Series first appeared on 4K Shooters.
Another year, another NAB, another big release for DaVinci Resolve. Blackmagic has gotten their software up to version 18.5 this year and with it comes a ton of new features. Basically every part of the software has gotten a tune up in some way with many getting some brand new functionality. AI even makes some additional appearances. For a rundown of some of the most exciting new features we can check out this video from Waqas Qazi. He picked out six highlights and spends some time showing off each one. And, if you want to follow along you can download
The post 6 Must-Know New Features in Resolve 18.5 first appeared on 4K Shooters.
The FeiyuTech Pocket Camera has been pretty much a DJI clone, up until now, as the Feiyu Pocket 3 design detaches the camera and gimbal to wirelessly transmit and record 4K video from anywhere the camera can be placed. The detachable camera module has built-in magnets and a special mounting mode for capturing unique angles with the same control while maintaining the same three-axis image stabilization. Small enough to fit in your pocket, the Feiyu Pocket 3 can capture 4K video at up to 60 frames per second from a Sony 1/2.3 inch 12-megapixel CMOS Image sensor. The image is
The post Feiyu Tech Takes Pocket Cameras to the Next Level with Wireless Detachable Gimbal first appeared on 4K Shooters.
Heralding the sunsetting of its DSMC2 platform, RED has dropped the price of the 6K Dragon X cinema camera kit by up to ten thousand dollars. The kit comes loaded to the gunnels with a Sigma 18-35mm F1.8 EF mount Art Lens, VLock I/O Expander, 4.7 inch RED Cinema Touch LCD, Red Mini Mag with G-Tech reader, duo D-Tap batteries, power supply, Outrigger handle, a hard shell pelican style case, and even more. The Super35mm 6K Dragon brain provides uncropped 6K REDCODE RAW image captured at up to 75 frames per second. The sensor is part of RED’s unified DSMC2
The post RED Offers a Massive $10K Discount on Dragon X Cinema Camera first appeared on 4K Shooters.
Lume Cube has announced new RGB Light Tubs that promise to give content creators the “ultimate lighting tools” for shooting on location. The new 12-inch Lume Cube Tube Light Mini and 48-inch Tube Light XL were developed from the input and inspiration of content creators and a community looking for what the company calls “game-changing illumination,” at an affordable price. “We are constantly inspired by our community of creators and innovators,” shares Lume Cube CEO and co-founder Riley Stricklin. “The Tube Light Mini and Tube Light XL are going to be a game-changer for so many. We are so excited
The post Lume Cube Adds High-Performance Tube Lights to their LED Line first appeared on 4K Shooters.
Canon’s Japan outlet has issued a cryptic teaser that suggests the camera company is developing a new vlogging camera for content creators. The teaser translates with words promising this new camera will offer “new possibilities for vlogs” and will be formally announced on May 11, 2023. The teaser has only been published in Japan, leading many tech insiders to conclude that the new camera design may be exclusively available in the land of the Rising Sun, or as an initial rollout there to see how interest goes. But there is no indication if the camera will be offered in other
The post Canon Hints at a New Way to Vlog for Content Creators in Teaser Ad first appeared on 4K Shooters.
The compact, lightweight, and affordable 2.4GHz wireless audio space continues to heat up with new, cheaper releases from RODE and DJI in the past few months. RODE has just dropped the Wireless ME, a trimmed down version of the much-loved GO series that is designed for a single person, while the DJI Mic is now available in a one-user version. Feature sets are similar between the two models but with different price points, different brands, and different designs it’s worth taking a closer look. Filmmaker Jeven Dovey did some of this testing to help find out which one is right
The post RODE Wireless ME vs DJI Mic – Which One is Right for You? first appeared on 4K Shooters.
Vlogging-ready cameras are all the rage these days and because of that we are spoiled for choice. Every major camera manufacturer has at least one solid model and if we are being perfectly honest you probably can’t go wrong with any of them. With that said, we are still interested in seeing how they compare to one another. This isn’t just comparison for comparison’s sake. Understanding how different cameras perform in different situations can help you find which camera will work best for you and your most common shooting environments. For the shootout today we will be exploring how the
The post Sony ZV-E10 vs Canon R50 vs Nikon Z30 – Low Light Test first appeared on 4K Shooters.
Among the worst experiences you can have as a photographer or filmmaker is popping in an SD card into your computer and finding all your images and videos are corrupted or otherwise inaccessible. All that work is just gone. Or is it? Digital technology has come with overwhelming positive changes to workflows, but there are still occasional hiccups with all those bits and bytes. Being code there are some ways to salvage data that appears to be lost. You’ll need some tricks and tools to try and recover your media from an SD card and for that you might want
The post How to Recover Your Lost Media from an SD Card first appeared on 4K Shooters.
It’s exceedingly rare for Apple MacBook Pros to get a price cut before new models come out, but there’s currently a sale happening on M1 laptops, offering some serious savings, some as high as $1,500 off. Listed as being from late 2021, the MacBook Pros come with either M1 Max or M1 Pro chips and come in either the standard Apple Silver or Space Gray. The laptops are on discount from B&H, which could also be signaling that new Apple Silicon Laptops will be coming sooner, rather than later and room must be made by clearing out excess inventory. The
The post M1 Apple MacBooks Go on Deep Discount Signaling New Laptops Just Over the Horizon first appeared on 4K Shooters.
DJI’s Action 2 camera is now the first action camera to take advantage of using gyro stabilization data support thanks to a new firmware update. The GoPro killer’s version 1.04.05.10 update offers what the company calls GyroFlow compatibility, which receives movement data from its built-in gyro stabilizer and then uses it to more accurately correct image stabilization and dampen out the rolling shutter. More details for the open source GyroFlow feature include that it provides data in resolutions including 4K 4:3 aspect ratio at 24 through 60 frames per second, and 4K 16:9 wide angle at 100-120 fps. The data
The post DJI Updates Action 2 Firmware with Gyro Stabilization Data Support first appeared on 4K Shooters.
Edelkrone does what it does best by rethinking the everyday tools that content creators rely on, and this time around, it’s turned its out-of-the-box gaze on the Tripod. With StandPLUS, the company has not only reimagined how filmmakers can lock down their cameras but has created a design that provides a quiver of camera angles without having to turn a single knob or clip. The StandPLUS looks to be an upscaled variant of Edelkrone’s popular FlexTILT camera head, if not in design, then at least in spirit and thinking. The StandPLUS is built to be compact and collapsible, light and
The post Edelkrone Rethinks the Tripod with StandPLUS first appeared on 4K Shooters.
With just two months to go to NAB, Blackmagic has launched a host of broadcast and streaming-based tools to stream live video, chiefly in a mobile configuration. The tools include a redesigned Blackmagic ATEM Studio Pro console and a new 6K Blackmagic Studio Camera Pro. Let’s take a closer look. Blackmagic ATEM Television Studio HD8 The next-generation ATEM Television Studio HD8 is designed to be an all-in-one turnkey solution for streaming on location. Conceived for use in compact and cramped broadcast spaces, the ATEM Television Studio is no longer intended to be installed into a broadcast rack but instead laid
The post Blackmagic Announces New Broadcast and Streaming Tools first appeared on 4K Shooters.
Netflix has a set of guidelines for anyone creating an original production for their service. It ensures that when viewers go and watch a Netflix Original they will always expect and receive top-notch image quality. For better and worse this means that getting that Netflix Approved badge is a point of honor for brands that make cameras and an appealing selling point for those looking for their next cinema rig. Just because Netflix may be producing some big-budget projects that doesn’t mean all the Netflix Approved cameras are unaffordable. Camera Zone has put together a list of five that are
The post Here Are 5 of the Best Affordable Netflix Approved Cinema Cameras You Can Get first appeared on 4K Shooters.
When you are an indie filmmaker you’ll often find that you’ll spend less time thinking about what camera or lens to use and more time trying to figure out how you can make the vision you see in your head come to life with the limited array of tools at your disposal. Luckily there is a lot you can do with some cheap bits and a little know-how. If you want to pick up a bunch of these tricks you should turn to the guys at Cinecom.net. These are the types of hacks that will actually elevate your filmmaking skills.
The post Cheap Filmmaking Hacks Any Filmmaker Should Know first appeared on 4K Shooters.
Knowing what to charge for a project is often a mystery for many independent cinematographers and creatives. It can takes years of working and negotiating to get a handle on what to charge and what works in your market. This is why you should absolutely try and learn and take advice from more experienced filmmakers to get a better understanding of things. Independent cinematographer Mika Matinazad wants to help out and has a video filled with advice on how to maximize your profits as a freelancer. Make sure you are charging what you are worth to ensure a stable career
The post How to Negotiate the Highest Rate as an Independent DP first appeared on 4K Shooters.
SIGMA has announced a new licensing agreement with Nikon that will enable the optics company to produce lenses for Z-mount series cameras. The company also announced that three Contemporary prime lenses already available for Sony, Canon, Fuji, and L-mount cameras will be coming to Nikon. The three Contemporary prime lenses include a 16mm f/1.4 DC DN, a 30mm f/1.4 DC DN, and a 56mm f/1.4 DC DN. The lenses were released for Fuji APS-C cameras a year ago, and are now being ported over to the Z-mount with no other changes or improvements. Let’s take a look at each: Sigma
The post Sigma Announces Trio of Z-Mount Prime Lenses first appeared on 4K Shooters.
RØDE has announced a new 5th generation NT1 Studio Condenser Microphone with a revolutionary new 32 Bit floating point recording capability that the company says will render clipping obsolete. The new mic also has dual connect XLR and USB ports for use with just about any recording configuration. “Countless musicians, podcasters, streamers, broadcasters, and content creators consider (the NT1) their go-to microphone, and for good reason – it sounds incredible, is extremely flexible, and is built like a tank – a true studio workhorse,” said RØDE CEO Damien Wilson. Introduced in 1991, the NT1 has become one of RØDE’s flagship
The post RØDE Releases 5th Gen NT1 Studio Condenser Microphone with 32-bit Floating Point Recording first appeared on 4K Shooters.
Sony has launched a new 50mm F1.4 G Master Lens which the company says offers extraordinary resolution, beautiful bokeh, and fast autofocusing. But in spite of its top speed and sharpness, the lens is remarkably lightweight and compact for a high-end prime lens. “This prime lens is a great option for both photography and videography use and delivers excellent image quality at 50 mm,” said Yang Cheng, Vice President of Sony Imaging Solutions. “Being able to pack our latest G Master technology into such a compact form factor brings ultimate versatility to a 50 mm for Sony.” By focusing on
The post Sony Introduces New 50mm F1.4 G Master E-Mount Lens first appeared on 4K Shooters.
Last week, Adobe announced a new February update to Premiere Pro and After Effects that brings Automatic Tone Mapping to the non-linear editor, making it easier to work with different types of footage and achieving a more consistent color gamut. The updates also provide offline editing of a team project and new Speech to text options in 16 languages. AUTOMATIC TONE MAPPING Adobe’s 23.2 updates for Premiere Pro include Automatic Tone Mapping, which enables video editors to match camera files from a variety of formats and platforms, from Log, HLG, and other rec 709 HDR formats, and mix them into
The post Adobe Updates Premiere and After Effects with New Color and Editing Features first appeared on 4K Shooters.
Cine EI mode is something that is very familiar to DPs and videographers who were fortunate enough to be using some of Sony’s higher-end cinema camera options. However, with a recent update to the FX3 and available by default on the newer FX30 many more filmmakers have access to this setting. While it may be considered the best way to maximize dynamic range and image quality it can be tough to wrap your head around. If you are looking for a primer on Cine EI and how to leverage S-Log3 to its fullest then you should check out this video
The post How to Easily Film in S-Log3 in Cine EI Mode with Your Sony Camera first appeared on 4K Shooters.
Want to become a master drone pilot? Well first things first whenever I talk about drones is that you absolutely need to understand all the safety regulations and laws in the area where you plan to fly. After you have a handle on that and get to learn how to best handle your drone then you should learn how to create a shot that will make your footage more dynamic and exciting. That’s what this video is all about. Man From Earth has a collection of creative drone camera moves and effects to share that will help you elevate your
The post 10 Must-Know Creative Drone Camera Moves and Effects first appeared on 4K Shooters.
Among the best things about the E mount is that there are an incredible number of lenses available from both Sony and third-party manufacturers. Most recently Sony themselves have put an emphasis on APS-C lenses to fit their latest camera offerings, such as the FX30 and ZV-E10. The only unfortunate thing is that it can be paralyzing to pick just one lens from so many. For those looking for help in sorting through some of the lenses we have a nice guide from Mark Bennett’s Camera Crisis. It is still quite comprehensive but does break it down into wide-angle, studio,
The post Best Sony FX30 and ZV-E10 Lenses You Can Get in 2023 first appeared on 4K Shooters.
Lens manufacturer DZO Film has announced the latest addition to their Pictor Super 35 cinema lens lineup – the Super 35 Pictor 12-25mm T2.8 Wide Angle Cine Lens. The lens is designed to provide a focal length that ranges from ultra-wide to wide-angle zoom, with the performance of a Super 35 cinema prime. The lens joins previous DZOFilm Super 35 Pictor Cine Zooms including the 14-30mm T2.8, 20-55 T2.8, and 50-125mm T2.8, creating a second three-lens set that will replace the 14-30 T2.8 and remain in a bundle for a price under $8200. The newcomer comes in black or white.
The post DZOFilm Announces New Pictor Super35 Wide Angle Zoom Lens first appeared on 4K Shooters.
Three of the latest blockbusters have been shot with the Sony VENICE 2 E-Mount Cinema Camera. The modular platform is able to come apart with the lens and imaging assembly connected to the 6K or 8K interchangable image sensor through the Rialto Extension Cable System. Did you know these top blockbuster movies from 2022 were shot on Sony´s VENICE camera? 🎬🎞️ 🎥 1⃣ Avatar: The Way of Water 2⃣ Black Panther: Wakanda Forever 3⃣ Top Gun: Maverick #Sony #Avatar #TopGun #BlackPanther #SonyVenice #Cinealta pic.twitter.com/sU2kfy4n9p — Sony UK (@SonyUK) January 15, 2023 The VENICE 2 camera platform has a unique ability
The post Sony VENICE 2 E-Mount Camera Very Popular with Blockbusters first appeared on 4K Shooters.
Adobe has announced a new editing feature for Premiere Pro, called Text Based Editing, which promises to make cutting video as easy as editing a Word document. The technique harnesses the power of Adobe Sensei and its ability Automatically transcribe the audio of video clips quickly and easily. The traditional method of editing this kind of content is a fairly time-consuming and laborious method of editing with transcription, where the audio track is transcribed by a service, and then users would put together a “paper cut” of how they would like the rough cut to progress based on the changes
The post Adobe Demonstrates Text-Based Editing for Premiere Pro Beta first appeared on 4K Shooters.
Bloomberg’s Mark Gurman has dropped the news that Apple plans to wait until the M3 processor is launched before updating the iMac. The 24-inch iMac, which was last refreshed in 2021 with a rainbow-like choice of colors and an M1 Pro, was the last iMac model to get an upgrade, with Apple discontinuing the later 27-inch Intel model at the same time. “I haven’t seen anything to indicate there will be a new iMac until the M3 chip generation, which won’t arrive until the tail end of this year at the earliest or next year,” wrote Gurman in his “Postgame
The post Apple Rumored to be Delaying iMac Refresh for M3 Chip first appeared on 4K Shooters.
Apple has finally packed the M2 chip (and the brand-new Pro variant) into a desktop computer. Perhaps surprisingly it was the diminutive Mac mini. While the Mac mini is getting its second Apple Silicon update the Mac Pro is still sitting around with older Intel chips. When the Pro was released it was a very powerful machine when configured properly, but does that price hold up against the new, even more affordable M2 Mac mini? If you are curious about the performance potential of each machine we have Michael Tobin to thank for a comparison. He pits a base $599
The post Can a $599 M2 Mac mini Compete with a $13,000 Mac Pro for Color Grading in Resolve? first appeared on 4K Shooters.
In-camera noise reduction is an often maligned option for many cameras. Traditionally, this option would leave you with mushy footage that lacked clarity and detail. That isn’t always the case today. Sometimes these noise reduction algorithms can help get you to a better place straight out of camera instead of ruining your footage. The key word there is sometimes. Different cameras and brands handle noise reduction very differently and you’ll still need to be careful. If you shoot Canon you do have a helpful resource in filmmaker Josh Sattin who went and tested his EOS R6 Mark II to see
The post Should You Use Canon’s In-Camera Noise Reduction? first appeared on 4K Shooters.
If you are looking to turn filmmaking and video editing into a career you’ll need to start finding clients and jobs to give you a consistent income. Doing video production and editing is a very feasible way of accomplishing this goal. You’ll need to find the clients, but luckily there are a few types of people and businesses you can try to find and most of this work can be done at home. For a breakdown of three of the best freelance video editing gigs you can find in 2023 we can look to Jack Cole who did this full-time
The post 3 Best Freelance Video Editing Jobs in 2023 first appeared on 4K Shooters.
As rumored for the last few months, Canon made the EOS R8 full-frame mirrorless camera official today, along with the entry-level EOS R50 APS-C mirrorless camera. Both cameras support Canon’s RF Mount with a more compact and lightweight footprint. Now, let’s take a closer look. Canon EOS R8 Designed to be an entry-level full-frame mirrorless camera that is higher performing than its APS-C cousin, the Canon R8 has a 24.2 mp CMOS sensor and the same DIGIC X image processor found in other models, enabling it to capture 10-bit 4K video in Canon Log 3, oversampled from 6K, at up
The post Canon Fits the EOS R8 and R50 Cameras into Mirrorless Lineup first appeared on 4K Shooters.
Sigma has announced a new standard 50mm F1.4 DG DN Art lens that the company says is an update of their classic prime for Sony E-Mount and L-Mount cameras. The new “nifty fifty” has been revamped to provide faster autofocusing and a scaled-down form factor to suit the mobile-centric shooting of users of the Art line. The 50mm F1.4 Art lens packs 14 elements in eleven groups, with one Super Low Dispersion lens element and three aspherical elements for sharp, accurate images with minimal distortion and suppression of aberrations such as astigmatism and field curvature. Its angle of view is
The post Sigma Drops an Artsy Nifty Fifty and Updates Firmware for fp Line first appeared on 4K Shooters.
Nikon has announced a pair of new Z-mount lenses that are designed to appeal to content creators looking to create videos and still images for their online social media accounts. The Nikkor Z 85mm F1.2 S offers professional grade performance while the Nikkor Z 26mm F/2.8 Pancake is designed to provide wide-angle image capture in a compact super thin design. “The NIKKOR Z 85mm f/1.2 Sisalens unquestionably exhibits the extraordinary potential of the Z mount to resolve amazing details and dimensionality,”saidJay Vannatter, Executive Vice President, Nikon Inc. “The NIKKOR Z line continues to expand to benefit all kinds of creators,
The post Nikon Announces Two Z-Mount Lenses Aimed at Content Creators first appeared on 4K Shooters.
Apple CEO Tim Cook hinted to investors in a recent earnings call that the iPhone may add yet another high-performance upgrade to the iPhone which will provide users with even higher performance, a larger high-resolution mini LED screen, and even more bountiful storage options. A rumored future iPhone Pro ULTRA may join the entry-level iPhone, iPhone Pro, and iPhone Pro Max when the next-gen handset is announced in 2024. But if it does, you can bet it won’t be cheap. Bloomberg’s Mark Gurman broke the news in his latest Power On Newsletter, where he regaled readers with Cook’s “off the
The post Apple Rumored to Give iPhones a Pricey Ultra Upgrade first appeared on 4K Shooters.
Since the introduction of the RED KOMODO 6K we have reached the DSMC3 generation of cinema cameras. The full lineup is starting to take shape with the release of the V-RAPTOR and V-RAPTOR XL. Now, we even have a special edition RED RHINO S35 that’ll record in 8K up to 120p with all the regular things you would expect from a RED camera. If you are curious to see how the RHINO compares to the V-RAPTOR and KOMODO or just want to check out some sweet 8K footage shot with the camera you will be very interested in this comparison
The post How Does the RED RHINO S35 Stack Up Against the V-RAPTOR and KOMODO first appeared on 4K Shooters.
It seems that Canon is about to release two brand-new mirrorless cameras in the next few days. According to the rumor mill, the newcomers will be the long-anticipated Canon EOS R8 and Canon EOS R50. What’s more, Canon Rumors goes into detail by listing all rumored specs of the EOS R8 in advance. Some of the expected features of the flagship mirrorless camera include a new form factor, 24MP full-frame sensor, 4K 60p video, FullHD up to 180fps, in-body image stabilization, C-Log 3, and more. You can find all details listed below. Canon EOS R8 Specifications 24MP full-frame CMOS sensor
The post Rumor: Canon EOS R8 Could Be Announced as Soon as Next Week first appeared on 4K Shooters.
Projectors are getting ready to replace your TV. Seriously. Newer projectors are easy to use, quite compact, and, in some cases, can look just as good as traditional TVs. If you want to have even more fun there are projectors that are portable so you can create a theater experience anywhere you go. We have actually checked out some of these projectors in the past and they were very interesting then. Now, there are even more options and it’s worth comparing a couple. Momentum Productions went and checked out the Anker Nebula Cosmos Laser 4K and Xgimi Horizon Pro 4K
The post Nebula Laser 4K Projector vs Horizon Pro 4K – Which One is Right for You? first appeared on 4K Shooters.
Blackmagic Camera Users can now natively edit Blackmagic RAW video files in Final Cut Pro without transcoding thanks to a new plug-in. The BRAW ToolBox, developed by LateNite Films, enables users to import the finicky uncompressed codec directly into Final Cut Pro with complete access to camera metadata and full RAW support. “As hardcore Final Cut Pro users, we got frustrated when clients would hand over SSDs with 2-4TB’s worth of BRAW footage, that we’d need to convert to ProRes to start editing with it in Final Cut Pro,” wrote Chris Hocking of LateNite Films on the company’s website. “Now
The post New Plugin Finally Enables Native Blackmagic RAW Files in Final Cut Pro first appeared on 4K Shooters.
Canon has released its financial statements for the year 2022, and contrary to the technorati’s prediction of doom for the camera industry, Lake Success has reported a year boosted by brisk mirrorless camera sales. With the release of the Canon R7 and R10 APS-C mirrorless cameras, as well as seven new RF lenses, the company reported market growth in excess of 2.86 million units in 2022, with the expectation that the company will enjoy the same robust sales in 2023. “Despite concerns that consumer spending will decline, the demand of users, which mainly consists of professionals and enthusiasts – people
The post Canon’s Bottom Line in 2022 Boosted by APS-C Camera Sales first appeared on 4K Shooters.
Sony Alpha Rumors speculates that a next-generation Sony A7C II full-frame mirrorless camera is on the way in 2023. With improved 10-bit 4k video and improved autofocus as part of its specs, the A7CII could be an ideal “b” camera for the A7IV. The rumor is based on a leak by a Sony insider who tells SAR that Sony is getting ready to make a new electronic viewfinder for a new A7C design, but has yet to commit to increasing production of the OG A7C itself. “We can expect A7C II next year,” SAR states. “… they scheduled increased production
The post Sony A7C2 Rumored to Take Vlogging to the Next Level first appeared on 4K Shooters.
Tilta has released a new battery grip which has a rechargeable 50Wh rechargeable battery built in. The additional power source can feed 60 watts of power into your camera through a short USB-C connection, extending camera battery life up to 170% of that of the onboard camera battery. The new grip, called the Left Side PD Handle with Run/Stop Type VIII (isn’t that a mouthful) jas a NATO attachment to connect to any camera with a compatible receiver, and there are other mounting options planned. The handle can also be tilt adjusted according to the camera operator’s preferences by using
The post Tilta’s New Camera Grip Boosts Battery Life as Well as Ergonomics first appeared on 4K Shooters.
A neat effect that has become very useful is being able to quickly punch in/out of your footage quickly and seamlessly. It can help bring focus to a certain area of the frame as well as simply make a simple scene a bit more dynamic. Doing this manually isn’t fun as you’ll be working with a lot of keyframes to get it positioned and zoomed properly and then you’ll want to add some ramping to the beginning and end to get a smoother effect. Or, you can use some presets that will make this a painless experience. Filmmaker Kyler Holland
The post Check Out This Dope FREE Scale Preset Pack first appeared on 4K Shooters.
Kinefinity has been making powerful cinema cameras at surprisingly affordably prices for a minute now—long enough that it is time for them to release a mark2 MAVO series. The S35 and LF models that were just announced take on plenty of features from Kinefinity’s high-end options while coming in at even more reasonable prices. It’s very nice. These 6K shooting monsters have a lot going for them that is worth a deeper dive. It’s actually surprisingly just how much they inherited from the more premium Edge series. If you want to learn more about the MAVO mark2 S35 and LF
The post Closer Look at the Kinefinity MAVO Mark II S35 and LF Cameras first appeared on 4K Shooters.
Canon has just announced the upcoming “Add-On Applications System” for PTZ (Pan-Tilt-Zoom) remote cameras that will provide access to add new paid video production features, beginning with auto tracking and auto loop applications for the company’s flagship 4K PTZ camera, the CR-N700. The auto-tracking application will give the CR-N700 the ability to automatically pan, tilt, and zoom to track moving subjects, and the auto-loop application will allow users to program and automate repeated camera movements. The Add-on Applications System will be available to be added to the CR-N700 via a future firmware update. Going forward, Canon plans to expand the
The post Canon’s CR-N700 4K PTZ Camera Gets Notable Upgrades first appeared on 4K Shooters.
Being a one-man band has a lot of advantages. It also has a ton of disadvantages. Filmmaking is generally considered to be a collaborative medium and if you have ever done any shooting with a crew you know how helpful an extra set of hands can be. Unfortunately, sometimes you are stuck doing things on your own and getting something like camera movement can be a problem unless you are planning on just faking it in post. Or, you can get some tools to help be that extra set of hands. Filmmaker Jussi Alexander figured this out for himself and
The post Here’s an Easy Way to Film Yourself with Camera Movement first appeared on 4K Shooters.
Cosina has announced a super fast Voigtländer Nokton 50mm F1 Aspherical Lens for Nikon Z Mount mirrorless camera systems. The so-called “Nifty Fifty,” is virtually identical in features to a similar Leica M-mount design which was released in 2021, and with a full-frame image circle that can be used with both full-frame (Nikon FX format) and APS-C size (Nikon DX format) mirrorless cameras. The lens also fits Nikon cameras including the Z9, Z7II, Z6II, Z50, Zfc, and other Z-mount cameras in the Nikon lineup. These cameras may need a firmware update, however, in order to avoid restrictions on the lens’s
The post Cosina Rolls Out Voigtländer Nokton 50mm F1 Aspherical Lens for Nikon Z Mount first appeared on 4K Shooters.
With Apple’s high-priced Pro Display XDR and its relatively more affordable Studio Display as options for high-performance post-production, it’s hard to imagine the company coming up with a new display that could fit somewhere in the middle. But according to recent speculation, the company is doing just that with a new monitor that is expected to be announced soon. The new display, which is believed to be a 27-inch panel, will be based on miniLED technology and promises to offer better contrast and a deeper, richer color which could potentially rival the performance of the ProDisplay XDR, but definitely outperform
The post Apple Rumored to Be Developing NextGen Display first appeared on 4K Shooters.
Nikon has updated the firmware to the Z50 mirrorless camera and with it comes the expansion of the camera’s autofocus features to include Eye Detection AF. The APS-C camera, which is designed primarily as a stills camera, will now expand its video capability through the new Eye AF autofocus feature. Moreover, the version 2.4 “C” update improves the camera’s articulating LCD refresh rate so that users can better see focus points while in live view while using subject tracking and face or eye detection AF. Eye detection in stills mode has also received improved performance, but the big takeaway here
The post Nikon Z50 Receives Eye Detection AF in Firmware Update first appeared on 4K Shooters.
It’s still early in the year and if you made a resolution to learn more about video editing then you are in luck. Premiere Basics has 10 new tricks for editing up to 10 times faster in Premiere Pro. There’s a variety of tips packed into this quick video including some less-known settings tucked away in the menus and some customization options that might make some tedious tasks much faster. There’s really no reason to not watch the video even if you weren’t planning on learning more about editing. Any time saved is going to help you out in the
The post 10 Tricks to Edit Way Faster in Premiere Pro first appeared on 4K Shooters.
ProGrade has finally announced its next generation of 1TB Type B 2.0 Gold CFExpress cards. The media cards were leaked last fall in an untimely listing at B&H, and three months later, they are finally here. Specs of the 1TB Type B CFE 2.0 media card are as you would expect, with read speeds of up to 1700 MB/s, and burst write speeds a tad slower at 1500 MB/s. Realistically, however, the sustained write speed, which is really what matters when dealing with large 8K video files, is 1300 MB/s. “All new 3rd generation CFexpress Gold cards now clearly state
The post ProGrade Heralds NextGen 1TB Gold CFExpress Card first appeared on 4K Shooters.
The mid-range hybrid camera space is getting crowded—which is great! Competition means we get better and better cameras at lower prices. Take the just-announced Panasonic Lumix S5 II. It’s a massive upgrade over the original for both stills and video and it comes in at a lower price than the competing Sony a7 IV. Now that the ~$2,000 camera space is heating up it is worth taking a closer look at the Panasonic and Sony together to see which one is better for shooting video. There are some quite significant differences. For this, we can check out a comparison by
The post Panasonic Lumix S5 II vs Sony a7 IV – Which is Best for Shooting Video? first appeared on 4K Shooters.
Finally! After many years and multiple lineups of mirrorless cameras, Panasonic has their first camera with phase-detect autofocus – the Lumix S5 II. An upgraded mid-range full-frame mirrorless isn’t usually the first camera to get a huge new feature for a brand, but it does mean that it is something that many people might actually pick it up. For a closer look, ProAV TV does their usual hands-on testing with a particular focus on the AF system and image quality. There is also a mention of the added features packed into the upcoming S5 IIX, an even more video-focused version
The post Closer Look at the Panasonic S5 II – Hybrid Phase AF, Image Quality and More first appeared on 4K Shooters.
If it is time to give your editing PC an upgrade one of the most important pieces is going to be your graphics card. Assuming you haven’t gone with one of last year’s models (and even if you have), then you will want to get the latest a greatest: the RTX 4080 and RTX 4090. These cards command a premium and both are supposed to be very good. Still, while it is easy to see that the 4090 is a better card, not everyone needs that much power or has that budget. Gerald Undone looks at both of these cards
The post RTX 4080 vs RTX 4090 for Video Editing – Which One to Pick? first appeared on 4K Shooters.
Sigma appears to be developing its first “nifty fifty” fifty-millimeter Art lens designed specifically for the mirrorless platform. Sigma’s 50mm F1.4 DG DN Art lens comes in both Sony E-Mount and L-Mount lenses to satisfy the needs of the so-called L-Mount alliance of which Sigma is a part. Specs for the lens dropped today as Sigma sent the information to overseas distributors for their marketing purposes. Naturally, the news would get out and we have a brief list of what we can expect. The specs indicate that the new lens design will support full-frame image sensors and have an extra
The post Sigma Planning a New Nifty Fifty Art Lens for Mirrorless Cameras first appeared on 4K Shooters.
Sony has just announced a new ultra-wide FE 20-70mm F4 G Master lens with a compact and lightweight design and a broader field of view. The lens is the 71st E-mount lens released for the e-mount lens system and has been designed for everything from Vlogging to intimate portraits. “The FE 20-70mm F4 G is redefining the standard zoom in our G Lens category to meet the needs of today’s content creators,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Having tools that creators can utilize to create both still and video content is ever more important. The
The post Sony Rolls Out New Compact FE 20-70mm F4 G Lens first appeared on 4K Shooters.
With next to no fanfare, Apple announced four new Macs with updated M2 Pro/Max Processors. The four computers include two new 14-inch and 16-inch MacBook Pro laptops in both M2 Pro and M2 Max configurations, plus a new M2 Mac Mini. “The best just got better,” tweeted Apple CEO Tim Cook. “Meet MacBook Pro and Mac mini with the newest Apple silicon and more game-changing performance. From everyday productivity to the most demanding pro workflows, these new Macs continue to push the boundaries of what’s possible.” The Chips: M2 Pro Apple introduced the M2 Pro today, with a supercharged M2
The post Apple Announces New Macs with M2, M2 Pro and Max Processors first appeared on 4K Shooters.
According to a recent interview with select Panasonic executives, the company plans to expand the Lumix camera portfolio rapidly. It will do it with Phase Detection Autofocus as the anchor of the camera design. The interview, conducted by the Japanese website DC Watch, interviewed seven Panasonic product managers during the release of the Panasonic Lumix S5 II full-frame mirrorless camera. According to responses from these executives, the Lumix S5 II adopted the plane phase difference Autofocus (presumably the new Phase Detection AF scheme) and a new Venus processing engine which provided “an evolution in image quality and the enhancement of
The post Panasonic’s Phase Detection AF to Anchor Rapid Expansion of Lumix Portfolio? first appeared on 4K Shooters.
When you are working with a tight budget, especially as a beginner, once you put together a basic camera kit and pick up a half-decent computer there likely isn’t much left for getting some software you may not even fully understand. Fortunately, NLEs have gotten more and more affordable over the years and some great options are now free! Sometimes free does mean that it isn’t worth bothering with, but there are a few great video editing software options that are worthwhile. Filmmaker Jack Cole took a look at a bunch and picked out the three best free NLEs for
The post Best Free Video Editing Software in 2023 first appeared on 4K Shooters.
You can always hop on a plan with the perfect equipment and a model to go shoot in an exotic destination that makes your job easy. Most of the time you’ll be shooting in less-than-ideal locations with less-than-ideal conditions and less time than you want. That doesn’t mean your images should be as boring as the location. By learning some relatively simple techniques and gaining a better understand of what exactly makes an image look “cinematic” you can work in any boring location and capture beautiful images. If you want to learn more here we have filmmaker Jacques Crafford with
The post 7 Tips on Getting Cinematic Images in Boring Locations first appeared on 4K Shooters.
Blackmagic has finally brought DaVinci Resolve to the iPad! However, the initial launch, while exciting, was limited to just the Cut and Color pages. It’s still surprising how close to the full desktop version each of these pages look and feel and Blackmagic promises that the rest of the NLE’s functionality is on the way. Or, it might already be here. Filmmaker Michael Tobin was alerted to a quick “hack” in the iPad version of Resolve that allows you to access all the tabs you would find in the desktop version. It doesn’t even require any true hacking or computer
The post Hack: How to Get Fully-Fledged DaVinci Resolve on iPad first appeared on 4K Shooters.
Hollyland has announced the Mars 4K UHD Wireless video transmission system. The system includes the Mars M1 transceiver monitor, which functions as an all-in-one wireless solution for live streaming video to the cloud, as well as the Mars 4K transmitter. “Device simplification and experience upgrade are the core topic of the year for Hollyland’s product design, and Mars 4K and Mars M1 are significant fruits just right, for their effective improving the user experience by requiring fewer devices, more simplified deployment, and higher flexibility,” said Mr. Chris, the Product Director of Hollyland. “Hollyland is increasingly focused on practicing the concept
The post Hollyland Rolls Out a New 4K Wireless Transmission System first appeared on 4K Shooters.
Nikon has announced a new Nikkor Z mount 17-28mm f/2.8 constant aperture lens as the latest addition to their growing catalog of Z-mount constant speed lenses. The lens promises an ultra-wide angle of view, pleasant bokeh, and improved low light performance. “The new NIKKOR Z 17-28mm f/2.8 is derived from the same mutual concept as the recent NIKKOR Z 28-75mm f/2.8 lens,” said Jay Vannatter, Executive Vice President, Nikon Inc., ”establishing a series of affordable zooms that open a gateway to fast-aperture performance and absolute versatility.” Wide enough to capture stunning landscapes without distortion, yet light enough to use
The post Nikon Announces 17-28mm f/2.8 Zoom for Z Mount Cameras first appeared on 4K Shooters.
Camera Accessory company TILTA has a cool new storage solution for Sony Mirrorless cameras. It’s a camera half-cage that not only offers a grip and mounting options, but also an integrated 512GB M.2 SSD for additional storage. According to Tilta’s promotional materials, the ExAscend CFexpress Type A to M.2 SSD adapter half-cage supports Sony’s a1, a7S III, a7 IV, and FX3 full-frame E-mount cameras and also includes a CFExpress Type A adapter that enters into the memory card slot of the camera, providing a connection between the camera and the cage’s 512GB M.2 SSD. There also appear to be 128GB
The post Tilta Unveils Half Cage for Sony Cameras, Complete with SSD Drive Built-in first appeared on 4K Shooters.
DxO has announced support for a host of new cameras and lenses with optical calibration corrections for its visual film apps. The company now offers access to more than 75,000 camera and lens combinations, and the calibrations that support optical range and performance. The list of calibrations enables users of DxO’s many camera software titles to synchronize them with their software-centric Optics Modules including FXO PhotoLab5, PureRAW 2, ViewPoint 3, FilmPack6, and Nik Collection 5. The latest updates of which now offer support for the DJI Mini 3 Pro drone, the FujiFilm X-H2S mirrorless camera, and the Nikon D810A and
The post DxO Announces Additions to its List of Camera and Lens Calibrations first appeared on 4K Shooters.
Understanding log gammas and how they work is one thing. Making sure you are exposing and using them properly when working quickly on location is another. This is definitely not as easy when working with mirrorless cameras like the Sony a7 IV and S-Log3 since they lack all the advanced monitoring capabilities of traditional cinema cameras. There are some options still available. If you want to learn how to quickly work with S-Log3, including exposure and white balance, you’ll want to check out this video from Matt WhoisMatt Johnson. He goes through the details specifically for the a7 IV, including
The post How to Easily Film in S-Log3 on the Sony a7 IV first appeared on 4K Shooters.
A recent development in cameras has been the implementation of gyroscopic motion data within the metadata of the recording. What this did was allow for ultra-fast and accurate stabilization in post. In Blackmagic’s Camera Update 7.9.1 they actually added this functionality to a few of the Pocket cameras—apparently a hidden tech just waiting to be unlocked. Now you just need to load up some new footage into Resolve 18 and start using it. If you are curious about how this feature works, what you need, and what the results are you might be interested in this video from LensProToGo that
The post Blackmagic Design Pocket 4K/6K Cameras Gyro Stabilization first appeared on 4K Shooters.
A big part of what makes the ARRI ALEXA such a well-loved camera system is the color science. For decades they have been almost unmatched in this area. As digital has continued to develop and better and better cameras have become available to your everyday filmmaker that high-end ARRI color science has remained locked into extremely expensive equipment. Or, you could try to get that color science even when using the much more reasonably priced Pocket Cinema Cameras from Blackmagic. Filmmaker Christopher Michael Law thinks that working with Phantom LUTs might get you a look that closely mimics that distinct
The post How to Turn Your BMPCC into a Baby ARRI ALEXA (Kind Of) first appeared on 4K Shooters.
Sometimes everything lines up for a shot and sometimes it’s all but one part. Landscape photographers know what I’m talking about. The timing, the weather, the light, all that can be perfect and then you look towards the sky and it’s just plain boring. With stills it’s relatively easy these days to take the gorgeous sky you captured the other day and replace the boring one using Photoshop. It can also be fairly easy in Premiere Pro. The folks at Premiere Basics are back with a tutorial on how to do sky replacements in your next videos the easy way.
The post How to Do an Easy Sky Replacement in Premiere Pro 2022 first appeared on 4K Shooters.
Sony has announced that a firmware update is coming to the Sony FX9 in October. The update will bring several new features to support Sony’s Camera to Cloud C3 portal. Firmware version 4.0 will add enhanced Camera Connect Cloud (C3) functions including the ability to import LUTs directly to the camera from the cloud to the 6K Full Frame FX9, as well as automatically uploading hi-res video proxies through an automatic upload. Users will also be able to import directly to the camera any files necessary or export them to the cloud. The benefits here are that the camera operator
The post Sony to Update Firmware of FX9 for Greater Cloud Support first appeared on 4K Shooters.
This latest software update doesn’t seem to be a major one by any means, but it still addresses a few annoying bugs of DaVinci Resolve 18. It also improves USB-C connectivity with Fairlight Desktop Consoles, adds better rendering of clips without color nodes, as well as addressing issues with IMF rendering and deleting empty tracks on imported AAF timelines. You can find all details below. What’s new in DaVinci Resolve 18.0.3 Addressed a USB-C connection issue with Fairlight Desktop Consoles. Addressed an issue when rendering clips without color nodes. Addressed supplemental IMF render issue with Dolby Vision 2.9 metadata. Addressed
The post DaVinci Resolve 18.0.3 Out Now first appeared on 4K Shooters.
It took a bit of time but Canon now has a robust lineup of mirrorless cameras. They have a flagship, a myriad of full-frame options, and even APS-C has joined the RF fray. With seven cameras to choose from across a wide range of price points and feature sets you might want a little bit of help. There is a lot to go through and Tony & Chelsea Northrup are here to help. Whether you’ve been eyeing the compact R10 as your first mirrorless camera, looking to get into full-frame imaging with an RP, or looking towards the top end
The post Which Canon Mirrorless Camera Should You Get in 2022? first appeared on 4K Shooters.
Tokina has just announced a new 11-18mm F2.8 E mount lens for Sony APS-C mirrorless cameras. The atx-m lens has a full-frame equivalent of 17-27mm, representing the first super wide-angle lens Tokina made for the mirrorless format and is designed for users who shoot both stills and videos. The atx-m 11–18mm F2.8 E is built out with 13 lens elements in 11 groups, two of which are aspherical and two that are super low dispersion glass elements. The elements are coated with Tokina’s special anti-reflective coating to minimize ghosting and lens flares and make images both high contrast and low
The post Tokina Unveils 11-18mm F2.8 APS-C E-Mount Lens first appeared on 4K Shooters.
Elevate your shooting experience with an on-camera monitor that does more than just monitor your footage. Filmmaker Arber Baqaj has a fun (and affordable) little monitor to show off – the Portkeys LH5P II. Its neat trick is that you can get it to wirelessly control some key settings on your Sony a7 IV or a7S III. Remote camera control is a fairly rare feature on monitors let alone the ability to do it wirelessly. It makes the 5.5” LH5P II a very compelling offering in a category that is loaded with some very capable or much more affordable alternatives.
The post Wirelessly Control Your a7 IV/a7S III with Portkeys LH5P II Monitor first appeared on 4K Shooters.
Netflix has reportedly rejected Canon’s request for official certification of the Canon R5C full-frame mirrorless camera for official use with the streaming network’s blessing. What’s even more interesting is that Canon shows no signs of addressing any shortcomings in order to gain the streaming network’s favor, as Sony did with the FX3. Netflix nor Canon have commented on the reason for the rebuff, but many tech analysts speculate it may be due to the Canon R5C lacking C-Log 2 as a factor. The Raw codec is able to a capture higher dynamic range, thereby making it more acceptable for HDR
The post Netflix Reportedly Rejects Canon’s Request for R5C Certification first appeared on 4K Shooters.
GoPro announced today that the 11th generation of their iconic GoPro Hero action camera. And in doing so, brings more even more tools for content creators to craft professional-grade videos on the move. No matter what platform they are shared on. The GoPro Hero 11 is capable of shooting 10-bit color video in both vertical and standard 5.3K video at 60 frames per second thanks to a new larger 1/1.9” image sensor with the largest field of view to date courtesy of an 8:7 aspect ratio. The result in an increase of 16% in the field of view, and more
The post GoPro Announces Hero 11 with More Features Than Just a Dot Upgrade first appeared on 4K Shooters.
Today, action camera geeks found themselves in the middle of a war. That’s because both DJI and GoPro have announced the next generation of their action camera lines, on the same day. And DJI seems unphased to introduce their new Osmo Action 3 with longer battery life, even in the most extreme conditions, and a laundry list of features including a built-in mounting system, voice control, custom modes, and the InvisiStick function that makes a selfie stick disappear. The DJI Osmo Action 3 has a 1/1.7 inch image sensor that shoots 4K video at up to 120 frames per second
The post With the Osmo Action 3, DJI Goes Head to Head with GoPro first appeared on 4K Shooters.
There’s all the basic cuts you need to learn as you start editing, such as L-cuts, jump cuts, match cuts, etc., but when you start having fun you’ll likely want to get into some more exciting transition effects. You might start looking towards presets and downloadable effects packs from third-party creators, or you can learn about some of the lesser-known transitions already in DaVinci Resolve 18. Coming from MrAlexTech is a rundown of eight “hidden” transitions in Resolve 18. There’s a pretty great variety and you can even create some of your own presets to make them easier to use
The post 7 Must-Know Transitions in Resolve 18 first appeared on 4K Shooters.
Steadicam Steadimate-RS Aero 30 Arm and Zephyr Vest Kit (B&H)Tiffen’s third-generation Steadicam Steadimate-RS attachment enables operators to integrate Ronin RS2, RS3, and RS3 Pro motorized gimbals into the Steadicam ecosystem to enhance the capabilities of DJI’s handheld system. The Steadimate-RS refines camera stabilization and improves operator comfort while offering a fluid movement of a traditional Steadicam sled. The Steadimate-RS attaches a new mechanical connection and pan bearing to the 1/4-20” mounting holes and NATO ports of the Ronin Gimbal devices, plus adds a gimbal post extension weight to fine the balance adjustment and make the system all in one. The
The post Steadimate-RS for Ronin Expands Motorized Gimbal Capability first appeared on 4K Shooters.
Sony has announced the next generation of the Sony Rialto Venice Extension System to support the VENICE 2 8K Camera. The Rialto Extension System 2 updates the original, to give the VENICE 2 a tethered extension between the image sensor block to the camera body from a distance with no degradation in the 8K image quality. “The VENICE 2 was born from the voice and feedback of the cinema community,” said Neal Manowitz, President and COO, Sony Electronics Inc. “Thanks to the continued feedback of our customers, we have been able to fuel the ongoing development of this powerful full-frame
The post Sony Announces New Extension System to Support VENICE 2 Cinema Camera first appeared on 4K Shooters.
Jarred Land announced on Facebook over the weekend that artist Ryan Avery had his blessing to market a scaled-down model of the RED V-Raptor 8K Cinema Camera, complete with a set of three c-mount cinema lenses. And while the high fidelity model doesn’t capture 8K footage like its full-scale cousin, it’ll undoubtedly be a conversation starter for any camera geek. The 1:2 scale model of the Revar Cine Mini for RED V-Raptor Brain, as it is officially known, is machined out of a solid block of anodized aluminum, minute in every detail from the buttons to the iconic RED logo.
The post Revar Cine Offers a Pricey, Scaled Down RED V-Raptor Model Camera first appeared on 4K Shooters.
There are many moments where you have to learn to pack light. That doesn’t mean you should sacrifice overall quality or capabilities of your rig. If you want to see a good example of a minimalist rig – one that fits into a carry-on and camera bag you can bring on a plane—filmmaker michael tobin is showing off his setup featuring a Pocket 6K Pro and DJI RS 3 Pro. We get a closer look at everything, including the case he packs it all into. If you are trying to figure out what to do with your gear for your
The post Minimalist Pocket 6K Pro and DJI RS 3 Pro Combo first appeared on 4K Shooters.
Lately it seems like the ARRI ALEXA Classic is making a comeback with independent filmmakers. We have covered using it, purchasing it, and even comparing it to modern cinema cameras. The verdict has always been that it is still great. That is impressive considering it is ancient in tech terms. But, being old has put it in the affordable realm for more everyday shooters looking to invest in a serious system. If you haven’t seen all the things that are good about the ALEXA Classic here is a new video from FoxTailWhipz that shows off five things that he loves
The post 5 Things to Love About the ARRI ALEXA Classic first appeared on 4K Shooters.
When Fujifilm dropped the X-H2S it was one of the biggest generational upgrades they have made in a long while. The camera breathed new life into the flagship lineup and brought out the first stacked sensor to the mirrorless X Series as a whole. This unleashed so much potential for stills and video. With so many changes coming in a single release it may be worthwhile to look at what some of the biggest improvements were first. This is where ProAV TV comes in with a rundown of what they believe are the five biggest upgrades with the X-H2S. There
The post Five of the Biggest Improvements on the Fujifilm X-H2S first appeared on 4K Shooters.
iPhones aren’t a filmmaking tool? Tell that to Steven Spielberg. The director who needs no introduction recently shot and directed his first music video and he used a phone. Now, a phone is far from an ideal filmmaking tool. There are a lot of issues with the form factor and you’ll need some extra bits and pieces to actually get the maximum quality and control from the device. That doesn’t mean you should ignore it. At iPhoneographers there is a detailed breakdown of the video and a rundown of how they think Spielberg pulled it off, including a list of
The post Steven Spielberg Shot a Music Video on an iPhone? first appeared on 4K Shooters.
Long takes, or “oners,” have gotten a fair amount of recognition over the past few years. Some movies even take the concept to the natural end and make an entire film that is shot to look like a single take. Even video games like God of War are getting into the mix! Anyway, you may be trying to pull off a long take yourself and find it may be difficult without cutting. It is possible to pull it off with some smart shooting and editing. Hidden cuts are what made some famous “one shot” films possible and you can learn
The post How to Pull Off a Long Take with Hidden Cuts first appeared on 4K Shooters.
Wireless video transmission is becoming more and more common everyday. One reason for that is the technology is getting very, very good. Take the new DJI Transmission Combo as a new example. This device can send high-quality video to a receiver over 20,000’ away. That’s insane. Some of this tech comes from their drone division, which does rely on effective wireless video transmission for functionality, so it isn’t brand new. But, this is the first iteration that can be used for any video system. Let’s see how Linus Tech Tips put it to the test. General Info Unlike drones flying
The post Transmitting Video Over a Whopping 20,000’ with the DJI Transmission Wireless System first appeared on 4K Shooters.
At NAB 2022, SmallHD has announced a trio of new 5 -inch touch screen monitors. Dubbed the Ultra 5, Cine 5, and Indie 5 displays, including two wireless models of the Ultra 5, the five displays will be driven by SmallHD’s PageOS 5 software tool kit and are designed to fit into any production need or budget. With separate tiers of brightness, I/O capability, and interface options, the Ultra, Cine, and Indie come equipped with multi-touch interfaces, while the Cine 5 adds a navigation joystick and back button for camera control functions. The Ultra 5 provides additional customizable buttons for
The post SmallHD Unveils Trio of New 5-inch Touchscreen Monitors first appeared on 4K Shooters.
Nanguang has announced the Nanlux Evoke 1200B Bi-Color Spotlight. The light is similar in design to the daylight-centric Evoke 1200 released last year but offers dual 1200W Bi-color LED chips in a dot matrix format. “Incorporating product philosophy refined over the past 30 years, Evoke 1200B is the new weapon for the cinematographers & gaffers in film & TV production,” states the Nanlux press release. “It would be expected to be a game-changer in bringing beyond-anticipation user experience for the large film crew who demand precision lighting and subtlety.” The Evoke 1200B offers a luminance level of 5600K with 61,030
The post Nanguang Introduces Evoke 1200B Bi-Color LED Spotlight first appeared on 4K Shooters.
Another big announcement is coming from Amsterdam and IBC 2022. This time around it’s from Fujifilm. The company has just announced its flagship Fujifilm X-H2. The newcomer is touted as the highest-resolution APS-C digital camera on the market boasting a brand new 40.2MP BSI APS-C sensor capable of shooting native 8K 10-bit video up to 30fps using three different flavors of Apple ProRes. The remarkable resolution allows for 2x digital zoom and has up to 13 stops of dynamic range. You can also record in 12-bit using Apple ProRes Raw and Blackmagic Raw to external devices via the full-size HDMI
The post FUJIFILM X-H2 Can Record Internal 8K 10-bit Video Up to 30fps Using ProRes and Much More first appeared on 4K Shooters.
Wanting to tap into the millions of content creators sharing media around the world, Insta360 announced that their next generation X3 360 action camera is so good that there’s “no better device for capturing creative and unique content for social media.” The X3 has a 1/2 inch 48MP image sensor capable of capturing 5.7K 360° video or massive 72 MP still images. The X3 can also capture 8K time lapses in the entire 360-degree spectrum. The X3 can double as either a 360° camera or a standard action camera in single lens mode, providing ultra-wide 4K video. The camera’s intuitive
The post Insta360 Announces X3 Action Camera for Social Media Content Creation first appeared on 4K Shooters.
From viewing real-time speech to text, automatic color correction, and adding timed music, to even first-pass visual effects Adobe is showcasing a massive expansion of the capabilities of Camera to Cloud, which is rapidly cutting short the time needed for post-production. “When work happens in parallel, the whole creative process is elevated,” writes the Adobe Blog. “Instead of sequential, compartmentalized steps, production becomes fluid, efficient, and inherently collaborative.” C2C through Frame.io enables Adobe customers to upload camera files into the post-production pipeline while the production is still taking place, allowing artists to begin the post process concurrently, and making real-time
The post Adobe Showcases Expanded Camera to Cloud Features at IBC 2022 first appeared on 4K Shooters.
Right before IBC 2022 officially kicks off in Amsterdam, Blackmagic Design has released another DaVinci Resolve 18 iteration. This software update improves YouTube delivery and gallery file management as well as better render-in-place results and improved handling of track metadata. In addition, Resolve 18.0.2 improves trimming for H.264 and ARRI clips in media management as well as addressing an issue with gyro stabilization edges not blanking correctly. You find the full list of improvements and new features below. What’s new in DaVinci Resolve 18.0.2 Addressed an issue with large YouTube uploads failing. Addressed some gallery still files being retained after
The post Blackmagic Design Rolls Out DaVinci Resolve 18.0.2 first appeared on 4K Shooters.
In a live streaming presentation that has become the standard for new Apple product announcements, the Cupertino-based company announced the latest iPhone 14, with a few cool new features that filmmakers can enjoy. Those features include improved low light performance, more accurate color, and an advanced image stabilization feature that eliminates the need for a handheld gimbal. The iPhone is usually on a tick-tock development cycle where the tick provides major improvements and innovations, while the tock offers refinements, or what we call “fins.” And this year is no different. With improved cameras, a slightly larger display, and a CPU
The post Apple Introduces iPhone 14 with Modest Image Improvements first appeared on 4K Shooters.
Canon has announced a new Cine Servo 15-120mm T2.95-3.95 zoom lens with support for cinema cameras including the EOS C500 Mark II and C300 Mark III cameras. There’s also a new firmware update to support it, and a brilliant 4K HDR Reference monitor for post-production work. Designed with either EF or PL mounts, the new Cine Servo 15-120mm lens is crafted for up to 8K image resolution with Super35mm and Full Frame sensor sizes. The EF mount communication uses advanced metadata and Cooke /i technology, while the PL mount adds to that by supporting Zeiss eXtended Data communication. The lens
The post Canon Announces New 8K Broadcast Lens with Support for Cinema Cameras and More first appeared on 4K Shooters.
The latest rumor hitting the computer realm is that NVidia may be working on a pair of RTX 4080 GPUs with up to 16GB of RAM. The talk is that there will be a 12GB version and a 16GB version, which echoes a similar path that NVidia followed with the GTX1060, only with 6GB and 3GB RAM versions. The speculation is being fueled by a tweet from GPU watcher Zed Wang (aka MEGAsizeGPU) on Twitter, who has been laying out details of a 10layed PCB RTX4080 12G GPU, and a 12-layer PCB 16GB RTX4080. But the chief difference is that
The post NVidia Rumored to Be Working on RTX4080 GPU with Up to 16GB of VRAM first appeared on 4K Shooters.
Sony has just announced the FR7 Pan-Tilt-Zoom full-frame cinema camera, making it the first PTZ cinema camera on the market. The convergence of a robotics camera platform with Sony’s mirrorless cinema technology marks a convergence of technologies that the company says will open creative possibilities in the studio, on the film set, and during live productions. “The cinematic look and feel is rapidly becoming the norm in broadcasting and lives production as it opens up new ways to tell a narrative,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “In parallel, over the last 2 years, we’ve seen
The post Sony Announces the FR7 Pan-Tilt-Zoom Cinema Camera first appeared on 4K Shooters.
Last week, FiLMiC Pro shocked mobile filmmakers by not only announcing they were merging with app development company Bending Spoons, but that the app would adopt a weekly subscription model. The company says that the new subscription model and partnership will “will help fuel plans for growth, accelerate development cycles, and ultimately build an even stronger, more valuable FiLMiC experience for our customers.” But while the company implies that a steady revenue stream will enable the app to be updated more often with new features, there are some that simply view the takeover of FiLMiC Pro by Bending Spoons as
The post FiLMiC Pro’s New Pricing Scheme Raises Ire of Mobile Filmmakers first appeared on 4K Shooters.
SmallHD has announced the release of PageOS 5 firmware support for SmallHD monitors. The free new update offers a variety of new features including Look Around Camera Control, MultiView, auto-calibration with Calman for SmallHD 4K production monitors, and EL Zone’s false color overlay for measuring exposure settings. “PageOS 5 is more than an incremental refresh of existing features – it’s a giant leap forward in the evolution of the SmallHD ecosystem, offering industry-first tools, expanded functionality, and third-party integrations that reflect both what our customers want and what we think they will need in the future,” says Greg Smokler, VP
The post SmallHD Page OS5 Update Adds a Host of New Features first appeared on 4K Shooters.
Even considering how often editors complain about how dysfunctional Premiere Pro has become it still holds its place as perhaps the most widely used NLE around for professionals and amateurs alike. Of course, you could consider switching to another program, but that is a hassle for many reasons and on some projects you may be at the whims of your post-production team or the client even. Since you may be sticking with Premiere it may be possible to fix some of those annoyances. Coming from Premiere Basics is another set of tips that details five annoying bugs and how to
The post 5 Annoying Premiere Pro Bugs and How to Fix Them first appeared on 4K Shooters.
DJI’s latest drone – the Avata – is not the usual for us video and photo folk. It’s an FPV drone that normally is used for exciting acrobatic aerial maneuvers though this is designed to be appealing to newcomers to the arena and seems to have decent video specs. As we are coming from a very different background it might be nice to see how it compares to some more conventional DJI drones, such as the Mavic 3 and the Air 2S, as well as how it holds up against the original DJI FPV Drone. Illuminationsfromtheattic has us covered with
The post DJI Avata vs FPV Drone vs Mavic 3 vs Air 2S – Image Comparison + Drone Noise Test first appeared on 4K Shooters.
While we are all sitting here being impressed with the relative affordability of a 12K cinema camera in 2022 there was a company named Lytro that announced a camera with a 40K resolution was in development. The amount of storage space (and money) that would take is insane. Apparently that mindset must’ve been shared by many as Lytro’s camera never made the waves they expected and quietly disappeared. In another installment of Frame Voyager’s abandoned camera series they take a look at this boundary-pushing Lytro camera. We can all learn about the fate of the hyped-up light field cameras. Lytro
The post What Happened to the 40K Lytro Cinema Camera? first appeared on 4K Shooters.
The USB Promoter Group has announced the next generation USB 4 vs. 2 data transmission standard, which promises improved data transfers over USB-C which doubles the existing vs. 3.2 Gen 2 spec up to 80Gbps. “Once again following USB tradition, this updated USB4 specification doubles data performance to deliver higher levels of functionality to the USB Type-C ecosystem,” said Brad Saunders, USB Promoter Group Chairman. “Solutions seeing the most benefit from this speed enhancement include higher-performance displays, storage, and USB-based hubs and docks.” Those double speeds not only come with newer USB4 cables but thanks to a new physical layer
The post New USB4 2 Standard Boosts Data Transfer Speeds, Even with Existing Cables first appeared on 4K Shooters.
There’s a new motorized pan and tilt head being touted on Kickstarter which promises versatile performance for capturing panoramas, motion control, time-lapse, 360 production photography, and videography. The next generation CapsulePro Pan and Tilt Head will offer plug-and-play installation and multi-axis motion control features to make it easy to set up and get motion shots in both single-axis and multi-axis modes. The MIOPS CapsulePro looks like it’s the next-generation version of the MIOPS Capsule360. The CapsulePro with hundreds of different camera platforms, including all the major models from Canon, Nikon, Sony, Panasonic, and many others. The CapsulePro is good for
The post CapsulePro Motorized Pan Tilt Head is Now on Kickstarter first appeared on 4K Shooters.
Seagate has announced a pair of new LaCie line of mobile hard drives that represents what the company calls “the latest evolution of their ongoing HDD storage. ” With storage sizes of up to five terabytes, LaCie states that the LaCie Mobile Drive, and Mobile Drive Secure, are built to last with sturdy construction and a unique design aesthetic. The drives are designed by long-time LaCie hardware designer Neil Poulton and are housed in sturdy recycled aluminum and post-consumer recycled plastic. They even come in a box that is crafted from recycled cardboard. “While beautifully detailed, the casing is forward-looking
The post Seagate Announces New Portable Hard Drive with Up to 5TB of Storage first appeared on 4K Shooters.
Among the issues with picking up a mirrorless or mirrorless-style camera for video is that they lack the space for some of the hardware that is common on traditional cinema cameras – like internal ND filters. Now, most of us solved this issue with other types of NDs, usually placed in front of the lens. That doesn’t mean that the dream of not having to worry about swapping filters when you swap lenses doesn’t remain. For shooters with Canon RF-mount cameras there may be a solution. Josh Sattin shows off a Meike adapter for EF-mount lenses that features an integrated
The post Check Out This Dope Budget Built-In ND Filter for Your Canon RF Camera first appeared on 4K Shooters.
On a webpage created by Sony Japan, the camera company is teasing what they call their next camera project. The camera comes with the tagline “Cinematography meets robotics” and is leading Sony fans to conclude that Sony is about to announce a new robotic camera platform. The image displays what looks to be a camera hidden in shadow, with what looks to be a large telephoto lens and perhaps a gimbal or follow focus attached to the side. With a motor drive and an LED light curved around the top, the image, along with the tagline, seems to suggest some
The post Sony Teases Robotic Cinema Camera Platform first appeared on 4K Shooters.
If you are an independent filmmaker looking to build up your own kit you likely have one major factor to consider—budget. Cinema gear costs money. A lot of money. Fortunately there has been a huge push over the past decade to make high-quality equipment much more affordable. Being spoiled for choice isn’t always the easiest though, cause now you will have to sort through a range of cinema primes before landing on which one might be the best for you. Or, you can check out CVP’s overview of the top four budget cine prime lens sets that are designed for
The post What is the Best Budget Cine Prime Lens Set + Test Footage first appeared on 4K Shooters.
Tamron has announced the development of their first Z-mount full-frame autofocus lens, it’s an unqualified beast, while at the same time being the smallest and lightest full-frame zoom on the market. The Tamron 70-300mm f/4.5-6.3 Di III RXD is designed specifically for mirrorless cameras, and fits in the palm of the hand with a weight of fewer than 21 ounces. “TAMRON’s 70-300mm F4.5-6.3 telephoto zoom lens combines the world’s smallest size and lightest weight together with high image quality based on TAMRON’s concept of “all photographers should enjoy easy and comfortable telephoto photography,” Tamron declared in their announcement. Similar in
The post Tamron Developing First Z Mount Zoom Lens, and It’s a Compact Beast first appeared on 4K Shooters.
FilmConvert has announced the availability of a new camera pack for the Canon R3 full-frame mirrorless camera for both FilmConvert Nitrate and CineMatch color grading software. The pack provides film grain and color matching of the R3’s 24 MP full-frame sensor, with 6K Raw and 4K uncropped image resolution with 12-bit and 10-bit color information respectively. FilmConvert defines its Nitrate plugins as “a film emulation and grain suite that gives you the beautiful, classic look of film for your project in just a few clicks.” Designed to be able to match color footage and add a film look grain structure
The post FilmConvert Rolls Out Canon R3 Camera Pack first appeared on 4K Shooters.
Nikon China may have inadvertently leaked images from a new Z series mirrorless camera. Posting to their company Weibo account, Nikon China included an image of bottlecaps and a fidget toy which have a native file size of 5.9MB on disk, hinting it was shot with a Nikon camera that had a 67 MP image sensor. The image was part of a series of images promoting Nikon China’s Create Camp Live Class. Eagle-eyed Nikon watchers dug deep into the image metadata and found that one of the images had a resolution of 6670×10000 or 67megapixels. The post is in Chinese,
The post Nikon May Have Leaked Plans for a new Z Series Mirrorless Camera first appeared on 4K Shooters.
Blackmagic Design has released an update to its Desktop Video suite of drivers. The update provides support for ARM Architecture processors to the Blackmagic DeckLink Quad 2, DeckLink Duo 2, DeckLink Quad HDMI recorder, DeckLink 8K Pro, DeckLink SDI Micro, DeckLink Mini Monitor 4K, and DeckLink Mini Recorder 4K. Through version 12.4, users can integrate Blackmagic’s Decklink cards into custom hardware rigs by using NVidia’s AGX Xavier and Clara AGX Developer kits. The result is multichannel 8K capability with real-time machine learning and GPU Acceleration. In short, when going live, the software sets up and manages your DeckLink, UltraStudio, and
The post Blackmagic Releases Desktop Video 12.4 with ARM Support first appeared on 4K Shooters.
There are fun hacks, like putting Vaseline on a filter to create a soft-focus effect with any lens, but those aren’t exactly something that you’ll be using every day. A lot of the time the best hacks or tips are the ones that after you learn them just become part of your normal workflow and make your shooting days go a lot smoother. You feel better after a good shoot too. Filmmaker Sean Kitching has a bunch of quick tips that are more for making your life better and less about getting fun effects. These are techniques and tricks that
The post Camera Hacks that Every Filmmaker Should Know first appeared on 4K Shooters.
Meike has released a new 10mm f/2.0 manual focus lens for APS-C and micro four-thirds cameras. The lens is completely manual, with no autofocus or metadata circuitry embedded into the lens construction. It’s just a completely old-school manual design. The latest in an ongoing series of low-cost, high-performance optics for independent content creators, the Meike 10mm F2 joins several other Meike lenses released in 2022, including a Meike a 7.5mm f/2.8, an 8mm f/2.8 Micro Four Thirds, a 12mm f/2 APS-C, a 50mm f/0.95 APS-C mount lens, and an 85mm f/1.8 full-frame lens. The new 10mm F2 has a 15-element
The post Meike Adds 10mm F2 Lens to their APS-C Lineup first appeared on 4K Shooters.
Sony has announced a new vlogging microphone that uses the MI multi-interface hot shoe connection on Sony mirrorless cameras. The ECM-G1 Vlogger Shotgun microphone fits in the palm and Sony this makes the G1 the smallest and lightest model in the category. The ECM-G1 is designed for the human voice, with a fixed super-cardioid polar pattern through a large, 14.6mm electret-condenser capsule. Sony says that the audio quality of the G1 is exceptional, with no need for beamforming or adjustable pickup patterns. This design focuses on a narrow audio range directly in front of the microphone. It was mainly designed
The post Sony Announces ECM-G1 Vlogging Microphone first appeared on 4K Shooters.
Sony has updated the FX3 Full Frame Cinema Camera, giving it more shooting profiles and the ability to import LUTs to streamline the post-production workflow. The firmware also offers timecode sync through the use of a proprietary adapter cable. Launched early in 2021, the FX3 Cinema Camera incorporates many of the features and functions of the Sony A7SIII full-frame mirrorless camera. With a 10.2 backside illuminated Exmor R BSI CMOS image sensor and Bionz XR processor, the FX3 is capable of capturing 4k video at up to 120 frames per second in 10-bit 4:2:2 color, or 16-bit color through HDMI
The post Sony Updates FX3 Firmware, Expanding Shooting Modes first appeared on 4K Shooters.
As their annual summer sale begins to wind down, there are still some great B&H deals to be had. From cameras to accessories, the web portal is offering some great prices if you act fast. Cameras: First on the list is a pair of ZCam 4K and 6K cameras. The Z Cam E2-M4 shoots 12-bit 4K video in ProRes Raw from a 4/3″ WDR CMOS Sensor and has an interchangeable micro four-thirds lens mount. The M4 is on sale for $1,499, which is $500 off. The 6K Z Cam E2-F6 is a full frame version, which offers a 6K 12-bit
The post More Deals To Grab During B&H Summer Sale first appeared on 4K Shooters.
Camera Gimbal maker Zhiyun Tech has announced their 2022 Short Film Contest with over $100,000 dollars in prizes. The contest allows filmmakers to submit videos to YouTube or Instagram until October 20th, 2022. The contest seeks to draw attention to the popularity of making short videos and posting them on social sites such as YouTube, Instagram, or Tik Tok. As the popularity of the short form video has grown, chiefly due to mobile-centric apps, the aspect ratio format of vertical video has become a viable standard, with major camera brands and video editing software offering the aspect ratio as an
The post Zhiyun Announces Annual Short Video Contest with $100,000 in Prizes first appeared on 4K Shooters.
According to a recent report by camera watchdog Nikkei Asia, Nikon is set to close down the development of its DSLR line. Though the company states that it is continuing to produce and sell the venerable camera platform, the company stopped short of disputing that the development of any future models is winding down. The report goes on to suggest that Nikon’s plans moving forward are to put most of its development focus on mirrorless cameras and that the company is looking to streamline since sales of DSLRs have been lackluster due to the widespread use of smartphones to capture
The post Reports Suggest Nikon Closing Down DSLR Development first appeared on 4K Shooters.
ARRI is using smarter, computer-controlled lighting to give filmmakers even more capabilities. And with the issuing of an update to the ARRI Lighting OS (LiOS2), this capability will enable Skypanel and Orbiter lights to sync directly to a supporting camera, in order to give the camera operator incredible control. The new “Sync Mode,” which takes advantage of integrated circuitry in ARRI Cameras, enables the camera to control lights down to the frame-by-frame level, giving the camera operator the ability to create unprecedented exposure consistency. When camera operators are doing unique techniques such as “Speed ramping,” where they adjust the shutter
The post ARRI Updates Lighting OS to Sync with Cameras first appeared on 4K Shooters.
Canon continues to develop its line of RF mount lenses with a 24mm F1.8 Macro IS STM prime and a 15-30mm F4.5-6.3 IS STM wide-angle zoom. The lenses are optically stabilized and designed to fit both the Canon Full Frame Mirrorless lineup and APS-C Mirrorless models. The RF 24mm F1.8 Macro IS Macro STM is a new wide-angle macro prime lens with 11 elements in nine groups, including one ultra-low dispersion element and one aspherical element. The lens incorporates a nine-bladed aperture IRIS and has a minimum focusing distance of about five and a half inches (14cm). The lens supports
The post Canon Introduces a Pair of New RF Mount Lenses first appeared on 4K Shooters.
Atomos has announced the new Sumo 19-inch SE HDR Monitor, Recorder, and Switcher. With a full HD QLED touchscreen display capable of up to 1200 nits of brightness. An upgrade over the IPS LCD screen of the previous generation. The Sumo has four 12G-SDI inputs, and a single HDMI 2.0 input (pity they didn’t go for HDMI 2.1 to future proof it), and is capable of recording up to four separate streams in either ProRes Raw or 10-bit ProRes 422 Raw, with a fifth ‘program’ channel of your switched feed. And recordings can be preserved with data rates of up
The post Atomos Announces Heavyweight Sumo 19-inch SE HDR Monitor, Recorder, and Switcher first appeared on 4K Shooters.
B&H is currently offering some impressive deals for students and educators on Sony and Panasonic cameras. The sale is available to students and educators through the B&H EDU Advantage Discount Program, and users must sign up to gain access to the prices listed below. Bear in mind, though, that the sale ends in less than 5 days, so if you are already considering the option to get your hands on any of the included models, this is certainly an excellent opportunity to save up to 47% right away. First on the list is the Sony A7 II. With a 24.3MP
The post B&H is Offering Students Sony and Panasonic Cameras at the Lowest Price Ever first appeared on 4K Shooters.
DJI has recently issued a firmware update for the Mini 3 Pro Drone to expand its capabilities, especially with its Vertical Video mode. Through a combination of firmware releases and an update to the DJI Fly app, drone pilots can now take full advantage of the vertical camera position with hyperlapse clips and Quickshots. The camera on the Mini 3 Pro is unique because it is able to turn on its side in order to capture in portrait mode, also known as “vertical video.” This aspect ratio is very popular with mobile-centric apps such as TikTok, Instagram, and other social
The post DJI Opens Up New Hyperlapse and Quickshot Features in Mini 3 Pro first appeared on 4K Shooters.
Atomos has launched Cloud Studio Live, along with the first three Connect modules that power it. From the small budget Zato Connect to the Atomos Connect for Ninja V/V+ and the Showgun Connect, Atomos Cloud Studio can now provide a wireless transmission workflow to enable productions of any budget to live in the Cloud from camera to picture lock. Atomos Cloud Studio works in concert with Atomos Stream (for live streaming) and Atomos Capture to Cloud, to create camera-to-cloud workflows within the Atomos ecosystem. Through all three Connect modules, Cloud Studio can link any compatible camera, smartphone, or other device
The post Atomos Cloud Studio Goes Live, Connect Ships first appeared on 4K Shooters.
A recent update to DaVinci Resolve and their Pocket series added the ability to use the in-camera gyro information to stabilize the footage in post. This is similar to what we saw with some Sony cinema cameras over the past couple of years. The promise of post stabilization with gyro data is that it can be incredibly effective and natural-looking. Considering this is the first time we have seen this from Blackmagic there are some questions about just how good it can be. Filmmaker michael tobin jumped right into testing this feature and put together a video showing off the
The post Is Gyro Stabilization in Resolve 18 Good Enough? first appeared on 4K Shooters.
There are so many cinema cameras out today. Fortunately, you can’t really go wrong with any of them whether that means a pocket camera for independent shooters or a full-fledged model ready for the highest budgets. In the sweet spot for owner-operators are a new selection with a range of different specs and configurations and we are looking at three today: the Sony FX9, RED KOMODO, and Blackmagic URSA Mini Pro G2. All of these cameras are very capable but they each have their own perks and drawbacks. Gear Focus takes a look at each to help determine which option
The post Sony FX9 vs RED KOMODO vs URSA Mini Pro G2 – Which One is Right for You first appeared on 4K Shooters.
Flying a drone is a lot of fun, and there’s no denying the great footage you can get with one. From smooth and buttery tracking shots to orbiting shots, or even following a subject from a bird’s eye view, drone footage can really add production value. But when just starting out with a new drone, there are a lot of mistakes that novice pilots make that could cause lackluster footage, losing the drone in a crash, or even hurt yourself or others. Here’s a list of the most common mistakes just starting out, according to YouTube Aerial Cinematographers Jeven Dovey
The post 30 Drone Mistakes New Drone Pilots Make When Shooting Video first appeared on 4K Shooters.
Video monitors are essential accessories. What good is your footage if you can’t get a nice look at it while you are recording? Nowadays you can supplement your production by getting a monitor that also records video in a nice edit-ready format that might even be better than your camera’s built-in features. There there is the option to pick up a wireless video transmitter that can eliminate some wires or get a view from a camera that simply isn’t in an easy-to-see location. You can also just get all three of these features in a single device. Filmmaker Chris Brockhurst
The post Vaxis Atom A5 Wireless HDMI Monitor That Also Records Video first appeared on 4K Shooters.
When you first start a project in DaVinci Resolve you usually drop in some footage and (unless your computer is severely underpowered) you will see smooth playback. Unfortunately that doesn’t always last. Once you start adding some effects, titles, color grading, and especially with Fusion, that once-smooth performance starts to falter. Getting smooth playback is essential to a fast and efficient editing experience. You can upgrade your computer hardware, but that’s an expensive option. Or, using this tutorial from JayAreTV, you could learn more about how to work with caching to improve performance without spending anything. When designed correctly and
The post Getting Silky Smooth Playback and Effects in Resolve 18 first appeared on 4K Shooters.
DJI has expanded support for the RC remote control to now include the Mavic 3 Drone. Released in November, the Mavic 3 Drone has been limited to either the more expensive RC Pro remote in the Cinema Kit (after $5,000) or simply by controlling with a smartphone. Sure there was the RC-N1 as an option. but DJI has since discontinued it. That left few options for Mavic 3 flyers until now. DJI originally packaged the RC remote with the Mini 3 Pro drone, but by expanding the drone models it can support, the company can offer it as an affordable
The post DJI Opens Up RC Remote Support for Mavic 3 first appeared on 4K Shooters.
Seeking to fill the niche of a more affordable wireless video transmission tool for indy filmmakers, Teradek has released the Bolt 4K LT HDMI wireless video system. Designed for cameras that have HDMI-only connections for data transmission, the Bolt 4K LT HDMI has a price point that makes it very affordable for filmmakers who aren’t using a more complex SDI setup. Keeping the basic functions of the original 4K LT, the Bolt 4K LT HDMI has zero-latency transmission of uncompressed high definition video to a distance of up to 750 feet (228mm) and can also transmit 4K30p in 10-bit 4:2:2
The post Teradek Bolt 4K LT HDMI Released first appeared on 4K Shooters.
It seemed to have appeared and vanished in the blink of an eye, but did you know that AJA created a full-fledged cinema camera called the CION? Feeling similar in style and coming around the same time to when Blackmagic started fully diving into the camera world – which was probably part of the problem for AJA – the CION was a well-spec’d 4K-shooting full-size camera that looked exciting at the time. So what happened to it? Frame Voyager has been creating a series on abandoned cinema cameras and they took a look at the AJA CION in their latest
The post What Happened to the AJA CION 4K? first appeared on 4K Shooters.
If rumors can be believed, Canon is poised to announce new, upgraded models to their Cinema EOS line of cinema cameras. Included in the new designs will be the long-awaited C200 Mk. II, and a follow-up full-frame Cinema EOS C700FF Mk. II. C200 Mk. II In what amounts to a kind of technological transfer, the C 200 Mk. II is believed to have the same image sensor as the C300 Mk. II captures the same frame rates and resolution as the C300 Mk. II, and sports the same connection ports. The C200 Mk. II will also be able to take
The post Canon Rumored to Announce New Cinema EOS Models first appeared on 4K Shooters.
Venus Optics has released another new Laowa lens for full-frame sensor cameras. This time, it’s a compact, yet wide Constant Aperture Zoom. The lens offers an ultra-wide 84°-121.9° field of view, with a minimum focusing distance of just under six inches (15cm). Made of 15 elements in 11 groups, including 2 aspherical elements and 3 ED elements, the 12-24mm constant F5.6 aperture zoom offers a 5-bladed iris, which creates 10-point Sunstar bokeh. With a constant aperture of f5.6 iris, the lens maintains a consistent lens speed up and down the focal length, giving photographers one less thing to manage when
The post Another New Laowa Lens by Venus Optics Hits the Market first appeared on 4K Shooters.
Nikon has announced a firmware update for their flagship Z9 full-frame FX format mirrorless camera. Through version 2.10, the Nikon Z9 is getting a new flicker reduction feature, plus some improvements in autofocus performance. The Nikon Z9, the company’s flagship full-frame mirrorless camera, was recently given the capability of capturing 8K60p Raw video from its 45mp Expeed 7 FX-format image sensor through the Firmware 2.0 update. The 12-bit N-Raw video codec images through a unique codec algorithm called TikoRaw, which is able to store vast amounts of image data in smaller file sizes. The Z9 will be capable of capturing
The post Nikon Releases New Firmware for Z9 with Flicker Reduction first appeared on 4K Shooters.
Guys, this is just a quick heads up that the Ultimate Resolve Course Bundle part of this year’s 4th of July Sale by Alex Jordan and his team at LearnColorGrading.com and Filmsimplified.com is almost gone, so this is your last chance to enroll and save whopping $600+ right off the bat. To recap, the 4th of July Bundle is packed with the latest versions of Alex Jordan’s most popular courses including DaVinci Resolve Grading & Editing Courses, Fairlight – Simplified, Fusion – Simplified, Cut – Simplified alongside Vivid Pro LUTs pack that provides more than 200 Stylistic LUTs at a hefty discount
The post The Ultimate Resolve 18 Course Bundle Sale Wraps Up in Less Than 24 Hours first appeared on 4K Shooters.
Streaming giant Netflix has put out a behind-the-scenes video on YouTube, which gives users a peek behind the curtain of their Camera Lab and how it is used to calculate the scores for its official Approved Camera List. This list outlines the minimum specs required for a camera to be considered approved for Netflix Original Productions. Netflix has been maintaining the Approved Camera list since almost the very beginning of offering original content on their streaming service. But the question remains, why does Netflix even bother to maintain such a list? Well, it turns out that the approved list is
The post Netflix Gives a Peek Behind How It Creates Its Approved Camera List … Sort of. first appeared on 4K Shooters.
Blackmagic Design has been rolling out incremental improvements to its flagship post-production suite DaVinci Resolve for years now. This just released software update is no exception. The latest DaVinci Resolve 18 Public Beta 6 adds support for Blackmagic RAW 2.6 as well as support for the ARRI Alexa 35 camera. In addition, it improves gyro strength adjustment and aliasing behaviour of stabilized clips, provides better cached clip playback stability and elastic wave retiming performance. Resolve 18 Key Features Blackmagic Cloud to host and manage cloud-based project libraries. Collaborate securely over the internet using Blackmagic ID. Upload and review on Presentations
The post You Can Now Download DaVinci Resolve 18 Public Beta 6 first appeared on 4K Shooters.
As announced back at the beginning of June, Panasonic has released today firmware version 2.0 for their latest flagship GH6 Micro Four-Thirds camera. The update opens up support for the Atomos Ninja V and V+ external monitor recorders and will capture 5.8K 30p 3:2 ProRes externally. In addition, it enables capture of 5.7K 17:9 at up to 59.94 fps and C4K at up to 119.88 fps. The camera will also record ProRes 422 and 422HQ internally for both 4K and 1080p. Since its launch earlier this year, the Panasonic GH6 has been a popular upgrade for M4/3 shooters looking to
The post Panasonic Rolls Out GH6 Firmware Version 2.0 first appeared on 4K Shooters.
Joining the wireless microphone war dominated by both RODE and DJI, Chinese professional video manufacturer Shenzhen Hollyland Ltd. has announced a new two-person wireless recording system called the Lark M1. The Lark M1 omnidirectional microphones record 16-bit audio at 48Hz, making them ideal for video production, outdoor shooting, live streaming, vlogging, interviews, and even podcasting. Since its inception in 2013, Shenzhen Hollyland Ltd. has focused its attention on designing quality wireless audio and video transmission solutions. Their products are focused chiefly on filmmaking, video production, live streaming and events, broadcast media, houses of worship, and providing rental houses with a
The post Hollyland Introduces Wireless Video Microphones first appeared on 4K Shooters.
Video gear accessory company SmallRig has been real busy of late, announcing a series of new video production tools that includes a flexible vlogging tripod with wireless remote control, video handgrips for DJI RS Series gimbals, a wireless microphone, and other miscellaneous tools. The VK-19 Flexible Vlog Tripod Kit comes in three different variations and is based on an award-winning Red Dot design. The kit comes with flexible legs to wrap around rods larger than 1” in diameter and can also be used in a selfie configuration much like Joby’s iconic design. It has a load capacity of 4.4 pounds.
The post SmallRig Releases New Vlogging Tripod Plus Smaller V-Mount Batteries first appeared on 4K Shooters.
Even a camera better optimized for video production could use some help getting rigged up. Compact options need a bit more help. Today we are checking out the Canon EOS R5 C which, thanks to a design based on a mirrorless camera, could use some extra bits and pieces to make the shooting experience a bit more streamlined. The rig showed off by cammackey revolves around SmallRig components and making sure that the entire setup remains compact and easy to maneuver. You can even pick and choose how far you want to take it on any given day to get
The post Rigging Up the Canon R5 C for Shooting Video first appeared on 4K Shooters.
If you’re a fan of Disney’s Star Wars series “The Mandalorian,” you are no doubt familiar with the technology known as “The Volume.” This is Disney’s soundstage size virtual stage, which projects an 8K LED image from the Helios virtual system, which replaces greenscreen with an actual image that provides a sense of Parallax, as well as realistic lighting for the actors to react to. It’s truly groundbreaking. But it is also very expensive. For more independent projects, AXIBO has created a slider that interfaces with Unreal Engine to move the camera and slider it virtually within the scene. The
The post Axibo Motion Control Slider Works with Unreal Engine in Virtual Space first appeared on 4K Shooters.
Since ARRI launched the ALEXA 35 with its new 24V B Mount battery system, the company hopes that 24V power will become an adopted standard. Anton/Bauer looks to be on board with that notion through the announcement of the DIONIC 26V B-Mount batteries. Developed in cooperation with ARRI, the new DIONIC 26V B Mount battery can offer up to 240 watts of reliable and efficient power. The batteries come in both 98-watt hour and 240-watt hour batteries, and Anton Bauer has designed a quad charger to recharge up to four batteries simultaneously. They’ve also built a series of mounting plates
The post Anton Bauer Announces B-Mount Dionic Battery for ARRI ALEXA 35 first appeared on 4K Shooters.
DJI moves quick. Even with a gimbal lineup that is considered among the best around they still pushed out some notable updates with the launch of the RS 3 and RS 3 Pro. Replacing the RSC 2 and RS 2, respectively, they have some big shoes to fill. So let’s take a look at what changed and how they all compare to one another. Filmmaker Dan Watson put together his own test and he is a great person to look at for this because he has been using the last-generation gimbals since they came out. With the 3 series in
The post DJI RS 3 vs RS 3 Pro vs RSC 2 vs RS 2 Gimbal Comparison first appeared on 4K Shooters.
Happy 4th of July, everyone! Traditionally for the holiday, seasoned colorist Alex Jordan and his team at LearnColorGrading and FilmSimplified are offering the Ultimate Resolve Course Bundle packed with a dozen of in-depth color grading and video editing courses with a massive 85% discount. In the next three days only, the exclusive 4th of July Bundle gives you a unique chance to save more than $600 right off the bat. So, if you are one of those creative professionals who want to take their video editing and color grading expertise in DaVinci Resolve to the next level, this is your
The post The Ultimate Resolve 18 Course Bundle by Alex Jordan is Now On Sale! Get 85% OFF first appeared on 4K Shooters.
It’s never the gear that makes the movie. Right? Maybe a little? In many ways, this conversation revolves around shooters picking up cameras or gear that at the end of the day is somewhat equivalent with things like what brand you choose not making a huge difference to results. But, what if you took this idea to the extreme? Parker Walbeck’s crew at Full Time Filmmaker did that by handing a $50,000 RED V-RAPTOR 8K VV and production kit to an enthusiast and leaving the pro filmmaker with just an iPhone 13. You can’t get too much wider of a
The post Enthusiast with $50,000 RED vs Pro Filmmaker with iPhone 13 first appeared on 4K Shooters.
Filmmaking doesn’t have to be expensive. Well, not all of it at least. Cameras and lenses and all that fun stuff will likely take up much of your budget (you should see my wish list), but its the small and inexpensive stuff that will do a lot more to make your life easier. There are also some everyday objects that can serve a role on set or even be an alternative for pricier accessories that are “designed” for filmmaking. If you want to find out about a few dirt-cheap filmmaking items this quick video from Luc Forsyth has six that
The post 6 Dirt-Cheap Filmmaking Items Under $20 first appeared on 4K Shooters.
If you are shooting video you should pick up a monitor. It’s basically an essential purchase and nowadays if you opt for a monitor/recorder combo you can unlock raw video with some of the latest mirrorless cameras. For that there are only two companies you should be looking at: Atomos and Blackmagic. Atomos shook things up when ProRes RAW and Ninja V came out and tons of cameras started supporting it. Then Blackmagic with the Video Assist made Blackmagic RAW an option. Some cameras even support both, like the FUJIFILM X-H2S. Josh Cameron wants to help you pick the best
The post Blackmagic Video Assist vs Atomos Ninja V – Which One is Right for You? first appeared on 4K Shooters.
A lot of color grading work in DaVinci Resolve is going to be somewhat creative. But, before you can properly apply those fun LUTs or create a brand-new look you will want to make sure your baseline is properly set up. Part of that is going to be nailing the white balance. If your core colors are off the rest of the chain isn’t going to give you the results you want. Make sure you are nailing white balance with minimal effort by following this quick tutorial put together by Donovan Anderson. It’ll work with footage that looks quite off
The post Easy Trick to Correct White Balance in Resolve 18 first appeared on 4K Shooters.
There’s a new light company making a splash in the cinema tech industry with a brand new COB Spot that promises to offer super durable performance with “best-in-class” LEX output. The Kelvin Epos 300 by Rift Labs is a brand new chip-on-board (COB) 300 W full RGB light that the company says is its first foray into the lighting space. “For the past decade, we have been on the mission to create a light that has it all,” Kelvin says. “Obviously, perfection is subjective but we are convinced that we came pretty close, especially regarding technical features and long-lasting quality.”
The post Rift Labs Dives into Set Lighting with 300W RGB LED Spot first appeared on 4K Shooters.
DZOFilm’s new Marlin 1.6x Expander is sure to be a valuable tool for camera operators looking to utilize their Super 35 prime lenses on larger format camera platforms. With a 1.6x expansion, the Marlin expander increased not only the focal length field of view of lenses but also the effective image area so that the sensor doesn’t capture vignetting of the scene being recorded. The Marlin 1.6x Expander allows filmmakers who own Super35 cinema lenses to adapt them to full-frame and Vista Vision cameras like the ARRI ALEXA LF or RED Raptor V cinema cameras. This could also mean that
The post DZOFilm Announces Super 35 to Larger Frame 1.6x Expander first appeared on 4K Shooters.
B&H Fourth of July sale is going on fast and furious, and for those looking to pick up an Atomos Ninja V or Ninja V+ now’s the time. Through the end of the 4th of July, content creators can save up to $600, on Atomos’ most popular external monitor recorder. So if you missed the last sale in May, fear not, B&H has your back. The annual B&H Fourth of July sale is offering some brilliant bargains on the everyday technology and tools that content creators rely on, and there’s no better time short of Black Friday to upgrade to
The post Atomos Ninja V and Ninja V+ On Sale at B&H first appeared on 4K Shooters.
It’s only just been announced and some filmmakers are already brainstorming ways to get rigged up with the DJI RS 3 Pro. One of the lucky ones to get their hands on the new gimbal at launch is Michael Tobin who has a nice setup based around his Blackmagic Pocket 6K Pro. This setup makes use of a few accessories, including the new DJI LiDAR Range Finder. Importantly, this specific rig feels and looks quite simple, which should make it a great place to start as you look for ideas on how to build something that works perfectly for you.
The post Pocket 6K Pro Rig with the DJI RS 3 Pro first appeared on 4K Shooters.
Synology has announced a new desktop-sized NAS, network-attached storage. This 5 Bay Synology DS1522+ Diskstation is designed to sit on or underneath a desk, and although it has a relatively small form factor, can be upgraded to house up to 15 hard drives for backup. The DS1522+ NAS also supports NVMe SSD caching and 10GbE networking. Synology has been a fast-growing leader in network-attached storage over the last few years and has grown in popularity due to its unique backup strategy. Its NAS designs connect directly to the internet of the network through a 10 GB ethernet connection, and all
The post There’s a New 5 Bay NAS from Synology for Content Creators first appeared on 4K Shooters.
Meike has announced a new and affordable 50mm F0.95 APS-C Prime lens for mirrorless cameras. The lens has a 35mm equivalent field of view of 80mm and is fully manual. Popularly nicknamed the “Nifty Fifty” by photographers, 50mm F.095 is super fast and offers an exceptionally shallow depth of field. The lens has a minimum focusing distance of 1.48 feet (.45 meters). Constructed of several elements in five groups, the 50mm F0.95 APS-C Prime has a 13-bladed aperture for nice, circular bokeh that has a swirling background pattern to interest the viewer. The lens has an aperture range of F/.095
The post Meike Announces 50mm F0.95 APS-C Prime first appeared on 4K Shooters.
Blackmagic has released Video Assist 12G Firmware 3.7 update, which adds new HDR features including Raw Recording for the Fujifilm X-H2s and some adjustable white balance options for the Panasonic GH5 and S1H. Much like other external monitor recorders, the Blackmagic Video Assist 12G 5” and 7” external recorders are capable of recording ultra high definition video 4K video in 10-bit HDR 4:2:2 ProRes, Blackmagic RAW, and DNxHD Encoding. As the name suggests, Video Assist 12G connects via 12G SDI or HDMI ports which can then send full-resolution video from the camera to the recorder. With a 2500 NIT/cd/m² 1080p
The post Blackmagic Design Releases Video Assist Firmware 3.7 and BRAW 2.6 Update first appeared on 4K Shooters.
Nanlite has recently announced the Forza 150B Bi-Color LED Spotlight. The chip on board (COB) led light is coming in hot with a compact form factor and an adjustable correlated color temperature range (CCT) of 2700-6500K. “Every NANLITE product has been developed with professionals in mind,” says NANLITE Managing Director Nancy Zheng, “The Forza 150B is no exception. The ultimate goal is always to make life easier for them with every new product joining our expanding lineups.” The Forza 150B is a bi-color light, meaning that it can be adjusted between both tungsten balanced and daylight balanced modes. The light
The post Nanlite Announces New Forza 150B Bi Color COB LED Spotlight first appeared on 4K Shooters.
Rotolight has published a new firmware update for the Neo 3 and Aeos 2 LED Video Lights, which offers numerous new features including a maximum/constant lux mode, fan control, and Cine effects enhancements for greater control over lighting effects. The update also provides for a new touchscreen lock function, to keep settings from being accidentally changed. These features can be found in the settings menu on the LCD screen at the back of the light. The features of version 1.2 break down as follows: Fan Control. This provides different functions for operating the cooling fan on both the Neo 3
The post Rotolight Rolls Out Firmware 1.2 Update for NEO 3 and AEOS 2 Lights first appeared on 4K Shooters.
Nikon has announced a new APS-C-sized mirrorless camera, known as the Z30. The DX-format Z30 is the smallest and lightest camera Nikon has ever made, and the company says it is designed for video content creators, vloggers, and for live streaming. The Z30 has a 20.9MP DX-Format CMOS Sensor and is capable of capturing 4K video at up to 30 frames per second, 1080p at up to 120 fps or live streaming in 60p. The DX format is Nikon’s flavor of APS-C image sensors, with a smaller dimension of 24x16mm. The sensor is designed to support DX Nikkor lenses, instead
The post Nikon Introduces Z30 Mirrorless Camera and 400mm Z Mount Lens first appeared on 4K Shooters.