Psyop Cinema: Recent Episodes
Thomas Millary
Psyop Cinema is a podcast about the film industry and its intimate connections to mass manipulation, conspiracy, and the occult. Hosts Thomas Millary and Brett Carollo explore film from a deep politics perspective, demonstrating how the artistry of cinema combines with psychological and technological knowledge to engineer culture in subtle (and sometimes not-so-subtle) ways— making each of us the subject of the greatest mind control experiment in history.
Musician and musicologist Dr. Hans Utter joins Brett to discuss Oliver Stone’s 1991 musical biopic The Doors, a “trip movie” that is the first full-on showcase of Stone’s signature frenetic-psychedelic style which helped define the media zeitgeist of the 1990s. During the production, we reveal, Stone and his companions conducted countless New Age rituals, peyote ceremonies, and magical workings, and they expressly designed the film itself to function as a neo-shamanic ritual, imbuing its audience with his “Nietzschean” brand of countercultural spirituality via the myth of Jim Morrison. Much of our analysis focuses on Stone’s surprisingly open embrace of “the dark side of the 60s,” including the infernal symbols and ceremonies of witchcraft and Satanism. We compare Stone’s portrayal of Morrison, as the embodiment of Dionysus, with the prefabricated archetype of the rock star as the incarnation of Lucifer/Satan. The conversation also revisits Dave McGowan’s Laurel Canyon thesis regarding the military and intelligence backgrounds of the Laurel Canyon scene that created the counterculture, since Stone directly references Morrison’s elite military background in the film, but in a way that misdirects the audience from “culture conspiracy.” Brett and Hans touch on the 27 Club, the cult of the artist, and many other related topics besides.
A lengthy addendum from Thomas speaks to subjects including Morrison and Stone's disturbing shared Oedipus complex, how The Doors film exemplifies Timothy Leary's idea of reprogramming the brain via psychedelic chaos, and how the movie represents a sinister turning point in Stone's filmography, marked by the start of the enigmatic Richard Rutowski's influence upon Stone.
CORRECTIONS: The reference to Meg Tilly is meant to be to Jennifer Tilly. The reference to Warhol's "Gallery" is meant to be to his Factory
Hans's podcast https://open.spotify.com/show/1mlCW7CCQ2rfSavOImbkiA?si=9b5932d833e24398
https://www.patreon.com/DrHansUtter
https://x.com/Resonantstate
https://hansutter.com/
If you enjoy Psyop Cinema, check out the research anthology series that we edit, Cultural Engineering Studies. Volume #3 is out now and features Hans's groundbreaking essay on the role of FM radio in the counterculture psyop. Use code psyopcinema for a 25% discount on any order of CES - https://decoding-culture.com/print-copies/
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Steven Delay returns to our Surveillance Cinema series for a discussion of Sydney Pollack's 1993 legal thriller The Firm, starring Tom Cruise. We first spend some time on Pollack's background, including his established Mossad connections and the themes of his 1975 paranoid spy thriller Three Days of the Condor, which had significant CIA involvement in its production. The Firm turns out to be largely a misdirection op, depicting a white shoe law firm as running interference for the mafia (a favorite Hollywood scapegoat) rather than for the deep state. We also talk about themes of demoralization, subversion of traditional social values, and the movie's significant Masonic/occult symbolism.
This conversation was recorded in April but personal circumstances took us away from the podcast for a couple months.
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If you enjoy Psyop Cinema, check out the research anthology series Cultural Engineering Studies. Volume #3 (on Hollywood Neo-Gnosticism) is out now! Volumes #1 and #2 feature Steven's essays on Chinatown. Use code psyopcinema for a discount - https://decoding-culture.com/print-copies/
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After many requests for this analysis, Thomas is joined by Travis Mateer to cover Eddington, Ari Aster's 2025 neo-Western political satire and early-Covid period piece. We break down the film's portrayal of technology, social media, conspiracy theories, Covid, Wokeness, and data collection, situating its messaging within the context of the cultural transitions and inter-elite warfare of the last half decade. While many have called the film meta-political or omni-political, comments from Aster and a careful reading of Eddington reveal the clear ideological agenda of this very sophisticated psyop. To further understand Aster's worldview, we also explore Beau Is Afraid, his incredibly unpleasant 2023 epic surrealistic horror tragicomedy, which gives fascinating insights into some of the ethnic and religious roots of Hollywood's fixation on the archetype of the devouring mother. Finally, we discuss Bugonia, Yorgos Lanthimos' 2025 dark comedy thriller, which similarly to Eddington, is a film that pretends to take conspiratorial concerns seriously while bolstering the same old elite ideologies.
Travis's blog - https://zoomchron.com/
If you enjoy Psyop Cinema, check out the research anthology series Cultural Engineering Studies. Volume #3 (on Hollywood Neo-Gnosticism) is out now! Use code psyopcinema for a discount - https://decoding-culture.com/print-copies/
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After his hyper-sus digression of Talk Radio (1988), we return to the thematic focus that defined this era of Olive Stone's career. He continues to explore the ghosts of the 1960s with Born on the Fourth of July, his 1989 anti-war drama starring Tom Cruise. We keep analyzing Stone's treatments of religion, sexuality, war, and masculinity, go over some sus production credits, and talk about how this film sets the stage for his even more extensive interaction with the counterculture psyop in 1991's The Doors.
If you enjoy Psyop Cinema, check out the research anthology series Cultural Engineering Studies. Volume #3 (on Hollywood Neo-Gnosticism) is out now! Please also take advantage of limited time discounts on volumes #1 and #2, with an even bigger discount if you bundle all three volumes - https://decoding-culture.com/print-copies/
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A preview clip from Brett's recent deep dive into the 1954 film Suddenly, starring Frank Sinatra as a mob hitman hired to assassinate a US president. The full Patreon-exclusive episode is a supplement to both our Joker Cycle series and our recent episode on The Manchurian Candidate.
Brett uncovers the source of the legend that Lee Harvey Oswald viewed the film a month before the JFK assassination, exposing how that legend has been deliberately amplified by intelligence assets and professional psyop’ers with a view toward bolstering the lone gunman theory. According to another legend, Sinatra had the film pulled out of circulation after the assassination—a carbon copy of a popular legend about The Manchurian Candidate. Brett explains how these legends have been used to apply a soft version of the “copycat” thesis to Oswald, as well as how the film’s portrayal of the psychopathic assassin instantiates an early form of the profile, popularized in later films like Taxi Driver. Media depictions of the profile, as explained here and throughout the Joker Cycle series, function not only to explain away assassinations and other deep states crimes but, via the dynamics of cybernetic feedback loops, to engineer the very psychopathological behaviors depicted.
For the full episode -
https://www.patreon.com/PsyopCinema
If you enjoy Psyop Cinema, check out the research anthology series Cultural Engineering Studies. Volume #3 (on Hollywood Neo-Gnosticism) is out now! Please also take advantage of limited time discounts on volumes #1 and #2, with an even bigger discount if you bundle all three volumes - https://decoding-culture.com/print-copies/
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Returning to True Detective, Thomas is joined by Jamie Hanshaw Dyer to analyze the controversial fourth season, Night Country, which takes a much less subtle approach in its psy-op messaging than any previous season. They describe its occult feminist inversions of the first season and how Night Country promotes the dissolution of both familial and metaphysical order. Thomas also gives his updated thoughts on the positive and negative aspects of the series as a whole and speculates about the original intentions behind it.
Use the code truedetective26 for a limited time 30% discount on the Decoding Culture Foundation website if you want to buy volumes #1 and #2 of the research anthology Cultural Engineering Studies (issue #3 available soon, on Hollywood Neo-Gnosticism) -
https://decoding-culture.com/buy-print-issue-1/
https://decoding-culture.com/ces-issue-2/
Jamie's YouTube channel - https://www.youtube.com/@jamiehanshaw4378
Jamie and Jay's books - https://jaysanalysis.com/shop/
Spiral symbol on a mask at Ghislaine Maxwell's house - https://www.reddit.com/r/conspiracy/comments/cd7zu4/pedo_symbols_on_artwork_in_ghislaine_maxwells/
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Brett and Thomas are joined by Jason McGinty, author of The Unsung Substack, for a discussion of both Clint Eastwood's 1976 film The Outlaw Josey Wales and Eastwood's broader persona. We talk about the movie's use of the Lost Cause narrative about the Civil War, with Jason providing his expertise on the historical backdrop of the film, the war between the Jayhawker and Bushwhacker guerilla factions in Kansas and Missouri. With references to many Eastwood films and other aspects of his life and career, we make the case that the rugged individualism of his action movies was largely a Trojan horse, a masculine guise used to subvert the social order and accelerate the dissolution of the family.
https://jasonmcginty.substack.com/
Use the code psyopcinema for a limited time 30% discount on the Decoding Culture Foundation website if you want to buy issue's #1 and #2 of the research anthology Cultural Engineering Studies (issue #3 available soon, on Hollywood Neo-Gnosticism) -
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https://decoding-culture.com/ces-issue-2/
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In the second installment of our Surveillance Cinema series, we are joined by citizen journalist Travis Mateer for a discussion of Sneakers, a 1992 comedy heist thriller, directed by Phil Alden Robinson and starring Robert Redford and Ben Kingsley. Among the most conspiratorially significant films of all time, Sneakers is an overt vehicle for globalist views on information warfare, filled with limited hangouts, misdirection, and predictive programming. We get into the sus background of the director, writers, and much of the cast, also analyzing related films, such as Blindfold (1966), WarGames (1983), and Volunteers (1985).
Travis's blog - https://zoomchron.com/
If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/print-copies/ - https://decoding-culture.com/publication/ - https://decoding-culture.com/
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A couple preview clips from our recent Patreon-exclusive in-depth analysis of Ridley Scott's 1985 film Legend. The full-length discussion continues our research into 1980s MK-fantasy films, with Brett previously having offered comprehensive looks at Labyrinth and Return to Oz here on the Patreon and us having discussed the animated LOTR films and The Last Unicorn with Carrie Olaje on the main feed. In the full episode we talk about Ridley's career and the ultra-sus Scott family, the film's occult metaphysics, revelation of the method, programming tropes, and "marriage to Satan" theme. Thomas also discusses the thematic relevance of Robert Eggers' The Witch and Scott's later movies Prometheus and Alien: Covenant.
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If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/print-copies/ - https://decoding-culture.com/publication/ - https://decoding-culture.com/
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Continuing our Oliver Stone series, we analyze the psy-ops within his 1988 film Talk Radio. Starring and co-written by Eric Bogossian, this film is strangely out of place in this era of Stone's filmography, and we discuss why Stone was led to direct such an unusually impersonal film. Based in large part on the career and assassination of liberal shock jock Alan Berg, the film gives us occasion to look at cultural engineering campaigns related to fears of right-wing extremism and anti-semitism. To that end, we also take close looks at the 1988 film Betrayed (directed by Costa-Gavras) and the 2024 film The Order (directed by Justin Kurzel), two other movies that showcase distorted depictions of the events surrounding Berg's murder. Finally, Brett also explains the relevance of Reversal of Fortune and Iron Maze, two other joint production credits for Oliver Stone and Edward Pressman (also a producer of Talk Radio, along with Wall Street and Blue Steel).
If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/
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Brett and Thomas have William Ramsey on to discuss The Manchurian Candidate, one of the most iconic cinematic depictions of mind control. We analyze the movie's abundant revelation of the method and misdirection. Other topics of discussion include the deep political context behind this film and similar movies and the strangeness surrounding the JFK assassination and other key events from that time period.
NOTE: To spell out the family and social connections from one portion of our discussion, Ruth Paine (born Ruth Hyde) was married to Michael Paine, whose mother was Ruth Forbes Young. Ruth Forbes Young's first marriage was to Michael's father, Lyman Paine, before her second marriage to Arthur M. Young, an inventor and proto-New Age process philosopher. It was Ruth Forbes Young who was a close friend of Mary Bancroft. Ruth Forbes Young was a world federalist and also a great-granddaughter of Ralph Waldo Emerson. Aside from the Bancroft connection, the most interesting thing about Ruth Paine's mother-in-law and her second husband is that Ruth Forbes Young and Arthur Young participated in the Council of Nine channeling seances held by military/intelligence-connected parapsychologist Andrija Puharich.
https://www.williamramseyinvestigates.com/
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With Wall Street (1987), Oliver Stone continues both his search for the figure of the "good father" and his consideration of the legacy of 1960s idealism, this time through a critique of 1980s economic greed. We discuss those themes and how the movie is largely a limited hangout, with Gordon Gekko functioning as a fall guy for the true money power. Finally, we note a surprising amount of 9/11 predictive programming in the film.
If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/
CORRECTION: The title of Eric Kaufmann's book is The Rise and Fall of Anglo-America
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Thomas and Steven return to True Detective, analyzing season 3, where the series goes full psyop. Despite the positive and ambiguous qualities of the first two seasons, this one is filled with MK-culture tropes, featuring a narrative that blends mind control subtext with anti-conspiratorial misdirection and audience disorientation. They also discuss the philosophical statement concerning identity implicit within the season's depiction of non-linear temporality and memory loss.
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This Present World: Aphorisms for Knowing God
https://www.amazon.com/This-Present-World-Aphorisms-Knowing/dp/B0FK2YN5NG/
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A section analyzing David Bowie, from the 15th installment of Brett's Patreon-exclusive series on Monarch films. Full description of the episode below, along with our Patreon link, if you're interested in the full episode.
In this 15th installment in the Monarch series, Brett delves into the Jim Henson-directed children’s film Labyrinth (1986)—a film so saturated with Monarch content that it serves as a paradigm of Monarch cinema in general. The episode opens with a close look at the career of Monarch superstar Jennifer Connelly, including two other full-on Monarch films she starred in during the 1980s: Phenomena (1985) and Ballet (1989). Additionally, Brett examines the occult career of David Bowie (who plays the Goblin King in Labyrinth); he discusses Jim Henson’s collaborations with the federal government (including the CIA-linked United States Information Agency), as well as reexamining Henson’s sudden death at age 53; and he uncovers some stunning revelations by an entertainment industry insider and professed victim of Monarch abuse that relate to the plot of the film. Fritz Springmeier and Cisco Wheeler devote an entire section of their Illuminati Formula book to this film, and Brett combs over their analysis, while drawing some wider conclusions about the function of Labyrinth and other 1980s Monarch films geared toward children.
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If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/
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Continuing our Oliver Stone series, we turn to Platoon (1986), the film that established Stone as a superstar director and inaugurated the most celebrated phase of his career, revolving around the ghosts of the 1960s. Brett discusses the reception of Platoon in terms of the cultural politics of New Hollywood and of the Reagan era, and he considers the real reasons for the emergence of the Vietnam film at this time. He also takes a closer look at Hemdale, the sus production company behind this and Stone’s previous effort, and he offers some personal reflections on the film’s legacy. Thomas discusses the neo-shamanic, countercultural spirituality invested in the Willem Dafoe character and offers an analysis of the “two fathers” theme that would come to define Stone’s work.
If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/
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In his latest appearance on William Ramsey Investigates, Brett discusses Part 2 of his Hollywood-NASA research report, which appeared this June in the second issue of Cultural Engineering Studies. After giving an overview of his groundbreaking research on the topic, Brett supports his conclusion that NASA’s partnership with the entertainment industry has always been a globalist cultural engineering operation. William and Brett also talk about Arthur C. Clarke’s central role in coordinating NASA support for the production of Kubrick’s 2001, and Brett reveals never-before-seen information from the Kubrick Archive in London, offering new insights into the Luciferian-transhumanist religiosity at the heart of the film. Finally, Brett touches on the disturbing trauma-based mind control subtexts of NASA-supported children’s films from the 1980s, including Flight of the Navigator, as well as NASA’s ongoing promotion of the moon hoax theory (in movies like the recent Fly Me to the Moon) as a form of psychological warfare.
https://decoding-culture.com/magazine-home/
https://www.williamramseyinvestigates.com/
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http://psyop-cinema.com/
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Steven DeLay joins Thomas for a conversation about the 2011 film Drive, directed by Nicolas Winding Refn and starring Ryan Gosling. Analyzing the subversive and psyop-heavy intentions behind the movie, they conclude that Drive retains some profoundly redemptive qualities despite those designs. Topics of discussion include Refn's outspoken allegiance to the cult of the divine feminine, the cultural significance of the film's music, and Drive's place within the history of neo-noir.
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https://decoding-culture.com/cultural-engineering-studies-issue-2/
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Brett recently made an appearance on William Ramsey Investigates with top Hollywood-DC researcher and writer Matthew Alford to discuss the murder of deep state-connected Hollywood screenwriter Gary DeVore. Brett interviewed Alford about his 2016 book on the DeVore case—The Writer with No Hands—for the latest issue of Cultural Engineering Studies. The discussion on the show touches on Hollywood’s vast relationship to the federal government and the clandestine world more broadly, as well as the history and challenges of using FOIA (the Freedom of Information Act) to obtain documents from the government regarding its collaborations with the entertainment industry.
Note: The livestream of this conversation experienced some audio issues, such issues have been edited out as much as possible
https://drmattalford.substack.com/
https://www.youtube.com/@DrMatthewAlford
https://www.amazon.com/Writer-No-Hands-Pocket-sized/dp/1530649870/
https://www.williamramseyinvestigates.com/
https://decoding-culture.com/cultural-engineering-studies-issue-2/
https://decoding-culture.com/cultural-engineering-studies-issue-2/#interview-with-matthew-alford
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A discussion with Carrie Olaje, a survivor of ritual abuse and trauma-based mind control. Carrie provides names, dates, and locations, as she describes how she was primed from a young age for Monarch slavery, with a former Sergeant Major of the US Army as her handler. She and Brett talk about the nature and history of the cryptocratic cult, as well as the question of possible intentional disinfo within the testimony of certain Monarch survivors. Fantasy themes and imagery featured heavily within the mind control abuse Carrie underwent, so we analyze four strange animated fantasy films that she reports were used as tools by programmers. Thomas talks to Carrie about Rankin and Bass Studio's animated films The Hobbit (1977) and Return of the King (1980), as well as Ralph Bakshi's infamous The Lord of the Rings (1978), before Brett gives a detailed analysis of the Monarch film The Last Unicorn (1982). Thomas also provides some thoughts on the spiritual pitfalls of the fantasy genre, the psy-op function of different kinds of fantasy films, and the surprising ideological agenda behind these animated movies.
Carrie's YouTube channel - https://www.youtube.com/@carrieolaje
CORRECTION: In the discussion of the origins of the term "Monarch," the name of the person that Brett refers to as Mark Reynolds is actually Mark Phillips
If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/cultural-engineering-studies-issue-2/
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Brett, Thomas, and Steven have a comprehensive discussion of the 1998 Tony Scott film Enemy of the State, a movie with an underrated amount of conspiratorial significance. Scott is among the all-time best examples of intimate Hollywood/DC collaborations, and the film is the paradigmatic instance of predictive programming, for both 9/11 and the rise of the surveillance state. We have one of our most in-depth discussions of revelation of the method and cover how the movie functioned as a demoralization tool, both for the general public and potential whistleblowing insiders.
If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/
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Our long-awaited analysis of Joker: Folie à Deux, a film so sadistic that even mainstream critics noted its contempt for its audience. In one of the ultimate exercises in Hollywood hypocrisy, the movie seeks to reinforce the psy-op of the 2019 film while simultaneously morally condemning the audience for falling for that psy-op. We analyze the movie's demonological subtext and discuss how Folie à Deux is interestingly distinct from both standard Joker Cycle films and from overt Hollywood goddess worship.
The Joker Cycle -
https://im1776.com/prints/issue-3/the-joker-cycle/
If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/
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Brett and Thomas are joined by Sean McCann and Dr. Hans Utter for a deep dive into Angel Heart, a mystery horror movie released in 1987, directed by Alan Parker and starring Mickey Rourke and Robert De Niro. Set in New Orleans in 1955, the film is a Faustian tale about the disappearance of a singer named Johnny Favorite, giving us the chance to consider the occult origins of the modern music industry at length. A Satanic film about Satanic pacts, Angel Heart is filled with revelation of the method designed to disorient and destabilize its audience and contains abundant subtext about how the MK-entertainment industry creates IMSAs (Illuminati Mind Slave Artists). We also speak extensively about the nexus of voodoo, the occult, and modern styles of music.
https://onegreatworknetwork.com/sean-mccann
https://x.com/SeanWakeTheDead
Eyes Wide Open Hans Utter Investigates
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Returning from our unofficial hiatus, we continue our series on Oliver Stone. The early 1980s saw the release of a few films written by Stone that centered upon violent antiheroes. We talk about John Milius and his clash of visions with Stone over the approach to mysticism in 1982's Conan the Barbarian. Next, Scarface and The Year of the Dragon both unsuccessfully grasp toward Stone's political turn, while the much higher quality Salvador (1986) is the movie that truly brings Stone into his own as a filmmaker. Analyzing the insights and limitations of Salvador's critique of the CIA, we consider how its protagonist (journalist Richard Boyle, played by James Woods) reflects Stone's evolving approach to masculinity and to the legacy of the counterculture.
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If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/
CORRECTION: Tony's boss in Scarface was played by Robert Loggia, rather than Frank Langella
The first episode in an extended series about Oliver Stone. Despite Stone being known for political films that deal with recent American history, his first two directorial efforts are surprisingly strange horror movies. Our discussion of Seizure and The Hand takes us directly into analysis of Hollywood occult ideology about the power of the imagination. We also note how his screenplay for The Midnight Express provides a glimpse into the kind of social critique that characterizes much of his later work. While Stone displays insights and a sincerity that separate him from overtly manipulative directors like Nolan and Fincher, we note that his filmography contains several unsettling ambiguities and that his early career suggests some interactions with intelligence services.
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brett-psyopcinema@protonmail.com
CORRECTION: Jasun has informed us that he has not recommended the film 8 Million Ways to Die and does not share Brett's enjoyment of it
Sean McCann returns to Psyop Cinema to unveil the Fidelio Experiment—which, we are quite confident, is not only the state-of-the-art in occult Kubrick studies but the key to unlocking the final secrets of the cinematic master. Sean first takes us through his long investigative journey, including his previous milestone, “The Butterfly Net,” and explains how he finally cracked the Kubrick code. After applyingthe password to Eyes Wide Shut internally as well as to the bulk of Kubrick’s filmography, Sean and Brett then compare this grand unified theory against the information provided in Jasun Horsley’s The Kubrickon regarding Kubrick’s early relationships with the deep state and the core Thelemite circle in Hollywood. Finally, Brett highlights the almost completely ignored direct link between Kubrick and the Third Reich, revealing who “the Nazis” really were for Kubrick.
https://onegreatworknetwork.com/sean-mccann
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
The concluding episode of our series with Steven DeLay on the films of Terrence Malick. Thomas gives a speculative explanation for why Voyage of Time (2016) was so unwatchably bad. We have an extended discussion about the beautiful depiction of Christian martyrdom in Malick's 2019 film A Hidden Life, which portrays the life of Franz Jägerstätter, a conscientious objector under the Nazi regime. Brett (rejoining the Malick series for the first time since the initial three episodes) gives his opinion on some of the films that Thomas and Steven have analyzed in recent entries. Finally, we talk about our overall impression of Malick's work and career and give our picks for his best and worst films (in terms of both themes and craftsmanship).
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Joined by Luemas from Chant It Down Radio, we analyze the cult classic Donnie Darko. This 2001 film directed by Richard Kelly includes the involvement of plenty of sus Hollywood figures, including major Monarch actress Drew Barrymore. We talk about time travel mind control, sexual revolution propaganda, and the movie's countless other dark symbols and themes.
https://www.chantitdownradio.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas goes on William Ramsey Investigates to discuss his essay "A Digital State: Ukraine as Cultural Engineering Laboratory," written for issue #1 of Cultural Engineering Studies magazine. Thomas describes the dozens of music videos filmed in the last couple decades in Kiev by highly sus Western artists, which frequently feature occult and trauma-based mind control symbolism. They talk about the Ukrainian entertainment industry, the Zelensky government's Ministry of Digital Transformation, and Ukraine's function as a testing ground for the globalist technocratic agenda.
https://decoding-culture.com/
https://decoding-culture.com/a-digital-state/
https://decoding-culture.com/cultural-engineering-studies-issue-1/
https://decoding-culture.com/ces-issue-1-index/
https://www.williamramseyinvestigates.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
Brett goes on William Ramsey Investigates to discuss his essay "NASA and Hollywood: A DCF Research Report, Part 1," written for issue #1 of Cultural Engineering Studies magazine. As Director of Research Operations for the Decoding Culture Foundation, Brett has looked deeply into NASA's collaborations with Hollywood, through FOIA requests, archives, and direct communication with NASA's entertainment liaison. They discuss his findings and how they indicate that something more is at work in the Hollywood/DC relationship than simple national security state propaganda.
https://decoding-culture.com/
https://decoding-culture.com/nasa-and-hollywood/
https://decoding-culture.com/cultural-engineering-studies-issue-1/
https://decoding-culture.com/ces-issue-1-index/
https://www.williamramseyinvestigates.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A clip of Brett discussing Oliver's Stone's autobiography, Chasing the Light, from an extended Patreon-exclusive prelude to our upcoming Oliver Stone series. Check out our Patreon to hear Brett run through Stone's entire filmography (including many of his writer and producer credits) and give a very personal overview of Stone's life and work.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
In a new installment of their series on David Fincher, Thomas and Brett cover The Killer, Fincher's 2023 hitman thriller starring Michael Fassbender. They discuss Fincher's continued preoccupation with psychopathy and the dark self archetype, the film's hints concerning deep state conspiracies and the Thelemic religion of Hollywood, and its surprising thematic connections to Fincher's previous film, Mank. Just as Oppenheimer confirmed the show's conclusions about Nolan, The Killer totally validates the Psyop Cinema reading of Fincher.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas and Steven continue their analysis of True Detective, this time joined by Jasun Horsley for a conversation about season two. Finding the season significantly underrated, they talk about its mixed reception and contrast its approach to that of season one. Resuming discussion of Pizzolatto's treatment of masculinity, family, and sexuality, they also find much worth considering in the season's depiction of the parapolitical dimensions of the California counterculture.
https://childrenofjob.substack.com/
https://landmademan.com/books-by-jasun-horsley/
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas and Steven conclude their analysis of Malick's Weightless trilogy, looking at his 2017 film Song to Song. With this movie, Malick solidifies the Weightless trilogy's status as authentically Christian (specifically, Kierkegaardian) cinema. Using the setting of the Austin music scene, it delivers a positive message concerning the emptiness of hedonistic contemporary culture and how that lifestyle might be escaped. Thomas and Steven pay special attention to Michael Fassbender's role as a sinister record producer named Cook, Malick's version of a Miltonian Satan, a character that hints at the dark occult underbelly of the music industry.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We are joined by both William Ramsey and Sean McCann for a discussion that follows up on the analysis we did with them earlier this year of Leave the World Behind. Unpacking the surprisingly dull recent Alex Garland film Civil War, we also spend time talking about the much more lively film The Second Civil War, a 1997 made for TV movie directed by Joe Dante. The Second Civil War offers a satirical depiction of a heavily diversified America that is unable to cope with the complexities of globalization and is on the brink of violent conflict. We analyze the political ethos driving each film, considering their approaches to the ideal of journalistic neutrality, and discussing the extent to which Garland's film offers a pretense of being non-ideological. These films also give us the chance to offer our interpretations of recent American political developments and our thoughts about whether the events of such movies may represent our genuine future.
https://www.williamramseyinvestigates.com/
https://onegreatworknetwork.com/sean-mccann
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas and Steven discuss the first season of True Detective, analyzing its iconic depiction of occult conspiracy. They talk about the series' treatment of religion and philosophical pessimism, its approach to masculinity, and the thematic ambiguities of the show's conclusion. While expressing appreciation that this masterpiece of television includes so many positive notes, they also discuss the limitations of even well intentioned media depictions of organized ritual abuse.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Continuing their examination of the Weightless trilogy, Thomas and Steven explore Knight of Cups, Malick's 2015 film that dreamily depicts a screenwriter's search for meaning, as he wanders through the maze of Hollywood life. Analyzing the film's gnostic and tarot reference points, they again seek to discern whether Malick is subverting standard Hollywood spirituality with a distinctly Christian vision. Thomas theorizes that Malick's use of the tarot is a sly and sophisticated critique of Hollywood hedonism as well as the occult worldview that underpins it.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We joined our friend Jay Dyer on his show for a discussion about three films that deal with trauma-based mind control designed to cultivate psychical powers, particularly in children. Breaking down De Palma's The Fury, Cronenberg's Scanners, and Mark L. Lester's Firestarter, we talk about theta programming, the real history of government-sponsored psychical research, and the occult ideology that drives such experimentation. Films such as these program their audiences to venerate mutants and crave the catharsis of seeing their powers unleashed.
https://jaysanalysis.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Jasun Horsley joins us for a conversation about his book Big Mother: The Technological Body of Evil, which analyzes the Satanic techniques that converge upon the human body in the modern world. Topics of discussion include how the Wachowskis' red pill turned blue, the significance of the COVID-19 pandemic, how the occult divine child relates to Big Mother, some disagreements about Satan, and whether Sam Harris has more children in his basement than Ted Bundy.
https://childrenofjob.substack.com/
https://landmademan.com/big-mother/
https://landmademan.com/books-by-jasun-horsley/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas and Steven continue the Terrence Malick series, introducing a discussion of the Weightless Trilogy, which begins with To the Wonder (2012) and constitutes some of the most fully realized Christian cinema ever produced. We talk about Malick's Kierkegaardian inspiration and analyze the film's depiction of romance, family, and the search for God.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
As a sequel to our Taxi Driver episode, we analyze Paul Schrader's 2017 film First Reformed, an explicit work of religious engineering. We examine how the movie's sophisticated propaganda depicts the dying remnants of American Protestantism being absorbed into the globalist religion of the future, complete with worship of the earth mother goddess. We also talk about apocalypse programming, provide further background on Schrader, and discuss some recent disturbing comments that he's made.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A return to our series on Christopher Nolan, discussing how Oppenheimer makes explicit the globalist politics implied by the sci-fi transhumanism of some of his previous films. We analyze how the movie treats standard Nolan themes, such as the master manipulator and the death of the soul (often symbolized by the death of women). Oppenheimer's depiction of the Promethean salesman of science gives us further confirmation of Nolan's significance as a cultural engineer.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
In a discussion that much of our longrunning Joker analysis has built to, we do a deep dive into Martin Scorsese's Taxi Driver (1976). We explain the foundational place of Scorsese's film in the feedback loop between media and spectacular crime that we call the Joker Cycle. Looking at other relevant films and filmmakers, we speculate on the possible role of Brian de Palma in the Taxi Driver psy-op, discuss Peter Bogdanovich's Targets (1968) as an early entry into the feedback loop, and explain the over-the-top revelation of the method in The Last Horror Film (1982). Breaking down Taxi Driver, we talk about the manufactured profile of the lone wolf spectacular criminal, Travis Bickle as proto-incel, and how the movie is a paradigmatic example of MK-culture reality/fiction breakdown.
CORRECTION: The Terror was released in 1963 rather than 1968.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas joins Luemas on Chant It Down Radio, discussing the first three films in the Jason Bourne franchise. Starring the deeply sus Matt Damon, limited hangouts and revelation of the method abound in these movies. Discussing how Hollywood's political messaging has shifted over the last couple decades, Thomas and Luemas explain how the exceptionally spooked-up filmmakers behind this franchise blend sincere critique of CIA wrongdoing with disturbing fetishization of mind control.
https://www.chantitdownradio.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We and Sean McCann joined William Ramsey for a discussion about the recent Obama-produced apocalyptic thriller Leave the World Behind. Directed by Sam Esmail, the movie is filled to the brim with globalist propaganda concerning social collapse, 'disinformation,' and the need to trust the technocratic elite at all costs. It also includes the usual subtext concerning the virtues of dissociative pop-culture mind control.
https://www.williamramseyinvestigates.com/
https://onegreatworknetwork.com/sean-mccann
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas and Steven discuss the spiritual and social themes of The Tree of Life, Terrence Malick's 2011 coming-of-age of drama with a cosmic background. They unpack the narrative's biblical references to Genesis and Job, and Steven describes the film's resonances with Augustine, Freud, and Dostoevsky. Analyzing the film's dichotomy between a motherly "way of grace" and a fatherly "way of nature," they disagree about whether The Tree of Life's critiques of 1950s American family life are biblical or aligned with standard Hollywood worship of the divine feminine.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Continuing the discussion that began with our analysis of Blade Runner, we look at the legacy sequel released in 2017 and directed by Denis Villeneuve. Blade Runner 2049 intensifies the psy-op of the original film, making the Monarch tropes and mind control themes far more obvious. The ever-sus Leto appears as a Elon Musk style tech-oligarch with Promethean aspirations. Considering the various perspectives advanced within the film on human/tech hybridity, we find Blade Runner 2049 to be promoting an anti-human worldview even more insidious than that of the Jared Leto villain.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Brett and Steven DeLay appeared recently on Sean McCann’s Wake the Dead podcast to discuss the shockingly detailed accusations of ritual murder, blackmail, and human trafficking made by Richie Albertini, an associate of the Gambino crime family who grew up in the 80s alongside a bevy of future Hollywood A-listers. Albertini was later involved in running phone sex blackmail operations for Mossad, and he was the bar-back at Johnny Depp’s Viper room in the 90s. Citing specific films, Brett and Steven explain how incidents like the alleged ritual murder/blackmail initiation detailed by Albertini make their way into Hollywood productions. A must-listen for fans of our Joker series, as one of the top creative contributors to that film is directly implicated by Albertini.
https://onegreatworknetwork.com/sean-mccann
https://stevendelay.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We are joined by Sean McCann for a discussion of the films of Panos Cosmatos, analyzing Beyond the Black Rainbow's MKUltra New Age horror and Mandy's dark psychedelic Nic Cage rampage. Getting into his biting commentary on 1960s boomer spirituality and 1980s Reagan conservatism, we discern which countercultural psyops Cosmatos is rejecting and which ones he wholeheartedly embraces. Dark goddess worship, Programmed to Kill style mind control, and dissociative power trips for the powerless make their usual appearances. Finally, we make some comments about The Viewing, Cosmatos' episode of Guillermo del Toro's Cabinet of Curiosities.
https://onegreatworknetwork.com/sean-mccann
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We talk about Blade Runner, getting into its attack upon the boundaries of the human and its prevalent Illuminati symbolism. Differentiating Philip K. Dick's ill-fated Gnostic impulses from Ridley Scott's overt promotion of the superclass worldview, we contrast the source material and the film, also noting key distinctions between the several cuts of the movie. Blade Runner turns out to be a standard Hollywood sci-fi vehicle for Luciferian transhumanism.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Our Terrence Malick series continues with The New World, Malick's depiction of the Pocahontas story. Thomas and Steven analyze the film's treatment of religion, romance, and civilization, while continuing to consider the extent to which Malick's mystical themes are Christian. They discuss philosophical questions raised by the film regarding religious pluralism and phenomenology.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
An extended preview of the most in-depth content yet from Brett's Monarch series. In clips from three full length Patreon-only episodes, Brett details his research on the nightmarish 1985 children's film Return to Oz. This preview of the Monarch subseries provides information on the history of Wizard of Oz programming, the occultic career of of child star Fairuza Balk, and how the entire plot of the film is a coded depiction of mind control techniques designed to generate alter personalities.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Geoff Shullenberger joins us for an analysis of the recent David Gordon Green Halloween trilogy. He discuses a Girardian reading of Halloween Ends as well the "lab leak theory of Michael Myers." Is the 2018 film correctly read as based and right-wing, or is it more of the same MK-culture fetishization of trauma? Why is Halloween Kills so terrible? And does Halloween Ends present a cringe lib approach to evil or a positive subversion of typical Hollywood incel revenge fantasies?
https://outsidertheory.com/
https://twitter.com/g_shullenberger
https://compactmag.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We continue through the Halloween franchise, this time joined by Sean McCann to discuss the strange cult classic Halloween III: Season of the Witch. This unique entry in the series showcases some intense revelation of the method in its combined depiction of technology, witchcraft, and corporate media. We discuss the significance of Samhain and demonic pagan religion in both its ancient and modern forms.
https://onegreatworknetwork.com/sean-mccann
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We are joined by Paul and Phillip Collins to discuss John Carpenter's Halloween, in the first of three episodes on the Halloween franchise. They explain the apotheosis of Michael Myers, how this archetypal slasher fits into the occult transhumanist project to transcend good and evil and remake humanity. We discuss depictions of evil within Carpenter's work and how the weaponized insanity of Myers relates to demonic clowns and what we have called "the Joker cycle."
Invoking the Beyond: The Kantian Rift, Mythologized Menaces, and the Quest for the New Man - https://www.amazon.com/dp/1663213518
https://www.conspiracyarchive.com/author/collins-brothers/
https://twitter.com/PhillipDCollin1
The correct title of the Spanish film that Brett refers to as Agony is Anguish (1987).
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We discuss The Thin Red Line with Steven DeLay, after first going much deeper into Terrence Malick's background. Considering many remarkable and little known facts about Malick's biography, we analyze his relationship to the academia/media/intelligence culture creating complex. We then talk about Malick's late 90s epic war film The Thin Red Line, discussing whether the underlying religious message is essentially Christian or pantheistic and unpacking the significance of the film's notable casting choices.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We went on the podcast Debra Gets Red Pilled for a fun conversation about the influential horror film Jacob's Ladder. It's a movie that hits most major Psyop Cinema themes, including religious engineering, trauma-based experimentation, the psychedelia psyop, Gnosticism, and fetishization of dissociation. We talk about the highly suspicious drug experience that led to the writing of this film and discuss the essential place of the Vietnam War within MK-culture.
https://twitter.com/DebraGetsPilled
https://www.deezer.com/us/show/2155432
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A look at the multi-layered psyop around Sound of Freedom, the popular recent Jim Caviezel film dealing with child sex trafficking. In contrast with the charged discourse around the film's alleged QAnon themes, we analyze the subtle quality of the Monarch 'dogwhistles' actually present in the film. We discuss those involved in the production and promotion of this movie, clarifying which of these figures are highly suspicious and which seem to be benign. At the center of our investigation is Caviezel's career (which is strangely filled with movies depicting memory loss and reality distortion) and troubling persona. Finally, we speculate about the possible purpose of this psyop and how it might relate to our current political landscape.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Our appearance on William Ramsey's show discussing Arlington Road, a 1999 thriller about domestic terrorism. We show how the film projects the tactics of intelligence services onto the militia movement, resulting in intense misdirection regarding events like Oklahoma City and Ruby Ridge. We also examine the predictably sus credits of the filmmakers, the hints of mind control themes, and the film's overall attempt to undermine social trust and foster the wrong kind of paranoia.
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas and Mariana are joined by Jamie Hanshaw for a thorough examination of Disney's sinister history. Jamie takes us through Disney's deep state and occult connections, the life of Walt Disney, and how the parks themselves are a microcosm of the spell cast by the dark magic of imagineering. We then talk about Fantasia's probable function as a direct tool of Monarch programming, similiar features in Fantasia 2000, and how Monsters Inc acts as a disturbing revelation of the method.
https://www.youtube.com/@jamiehanshaw4378
https://jaysanalysis.com/product/hollywood-mind-control-signed-copies/
https://jaysanalysis.com/product/weird-stuff-operation-culture-creation-2-signed-copies/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Brett is joined by Steven DeLay to discuss Days of Heaven (1978), from Terrence Malick. An ethereal drama set in the Texas Panhandle of the early 20th century, Malick's second film is a romance dealing with tragedy, jealousy, and deception, as well as a philosophically rich commentary on the loss of paradise. Brett and Steven analyze the film's treatment of religion, technology, and utopian dreams.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas' appearance from a few weeks ago on William Ramsey Investigates, talking about the suspicious aspects of Taylor Swift. Thomas and William analyze the strange phenomenon of 'Taylor Swift amnesia,' the psychological and spiritual dangers of celebrity-culture, and the overt occult and Monarch symbolism of several Swift videos and live performances. Taylor Swift's recent concerts may represent a phase shift, where mass-scale MKUltra is becoming more intense than ever.
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
An appearance we did a few months ago on William Ramsey Investigates, discussing Seven Days in May, an early 1960s political thriller about a military coup against the United States president. We analyze the relationship of this film to the Kennedy assassination and consider the complex political dynamics around the killing of JFK and the Kennedy legacy. We also talk about RFK's assassination, RFK Jr.'s candidacy, and the many paths to globalism.
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Our Leto series takes us to the infamous 2022 film Morbius. Like Leto's career, Morbius is a highly synthetic product, a strange blend of ideas and images from earlier movies in the superhero genre. We cover the memes mocking the absurdity of the film's existence and discuss how Jared Leto in a superhero-vampire role takes us to the exact occult transhumanist themes one would expect.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas is joined by both Rachel Wilson and Rebecca Dillingham (Dissident Mama) for a discussion of the thriving subgenre of woke-themed horror. We take a look at the movies Antebellum and Don't Worry Darling, breaking down the inversion, projection, and misdirection in their depictions of mind control. Rachel and Rebecca also rip apart the factual inaccuracies in Antebellum's portrayal of the 19th century South and the failed propaganda of Don't Worry Darling's portrait of 1950s suburban America.
https://twitter.com/Rach4Patriarchy
https://substack.com/@rwilson
https://www.amazon.com/Occult-Feminism-Secret-History-Liberation/dp/B09NGXZKHB/ - Occult Feminism: The Secret History of Women's Liberation
https://www.youtube.com/channel/UCZGnJ9SUMgD1Hs_MAQYIUJg
https://linktr.ee/RachelLWilson
https://www.dissidentmama.net/
https://southernorthodox.org/
https://twitter.com/Dissident_Mama
Resources on American history mentioned by Rebecca -
https://www.amazon.com/Roll-Jordan-World-Slaves-Made/dp/0394716523
https://shotwellpublishing.com/emancipation-hell/
https://www.youtube.com/watch?v=EIuJ9YWddUk
https://www.youtube.com/watch?v=xeLF8Qxef_c
https://www.youtube.com/watch?v=ZUsclaam8Dc
We are joined by Paul and Phillip Collins to discuss their book Invoking the Beyond. The Collins brothers' research details how the ideology of techno-utopianism replaces the divine with counterfeits such as AI, superweapons, or extraterrestrial 'gods,' using these surrogates to epistemically overwhelm humanity and push for the creation of a 'New Man.' We get into the historical and philosophical aspects of this elite religion of "the beyond," focusing on the increasingly mainstreamed UFO-psyop. Discussing UFO-spirituality gives us the chance to analyze a Spielberg film for the first time on the show, as we unpack the creepy infantilizing messaging of Close Encounters of the Third Kind.
Invoking the Beyond: The Kantian Rift, Mythologized Menaces, and the Quest for the New Man - https://www.amazon.com/dp/1663213518
https://www.conspiracyarchive.com/2023/03/09/fire-in-the-firmament-the-alien-deception-accelerates/
https://www.conspiracyarchive.com/2023/05/09/ufos-and-the-ghost-of-paul-nitze/
https://twitter.com/PhillipDCollin1
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Brett and Thomas are joined by philosopher Steven DeLay, for the first of an intermittent series we'll be doing with him on the films of Terrence Malick. After giving an overview of Malick, we analyze the Malick movie that most directly interacts with the major topics of Psyop Cinema, his 1973 debut Badlands. We discuss how it treats the themes of social alienation, nihilism and dissociation and consider the possibility that this poetic and eerie lovers-on-the-run crime drama is secretly an MKUltra movie.
https://twitter.com/StevenDeLay4
https://stevendelay.com/
https://sunypress.edu/Books/L/Life-Above-the-Clouds
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Brett and Thomas are joined by Sean McCann, for a conversation about Jordan Peele's influential 2017 horror film Get Out. They discuss whether the film's depiction of occult secret societies and trauma-based mind control is ultimately helpful or harmful, getting into the relevance of the film's treatment of racism and what all this reveals about the mindset of the predatory superclass.
https://onegreatworknetwork.com/sean-mccann
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Brett speaks with Ken Ammi about Creation of the Humanoids, a 1962 sci-fi film full of transhumanist themes. They discuss the blend of occultism, evolution, and technology, seen in the film's depiction of humanity becoming interchangeable with machines. Brett and Ken also discuss the film's strange background, the usual mind control tropes, as well as the relevance of Gnostic thought. Thomas adds an addendum to their discussion, analyzing a scene that shows the confluence of feminism and the transhumanist agenda.
https://truefreethinker.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We sift through more serial killer misdirection as we analyze The Little Things, an enigmatic thriller starring Denzel Washington and Jared Leto. All the usual themes of religious engineering and hints of the realities of Programmed to Kill conspiracies are present. Ultimately, this film's odd meta-commentary on the serial killer genre seems to be mostly about Leto's real life pretensions at being a master manipulator.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas is joined by two returning guests, James Ellis of Hermitix and Geoff Shullenberger of Outsider Theory, to discuss several John Carpenter films. We talk about the struggle against paranoia and inhuman monstrosity in The Thing, Gnostic-Catholic conspiracies and pop-science in Prince of Darkness, the insights and shortcomings of They Live's critique of consumer capitalism, and we disagree about whether there's anything of cinematic and thematic value in Vampires. Overall, we come to a mixed assessment of Carpenter's work, appreciating some pro-human notes despite his darkly apocalyptic and boomer liberal tendencies. Geoff and James also offer some bonus thoughts on The Last of Us.
https://jdemeta.net/
https://twitter.com/meta_nomad
https://twitter.com/Hermitixpodcast
http://www.hermitix.net/
https://www.patreon.com/hermitix
https://outsidertheory.com/
https://twitter.com/g_shullenberger
https://compactmag.com/
https://compactmag.com/article/the-rise-of-the-biosecurity-complex
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas speaks with Rebecca Dillingham, host of The Dissident Mama Podcast and blog and cofounder of the Ludwell Orthodox Fellowship, about the lies of the Yankee Empire. Rebecca gives her take on the psyops perpetrated by globalists and neocons that have distorted American history and demonized the South. We cover many aspects of the problem of puritanical political utopianism before discussing the nuances of Gone with the Wind.
https://www.dissidentmama.net/
https://www.dissidentmama.net/indentity-less-ness/
https://www.dissidentmama.net/russia-ukraine-through-a-dixian-lens-part-1/
https://www.dissidentmama.net/puritans-part-1-coming-to-america/
https://www.amazon.com/Honorable-Cause-Twelve-Southern-Essays/dp/B0BZ6SLV8D
https://southernorthodox.org/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We went on the Dissident Mama podcast to explain what Psyop Cinema is all about. Topics include the origins of Psyop Cinema, Hollywood's assault on Christianity, our critiques of sci-fi and superheroes, and what we mean by terms such as "red pill programming" and the "second matrix."
https://www.dissidentmama.net/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Suicide Squad is an especially important entry in our series on Jared Leto, given that his performance as the Joker is the reason we've been taking such a close look at his hyper-sus career. Unsurprisingly, Suicide Squad turns out to be among the most explicitly Monarch mind control themed superhero films of all time. We talk about the deep state/occult matrix, how the 'squad' is set against the family, the strange career of Cara Delevingne, and what all this might have to do with Jack Parsons.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
CLARIFICATION: In our discussion of the different components of Monarch mind control, we conflated 'gamma' and 'theta' programming. Gamma programming, according to Springmeier, is about the "secret layering of demons" through ritual abuse, whereas theta programming is the more proper designation for the development of psi superpowers through Monarch techniques.
We went on William Ramsey's show to give our updated analysis of Fight Club (previously covered in our series on David Fincher), getting into predictive programming, anarcho-primitivism as a tool of the New World Order, and the dark self archetype. The conversation also covers Fincher, Leto, Palahniuk, and connections to what we call the Joker Cycle.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
A conversation with Jay Dyer and Father Deacon Dr. Ananias Sorem, on how we all think about film, entertainment, and the arts. As we frequently point out instances of destructive messaging and Satanic programming in pop-culture, here we have a broader discussion about the positive and negative aspects and potential of film. We share thoughts about the role of entertainment within an Orthodox lifestyle, the lines we all draw about what kind of art we'll expose ourselves to, and the relevance of epistemology for analyzing pop-culture.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
https://jaysanalysis.com/
https://jaysanalysis.com/product/meta-narratives-essays-on-philosophy-symbolism-new-jay-dyer-book-pre-orders/
https://www.youtube.com/user/esorem
CORRECTION: The film Brett references concerning the use of subliminal imagery is actually My World Dies Screaming, rather than The Screaming Skull (both being 1958 films)
We talk with Jasun Horsley about his new book, The Kubrickon: The Cult of Kubrick, Attention
Capture, & the Inception of AI. Jasun contends that Kubrick was not really making movies at all, but rather scientific experiments designed to capture our awareness and give rise to artificial intelligence. We get into Eyes Wide Shut, The Shining, and other Kubrick films. Other discussion topics include the moon landing question, the demonic nature of celebrity, the mother-bonded psyche, and the relationship between Satan and matter.
https://landmademan.com/the-kubrickon
https://linktr.ee/jasunhorsley
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Next up in our Jared Leto series is Mr. Nobody, a 2009 sci-fi drama that thinks it's far smarter than it is. It fits perfectly within Leto's ultra-sus career, containing apocalypse programming, omega programming, and divine child themes. Using multiverse theory as a tool of psychic fragmentation, Mr. Nobody is MKUltra by way of pop-science and pseudo-philosophy.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A preview of a recent Patreon-only episode, where Thomas analyzes Glass Onion: A Knives Out Mystery.
In the full episode, he explains how its combination of mind control symbolism, woke sanctimony, and terrible filmmaking is repugnant enough to be somewhat instructive. Speaking to several major political controversies of the last few years, Glass Onion reveals the parallels between individual instances of mind control and broader programs of social destruction. Its messaging demonstrates the institutionalized nihilism of the elite worldview, for which Hollywood directors like Rian Johnson are loyal propagandists.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas and former Atomwaffen member Theodore appear on William Ramsey Investigates, as a follow-up to Thomas' Psyop Cinema interview of Theodore. William is the author of Global Death Cult, which contains some of the best research on extremist groups like the Atomwaffen Division, the Order of Nine Angles, and Tempel ov Blood. Theodore provides further info on his time in the neo-Nazi Atomwaffen organization and the three of them also discuss the spiritual darkness that surrounds these Satanically-influenced groups.
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
On this special main feed episode of the Monarch series, Brett is joined by Sean McCann of the Wake the Dead podcast to analyze the cyberpunk erotic thriller Liquid Dreams (1991), a nearly forgotten midnight movie about a gnostic adrenochrome sex cult deploying DARPA-level MK mind control tech through the entertainment industry. Described by the director as his version of The Wizard of Oz, Liquid Dreams, like The Wizard of Oz, is as an allegory for Hollywood itself—possibly the ultimate Revelation of the Method movie in terms of the film industry’s weaponization of sex and violence to depattern mass consciousness and reduce it to raw material at the service of a spiritually psychotic global superclass.
https://onegreatworknetwork.com/sean-mccann
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Our appearance on Jay Dyer's show, discussing the Anya Taylor-Joy films The Menu, Marrowbone, and Morgan. We also reference several of her other films, including The New Mutants, Last Night in Soho, Split, Glass, and The Witch.The music videos she's acted in, her modeling career, and certain odd aspects of her background all come into our analysis. Mainly, we discuss the astounding consistency of initiatory and trauma-based mind control themes in her work, and the relation of all this to transhumanist and occult ideologies.
https://jaysanalysis.com/
https://twitter.com/Jay_D007
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Continuing our series on Jared Leto, we cover the 2002 film Highway, showing how it leverages 90s nihilism into the all-out pornographization of culture in the 2000s. We analyze the rock star archetype, why it's at the center of Leto’s career, and the clumsy cultural engineering agenda driving it. Finally, Brett proves that Kurt Cobain didn’t kill himself.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Geoff Shullenberger returns to Psyop Cinema, this time discussing the novels of Dan Brown and their trilogy of film adaptations (the subject of Geoff's recent essay for American Affairs). He and Thomas talk about the strange prescience of Brown's novels, in his early work's treatment of the deep state, surveillance, and encryption and his later work's promotion of transhumanism and depopulation. They cover The Da Vinci Code's defense of elite sex rituals, Angels and Demons' weak approach to the reconciliation of science and religion, Inferno's portrayal of a virus meant to depopulate the world, Brown's consistent themes of reproduction and elite succession, and many other aspects of the once strangely popular Robert Langdon franchise.
https://americanaffairsjournal.org/2022/11/mythology-of-the-deep-state-the-novels-of-dan-brown/
https://outsidertheory.com/
https://twitter.com/g_shullenberger
https://compactmag.com/
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas talks with James Ellis, host of the Hermitix podcast. They discuss their experiences being immersed in the philosophy of Nick Land, how they both eventually returned to Christianity, and the differing conceptions of the limits of the human in the accelerationist and Christian worldviews. James explains the dangers of modern nihilism and relativism, the significance of the phrase "Be not afraid," and why politics is downstream of the war in heaven. They conclude by analyzing John Carpenter's In the Mouth of Madness and its relationship to Land's philosophy.
https://jdemeta.net/
https://twitter.com/meta_nomad
https://twitter.com/Hermitixpodcast
http://www.hermitix.net/
https://www.patreon.com/hermitix
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We recently appeared on the Wake the Dead podcast to talk with Sean McCann about the Joker. In addition to further analysis of the 2019 film, discussion topics include trauma based mind control, Satanic ritual abuse, Alan Moore, and weaponized nihilism.
https://onegreatworknetwork.com/sean-mccann
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We return to William Ramsey Investigates, to discuss A Scanner Darkly, the Richard Linklater adaptation of the Philip K. Dick novel. This bleak film gives us the chance to talk about the drug war psyop, how surveillance and intelligence culture erode identity, and some reservations about Linklater's work. As for PKD, unlike many other major figures from the worlds of counterculture and sci-fi, we find him to be more tragic than malevolent.
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Brett and Thomas join Emmet Penney on the ex.haust podcast to discuss the school shooting themed found footage film The Dirties. We discuss pop culture obsession, the figure of the mass shooter, and the relevance of this film to the content of our ongoing Joker series.
https://exhaust.fireside.fm/
https://twitter.com/nukebarbarian
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas speaks with Theodore, a former member of the Atomwaffen Division, an infamous neo-Nazi paramilitary organization. Theodore describes how AWD's ideology underwent a dramatic shift, with the group's National Socialist extremism being supplanted by an even more sinister and perverse anti-human Satanism, associated with the Tempel ov Blood, a nexion of the Order of Nine Angles. We go into the details of how this shift took place, including the troubling role of FBI informant Joshua Sutter. Theodore talks about his journey into and out of this dark world and how he now understands all of it through his Orthodox Christian faith. We discuss different crimes associated with Atomwaffen, how the mainstream and fringes of society contain the same nihilistic and self-worshiping traps, the involvement of intelligence agencies with trafficking, the AWD's perspective on various American Nazi figures, and what people get right and wrong about radicalization narratives.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
An unlocked episode of Brett's Monarch series, with some new commentary from Thomas on the strange career of Anya Taylor-Joy. Brett reveals the massive number of Monarch mind control tropes showcased in the 2021 Edgar Wright psychological horror film and shows how it portrays initiation into the culture-creation industry. Thomas then surveys many of Taylor-Joy's other roles, pointing out a disturbing trend of blatant portrayals of trauma-based mind control.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We survey the highly suspicious career of Jared Leto, focusing on his role as frontman of Thirty Seconds to Mars. Having played both the Joker and Mark David Chapman, the cascade of unnerving details about Leto comes as no surprise. We talk about his odd upbringing, how he turned his fans into a literal cult, his Laurel Canyon home, his strange use of symbols, and many other giveaways that Leto's career is an obvious product of cultural engineering.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A Psyop Cinema Halloween special, combining three of Thomas' Patreon bonus episodes from last year. 2021's Psy-Optober bonus series analyzed The Cabin in the Woods, The Guest, and John Dies at the End. The Cabin in the Woods provides a near perfect metaphor for cultural engineering while also seeking to trap its audience inside a nefarious false binary of either total control or annihilation. The Guest functions as a cautionary tale about super-soldier experimentation. John Dies at the End contains a helpfully stark portrayal of transhumanist evil amid its scattershot stoner philosophy. Check out our Patreon if you enjoy this unlocked bonus content and stay tuned for more Joker episodes soon to come.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Our appearance on recurring Psyop Cinema guest Geoff Shullenberger's Outsider Theory podcast, discussing our overall approach to cultural engineering, the Hollywood psyop, and low-intensity MKUltra. The conversation covers the ideological history of conspiracy theory, the overlap between academic theory and cultural engineering analysis, CIA involvement in Hollywood, and much more.
https://outsidertheory.com/
https://twitter.com/g_shullenberger
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We return to William Ramsey Investigates to discuss Conspiracy Theory, the 1997 film directed by Richard Donner and starring Mel Gibson. We describe how Conspiracy Theory is filled with limited hangouts, misdirection, second matrix programming, and other disinfo tactics. It's also closely related to research we've done in our Joker series on Mark David Chapman, John Hinckley Jr., and related subjects.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
Concluding our analysis of Chapter 27, we go further into the strange case of Chapman and Lennon, discussing The Wizard of Oz Monarch triggers, how psyops erode the ability to normally socially function, and more synchronicities and deep politics connections.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We turn to Chapter 27, a 2007 film about the murder of John Lennon, in which Mark David Chapman is played by Jared Leto. We read the film as a Satanic ritual, which uses tactics including facts disorientingly blended with lies, fetishizing the traumatized mind of the brainwashing victim, and synchronicity as mind-control trigger. And all of this connects back to the figures and concepts we're tracking in our ongoing Joker series.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Geoff Shullenberger returns to Psyop Cinema, continuing his conversation with Thomas about Roland Emmerich. Having previously covered the depopulation themes of Emmerich's disaster trilogy, Geoff and Thomas first consider the unabashed elitism and glorification of the manipulative artist found in Anonymous, before looking at how Stargate, The Thirteenth Floor, and Moonfall portray gnosticism, AI, ancient astronaut theory, and the simulation hypothesis. Emmerich's filmmaking quality may be uneven, but he couldn't be more consistent about his message that humanity needs to hand over control to an overclass of artistic geniuses and technical managers whose knowledge makes them worthy to rule the rest of us. They also discuss a recent book review where Geoff describes how declining sperm counts threaten humanity and possible responses to this problem.
https://outsidertheory.com/
https://twitter.com/g_shullenberger
https://compactmag.com/
https://www.marsreview.org/issue2/our-precious-bodily-fluids-by-geoff-shullenberger-~fotfeb-diblen
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A preview for the most comprehensive episode of Brett's Monarch series yet. He provides crucial further notes on the previous installment's discussion of A Nightmare on Elm Street 3 before exposing the 2010 remake of A Nightmare on Elm Street as the moment the series truly goes full Monarch. In detailing the Freddy-psyop, Brett revisits important Psyop Cinema concepts (red pill programming, omega programming, predictive programming, the dark self, the death of the soul) and also touches on the sus background of director Samuel Bayer and producer Michael Bay, details of major cases of violent and sexual abuse of children (such as McMartin and Presidio), the scapegoating of parents and destruction of the family, how Hollywood taunts us for falling for its psyops, and how elites cover their tracks by being "too evil to fail." Full episode available at patreon.com/psyopcinema
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Rachel Wilson returns to Psyop Cinema, this time explaining how the disturbing career of Britney Spears is connected to most major conspiracy theories, how feminism lays the groundwork for cultural engineering, what AOC gets wrong about patriarchy, and the destructive messaging of The Stepford Wives (1975). Brett and Thomas add some thoughts about how the unfortunate 2004 version makes the theme of matriarchal-technocracy explicit.
https://rwilson.substack.com/
https://twitter.com/Rach4Patriarchy
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We offer concluding thoughts on The Batman, cross-referencing it with Joker and other cultural material to unveil its many allusions to deep politics and our cryptocratic regime. The conversation gives us the opportunity to critique the cult of the artist and discuss the gap between what is beautiful (or funny) and what is good for society.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We are joined by William Ramsey for a discussion of Under the Silver Lake, one of the most significant conspiracy-themed movies of recent years. We unpack the film's dense symbolism, separating out its genuine insights into the manufactured nature of culture from its intentional misdirection, which would keep its characters and audience forever trapped within that same culture. This dreamy labyrinthine mystery proves to be a sophisticated cinematic psyop that can neither be trusted nor easily dismissed.
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Thomas talks with Geoff Shullenberger, managing editor of Compact Magazine and host of the Outsider Theory podcast. They discuss how the regime benefits from over-simplified understandings of the red and blue pills as well as from certain blends of conspiracy theory with pop-spirituality. Roland Emmerich's "disaster trilogy" (Independence Day, The Day After Tomorrow, and 2012) is also discussed, revealed as blatant propaganda for depopulation and globalist technocracy.
https://outsidertheory.com/
https://compactmag.com/
https://twitter.com/daily_barbarian
https://www.thenewatlantis.com/publications/redpilling-and-the-regime
https://compactmag.com/article/alex-jones-crusader-and-clown
https://unlimitedhangout.com/2021/06/podcasts/the-neocon-agenda-to-militarize-space-with-robbie-martin/
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A preview for a special interlude of our Joker series, in which Brett goes deep into the background of Lennon's assassination, giving you everything you need to know about the troubling case of Mark David Chapman. His analysis is essential listening before the future episode of our Joker series in which we cover Chapter 27, a Monarch film where Chapman is played by the ultra-sus Jared Leto. The killing of John Lennon turns out to be a key piece of the puzzle in the dark web of conspiratorial deep politics and synchronicity traced in our ongoing exploration of the Joker. Full episode available on Patreon.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We discuss the significance of Joker's ending and its depiction of the absolute breakdown of social foundations. Then we move on to The Batman, a painful waste of three hours dedicated to the idea that in order to truly be a hero, Batman must help AOC fight a domestic war on terror against incel conspiracy theorists. The Batman may be a terrible movie but it's replete with odd details that caught our attention.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
William Ramsey invited us onto his show to discuss our research into the dark side of pop superstar Ed Sheeran. Thomas goes deep into the highly suspect background of Sheeran, Bring Me the Horizon, Cradle of Filth, and Grimes, while Brett breaks down the Monarch mind control symbols and themes present in Sheeran and Bring Me the Horizon music videos.
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Analyzing Joker gives us the chance to discuss the overall Psyop Cinema theory of culture, especially as related to the blurring of reality and fantasy and how that creates dark feedback loops between fiction and history. Thinking about Taxi Driver leads us to consider the importance of the Phoenix Program for understanding our ongoing national trauma. We also talk about the inherent dangers of both comedy and method acting and how all of this relates to demon summoning and human sacrifice.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We are joined by William Ramsey for a dark but important conversation about violent Satanic crime and conspiracy. We talk about the evil significance of Aleister Crowley and the Crowleyan world we now live in. He explains the history and ideology of Satanic Nazi groups like the Order of Nine Angles and Atomwaffen. We go deep into the details of the West Memphis 3 case, arguing that Echols and the others are guilty of the truly demonic crime. Finally, we discuss the legendary paranoid 1970s conspiracy thriller The Parallax View. With other material on 9/11, the JFK assassination, Reagan's attempted assassination, Donald Cammell, Scientology, O9A symbolism in popular music, and more, this is one of the most chilling and info-dense episodes of Psyop Cinema yet.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
https://www.williamramseyinvestigates.com/
https://twitter.com/WilliamRamseyIn
With this episode, we begin our Joker series, analyzing movies and themes related to the 2019 film. Directed by Todd Phillips and starring Joaquin Phoenix, Joker turns out to be a kind of master key for Psyop Cinema themes. We think about the history of the character, delve into Scorsese's The King of Comedy, and consider how the Joker's madness figures into the agenda of the global elite.
Initially, this was simply going to be a bonus episode about the 2022 film The Batman, which we planned to analyze because of our previous coverage of Christopher Nolan and Zack Snyder's depictions of the character. That evolved into the idea of a standard episode covering both Joker and The Batman. But we quickly realized the figure of the Joker ties together a stunning number of Psyop Cinema research threads. Looking down a rabbit hole filled with madmen, assassins, mind control, sinister magic, and a dizzying feedback loop between art and history, we realized this would take several episodes (and the connections have continued to surface in our research since). So strap in, everybody. This journey gets weird.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Concluding our treatment of David Fincher's films, we discuss Mank. As we look back upon the arc of his serial killer heavy filmography, Fincher's latest gives us some big hints about his true motivations and perspective. We talk controlled opposition dynamics and Hollywood's insatiable need to self-mythologize, before giving our picks for the best and worst of Fincher's movies.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A preview of our bonus episode covering the strange 1979 B-movie The Visitor. Its convoluted gnostic sci-fi mythology says the quiet part aloud regarding the darkest aspects of human potential spirituality. It's all about occult initiation and mind control, along with the sick fixation on traumatizing children. We unpack all the odd details about The Visitor and discuss the elite endgame for society. Full episode available on Patreon.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Our interview of Rachel Wilson, author of Occult Feminism: The Secret History of Women's Liberation. We talk with Rachel about how ultra-wealthy elites have engineered contemporary culture, how some supposedly grassroots liberation movements have secretly been cultivated to serve anti-human agendas, and the socially subversive occult messaging of The Little Mermaid. This episode also marks the Psyop Cinema debut of Thomas' wife Mariana, who brings her expertise concerning women's health and fertility to the discussion of how the elites poison our bodies as well as our minds.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
https://twitter.com/Rach4Patriarchy
https://www.patreon.com/BasedHomeschoolMom
https://www.amazon.com/Occult-Feminism-Secret-History-Liberation/dp/B09NGXZKHB/ - Rachel's book
https://linktr.ee/RachelLWilson
https://rwilson.substack.com/p/how-big-foundation-money-is-subverting - "How Big Foundation Money Is Subverting Traditional Christianity"
https://rwilson.substack.com/p/mk-ultra-transgenderism-and-feminization - "MK Ultra, Transgenderism, and Feminization of Men"
https://secretsun.blogspot.com/2018/01/mermaid-apocalypse-social-engineering.html
https://secretsun.blogspot.com/2018/03/mermaid-apocalypse-meet-new-gods-part.html
https://secretsun.blogspot.com/2018/06/meet-your-new-gods-3-mermaid-apocalypse.html
A preview of the latest episode of Brett's Monarch series, available in full on Patreon. This time, he covers the 1988 film Bad Dreams while also explaining the significance of the Nightmare on Elm Street franchise and discussing the real story behind Jonestown. His analysis reveals the chilling truth about "omega programming."
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
We tease apart the limited hangout that is David Fincher's Mindhunter series. Fincher continues to distort the genuine nature of the serial killer phenomenon, glorifying the profiler and serial killer alike while giving borderline supernatural status to the latter. We identify the shocking length to which Mindhunter promotes Charles Manson's own account of his crimes.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Works Referenced -
Tom O’Neill, Chaos: Charles Manson, the CIA, and the Secret History of the Sixties (2019)
Jasun Horsley, 16 Maps of Hell: The Unraveling of Hollywood Superculture (2020)
David McGowan, Programmed to Kill: The Politics of Serial Murder (2004)
David McGowan, Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops, and the Dark Heart of the Hippie Dream (2014)
We explain how House of Cards' depiction of politics and Gone Girl's depiction of marriage both fit into Fincher's dark messaging. After talking about the creepy significance of Kevin Spacey's role in House of Cards, we disagree about whether Gone Girl has any redemptive value.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
In our latest dissection of David Fincher's films, we get mad about Benjamin Button, talk about how The Social Network conceals the truth about Facebook, and reveal how The Girl with the Dragon Tattoo is a hidden endorsement of occult transhumanism.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
https://unlimitedhangout.com/2021/04/investigative-reports/the-military-origins-of-facebook/
A preview of the latest episode of Brett's Monarch series, available in full on Patreon. In this episode, he delves into the disturbing career of Drew Barrymore, focusing on the 1989 film Far From Home, a thriller in which we see the convergence of many Monarch and cultural engineering tropes.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A conversation we had with MindSpaceArt, on his show Soul Purpose. We get deep into the Psyop Cinema critique of Hollywood and the occult and also discuss possibilities for spiritual healing and moving beyond the world of psyops.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
https://alternatecurrentradio.com/soul-purpose-mindspaceart/
Our David Fincher series continues, with a brief analysis of Panic Room, followed by an in-depth dissection of Zodiac, revealing how Zodiac skillfully misdirects the audience from the true nature of the serial killer phenomenon.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A preview of a bonus episode (available in full on Patreon), in which we explore the significance of Remote Control, an underrated 1988 sci-fi film which provides one of the all-time best metaphors for Hollywood mind control.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
A lengthy conversation with the artist Owen Cyclops, with topics including his perspective on spiritual warfare, the relationship between truth and beauty, and the fascinating documentary Kumare.
https://owen-cyclops.myshopify.com/
http://owencyclops.com/
https://twitter.com/owenbroadcast
https://www.amazon.com/Channel-One-First-Collection-Comics/dp/B09MYQ94KJ
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Continuing our analysis of Fincher, we finally get to Fight Club. We first discuss how The Game is one of the most blatantly pro-psyop films ever made and then address how Fight Club, despite its complexity, ultimately conveys a message thoroughly in line with Great Reset style elite plans for society.
We begin our series on David Fincher, starting with Alien 3 and Seven. We talk about how cosmic and cultural forms of nihilism are deployed by the elites to demolish existing value systems and how Fincher uses the problem of evil to engage in a dark form of religious engineering.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
An episode of our Monarch series, typically reserved for Patreon subscribers. Brett does a deep dive into the X-Men horror film The New Mutants, explaining the concept of a Monarch movie and analyzing the movie's themes of trauma-based mind control. Thomas then explains how the broader X-Men mythology is the most explicit pop-culture correlate to the religion of elite esotericism.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
https://twitter.com/JimmyFalunGong/status/1362213291859279873
In our final dissection of Zack Snyder's work, we analyze a revelatory occult-themed Justice League t-shirt, compare and contrast Snyder's philosophy of divinization with Alan Moore's, and talk about disturbing themes in Legend of the Guardians.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
Our recent appearance on Jay Dyer's show, Jay's Analysis. We joined him to discuss the films La Femme Nikita, Hardware, and The Empty Man, three very different movies that all help reveal the Luciferian nature of pop-culture psyops. We talk about dystopian nihilism, occult dynamics within espionage, and the sinister implications of New Age spirituality.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
brett-psyopcinema@protonmail.com
thomas-psyopcinema@protonmail.com
We investigate the theme of dissociation in Snyder's work, explaining how Sucker Punch can act as a master key for some of the most sinister dynamics of Hollywood, discussing the propaganda inherent to 300's blend of fantasy and reality, and considering the political dynamics of Snyder's films.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
Continuing our Zack Snyder series, we delve into apocalypse programming, the occult roots of pop-scientism, and nihilism as a means of cultural destruction.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
We talk with Jay Dyer, with discussion topics including the many elements of our culture that stem from MKUltra, the occult ideology of apotheosis, who exactly we mean when we refer to "the elites," and the dream-themed 2020 horror film Come True.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
https://jaysanalysis.com/
Contact -
brett-psyopcinema@protonmail.com email
thomas-psyopcinema@protonmail.com email
We discuss how Zack Snyder engages in religious engineering to manipulate the concept of Superman, unveil the globalist agenda present in Man of Steel, and debate the merits of Batman v Superman.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
A clip from our bonus episode in which we explore The Green Knight, a film full of occult messaging straight from the elites. Our conversation ranges from its subversion of Arthurian knighthood to its hints of exotheology.
https://www.patreon.com/PsyopCinema
https://mobile.twitter.com/CinemaPsyop
We are joined by Jasun Horsley, author of 16 Maps of Hell. Topics include having our energy harvested by the Hollywood superculture, the dynamics of occult manipulation, and the place of Hitchcock's Psycho within the Hollywood psyop.
https://www.patreon.com/PsyopCinema
https://mobile.twitter.com/CinemaPsyop
The final episode of our Christopher Nolan series. We reveal the shockingly positive and subversive messaging of his Batman trilogy. We also take stock of how his various films differently wrestle with his troubling career path, as well as the damage that the Nolan legacy has done to film culture.
https://www.patreon.com/PsyopCinema
https://mobile.twitter.com/CinemaPsyop
We discuss how the death of women in Nolan films symbolizes the death of the soul, the pros and cons of a Jungian approach to these symbols, and how Dunkirk secretly explains Nolan's whole worldview.
https://www.patreon.com/PsyopCinema
https://twitter.com/CinemaPsyop
Continuing our discussion of Nolan's use of the method, we reveal the dark truth about the messaging of Interstellar and Tenet, and conclude with a conversation about predictive programming.
Beginning our investigation into Christopher Nolan, we discuss the meaning of "the method," and use films like Memento and The Prestige to show how themes of mind control permeate his work.
Hosts Thomas Millary and Brett Carollo introduce the show, telling listeners what to expect on this journey into (and out of) the world of cinematic mind control.