The Doctor's Beard Podcast: Recent Episodes
Lucky Shot Productions
Podcast John S. Drew and writer/editor Jim Beard conquer time and space by watching and reviewing every episode of the Classic Doctor Who television series.
Guest: JB Anderton of the Doctor Who Gives a F#! podcast joins John and Jim, as he does for every multi-Doctor story, to make sense of the un-make-sense-able.
Note: This is a hiatus episode from our Wilderness Years coverage, released early on the Patreon feed and arriving on the main feed August 9th to celebrate Doctor Who Podcast Day. A warm welcome to everyone joining us for the occasion! Love the podcast? Consider joining us on Patreon for early access, exclusive episodes, and the option to commission your own Doctor Who story.
Show Notes: For the show's 30th anniversary in 1993, the BBC gave Doctor Who fans a two-part, 3D, charity crossover with EastEnders in which the Rani traps the Doctor's incarnations in a time loop and scrambles Doctors and companions together at random. It is, by common agreement among the hosts, the Doctor Who equivalent of the Star Wars Holiday Special—not to be taken remotely seriously, but a genuine curiosity worth seeing at least once, if only because it's one more chance to watch these beloved actors play these beloved characters.
How We Even Got Here: The Ghost of The Dark Dimension
Before there was Dimensions in Time, there was The Dark Dimension—an ambitious, Tom Baker-centered 30th-anniversary feature that collapsed months before it would have aired. The hosts (with JB drawing on John Pertwee's own memoir) untangle the competing accounts of what happened: budget mismanagement, pressure from the American rights holders, and a script that the other surviving Doctors felt reduced them to walk-on cameos. What emerged instead was a bargain-basement Children in Need special built on a standing EastEnders set, produced by John Nathan-Turner as if it were a real episode (production code and all), and shot around the soap's schedule for no fee.
A Cast List That Astonishes—and the Gaps That Intrigue
The hosts marvel at the sheer roll call of returning Doctors and companions, puzzle over who's conspicuously absent, and confront the parade of EastEnders faces that leaves them defaulting to "if I don't recognize them, they must be from the soap." There's the interactive phone-in twist that raised a small fortune for charity, the Noel Edmonds framing device, the rave-version theme, and Kate O'Mara gamely chewing the scenery as the third choice for the villain.
Everybody's In Character (With Two Very Notable Exceptions)
A running thread: nearly everyone slips back into their roles with real commitment—even in three seconds of screen time—which makes the two who don't stand out all the more. The hosts have plenty to say about a phoned-in performance from a certain fan-favorite Doctor reading off cue cards in a sound booth, and a beloved companion stranded in a costume and a barrage of technobabble that left one host cold (with a fair hearing of the very human, very practical reasons behind the wardrobe choice). Along the way: Susan's grandfather problem, the disembodied busts of two late Doctors, a monorail glimpsed in the background, and the eternal question of why the Seventh Doctor hauls all his equipment outside the TARDIS.
A Menagerie Missing Its Most Famous Monster
Why are there no Daleks among the Rani's captured specimens? The hosts dig into the rights tangle behind their absence—and what it might mean for the show's future as Doctor Who itself heads to tender in 2026.
The Canonical Silver Linings
Amid the chaos, the hosts find the moments worth preserving: the only on-screen meeting of the Sixth Doctor and the Brigadier, and Nicholas Courtney's Brigadier arriving by helicopter—giving the actor, if you squint, a claim to having worked with all seven classic Doctors.
Production Details: * Broadcast: November 26–27, 1993 (across Children in Need and the Noel Edmonds show) * Production Code: 7R * Format: Two parts, presented in 3D, with an interactive phone-in ending * Villain: The Rani (Kate O'Mara, the third choice after two others) * Setting/Crossover: EastEnders' Albert Square * Predecessor Project: The Dark Dimension (cancelled 30th-anniversary feature) * Charity: Raised over £100,000 for Children in Need on the phone-in alone * 13.8M (part one), 13.6M (part two) — inflated by the EastEnders crossover
Coming Up Next: Monday (Patreon Exclusive 183): A disco version of the theme, the Memory TARDIS, a look back at the first six Doctors, and the comics "The Grief" and "Ravens."
Friday (Patreon): Whatever Happened to Susan Foreman?—A BBC Radio produced mockumentary, starring Jane Asher.
Saturday (Main Feed): Wartime—the fan-produced, BBC-sanctioned Benton video, from the Patreon vault.
End Music: This episode closes with a reworking of the Dimensions in Time theme by Darth Jedi: https://www.youtube.com/watch?v=bv2t41k2244
Hashtags: #DoctorWho #DimensionsInTime #ChildrenInNeed #ClassicWho #TheRani #EastEnders #WildernessYears #DoctorWhoPodcastDay #MultiDoctor #DoctorWhoPodcast
Note: This is a hiatus episode, originally a Patreon Exclusive, airing on the main feed during the break between Classic and New Who. Love the podcast? Consider joining us on Patreon for early access to episodes, exclusive content, and the option to commission your own Doctor Who story.
A Strike Over a Clock Changes Doctor Who History
The story of Shada begins not on screen, but in the chaos of 1970s British industrial action. A seemingly minor dispute over which union controlled the operation of an elaborate clock on the BBC Children's Program, Play School, escalated to the point where production of Doctor Who came to a standstill. Two-thirds of filming had been completed. Sets were built. Effects work had been shot. Actors had been cast. And then everything stopped. The cast wasn't aware of what was happening behind the scenes—some didn't even know production had ceased until much later. Meanwhile, writer Douglas Adams had already decided to step away from the show. He wouldn't be returning.
The Lost Story That Became Many Stories
Because Shada was never completed in 1980, it exists in five different forms today. A 1983 fan edit using rough footage and text inserts. A 1992 VHS release with Tom Baker providing narration for the unfinished scenes. A Big Finish Flash animation from 2013 that reimagined the story. An unofficial animation created before the official version. And finally, a 2021 Blu-ray restoration with enhanced animation presented in proper episode format. But none of these versions represent what Douglas Adams might have intended, because the original script—if it still exists—has never been published. The editing, the changes, the additions made over decades remain mysterious.
What Was Filmed, What Wasn't, and Why Some Special Effects Exist for No Good Reason
One of the most fascinating aspects of watching Shada is understanding what the production achieved before the strike. All the Cambridge location footage—the punting scenes, the exterior shots of the university, Tom Baker riding a bicycle—was shot first. The interior sets at the professor's rooms were next. But the spaceship interiors? Those were never filmed, because the production never got far enough. Yet special effects models of both spaceships were built and filmed specifically for a story that would never be completed. The Krog robots, partial shots of spacecraft, miniature effects work all survived despite the rest of production falling apart. It's a window into how Doctor Who production actually worked: film everything outdoor or on location first, then work studio interiors later.
A Woman Transformed, A Doctor Leaving, and a Show About to Change Everything
Tom Baker—at this point no longer interested in playing the Doctor again—was paired with Lala Ward (as Romana II). Their relationship during this period was becoming increasingly strained (they would eventually marry and divorce, an 18-month union that left permanent scars). Meanwhile, Graham Williams—the outgoing producer—was frustrated that the BBC wouldn't fund the show properly. He could only get two-thirds of the budget needed. He suggested his replacement: John Nathan Turner, a producer with big ideas and bigger ambitions. Turner would bring in Christopher Bidmead as script editor—someone determined to ground the show in actual science and move away from what he considered silliness. Bidmead would also cherry-pick which parts of established continuity "counted," declaring entire seasons from the past to be non-canonical. This era would define everything that came next.
Cambridge, Tea, and a Story About Wanting to Create a Universal Mind
The story itself involves a professor of Gallifrey, secret books, a man named Skagra with mysterious plans, and a prison planet that the Time Lords conveniently forgot about. But at its heart, it's a tale about someone trying to merge multiple consciousnesses into a single universal mind—a concept that resonates strangely in an era of AI debates decades later. The Doctor opposes this not through violence, but through philosophy, engaging in a debate about why controlling the universe isn't actually desirable. It's quintessentially Douglas Adams: ambitious ideas wrapped in humor and logic puzzles.
Guest Stars Both Familiar and Forgotten
Gerald Campion, who played the original Billy Bunter decades earlier, appears in a small role. Tom Baker was thrilled to work with him. Christopher Neame plays the villain Skagra in a distinctly disco-era outfit that suggests the production was made in a very specific time period. Most of the cast has been forgotten by history—which is what makes it tragic. These actors prepared for a major Doctor Who story that would have been seen by millions. Instead, they prepared for something that was erased.
Romana in Costume, or Rather, in Multiple Costumes
One thread that becomes increasingly frustrating as the story progresses: Romana keeps changing outfits, and none of them seem quite right. There's a hat situation that neither host is happy about. But the core problem goes deeper—Romana, one of the Doctor's most capable companions, spends large stretches of this story being dragged around, held hostage, or forced to watch as events happen around her. It's a companion written with less agency than the show had managed before.
A Mystery at the End: What Was Douglas Adams Actually Trying to Say?
The final revelation that Professor Cronotus is actually Salyavin—a famous criminal from Shada prison—raises questions that the story never adequately addresses. He's dead, sort of. He's a paradox, sort of. He creates a companion (Claire) who suddenly understands alien technology without explanation. And then the Doctor simply... leaves. Leaves a TARDIS on Earth with an unstable former criminal who's slowly fading from existence. No one discusses what will happen. No one seems concerned. By the final episodes, the story becomes increasingly muddled, introducing concepts that don't quite land and resolutions that feel incomplete.
Which Version Did They Watch? And Does It Matter?
The hosts watched the 2021 Blu-ray restoration, broken into six episodes with enhanced animation. But the question lingers: is this Douglas Adams's original story, or has it been altered beyond recognition by decades of reconstruction? The animation is competent but uneven. Tom Baker's and Lala Ward's aged voices are notably different from their younger selves. David Briarley, the original voice of K9's computer, recorded new material shortly before his death. A final scene was added showing Tom Baker as an older man—was this always planned, or a later addition?
A Story in Cotton Candy Form
One host describes Shada as "cotton candy science fiction"—tasty in the moment, completely gone the moment you consume it. The question becomes: how much of the fascination with Shada is about the story itself, and how much is about its impossible history? Had it been completed on schedule and aired as just another season finale, would anyone still talk about it? Or is the legend of Shada more interesting than Shada actually is?
Production Details: * Production Code: 5M * Intended Air Date: January 19 – February 23, 1980 (never aired) * Writer: Douglas Adams (final script for the show; also served as script editor) * Director: Pennant Roberts * Cause of Non-Completion: Industrial action/strike regarding union jurisdiction over BBC equipment (ultimately over a clock on a children's program) * Percentage Shot: Approximately two-thirds * Versions That Exist: Five distinct versions across different formats and decades * Key Guest Cast: Gerald Campion (Billy Bunter himself), Christopher Neame (Skagra), Daniel Hill (Chris), Victoria Burgoyne (Claire)
Key Discussion Points: * The production history and why the strike occurred * Why special effects were filmed for scenes that were never shot * The decision to leave Tom Baker out of future multi-Doctor stories (and his later appearance here) * What happened to Romana's agency as the story progresses * The muddled explanation of Cronotus/Sally Avon and the paradox he represents * Whether Shada would be remembered if it had simply aired as scheduled * How different Doctor Who productions worked (exteriors first, interiors later) * The implications of leaving an unstable TARDIS on Earth with no follow-up * Douglas Adams's memos and his frustrations with the show's direction * The romantic relationship between Tom Baker and Lala Ward during this period, and how it affected their performances
Coming Up Next: Saturday (Main Feed) / Friday (Patreon Early): Season 18 premiere, "The Leisure Hive" (four-parter). The first story under the new regime begins.
Monday (Patreon Exclusive 120): Season 17 retrospective and mainstream comics coverage for the hiatus period ("Dogs of War," "Time Witch," "The Star Beast").
Hashtags: #DoctorWho #Shada #TomBaker #LalaWard #DouglasAdams #ClassicWho #LostStory #ProductionHistory #UnfinishedBusiness #DoctorWhoPodcast #WildernessYears
Note: This is a hiatus episode, originally a Patreon Exclusive, airing on the main feed during the break between Classic and New Who. Join our Patreon to get early access to review episodes and weekly exclusive content like this.
A Theme with Energy But No Clarity on Genre
The episode opens with "Dancer Who," a drum and bass remix of the Doctor Who theme from an account called "Synth Theme Remixes." Despite nearly 13 years of existence and modest viewership, the track has undeniable energy and a strong beat. Whether it's actually pure drum and bass is debatable—there are keyboards and synthesizers involved—but it's undeniably danceable. The hosts hope their coverage might help this overlooked remix find a wider audience.
https://youtu.be/Puve_A9EFwQ?si=Mw5zOUxgQS27JnFn
A Season Where Companions Spend More Time Fighting Than Helping
Season 20 presents an interesting problem: the TARDIS is crowded. Tegan is improving as an actress, but only incrementally. Turlough raises the fundamental question: why is this character here at all? Even more surprising—by the time we're done, Adric starts looking better in retrospect. When you find yourself comparing a companion favorably to someone much-maligned by fandom, you know the roster has an issue.
A Creature Department with Nothing to Do
The hosts confront an uncomfortable truth about Season 20: it's remarkably free of monsters and creatures. The Mara is a villain, not a creature. The Garm exists but barely registers. The Eternals are villains. Kings Demons has... nothing. This absence reflects a deliberate editorial choice to ground the show under Peter Davison's influence—away from the wacky alien designs, toward something more naturalistic. The creature department was apparently just sitting around with nothing to build.
When Best Villain and Best Guest Star Diverge in Unexpected Ways
One host makes a surprising villain choice. Another champions a campy, over-the-top performance that might seem like it belongs in a different era of Doctor Who entirely. The Brigadier's return gets unanimous agreement as best guest star, but his performance in a particular story involves playing not one, but two versions of himself—a challenge that pays dividends. Meanwhile, the Black Guardian lingers as a presence but never quite rises to the occasion, despite excellent work from the actor.
Two Different Takes on the Same Brigadier Moment
Both hosts select best moments from the same story, but they pick different scenes. One focuses on the emotional weight of two versions of the same character finally meeting and reaching out. The other selects a memory-based sequence—a storytelling device that works beautifully here but one the hosts caution against overusing. It will show up again and again in New Who, and there's apparently a real tearjerker in the Sarah Jane Adventures that hits hard. But how many times can you deploy the same emotional tool before it loses power?
The Easiest and Hardest Superlatives
Best and worst episodes sort themselves out quickly—there's immediate consensus on what works best and what's interminable. But best monster becomes genuinely difficult when you realize the season doesn't have traditional creatures to choose from. Best companion is solved "by default." And best moment splinters into two thoughtful but different answers.
Comics: A Fishing Trip That Becomes a Moral Quandary "Lunar Lagoon" (DWM 76–77, April–May 1983) finds the Doctor landing on a Pacific island during World War II, not realizing what era he's actually in. A lone Japanese soldier still believes the war is ongoing. When an American pilot is shot down, the Doctor removes the bullets from the soldier's gun—but this act of mercy sets off a chain of events that results in the soldier's death and leaves the Doctor consumed with guilt.
The hosts note that while this is a hoary old cliche (the Japanese soldier who doesn't know the war is over), the Doctor's presence should have reframed it. Instead, critical details remain unclear—what year did the Doctor think he was in? Why was there suddenly an American WWII plane? The story needs another line or two of dialogue to ground what's happening. Additionally, the complete absence of a companion (despite Nyssa, Tegan, and Turlough all being available) makes the story feel oddly hollow. The Doctor carries everything through thought balloons and internal monologue, which limits the interplay a good Doctor Who story thrives on.
Memory TARDIS: A Landing That Nobody Expected "The Mind Robber" (Troughton, five-part story) sends the hosts into a discussion about a tale so weird, so far from grounded Doctor Who, that it might be impossible to imagine in Davison's era. The Land of Fiction, a rogue character masquerading as "the Master," Jamie's face literally rearranged due to actor illness, and a famous shot nobody will forget—this is 1968 Doctor Who at its most experimental.
Production Details: * Season 20 aired March–June 1983 (seven stories) * The Five Doctors included with this season set (though technically separate) * Best Companion: Nyssa (with significant caveats) * Creature Department Status: Vastly underutilized * Key Spoiler Cards for Season 21: The hosts avoid "New Doctor" (too spoilery), pick "Elementary, My Dear Jim" instead of "Body Count" * Upcoming Writer Return: Robert Holmes returns for Season 21 with what many consider both Peter Davison's best story and Holmes's finest work
Hashtags: #DoctorWho #Season20 #TheFiveDoctors #PeterDavison #Superlatives #Brigadier #DoctorWhoPodcast #ClassicWho #WildernessYears #MindRobber
Guest: British author Paul Ebbs—Big Finish writer and lifelong Who fan who watched every episode on broadcast from 1970 to 1989—joins John and Jim to close out Classic Doctor Who.
Three and a Half Years, One Weekly Show, and Finally the End of the Road
This is it. The final story of Classic Doctor Who. After three and a half years of weekly episodes covering every televised adventure in order, John and Jim reach the end of the line with Survival—Sylvester McCoy's swan song, Ace's coming-of-age, and the Master's last classic-era stand. To mark the occasion, they welcome a guest who was there when it first aired: author Paul Ebbs, who calls this his joint-favorite story of all time and makes a passionate case for why it matters far more than its reputation might suggest.
A Working Title You Won't Believe
Before it became Survival, this story went by two working titles: "Blood Hunt" and—brace yourself—"Cat Flap." Yes, the final story of Classic Doctor Who was nearly called Cat Flap. The hosts have thoughts about this, and about what might have been if that title had stuck.
The Show Looking Into a Mirror and Seeing Its Future Self
Paul makes a bold argument that runs through the whole conversation: there is no post-2005 Doctor Who without this era. Everything RTD would later do is seeded right here. He points out that Rose is set "one estate across and three streets up" from Survival. Jim extends John's running metaphor—Cartmel walked so RTD could run—into something more specific: Ace walked so Rose, Amy, and every companion after could run. This is the story where the companion's inner life, backstory, and growth finally take center stage, setting the template for everything that followed.
A Master Story, a Height Difference, and a Performance That Elevates
This marks Anthony Ainley's final televised turn as the Master, and it's a memorable one. The hosts discuss how McCoy holds his own against Ainley despite a notable height difference, the chilling mirror scene, and whether this ranks among Ainley's best work. There's disagreement about where he sits relative to Delgado—and a surprising admission from one host about finally coming around on Ainley this time.
The Hottest Shoot on the Coldest-Looking Planet
Behind the scenes, this was a punishing production. Filmed in 100-degree heat in Dorset, the elaborate Cheetah People costumes (a departure from writer Rona Munro's more subtle original vision) made life miserable for the cast. An extra walked off. Sophie Aldred suffered dehydration despite not even wearing the costume. Ainley himself took the production team to task over how uncomfortable Lisa Bowerman was. And yet, all shot on location, the story achieves a cinematic quality the hosts and guest clearly relish.
A Writer Who Paints a Whole Life in Two Lines
Paul—himself a working Who writer—delivers what amounts to a masterclass appreciation of Rona Munro's screenwriting. He singles out a first episode with relentless narrative drive, exposition smuggled invisibly into dialogue, and minor characters who feel fully three-dimensional from just a line or two. There's a subtle detail involving what a street character is collecting money for that ties directly into the story's central theme—and it's the kind of thing you only notice when someone points it out.
The Sabotaged Hum and the Only Pacifist in the Room
At its heart, this is a story about not winning through violence. The Doctor is the lone voice of pacifism amid chaos, and Paul makes a spirited defense of a much-debated sequence in part two—arguing it's not a misfire but the thematic backbone of the entire story. Whether you agree depends on how you read the Doctor's role, and the hosts don't entirely line up on this one.
Planet of the Apes on Horseback
The first sight of a Cheetah Person mounted on horseback draws a direct comparison to the iconic gorilla-on-horseback image from Planet of the Apes—an incongruous, unforgettable visual. The hosts and guest also defend the animatronic cat, the Cheetah People makeup, and Doctor Who's whole relationship with special effects. There's a broader argument here about what actually matters in the show, and it's not the monsters.
An Accidental Perfect Ending
Only John Nathan Turner knew this might be the last episode for a long time. The cast and crew were largely in the dark. Cartmel wrote the melancholy closing monologue—"there are worlds out there where the sky is burning"—which McCoy recorded, fittingly, on the show's actual 30th anniversary. The hosts and guest reflect on how a story nobody knew was a finale became the perfect accidental send-off for Classic Who.
Fruit Machines, Finger Tricks, and Pocket Watches
Along the way: a discussion of the Doctor's mysterious forehead-finger business, McCoy's prop-driven approach to the role (including a pocket watch used as a scanner), the great sonic screwdriver debate, and a Doctor channeling Pertwee on a motorbike. Plus a small mystery about Ace's mother that the story raises and then quietly drops.
Production Details: * Production Code: 7P * Aired: November 22 – December 6, 1989 * Writer: Rona Munro (would later write New Who's "The Eaters of Light" for Capaldi) * Director: Alan Wareing (previously The Greatest Show in the Galaxy, Ghost Light) * Working Titles: "Blood Hunt" and "Cat Flap" * The Master: Anthony Ainley (added at JNT's insistence for a named villain; his final televised appearance in the role) * Notable Cast: Lisa Bowerman as Karra (would go on to voice Bernice Summerfield and direct for Big Finish), Julian Holloway as Sergeant Patterson (Paul's favorite guest actor in Who history; passed away recently), comedians Gareth Hale & Norman Pace in the shop * Filming Location: Perivale for the Earth scenes, Dorset for the planet of the Cheetah People * Closing Monologue: Written by Andrew Cartmel; recorded by McCoy on November 23, 1989 * Ratings: 5M / 4.8M / 5M
Key Discussion Points: * Why this story is the template for all of post-2005 Doctor Who * Ace as the proto-New-Who companion and the culmination of Season 26's arc * Anthony Ainley's final Master performance and how he compares to Delgado * Rona Munro's writing craft and economy of characterization * The pacifism theme: "If we fight like animals, we'll die like animals" * The debate over part two and whether it drags or lands the story's themes * The "Ace walked so Rose could run" thesis * The Planet of the Apes visual influence * Doctor Who's relationship with special effects and suspension of disbelief * Whether holding the Master story for last was the right call * The all-location cinematic shooting style * The accidental perfect ending and Cartmel's closing monologue * The Wilderness Years to come, and the role of the Virgin New Adventures novels
Coming Up Next: Friday (Patreon Feed): A look back at McCoy, the 80s, and the Classic Era overall.
Monday (Patreon Exclusive 180): Season 26 overview—the good, the bad, and whatever ugly there was. Plus the comics "Party Animals" and "The Chameleon Factor." Patreon subscribers also get the 80s retrospective.
Wednesday (Main Feed): Season 20 retrospective (a previously Patreon-exclusive episode).
And Then: Hiatus episodes that will look at aspects of the "Wilderness Years", The 1996 TV Movie, and eventually the leap into New Who and the Christopher Eccleston era.
Hashtags: #DoctorWho #Survival #SylvesterMcCoy #SophieAldred #Ace #TheMaster #AnthonyAinley #RonaMunro #ClassicWho #EndOfAnEra #PaulEbbs #DoctorWhoPodcast
Guest: Shagg Matthews from the Fire & Water Podcast Network joins John and Jim to discuss the penultimate story of Classic Doctor Who.
The Darkest Hour(s) Before the Dawn
The hosts are unified in their assessment: this is the darkest, most adult, most dramatically mature story of the entire series. It's not dark in tone alone—it's dark in theme, dark in implications, dark in what it reveals about the Doctor's character. One joke exists in the entire episode; everything else operates in shades of genuine dread. The production team clearly knew they were operating on borrowed time and decided to swing for the fences: a World War II setting, a genuine first-evil antagonist, psychological manipulation, body horror, and questions about faith itself.
A Writer and a Producer in a Battle Over Hemovores
Ian Briggs returned to Doctor Who after nearly a full season away—Andrew Cartmel had to convince JNT to give him another chance. Once given that chance, JNT immediately began second-guessing and meddling. The hemovores were originally supposed to look different, more monstrous. JNT thought they looked "rather rude"—apparently resembling a sexual organ—and demanded they be toned down. The final design: vampiric-looking humanoids that started as two schoolgirls. It's a compromise that somehow works brilliantly despite the behind-the-scenes friction.
A Location Shoot That Feels Real
Rather than attempt the Blitz with pyrotechnics and sets, Nicholas Mallet (returning from Paradise Towers) persuaded JNT to film entirely on location. They shot in Dorset and Northumberland, capturing genuine seaside cliffs and windswept locations. The weather cooperated and didn't cooperate simultaneously—freak conditions meant one day brought snow, the next sunshine, then rain. Rather than reshoot, they worked it into the story. McCoy kept his own heavy coat between takes; the production said it looked good, so he wore it throughout. Sophie Aldred handpicked her costume and refused to cover it with an overcoat, keeping her arms visible at all times.
A Story That Was Never Meant to Be an Ending (But Knows It Is)
Only John Nathan Turner knew the show was ending. Everyone else—including Sylvester McCoy, who'd signed a contract for Season 27—was operating under the assumption the show would continue. McCoy was all set to return; Sophie Aldred hadn't even been offered one yet. The BBC officially called it a "hiatus" while quietly beginning a competitive tender process to find a new production company. But among all the cast and crew, only JNT was preparing this as a potential final chapter. The others were simply making the next story.
The Story: A mysterious entity called Fenric—described as one of the first evils of the universe—has been imprisoned for 17 centuries. In 1943, a small English coastal town becomes the battleground. Russian soldiers are hunting for a scientist named Judson, who's secretly developing a computer to decode German ciphers. The Doctor arrives to find ancient Viking ruins, encoded runes that must never be translated, and mysterious creatures rising from the water. When the runes are translated, Fenric's influence begins to spread. The true revelation: Fenric has been manipulating events for centuries, including the entire relationship between the Doctor and Ace.
Production Details: * Production Code: 7M * Aired: October 15 – November 14, 1989 * Writer: Ian Briggs | Director: Nicholas Mallet * Guest Stars: Nicholas Parsons (Reverend Wainwright), Dinsdale Landen (Commander Millington) * Filming Location: Lulworth Cove in Dorset; North Umberland or possibly Whitby (accounts vary) * Notable Details:
+ First Doctor Who story set in WWII (War Games covered WWI)
+ All-location filming —rain, snow, and sunlight all captured genuinely
+ Sophie Aldred dove into water three times to get the shot; divers had to follow her on the final take
+ McCoy wore his personal coat between takes; production kept it in final cut
+ Ratings: 4.3M, 4M, 4M, 4.2M (held above 4 million throughout)
- Music: Mark Ayers
- Novelization: Ian Briggs (same author), includes epilogue set in 1887 Paris
Key Discussion Points: * Why this story works as mature television drama * The manipulation thread: Fenric manipulating the Doctor and Ace; the Doctor manipulating Ace for a greater good * The distraction scene and whether it lands (or whether it makes viewers uncomfortable) * Ace's fear of water: genuinely from the story, or character development invented for the finale? * The Doctor's faith expressed through his companions' names (from novelization) * Why the Ancient One/Great Serpent feels unnecessary when Madison and Fenric were compelling enough * The Doctor being "on patrol"—Batman and Robin dynamics with Ace * Ace's first genuine character arc across multiple seasons * The seduction vs. the seduction scene: why one works and the other doesn't * How this story informs RTD's approach to companion arcs in New Who * Season 27 plans: Ace was meant to train for the Time Lord Academy * The rain and weather: natural hazard or perfect cinematography?
Coming Up Next: Monday (Patreon Exclusive 179): Music, Memory TARDIS, and "The Mark of Mandragora" comics.
Friday (Patreon Early) / Wednesday (Main Feed): "Survival" (three-parter)—the actual final story of Classic Doctor Who. John handles narration; guest writer Paul Ebbs from England joins the discussion.
Special Notes: * This is the second-to-last classic Who story * John mentions this is only the second time he's "mainlined" multiple episodes in a row (the first time being War Games) * The hosts plan to do a retrospective episode after Survival covering favorite doctors, companions, and villains across all 26 years * Shag gives credit to the novelization for revealing that the Doctor whispers the names of the First Doctor's companions (Ian, Barbara, Susan, Vicki, Stephen) as his source of faith against the hemovores
Hashtags: #DoctorWho #Season26 #TheCurseOfFenric #ClassicWho #SylvesterMcCoy #SophieAldred #Fenric #DoctorManipulates #DarkestStory #DoctorWhoPodcast #PenultimateStory
Guest: Felicity Kusinitz from the Flopcast joins John and Jim to discuss Season 26's most confusing story.
A Script Too Big for Its Own Shoes
Mark Platt submitted "Lungbarrow" to the show—a bold move for a writer with no professional credits beyond Doctor Who fan fiction. JNT immediately shut down his original concept (a full revelation of the Doctor's origins involving Gallifrey, Rassilon, and Omega) and asked him to rework it. Platt transplanted the thematic weight of that rejected story into a Victorian Gothic setting, creating Ghost Light. The result is a production that was heavily edited, with numerous explanatory scenes cut to fit three episodes. Even now, decades later, the story remains notoriously difficult to follow on first viewing—and according to many, even on subsequent viewings.
Why This Story Rewards (and Frustrates) Repeat Viewing
Felicity came in as a genuine enthusiast for this story, despite her general ambivalence toward the McCoy era. She's watched it multiple times and finds it improves with knowledge of what's coming. The New Adventures novels (particularly "Lungbarrow," which completed Andrew Cartmel's original Master Plan concept) have deepened her appreciation retroactively. Yet even she admits the first viewing is a puzzle box without instructions. Jim, meanwhile, found it nearly incomprehensible—he spent much of the episode laughing at the absurdity while also trying desperately to understand what was actually happening.
Too Many Characters Syndrome Strikes Again
The story suffers from the same overcrowding that plagued Battlefield. There's Josiah Samuel Smith, Control, Nimrod, the Reverend Matthews, the Constable, Mrs. Pritchard, Gwendolyn, the maids, Inspector McKenzie, and eventually Light itself. Each arrival adds another layer of confusion. Jerry Lange's earlier concerns about "too many characters" find their most vindicated expression here. Some characters could have been eliminated entirely, and others—particularly the Reverend and the Constable—feel like they exist only because they were written before the cuts.
A Doctor Who's Getting Darker (And Meaner)
A troubling thread emerges in this viewing: the Doctor is increasingly manipulative and even cruel with Ace. He brings her to a house without explanation, observes her distress as a kind of experiment, and generally treats her as a subject to be studied rather than a companion to be protected. This emotional manipulation—combined with McCoy's alien coldness rather than zany warmth—marks a shift in the character that will come to a head in the final story.
Atmospheric But Muddy: The Audio Problem
The story is visually and aurally striking—genuinely evoking Hammer Horror and the Hinchcliffe era with its Victorian setting and Gothic atmosphere. Yet the production suffers from audio mixing issues. The soundtrack is prominent enough to drown out dialogue, particularly Ace's lines, which are sometimes difficult to parse. This compounds the story's already confusing nature; listeners are struggling both to understand the plot and to hear what characters are saying.
The Incomprehensible Becomes Character-Driven
Once Light arrives—a being of pure energy obsessed with cataloguing life but appalled by its constant evolution—the story gains a genuinely interesting thematic core. Light's childlike wonder and petulant rage when confronted with change creates an intriguing antagonist, even if the costume (flowing cape, pale makeup, styled hair) reads more as "space fairy" than "cosmic entity." The Doctor defeats Light not through action but through argument—a Kirk-like tactic that works here because the concept itself is compelling enough to carry it.
What Works, What Doesn't
The setting works beautifully. The cast interactions (particularly Ace and Gwendolyn's constant wrestling matches) add levity. Sophie Aldred's increasing maturity as an actress and her character's evolution is noticeable. The costume design is excellent—though Ace keeping her boots on under the Victorian dress is a nice character touch. What doesn't work is the clarity; the rushed ending; the revelation that Control, Fenn Cooper, and Nimrod escape in the spaceship (leaving Ace's future burning of the house still unexplained); and the general sense that crucial scenes were left on the editing room floor.
The Crown Jewel of Cartmel's Tenure?
Cartmel considers Ghost Light the crown jewel of his script-editing era—a statement that says more about what went wrong in his tenure than it does about the quality of this particular story. It's bold, daring, and ambitious. It also fails to deliver on its promises due to time constraints and editorial decisions made by people who didn't care anymore. This is the final production of classic Doctor Who, even though it airs second in the season. The actual last scene filmed was the closing exchange between Ace and the Doctor—a conversation that feels almost tacked on but carries genuine weight: Ace wishes she'd blown up Gabriel Chase instead of burning it down, and the Doctor simply replies, "Wicked."
Production Details: * Production Code: 7Q * Aired: October 4–18, 1989 (but produced AFTER both "Curse of Fenric" and "Survival") * Writer: Mark Platt (first professional sale; no prior writing credits outside fan fiction) * Director: Alan Waring * Original Concept: "Lungbarrow" — a story meant to fully reveal the Doctor's origins on Gallifrey * Ratings: Episode 1: 4.2 million | Episodes 2 & 3: 4.0 million (slight bump from previous week) * Notable Cast: Michael Cochrane (Fenn Cooper, previously in "Black Orchid"), Carl Forgione (Nimrod, previously in "Planet of the Spiders") * Key Detail: Last scene shot was Ace and the Doctor's closing exchange
Key Discussion Points: * The 75-minute script cut down to fit three short episodes and what was lost * Too many characters introduced with insufficient explanation * The Doctor's increasingly manipulative treatment of Ace and what it suggests about his character arc * Whether the story rewards repeat viewing or if clarity is impossible * The Victorian Gothic atmosphere as the story's greatest strength * Light as a conceptual antagonist vs. Light as a costume problem * Sophie Aldred's maturing performance throughout Season 26 * Why Ace's 1983 burning of Gabriel Chase never connects fully to the events of this story * Ace keeping her boots on under the Victorian dress as character work * The jarring tonal shifts between scenes * Patrick Mulkern's assessment that the incoherence lands at Cartmell's feet
Coming Up Next: Monday (Patreon 178): Music (The Doubleclicks' version of the Doctor Who theme), comics "Darkness Falling" and "Distractions" (prequels to a larger storyline), Memory TARDIS, and a tribute to BBC Books editor Justin Richards, who passed away.
Friday (Patreon Early) / Wednesday (Main Feed): "The Curse of Fenric" (four-parter). Jim handles narration; guest Shagg Matthews joins the discussion.
Hashtags: #DoctorWho #Season26 #GhostLight #ClassicWho #SylvesterMcCoy #SophieAldred #AmbitionVsExecution #CartmelMasterPlan #MarkPlatt #VictorianGothic #DoctorWhoPodcast
Guest: Artist Jerry Lange joins John and Jim to discuss Season 26's explosive premiere.
Six Years Later: A Familiar Face in Uniform The Doctor intercepts a distress call from Earth and arrives to find military forces mobilizing around a lake in rural England. But the soldiers he encounters aren't the ragtag UNIT troops from decades past—they answer to a new Brigadier, Winifred Bambara, sharp and decisive in ways that immediately challenge the Doctor's expectations. Before he can fully process this changing of the guard, a figure from his past arrives by helicopter. Nicholas Courtney returns as Brigadier Alistair Lethbridge Stewart, and the moment he steps onto screen represents the kind of callback that reminds longtime viewers why they fell in love with this show in the first place.
The Return of a Beloved Character Done Right
This is Courtney's first appearance since 1983—a full six years away. Yet the script wastes no time exploring what retirement has meant for the man who spent so many years at the Doctor's side. Unlike a simple cameo or a "let me check in and leave" scenario, the Brigadier finds himself back in harness, commanding troops, coordinating military responses, and rolling with alien invasions as if no time has passed at all. The character hasn't softened with age; if anything, he's evolved into someone who finally understands what he's really dealing with and accepts it without question. This is prime Brigadier material.
Medieval Knights, Ancient Swords, and a Very Complicated Woman
The story introduces knights in armor who've landed on Earth, along with ancient artifacts and a mysterious woman who speaks through a crystal ball—someone claiming to be Morgaine, reaching across dimensions to reclaim what's hers. The central mystery involves Excalibur, a comatose figure who might be King Arthur, and the question of whether the Doctor himself might be Merlin. How does one character bridge ancient legend and the Doctor's own timeline? And what does it mean when the Doctor suggests he might already be Merlin, but just doesn't know it yet?
A Crowded Stage: When Too Many Characters Complicate the Story
With Bambera, Ancelyn, Shou Yung, the helicopter pilot, the archaeologist Warmsley, and others, the screen fills quickly. Some find this ensemble approach refreshing; others feel it dilutes the focus that Morgaine and the central conflict deserve. The new Brigadier especially becomes a point of discussion—is she a necessary counterpoint to Alistair's established authority, or does her anger and youth undercut the gravitas the role traditionally carries? And then there's the question of whether every character served the Arthurian elements or whether some existed primarily because the production wanted to demonstrate diversity of casting.
Jean Marsh as Morgaine: A Villain for the Ages
Yet if there's one element that commands universal appreciation, it's Jean Marsh's performance as Morgaine. She commands every scene she inhabits, wielding hand gestures, vocal inflection, and costume to create a presence that feels genuinely menacing. This is her return to Doctor Who after playing Sarah Kingdom decades earlier, and she uses the opportunity to sketch out one of classic Who's most memorable antagonists. Comparisons to Helen Mirren's Morgaine in Excalibur are inevitable—and some viewers find Marsh's interpretation equally compelling, if not superior.
The Mystery of Merlin and the Doctor's Unexplained Powers
Part of what makes this story intriguing is its central enigma: Is the Doctor Merlin? The story suggests he might be, but offers no clear answer. Instead, it proposes something stranger—that the Doctor might become Merlin at some point in his past, or that he already was without knowing it yet. This plays directly into the Cartmell Master Plan's fascination with the Doctor's origins and timeline. Yet the story also introduces psychic powers the Doctor exercises—mind tricks that feel Force-like in execution but are never explained or integrated into established Time Lord abilities. Where do these abilities come from, and why does the Doctor never use them again?
Bessie Makes an Unexpected Entrance
In one of the story's most delightful moments, the Doctor's old car Bessie emerges to save the day. It's a callback that lands harder than the story initially suggests it might, proof that even in a tale of knights and swords and alternate dimensions, there's room for the kind of continuity nods that make longtime fans smile.
A Production That Nearly Caused a Tragedy
Behind the scenes, Sophie Aldred found herself in genuine danger during the water tank sequence. The glass chamber—not built to withstand pressure—began to crack and bulge as water filled it. Loose electrical wiring posed an immediate electrocution risk. It took McCoy's quick thinking and frantic shouting to get her out before disaster struck. It's the kind of production hazard that modern safety standards would never permit, and it remains a sobering reminder of how close the show came to losing an actress.
A Story Ben Aaronovitch Wasn't Happy With
Remarkably, despite writing one of the strongest stories of Season 25 (Remembrance of the Daleks), writer Ben Aaronovitch objected to several elements of this one. The Brigadier's return, he felt, was a mistake—a sentiment that J&T, Cartmell, and Courtney himself overruled. He disliked the music, the nuclear weapons speech that Cartmell added for the Doctor, and believed the knights should have looked more futuristic rather than traditionally medieval.
The Merlin Question and Time Travel Paradox
The intriguing aspect of the Doctor-as-Merlin possibility is that it plays with time in ways the show doesn't always explore. If the Doctor becomes Merlin in his past, but that past hasn't happened yet, what does that mean for causality? The story leaves this deliberately unresolved, suggesting that some mysteries are more interesting unanswered—a bold choice for a four-part story with finite screen time.
Production Details: * Production Code: 7N * Aired: September 6–27, 1989 * Writer: Ben Aaronovitch | Director: Michael Kerrigan * Originally pitched as: "Storm of Avalon" (Season 25, rejected due to Silver Nemesis covering similar ground) * Key Return: Nicholas Courtney as Brigadier Alistair Lethbridge Stewart (first appearance since 1983) * Guest Cast: Jean Marsh (Morgaine), Angela Bruce (Brigadier Bambera), Marcus Gilbert (Ancelyn) * Notable: Last TARDIS interior appearance in classic Who; Courtney voted best actor of this season by Doctor Who Magazine * Ratings: 3.1, 3.9, 3.6, 4.0 (opening episode 3.1 is lowest in classic history)
Key Discussion Points: * The Brigadier's evolution from skeptic to fully-operational military commander * Jean Marsh's transformation from Sarah Kingdom to Morgaine * The Cartmell Master Plan's continued exploration of the Doctor's past * Morgaine's arrival from an alternate dimension and her connection to Arthur * The Doctor's unexplained psychic abilities and their absence from later stories * Whether the cast is too large and whether certain characters serve the narrative * Ancelyn's connection to Lancelot (possible anagram?) * The Bessie callback and its emotional resonance * Bambera as counterpoint to Alistair: innovation vs. tradition * The balance between Arthurian legend and Doctor Who mythology
Coming Up Next: Monday (Patreon 177): Music, Memory TARDIS, comics "Time Flight," "Doctor Conqueror," and "Fellow Travelers" (Sarah Jane returns to comics; Ace introduced)
Friday (Patreon Early) / Wednesday (Main Feed): "Ghostlight" (three-parter with guest Felicity Kusinitz from Flop Cast)—a story many fans have strong opinions about
Hashtags: #DoctorWho #Season26 #Battlefield #ClassicWho #NicholasCourtney #JeanMarsh #SylvesterMcCoy #BrigadierLethbridgeStewart #ArthurinaLegend #Merlin #DoctorWhoPodcast
John and Jim bid farewell to the Sixth Doctor with surprising revelations about changed opinions, why fandom got it wrong, companion dynamics, and Colin's enduring legacy as ambassador for a show that screwed him over.
John's Shocking Confession: After going into the Colin Baker era expecting disaster based on fan reputation, John emerges with a stunning announcement about where Colin now ranks in his Doctor hierarchy. Discussion covers what changed his mind and why the arrogance that defined Sixth Doctor was actually a feature, not a bug.
The Great Reassessment: Where does Colin Baker hate really come from? The hosts dig into the Davison devotion factor, the "hurt/comfort" fiction phenomenon, visual pushback, and story selection bias. Parallels drawn to another controversial modern Doctor currently experiencing reassessment. The question: does Colin deserve a renaissance?
Season Showdown: Jim and John compare Season 22's classic monster lineup against Trial of a Time Lord's experimental structure, with numerical ratings revealing surprising sympathies and contradictions. Twin Dilemma gets revisited with fresh perspective.
Peri vs. Mel: Deep dive into why the Doctor/Peri dynamic never quite worked (flashback to guests on John's old public access show The Chronic Rift bashing their chemistry), why Mel clicked better with Sixth than she will with Seventh, and what might have been with that brief Tegan/Colin pairing.
The BBC Institutional Problem: Doctor Who as "begrudging institution" Britain was done with by 1987, contemporary articles calling for the show to rest, and the uncomfortable parallel to where we are today.
Saward vs. JNT: Who really sabotaged Colin's era? The case against Eric Saward for wanting the Doctor "off to the side," the case for JNT staying despite wanting to leave, and how Andrew Cartmel represents the moment fans took over the asylum. The Chris Chibnall irony explored.
Colin the Ambassador: Why Colin immediately embraced fandom despite BBC treatment while Tom Baker grudgingly came around decades later. Discussion covers charity work, fan productions, regrets about the regeneration he refused, and the motivation difference between appreciation and adulation.
McCoy Preview: John drops a gauntlet: three stories from the Seventh Doctor era will score 15/15 as among the best of the entire classic run. Setup for the Troughton-inspired "don't underestimate me" Doctor and predictions about acting range debates.
Final Doctor Rankings Revealed: Jim and John count down their top six Doctors with Colin landing in surprising positions on both lists. The Tom Baker controversy unpacked - why both hosts rank him lower than conventional wisdom despite his institutional status.
Coming Up Next: Patreon Exclusive (Monday): Comic "Prophets of Doom," more Doctor Who music, Memory TARDIS wheel spin, and reactions to recovered Dalek Master Plan episodes 1 & 3 (BBC YouTube Easter miracle).
Main Feed (Monday - Schedule Change!): "Time and the Rani" - Sylvester McCoy's debut with Kate O'Mara as the Rani. Jim's first narration of the McCoy era.
Hashtags: #DoctorWho #ColinBaker #SixthDoctor #Retrospective #11Stories #WeHardlyKnewYou #DoctorRankings #Season22 #Season23 #TrialOfATimeLord #ClassicWho #DoctorWhoPodcast #SylvesterMcCoyPreview #FandomReassessment
The Story That Beats Coronation Street (But Divides the Hosts) Stephen Wyatt returns after Paradise Towers to deliver a circus-themed finale to Season 25. Expanded from three parts to four at John Nathan Turner's request, this story follows the Doctor and Ace arriving at the psychic circus on the planet Seganax—except Ace hates circuses, and the Doctor seems unusually fascinated by performance, danger, and magic. It wins over behind-the-sofa panelists and pulls the highest ratings of McCoy's entire run (beating Coronation Street for the first time), yet one host finds it compelling while the other considers it nearly unwatchable. What makes the difference?
Production Under Impossible Circumstances
The asbestos discovery that plagued Silver Nemesis forced this finale into a makeshift tent rigged in the parking lot. The budget is visibly exhausted by this point, yet the production team managed to secure Jeffrey Durham (The Great Soprendo) as the first magic consultant since 1977 to coach McCoy in juggling. The explosion sequence near McCoy was supposed to be blown air with added effects—until last-minute testing showed it looked unconvincing, so they switched to live pyrotechnics without telling the lead actor. He didn't blink on set because he believed there wouldn't be a retake.
The Doctor's Behavior: A Fundamental Divide
One host sees a character temporarily set aside his usual competence for story purposes. The other sees the Doctor acting like a completely different person—gullible, clumsy, silly, and uncharacteristically unable to read situations. The proactive crime-fighter from Remembrance and The Happiness Patrol has vanished, replaced by someone who falls into obvious traps and does pratfalls. McCoy's physical comedy training makes the juggling work, but does the writing serve the character he's been becoming over the last three stories?
The Satire Cuts Both Ways
Whiz Kid represents fandom—earnest, excited, devoted to the circus's history. His reward is a cruel, unnecessary death played as harsh comedy. What's the point of making fun of fans, especially when the message seems to be that fans should be punished for their devotion? Meanwhile, the real family in the audience—who turn out to be the Gods of Ragnarok—are abstract divine beings demanding entertainment. Who is the story really criticizing?
A Pantheon Problem
The Gods of Ragnarok are named after Norse mythology's apocalypse, yet they look almost Egyptian with their eye-based design. They get referenced later in New Who (specifically with the Fifteenth Doctor), which raises the question: did this story earn that future callback, or does the massive concept introduced in Part Four feel tacked on? What does naming them after Ragnarok actually accomplish?
Character Choices
Captain Cook is largely despised—a manipulative bore whose presence never makes sense. Mags is the victim of a rushed werewolf transformation that doesn't commit to either wolf or cat form. Kingpin is confusingly established as the former circus leader, but the revelation lands without impact. Bellboy's name suggests something, but what? The food cart lady exists to expose hippies. Meanwhile, the Chief Clown—sinister, physically controlled, genuinely threatening—stands out as the most interesting antagonist, but even he doesn't quite fit the larger story.
Does a Four-Part Circus Need to Be This Long?
The production feels stretched, relying on repetitive moments (running through quarries, hiding in tents, escaping robots) that feel interchangeable by Part Three. Could this have been told in three parts? Would removing redundant sequences have tightened the narrative? Does the extended runtime serve the story, or does it expose the thinness of the plot?
Production Highlights: * Music: First original song for Doctor Who since The Gunfighters (1966). Performed by Rico Ross, who played Private Frost in Aliens. * Magic Consultant: Jeffrey Durham (The Great Soprendo)—first since Talons of Weng Chiang (1977) * Guest Star: Jessica Martin (Mags) returns to the role in Big Finish and will later play Queen Elizabeth in Voyage of the Damned * Ratings: 5.0–5.3–4.8–6.6 (the finale pulls the highest numbers of McCoy's entire run)
Coming Up Next: Friday (Patreon): Doctor Who: The Ultimate Adventure (1989 stage production with John Pertwee—the clearest footage available on YouTube).
Following Wednesday (Main Feed): Colin Baker retrospective (hiatus episode).
Jim's Links: Big Top Tales Anthology - https://www.amazon.com/Big-Top-Tales-Nicholas-Ahlhelm/dp/1522700226
Pulp Fest Convention - http://www.pulpfest.com/
Hashtags: #DoctorWho #GreatestShowInTheGalaxy #Season25Finale #SylvesterMcCoy #SophieAldred #CircusStory #GodsOfRagnarok #StephenWyatt #ClassicWho #HostDisagreement #DoctorWhoPodcast
[Special Release: This episode is being released simultaneously on the main feed and Patreon for immediacy.]
BREAKING NEWS: The Future of Doctor Who Takes a Dramatic Turn Just hours before recording, the BBC made a major announcement that affects Doctor Who's direction for years to come. RTD and Bad Wolf are parting ways with the BBC. The Christmas special is canceled. New production arrangements are being sought. John and Jim process what this means for fandom, for the show's creative identity, and for the possibility of a true fresh start. One host sees this as inevitable reckoning; the other worries about what gets lost in transition. Both discuss how long the darkness might last—and whether that's actually a bad thing.
Season 25: Taking Stock of Four Stories
After racing through Remembrance of the Daleks, Silver Nemesis, Happiness Patrol, and The Greatest Show in the Galaxy, Jim and John pause to rank what they've just watched. Best episode? That's clear. Worst episode? They disagree—and don't let ratings alone settle it. Best villain, best companion, best guest star, best monster, funniest moment, best overall moment—each category sparks different reactions. What makes a story work, even when individual elements fail? When does spectacle overwhelm character? Why does one host adore a story the other found painful?
Nemesis of the Daleks: The First Dalek Comic in Ages
A four-part comic strip featuring the Doctor's oldest enemies—and a character that may or may not have survived. The art improves significantly from recent strips. The scope feels genuinely cinematic with the Dalek Death Wheel. But here's the question: did the ending rush a story that deserved more room to breathe? John appreciates the scale; Jim wishes the narrative had time to match it. Both wonder if this Dalek adversary will return.
Music & Memory TARDIS
"The Psychic Circus" by Christopher Guard (who played Bellboy) is a curiosity—an actual song written specifically about an episode, not the show itself. Peter Davison's final story, "The Caves of Androzani," offers stunning supporting characters and a presidency subplot that overshadows the main narrative. One host loves it unreservedly; the other would only revisit select scenes.
What Doctor Who Needs Now
With RTD out and the show facing a complete reset, Jim and John discuss what a new showrunner should do. Forget continuity complications? Embrace them? How long should the silence last? Should the next Doctor arrive on screen with no explanation, like Eccleston did? Can a complete reboot work? Should there even be a TARDIS anymore? These aren't answered so much as explored—and the conversation suggests the wilderness years ahead might be exactly what the franchise needs.
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Coming Up Next: Friday (Patreon): Doctor Who: The Ultimate Adventure (1980s stage production from 1989, featuring 70-year-old John Pertwee).
Following Wednesday (Main Feed): Colin Baker retrospective (previously recorded Patreon exclusive from our hiatus).
Following Monday (Patreon): Music, Memory TARDIS, and comics "Stairway to Heaven" and "Hunger from the Ends of Time."
Hashtags: #DoctorWho #PatreonExclusive #Episode175 #RTD #BadWolf #ChristmasSpecialCanceled #Season25Retrospective #NemesisOfTheDaleks #SylvesterMcCoy #PeterDavison #CavesOfAndrozani #FutureOfDoctorWho #ClassicWho #NewWho #DoctorWhoPodcast #BrokenNews
It's the 25th anniversary of Doctor Who, and for the occasion the BBC has assembled Nazis, Cybermen, time-traveling aristocrats, and a mysterious statue made of something that shouldn't exist. Add a comet, multiple centuries, and the Doctor's increasingly cryptic hints about his own past, and you've got an episode that John and Jim can't quite agree on. Production Under Pressure
John Nathan Turner wanted this as the season opener for maximum impact, but the Summer Olympics threw everything into chaos. More trouble: they found asbestos in the studio. No interior TARDIS scenes meant everything had to go on location—Windsor Castle (well, a substitute), 17th-century England, and actual museums. The budget request for a proper 25th-anniversary celebration? Denied by BBC One's controller, who wasn't even a fan of the show. Tensions on set ran high, mirroring Colin Baker's era.
The Idea That Started It All
Kevin Clark walked into pitch meetings with no idea what to pitch. Sat down with JNT and Andrew Cartmell, and when asked what he had, he said: "Doctor Who is God." (They asked him to leave God out of it.) His concept became a story about a cosmic object, living space metal, and something called Validium. The Cybermen? Added last-minute by JNT as a twist to make it the anniversary story.
Guest Stars and Hidden Layers
Fiona Walker returns nearly 25 years after "The Keys of Marinus." Leslie French, who once auditioned to play the First Doctor, appears as a mathematician. Anton Differing took the Nazi role mainly to catch Wimbledon on London television. A celebrated jazz musician leads the band and gets screen time. The behind-the-sofa consensus: this beats Happiness Patrol. The Cybermen get one final classic appearance before the costumes literally fall apart (they were taped together and spray-painted silver).
Where the Story Divides
One host sees excellent location work, great chemistry between the leads, well-choreographed action, and "good bonkers" energy. The other finds forced humor, a clumsy attempt to deepen the Doctor's mystery, misogynistic moments, and stereotypical American characters that undermine the tone. The final scene—with Ace asking a question and the Doctor refusing to answer—creates genuine friction neither host expected.
An Anniversary That Isn't Quite One
For a 25th-anniversary episode, it's surprisingly light on callbacks. The real tribute to Doctor Who's past is the Cybermen themselves—silver, returning, and defeated in ways that feel... almost accidental? Multiple plot threads intersect (the Nazis, the magical artifact, the time-jumping aristocrat, the alien invaders), and whether they mesh or clash depends entirely on your tolerance for chaotic storytelling.
Coming Up Next: Monday (Patreon Early): Patreon Exclusive 174 with music, Memory TARDIS, and three-part comic "Invaders from Gantac" by Alan Grant.
Following Wednesday (Main Feed): Season 25 finale with "The Greatest Show in the Galaxy" (four parts). John promises it's "right up his alley."
Hashtags: #DoctorWho #SilverNemesis #25thAnniversary #SylvesterMcCoy #SophieAldred #Cybermen #ClassicWho #BehindTheSofa #ProductionTrouble #HostDisagreement #Validium #McCoyEra #TimeLord #Mystery #DoctorWhoPodcast
The whiplash is immediate and brutal. After the triumph of "Remembrance of the Daleks," this three-part story lands like a thud. Jim gives another harsh —an unprecedented score that suggests something fundamentally broken beneath the surface. Despite strong performances from McCoy and Aldred, the story struggles with disconnected thematic elements, confused production design, and a narrative that never quite coheres. The Setup That Doesn't Work
Terra Alpha: an Earth colony where mandatory happiness enforced through surveillance and a cheerful Happiness Patrol keeps citizens compliant. The story also includes a candy-obsessed killer, underground dwellers (indigenous inhabitants driving plot devices), a visiting blues musician, and a complex political hierarchy. None of these elements integrate coherently.
Jim's assessment: This is Paradise Towers revisited, but worse. Same drab corridors masquerading as streets, same societal oppression, same everything-we've-seen-before feeling, but without even Paradise Towers' redeeming visual moments.
The Candyman Disaster
Originally planned as a human villain—just a bored, pale killer. JNT and director Chris Clough wanted a robot instead. The result: an uncomfortable costume that restricted the actor's movement and visibility, made the character nonsensical, and looked rushed and disconnected from every other design element on set.
The production nearly got sued by a candy company for the character's visual design. ,
Tonal Chaos
The story can't decide what it wants to be. Satirical critique of authoritarian happiness? Straight thriller? Comedic romp? It tries all three and masters none. The mime-like makeup on the Happiness Patrol's faces goes unexplained. The slot machine execution method appears once, then switches to fondant surprise. These aren't deepening themes—they're random design choices.
McCoy and Aldred Carry the Load
Both hosts agree the leads transcend the material. McCoy's ad-libbed singing of "As Time Goes By" shows theatrical training and improvisational instinct. Aldred proves her action credentials and moral agency—the Doctor actively investigating rather than stumbling into danger. Yet even their chemistry can't save disconnected storytelling.
John's specific note: the Doctor telling Ace "You're no good to me like this" when she's about to attack—character development that deserves better context.
Production Quirks
The TARDIS gets painted pink by the Happiness Patrol, requiring repainting back to blue. The sets feel claustrophobic despite supposedly being outside on streets. The behind-the-sofa guests (except McCoy, Aldred, and Sheila Hancock) admitted the story didn't work. Ratings dropped after Episode One (5.3M to 4.6M to bounce back to 5.3M).
The Political Subtext Nobody Asked For
Sheila Hancock (Helen A) read the script as Margaret Thatcher allegory and deliberately amplified her performance toward that direction. Andrew Cartmel apparently got nervous about the comparison; Hancock pushed harder into it. John appreciates the subtext; Jim dismisses it as irrelevant to the story itself. The political commentary doesn't enhance the narrative—it distracts from already-muddled plotting.
What Could Have Worked
Discussion of road-not-taken choices: What if they'd fully integrated Ace into the Happiness Patrol with brainwashing elements? What if the candy theme permeated every design choice instead of being isolated to the Candyman? What if this story had followed something other than the series' strongest episode?
The Colin Baker Question
Jim wonders aloud how Colin Baker might have handled this material—would his more theatrical approach have elevated the chaos or made it worse? Speculation on whether "Happiness Patrol" appears in any of the audio continuations (especially with alternate Doctors).
Coming Up Next: Monday Patreon Exclusive 173: Music, Memory TARDIS, Doctor Who Unbound audio "Full Fathom Five," and comics—"Time and Tide" and "Follow That TARDIS!"
Wednesday Main Feed (Friday Patreon Early): "Silver Nemesis" - the ACTUAL 25th Anniversary story (three parts). Jim handles narration. Will it recover from Happiness Patrol?
Hashtags: #DoctorWho #TheHappinessPatrol #Season25 #SylvesterMcCoy #SophieAldred #McCoyEra #SheiliaHancock #Candyman #TerrAlpha #ParadiseTowersPart2 #ClassicWho #DoctorWhoPodcast #WorstMcCoyStory #FromRembranceToRegression
Jim experiences a breakthrough moment that surprises everyone—after struggling through Season 24, "Remembrance of the Daleks" finally answers the question: who is the Seventh Doctor? Special guest Alan J. Porter joins to celebrate this landmark story as the 25th Anniversary season begins with what may be one of the finest Dalek stories ever produced.
What Changed?
Everything came together—writing, acting, production values, and most critically, McCoy's characterization. The switch has been thrown. Jim identifies the Seventh Doctor as something unexpected: the anti-human Doctor, more realistic and pointed about humanity's flaws than previous incarnations. The umbrella becomes his signature prop. The chemistry with Ace finally clicks.
Ace Equals Ripley
Sophie Aldred's companion proves to be exactly what this TARDIS team needed. The hosts discuss how the show has shifted from Star Wars obsession to Alien inspiration, and why Ace works when so many companions before her didn't. Alan reveals this is his favorite Doctor/companion pairing across all of Who.
Behind the Scenes Revelations
Ben Aaronovitch was 24 years old when he wrote this—his first TV script ever. The dinner between McCoy, Aldred, Cartmel and the writers that changed the creative dynamic. The full-size Dalek shuttle that required a crane. McCoy's script page system in his coat pockets. Mark Ayers' rejected score that would have ruined everything. The IRA bomb scare during filming.
Production Details & Cast Connections
The only time Keff McCullough's music works. Michael Sheard's final Doctor Who appearance. George Sewell from UFO. Pamela Salem's James Bond connection. Dursley McLinden's tragic story. How Sophie Aldred still has Ace's jacket. The misspelled junkyard sign. John Leeson's voice work.
1963 Setting Perfection
Alan praises the period-accurate set dressing that transported him back to his childhood. The TV detector van reference. Why Ace was confused by pre-decimal money. Elvis and Beatles music dating the story. Returning to Coal Hill School and Totter's Lane without requiring viewers to remember "An Unearthly Child."
The Special Weapons Dalek
Instant fan-favorite design that demonstrates Dalek civil war escalation. Why it works as a one-story deployment. Its weathered appearance compared to pristine white Imperial Daleks. Confirmation it returns in the Matt Smith era.
Davros and Mythology
The Emperor Dalek reveal subverts expectations. Imperial versus Renegade factions fighting for supremacy. The Hand of Omega as stellar manipulator. Century 21 comic design influence. Terry Molloy's final televised appearance as Davros (though Big Finish continues). Terry Nation's reluctant approval.
The Skaro Problem
Jim identifies the massive continuity issue everyone must discuss: the Doctor destroyed Skaro—but what about the Thals? How does this work with the Eighth Doctor movie? Why does Skaro appear in New Who? The paradox of destroying Skaro before first encountering Daleks. Alan's response: fandom generally brushes it under the carpet, but it doesn't stop this being a great story.
Social Commentary
The "no colours" sign that McCoy and Aldred fought to keep. How the story addresses 1960s racial tension without being heavy-handed. Ratcliffe's fascist group mirroring Dalek ideology. Whether this approach works better than New Who's handling of similar themes.
Defining Moments
The ripples speech in the café. The uncertainty around the Doctor's actions. Ace asking if they did good and the Doctor's ambiguous response. Why this exchange defines the entire season for Alan. The somber ending at Mike's funeral.
Big Finish Spinoffs
Group Captain Gilmore, Professor Rachel Jensen, and Dr. Allison Williams become the core of the "Countermeasures" series—following proto-UNIT adventures in spy/mystery format.
The Anniversary Balance
Why this feels more like a 25th anniversary story than "Silver Nemesis" (the designated anniversary episode). Callbacks and nods that reward longtime fans without requiring homework. How the story works as both standalone adventure and mythology expansion.
Jim's Transformation
The moment Jim admits he almost quit the podcast because he couldn't imagine McCoy getting better than this. His enthusiasm is genuine—this justifies the journey through rough patches. The question: can the show maintain this quality through the remaining seasons?
This is the Final Dalek Story
Confirmation that classic Who never returns to the Daleks after this. What a way to go out—not as chumps, but with one of their finest stories.
Alan J. Porter Updates
Casino Royale book complete and off to publishers (spring 2027 target). Second expanded Star Trek comics history in progress. "Saloons, Jungles and City Streets" Victorian adventure collection available now. Pulp Fest appearance coming in Pittsburgh where Jim and Alan will finally meet in person after years of online collaboration.
Coming Up Next: Monday Patreon Exclusive 172: Music, Memory TARDIS, and comics—"Planet of the Dead" and "Echoes of the Mogor," plus the looming "Emperor of the Daleks" epic.
Wednesday Main Feed: "The Happiness Patrol" - Jim handles narration for what he calls "the weirdest Doctor Who story title ever."
Hashtags: #DoctorWho #RemembranceOfTheDaleks #Season25 #SylvesterMcCoy #SophieAldred #Daleks #Davros #SpecialWeaponsDalek #AlanJPorter #ClassicWho #25thAnniversary #CoalHillSchool #BenAaronovitch #DalekCivilWar #WhatAboutTheThals
John and Jim tackle the first official Doctor Who radio drama - a six-part Eric Saward production that aired during the 18-month hiatus between Seasons 22 and 23. This marks a rare occasion where John experiences a Doctor Who story for the very first time alongside the review.
Production Background: John shares fascinating details about how "Slipback" came to exist - written and produced in just four months as the BBC scrambled to placate fans during the controversial hiatus. The story aired as part of a children's summer show called "Pirate Radio 4," buried within hours of other programming. Discussion covers whether this was originally meant to be a different format, Colin Baker and Nicola Bryant's participation, and the mysterious uncredited director.
The Infamous Computer Voice: The hosts immediately address the elephant in the room - Jane Carr's polarizing performance as the ship's computer. Jim shares his visceral reaction while John explores the apparent Hitchhiker's Guide to the Galaxy influences and whether the voice was intentionally annoying or a misguided creative choice.
Too Much of Everything: John and Jim examine Eric Saward's tendency to cram multiple Doctor Who tropes into one story - wandering corridors, separated companions, time travel experiments, the Big Bang, creepy aliens pursuing Peri, and more. Discussion explores whether Saward was given too little time or simply couldn't resist throwing in every idea he had.
Technical Curiosities: The hosts discuss the slightly sped-up audio on YouTube versions, the quality of the production values, and how the performances hold up. They debate whether this was specifically written for children despite some mature content.
Historical Significance: As the first official BBC radio drama and a true product of Colin Baker's era (alongside "A Fix with Sontarans"), the hosts examine what this means for completists and whether it deserves modern appreciation.
Ratings: The hosts land on the lower end of their scale, with discussion about whether it's worth an hour of listeners' time and comparisons to the Star Wars Holiday Special as "another appearance by these actors during the original run."
Listener Perspective: Jameson shares his 2022 review calling it a "historical curiosity" that doesn't stand up to Big Finish productions, sparking discussion about whether Big Finish should revisit and revise the concept.
Coming Up Next: Patreon Exclusive (Monday - Episode 160): More theme music, Memory TARDIS, and the beginning of the Alan McKenzie era of Doctor Who comics with "War Game" and "Fun House."
Patreon Exclusive (Friday): John and Jim's deep dive into the missing/planned Season 23 - examining the six stories that were scrapped when the hiatus was announced, discussing what could have worked, and where to find them in expanded media.
Main Feed: Classic Patreon episodes released for non-subscribers during Jim's vacation.
Hashtags: #DoctorWho #Slipback #EricSaward #ColinBaker #NicolaBryant #RadioDrama #SixthDoctor #Peri #BBCRadio4 #DoctorWhoAudio #Hiatus #1985 #ClassicWho #HistoricalCuriosity #DoctorWhoPodcast #BigBang #TimeTravel #DoctorWhoHistory
Jim and John tackle the Season 24 finale and the show's 150th story, featuring Bonnie Langford's abrupt departure, Sophie Aldred's introduction as Ace, the return of Sabalom Glitz, and one of the most infamous cliffhangers in Doctor Who history. Jim struggles to find redeeming qualities in a season he considers possibly the worst in Classic Who, while production issues and budget constraints become increasingly evident.
The 150th Story Milestone: Written by Ian Briggs (who will later write fan-favorite "The Curse of Fenric"), directed by Chris Clough (completing his second "last two stories of a season" after Trial of a Time Lord). Originally pitched as story about an intergalactic shopping center owner wanting the TARDIS for the ultimate shopping experience. The BBC counted Trial of a Time Lord as one story arc, so technically this should be story 153.
Andrew Cartmell brought writers into his office for collaborative discussion—closest thing to a "writer's room" Doctor Who ever had. Cartmell considered this the best story of Season 24, which Jim finds bewildering given his own assessment of the season.
The Infamous Umbrella Cliffhanger: Everybody fixates on McCoy lowering himself over a parapet by his umbrella, stopping mid-descent and hanging there looking confused. The scene has become legendary for all the wrong reasons—why did he do it in the first place when he wasn't trapped?
According to Briggs, the script called for the Doctor to lower himself because he was trapped with nowhere to go, and the actual cliffhanger was supposed to be the dragon appearing. The awkward execution wasn't the writer's fault. Director and production team share blame for one of the series' most criticized moments.
Sophie Aldred as Ace: Cast at age 26 to play 16-year-old Ace (10 years younger than her actual age—more than Burt Ward's 6-year gap playing Robin). Actually two years older than Bonnie Langford despite playing significantly younger. Sophie auditioned for Ray in "Delta and the Bannermen" but didn't get it—worked in her favor as Ace became iconic.
Character is human from late 20th century Earth who arrived on Iceworld when chemistry experiment triggered time storm in her bedroom. Uses homemade explosive "Nitro-9" and shouts "Ace!" frequently (which doesn't work for Jim). Calls the Doctor "Professor" which he tries to discourage.
John admits he initially hated Ace in this story—found her annoying and grumpy, a "miserable brat." But promises a "Richter scale" shift in appreciation with the next story, suggesting maturation between seasons and genuine chemistry developing with McCoy that was absent with Mel.
Bonnie Langford's Awkward Exit: Mel's departure makes no narrative sense—no setup, no telegraphing, completely out of nowhere. She suddenly decides to stay with Glitz to "keep him out of trouble" with zero romantic hints or friendship development to justify it.
The farewell scene wasn't written by Briggs—it was McCoy's audition piece that he loved so much he convinced Cartmell to insert it into the script. Both later regretted this decision. Briggs washes his hands of it: "I didn't write that."
Bonnie had to act opposite her replacement throughout, standing back while production sells Sophie/Ace hard, often getting relegated to the background. Classic Who pattern of treating departing companions poorly. Jim notes tiny bit of charm finally emerging between McCoy and Bonnie right at the very end—too little, too late.
Bonnie's Post-Who Career: Didn't get the serious acting career she hoped Doctor Who would provide. Continued successful musical theater and light entertainment work but remained the butt of jokes for years—including a 1990s condom commercial depicting her parents with slogan "if only they'd used a condom."
Public perception shifted when she appeared on "Strictly Come Dancing" (British dance competition) alongside John Barrowman. Fans hoped for Doctor Who face-off but she was injured during rehearsal and had to withdraw; Barrowman voted out shortly after. Her bravery with the injury softened public opinion—now considered a "national treasure" in Britain. This is why she was brought back for New Who, not just fan service.
The Glitz Problem: Tony Selby returns as Sabalom Glitz—JNT read the script, liked having Tony Selby (who was "hot" at the time appearing on other British TV), and suggested using Glitz instead of similar character. Glitz owns the Nosferatu (referenced in Trial of a Time Lord).
Jim couldn't stand Glitz's hair. Compares him to Star Trek's Cyrano Jones/Harry Mudd. Softened for this story, lost whatever bite he had before. No chemistry with anyone—not Ace, not the Doctor. Tony Selby passed away in 2021 at age 83.
In New Who, Mel references traveling with "Sabalom Glitz" until he was 107, slipped on a bottle, cracked his head and died. She returned to Earth by "hopping on a Zingo" (running joke—no one knows what a Zingo is).
Kane and the Ice World Setting: Edward Peel plays Kane, the villain who controls Iceworld trading colony on dark side of planet Svartos. His touch is so cold it can kill. Marks employees with his symbol iced into their flesh. Basically "Mr. Freeze redux" per Jim.
Kane is half of Kane-Xana criminal gang from planet Proamon. Xana killed herself to avoid arrest; Kane was exiled to cold dark side of Svartos. Iceworld is actually a spacecraft—the "treasure" is a crystal that activates the ship to end his exile.
Kane's head-melting death scene well-executed (reminds Jim of Star Trek TNG's "Conspiracy" but actually inspired by Toht/Belloq melting in Raiders of the Lost Ark). Jim wishes they'd lingered on the effect a second or two longer—it was actually done well.
Patricia Quinn as Belazs: The only character Jim cared about in Part One. Reminded him strongly of Glynis Johns. Plays officer who realizes Kane won't release her, tries to escape, attempts to overthrow Kane by raising temperature in his chambers.
Patricia Quinn interviewed on Blu-ray—now a British Duchess with purple hair, incredibly eccentric despite aristocratic status. Behind the Sofa caught her looking off-camera for cue cards "like a Saturday Night Live skit."
Belazs killed by Kane, goes out "like a chump" when Jim thought she deserved to be the one to dispatch Kane. New lackeys introduced in Part 3 waste screen time that could have developed her character better.
The Derivative Dragon: Jim catalogs extensive borrowing from other sci-fi properties:
- Dragon is blatant Alien/Aliens ripoff—H.R. Giger's xenomorph design copied almost exactly (long thin arms, fingers, back protrusions, head shape like Alien Queen)
- Described as "biomechanoid" (Giger's biomechanical design philosophy)
- Superman Fortress of Solitude hologram crystal stolen wholesale—hologram woman appears to conveniently explain backstory exactly like Lex Luthor scene in Superman II
- Alien tracker guns copied from Aliens (complete with "it should be right on us" suspense)
- Zombies added to cliché pile
Jim notes the show stopped ripping off Star Wars and moved on to Alien franchise and Superman movies. This is "perhaps never more" derivative than in this story.
Production and Budget Collapse: "Batman Season 3 worthy sets"—budget clearly ran out by season's end. Station sets not impressive, doesn't sell the Ice World concept. Model of planet surface done well, but interior sets very lacking.
Shot brightest possible lights, no atmosphere or mystery. Dragon walks around "like a costume character at Disney World." Almost entirely studio-bound with minimal location work.
Cliffhanger at end of Part 2 "one of the most horribly dull ever"—Kane just declares "the dragonfire shall be mine" with no tension whatsoever.
The McCoy Problem Continues: Jim still doesn't know who McCoy's Doctor is. An engaging Doctor can carry even poor stories (citing Colin Baker), but McCoy isn't doing that. Not a force within the show, just reacting. Both McCoy and Mel "treading water" all season.
This is McCoy's "freshman year" but with a producer trying to rebuild without reaching out to anything—soft reboot that plays it safe with half the budget. Jim sees all the tropes and clichés but not innovation.
Brief moment of crankiness when McCoy yells "SILENCE!" at the girls—is this the temperamental side promised? Tiny bit of charm emerges at very end with Mel but too late. No chemistry with Bonnie throughout until final seconds.
John's thesis: "These three seasons walked so New Who could run." Season 24 feels like desperate attempt to make it a kids' show again but dumbing it down ("Uncle Miltie's Carnival of Fun"). Philosophy discussion scene interesting but "puts everyone in the audience asleep."
Cast Notes:
- Tony Osoba (Kracauer) played Lan in "Destiny of the Daleks," returns in New Who episode "Kill the Moon"
- Sharon Duce (customer with milkshake dumped on her) was the camper killed by Ogri in "Stones of Blood" (the scene that scandalized Jim and John for depicting unmarried relations)
- Little girl Stellar played by Miranda Borman—wearing a dress Bonnie Langford wore at that age for a role. Hosts wonder if this was a stage mother situation
- Large cast overall—perhaps one of the largest in Doctor Who history
The Cartmell Philosophy: Andrew Cartmell doesn't like interior TARDIS scenes, so "we're not gonna see the console room much moving forward." Jim outraged: "That's inane... good writing doesn't drag a scene down." Lost opportunities for insightful TARDIS interactions between Doctor and companions.
Fandom Division: By end of Season 24, fandom most divided over show's direction. Fanzine DWB went on crusade to get JNT sacked—he considered suing but BBC told him to leave it. BBC willing to let him go after 25th season (which he wanted to see through) but he stayed on longer than that.
Jim's Season Assessment: Can't think of another time the show has felt this low overall. Rough, a slog. Still not sure who McCoy is as a Doctor. Compares unfavorably to Colin Baker era—at least Colin was consistent and worth watching even in poor stories.
Sees Season 24 as show desperately wanting spunky girl companion (keeps trying over and over) but not knowing what to do with them when they get one (Mel being prime example).
Both agree it's not a good way to end the season.
Coming Up Next: Patreon Exclusive 170: Music selection, Season 24 retrospective, at least one Season 25 spoiler for Jim, comic strip reviews of "Redemption" and "The Crossroads of Time" (both one-parters), and Memory TARDIS wheel spin.
Hiatus Special (Patreon early): "Wartime" shorts featuring the return of Sergeant Benton with the interesting behind-the-scenes story of how this fan production came to be (approximately 30-35 minutes). (Main feed) BBC audio drama "Slipback" with Colin Baker and Nicola Bryant.
Hashtags: #DoctorWho #Dragonfire #150thStory #SylvesterMcCoy #SeventhDoctor #BonnieLangford #Mel #SophieAldred #Ace #SabalomGlitz #TonySelby #Season24Finale #KaneTheVillain #UmbrellaCliffhanger #PatriciaQuinn #IanBriggs #ChrisClough #ClassicWho #CompanionDeparture #NewCompanion #ProductionProblems #BudgetIssues #DoctorWhoPodcast
Jim and John find common ground after their Paradise Towers divide, both celebrating the three-part structure as potentially perfect for Doctor Who storytelling. The story features 1950s nostalgia, holiday camp hijinks, and Stubby Kaye from Guys and Dolls. The Relief Factor: After Paradise Towers' evisceration, John feared the worst. Jim's verdict: "It's no Paradise Towers" (thankfully). Discussion of whether you can go lower than a 1 rating and what "having a nice time" means for Doctor Who evaluation.
Three Parts: The Perfect Length?: Extended discussion of whether three episodes might be the ideal Doctor Who story format. They've said it before but only really had one three-parter to judge by (Planet of Giants). Jim credits the economy of three parts for helping this story—nothing wasted, though some backstory needed filling in. Question raised: why not make the entire 14-episode season consistent lengths instead of mixing two four-parters with two three-parters?
Production Context: Written by Malcolm Kohll (first Doctor Who story). Directed by Chris Clough (Terror of the Vervoids, Ultimate Foe, upcoming Dragonfire, Happiness Patrol, Silver Nemesis). Original title: "The Flight of the Chimeron." Shot almost entirely on location at Butlin's Barry Island holiday camp in Wales (rats forced crew to abandon staying there after two nights). Interior shots done first for once because next story (Dragonfire) is entirely in studio.
Ken Dodd (intergalactic tollmaster) took role to dig at tax revenue service investigating him—they discovered over £300,000 unclaimed in his home but he was acquitted.
The Stubby Kaye Question: Jim's jaw-dropping moment: recognizing Stubby Kaye from Guys and Dolls (Nicely Nicely Johnson, "Sit Down You're Rocking the Boat"). He was 69 in 1987, 32 when the Broadway show opened in 1950, 37 in the 1955 film. Extended discussion of how an American actor wound up in Doctor Who—was he living in England? Did he do multiple British productions? Also appeared in Who Framed Roger Rabbit the following year as voice of editor.
Paired with Morgan Deare (American actor) whose "terrible" accent made Jim think he was British doing bad American Southern/Western accent. Both actors somewhat superfluous to story. Weissmuller and Hawk characters had larger role in uncut version involving the satellite subplot.
The Ray Factor: Sarah Griffiths as Ray was being tested as potential new companion because Bonnie Langford was thinking of leaving. Sophie Aldred auditioned for this role but didn't get it—instead cast as Ace for next story, which worked in her favor. Jim didn't identify Ray as potential companion (first time in long time he missed that cue). Malcolm Kohll created character but signed waiver making her BBC property since JNT/Cartmel came up with basic idea of girl who could fix anything with right tool.
Lynn Gardner was original actress but injured herself practicing motorcycle riding, so Sarah Griffiths got role.
McCoy Development Moments: John identifies key character growth: McCoy showing appreciation for simple things like Burton the camp director's life. Monologue to Gavrok about life defeating those who deal in death—Jim thought this might be quotable Doctor speech. Jim still waiting for something to quantify McCoy as distinct from previous six Doctors:
The Interspecies Romance: Billy drinks Chimeron nutrient solution to become one of Delta's people so he can leave with her and the princess to restart the race.\
The Villain Problem: Gavrok (Don Henderson, who was General Tagge in original Star Wars) and Bannermen lack clear motivation. Backstory existed but cut for time: Bannermen invaded Chimeron homeworld because they'd made ecological mess of their own worlds.
Mel Forgotten: By final action sequence, Mel almost completely absent. Stands holding Bannerman weapon in macho pose at end "as if she had a big part in rounding up those guys" but didn't. Bonnie's decision to leave not story-based but timing: "never intended to be long-term player, felt it was right time to go." Only 20 episodes across six stories makes her one of briefest companions. Didn't do convention circuit until last 15-20 years; now enthusiastic about return in New Who.
Production Details:
- Chimeron baby played by 3-4 different children (teenage princess not interviewed for Blu-ray despite being old enough)
- Green makeup question: females outgrow green skin? Delta has "very slight greenish cast" only visible at end
- Baby in green onesie looks ridiculous
- Effects with bus and TARDIS "pretty bad" but Bannermen ship landing "nicely done"
- Loved the vintage bus itself (appropriate for 1959)
- Beekeeper character adds to already massive cast
- Final shot: beekeeper's impish grin as TARDIS disappears (Chris Clough will repeat this in Dragonfire)
Cast and Crew Favorite: Despite acknowledging it's not a great story, cast and crew enjoyed nostalgia of 50s holiday camps and had fun making it. Ratings consistent: 5.3, 5.1, 5.4.
The Cartmel Philosophy: Andrew Cartmel doesn't like interior TARDIS scenes so "we're not gonna see the console room much moving forward." Jim outraged: "inane... good writing doesn't drag a scene down." Discussion of lost opportunities for insightful TARDIS interactions.
The New Who Question: Public call-out asking if listeners want them to continue past TV Movie into New Who (Eccleston era). Multiple positive responses received. Shag's thoughtful response: only continue if you find joy in it, not worth 20 years of episodes without happiness. John notes RTD1 was "glorious time for Doctor Who" with fandom mostly united (unlike RTD2 era). Discussion of callbacks, slow beginning like Star Trek TNG's moratorium on mentioning Vulcans.
Both agree putting themselves in companion's shoes helps—did they feel sad leaving this world? Yes for Delta, unlike Paradise Towers.
Coming Up Next: Monday on Patreon Feed - Music, Memory TARDIS and a look at the first Sylvester McCoy appearance in the comics with "A Cold Day in Hell".
Friday on Patreon Feed (Monday for the main feed) - Season 24 finale, "Dragonfire" - the introduction of Ace, which John will narrate.
Hashtags: #DoctorWho #DeltaAndTheBannermen #SylvesterMcCoy #SeventhDoctor #Mel #BonnieLangford #StubblyKaye #GuysAndDolls #1950sNostalgia #HolidayCamp #ThreePartStory #KenDodd #ChrisClaw #Season24 #Chimeron #Bannermen #RayNotAce #SophieAldred #InterspeciesRomance #WagnerianOpera #ChuckJones #ClassicWho #NewWhoQuestion #DoctorWhoPodcast
Jim and John experience their most polarizing disagreement since the Colin Baker era as Paradise Towers splits them into opposing camps—Jim delivering a devastating 1 out of 15 ("a Billy") while John counters with an enthusiastic 14 out of 15, declaring it his favorite story of Season 24 and a formative influence on his understanding of world building as a young writer. The Ratings Chasm: Final scores: Jim 1, John 14, averaging to 7.5—perfectly appropriate for a story that divides straight down the middle. Jim places Paradise Towers at "Romans level bad," his first 1 rating in years, possibly ever. John acknowledges flaws but insists "I adore this. It's the best [of the season] to me. The next two aren't as good."
Jim's Bewilderment: "It just had no idea what it wanted to be." Jim struggles through four parts feeling lost, bewildered, and unable to take anything seriously. The story veers wildly between dark humor and slapstick, feels like Monty Python meets children's television, and presents concepts (cannibal grannies, color-coded gangs, killer cleaning robots) that never cohere into a satisfying whole. He literally took no notes during Part 2 because he was too disconnected. The Kangs' rapid-fire accents and gang-speak were incomprehensible. The music sounds stolen from Donkey Kong or Pac-Man. Richard Briers' performance left Jim feeling "embarrassed for him."
John's Passionate Defense: "This is my favorite of the season... This story as a young 17, 18, 19-year-old person trying his hand at writing finally started to click and say, 'That's what world building is all about.'" John goes against fandom consensus by loving Richard Briers' portrayal, appreciating the rule book escape scene as "absolutely brilliant," and embracing the tone as intentionally campy satire of bureaucracy, hierarchies, and dystopian societies.
The Batman Season Revelation: John drops the word he's been holding back all season: "campy." He dubs Season 24 "the Batman season"—meaning Batman's infamous campy third season with Nora Clavicle, flat painted backdrops, and wind-up mice. Jim initially resists but eventually concedes: "Yeah, this is clavicle level." Discussion of JNT's continued obsession with stunt-casting notable British TV stars (Richard Briers was a huge get; Ken Dodd is coming next story).
Production Context: Stephen Wyatt wrote episode one in a week without knowing the ending or who would play the Doctor (McCoy not yet cast). Inspired by J.G. Ballard's dystopian novel High-Rise. First story Andrew Cartmel commissioned as script editor. Director Nicholas Mallett loved McCoy's malleability and openness to improv versus Baker's by-the-script approach. BBC Head of Drama Jonathan Powell (not a Who fan) praised the script. Ratings: 4.5, 5.2, 5.0, 5.0—about even with McCoy's other stories.
Jim's Specific Complaints: Cannot understand what the Kangs are saying half the time due to rapid delivery and thick accents. Doctor and Mel spend more time apart than any previous story. Sets look like existing ones dirtied up with garbage and wall scrawl. Killer cleaning robots are laughably unthreatening with cartoon buzzsaws—"I could outrun those things any day of the week even if I wasn't feeling well." Video game music drowns out dialogue. Cannibalism appears and disappears without explanation. Why are Tilda and Tabby's cozy apartment untouched by dystopia? Why does Kroagnon need to eat people when he's a machine? Where are all the boys? Why is it all women (Kangs, Rezzies) versus all men (Caretakers)?
John's Counterpoints: The rule book escape scene demonstrates the Doctor using the Caretakers' rigid bureaucracy against them—"absolutely brilliant." Richard Briers is proud of ignoring direction and doing what he wanted; interviews on Blu-ray show he has no regrets. The jerky movements after Kroagnon takes his body represent rigor mortis setting in. Clive Merrison (Deputy Caretaker) played the pilot Jim in "Tomb of the Cybermen." The tone is intentionally satirical—mocking rule books, procedures, hierarchies in very British Monty Python style.
Behind the Sofa Revelations: Three different commentary teams watched: Sylvester McCoy/Bonnie Langford/Sophie Aldred; Peter Davison/Sarah Sutton/Janet Fielding; Colin Baker/Michael Jayston. Colin and Peter both declared it one of their favorites so far—disappointing Jim but validating John. Bonnie had little to say either way. Pool filmed at private house with freezing water—Bonnie's stunt double did most shots because Bonnie can't swim (redheads apparently don't know how to swim, Jim claims) and the water was unbearably cold. Camera crew in wetsuits couldn't last more than 45 minutes.
The McCoy Question: Jim still doesn't know what to think of McCoy. Not engaged, not seeing the cantankerous fellow promised. The R-rolling is Scottish, not an affectation. The left-handed handshakes are unexplained. Still no clear sense of the Doctor-Mel relationship since they're separated the entire story. John insists McCoy's performance improves with better scripts in Season 25 once Ace arrives.
The New Who Question: Jim and John publicly ask listeners: should The Doctor's Beard continue into New Who after finishing Classic Who and the TV Movie? They've brought on new listeners recently and want to know if the audience wants Eccleston era coverage or if it's "too new" for Classic Who purists. Email your yes/no vote to thedoctorsbeardpodcast@gmail.com.
Mel Scream Count: Screams #10, #11, #12. Less than Time and the Rani but still plenty.
Coming Up Next: Patreon Exclusive (Monday - Episode 168): Colin Baker's final Doctor Who Magazine comic story "The World Shapers" written by Grant Morrison (three parts), Memory TARDIS spin, more music discussion.
Main Feed (Friday) & Patreon (Monday): "Delta and the Bannermen" - Jim handling narration for the three-part story. Already started watching because he's driving to Ithaca College convention and losing three days of viewing time.
Hashtags: #DoctorWho #ParadiseTowers #SylvesterMcCoy #SeventhDoctor #Mel #TheGreatDivide #PolarOpinions #JimHatesIt #JohnLovesIt #1Versus14 #BatmanSeason #RichardBriers #Kangs #Caretakers #Rezzies #Kroagnon #CampyWho #StephenWyatt #AndrewCartmel #Season24 #BuildHighForHappiness #FaultyTowers #NewWhoQuestion #ClassicWho #DoctorWhoPodcast
John and Jim witness Sylvester McCoy's entrance as the Seventh Doctor with sharply divided first impressions, a regeneration Jim wasn't expecting to see, Kate O'Mara's scene-stealing Mel impression, and listener mail exploding with passionate defenses, dire warnings, and Shag's triumphant return. The Regeneration Confusion: The opening delivers McCoy in a wig tumbling around the TARDIS console, but does blunt force trauma from turbulence really count as a dignified send-off for the most maligned Doctor? The Rani's pre-credits kidnapping analyzed as "probably the campiest scene in Doctor Who ever."
Jim's Verdict: Not Impressed Opening confession sets the tone for controversy: Jim dubs McCoy "the Tumbler Doctor" and struggles to see anything beyond "Uncle Morty's Carnival of Fun" children's show host energy. Discussion covers whether this is purposeful Troughton homage or just broad physical comedy, whether McCoy's acting reads as awkward versus committed, and Jim's struggle between respecting the evolution promise versus judging what's actually on screen in Part 1.
The "Children's Show" Debate: Does Season 24 represent a deliberate pivot back to Doctor Who as kids' programming? Jim raises the uncomfortable question after recognizing McCoy primarily as BBC children's performer. John pushes back on the script but concedes the Doctor's characterization in this story absolutely plays as juvenile.
Kate O'Mara's Double Duty: Extended appreciation for Kate's Bonnie Langford impression complete with chirpiness, voice work, and gradually losing it as the Doctor frustrates her. Jim admits the initial visual shock of "seeing Kate O'Mara as Bonnie Langford" but acknowledges she won him over. The hosts debate whether the Rani gets enough screen time and whether this story serves the character as well as "Mark of the Rani."
What Happened to Mel?: Jim calls out the regression: "They took the Mickey Mouse out of Mel." From confident agency in Trial to suggesting they just leave and go back to the TARDIS, plus scream count reaching numbers 5-7 in just two episodes. Is this the Mel we admired or has she become Peri 2.0? John defends specific moments (the flip, proving identity, computer knowledge) while acknowledging some scenes don't look good. The Icona chemistry tease explored.
Production Highlights: The bubble traps earn universal praise as maybe the best effect in Classic Who history—the spinning, bouncing, exploding sequence perfectly executed. Tetraps debut Doctor Who's first animatronics with six full heads for the leisure center scene. The Citadel exterior combined with effects impresses. Jim notes "effects are better—they made another jump."
Malapropisms and Outfits: McCoy's word-mangling wears out its welcome fast for both hosts. The trying-on-previous-Doctors'-outfits sequence judged as "too winky winky" and unnecessary fanservice. Discovery that "Mrs. Malaprop" comes from 1775 play The Rivals. The question mark vest that McCoy hated. The Bowery Boys comparison for hat and coat.
The Leisure Center Problem: Why introduce this massive 80s-heavy concept (complete with Dugadoos music) in Part 3 only to abandon it? Discussion of wasted opportunities and typical Doctor Who late-story concept bloat. The anklet bracelets vs. original "ball of bees" control method questioned.
Production Context: JNT wanted out, BBC couldn't find replacement, Sidney Newman brought in as consultant with idea to bring back Troughton traveling with old-fashioned 12-year-old Beatles fan. The "impish person" concept stuck. McCoy cast from Twelfth Night production same night Cubby Broccoli saw Timothy Dalton for Bond. Andrew Cartmel signs as new story editor influenced by Judge Dredd and Dr. Manhattan from Watchmen. Ratings: 5.1, 4.2, 4.3, 4.9—not good.
Coming Up Next: Patreon Exclusive (Monday - Episode 167): Comic "The Gift" (four parts, not one or three!), more music, Memory TARDIS with Colin now added to the wheel, and Big Finish audio Flip Flop featuring Seventh Doctor and Mel.
Main Feed (Friday) & Patreon (Monday): "Paradise Towers" - John handling narration for the four-part story.
Hashtags: #DoctorWho #TimeAndTheRani #SylvesterMcCoy #SeventhDoctor #Regeneration #TheRani #KateOMara #Mel #BonnieLangford #Season24 #PipAndJaneBaker #AndrewCartmell #Tetraps #ChildrensShow #McCoyDebate #ShagReturns #ListenerMail #WorstThemeEver #WorstLogoEver #ClassicWho #DoctorWhoPodcast #1987
SPECIAL PATREON EXCLUSIVE
THE OPENING: "Peter, Peter, please forgive me..." A countdown begins the most diplomatic disagreement in podcast history.
BELATED BIRTHDAY & TIMING: John's birthday just passed! Next story is Attack of the Cybermen (aired January 5, 1986) - "the year I turned 18!"
THE DREAD: John: "I'm filled with a little dread to talk about this with you, Jim, because I know where you stand."
Jim: "Listen, we've made too much of it. Every fan has doctors they like and doctors they don't like."
THE FUNDAMENTAL QUESTION: "Do you know anybody who likes every single Doctor?"
JOHN'S CONFESSION: "I do to certain degrees. There are ones I'm not as fond of - Colin, Tom Baker. In fact, I might turn around and be like Colin Baker is better than Tom Baker if I keep feeling as excited as I did with Twin Dilemma!"
The Tom Baker Problem: "Tom Baker was one who outstayed his welcome. He has the David Tennant complex. They're both fabulous but they overstayed their welcome where it diminished their appeal to me."
JIM'S CORE PROBLEM: THE DOCTOR WHO DIDN'T WANT COMPANIONS
The Comparison:
- Fourth Doctor with Leela: Great mentor/teacher relationship
- Fourth Doctor with Romana: Lots of warmth
- Fourth Doctor with Sarah Jane: Clear affection
- Fifth Doctor: "So few moments putting across that he really wanted people traveling with him. He seemed like he'd be so much happier if he was just by himself."
Jim's Labels: "The grouchy doctor. The invisible doctor. He never seemed like a larger than life character, which the Doctor needs to be."
JAMESON'S FRAMING LETTER:
The Fifth Doctor Summary: "Nice, sweet, the more human Doctor. Almost purely reactive. Quiet, kind of bland, often seems to have hollow victories. An anti-Fourth Doctor. The Fourth Doctor breezed in and took control - the Fifth Doctor is one who no one seems to listen to."
Jameson's Position: "I don't hate his Doctor, but he's not entirely a favorite. On audio he has mixed results, though lately really good with the Season 19 crew."
The Missing Element: "One thing this era is missing is more humorous or lighthearted moments. It's always gritty and dark - nobody's allowed to crack a joke."
THE COMPANIONS - A COMPREHENSIVE BREAKDOWN:
ADRIC - "THE BOY GENIUS"
Jameson's Take: Not a big fan. Works better with Fourth Doctor in master-apprentice role. Butts heads with Fifth Doctor. First Companion killed off since Sara Kingdom and Katarina (Season 3). Hope he works better in audios with hindsight, foreshadowing his departure and fears of not being good enough.
NYSSA - "THE SCIENTIST"
Jameson's Summary: Orphan from Traken who lost everything. Master stole her father's body. Sweet, quiet mediator between Adric/Tegan/Doctor. Most prolific audio Companion for Fifth Doctor.
TEGAN - "THE AIR STEWARDESS"
Jameson's Description: "Sarcastic, sassy, acts like she doesn't want to be there but kind of loves traveling. Australian air stewardess is fun, gives older high school sister vibes to Adric/Nyssa's middle schooler vibes. Janet Fielding is so fun to watch in modern special features."
TURLOUGH - "HOLD MY BEER"
Jim: "Hold my beer. We ain't seen nothing yet."
Jameson's Take: "Interesting character - alien exile stuck as English schoolboy. Sneaky, untrustworthy, cowardly, yet underneath wants to do right. Gets rough arc, wish they hadn't waited until last story to flesh out backstory."
KAMELION - "THE CURSED ROBOT"
Jameson's Frustration: "I get JNT wanted the next K-9, but why introduce a shapeshifting robot if you're not going to capitalize on shapeshifting abilities? This is a character MADE for stunt casting! Instead, the inventor/controller passed away before it could be fully utilized. Introduction story, departure story, nothing else. Wasted opportunity. Why bother?"
PERI - "THE AMERICAN STUDENT"
Jameson: "Perpugilliam Brown, American botany student the Doctor rescues on vacation. With Fifth Doctor she's odd beast - introduced in one story, Davison leaves in next. Sassy but more upbeat and peppy than Tegan. Really comes into her own with Sixth Doctor. On audio, several adventures with Fifth Doctor, sometimes with new Companion Erimem (father/uncle with two daughters dynamic)."
SEASON BREAKDOWNS:
SEASON 19 - "THE SOAP OPERA SEASON"
"Crowded TARDIS, JNT wants regulars always arguing and not getting along. Still good stories - Kinda and Earthshock standouts. Death of Adric, return of Cybermen shake things up."
SEASON 20 - "THE ANNIVERSARY SEASON"
"Two new Companions, Companion departure, tons of returning elements celebrating 20 years. Returning: Omega, the Brig, Mara, Black/White Guardians, Borusa, the Master."
THE FIVE DOCTORS DEBATE:
The Classification: More people saying it's its own thing between seasons (like Christmas specials). John always looked at it as Season 20: "Caps off Season 20 - after whetting appetite with Master and others, throw it all at you."
Jim's Verdict: "Best Fifth Doctor story. He pretty much holds his own."
SEASON 21:
Jameson: "I don't really know what to say. Possibly Davison's strongest, but I don't really have anything else. I like Resurrection of the Daleks, Frontios, Caves of Androzani."
THREE YEARS OF THE DOCTOR'S BEARD:
"Three years of fun with the Doctor's Beard, somewhere in time and space."
NEXT TIME:
- Monday (Patreon #153): Voyager (five-part Colin Baker epic), Ian Levine's Doctor Who theme (Eastway/Freeway?), Memory TARDIS spin
- Friday (Patreon) then Saturday (Main Feed): Attack of the Cybermen - first two-parter with 45-minute episodes for Season 22! John handles narration, oddly looking forward to it after Twin Dilemma optimism
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John and Jim conclude Colin Baker's tumultuous era with a two-part finale born from tragedy, scrambled rewrites, and production chaos - resulting in wildly divergent reactions from the hosts and fandom's most controversial regeneration-that-never-was. The Production Nightmare: John details Robert Holmes passing while writing Part 1, Eric Saward writing Part 2 from Holmes' notes but refusing to release it when JNT rejected his cliffhanger ending (the Doctor and Valeyard falling into an abyss), Pip and Jane Baker getting 10 days to write an entirely new Part 2 using only existing sets from Part 1, and the longest Classic Who episode clocking in at 30 minutes when the Bakers' 38-minute script had to be pared down.
The Valeyard Revelation: Extensive discussion of the bombshell that the Valeyard is "an amalgamation of the Doctor's darker impulses from between his twelfth and final incarnations." The hosts debate why this huge concept has never been revisited on screen despite New Who passing that point in the timeline, compare it to Star Trek's "The Enemy Within" and Jekyll/Hyde dynamics, question how the Valeyard established himself on Gallifrey as a respected prosecutor, and marvel that this mythology-altering revelation planted seeds that never grew.
The Master's Motivations: Jim questions why the Master appears at all beyond Robert Holmes liking the character. Discussion covers the Master entering the Matrix with a duplicate key, his refusal to let the Valeyard deny him the pleasure of destroying the Doctor personally, and the irony of him being frozen in the Matrix alongside Glitz by story's end.
Peri's Resurrection: The hosts examine the shoehorned reveal that Peri survived to become Yrcanos' warrior queen - a retcon driven by negative audience reaction to her original death. Discussion includes Nicola Bryant's mixed feelings (initially disappointed, now embracing it in recent appearances), comparisons to Leela, and whether either ending serves the character well.
Continuity Catastrophes: The Inquisitor doesn't recognize the Master then suddenly knows he's a renegade Time Lord within the same episode. The Seventh Door to the Matrix is inexplicably on the space station. The High Council gets deposed by insurrectionists in unexplained chaos. Jim gets "completely lost" by events on Gallifrey that are told but never shown.
Bonnie Langford's Redemption: Both hosts praise Bonnie's performance in Part 2 when freed from Robert Holmes and Eric Saward's diminishment of Mel. Discussion covers her not being reduced to singer/dancer stereotypes, total recall ability introduced in "Terror of the Vervoids," recognizing Time Lord modems, and Jim's appreciation that she's treated as the Doctor's equal rather than damsel.
The Detective Doctor: Jim dubs Colin "The Detective Doctor" for his Sherlock Holmes/Batman deductive reasoning throughout the trial, calling himself "Old 60" and piecing together clues about Matrix manipulation, fake Mel's knowledge gaps, and the list of judges in his own handwriting.
The Ending That Never Was: Colin Baker's final words as the Doctor - "Carrot juice, carrot juice, carrot juice" - haunt him to this day. Discussion of newspapers announcing his firing the day Part 2 aired, his refusal to return for a regeneration story (offering one more season instead), becoming the only Doctor without an onscreen regeneration until Big Finish remedied it, and the raw deal of only 11 stories total.
Production Chaos Recap: No script editor credited for Part 2. JNT forced to act as story editor while fighting to keep Doctor Who alive. The Bakers writing without access to Holmes' notes or Saward's script. Sets already built constraining Part 2's possibilities. Colin knowing this was his swan song but giving his finest courtroom performance. The 30-minute runtime requiring BBC schedule adjustments.
The Final Twist: The Keeper revealed as the Valeyard in disguise, laughing menacingly as the ultimate cliffhanger - planted seeds for a new showrunner who would start from scratch with Sylvester McCoy. The hosts question why this twist exists when they already knew Colin was gone and had no next doctor or story editor lined up.
Mel's Future: Discussion of older-looking Mel with Beverly Crusher-style hair arriving with Glitz, speculation about when they were plucked from (possibly her eventual departure with Glitz's carrot juice company and TV show), and total recall proving essential to exposing the fake Matrix trial.
Coming Up Next: Patreon Exclusive (Monday): Comics "Changes" and "Salad Daze," Memory TARDIS spin, more music, and a Season 23 retrospective examining the good, bad, and ugly while preparing for Sylvester McCoy's arrival.
Patreon Exclusive (Friday): "Colin Baker: One Last Look" - a retrospective on the man and his 11-story tenure.
Main Feed (Following Saturday - Hiatus Content): Peter Davison retrospective from Patreon archives.
Season 24 Premiere: "Time and the Rani" - Sylvester McCoy's debut AND Kate O'Mara's return heralding the new Doctor's arrival.
Hashtags: #DoctorWho #TrialOfATimeLord #TheUltimateFoe #ColinBaker #SixthDoctor #TheValeyard #TheMaster #Mel #BonnieLangford #SabalonGlitz #RobertHolmes #PipAndJaneBaker #EricSaward #Season23Finale #TheInquisitor #PeriBrown #NicolaBryant #MatrixSequences #RegenerationThatNeverWas #ClassicWho #DoctorWhoReview #DoctorWhoPodcast #1986 #ProductionChaos #ColinBakerFarewell
John and Jim examine the third Trial of a Time Lord story featuring the Doctor's bold defense strategy: presenting evidence from his own future, complete with a new companion who somehow makes Perry instantly forgettable.
The Gutsy Introduction: The hosts examine the unprecedented decision to introduce Mel (Bonnie Langford) not at the beginning of her travels but as if she's already been with the Doctor for ages. Discussion covers the instant chemistry between Colin Baker and Bonnie Langford, Mel's agency and enthusiasm as a breath of fresh air, and why this pairing works despite unconventional storytelling.
Evidence From the Future?: Jim questions the trial's fundamental logic - why would Time Lords accept evidence that hasn't happened yet? The hosts debate whether showing the Doctor "gets better" in the future undermines the entire prosecution while simultaneously revealing he survives the trial. Discussion includes the questionable legal framework and the Valeyard's surprisingly weak objections.
The Bonnie Langford Factor: Extensive background on why casting Bonnie Langford was considered both a coup and a joke. The hosts explore her reputation as "England's Shirley Temple" (not in a good way), comparisons to Justin Bieber or Tiffany suddenly joining Star Trek, and how Pip and Jane Baker deliberately wrote against audience expectations. Coverage includes the infamous scream count, the F-key requirement matching the theme music sting, and whether Mel's voice takes getting used to.
Production Crisis Mode: John details the chaos behind the scenes - Eric Saward's resignation leaving no script editor credited, JNT forced to take over script development, the Starlog interview controversy, JNT's attempted resignation (initially accepted with the caveat he fire Colin Baker), and morale at all-time lows with no pickup news.
The Space Liner Mystery: Discussion of the murder mystery setup aboard Hyperion 3, Honor Blackman's casting (playing someone in her 40s while in her 60s), the Love Boat-style passenger introductions, the Mogarians and their translator issues, and Commodore Travers recognizing the Sixth Doctor from an adventure viewers never saw.
The Vervoid Problem: Both hosts agree the plant-based menace suffers from unfortunate design - looked fine in studio as tulips but became laughable on screen. Jim argues the human crimes prove more interesting than the creature threat. Discussion covers Pip Baker's research into plant hormones, the effective reveal scene in shadows, Professor Lasky's Thing from Another World-inspired death, and the wilting death sequence.
Red Herrings and Subplots: Examination of dropped plot threads including the Demeter seeds going nowhere (despite the Doctor eating one), Ruth the plant-infested woman's wasted potential, the Mogarian hijacking subplot as acknowledged "sideshow," and whether these diversions work or waste time.
The Chemistry Question: Both hosts marvel at how Baker and Langford perform as if they'd been together for years. Coverage includes Mel not being told to "stay here," treatment as the Doctor's equal rather than damsel, her computer programmer background never materializing, and Pease Pottage references connecting to nursery rhymes.
Design and Effects: Appreciation for the art deco lamp-inspired Hyperion 3 design (compared to Empire Strikes Back's Cloud City inspiration), the elaborate video game homage possibly recycled from "Nightmare Fair" development, black hole interpretation, and bodies stacked like cordwood pushing graphic boundaries.
The Genocide Charge: The Valeyard's closing accusation transforms the trial as Article 7 of Gallifreyan Law makes no exceptions - destroying an entire species constitutes genocide regardless of necessity. The hosts question whether this charge sticks and what it means for the finale.
Behind the Sofa Confusion: Colin, Bonnie, and Nicola on one couch with Matthew Waterhouse, Fraser Hines, and Mark Strickson on another - the three men initially think the plant-infested woman is Nicola Bryant and wonder "what happened to Peri."
Coming Up Next: Patreon Exclusive (Monday): More Doctor Who music, Memory TARDIS spin with random First Five Doctors story recall, the three-part comic "Time Bomb," and news about recent collection release controversies and RTD decisions raising hackles.
Main Feed Episode (Friday for Patreon, Following Saturday for All): The two-part finale "The Ultimate Foe" wraps up Colin Baker's era. John handles narration and promises Jim will thank him for NOT handling this one. Fandom generally dislikes it - meaning Jim will probably love it.
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John and Jim tackle the second story of Trial of a Time Lord - a divisive entry that Jim describes as "fair to middling" until a jaw-dropping finale that left him questioning everything. Production Challenges: John provides extensive background on Philip Martin's return after "Vengeance on Varos," Ron Jones directing his final Doctor Who story, and Eric Saward's resignation as story editor during production. Discussion covers Robert Holmes' passing during rehearsals and the courtroom set drama continuing with union issues.
The Return of Sil: Jim does NOT hold back on his feelings about Sil's return to Doctor Who. The hosts debate whether bringing back the green marshmallow-eating Mentor serves any real purpose beyond annoying viewers. Discussion includes comparisons to Star Trek's Ferengi and whether Kiv (played by Christopher Ryan) proves more interesting than his obnoxious predecessor.
Brian Blessed Arrives: The hosts examine Brian Blessed's appearance as King Yrcanos - a performance John considers a saving grace while Jim finds increasingly one-note. Behind-the-scenes stories include Blessed's F-bomb outtake, JNT's gentle handling of the larger-than-life actor, and revelations about Blessed nearly becoming the Second Doctor at age 25.
Cultural Appropriation Concerns: Jim and John discuss troubling 1986 production choices: Kabuki-style makeup and samurai aesthetics for Yrcanos, servants and slaves portrayed by minority actors, Native American-styled costumes, and the questionable treatment of Dorf (transformed into a dog). The hosts question why these decisions felt appropriate in the mid-1980s.
Colin Baker's Motivation Mystery: Extensive discussion of Colin Baker's struggle with unclear direction - was the Doctor acting under mind control, being crafty for observers, or was the Matrix testimony itself tampered with? Nobody could give him answers, leading to confusion that permeates the performance.
The Claustrophobic Complex: Jim criticizes the confined, repetitive sets of Thoros Beta, noting the same corridor and computer banks appearing from different angles. Discussion covers the limited scope compared to "The Mysterious Planet" and whether the laboratory scenes provide the only visual relief.
That Ending: The hosts unpack the shocking finale where Peri's brain is replaced by Kiv's, Yrcanos bursts in and shoots everyone, and the Doctor is pulled backward into the TARDIS by Time Lord intervention. John admits this originally made him consider quitting the show, while both hosts question whether companions deserved such ignoble exits.
Time Lord Treachery: Discussion of the High Council ordering Peri's death, the Inquisitor's sudden inside knowledge, and why this story made John truly understand why the Doctor ran away from Gallifrey. The Doctor's proclamation about "second-rate gods" resonates as one of Colin Baker's finest courtroom moments.
The Muddled Middle: Both hosts struggle with unclear storytelling - repetitive running through corridors, vague motivations, forgotten plot threads about weapons trafficking, and whether anything meaningful happens between the shocking beginning and devastating end.
Listener Perspectives: Jameson weighs in on theme preferences, Inquisitor Darkel's ruthless portrayal in Gallifrey audios, and teases Jim's eventual reaction to trial revelations. Jamie Girl appreciates the pink/purple planet effects and Brian Blessed's Viking philosophy while sharing YouTube finds of cast reunions.
Coming Up Next: Patreon Exclusive (Monday): More Dominic Glynn theme music, the three-part comic "Nature of the Beast," a look back at the first five Doctors with another Memory TARDIS spin.
Main Feed Episode (Friday for Patreon, Following Saturday for All): Parts 9-12 of Trial of a Time Lord - "Terror of the Vervoids." Mel arrives, and John cryptically warns the creatures' name isn't the only unfortunate thing about them.
Hashtags: #DoctorWho #TrialOfATimeLord #Mindwarp #ColinBaker #SixthDoctor #Peri #NicolaBryant #BrianBlessed #Yrcanos #Sil #TheMentors #ThorosBeta #PhilipMartin #RonJones #Season23 #Crozier #Kiv #TheValeyard #TheInquisitor #ClassicWho #DoctorWhoReview #DoctorWhoPodcast #1986 #CompanionDeath
John and Jim welcome back special guest artist Jerry Lange to discuss the Season 23 opener - a story that surprises everyone involved and showcases Colin Baker delivering what may be his finest performance in the role.
The Return After 18 Months: John provides extensive background on how the show returned after the hiatus with a reduced budget, shorter episode format, and completely different vision from what was originally planned. Discussion covers the tumultuous production environment, Eric Saward's declining interest, and the challenges facing the production team.
Dominic Glynn's Theme: The hosts react to the new arrangement of the Doctor Who theme - and Jim does NOT hold back his feelings. Discussion explores why this version feels cheaper than previous iterations and whether anything can redeem it.
Jerry's Fresh Perspective: As someone experiencing Colin Baker's Doctor properly for the first time, Jerry shares his impressions of the "grumpy Doctor" and how this performance compares to what he expected. His observations about how each Doctor can be characterized provide interesting insights.
Colin Baker's Courtroom Brilliance: All three hosts agree: Colin Baker shines brightest in the trial sequences. Jim examines how Baker balances humor and outrage, the effective "fencing" between the Doctor and the Valeyard, and why these courtroom interruptions actually enhance rather than detract from the story.
The Mysterious Planet Story: The hosts discuss Robert Holmes' final full script, the Beneath the Planet of the Apesinfluences, the impressive (and expensive) model work, Drathro's excellent robot design, and whether Glitz and Dibber work as comedy relief characters. Jerry questions whether certain characters were even necessary to the narrative.
Production Challenges: Discussion covers wrong studio construction, extended recaps to fill time, rating troubles despite heavy BBC promotion (blamed on the Roland Rat lead-in and The A-Team counterprogramming), and which actors stood out in guest roles.
The Valeyard Factor: The hosts examine Michael Jayston's performance, the mysterious prosecutor's agenda, and why his dynamic with Colin Baker creates such compelling television despite being filmed primarily in one courtroom set.
Listener Perspectives: Jamie Girl weighs in on the arrogance factor and Perry's odd reaction to Earth's fate, while Jameson provides expanded media context and praises the Baker/Jayston chemistry. Jeff from Australia offers thoughts on problematic elements and the Young Ones connections in "Revelation of the Daleks".
Coming Up Next: Patreon Exclusive (Monday): Dominic Glynn theme variations, the comics "Exodus," "Revelation," and "Genesis," plus another spin of the Memory TARDIS wheel.
Main Feed Episode (Friday for Patreon, Following Saturday for All): Parts 5-8 of Trial of a Time Lord - "Mindwarp." John handles narration duties, and he cryptically promises Jim will thank him for the division of labor.
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John and Jim dive deep into one of the most tumultuous periods in Doctor Who history, exploring the fan response to the show's 18-month hiatus announcement and examining two very different productions from that era.
Theme Song Discussion: The hosts review Chameleon Circuit's 2026 version of Peter Howell's 1980s Doctor Who theme. The hosts find it underwhelming, noting it fails to generate the excitement that should accompany the opening of a Doctor Who episode. They express mixed feelings about Chameleon Circuit's various covers over the years. LINK : https://youtu.be/oYyc00TKtCs?si=UUH4k9dMulobMh3o
The 18-Month Hiatus: During the broadcast of "The Two Doctors," the BBC announced Doctor Who would be "rested" for 18 months to fund other BBC projects. The announcement made national headlines and BBC News broadcasts, creating major controversy among fans and the general public.
"Doctor in Distress" - The Charity Single: Ian Levine, the show's unofficial historian and fan liaison, organized a charity single modeled after "We Are the World" to protest the hiatus. The hosts discuss the infamous recording featuring:
- Cast members: Colin Baker, Nicola Bryant, Nicholas Courtney, Anthony Ainley, Faith Brown (from "Attack of the Cybermen")
- Musicians: Justin Hayward and John Lodge (The Moody Blues), Phyllis Nelson, Bobby G (Bucks Fizz)
- Notable absences due to scheduling issues and Ian's impatience
LINK: https://youtu.be/ege9lQecazo?si=yh0ROrCIbz9hf30a
"A Fix with Sontarans": In stark contrast to "Doctor in Distress," this segment from the children's show "Jim'll Fix It" proved surprisingly professional. Young fan Gareth Jenkins wished to appear in a Doctor Who story, and writer Eric Saward crafted a nearly 10-minute adventure featuring:
- Colin Baker as the Sixth Doctor
- Janet Fielding returning as Tegan (not Nicola Bryant as Peri)
- Two Sontarans (Clinton Grain and Tim Raime from "The Two Doctors")
- A surprisingly serious tone rather than sketch comedy
Production notes include that the two Sontarans were named Nathan and Turner (a dig by Eric Saward at producer John Nathan-Turner), and that a remastered version exists with Jimmy Savile edited out and updated special effects. Colin Baker later stated he always found Savile "creepy." LINK: https://archive.org/details/a_fix_with_sontarans
Doctor Who Magazine - "Voyager" Part 5: The hosts express deep frustration with Steve Parkhouse's comic story, calling it "hogwash," "claptrap," and "balderdash." They criticize:
- The pretentious writing style
- The Doctor's complete lack of agency
- Frobisher the penguin's unnecessary subplot
- The anticlimactic appearance of the villain Voyager
- The waste of artist John Ridgway's talents
Jim suggests Parkhouse was attempting to emulate Alan Moore but failing spectacularly, creating "whimsy disguised as something deeper." The hosts note this isn't Doctor Who and wouldn't work on television. They express relief that only two more Parkhouse stories remain.
Memory TARDIS: The wheel lands on "Mawdryn Undead," which both hosts remember fondly, particularly for:
- Nicholas Courtney's dual role as two different time versions of the Brigadier
- The strong integration of the Brigadier into the plot (not just a cameo)
- Nyssa and Tegan's interactions with the Brigadier
- The creative concept of keeping the two Brigadiers apart
Big Finish News: The hosts briefly discuss Big Finish's move toward digital-only releases for many products due to poor physical sales and warehouse storage issues, sparking debate about collector markets and physical media in the vinyl revival era.
Coming Up Next: Main Feed Episode: John and Jim tackle "Timelash" with special guest Alan J. Porter, continuing their journey through Colin Baker's controversial Season 22.
Next Patreon Episode (158): The hosts continue with more theme music discussion, spin the Memory TARDIS again, and cover Steve Parkhouse's penultimate story "Polly the Glot" - a three-part adventure from Doctor Who Magazine.
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Episode Title: "Bang Bang A-Boom!" - Season 12 Retrospective & Big Finish Review - Patreon Exclusive #85
SPECIAL MAIN FEED RELEASE - PATREON SHOWCASE
DOCTOR WHO THEME MONTAGE:
The Tardis Elliot Video: John sent Jim a montage from Tardis Elliot (a fan who makes trailers of Doctor Who episodes) featuring title opening sequences.
John's Reasoning: "This is the last, with Tom Baker, the last hurrah for the original version of the Doctor Who theme. After this, we're going to start seeing the variations. I thought, give me a little sneak peek at what's in store for you if you continue on into the new series and all."
NO COMIC THIS WEEK:
Jim: "What a relief that was. It's terrible for me to say that, but what a relief. It was nice having a break. It really was."
SEASON 12 RETROSPECTIVE:
SEASON AVERAGES:
Jim: 10.2/15 John: 11/15 Overall Average: 10.6/15
Jim: "Some of that is nostalgia for you."
John: "Absolutely."
SEASON 13 SPOILER CARDS:
The Three Cards:
- Ncuti Gatwa
- Fembots
- Classic Movies
JIM'S CHOICE PROCESS:
"How in the world could I possibly pick? I can pretty quickly eliminate Classic Movies, even though I like classic movies. I'm really intrigued by the other two."
Fembots: "I'm not as big of a Bionic Woman fan as you are. I didn't watch it regularly like I did $6 Million Man. I know who the Fembots are and I liked that she had a recurring adversary, that was sort of her Daleks."
THE PICK: NCUTI GATWA
THE REVEAL: PYRAMIDS OF MARS
BIG FINISH: BANG BANG A-BOOM!
Release: December 19th, 2002 (their second Christmas episode)
Writers: Gareth Roberts & Clayton Hickman Director: Nicholas Pegg Doctor: Sylvester McCoy Companion: Mel
THE BASIC PLOT:
"Star Trek meets Space 1999 meets Eurovision."
The Setup: "The TARDIS lands on Dark Space 8 and finds themselves dealing with a whole bunch of aliens who are on the station because the Doctor is mistaken for the replacement commander for the station."
The Backstory: "The TARDIS winds up on a shuttle that's transporting the new commander, but it explodes before it reaches the station. They are beamed onto the station - he and Mel - as the only survivors of it."
Beamed vs. Transmitted: "They actually say 'beamed' in this case. They don't use the term transporter though. But I think that term was already being used in science fiction before. It's like blasters. I was naive enough to think that blasters came from Star Wars, but in Foundation by Isaac Asimov, the guns are called blasters."
THE ELEMENTS:
Space 1999: "The Space 1999 bit is the medical doctor who sounds an awful lot like Barbara Bain. She's going out of her way. She's the one doing medical logs like Bain did in Season 2 of Space 1999. Barbara Bain had a very distinctive voice. This woman seems to be placing that same emphasis on it there."
Star Trek: "There's a lot of references to Star Trek. You look and you go 'Oh, now they're referencing this episode. Now they're referencing that episode.'"
Eurovision: "They got someone who did a dead-on impression of the guy. For years Eurovision was hosted by a BBC presenter Wogan from Northern Ireland. So they have their version being Logan and he sounds just like him. It was cute."
THE INTERGALACTIC SONG CONTEST:
"On the station, while he's trying to figure out who tried to kill or not try to but successfully killed the new commander, the Doctor's also got to deal with an intergalactic song contest."
JOHN'S VERDICT:
Worth It? "It's worth a listen, especially if you are a Star Trek fan. And in my case, I had to laugh at the Eurovision spoofing they did."
NEXT TIME:
Friday (Patreon): Big Finish's "The Ark" - Jon Lucarotti's original story before it became Ark in Space
Saturday (Main Feed): Reissue/release of a Patreon episode - Jon Pertwee Retrospective
Monday (Patreon #86): "Primarily we're going to be focusing on the comic strips that were on during the break."
The Reality: "It's going to be a mix of stuff from the strip and also a comic from the TV Comic Annual for 1976."
"And that is our Big Finish for this show!"
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John and Jim welcome back special guest Felicity Kusinitz to discuss the Colin Baker era finale - a story that generates surprising ratings diversity and sparks debate about Eric Saward's best (or most problematic) work.
Production Background: Director Graham Harper returns after "Caves of Androzani" to helm this two-part adventure, the last to be shot using film for location work. John shares fascinating details about Eric Saward writing the script while vacationing in Rhodes, drawing inspiration from Evelyn Waugh's satirical novel The Loved One, and Greek locations providing character names. The story features newly constructed Daleks for the first time since "Planet of the Daleks," plus some surprising casting stories - including Sir Laurence Olivier being approached to play... the mutant.
Best and Worst Guest Stars: Jim declares this story contains both the best and worst guest stars ever - a proclamation that generates immediate discussion. Eleanor Bron's appearance delights Jim (who knew her from "Help!" and "Bedazzled"), while the DJ character sparks the episode's most heated debate. The hosts and Felicity find themselves split on whether this comedic character works or derails the story's tone.
The Duo Dynamic: The hosts examine Eric Saward's interesting structural choice of populating the story with paired characters - from Orsini and Bostock (the assassin and his squire) to Jobel and Tasambeker, Kara and Vogel, and more. Discussion explores whether this represents a Robert Holmes homage and how these relationships drive the narrative.
Davros as Emperor Palpatine: Jim presents his case for Davros completing his transformation into Emperor Palpatine, complete with blue lightning and manipulation tactics. The hosts debate the character's evolution, Terry Molloy's performance, and the story's handling of Davros versus the "real" Daleks.
The Mortuary Planet Concept: Jim shares his fascination with funeral home settings in science fiction, praising the story's dark humor and satire. Discussion covers the story's Soylent Green elements, the disturbing glass Daleks, and whether the various subplots serve or detract from the core narrative.
Perry's Accent Meta-Moment: The hosts discuss the scene where DJ asks "Is that your real accent?" - exploring what the production team knew about Nicola Bryant's secret by this point.
Listener Perspectives: Jameson and Jamie Girl weigh in with contrasting views on the DJ character, Herbert from "Timelash," and the season's violence levels.
Final Ratings: The three hosts land across the spectrum - demonstrating this story's divisive nature even among those who generally enjoy it.
Felicity's Colin Baker Era Assessment: The returning guest shares her overall thoughts on Season 22, Colin Baker's Doctor, and her relationship with Perry as a companion.
Coming Up Next: Special Hiatus Content:
Patreon Exclusive (Next Week): John and Jim cover "Slipback" - the BBC Radio 4 audio drama featuring Colin Baker and Nicola Bryant that aired during the 18-month hiatus.
Patreon Exclusive (Week After): A deep dive into the missing Season 23 - examining what stories were planned, what could have worked, and where to find them in expanded media through Big Finish and Target novels.
Main Feed: Classic Patreon episodes will be released for non-subscribers during the two-week break.
Regular Patreon Episode (Monday): Episode 159 concludes the Steve Parkhouse comic run with his final story "Once Upon a Time Lord."
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Join hosts John Drew and Jim Beard, along with special guest Alan J. Porter, as they tackle one of Classic Who's most controversial stories - and discover they might be more divided on it than expected!
Production Overview: This 1985 two-part adventure was written by Glen McCoy (his only Doctor Who story) and directed by Pennant Roberts in his final work on the series. The production faced several challenges, including John Nathan-Turner pulling Colin Baker and Nicola Bryant out of rehearsals twice - once for a US convention and once for pantomime rehearsals. Robert Ashby's Borad makeup took three hours to apply daily and prevented him from eating, though he was given creative freedom to rewrite his own dialogue. The story originally featured the First Doctor, Susan, Ian, and Barbara, but was changed to reference the Third Doctor and Jo Grant at JNT's insistence.
The Paul Darrow Factor: Guest star Paul Darrow (Blake's 7's Avon) deliberately over-acted as revenge for Colin Baker's bombastic portrayal of Bayban the Butcher on Blake's 7. When JNT asked him to play Tekker like Avon, Darrow refused and instead played him like Richard III - even asking if he could wear a hump! Eric Saward described the character as "a Roman Emperor who's been sniffing glue all day."
Fan Reception vs. Host Opinions: Despite ranking 199th out of 200 in Doctor Who Magazine's 2009 poll (just above "The Twin Dilemma"), the hosts find themselves surprisingly divided. Alan defends the story as one of his favorites, particularly praising the H.G. Wells subplot and the Doctor's use of temporal mechanics. Jim finds it uneven but leans more positive than negative, enjoying Part 2 more than Part 1. John remains the dissenting voice, giving it his lowest rating and arguing it should have been condensed to a single episode.
What Works:
- The Borad's makeup design and Robert Ashby's restrained performance
- The Doctor actively using time manipulation as a tool (the "time slip" device)
- The Third Doctor/Jo Grant backstory and photo reveal
- H.G. Wells as Herbert, with the reveal of his identity
- The Bandril aliens as an attempt at something visually different
- Colin Baker's performance showing the Doctor's arrogance and self-assurance
- Peri's relatively conservative and flattering outfit
- The concept of time technology used as a weapon (aging doors, etc.)
- References to the Doctor being President of Gallifrey
What Doesn't Work:
- Twenty-one minutes before the TARDIS actually arrives on Karfel
- Excessive padding, particularly the extended TARDIS arguing scenes
- The "Morlocks" name being too on-the-nose from H.G. Wells' "The Time Machine"
- Plot holes regarding mirrors, reflective surfaces, and androids
- The unnecessary subplot about the impending Bandril war
- The clone reveal feeling like a tired trope
- Peri's character arc diminishing from agency to damsel in distress
- Questions about how the Doctor knew there was a mirror behind the mural
- The Borad's similarity to Davros (wheelchair, arm weapon, disfigurement)
Behind the Sofa Reception: Interestingly, all three Behind the Sofa pairings enjoyed the story, with Janet Fielding calling it the best of Season 22 and Peter Davison saying it was "bad enough to be good."
Special Effects: The Blu-ray release is the only Colin Baker Season 22 story to receive updated special effects, particularly within the Timelash corridor itself. However, the hosts debate whether the original effects were actually any worse than typical for the era, with some defending them as perfectly acceptable for 1985.
The Third Doctor Connection: The story's references to an unseen Third Doctor adventure generate discussion about whether this needs to be explored further. Some Big Finish audios and novels have addressed different aspects of this backstory, though no single story covers the complete adventure. The reveal of Jo Grant's photo in the locket creates a memorable moment, though questions remain about the logistics of the wall/mural/mirror setup.
Colin Baker as the Sixth Doctor: All three hosts praise Colin Baker's performance, with discussion about how he represents a return to the "classic" Doctor archetype - combining arrogance, self-assurance, and alien behavior in ways that callback to earlier incarnations. Alan notes that the Sixth Doctor has become his favorite classic Doctor, particularly in Big Finish audios where the character develops further. Jim agrees that Baker brings back an edge and arrogance that had been missing from the Fifth Doctor's portrayal.
H.G. Wells Subplot: The reveal of Herbert as H.G. Wells divides the hosts. Alan loves this aspect and wishes Wells could have become a companion, noting that expanded media has hinted at further travels with the Doctor. The hosts discuss the 1979 film "Time After Time" covering similar territory. The Loch Ness Monster connection provides a subtle Easter egg at the story's conclusion.
Nicola Bryant's American Accent: The discussion reveals interesting perspectives - Alan, who lived in Britain during the original broadcast, thought she was genuinely American for years. Now living in the US for 30 years, he can hear her straining with the accent. The hosts share the behind-the-scenes story of how Bryant and her agent maintained the deception for nearly a year before revealing the truth to Colin Baker.
The Violence Debate: The hosts attribute Season 22's increased violence to Eric Saward's script editing philosophy and his particular vision of science fiction, suggesting he didn't fully understand the Doctor's character. They note that the 18-month hiatus may have saved the show by allowing time to reassess and tone down the violence.
Production Value Discussion: The hosts debate whether Timelash deserves its reputation for poor effects and production values, with most agreeing the special effects are no worse than surrounding stories. The Timelash corridor interior set receives mixed reviews - an "A for effort" but questioned execution that might have benefited from filters or different lighting approaches.
Viewership: Part 1: 6.7 million viewers Part 2: 7.4 million viewers
Coming Up Next: Patreon Exclusive (Monday): John and Jim cover all three parts of Steve Parkhouse's "Polly the Glot" comic strip, spin the Memory TARDIS, and discuss more theme music variations. The hosts express relief that only two more Parkhouse stories remain in their comic journey.
Next Main Episode: The hosts continue through Colin Baker's Season 22 with "Revelation of the Daleks," featuring the return of Davros. John handles narration duties, and they're joined by special guest Felicity Kusinitz, who has recovered from her previous illness and will bring her "much better voice" to the discussion.
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Join hosts John Drew and Jim Beard, along with special guest JB Anderton (Doctor Who Gives a F*ck/The Bat 77 podcast), as they tackle one of the most controversial multi-Doctor stories in classic Who history.
Production Overview: The hosts discuss the behind-the-scenes details of this 1985 three-part adventure, including how the location shifted from the originally planned New Orleans to Seville, Spain. They explore the challenging filming conditions, including extreme heat that made the production difficult, and discuss how this became Colin Baker's favorite story due to his friendship with Patrick Troughton.
Creative Conflicts: The episode examines the tension between writer Robert Holmes and director Peter Moffatt, who had very different visions for the story's tone. The hosts also discuss script editor Eric Saward's influence and his preference for darker, more violent content.
The Season 6B Theory: The hosts dive deep into fan theories explaining why the Second Doctor and Jamie appear older and why the Doctor seems to be working for the Time Lords, introducing listeners to the concept of "Season 6B" - the idea that the Second Doctor had adventures between his trial and regeneration.
Performance Praise: All three hosts agree that Patrick Troughton delivers an excellent performance, giving the role his full commitment despite the script's issues. Colin Baker also receives praise for his dedication, though the hosts feel the material doesn't serve either Doctor well enough.
Major Criticisms:
- The character of Shockeye and the extended focus on food/cannibalism themes
- Gratuitous violence including the rat-eating scene
- Poor pacing that stretches the story beyond its natural length
- Wasted potential for Jamie's character
- The controversial ending where the Sixth Doctor kills Shockeye
- Questionable makeup choices for Troughton's Androgum transformation
- Tall Sontarans that contradict established lore
Historical Context: The hosts note that during the airing of part two, the BBC announced Doctor Who would be "rested" for 18 months, creating controversy among fans.
The hosts conclude that while the story began with promise in part one, it devolved significantly by part three, with the violence and Shockeye subplot overwhelming what could have been an engaging multi-Doctor adventure. Coming Up Next:
Patreon Exclusive: John and Jim wrap up their look at Colin Baker's Voyager comic story, spin the Memory TARDIS, and dive into the infamous "A Fix with Sontarans" special from Jim'll Fix It. Plus, Jim finally shares his thoughts on the legendary (and infamous) charity single "Doctor in Distress" by Ian Levine and company.
Next Main Episode: The hosts continue their Colin Baker journey with "Timelash," joined by special guest Alan J. Porter.
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OPENING:
THE RANI INTRODUCTION:
John: "So here we are again talking The Mark of the Rani, which now for you, Timey Wimey, you've already met the Rani, but this is the Rani 1.0, played by Kate O'Mara, who American audiences might remember appeared on the television show Dynasty."
JIM'S INITIAL REACTION:
"It is really interesting. I'm glad you brought that up, because it had occurred to me that I had already met the character and was somewhat familiar with her. At least I knew the basic setup because we had talked when we watched her in the Ncuti story."
THE OVERALL VERDICT:
"Otherwise, in general, I enjoyed this story. And Kate O'Mara - good. And yet in a different way than the actress in current days."
PRODUCTION DETAILS:
Production Code: 6X Air Dates: February 2-9, 1985 Writers: Pip and Jane Baker (first outing for Doctor Who - they'll be back next season and Sylvester McCoy's first season with another Rani story) Director: Sarah Hellings (the last female director for Classic Doctor Who)
THE MUSIC
John: "One of the things - I've said this, this is one of my favorite episodes - but one thing that I love about it, the music stands out in this one compared to a lot of other productions."
Jim: "Interesting that you say that, because I've said it many times before, I don't always notice music, it doesn't always hit me on a conscious level. I noticed it and made a note. It did stand out to me in this story."
ANTHONY AINLEY'S DISCONTENT:
John: "I mentioned the appearance of the Master. And Anthony Ainley, Colin Baker, and Nicola Bryant all say on the Blu-ray set that Ainley was not happy about sharing the limelight.
RATINGS:
Episode 1: 6.3 million Episode 2: 7.3 million
JIM'S FORMAT REVELATION:
"I'm gonna say it right now. While watching this, I finally, finally decided fully - I don't care for this setup. I don't care for the two parts at 45 minutes each."
PART ONE SYNOPSIS:
Doctor and Peri arrive in the early 19th-century mining village of Killingworth to investigate time distortion. They witness local miners attack a deliveryman and smash the machinery he was carrying, appearing as Luddites to locals. The Doctor notices one rampaging miner has a strange red mark on his neck. He meets Lord Ravensworth, a local landowner who saves the Doctor when attacked by three Luddites. He's deeply concerned about violent outbreaks among normally passive men. Culprit is the Rani, a Time Lord chemist posing as old woman running local bathhouse. She's been extracting neurochemicals from miners that enable sleep, which causes red marks on their necks. She needs these chemicals for her planet, Miasimia Goria, where her experiments have left inhabitants unable to rest and have now rebelled. Master arrives having visited her planet and forces an uneasy partnership by stealing some of her precious brain fluid to ensure cooperation. Doctor disguises himself as a miner and enters the bathhouse. Rani traps him, but Master convinces her to let him handle the Time Lord. He convinces Luddites to push Doctor's TARDIS down the mine shaft with the Doctor to follow.
JIM'S LIGHTNING ROUND:
"I want to try something different here. Bear with me. Lightning round of comments. You ready? Let's see this."
THE LIST:
- Almost artistic opening shots plus nice music
- She is wearing - the Doctor says the Daleks have time machines
- Master
- Lots of handheld camera work
- Peri's more capable
- The Master changed time by eliminating a man
- Vulgarly colored coat
- The Master and Rani have a history
- Rani's jabs at the Master - smiley face
- Doctor's imitations of Peri - smiley face
- No birds
- Doctor recognizes the Rani but she didn't recognize him
- American War of Independence
- The Rani's a vegan
- Brains as good as anyone's - No comment, Doctor
- Shades of Bruce Wayne
THE OPENING SEQUENCE:
Jim: "Let's go right back to the beginning - that opening series of shots to set up the village, the music lining, and then into the bathhouse. Almost artistic. It was filmed so nicely, with nothing weird going on. And then they go into the bathhouse, and it gets weird at that point. But accompanied by very nice music."
The Impact: "Beautiful work. I was never so taken by opening shots. They were almost poetic in a way. And she did all that - that was a small area, and she made it look so much bigger."
PART TWO SYNOPSIS:
Doctor is saved by inventor George Stephenson and returns with Peri to Lord Ravensworth's estate, where Stephenson has planned a meeting of scientific and engineering geniuses. The Doctor worries about gathering under the current circumstances, but the Master is desperate for it to proceed. He wants to enlist the finest minds of the Industrial Revolution to accelerate Earth's development and use the planet as a power base. Master uses mind control on Stephenson's assistant Luke Ward, ordering him to kill anyone who tries to prevent meeting. Master strikes a deal with Rani - she can return to Earth at any time to harvest brain fluid if she helps him achieve his goal. Doctor sneaks into Rani's TARDIS at the bathhouse, discovering jars of preserved dinosaur embryos. Rani summons her ship to the old mine workings, with the doctor still hiding inside, and he overhears their plans. Peri uses her botanical knowledge to make a sleeping draft for afflicted miners, searching for herbs amid Rani's landmines. Doctor confronts Master and Rani at the edge of the dell and witnesses Luke step on a mine that transforms him into a tree. Using Master's own tissue compression eliminator, Doctor takes them prisoner, but Rani tricks Peri and two escape. However, the Doctor has sabotaged Rani's TARDIS navigational system. The ship spins out of control, and under destabilized conditions, the jar holding the Tyrannosaurus Rex embryo falls and breaks, causing the creature to grow due to time spillage. Doctor and Peri swap a vial of brain fluid with Ravensworth, who will administer it to afflicted miners. They depart in the TARDIS before the astonished eyes of the scientist and his financier.
THE LANDMINE QUESTION:
Jim: "What is it about this show and landmines?"
THE REMOTE CONTROL:
Jim: "The thing about that - she has solved the problem of being able to remote control a TARDIS. Does that come into play going forward?"
John: "Yes. There is another Time Lord in Classic Who coming up who also has the ability to do that."
Jim: "That's cool."
THE MORALITY DEBATE:
John: "I think she's not evil. She's amoral."
THE INVITATION:
Jim: "So, everybody out there listening, if you want to chime in, is the Rani evil or just amoral? We'd love to hear from you."
NEXT TIME:
Monday (Patreon): More Voyager Part 4, some Doctor Who music, and some Memory TARDIS
Friday (Patreon) then Saturday (Main Feed): THE TWO DOCTORS - a three-part story
Jim: "Let's see how well things hold up there if I've got to sit through three 45-minute episodes. Oh my word. It does have Patrick Troughton though."
John: "And you always seem to like Patrick Troughton better when he's tempered by the other ones."
THE SIGN-OFF:
"And now you know what your co-hosts do in the Doctor's Beard TARDIS - argue, mainly!"
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Episode Title: "I'm In The Minority" - Vengeance on Varos Review
THE EMPTY TARDIS:
The Missing Guest: Felicity Cousins from The Flop Cast was supposed to join but had to bow out about an hour before recording - her voice has been acting up again. "I don't think she ever really fully recovered from the last time she was sick when she was with us."
THE SEXY DOCTOR ANNOUNCEMENT:
John: "She was going to miss the announcement that we are now dealing with the sexiest Doctor to date!"
Jim: "According to People Magazine? According to the newspapers?"
The Daily Mirror: "In addition to having the sexiest Doctor, we also have a companion with great assets."
Jim's Pun: "You're really keeping abreast of this stuff."
John: "Yes, I am."
THE SEXINESS DEBATE:
Jim: "Honestly, sexier than Jon Pertwee? Come on."
THE BIG QUESTION:
John: "I told you this was one of my two favorite Colin Baker stories, and I would actually rank this up there as some of the best Doctor Who in Classic Who. What are your initial thoughts about Vengeance on Varos?"
PRODUCTION DETAILS:
Production Code: 6V (V for Varos!) Air Dates: January 19-26, 1985 Writer: Philip Martin (first story - will have sequel with Sil next season) Director: Ron Jones Original Titles: "Domain" and "Planet of Fear"
THE PUBLIC RECEPTION:
The Controversy: Episode didn't get very well received by the public. Scenes like:
- Acid bath deaths
- Attempted hangings
- Genetic experiments on women
The Complaints: Widely criticized in Radio Times Letters page and in TV program Points of View.
Unlike Before: "Unlike previous criticisms of the show's violence, this time it was raised by members of the general public. Some of the show's fans were even against this, besides people like Mary Whitehouse."
PART ONE SYNOPSIS:
Desolate planet Varos - citizen workers make up strange society of viewers who watch public torture and executions and vote on whether or not their Governor will be punished on camera for his actions. Official currently negotiating over price of Varos's precious Zeiton (Zeiton or Zyton?) with Sil, contentious representative of Galatron Mining Concern. Dealings going poorly for Varos. Sil has inside man - Governor's Chief Officer on his payroll advising him to oust current leader. Doctor and Peri arrive seeking Zeiton to repair ailing TARDIS, find themselves freeing rebel named Jondar from televised execution. As Governor, Sil, and everyone on planet watch, Doctor and Peri escape with Jondar and his wife Areta, only to wander into Purple Zone - tunnels haunted by fantastic illusions. Getting through them, Doctor discovers TARDIS has been captured, then loses Peri and others to guards chasing them. He himself walks into arid desert illusion. While citizenry watch, he seemingly succumbs to great heat and perishes.
THE META COMMENTARY:
Jim: "It's very meta what we would call meta today. It strikes you immediately that he's commenting about violence on television."
The American Target: "I personally felt a little targeted because I feel like in extension they - or he was - pointing that a lot at us here in the United States."
John: "I'd say that's fair."
THE PENAL COLONY:
Jim: "Weirdly enough, we're also going back to the old Australia thing. But as in good Doctor Who form, we get something like that dropped and then it's not picked up on again."
The Discovery: "The whole thing about 'I discovered that this is a penal colony' - or it grew out of a penal colony. I said 'Oh, all right, we've kind of had that a lot recently.' But then I remembered that it wasn't brought up again."
THE TIME CRAFT MYSTERY - AGAIN:
Jim: "Another thing that's used here - I'm sure you noticed it, and I don't get it unless it's something we're going to be rewarded with at some point - there's another mention of another space-time craft. So why do we get two of these mentions now? Or is that just coincidence?"
John's Explanation: "This particular season, without I don't know if they realize it, if it was done on purpose - we deal a lot with other alien cultures trying their hand in time travel. Including we're going to have, if I'm not mistaken, humans soon."
JIM'S OPINION:
"Piss or get off the pot. That's an interesting aspect, although as Homer Simpson's father said, 'I ain't for it, I'm agin it' because I think it does take the Mickey out of the Time Lords. But if you're going to go down that road, then tell us that story - what will the Time Lords do about making sure they're the only ones that get to do that?"
WHAT JOHN LOVES:
JOHN'S LIST:
The Music: "I love the music. I think the music is very inspired for this."
The Twin Dilemma Doctor: "This is more of the Doctor from Twin Dilemma - as he so callously says to Peri 'Oh well, you'll just live out the few years you got left, you'll die and that's it. But I'm stuck here forever in the...' That was actually an interesting moment. There was a little thread of Tom Baker's 'I am the walker in eternity' or whatever the hell he said in Pyramids of Mars."
The Torture Scene: "I thought it interesting that right off the bat we get a torture scene as Jason Connery's character Jondar is chained up. That's one of the first things that was called out - 'Oh look at this, we just start the show and this guy's being brutalized?' I guess they wanted to hit people with it right off the bat. 'This isn't your typical Doctor Who.'"
Jim: "It definitely isn't."
THE GREEK CHORUS:
John: "I was shocked - I didn't really realize it until watching it this time. We've got our two folks there sitting and watching. They represent us, the audience, the rest of Varos. How casual they talk about those being tortured as though they were fictional. You'd sit there go 'Oh no, that was the guy who got killed last week' - say that casually because it's all fiction. But these are real people and they're saying it the same way."
Jim: "I mean, I think that's part of the message - violence on television is numbing us to the fact that there is real violence in the world."
THE APPRECIATION:
Jim: "I'll admit that part is kind of interesting because those two are totally in that room the entire time. They're kind of like a Greek chorus. They're off to one side, commenting on everything going on. Then they themselves have a little struggle between them."
The Uniqueness: "That was an interesting thing to do because I don't really remember anything else like that - two characters who don't have any interaction whatsoever with all the other characters. And they're in one set the entire time."
GUEST STARS:
The Governor - Martin Jarvis: One of those rare people to have appeared in all three decades of Doctor Who:
- 1965's The Web Planet as one of the Menoptera
- Invasion of the Dinosaurs in 1974
Jim: "We wouldn't recognize him from that. But that's cool."
John: "See, point to me - I recognize that you recognize him. I went 'This dude has totally been in Doctor Who before.'"
Areta - Stephen Yardley: Previously played Severin in Genesis of the Daleks (1975)
Owen Teale (Maldak): Going to appear later in Torchwood episode "Countrycide"
Etta - Sheila Reid: "I was today years old when I discovered that Etta is Clara Oswald's grandmother in Doctor Who, appearing in both a Peter Capaldi and a Matt Smith story. And she's wonderful as the grandmother."
John: "She's adorable as Clara's grandmother. Still with us. Still acting. Last credit was just last year."
SIL - NABIL SHABAN:
The Condition: Born with osteogenesis imperfecta which left his bones brittle.
Recent Passing: "Only passed away this past October at the age of 72. We'll see him again next season in Trial of a Time Lord, one of the stories there."
Jim's Memory: "I did look him up because I couldn't shake the feeling he was in Time Bandits, but he wasn't. He really seemed like one of the - and pardon the term - dwarves, the little people. But he's not. He's not one of them. Kenny Baker is from Star Wars."
The Background: "He's Jordanian British."
PART TWO SYNOPSIS:
Doctor revives on gurney just before being put into acid bath and escapes. Governor tries to wring answers out of Peri but her truth falls on deaf ears. When Doctor is recaptured, Governor stages old-fashioned hanging to trick Doctor into talking, but instead makes Sil reveal his treachery against Varos. Peri and Areta put into transmogrifier and begin to change into animals. Doctor pulls the plug and together with Jondar they escape further into dome. There they come across more illusions and near death, while Chief Officer makes his own play to oust Governor with another public vote. Peri and Governor escape with help of guard and meet up with Doctor and others. Quillam and Chief Officer perish by poison vines. Back at Governor's chambers, Sil discovers his invasion has been stopped and he is ordered by his own people to negotiate for Zeiton at any price at all. A win for people of Varos, especially when Governor ceases all public tortures and executions.
HOT TAKE:
Jim: "What the heck? Well, where's the vengeance? Where's the vengeance? Why? I mean, just because it's a cool alliteration? The Doctor's never met any of the bad guys before. There's no vengeance that I'm aware of, so I didn't get that."
PART TWO FALLS APART:
Jim: "Part two - for me, it falls apart. I think it's kind of sort of everything but the kitchen sink."
The Purple Zone: "Especially at the end when they get further into dome and they've dropped the term 'the Purple Zone' - which is unfortunate because I kind of liked that. When we get to the point where all of a sudden there's like this flora and it's poison vines..."
Quillam and the Chief Officer: "And that's how they get rid of Quillam and the Chief Officer who doesn't ever have a name in this - he's just the Chief Officer. But he looks like a bad guy at least."
John: "All the guys, right?"
PART TWO WEAKNESSES:
Jim: "Part two is definitely weaker than part one. Then we go back to Sil, and everything's been taken care of for some reason. His company, his people, whatever - they just sort of change their mind and he's out on his tail."
The Other Source: "There was something to the effect that they found another source, so there was no point in... just abandon these people, we don't need them."
Jim's Problem: "I wasn't really buying it. I think it just really whimpers out at the end. We needed like an explosion. I really didn't care for the ending, especially since the Doctor is not the instrument of vengeance."
ANOTHER AVENUE TO NOWHERE:
Jim: "It is interesting, I'm with you. That said, it is another avenue that this story goes down with little to no reason for it to be there. You have the old trope of the valuable mineral - it's being mined, it's the MacGuffin, whatever, everybody wants it. But then you throw in this Quillam character and the transmogrifier and the thing about the animals and all of that, and then they're cured almost immediately."
The Missed Opportunity: "Would it have been interesting to let them stay like that for rest of story and then get cured at the end? I think yes, if you're going to go down that road."
The Empty Feeling: "This is another symptom of that 'feeling a little empty' at the beginning. There's a lot of stuff thrown into this part two that are just bridges to nowhere in a way. Sorry. I agreed and then quickly had to throw in a caveat there. But I am who I am."
NEXT TIME:
Monday (Patreon #155): Music, Voyager Part 3, Memory TARDIS spin ("hopefully not Terror of the Zygons, although I think that's gone")
Sophie Aldred's Podcast: "I want to talk briefly about Sophie Aldred's podcast again. I finally caught up with most of the episodes including their little Christmas episode they did that has basically ties up a lot of the plot points they've been doing throughout their show. Remember I told you it's part interview, part story? Well, they did like a 20-minute audio drama with Russell T. Davies and Forde Colin Baker and Nicholas Briggs."
John's Assessment: "We'll talk briefly about it - what worked and what didn't work. Because there were some things that I was kind of like 'Yeah, this is just too weird for me.'"
Next Friday (Patreon) then Saturday (Main Feed): The Mark of the Rani! Another two-parter.
Jim: "Uh-oh, are we up to that point?"
John: "Yeah, we're up to that point."
Jim: "Rah-rah Rani!"
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Episode Title: "Colin Baker Fans Unite!" - Attack of the Cybermen Review
THREE YEAR ANNIVERSARY!
Recorded on January 14th, the anniversary was January 13th! Three years of The Doctor's Beard Podcast!
The Early Days: "I wonder how many people were listening back then?" Only a couple dozen, mostly friends. "How many of those people are still with us?"
Patreon Originals: Shout-out to Dawn, Jameson, and Jamie Girl who've been there from the beginning!
THE OPENING QUESTION:
John: "What did you think of the season opener for Season 22?"
JIM'S RESPONSE: "I'M A HAPPY CAMPER."
"This is a world of difference. A universe of difference. I'm even rolling with the stuff that's not that great."
THE BIG DECLARATION:
"I think this is my second favorite Cyberman story."
Why Jim Loves It:
- Colin Baker has settled into his Doctor
- "He's smoothed over some of the rougher edges already"
- The Cybermen's scheme isn't dumb - it's BIG and makes sense
- Foundation is reasonable: self-preservation
- Connects with Tomb of the Cybermen
John's Agreement: "I give you all that. Colin, his performance, and even Peri."
PRODUCTION DETAILS:
Production Code: 6T Air Dates: January 5-12, 1985 (not 1986 as John mistakenly said last episode!) Writer: Paula Moore (Paula Woolsey, Eric Saward's girlfriend) Director: Matthew Robinson (last directed Resurrection of the Daleks)
THE WRITING CONTROVERSY:
Three Claims:
- Paula Woolsey: Got the credit
- Eric Saward: Most say he wrote it; this was a workaround to BBC rules
- Ian Levine: Claims HE wrote the story, Saward just wrote the script
Saward's Version: Levine contributed to continuity help, didn't write anything
Jim's Reaction to Levine News: "You shouldn't have told me that. I'm down on it."
John's Defense: "You appreciate these continuity things. That's what Levine brings to the table."
Why the Strong Opening? "Hey, the Cybermen are back! It's the new season!" BBC did 4-5 different promos (unprecedented). Possibly Nicola Bryant cheesecake photos helped.
NOSTALGIA CENTRAL:
THE COMPANION NAME-DROPS:
Peri's Line: The Doctor's called her Tegan, Zoe, Susan... and strangely, Jamie.
Jim's Point: "Really dumb thing to say - as we in particular know on this podcast, Jamie can be used for both male and female. It's like Peri's never met a female named Jamie?"
The List: Tegan, Zoe, Susan, and Jamie
THE TERRIBLE ZODIN:
Jim: "How do you remember that?"
The Running Joke: Started in The Five Doctors - Patrick Troughton listing enemies fought, mentions "the terrible Zodin." Brigadier: "Who?"
Peri's Confusion: She seemed to act like it was a companion or ally. "Although the 'terrible' part should have tipped her off."
TOTTERS LANE:
The Landing: No specific reason other than for us, the audience
John's Theory: "There seems to be more of a nod to the 20th anniversary with these references. Companions, Totters Lane, we're getting The Two Doctors with Patrick Troughton, another story where Jon Pertwee's Doctor is referenced. This felt more like walking down memory lane."
The Set vs. Location: Originally a set, now actual location shot. "Doesn't exactly match up, but probably thinking 'It was 20 years ago, who the heck would remember what it looked like?'"
The Availability Problem: At that time, you couldn't watch An Unearthly Child if you wanted to - not available on VHS or anything. Only if you caught The Five Faces of Doctor Who a couple years earlier.
Jim's Sadness: "It's sad they would have had to rely upon an outside source to help with historical things of the show. Doctor Who is still a pretty big, important part of the BBC. Odd there wouldn't be anybody around who would be the keeper of the flame."
PERI'S FIRST OUTFIT:
Jim's Complaint: "Horrible. Dumb. Peri, you're obviously having a lot of problems running when the Doctor starts running. Is this really the best choices you're making here? And the color!"
Why It's There: "But I know why it's all there. I get it." (For the male viewers)
GUEST STARS:
Brian Glover (Griffiths): Former wrestler and English teacher turned actor. No relation to Julian Glover.
David Banks: Cyber Leader (same as Earthshock)
Michael Kilgarriff: Cyber Controller (same as Tomb of the Cybermen
THE CYBER HIERARCHY:
Jim's Confusion: "Is this the first time we've actually seen this Cyber Controller?"
The Difference:
- Cyber Leader: Always in the field directing Cybermen in action
- Cyber Controller: The big boss they check in with
PART ONE PRAISE:
John: "I always love anytime we've got the Doctor in contemporary setting - going back to Pertwee, but definitely Troughton and Hartnell with War Machines. Here we have Peri and Doctor just roaming the streets tracking the signal. Loved it. I'm looking at the houses."
The Date: Aired January 5-12, 1985. Set in 1985 to jive with The Tenth Planet (1986).
The Realization: "Whoever came up with this idea realized 'We're coming up on the year the Cybermen first arrived. We should do something with that.'"
THE TIME CRAFT MYSTERY:
The Questions:
- Where did it come from?
- Whose planet is doing this?
- Was the Doctor sent off course to stop use of time ship?
- Is mission to stop Cybermen from changing history or to get time ship?
The Concern: "How many times over past 20 years has there been any other race with time craft other than Time Lords? The Daleks, for one..."
John's Point: "That should be of fairly great concern by Time Lords. They should know everybody everywhere in the whole universe who has time travel capability."
Jim: "Why did they want the TARDIS when they already had a time craft?"
THE WEB OF TIME:
Jim's Note: "I always love the conversation about history of Mondas, the whole 1986 thing. I circled this - mentioned more than once, I don't think the term has been used before. The web of time."
The Phrase: Used very formally as if that's what it's really called. The concept has been there, but not the phrase.
PERI'S SECOND OUTFIT:
Jim: "Much better outfit once Cybermen force her to change clothes."
The Question: "Did they stand there as she changed to make sure?"
John: "They'd do it passively. No passion. They'd just be like—"
Jim: "Oh right, yeah. I can just see 'You've got to turn your back.' 'There's no significance to us having to turn our back.'"
TOMB OF THE CYBERMEN LOVE:
Jim: "I love all the references to the tombs, Tomb of the Cybermen. That whole thing. I love that concept. That's one of the reasons I like Tomb of the Cybermen. Really glad that was pulled back into cyber mythology."
THE KRYONS:
Jim's Uncertainty: "I don't know what to think about the Kryons and their design. Interesting it's all women who play the roles. Don't know if we were supposed to think anything of that - is their race entirely female, or were there males but the males perished?"
John's Theory: "More my thinking - there's nothing suggesting 'we're the last women' or 'we were only women.'"
The Appreciation: "Makes them more exotic. I appreciated all the actresses - really got into the hand movements thing. Right out of the 60s!"
THE SENSORITES CONNECTION:
Jim: "Everything about the Kryons is right out of the Sensorites playbook. They are so early 60s. The translucent pieces of plastic film cut up and pasted on them."
The Head Pieces: "Weirdly, their eye holes are so big you can see the actresses' eyes. Then I saw there's an actual lens over that - some smooth, some segmented which really made it hard for actresses to see. I realized they weren't trying to say those were their organic heads but helmets they wear."
Ice Warriors Comparison: "Reminded me of Ice Warriors - those aren't necessarily their heads but helmets. Made me wonder what the Kryons actually looked like."
The Follow-Up: "There's no way nobody has not followed up - they've returned in a book, comic, or Big Finish and answered some questions."
John: "Do you know off the top of your head?" / Jim: "I don't. They don't return in the show."
SONIC LANCE VS. SONIC SCREWDRIVER:
Jim's Frustration: "Why have an ersatz sonic screwdriver? Just have a sonic screwdriver! They call it a sonic lance. Why does JNT not want his cake but he's going to eat it too? You want to get rid of sonic screwdriver, yet you have a device that is everything but a sonic screwdriver except for the name."
The Theory: "Possible Eric Saward himself was either testing waters or trying to put his mark on it."
The Problem: "We won't see it again. Because it had a lot of use - chameleon circuit, closeups, handed around."
Modern Context: "I get it - at this moment, sonic screwdriver's not anything like today where it's indispensable. Almost too much in modern Doctor Who - almost overboard, like he couldn't live without it."
LYTTON'S TORTURE:
Jim: "Wow, that was pretty extreme. But I have to say, I was glad for it. Not necessarily that somebody gets tortured, but I think it's a good moment. Makes the Cybermen seem like a threat."
THE DOCTOR'S HUMANITY:
Jim's Appreciation: "I really liked and appreciated how much the Doctor's humanity comes through. You might've gotten the idea with earliest moments of Colin Baker's Doctor we weren't going to see anything like that. But no - he's got one hell of a streak of humanity."
The Balance: "My goodness, did they balance that character in the span of one story! They somewhat softened his sarcasm and cutting remarks, but not completely. The ego is still there, but then they play up the humanity. It's a nice balance. I really like him."
COLIN BAKER'S VOICE:
Jim: "I haven't said this before - I like Colin Baker's accent. Every Doctor is from somewhere different in the UK. I don't know exactly where Colin Baker's from, but I liked the way he speaks. Something about his voice I like."
The Comparison:
- Tom Baker had the most distinctive voice
- Davison's kind of wasn't a pleasure to listen to
- Loved Hartnell's accent
- Troughton's just kind of bland
- "My God, I love the way Pertwee talked"
- "I'm finding I really like to listen to Baker, Colin Baker, give lines"
Born in London, moved to Lancaster - primarily uses posh accent. "It is high-brow. That's okay. Nice to have another Doctor like that."
THE WEAK SUBPLOT:
The Agreement: Bates and Stratton (semi-converted men trying to make their way through) - "Probably the weakest part of this whole thing."
Jim: "A little boring. I think the show intended them to be comedy relief with bickering back and forth and sarcasm. Didn't really take much notice of them until they run into Lytton and Griffiths."
The Fan Wank Accusation:
John: "Some people look at it as fan wank."
Jim: "No. Yeah. No. There are moments that go so quickly - maybe a little fan service. But overall, no way whatsoever. Just because Cybermen are in it? People who are against use of any classic bad guys? Assume they probably say that of every Dalek story."
The Defense: "There's no reason behind using Totters Lane and I.M. Foreman other than 'hey, look at this folks, remember this from 20 years ago?' But if it was all through the whole thing doing that over and over, no. As far as Tenth Planet references, brought in for significant reason - it's the plot! They want to go back and stop that story from happening. That's a valid story idea."
Jim's Challenge: "Tell me I'm wrong. Tell me I'm wrong for liking this story."
The One Person: "I know one person is probably sitting there screaming... He's probably wondering what the hell is wrong with me. That dude betrayed me."
THE NEXT TWO STORIES:
John: "Honest to God, the next two are two favorites of mine."
Story 1: "One from extremely nostalgic perspective - first one of Colin Baker's I ever saw and actually said 'You know, as ridiculous as this coat is, this has a lot of potential.'"
Story 2: "One other story speaks to my love of television in many respects."
JIM'S CURRENT PROJECTS:
Local Author Spotlight: Tomorrow night (unfortunately very cold - "people in my area cower in their homes if drop of rain, flake of snow falls or it drops below 55 degrees"). "Really hoping I have nice little audience. Really looking forward to it. Did some prep work today. Going to do readings from my books, selling my books hopefully. Should be pretty fun."
Doc Jones Novel: "14 chapters in, writing every day, averaging between 2,600-2,700 words a day. Completely insane for me, but I can't question it or think too hard about it. Got to keep going. Try to finish this. More than halfway through."
NEXT TIME:
Monday (Patreon #154): Part 2 of Voyager, Memory TARDIS spin (maybe another Peter Davison to annoy Jim!), and "probably one of the most unique Doctor Who-inspired songs - not a theme this time. I found this really unique song called 'I Am Chameleon' and we'll discuss the whole origin on Patreon show."
Friday (Patreon) then Saturday (Main Feed): Vengeance on Varos! Jim handles narration. Joined by Felicity Cousins from The Flop Cast!
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Episode Title: "Disco Who" - A 70s Retrospective
SPECIAL HIATUS EPISODE - PATREON BONUS NOW AVAILABLE TO ALL!
This episode was originally produced for Patreon sponsors in July 2025 and is now being shared with main feed listeners to showcase the bonus content available through Patreon membership ($3/month gets early access, exclusive episodes, and more!).
THE DECADE THAT CHANGED EVERYTHING: From Jon Pertwee's January 3, 1970 debut to Tom Baker's dominance through 1979, John and Jim reflect on ten years of color, UNIT, Masters, companions, and the evolution of the Doctor.
THE BIG QUESTION: WAS PERTWEE'S TIME PROPER DOCTOR WHO?
John's Challenge: "When you consider what we had in the 60s, what is proper Doctor Who?"
The Batman Comparison: Like Batman needing parents killed, what are the essential Doctor Who elements?
The Core Elements They Identify:
- Rebel/Iconoclast: Always up against authority
- Itinerant: No fixed location (even when exiled, Pertwee chafed at it)
- Time and Space: Non-negotiable
- Companion: Someone to talk to, bounce ideas off
- Scientific Curiosity: Every Doctor has this
- Eccentric/Off-Kilter: From Hartnell to modern Doctors
- British: "Has to be British. I know that sounds weird - he's an alien - but yeah, has to be British."
PERTWEE AS THE SUPERHERO DOCTOR:
Breaking From Troughton: Far more action-oriented. Troughton actively distanced himself from violence. Pertwee waded right in - Venusian Aikido and all!
The James Bond Comparison: Show runners wanted "James Bond," but Jim saw more superhero than spy.
Ushering In The 70s: "Nobody could have ushered in the 70s but Jon Pertwee. Troughton just could not have done it. Hartnell, absolutely not... New decade, new everything."
Adam Adamant Connection: John's been watching Verity Lambert's follow-up series with Sydney Newman - Victorian man in suspended animation recovers in 1960s. "Pertwee's Doctor was Adam Adamant - man out of time, fish out of water."
THE UNIT ERA - ADDITION OR SUBTRACTION?
Jim's Take: "It added to it. It's a whole new layer that very much appeals to me. A paramilitary organization led by dynamic characters you want to root for."
The Brigadier Factor: "You look forward to every interaction he'd have with the Doctor because you knew it was going to come close to a throat. His frustration with the Doctor and the Doctor with him."
Continuity Innovation: First time Doctor Who had ongoing character plots! Mike Yates' betrayal and redemption across seasons.
Bessie > Romance: "We were more impressed with Bessie back then."
TOM BAKER - THE YOUNG DOCTOR:
The Big Change: First time the Doctor wasn't an older gentleman - "this young man. But still not handsome!"
The Beatles Analogy:
- Hartnell = John Lennon (fits like a glove!)
- Pertwee = Paul McCartney (leader of the pack, the charming one, ladies' man)
- Troughton = George Harrison (the spiritual one)
- Tom Baker = Ringo (John: "Tom Baker and Ringo, pretty much cut from the same cloth")
Product of His Time: Baker represents late 70s - the hair, floppy clothing, the scarf as his version of ladies' knitted shawls, the big coat.
The 80s Problem: "More and more as we're getting into the 80s, he's not really working as an 80s Doctor... Peter Davison seems like the 80s Doctor that should be there."
Following Trends: The show followed trends more than ever - Star Wars influence obvious, but also Battlestar Galactica, Buck Rogers. Saturday night scheduling against Buck Rogers killed ratings (lost half the audience).
BAKER FATIGUE:
The Unique Problem: "You never hear Hartnell, Troughton, or Pertwee fatigue, but you hear Baker fatigue."
Jim's Confession: "I had a little Troughton fatigue."
The Blame Game: "I blame the producers of Doctor Who. They should have moved Baker along sooner instead of leaving it to him. There was precedent - they fired Hartnell!"
Jim's Prediction: "I can't imagine Davison, Baker, or McCoy topping Jon Pertwee."
John's Counter: "Davison will topple Pertwee. Pertwee will stay number two for me. He's a formative Doctor."
Jim's Concession: "I'm going to give Davison the benefit of the doubt that he may push Tom Baker down."
THE BAKER RECKONING:
Jim's Frustration: "All this time I've heard almost nothing but Tom Baker, Tom Baker, Tom Baker - as if there's nothing else, no one else in this show since 1963. It's really interesting now to have gotten almost to the end and seeing that, for me, he ain't all that."
The Diagnosis: "He's not bad. It's just not my cup of tea. He's been more annoying to me than anything. That's just that kind of character I don't care for."
Only Three Stories Left: Moving into the 80s in full!
THE TOM BAKER CHALLENGE:
Jim's Dare: "Come on, bring on the hate emails. I'm waiting for it. Bring it on. I know how special he is to a lot of people."
NEXT TIME:
- Patreon Exclusive #126: Music, Big Finish's "Doctor Who and the Pirates," Memory TARDIS spin, catching up on email
- Main Feed: Warrior's Gate - The end of the E-Space Trilogy! Jim handles narration for the four-parter. "The beginning of the end... preparing for the moment."
From the swinging 70s to the itchy 80s!
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Episode Title: "I Am The Doctor, Whether You Like It Or Not" - The Twin Dilemma Review
THE GREAT REVERSAL: After three seasons of John defending Peter Davison against Jim's criticisms, the tables turn completely. Jim embraces Colin Baker.
JIM'S SHOCKING TAKE: "I don't usually line up with Doctor Who fans because I did not like Caves of Androzani and I liked this. I liked Baker. If it's not what the show needed at this moment in time, it's definitely what I needed. I needed a Doctor who was more awake and doing things... larger."
THE TWIN DILEMMA (March 22-30, 1984) Writer: Anthony Steven (first and only Doctor Who story - oldest writer at 67!) Director: Peter Moffatt (returning)
The Legend: Doctor Who Magazine 2009 poll - Caves of Androzani came in #1. The Twin Dilemma came in #200... DEAD LAST.
The Rift Begins: Saward wasn't happy with Baker's casting (thought he was miscast), didn't like JNT's stunt casting focus, and objected to JNT comparing Doctor Who to comedy show "Morecambe and Wise."
THE DAVISON SLAM:
The Shocking Lines:
- "I never really liked him anyway"
- "He had a sort of feckless charm"
- Definition of feckless: "Lacking initiative or strength of character; irresponsible"
The Culprits: Either JNT (getting back at Davison for leaving?), Saward (who did the heavy rewrite), or Steven - but those lines don't get through without approval.
Jim's Theory: "I can't see JNT being happy with Davison leaving after three years. This could be him being petty."
STORY BREAKDOWN:
Mathematical geniuses Romulus and Remus are abducted by mysterious Edgeworth and taken to Mestor on asteroid Titan Three. The newly regenerated, unstable Doctor picks a new outfit, declares himself "unregenerate," and plans to become a hermit with Peri. The twins' father alerts authorities. Police commander scrambles fighters to investigate the freighter - only survivor is pilot Hugo Lang who accuses the Doctor of the attack.
The twins are forced to do calculations for Edgeworth (revealed as Azmael, a Time Lord and the Doctor's old teacher). Mestor plans to move two planets into Jaconda's orbit as "larders" to replenish the wasting planet. The Doctor realizes the calculations are off - the worlds will crash into the sun, destroying everything but scattering Mestor's gastropod eggs throughout the universe.
Mestor demonstrates mind-possession on Azmael, threatening to take the Doctor's body. The Doctor destroys Mestor's slug body. Azmael dies exorcising Mestor's mind. Jacondans are freed. Lang stays to help with mop-up. The Doctor returns the twins to Earth.
CHARACTER ANALYSIS:
The Sixth Doctor - Every Previous Doctor Combined:
- Hartnell's there (not the lead initially, Peri has more agency)
- Troughton: "We must find this evil and destroy it!"
- Pertwee: Says "Eureka!"
- Tom Baker: The ego is BACK and turned up to 11
- Davison: The violence continues, referenced regeneration fears
New Affectation: Repeating words three times when incredulous or angry ("Sweet, sweet, sweet")
Hugo Lang - The Space Dirty Harry: Jim's Justice League addition! "You might reach that gun before I can kill you" - classic action hero dialogue. Stays on Jaconda at the end despite having "no one to go back to."
Kevin McNally plays Hugo (later Pirates of the Caribbean's Gibbs!)
Azmael: Time Lord, the Doctor's favorite teacher (sorry, Borusa!). Controls Jaconda, calls them "my people" (why does a Time Lord want to rule a planet?).
The Death Scene: John loved it - touched and warm between Azmael and the Doctor. "The finest teacher I ever had."
Mestor: Giant slug with mind-control powers and embolism ray ("little bubbles, not good"). Finds Peri "pleasing" so doesn't kill her immediately (second ugly being attracted to Peri after Sharaz Jek).
PRODUCTION DETAILS:
New Title Sequence: Sparkly! Logo curved! Colin's face transitions from serious to smiling!
The TARDIS: Has a chair! The Doctor calls the outside "hideous" - setup for attempting to fix chameleon circuit next story
Trans-Mat Love: Jim adores that this technology persists throughout Who history. The Doctor turns it into a time travel device ("just a few little adjustments")
Old Who Connections Everywhere:
- Braveheart Tegan reference
- Azmael knew Fourth Doctor
- Wine at the fountain (Big Finish goldmine!)
- Space police headquarters "straight out of Troughton's time"
The Video Games: The twins face each other with what look like handheld gaming consoles - repurposed 1970s electronic games! John searched everywhere to identify them.
Actor Notes:
- Maurice Denham returns in Pertwee BBC audio "The Paradise of Death" and appeared with Roger Delgado in "The Slide"
- Edwin Richfield (Mestor) was Captain Hart in "The Sea Devils"
- The twins' real father played a gunrunner in "Caves of Androzani"!
THE ENDING - "WHETHER YOU LIKE IT OR NOT":
The Lines:
- "Wait a bit before criticizing my new persona"
- "I am the Doctor, whether you like it or not"
The Delivery: Spoken directly to camera, directly to the audience. Then both smile - a wink? Softening the harshness?
Jim's Question: "Why put that in there? You don't just have something like that unless you already felt you were getting pushback."
The Speculation: Was it in original script or added during filming? Did it start as Doctor-to-Peri dialogue that got strengthened and shifted to Doctor-to-audience?
The Challenge: "People will be like 'All right, let me give it another try.' This has been the thing about doing review shows - stuff I thought was garbage as a kid is really good now, and vice versa.
The Meta Moment: Lots of meta at beginning and end - the story knows it's a transition.
NEXT TIME: Patreon Exclusive #152 - Music, Colin Baker's comic debut, Season 21 Retrospective (the good, bad, and ugly), spoiler card revealing something about Season 22, Memory TARDIS spin, and a longer-than-usual episode!
Then: Peter Davison Retrospective (Patreon) and 1970s Doctor Who retrospective (main feed hiatus episode)!
Colin Baker fans - write in! "We need to hear from more people who like Colin Baker's Doctor. Drop us a line or leave a voicemail!"
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Episode Title: "I Need My Pain" - The Caves of Androzani Review & The Fifth Doctor's Regeneration
THE CAVES OF ANDROZANI (March 8-16, 1984) Writer: Robert Holmes (returning!) Director: Graeme Harper (debut - directing from studio floor, not control room)
PRODUCTION NOTES:
The Fake Title: JNT put "The Doctor's Wife" on the production board deliberately to catch office leaks (ironic foreshadowing of Matt Smith's episode!)
Graeme Harper's Innovation: Highly innovative direction with unrestricted camera movement - energetic, personal style directing from the floor instead of control room. Peter Davison said if there had been more directors like Harper and writers like Holmes, he'd have stayed for a fourth season.
The Strike: Recording interrupted, cutting two sequences including the Doctor explaining his blown glass bottle collection from different planets (why they're visiting Androzani Minor for sand)
Nicola Bryant's Frostbite: Developed mild frostbite on first day filming because her lower legs were bare in actually cold conditions
The Dream Casting That Never Was: Sharaz Jek was offered to Tim Curry, David Bowie, and Mick Jagger! Christopher Gable was Harper's first choice, Bowie his second. Only Bowie had a reason for declining (Serious Moonlight tour).
STORY BREAKDOWN: The TARDIS lands on Androzani Minor where the Doctor and Peri investigate caves and step in raw Spectrox - the most valuable substance in the universe. They're caught between multiple factions fighting over Spectrox: business magnate Morgus, General Chellak's forces, gun-runner Stotz, and the mysterious masked Sharaz Jek controlling an android army. Both contract Spectrox toxemia - the only cure is bat's milk from the lower caves where a magma beast hunts.
THE FACTIONS DEBATE: Jim struggles with the convoluted plot involving approximately four factions. John helps clarify: Morgus controls everything from Androzani Major, supplying guns to Jek through Stotz while also backing the military against Jek. Nobody to root for - they're all "nasty, nasty people."
STANDOUT MOMENTS:
Peri & The Doctor's Chemistry: Their banter is finally warm and funny! John notes Peri complains differently than Tegan - more innocent, not sharp-edged or world-weary.
The Star Trek Connection: The military forces sport Star Trek colors (blue, red, gold) matching departments, and uniform design echoes later TNG/DS9 style!
First "Droid" Usage: Doctor Who uses the term "droid" for the first time (George Lucas trademarked it, but the term originated with Mary Wolfe in 1952's "Robots of the World, Arise!")
Direction Showing Off: The vid-screen conversations where Morgus walks behind the hologram and creative camera angles - "Someone's really showing off here, but in a good way"
Morgus's Aside: John Normington misunderstood stage directions and spoke his inner thoughts directly to camera. Everyone loved it, so they kept it! Could've been the Deadpool of Doctor Who if used throughout.
CHARACTER ANALYSIS:
Sharaz Jek - A Cut Above: The most twisted, dark villain in Doctor Who history. Could give Davros a run for his money in maniacal madness. Shakespearean dialogue, obsessed with Peri's beauty in deeply cringy ways. The mask reveal? A letdown - "not worthy of the build-up at all."
Morgus - Standard Bureaucrat Behaving Badly: Rat bastard who murders the President by pushing him down an empty lift shaft. His defeat is Jim's "moment of joy" - well-deserved!
The Magma Beast: As awful as the Myrka from Warriors of the Deep, maybe worse.
THE VIOLENCE: Brutal for Doctor Who - no comic book foundation anymore. The gun-runner scuffle was "nasty, nasty, nasty stuff."
THE REGENERATION:
Most Extensive Ever: The Doctor says "feels different this time" (David Tennant would echo this line in his bi-regeneration). All companion cameos newly filmed:
- Matthew Waterhouse (Adric) - the Doctor reacts most strongly
- Sarah Sutton (Nyssa) - had chicken pox!
- Janet Fielding (Tegan) - "Brave heart, Tegan"
- Mark Strickson (Turlough)
- Anthony Ainley (The Master) - "Die, Doctor!"
The Psychology: John theorizes the hallucinations represent the Doctor's psyche - companions urging him to live vs. the Master (part of himself) wanting to die.
Colin Baker's Entrance: Nervous during setup, but in command once cameras rolled. Dressed in Davison's outfit (as it should be!). Two takes - said "egotistical" in final cut, "egocentric" in first. End credits gave Colin Baker top billing immediately.
JIM'S CONFLICTED FEELINGS:
HOPE FOR THE FUTURE: Jim admits Colin Baker's brief scene gave him hope: "He's very different from Davison... the polar opposite. He immediately insults Peri and he's large and in charge. I can almost put up with a real jerk if there's just some real agency going on in the character."
The Agency Theory: Jim yearns for the days of Enemy of the World when the Doctor had real agency, was right in the middle of everything. He identifies with Pertwee's sarcasm and hopes Baker will deliver.
ROBERT HOLMES APPRECIATION: Both hosts wish Holmes had been brought in sooner to establish Davison's character. His dialogue elevates everything - Jek's "I have to live among androids because they do not see like we see."
FINAL THOUGHTS: Jim: "I'm somewhat encouraged by that tiny little scene with Colin Baker. It gave me some hope... I can almost put up with a real jerk if there's just some real agency."
John: "I think that's fair to say there will be agency."
The marshmallow Doctor era ends. The loud, arrogant era begins. One more story to round out Season 21...
NEXT TIME: The Twin Dilemma - Colin Baker's full premiere! Jim handles narration for the four-parter. What could possibly go wrong with starting a new Doctor's era?
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Episode Title: "From Carnage to Cleavage" - Planet of Fire Review
PLANET OF FIRE (February-March 1984) Writer: Peter Grimwade (his final Doctor Who work) Director: Fiona Cumming (her last story, dating back to The Highlanders) Location: Lanzarote, Canary Islands - chosen after Cumming promoted it with holiday photos!
THE SHOPPING LIST EPISODE: Peter Grimwade faces an enormous writing burden with his final Doctor Who script - a literal checklist: Introduce Perry, reintroduce Kamelion (and write him out), fill in Turlough's background, bring back the Master and kill him off, and oh yes, set it all in Lanzarote because we want a holiday!
PERI: The accent is terrible, the acting is broad, the costumes are... strategic. But she's a complete 180 from Tegan, which makes her "a refreshing change" in Jim's words. Also: Why does Fiona Cumming, a female director, go along with the obvious cheesecake shots?
THE QUESTION: Why was Turlough sent to Earth instead of being on the ship with the others?
THE DEATH: The Doctor hesitates as the Master burns in the flames. Both hosts question whether he could've saved him (echoing the Davros dilemma from Resurrection).
KAMELION'S END: The prop finally works by having Kamelion transform into Howard (Perry's stepfather) and then the Master. Jim asks the obvious: "Why didn't they just do that all along?"
THE PSYCHOLOGICAL WOUND THEORY: Jim theorizes that while previous Doctors showed physical deterioration before regeneration, Davison is being psychologically and mentally wounded - all the ethical dilemmas (Davros, the Master, Kameleon) are wearing him down, setting up the regeneration.
LOCATION WORK: Both hosts praise the Lanzarote filming and volcanic landscapes doubling for Sarn. Jim wanted more of the shipwreck dive sequences. The café scene where the Doctor leaves alien money behind stands out as atypical behavior.
THE SOPHIE ALDRED ACE PODCAST UPDATE: John reports the interviews barely discuss Doctor Who - Sylvester McCoy talks about pissing off Richard Burton and friendship with Ian McKellen; Katy Manning discusses life philosophy ("Every day is a blessing"). The hosts approve: "We've heard all the Doctor Who stuff for years!"
NEXT TIME: The Caves of Androzani - "Once daily Androzani! Major and minor!" The end of Peter Davison, the introduction of Colin Baker, and the return of Robert Holmes!
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Episode Title: "Santa's 3D Printer & The Killer Snowman" - Fantasy Takes Over & The Mechanoids Attack! - Patreon Exclusive Sample
CHRISTMAS EVE GIFT TO OUR LISTENERS: The Doctor's Beard Podcast delivers a festive Patreon Exclusive perfect for the holiday! Join John (as Santa Claus) and Jim (as the Evil/Demon Magician) as they unwrap a mixed Santa's bag - three Doctor Who strips from the 12-week Dalek Master Plan era, plus an emotionally satisfying Dalek comic featuring the Mechanoids' first appearance!
THE SEA CHANGE: Jim identifies a major shift in the Doctor Who strip: "The stories have really become little fantasies than science fiction." What began as simplistic but genuine sci-fi has transformed into Oz-esque fantasy adventures with frog people, ancient mariners, and yes - Santa Claus himself.
DOCTOR WHO STRIPS:
"SHARK BAIT" (November 22 - December 13, 1965) Writer/Artist: Bill Mevin The Doctor helps frog people with their shark problem before the story pivots to an ancient mariner trying to claim the TARDIS as his home. Meandering plot reminiscent of Dalek Master Plan's mid-story shifts.
"A CHRISTMAS STORY" (December 20, 1965 - January 10, 1966) Writer/Artist: Bill Mevin
John's bold claim: "Actually better than the TV episode [Feast of Steven]!"
Santa Claus appears as a character (Jim loves this trope from comics), falling behind on toy TARDIS production due to overwhelming demand. The Doctor saves Christmas by providing Santa with... a 3D printer! "Maybe the Doctor gave us 3D printing. Whoever thinks they invented it needs to read this story."
The B-Plot: A creepy demon magician hampers Santa's efforts. But the REAL terror? The Killer Snowman who literally tries to choke John to death!
John recognizes similarities to Matt Smith's "The Snowman" Christmas special, theorizing Russell T. Davies and Steven Moffat were subconsciously influenced by childhood comic memories. "Bill Mevin's family needs a few ducats... or grubsits."
"THE DYTUS EXPEDITION" (January 22 - February 12, 1966) Writer/Artist: Bill Mevin
The long-extinct Dytus bird escapes a space zoo. The Doctor offers to recapture it, leading to jungle adventures with unfortunate native stereotypes (echoing the recent Monstrons issue).
Jim gets "a real Doctor Dolittle vibe" from the giant creature quest on an island. Both hosts confess: "I like stories about space zoos" (with John teasing an upcoming episode will satisfy this).
THE DALEKS: "EVE OF WAR" (December 11, 1965 - January 8, 1966) Writer: David Whitaker (from Terry Nation's concepts) Artists: Richard Jennings (Parts 1-5), Ron Turner (Parts 6-7)
Artist Change Alert: Ron Turner takes over for the final two installments, redesigning Daleks to resemble the movie versions. He continues as the strip's artist going forward.
The Story: After rebuilding Skaro in "just a few months" (!) with intricate surveillance to prevent future invasions, the Daleks plan to mine nearby planet Auric. That's when the Mechanoids attack.
This is the "first meeting" between Daleks and Mechanoids in strip continuity - different from TV universe. The Mechanoids are presented as equally conquering, totally machine entities (unlike the Daleks with organic components inside).
Key moment: The strip explicitly clarifies Mechanoids are "totally machine" while Daleks are not - important distinction!
True Cliffhanger: The story literally ends mid-narrative with "TO BE CONTINUED" - not just teasing the next adventure but stopping in the middle of this one!
THE BIG QUESTION: John asks Jim: "Do you find yourself enjoying reading these more than watching some of the Dalek stories on TV?"
Only one Dalek strip disappointed them across the entire run - and the end approaches! Time to buy the collection.
MERRY CHRISTMAS FROM THE DOCTOR'S BEARD PODCAST!
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Episode Title: "Help Me! - Oh No, Don't Hurt My Daleks!" - The Monstrons Defeat & Problematic Depictions - Patreon Exclusive Sample
HOLIDAY GIFT TO OUR LISTENERS: The Doctor's Beard Podcast delivers another Patreon Exclusive featuring comics discussion! Join John (as Kenix of the Monstrons) and Jim (as the Golden Emperor Dalek) as they tackle Bill Mevin's Doctor Who strip and confront a troubling but emotionally powerful Dalek comic.
DOCTOR WHO STRIP: "ENTER THE GO RAY" (October 25 - November 15, 1965) Writer/Artist: Bill Mevin
Jim's opening assessment: "I like the art. All right, next."
The TARDIS crew lands on a world straight out of Oz novels - inhabitants roll on single wheels instead of feet! Accused of stealing pile-cardium that powers the city, the Doctor races against time in radiation suits to provide mercury as an alternative power source while the Go Rays pound on the door.
John's highlight: "They look like gingerbread cookies on wheels in the end."
THE DALEKS: "MENACE OF THE MONSTRONS" (October 23 - December 4, 1965) Writer: David Whitaker (from Terry Nation's concepts) Artist: Richard Jennings
⚠️ Content Warning: The hosts must address the strip's deeply problematic visual depiction of the Monstrons as offensive African stereotypes. Jim expresses discomfort and surprise at such imagery appearing in 1965, creating "a weird dichotomy" - the characters are portrayed as highly intelligent and capable (defeating the Daleks), yet drawn in extremely unflattering stereotypical ways.
The Story Itself: An alien race with "Engibrain" android soldiers kicks the Daleks' "shiny metal asses" (to quote another robot from pop culture). The Monstrons arrive using the same conquest playbook as the Daleks, setting up base in a volcano, and capturing Daleks as souvenirs after believing they've destroyed the race.
Both hosts admit they were rooting for the Daleks throughout, celebrating when they finally turn the tide.
UPCOMING TEASE: The 12-part Dalek Master Plan begins next! John warns about the infamous Part Six (which "does not hold up" and could be removed without affecting the story), but promises excitement after Mission to the Unknown. Only three episodes exist: Parts 2, 5, and 10 - everything else remains missing with no BBC animation.
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Episode Title: "Midichlorians Before Midichlorians!" - The Sorcerer's Apprentice Novel Review - Patreon Exclusive Sample
HOLIDAY GIFT TO OUR LISTENERS: The Doctor's Beard Podcast presents another special Patreon Exclusive - this time venturing beyond comics into the world of Doctor Who prose! Join John (the Apprentice) and Jim (the Sorcerer Supreme) as they discuss Christopher Bulis's The Sorcerer's Apprentice from the Virgin Missing Adventures line.
JIM'S BACKYARD: "I don't know from podcasting... but a good old fashioned book is my bailiwick." Jim reveals his Doctor Who origin story: reading Target novelizations in the late 70s/early 80s (American publisher reprints with Harlan Ellison introductions stating "My Hero, Doctor Who"), then driving to Windsor, Canada with his father to find British Target editions. He sold those collections years ago and now kicks himself regularly.
CHOOSING THE BOOK: Jim turned to Facebook Doctor Who groups for recommendations on First Doctor original novels. Two titles dominated suggestions:
- The Venusian Lullaby by Paul Leonard (First Doctor, Ian, Barbara - takes place between The Dalek Invasion of Earth and The Rescue)
- The Sorcerer's Apprentice by Christopher Bulis (First Doctor, Susan, Ian, Barbara - takes place between Marco Polo and The Keys of Marinus)
Jim chose The Sorcerer's Apprentice because it comes chronologically first and includes Susan. The cover features the Doctor, Susan, and the TARDIS being breathed upon by a fire-breathing dragon - an actual scene from the book!
THE MISSING ADVENTURES SERIES: Virgin Books received the Doctor Who license after the 1989 "rest" (not cancellation). They launched:
- New Adventures: Continuing Sylvester McCoy/Ace stories with ongoing character development
- Missing Adventures: Original novels set during the first six Doctors' eras
DOCTOR WHO THE MISSING ADVENTURES: THE SORCERER'S APPRENTICE (1995) Writer: Christopher Bulis
The Setup: The TARDIS lands on an Earth-like world with a stereotypical medieval setting - knights, dragons, castles, a king and queen, princess and her fiancé. But there's also real magic. The core conflict: Science versus Magic - the Doctor representing science, the world representing magic.
The Twist: Outside this medieval world exists a solar system-spanning empire with spaceships and lasers. Legends and names derive from Arthurian mythology - the planet is called Elbyon (spelled differently from Albion, an old name for England).
CHARACTERIZATION - NAILED IT: Jim praises Bulis for capturing the actors' voices perfectly: "I'm reading this and I'm hearing William Hartnell, William Russell, Carol Ann Ford, and Jacqueline Hill. That's what really makes this come alive."
Character Rankings:
- The Doctor - Spot on throughout
- Ian - "Really strong... there's a particular way you have to have Ian talk"
- Susan - Well-captured, gets meaty material
- Barbara - Sadly underused, separated from the group early and relegated to a tangent storyline
CLEVER CONTINUITY TOUCHES:
Language Mystery: The Doctor and Susan speak to each other in an unidentifiable language Barbara has never heard before - a subtle nod to their alien origins without spelling it out.
The Ring Returns: The Doctor's ring (featured prominently in "The Web Planet") plays a significant part in the action. Jim appreciates the callback to their ongoing discussions about when the ring matters versus when it's forgotten.
Ian Learns Swordfighting: Ian explicitly states he doesn't know how to sword fight - perfectly placed between "Marco Polo" (where he wouldn't know) and "The Romans" (where he suddenly does). This novel explains where Ian learned!
Susan's Difference: Brief references to Susan being "different" from the humans, reinforcing her alien nature without heavy-handedness.
NO SMIRKING OR WINKING: Unlike some novelizations that project future Doctor knowledge backward, Bulis respects the 1964 timeline. Jim: "If you really want to be accurate, you have to write it from 'it's 1964 and that stuff hasn't happened yet.'"
LISTENER COMPLAINTS ADDRESSED: Jim found limited online reviews, mostly negative:
- Splitting Up the Crew - Complaint: Early series constantly separated characters. John's defense: You couldn't fit this anywhere in the Susan timeline without that happening
- Stereotypical Setting - Complaint: Bulis uses standard tropes. John's defense: "We say things like that, but when somebody does something different and out of the ordinary, we criticize them for that too"
Jim on fan expectations: "Obviously writers can't kill characters, have them get pregnant, lose limbs, or murder somebody... especially when they tell us exactly where these stories take place in canon timeline."
AVAILABILITY: Out of print for nearly 30 years but readily available on eBay and used bookstores for around $10. Jim found both Sorcerer's Apprentice and Venusian Lullaby from American sellers at reasonable prices.
JIM'S READING PLAN: Will eventually read The Venusian Lullaby, then plans to read one original novel per Doctor as the podcast progresses, soliciting recommendations from fan communities for each era.
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Episode Title: "18 Word Balloons and Doctor Genocide!" - New Artist Bill Mevin Debuts & The Daleks Fight the Rust Plague - Patreon Exclusive Sample
HOLIDAY GIFT TO OUR LISTENERS: The Doctor's Beard Podcast unwraps another special Patreon Exclusive episode for the holiday season! Join John (as Demeter Thor) and Jim (as Emperor Dalek) as they celebrate a double feast - new creative talent on the Doctor Who strip AND the return to form for their beloved Dalek comics!
OUT WITH THE OLD: Both hosts agree they're not upset to see Neville Main depart after his uninspired run. "You can tell he wasn't inspired by what he was doing. It was just a job, and we needed new blood."
DOCTOR WHO STRIP: "THE ORDEALS OF DEMETER" (September 27 - October 18, 1965) Writer/Artist: Bill Mevin (NEW!)
New Format Alert: The strip now crosses over two pages with noticeably improved art and coloring. Mevin captures Hartnell's likeness better than Main, seemingly working from publicity stills more effectively.
The Story: The TARDIS crew lands on planet Demeter during an alien attack. The Doctor pulls out a symbol of peace and they're welcomed to a feast - until bombardment interrupts. Racing to help, the Doctor and John forget Jillian entirely.
THE DALEKS: "PLAGUE OF DEATH" (September 4 - October 16, 1965) Writer: David Whitaker (from Terry Nation's concepts) Artist: Richard Jennings
The Story: A radiation leak merges with rust from a hole in the roof, creating a deadly plague that infiltrates Skaro's atmosphere. The Daleks - our protagonists - must fight for survival as the rust plague spreads. Patient Zero: the Black Dalek.
Historic First: This story begins the next adventure at its conclusion - the first time the Dalek strip has done continued storytelling rather than standalone tales. "Very Doctor Who-ish."
WHY THE DALEK STRIP WORKS BETTER: David Whitaker's involvement means they're taking cues from what works on TV. The strip feels closer to televised Daleks despite lacking the Doctor and TARDIS. The Doctor Who strip, meanwhile, struggles with basic characterization.
UPCOMING CONTENT TEASED:
- Next Patreon Exclusive: Discussion of Missing Adventures novel The Sorcerer's Apprentice featuring Susan, Ian, and Barbara
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Visit patreon.com/thedoctorsbeardpodcast - "Lips will sail this ship!"
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Episode Title: "Throwing Daleks Out the Window" - Resurrection of the Daleks Review with The Irredeemable Shag
SPECIAL GUEST ALERT: The Irredeemable Shag joins from the Fire & Water Podcast Network for what he calls "The Tegan Jovanka Appreciation Podcast!" A lifelong Davison-era fan who started watching in 1982 at age 10, Shag brings 500+ Doctor Who books worth of knowledge and passionate defense of the Fifth Doctor era.
THE STORY: "Resurrection of the Daleks" (February 1984) Writer: Eric Saward (script editor writing his own script) Director: Matthew Robinson Originally filmed as 4-parter, edited to two 45-minute episodes due to Winter Olympics scheduling
London 1984 meets space station carnage as the Daleks attack a prison holding Davros in cryogenic suspension. With duplicates, time corridors, Commander Lytton's creepy constables, and the Movellan virus, this becomes the most violent Doctor Who story yet - estimated 70+ deaths!
THE BIG QUESTIONS:
Should the Doctor Have Killed Davros? The hosts debate the story's central moral dilemma when the Doctor picks up a gun to execute Davros. Jim declares it completely out of character ("That's not the Doctor"). Shag argues Eric Saward wrote declarative statements without explanation. John appreciates the Genesis of the Daleks callback but questions the execution. The Batman/Joker parallels emerge - can heroes cross that line?
Terry Nation's Absence: Nation is in America (possibly producing MacGyver) but still approving everything. JNT reveals Nation insisted Davros appear in every Dalek story after Genesis. This is the fourth non-Nation Dalek script (after Whitaker's two, Lewis Marks, and now Saward).
The Dalek Civil War Begins: First time Daleks mention Gallifrey! Is this the Time War's origin? The Supreme Dalek versus Davros's renegade faction sets up ongoing Classic Who Dalek continuity.
SHAG'S BREAKTHROUGH THEORY: "This is not a Doctor Who story at all. This is the Daleks - which just happens to guest star the Doctor this episode. If you think of this as an ongoing series of Dalek stories where the Doctor guest stars, this whole thing makes perfect sense."
The theory revolutionizes the hosts' perspective, raising ratings across the board!
ICONIC MOMENTS:
- Daleks thrown out second-story windows (exploding unnecessarily but fantastically)
- "My vision is impaired! I cannot see!"
- Davros going "full spitting Hitler"
- The Doctor bloodthirstily shooting the Kaled mutant
- Creepy constables casually slaughtering then chitchatting
- Stein's stutter disappearing when programming activates
- That unfortunate foam party when Davros releases the Movellan virus
TEGAN'S DEPARTURE - UNIVERSAL AGREEMENT: All three hosts agree: Tegan is completely justified leaving after this massacre. "It's stopped being fun, Doctor."
The emotional farewell works despite Jim's overall Tegan fatigue. Janet Fielding's performance is universally praised. The "Braveheart Tegan" callback and the Doctor's "I must mend my ways" provide powerful closure.
Shag's observation: JNT specifically chose an emotional departure for Janet after knowing two companions were leaving, wanting each exit to feel different.
FIND THE IRREDEEMABLE SHAG: Fire & Water Podcast Network shows:
- JSA Presents (Justice Society 1990s-2000s)
- Who's Who: The Definitive Podcast of the DC Universe
- Marvel Star Wars: From Empire to Jedi
- Once Upon a Geek
NEXT TIME: Planet of Fire - the penultimate Fifth Doctor story! Plus Patreon Exclusive #149 with Four Dimensional Vistas Part 5, music discussion, Memory TARDIS, and John finally reviews Sympathy for the Devil Unbound audio!
Subscribe on all platforms. Email thedoctorsbeardpodcast@gmail.com. Support at patreon.com/thedoctorsbeardpodcast for $3/month.
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Episode Title: "A Whopping 12 Word Balloons!" - Summer Hiatus Comics & Roberta Tovey's Doctor Who Song - Patreon Exclusive Sample
HOLIDAY GIFT TO OUR LISTENERS: The Doctor's Beard Podcast is unwrapping a special Patreon Exclusive episode for all listeners this holiday season! Join John and Jim as they explore what kept young Doctor Who fans entertained during the 1965 summer break between Seasons 2 and 3.
ROBERTA TOVEY'S "WHO'S WHO" (1965) Before diving into comics, the hosts examine a rare Doctor Who musical artifact: a single released by Roberta Tovey (who plays Susan in Doctor Who and the Daleks). Composed by Malcolm Lockyer (the movie's composer), this track remains mysteriously under-documented compared to other Doctor Who novelty songs like "I Want to Spend My Christmas with the Daleks." The B-side was called "Not So Old" (unrelated to Doctor Who).
BONUS MUSIC DISCOVERIES:
- Malcolm Lockyer also released "The Eccentric Doctor Who" and "Daleks and Dolls"
- "Dance with the Daleks" - The hosts declare this the weakest cash grab yet, a generic instrumental with "Dalek" slapped on the title
Jim's verdict: "We demand more Daleky from our Dalek music!"
SUMMER HIATUS COMIC STRIPS REVIEWED:
"Time in Reverse" (August 9-23, 1965) TV Comic Writer/Artist: Neville Main John appreciates the clever backward storytelling requiring reversed dialogue for all non-TARDIS crew characters, though he notes the Doctor and companions simply wait out events rather than actively participating. The story features "German soldiers" (drawn with distinctive helmets) reminiscent of pre-WWII American comics using sideways Nazis without naming them. Jillian Count: 12 word balloons (chatty Kathy, but still just Greek chorus)
"Lizard World" (August 30 - September 20, 1965) TV Comic Writer/Artist: Neville Main First time John and Jillian are completely separated from the Doctor and on their own! Jim praises Neville's artwork capturing the massive scale of the lizard creatures. John questions the Doctor complaining about being "an old man" while climbing when he performed fine in earlier stories. Jillian Count: 13 word balloons (a landmark!) The episode concludes with Jim nearly suggesting they review The Avengers comics advertised in the strip instead.
TV COMIC ANNUAL 1966 (Released September 1, 1965)
"Prisoners of the Kleptons" Writer/Artist: Neville Main The Kleptons return! Landing on their overheated world, John shoots down a Klepton vehicle (back to using guns). The aliens want help invading Earth but settle for lowering captives into boiling oil. John saves the day with an unclear plan, leaving Jim wishing for more ambitious storytelling. Jillian Count: 3 word balloons
"The Caterpillar Men" Writer/Artist: Neville Main Set in 2035, alien Caterpillar Men invade Earth and control the world's scientists from one location. The Doctor identifies himself as "Dr. Who" and doesn't correct being called an Earthman. John and Jillian visit World Pest Control, convincing officials to spray the invaders away. The entire resolution happens in half a page. Jillian Count: 3 word balloons John saves the day again!
Both agree: Even bad Dalek strips surpass the Doctor Who ones.
MOVIE BONUS FACT: Doctor Who and the Daleks played in scattered UK theaters into January 1966, but bombed in America when released July 1966. Jim's theory: This may have sunk Terry Nation's ABC deal for a Dalek TV series. Americans wanted Batman in '66, leading to Jim's high-concept pitch: "Batman versus the Daleks in Londinium 2050!"
LOVE WHAT YOU HEARD? This is just a sample of the exclusive content available to Patreon subscribers! For as little as $3/month, you get:
- Early access to main episode reviews
- Complete comic strip discussions with art analysis
- Memory TARDIS retrospectives
- Doctor Who music deep dives
- News coverage and behind-the-scenes content
Visit patreon.com/thedoctorsbeardpodcast to unwrap year-round Doctor Who goodness!
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Happy Holidays from The Doctor's Beard Podcast!
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Episode 10: "Dinosaurs Make Anything Better" - Season 2 Wrap-Up & Classic Comics Triple Feature - Patreon Exclusive
SEASON TWO RETROSPECTIVE: The Best Overall Hartnell Season
John opens as "Donald Tosh, story editor" while Jim claims the mantle of "Dennis Spooner of podcasting" - fitting since Spooner wrote both the season's best (The Time Meddler) and worst (The Romans) stories. The hosts agree Season 2 represents the pinnacle of Hartnell's era, ramping up quality from Season 1's foundation.
COMIC STRIP REVIEW #1: "Prisoners of the Grittog" (July 1, 1965) TV Comic Holiday Special, Four Pages (Black & White with Red Tones) Writer/Artist: Neville Main
Planet Spectra forces down approaching ships and imprisons crews as spies. The Doctor uses a flute (foreshadowing Troughton's recorder!) to summon alien dinosaurs to destroy the force field. First story not starting with the TARDIS arrival!
COMIC STRIP REVIEW #2: "Moon Landing" (July 19 - August 2, 1965) TV Comic, Three Parts Writer/Artist: Neville Main
Set in 1970 (one year off from real 1969 landing!), British astronauts land on the moon to discover the TARDIS already there. Professor Rawlinson leads the mission with oddly specific character design. The Doctor rescues astronauts from a crevice, reminding them about moon gravity via blackboard (!).
COMIC STRIP REVIEW #3: "The Penta Ray Factor" (July 10 - August 28, 1965) TV Century 21, Seven Parts Writer: David Whitaker (from Terry Nation's plot) Artist: Richard Jennings
Jim's Major Disappointment: After four strips of brilliant villain-protagonist storytelling, the focus shifts to boring planet inhabitants rather than Daleks' perspective. "I wanted the Daleks to wipe them out! The Daleks are just so uninteresting in this."
The Daleks employ un-Dalek tactics, approaching as "friends" to learn weaknesses - something Jim hates even when TV show does it. Complex subplots involving lazy ruler's son, cousin politics, and underutilized female character bog down the narrative. The Penta Ray device drags with repetitive theft/swap plotting.
LOOKING AHEAD:
- Doctor Who and the Daleks movie discussion coming
- Hiatus comics: "Time in Reverse," "Lizard World," "Prisoner of the Kleptons" (oh no!), "The Caterpillar Men"
- 1965 Dalek/Doctor Who music featuring Roberta Tovey (movie Susan)
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major platforms. Share your Season 2 hot takes and Dalek strip disappointment by emailing thedoctorsbeardpodcast@gmail.com or joining our Facebook and BlueSky communities.
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"The Hamster Wheel of Science Fiction Television" - Frontios Review
STORY DETAILS: "Frontios" (January 16 - February 3, 1984) Production Code: 6N Writer: Christopher H. Bidmead (former script editor, Logopolis and Castrovalva) Director: Ron Jones (Arc of Infinity, future Colin Baker stories)
CAPSULE REVIEW: Jim: "Doctor Who in 1984 is the hamster wheel of science fiction television shows. It just keeps going round and round and doesn't go anywhere."
PLOT SUMMARY:
The TARDIS is drawn to Frontios in the far future, where Earth has been destroyed and desperate colonists survive constant meteorite bombardment. The Doctor insists they leave (invoking Time Lord non-interference), but the TARDIS appears destroyed by meteors. Captain Revere's son Plantagenet leads the failing colony while second-in-command Range and science officer Brazen navigate political tensions.
NEXT EPISODE PREVIEW: Resurrection of the Daleks (two 45-minute parts) with special guest Shag Matthews (The Irredeemable Shag Podcast) - "Now it's going to be two against one!"
PATREON PLUG: "Nothing says I love you like a Patreon subscription to The Doctor's Beard" - $3/month gets early access, bonus content, comic strip discussions, Memory TARDIS wheel spins, Doctor Who news coverage, and music theme variations. Current Patreon Exclusive #148 covers Part 4 of "Four Dimensional Vistas" (Meddling Monk + Ice Warrior team-up).
SPECIAL APPEAL: Jim asks listeners in Marietta, Georgia area to support Dr. No's Comics after catastrophic power loss from truck taking down lines during Christmas season. Shop running on generator, needs community support through devastating loss of holiday revenue.
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major platforms. Email thedoctorsbeardpodcast@gmail.com or join our Facebook community. Support via Patreon at patreon.com/thedoctorsbeardpodcast.
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Episode 9: "My Word, Doesn't He Look Fat and Pompous!" - Classic Doctor Who Comics: The Challenge of the Piper - Patreon Exclusive
COMIC STRIP REVIEW: "The Challenge of the Piper" (June 14 - July 12, 1965) TV Comic, Five Parts Writer/Artist: Neville Main
The First Doctor, John, and Jillian arrive in medieval Hamelin during the legendary Pied Piper crisis. After the townspeople refuse to pay the Piper for ridding them of rats, he lures away their children. The Doctor sympathizes with the wronged musician and undertakes three trials to win the children's freedom, using 1960s technology disguised as "magic" - fire extinguisher, radar, parachute, and tape recorder. When the Mayor still refuses payment, the Doctor threatens to return the children to the Piper unless he honors the debt!
The hosts mourn that both grandchildren function as mere Greek chorus, giving the Doctor someone to talk to beyond himself.
Where/When Are We? - The hosts debate ontological questions: Is this the actual legendary event on Earth's past? An alien world duplicating the tale? A fantasy realm? They conclude it's meant as the origin of the Hamelin legend, but fantasy elements (dragon, invisibility, mesmerizing flute magic) blur the science-fiction/fantasy boundary.
LOOKING AHEAD:
- Next strips: "The Moon Landing" (premiering space race before real 1969 landing!), "Prisoner of the Grittog" (Doctor Who Summer Special), and "The Penta Ray Factor" (Daleks return!)
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Share your thoughts on rude granddaughters and fantasy Doctor Who by emailing us at thedoctorsbeardpodcast@gmail.com or joining our passionate Facebook and BlueSky communities.
Become a Patreon member today to receive early episode access to our main show reviews, plus exclusive content like Episode 9 featuring complete comic strip analysis, Jillian's terrible dialogue dissection, and genre-bending Doctor Who adventures!
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Episode 8: "The Daleks Destroyed Their First Planet" - Classic Doctor Who Comics Double Feature - Patreon Exclusive
COMIC STRIP REVIEW #1: "The Gyros Injustice" (May 3 - June 7, 1965) TV Comic, Six Parts Writer/Artist: Neville Main
Jim's birthday comic! Born right in the middle of this strip's run, Jim celebrates with poetry: "Through space and time, through a million nowheres, past a billion whirling unnamed starlights across the darkness that holds the mysteries of science and life, travels Doctor Who's spaceship, the TARDIS." The First Doctor, John, and Jillian encounter the Gyros (or Euros?) - robots who've taken control of their world after their organic creators fell ill. The planet's unique position leaves only the equator habitable, with one side in perpetual darkness and the other scorched by constant sunlight.
Call for Listener Feedback - The hosts request Patreon subscriber opinions: Is this strip engaging or merely a curious artifact? They receive regular feedback on main episodes but silence on comics, despite releasing complete stories before recording.
COMIC STRIP REVIEW #2: "The Emerald Challenge" (May 22 - July 3, 1965) TV Century 21, Seven Parts Writer: David Whitaker (from Terry Nation's plot) Artist: Richard Jennings
Jim's favorite Dalek story yet! The Daleks achieve faster-than-light travel after 13 failed test flights (destroying numerous Daleks in the process), then encounter their first truly alien opponents - sentient plant creatures on an emerald world. This isn't humanoids vs. machines but mechanized beings versus nature itself, with the planet rejecting the invaders through biological warfare. Plants infest Dalek casings in gorgeously rendered sequences before the ultimate confrontation with the planetary consciousness at the world's heart.
Rooting for the Bad Guys - Jim explores the fascinating psychology of villain-centric storytelling: "Who are you rooting for? Because I found myself going 'Yeah, go Daleks, conquer space!' and then stopping to question my own psyche." The strip maintains perfect tension between wanting Daleks to succeed (achieving their goals is narratively satisfying) and recoiling from their monstrous actions.
Comic Daleks > TV Daleks? - Jim declares at this moment he prefers comic strip Daleks to TV Daleks, wanting the "weighty, bigger stuff" on screen. The budget-free medium allows grander concepts. John notes the TV show won't feature named individual Daleks like Zeg for a long time, which some fans lament.
Humanizing Villains Debate:
- Jim's position: Doesn't need mustache-twirling villains humanized (cites overexplained Klingons in Next Generation)
- John's caution: Naming individual Daleks risks making them relatable when their core concept is absolute otherness
- Future preview: The Doctor eventually becomes "the Predator" in Dalek mythology - their species' natural enemy
Terry Nation's Golden Ticket: The hosts explore how Nation retained Dalek rights (opposite of American work-for-hire practices). His 1963 script seemed like just another job, but lucky ownership meant the BBC must negotiate with Nation's estate for every Dalek appearance even today. "The Daleks bought me a manor" - actual British newspaper headline about Nation's wealth. The proposed 1960s Dalek TV series (with ABC showing interest) led to a five-year gap in Dalek TV appearances as Nation pursued American deals.
LOOKING AHEAD: Next strip: "Challenge of the Piper" - a fantasy-oriented story that has both hosts concerned about more sameness, though Jim's interest is piqued by the format change.
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Share your thoughts on Jillian's tragic marginalization and rooting for planet-destroying pepper pots by emailing us at thedoctorsbeardpodcast@gmail.com or joining our passionate Facebook and BlueSky communities.
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Episode 7: "Super Dalek Origin Story" - Classic Doctor Who Comics Double Feature - Patreon Exclusive
COMIC STRIP REVIEW #1: "Doctor Who on the Web Planet" (March 22 - April 26, 1965) TV Comic, Six Parts Writer/Artist: Neville Main
The only Doctor Who comic strip ever given an official title! The First Doctor, John, and Jillian return to Vortis long after their adventure with Ian, Barbara, and Vicki. A legend has grown among the Menoptra about the Doctor's previous liberation of their world - but freedom was short-lived. The planet has fallen under new oppression from the Skirkons, aliens who've mastered mind control over the easily-manipulated Zarbi and built Zarbi-shaped personal flying craft armed with death rays. The Doctor must free Vortis once again while confronting the sad reality that some worlds can never maintain peace.
The Zarbi Multimedia Empire - John discovers extensive Zarbi appearances across formats:
- Two Give-A-Show projector stories
- IDW comic (2000s) featuring First Doctor team fighting Zarbi invasion of 1868 Earth
- Doctor Who Annual prose stories: "Lair of the Zarbi" and "The Lost Ones"
- Patrick Troughton prose novel Twilight of the Gods
- Big Finish audio Return to Vortis with Fifth Doctor and Nyssa
- The Zarbi are revealed as "the new Pokémon - gotta catch 'em all!"
Jim's OCD kicks in and he must now consume all Zarbi media. The hosts marvel at how deeply BBC tried mining these creatures despite their failure to capture Dalek-level popularity.
COMIC STRIP REVIEW #2: "Duel of the Daleks" (March 6 - April 10, 1965) TV Century 21, Six Parts Writer: David Whitaker (from Terry Nation's plot) Artist: Richard Jennings
Dalek Zeg survives an industrial accident that coats him in near-impervious metallic skin and transforms his casing to golden color - giving him a superhero origin story! Believing his superiority entitles him to leadership, Zeg challenges the Black Dalek Emperor for control of the Dalek race. Internal Dalek civil war erupts as some Daleks support the upstart while others remain loyal to established hierarchy. The Emperor ultimately defeats Zeg using liquid metal to freeze him solid, learning from the duel to develop stronger Dalek armor.
Collected Editions Available:
- The Dalek Chronicles - Doctor Who Magazine Summer Special (1994, Marvel UK) - complete run
- The Daleks: The Ultimate Collector's Edition (Panini reprint)
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Share your Zarbi obsession and Super Dalek theories by emailing us at thedoctorsbeardpodcast@gmail.com or joining our passionate Facebook and BlueSky communities.
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Episode 6: "Throw Your Spuds" - Classic Doctor Who Comics Double Feature - Patreon Exclusive
COMIC STRIP REVIEW #1: "The Hijackers of Thrax" (March 1-15, 1965) TV Comic, Three Parts Writer/Artist: Neville Main
The First Doctor, John, and Jillian investigate disappearing supply ships bound for Earth's Venus colony in 2075. Pirates operating from a hidden space station obscured by artificial clouds have been stealing shipments. The Doctor disables the cloaking device, exposing the hijackers' base and saving Earth's colonial supply line.
Jim declares this his favorite of the three strips so far due to the Earth connection and clever cloud-station concept, while John finds all three equally unremarkable. The hosts remain baffled why the strip doesn't equally target boys and girls when the TV show clearly features prominent female characters like Barbara alongside the male cast.
COMIC STRIP REVIEW #2: "Power Play" (February 13 - March 5, 1965) TV Century 21, Three Parts Writer: David Whitaker (from Terry Nation's plot) Artist: Richard Jennings
The Daleks face their next evolutionary step - getting off Skaro! After the radioactive devastation, two warring human factions on Skaro seek allies. The Daleks strategically align with one group against their aggressors, not out of compassion but calculated self-interest. By story's end, the Daleks possess plans for flying saucers - directly setting up their appearance in "The Dalek Invasion of Earth" TV serial.
John liked this installment as much or more than "Genesis of Evil," appreciating how it serves TV continuity while telling compelling standalone stories. Jim loves the symbiosis between source material and offshoot when done correctly.
LOOKING AHEAD:
- Next Doctor Who comic: Sequel to "The Web Planet" featuring the Zarbi! The hosts are curious whether this represents BBC pushing the Zarbi as "the next Daleks" after their expensive costume investment, or editorial response to reader demands for more TV show connections
- Next Dalek comic: "Duel of the Daleks" promises intrigue
- Jim has started reading a First Doctor prose novel for future Patreon discussion
The hosts debate whether kids recognized the strips' disconnection from the TV series, and wonder about the demographics of British comics magazines in 1965. Was it primarily boys despite Doctor Who's mixed-gender appeal?
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Share your thoughts on potato weaponry and Jillian's marginalization by emailing us at thedoctorsbeardpodcast@gmail.com or joining our passionate Facebook and BlueSky communities.
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Episode 5: "Wham, Bam, Thank You Dalek" - Classic Doctor Who Comics Double Feature - Patreon Exclusive
COMIC STRIP REVIEW #1: "The Therovian Quest" (January 18 - February 22, 1965) TV Comic, Six Issues (Two Pages Per Week) Writer/Artist: Neville Main
The First Doctor's TARDIS crashes on an alien planet where he and grandchildren John and Gillian encounter Grigg, a spaceship pilot whose vessel is also stranded. Grigg desperately seeks a cure for a plague that has incapacitated everyone on his homeworld of Theros except himself. In a shocking decision, the Doctor repairs Grigg's ship and abandons the still-damaged TARDIS on the planet to help this stranger - a moment of tension as they literally leave the time machine behind and never mention it again until the story's end!
The quest takes them to the ice planet Ixon to harvest medicinal moss, where they're captured by Ixon warriors. King Ixa provides equipment including a sled to reach the dangerous caves, but secretly plans to steal the moss and sell it at exorbitant prices to the Therovians. After Grigg battles a furry cave monster (throwing it into an ice ravine), they retrieve the moss but are captured again. The Doctor sets fire to something (possibly the moss itself?) creating chaos and smoke that allows their escape back to Grigg's ship, returning to Theros to save the plague victims before finally returning to repair the mysteriously-fixed TARDIS.
John and Jim's Analysis:
- Jillian's disappearing act continues - The female companion has maybe two word balloons throughout the entire six-issue story, to the point where the Doctor and John briefly forget she exists. The hosts lament this "all-he-man, no-girls-allowed club" mentality in a strip based on a show meant to be all-inclusive.
- Neville Main's artwork shines - Both hosts appreciate the visual presentation, particularly the spaceship designs and background details. Main clearly uses Hartnell photo references, though his TARDIS-in-flight depiction (a corkscrew swirly line suggesting rapid spinning) amuses the hosts.
- The Doctor as spaceship engineer - Jim questions when the Doctor became qualified to repair alien spacecraft faster than their actual owners.
- Grigg's suspicious appearance - Designed to look villainous initially, subverting expectations when King Ixa becomes the actual antagonist.
- John's bloodthirsty evolution - The grandson appears drawn older in close-ups, as if maturing into a violent young man over time.
- "Doctor Who" naming persists - The strip continues calling the protagonist "Doctor Who" rather than "the Doctor."
Jim declares this "on the same level as the first storyline" - straightforward space opera that doesn't connect much to the TV series, though the art remains enjoyable.
COMIC STRIP REVIEW #2: "Genesis of Evil" (January 23 - February 6, 1965) TV Century 21, Three-Part Story (One Page Per Issue) Writer: David Whitaker (from Terry Nation's plot) Artist: Richard Jennings
Jim's immediate reaction: "Gorgeous."
This landmark Dalek origin story appeared in the back pages of TV Century 21 magazine, forcing young fans to buy multiple publications for their Doctor Who fix. Set on the planet Skaro, the strip reveals how the robotic Dalek shells came to exist following a catastrophic event that irradiated the planet (here depicted as a meteor storm hitting nuclear stockpiles, contradicting the TV series' neutron bomb).
Two blue-skinned humanoid Daleks (members of the original Dals/Kaleds race) crawl from the rubble and encounter a horrifying sight - one of their own people, so mutated by radiation that he's encased himself in a mechanical pepper-pot shell. This robotic Dalek reveals he created the protective casing and now the survivors must build more shells for the remaining Daleks. The story establishes the Dalek Emperor character (gold and ruby-plated) who will feature in subsequent strips, creating a hierarchy absent from early TV stories.
John and Jim's Analysis:
- Stunning artwork - Richard Jennings delivers detailed, beautifully colored pages that exceed the Doctor Who strip's quality. Jim calls it an "eye opener."
- Terry Nation's contractual power - Nation receives prominent billing despite David Whitaker doing the actual scripting, showing the Dalek creator's early leverage (eventually buying a manor with Dalek profits).
- Canon contradictions - The strip doesn't contradict the first TV Dalek serial and actually fleshes it out nicely, but future TV story "Genesis of the Daleks" will completely reimagine the origin. The hosts discuss how ancillary products are always subordinate to on-screen canon.
- Perfect pacing - The compact one-page-per-issue format keeps the story moving efficiently without lingering, unlike the sometimes padded Doctor Who strip.
- Thals connection - The strip references the Thal people from the TV series, maintaining continuity while expanding the mythology.
- The Emperor's absence - John wonders why this gold Emperor wasn't in "The Daleks" TV story, speculating future strips might explain it.
Jim enthusiastically declares: "I enjoyed this way more than the Doctor Who strip" and looks forward to continuing Dalek adventures.
LOOKING AHEAD The hosts preview their upcoming Friday Patreon release covering "The Web Planet" - John approaches it fresh without having started watching, hoping for better appreciation than his initial expectations. Jim looks forward to eventually finding a story where John declares "this is horrible" so he'll "feel justified."
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"I'm Gonna Spend My Christmas with a Dalek" & "Landing of the Daleks" - Vintage Doctor Who Music Review (1964-1965) - Christmas Patreon Exclusive
Dalekmania swept across the United Kingdom in 1964 with the same cultural fervor that Batmania would capture America two years later. The BBC's terrifying Dalek creatures became a merchandising phenomenon, spawning an explosion of toys, comic books, feature films, and even novelty music records capitalizing on the pepper pot-shaped villains that had captured the nation's imagination.
The Go-Gos - "I'm Gonna Spend My Christmas with a Dalek" (December 1964)
As "The Dalek Invasion of Earth" serial reached its dramatic conclusion in December 1964, the musical group The Go-Gos (completely unrelated to Belinda Carlisle's 1980s American new wave band) released this bizarre Christmas novelty record. The song features a 17-year-old female vocalist unconvincingly portraying a young child gleefully declaring her holiday wish to spend Christmas with a genocidal alien killing machine - a marketing decision that seems baffling by today's standards.
The Earthlings - "Landing of the Daleks" (February 1965)
Two months later, The Earthlings contributed to the Dalekmania craze with "Landing of the Daleks," an instrumental surf rock piece that surprisingly features zero Dalek voices and not a single iconic "Exterminate!" catchphrase throughout its entire runtime.
Join podcaster John S. Drew and writer/editor Jim Beard for this hilariously critical Patreon exclusive episode as they dissect what both songs have in common beyond the Dalek theme - they genuinely irritated Jim! Experience their entertaining analysis of 1960s Doctor Who merchandising excess, questionable musical choices, and the wild cultural phenomenon of Dalekmania at its peak.
This December, enjoy exclusive Patreon episodes every weekday celebrating Doctor Who's 60th anniversary! We're exploring the complete multimedia history of Doctor Who across television, comics, music, and more.
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"Two Is Too Few, Four Is Too Much" - Production 6M: "The Awakening" (January 19-20, 1984) - Classic Doctor Who Season 21 Review
The Fifth Doctor brings Tegan to 1984 Little Hodcombe so she can visit her grandfather, Andrew Verney. But the TARDIS materializes in an unstable church during an English Civil War reenactment organized by the local magistrate, Sir George Hutchinson. When Tegan's grandfather goes missing and they encounter Will Chandler—a genuine 17th century peasant pulled through time—the Doctor discovers something sinister beneath the village: the Malus, an alien war machine feeding on psychic energy from the staged battles.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this Season 21 analysis, they debate whether three episodes would be the perfect Doctor Who story length, discuss the rushed pacing versus Jim's feeling it dragged, and explore themes of companion family visits and the show's grounded Earth-based budget-cutting era.
Cast Fatigue: By this point, both Peter Davison and Janet Fielding had announced departures (Mark Strickson would follow soon). Jim declares: "I am totally ready for a new Doctor and new companions." The energy has drained after 20 years, with JNT himself seeking other opportunities but trapped by industry circumstances.
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"The Klepton Parasites" - Doctor Who TV Comic Strip Review (November 9, 1964 - January 11, 1965) - Christmas Patreon Exclusive
TV Comic Issues 674-683 Writer & Artist: Neville Main
In 1964, the BBC made television history by launching the first weekly Doctor Who comic strip in the pages of TV Comic- a surprising choice given the magazine's focus on ITV programming. This groundbreaking comic adaptation took bold creative liberties, featuring the First Doctor and his TARDIS in adventures that barely resembled the television series, introducing controversial changes including the Doctor's mysterious grandchildren John and Gillian.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard for this special Christmas promotion episode as they launch their comprehensive journey through classic Doctor Who comics, celebrating the show's 60th anniversary. In this inaugural comic strip review, they analyze Neville Main's distinctive artwork style, debate the absurdly literal naming convention of the villainous Kleptons (who steal everything), examine the controversial introduction of the Doctor's grandchildren companions, and explore how these early comics diverged wildly from established TV canon during William Hartnell's era.
This December, we're releasing exclusive Patreon episodes every weekday to celebrate Doctor Who's 60th anniversary and showcase the premium content available to our supporters. Experience the complete history of Doctor Who across all media formats!
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John and Jim sit down to review their time watching the first series of Doctor Who, the good and the bad. In addition, Jim shares his thoughts on what he would like to see in the second series. John plays Spoiler Cards with Jim, offering him a pick of one of three cards revealing a spoiler for the second series. Of the Doctor, Barbara and Ian, and the Daleks - which one did he choose?
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"There Should Have Been Another Way" Production 6M: "Warriors of the Deep" (January 5-13, 1984) Classic Doctor Who Season 21 Premiere Review
In the year 2084, the Fifth Doctor, Tegan, and Turlough materialize at Sea Base Four, a military installation staffed with personnel on high alert due to tensions that could trigger World War III. An unknown object lurking in the waters proves to be a Silurian battlecruiser seeking to revive suspended animation Sea Devil warriors stored in underwater chambers. The reptilian cousins plan to manipulate the base's weapon systems to start a nuclear war, wiping out humanity so they can reclaim Earth as their ancestral home.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this Season 21 premiere analysis covering this notorious production, they discuss:
Production Nightmare Behind the Scenes:
- Margaret Thatcher's election sabotage - The 1983 UK general election announcement created BBC studio space demands, costing Doctor Who two weeks of production time and forcing rushed filming with minimal rehearsal
- The infamous Myrka disaster - The creature costume was still being sculpted and painted an hour before shooting, with wet paint and adhesive fumes getting one operator high. The poorly-fitted suit left performers uncomfortable and unable to rehearse, resulting in slow-motion movements that destroyed any sense of menace
- Johnny Byrne's disappointment - The writer envisioned dark, Alien-inspired sets with the Myrka glimpsed briefly in shadows, not brightly-lit corridors showcasing every flaw. He vowed never to work for Doctor Who again
Character and Story Analysis:
- The Doctor's uncharacteristic violence - Jim questions Byrne's characterization showing the Fifth Doctor as naive, foolish, and suddenly engaging in unnecessary hand-to-hand combat
- Tegan and Turlough's evolving dynamic - The companions finally bond over eye-rolling about the Doctor, though both still don't want to be traveling in the TARDIS. Tegan suffers through another story of being trapped, taken hostage, and reduced to damsel-in-distress after her previous action hero moments
- The moral dilemma arrives too late - Part 4's ethical debate about genocide feels rushed when it should have been developed earlier. Jim controversially argues the Doctor was wrong to hesitate using the hexachromite gas with billions of lives at stake
- Base Under Siege formula exhaustion - After 21 years, this well-worn plot structure offers no surprises: the paranoid commander, the likable female officer, the traitors within, the invaders, the giant creature. Viewers who've watched for two decades have seen it all before
Design and Direction Problems:
- Moon Base Alpha aesthetic - The overly-bright, sterile sets fail to convey an underwater atmosphere despite occasional model shots of the Silurian ship
- Dr. No radiation suits - The guards' helmets appear identical to the 1962 Bond film's radiation gear (the wiki claims they're the actual costumes, though Jim remains skeptical)
- Laughable battle sequences - No muzzle flashes or laser beams, just actors pointing rifles in extreme slow motion. Quick cuts could have salvaged excitement, but Roberts' clumsy direction makes conflicts feel like rehearsals rather than life-or-death struggles
- Skirt Gate - The famous blooper where a falling door clearly weighs nothing as Janet Fielding's every tiny movement lifts it
- Ingrid Pitt's karate vs. the Myrka - The former Hammer horror star (playing Dr. Solow) deliberately aged herself up and performed unconvincing martial arts against the creature in an obvious first-take
Reptilian Reunion:
- First team-up of Silurians and Sea Devils - Despite being "cousins," the two reptilian species look nothing alike, with Sea Devils acting as subservient warriors to Silurian scientists
- Redesigned Sea Devils - New helmets with Asian-influenced design reminiscent of Buck Rogers' Draconians, with illuminated third eyes solving the mouth-movement problem
Jim argues this represents Doctor Who's aging fanbase problem - like 1980s comics, the show wasn't attracting new young viewers, leaving only "cranky old fans" who'd seen every trope before. The hosts debate whether the Doctor's final moment of regret will carry into the next serial, with John insisting it must affect the character going forward.
Extended Listener Mail Segment: The episode features six emails discussing The Five Doctors, providing retrospective thoughts on the anniversary special, Tom Baker's absence, Richard Hurndall's performance, and various behind-the-scenes details.
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Check out Jim Beard's latest creative release - a beautiful blank journal book "Snowball Strums a Story" featuring an original sketch from Jim himself, perfect for Whovians and creative writers! Available now on Amazon for only $7.99 with 200 pages of lined and blank pages: https://www.amazon.com/Snowball-Strums-Story-Thinkin-Journal/dp/B0FTVDVD45
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"Orange Whip, Orange Whip, Orange Whip" - Production 6K: "The Five Doctors" (November 23/25, 1983) - Classic Doctor Who 20th Anniversary Special Review
The ultimate Doctor Who celebration arrives! To commemorate two decades of time travel adventures, all five incarnations of the Doctor are mysteriously pulled out of time and transported to the Death Zone on Gallifrey - the ancient forbidden wasteland where Time Lords once staged gladiatorial games. The First Doctor (Richard Hurndall) and granddaughter Susan, the Second Doctor (Patrick Troughton) and Brigadier Lethbridge-Stewart, the Third Doctor (Jon Pertwee) and Sarah Jane Smith, and the Fifth Doctor (Peter Davison) with companions Tegan and Turlough must navigate deadly traps, face classic enemies including Daleks, Cybermen, and a Raston Warrior Robot, and ultimately reach the Dark Tower to discover who has orchestrated this temporal kidnapping. Meanwhile, the Fourth Doctor remains trapped in a time eddy. The Master receives a presidential pardon to help, Lord President Borusa harbors dark secrets about immortality, and the fate of all Gallifrey hangs in the balance in this 90-minute anniversary extravaganza.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space with an incredible lineup of special guests! From The Flopcast, the Mayor of Chickentown herself, Felicity Kusinitz returns to claim the Second Doctor. From The OSI Files podcast, artist extraordinaire Jerry Lange champions the Fourth Doctor (despite Tom Baker's controversial absence). And from the late Doctor Who Gives a Bleep podcast and current host of The Bat77 podcast, JB Anderton takes on the First Doctor role.
In this comprehensive anniversary special analysis, the hosts discuss:
- The Tom Baker controversy - Why the Fourth Doctor was reduced to archive footage from the unfinished "Shada" serial, theories about his refusal (too soon after leaving, not wanting to share the spotlight, conflicting theatre commitments with "Educating Rita"), and whether the public knew beforehand
- Richard Hurndall's remarkable performance - How the replacement First Doctor exceeded expectations and created wonderful chemistry with both Carol Ann Ford's Susan and surprisingly, Tegan
- Robert Holmes' rejected script - The original "Six Doctors" concept featuring a robot First Doctor and Cybermen becoming "Cyber-Lords" (a concept Chris Chibnall would eventually use)
- Perfect companion pairings - Sarah Jane with the Third Doctor and the Brigadier with the Second Doctor as happy accidents that became highlights
- Production challenges - The Eye of Orion footage damage requiring Mark Strickson's emergency recall ("Strickson phone home!"), the abandoned hang glider sequence replaced by the zip line, and Elizabeth Sladen's unfortunate costume choices
- Patrick Troughton and Jon Pertwee's minimal aging - Both looking remarkably like their original incarnations despite years away from the role
- The balance of multiple Doctors - How the script successfully gave each incarnation meaningful moments without anyone overpowering the others
- American vs. British viewing experiences - PBS broadcasting it two days before the BBC on the actual anniversary during the Chicago convention
Jim declares this "a lot of fun" and "almost everything I wanted" - a breath of fresh air with excellent character interactions, though Tom Baker's absence remains the only significant downbeat. The panel agrees that all actors played their roles straight without mugging or winking, creating a sincere celebration rather than a farce.
This landmark special aired November 23, 1983 on American PBS stations (particularly WTTW Chicago during the massive "Visions" convention) and November 25, 1983 on BBC1 during Children in Need.
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Connect with our passionate Whovian community by emailing us at thedoctorsbeardpodcast@gmail.com or joining our active Facebook and BlueSky discussions for exclusive Doctor Who content, character analysis, and fan theories.
Check out Jim Beard's latest creative release - a beautiful blank journal book featuring an original sketch from Jim himself, perfect for Whovians and creative writers! Available now on Amazon: https://www.amazon.com/Snowball-Strums-Story-Thinkin-Journal/dp/B0FTVDVD45
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Production 6J: "The King's Demons" (March 15-16, 1983) - Classic Doctor Who Season 20 Finale Review
The TARDIS fails to reach Turlough's promised homeworld of Trion, instead materializing in Medieval England during March 1215 - the crucial period leading to the signing of the Magna Carta, one of history's most important constitutional documents. The Fifth Doctor, Tegan, and Turlough arrive at Fitzwilliam Castle to discover King John behaving extraordinarily out of character, acting with uncharacteristic cruelty and tyranny that threatens to derail the entire timeline.
The erratic monarch appears to be under the sinister influence of Sir Gilles Estram, a mysterious French nobleman whose features look disturbingly familiar to the Doctor. Investigating this temporal anomaly, the Doctor uncovers a devastating plot orchestrated by his oldest and most persistent nemesis - the Master (Anthony Ainley) has traveled back in time to prevent the Magna Carta from ever being signed, fundamentally altering Earth's democratic history and destabilizing the entire future of human civilization. At the center of this scheme is Kamelion, a shape-shifting android with extraordinary abilities who becomes a pawn in the Master's game and an unexpected addition to the TARDIS crew.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this Season 20 finale analysis, they dissect the complicated behind-the-scenes story of Kamelion - the ambitious shape-changing robot companion whose technical malfunctions plagued production and limited future appearances, critique how writer Terence Dudley once again relegates both Tegan Jovanka and Turlough to passive bystander roles with minimal character development or meaningful participation, and argue that this two-part story desperately needed additional episodes to properly develop its ambitious historical premise and Master plot.
This episode features a remarkably candid conversation about the Fifth Doctor himself. Jim comes clean about his ongoing struggle to connect with Peter Davison's interpretation - after twenty episodes, he still isn't feeling this incarnation and openly wonders if he ever will warm to the Fifth Doctor's gentle, vulnerable characterization. John empathizes completely with Jim's perspective while defending his own position: Peter Davison remains John's absolute favorite Doctor precisely because of the understated qualities Jim finds frustrating - his compassion, emotional accessibility, and fallible heroism rather than commanding authority.
"The King's Demons" concludes Season 20's uneven journey toward the monumental 20th Anniversary Special that awaits in November 1983.
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Connect with our passionate Whovian community by emailing us at thedoctorsbeardpodcast@gmail.com or joining our active Facebook and BlueSky discussions for exclusive Doctor Who content, character analysis, and fan theories.
Check out Jim Beard's latest creative release - a beautiful blank journal book featuring an original sketch from Jim himself, perfect for Whovians and creative writers! Available now on Amazon: https://www.amazon.com/Snowball-Strums-Story-Thinkin-Journal/dp/B0FTVDVD45
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Production 6H: "Enlightenment" (March 1-9, 1983) - Classic Doctor Who Season 20 Review
The Black Guardian Trilogy reaches its spectacular conclusion as the TARDIS materializes aboard an elegant Edwardian racing yacht - but this is no ordinary vessel. The ship sails not across Earth's oceans, but through the infinite void of space itself, crewed by the mysterious Eternals - immortal beings who exist outside normal time, observing mortal "Ephemerals" with detached fascination while desperately seeking meaning in their endless existence. These god-like entities have organized a cosmic race across the solar system, with ships styled after various historical periods competing for the ultimate prize: Enlightenment itself, a crystallized form of absolute knowledge and truth.
Caught between the manipulations of both the White Guardian and Black Guardian, Vislor Turlough must finally choose his allegiance - will he murder the Doctor to save himself, or reject the Black Guardian's promised rewards? Meanwhile, Tegan Jovanka finds herself the unwilling object of affection from Captain Striker, an Eternal who cannot comprehend human emotions yet is fascinated by her temporal existence. The Fifth Doctor races to prevent catastrophe as the competition reaches its climax and the true nature of Enlightenment is revealed.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this Black Guardian Trilogy finale analysis, they explore writer Barbara Clegg's philosophical concepts behind the Eternals and their parasitic relationship with mortal consciousness, debate the story's frustratingly anticlimactic and unsatisfying resolution that undermines the trilogy's buildup, and examine the fascinating dynamic where Turlough emerges as the voice of pragmatic reason compared to the Doctor's more reckless heroism - reversing their expected character roles.
This episode addresses two crucial questions: Where did John and Jim ultimately land in their numerical rating for this ambitious yet flawed conclusion to the season-spanning Black Guardian arc? And at this pivotal halfway point through Peter Davison's tenure as the Fifth Doctor, has Jim's skepticism about this incarnation softened, or does he remain unconvinced by Davison's understated performance style?
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Connect with our passionate Whovian community by emailing us at thedoctorsbeardpodcast@gmail.com or joining our active Facebook and BlueSky discussions for exclusive Doctor Who content, character analysis, and fan theories.
Check out Jim Beard's latest creative release - a beautiful blank journal book featuring an original sketch from Jim himself, perfect for Whovians and creative writers! Available now on Amazon: https://www.amazon.com/Snowball-Strums-Story-Thinkin-Journal/dp/B0FTVDVD45
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Production 6G: "Terminus" (February 15-23, 1983) - Classic Doctor Who Season 20 Review
The TARDIS crew faces heartbreak as beloved companion Nyssa of Traken makes her emotional departure from the Doctor's travels. After narrowly escaping the Black Guardian's schemes in the previous adventure, the Fifth Doctor, Tegan, and newly-arrived Turlough find themselves trapped aboard Terminus - a massive deteriorating space station serving as a quarantine facility and leper colony for victims of the incurable and dreaded Lazar's disease (also known as Lazars' Syndrome). This plague causes horrific decay and degeneration, with sufferers banished to Terminus where the mysterious robotic Vanir administer inadequate treatment using controlled doses of radiation from the station's unstable engines.
As the Doctor investigates Terminus's terrible secret - that the station sits at the exact center of the known universe and may have caused the Big Bang itself - compassionate Nyssa witnesses the suffering of countless Lazar victims denied proper care. In a stunning character-defining moment, Sarah Sutton's Nyssa chooses to leave the TARDIS forever, dedicating her scientific knowledge and Trakenite healing abilities to finding a genuine cure for Lazar's disease and providing humane treatment to the abandoned plague victims. Her selfless sacrifice represents one of Classic Doctor Who's most noble companion exits.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this bittersweet Season 20 analysis, they discuss the poignant farewell to Nyssa after two and a half seasons of adventures, critique how writer Stephen Gallagher and script editor Eric Saward frustratingly sideline both Turlough and Tegan throughout the serial (reducing them to passive observers despite being featured cast), and highlight the desperate need for stronger script editing to tighten Steve Gallagher's ambitious but unfocused and meandering narrative that struggles to balance cosmic mythology with human drama.
Jim candidly admits he will genuinely miss Nyssa's presence and Sarah Sutton's consistently excellent performances, but acknowledges her departure feels appropriately timed - her character role had been significantly diminished throughout Season 20 as the crowded TARDIS team left insufficient story material for her scientific expertise and compassionate nature to shine. The Black Guardian Trilogy continues with cosmic stakes and emotional consequences.
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Connect with our passionate Whovian community by emailing us at thedoctorsbeardpodcast@gmail.com or joining our active Facebook and BlueSky discussions for exclusive Doctor Who content, character analysis, and fan theories.
Check out Jim Beard's latest creative release - a beautiful blank journal book featuring an original sketch from Jim himself, perfect for Whovians and creative writers! Available now on Amazon: https://www.amazon.com/Snowball-Strums-Story-Thinkin-Journal/dp/B0FTVDVD45
Become a Patreon member today for early episode access, bonus behind-the-scenes content, exclusive deep-dive Doctor Who analysis, and special multimedia reviews covering comics, audio dramas, and music. Your support helps us continue our complete journey through Classic Doctor Who!
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Production 6F: "Mawdryn Undead" (February 1-9, 1983) - Classic Doctor Who Season 20 Review
The Fifth Doctor experiences a bittersweet reunion with his dear friend Brigadier Alistair Gordon Lethbridge-Stewart - but something is terribly wrong. The retired UNIT commander has completely lost all memory of the Time Lord and their adventures together defending Earth from alien threats. Investigating this troubling amnesia, the Doctor discovers the Brigadier's memory loss stems from a catastrophic temporal paradox involving two different versions of the Brigadier meeting simultaneously in 1977 and 1983. At the center of this crisis is the tragic Mawdryn, leader of a group of exiled scientists who attempted to steal the secret of Time Lord regeneration but instead became hideously mutated, unable to die yet condemned to an eternity of agonizing transformations. As the Doctor navigates this complex temporal puzzle, he must confront the limitations of his own regenerative abilities and the sacred twelve-regeneration cycle that governs all Time Lords.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this pivotal Season 20 episode analysis, they welcome special guest Felicity Kusinitz from The Flopcast podcast for an engaging three-way discussion. The trio celebrates the triumphant return of Nicholas Courtney as Brigadier Lethbridge-Stewart after a five-year absence, analyze the mysterious introduction of new companion Vislor Turlough (Mark Strickson) - whose true allegiance remains hidden, and explore writer Peter Grimwade's expansion of Time Lord mythology cementing the canonical twelve-regeneration limit that would define Doctor Who lore for decades.
In a delightful segment, Felicity and John attempt to convert the skeptical Jim - who remains unconvinced about the Fifth Doctor - by passionately defending Peter Davison's vulnerable, compassionate portrayal and explaining why this incarnation resonates so deeply with longtime fans despite his more understated heroism.
"Mawdryn Undead" launches producer John Nathan-Turner's ambitious Black Guardian Trilogy, a season-spanning story arc featuring the return of Valentine Dyall's cosmic villain seeking revenge against the Doctor. This trilogy format represented innovative serialized storytelling in Classic Doctor Who's traditionally episodic structure.
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Connect with our passionate Whovian community by emailing us at thedoctorsbeardpodcast@gmail.com or joining our active Facebook and BlueSky discussions for exclusive Doctor Who content, character analysis, and fan theories.
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Production 6D: "Snakedance" (January 18-26, 1983) - Classic Doctor Who Season 20 Review
The Fifth Doctor discovers that Tegan Jovanka has been involuntarily manipulating the TARDIS coordinates, steering them toward the peaceful planet Manusa - homeworld of the Sumaran Empire Federation and the historical site where the malevolent Mara was supposedly destroyed centuries ago. But the snake-like entity was never truly vanquished, and it once again seizes control of Tegan's mind in a terrifying possession, threatening to plunge the unsuspecting civilization of Manusa into chaos and darkness as it prepares for its prophesied return during the ceremony celebrating its ancient defeat.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this chilling sequel to Season 19's "Kinda," they analyze the Fifth Doctor's deepening concern and protectiveness for the traumatized Tegan following her previous Mara possession, celebrate Nyssa's stunning new costume that finally gives Sarah Sutton a more practical outfit, spotlight the television debut of British comedy legend Martin Clunes in his very first professional acting role as the spoiled Lon, and explore the fascinating thematic parallels between "Snakedance" and earlier Doctor Who stories involving mind control and ancient evil. Writer Christopher Bailey returns to expand his Buddhist-influenced mythology with director Fiona Cumming bringing psychological horror to life.
The countdown to Doctor Who's monumental 20th anniversary continues as Season 20 follows producer John Nathan-Turner's mandate to bring back classic monsters and villains from the show's illustrious history. The Mara returns as part of the nostalgic callbacks celebrating two decades of time travel adventures!
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Connect with our passionate Whovian community by emailing us at thedoctorsbeardpodcast@gmail.com or joining our active Facebook and BlueSky discussions for exclusive Doctor Who content, character analysis, and fan theories.
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Production 6E: "Arc of Infinity" (January 3-12, 1983) - Classic Doctor Who Season 20 Premiere Review
Omega, the legendary renegade Time Lord and architect of Gallifreyan time travel, makes his shocking return with a desperate plan to escape his antimatter prison and re-enter the positive matter universe. Using the Arc of Infinity as his gateway, Omega hijacks the Fifth Doctor's biodata pattern to create a physical duplicate body - but his scheme becomes entangled with companion Tegan Jovanka's search for her missing cousin Colin Frazer in the picturesque streets of Amsterdam, leading to an explosive confrontation in the heart of the Dutch capital.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this Season 20 premiere analysis, they celebrate Nyssa's remarkable character development and maturation beyond her sheltered Trakenite origins, explore how the Fifth Doctor finally demonstrates genuine agency and authority compared to his earlier passive characterization, and Jim shares his candid disappointment with Tegan's controversial new costume design that replaced her beloved air stewardess uniform. The hosts also examine writer Johnny Byrne's ambitious return to Doctor Who mythology, producer John Nathan-Turner's bold decision to film on location in Amsterdam, and the return of Michael Gough to Doctor Who.
This episode marks an exciting new chapter as Season 20 begins the countdown to Doctor Who's monumental 20th anniversary celebration later in the year!
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Connect with our passionate Whovian community by emailing us at thedoctorsbeardpodcast@gmail.com or joining our active Facebook and BlueSky discussions for exclusive Doctor Who content, character analysis, and fan theories.
Become a Patreon member today for early episode access, bonus behind-the-scenes content, exclusive deep-dive Doctor Who analysis, and special multimedia reviews covering comics, audio dramas, and music. Your support helps us continue our complete journey through Classic Doctor Who!
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John and Jim wrap up their year long look at the Tom Baker era with a retrospective shaped with a framing letter from Patreon listener, Jamieson. We discuss Tom's three eras, his companions, and why he is considered one of the greats among the Doctors.
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Production 6C: "Time-Flight" (March 22-30, 1982) - Classic Doctor Who Season 19 Finale Review
The Fifth Doctor's planned visit to London's Great Exhibition takes a dramatic detour when the TARDIS becomes trapped in a mysterious time corridor alongside missing Concorde supersonic aircraft, leading to an unexpected encounter with prehistoric Earth and ancient mysteries.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they master time and space, delivering in-depth reviews of every Classic Doctor Who serial. In this compelling season finale analysis, they welcome special guest Alan J. Porter (renowned author and podcaster) to explore the emotional aftermath of Adric's shocking death, celebrate the triumphant return of the Master, and dissect the devastating season-ending cliffhanger that leaves companion Tegan Jovanka stranded at Heathrow Airport.
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major podcast platforms. Connect with our passionate Whovian community by emailing us at thedoctorsbeardpodcast@gmail.com or joining our active Facebook and BlueSky discussions for exclusive Doctor Who content and fan theories.
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Production 6B: "Earthshock" (March 8-16, 1982) - Classic Doctor Who Review
The Doctor's TARDIS materializes on a future Earth where the Cybermen orchestrate their most devastating plan yet - bombing a galactic conference to destroy world leaders and reshape the universe's destiny.
Join podcaster John S. Drew and acclaimed writer/editor Jim Beard as they become masters of time and space, delivering comprehensive reviews of every Classic Doctor Who serial. In this emotional episode analysis, they dive deep into Eric Saward's masterful scriptwriting, examine the shocking departure of beloved companion Adric, and explore how this serial revolutionized the Cybermen's deadly new tactics in the Whoniverse.
Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, and all major podcast platforms. Connect with fellow Whovians by emailing us at thedoctorsbeardpodcast@gmail.com or joining our vibrant Facebook and BlueSky communities for exclusive Doctor Who discussions.
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Production 6A March 1-2 1982
The TARDIS lands in 1922 where Cranleigh Hall is being haunted by a mysterious figure and dead servants that only the Doctor apparently sees.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they are joined by artist Jerry Lange. Together, they discuss the stopping of the bickering among the crew, the obvious mystery, and the humor of the story. In addition, we have additional commentary from our Patreon subscribers who joined us to hear the podcast recorded live.
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Production 5X February 15-23, 1982
The TARDIS lands near London in 1666, where the Doctor manages to stop an alien invasion, but burns down London in the process.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the argumentative nature of the companions, the lack of essential Doctor in Davison's portrayal, and the wonder of Richard Mace.
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Production 5Y February 1-9, 1982
As Nyssa recuperates in the TARDIS, the Doctor, Tegan and Adric explore the world of Deva Loka where an Earth exhibition have uncovered the Kinda, but do not know the deadly secret these peaceful people hide.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the sidelining of Nyssa, the performance of Janet Fielding and Jim's pinning who this Doctor is.
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"Four to Doomsday" Production 5W January 18-26, 1982
The TARDIS lands on a vessel bound for Earth with four different groups of humans from different times and cultures. But are they human? And what are the intentions of Monarch and his fellow Urbankans?
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the character development, the making of the episode, and the comparisons with the Hartnell era.
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"Castrovalva" Production 5Z January 4-21, 1982
The Doctor struggles to settle into his new incarnation, taking the TARDIS to the world of Castrovalva where the Master has set a trap.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Peter Davison as the Doctor, the role of the Watcher, and the Tegan and Nyssa's relationship.
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"K9 & Company" Production 7P December 28, 1981
Sarah Jane investigates a coven of witches with her new found friend, K9.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the pairing of two iconic companions, the concept of the show as a series, and the lack of motive for a supposed mystery.
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"Logopolis" Production 5V February 28 - March 21, 1981
In an attempt to fix the chameleon circuit, the Doctor finds the Master has survived and is causing chaos on the planet, Logopolis, which hold the secret to the universe's survival.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the introduction of Tegan, the connection Tom Baker and Matthew Waterhouse share onscreen, and the role call of monsters and companions.
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"The Keeper of Traken" Production 5T January 31 - February 21, 1981
On the way to Gallifrey, the TARDIS is taken over by the Keeper of Traken who needs the Doctor's help with a wave of evil that is washing over the peaceful union.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the introduction of Nyssa, the rapport between the Doctor and Adric, and the introduction of the new Master.
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"Warriors' Gate" Production 5S January 3-24, 1981
The TARDIS winds up in the void between E-Space and N-Space, but the gateway is guarded by robots created by those rebelling against their enslavers.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the abrupt departure of Romana, the sidelining of Adric and K9, and the convoluted plot.
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"Doctor Who and the Pescatons" July 1976 The Doctor and Sarah Jane return to Earth to discover a metallic shark-like race is bent on taking over the planet. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the similarities with Fury from the Deep, the toned down performance of Tom Baker, and the lack of Sarah Jane in the story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"State of Decay" Production 5P November 22 - December 13, 1980 The TARDIS takes the Doctor, Romana and Adric to a world where the people appear backward despite indications of high technology. Moreso, a threat from the Time Lords' past is hiding in plain sight. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss sidelining of K9, the best way to get Tom Baker to play with the team, and the rushed ending of this story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Full Circle" Production 5R October 25. - November 15, 1980
Trapped in E-Space, the Doctor and Romana encounter Adric and a mystery that has kept his people in darkness for decades.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single story of the Classic Doctor Who series. In this episode, we discuss the premiere of Adric, the opportunity of a lifetime for Andrew Smith, and the sidelining of both Romana and K9.
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"Meglos"
Production 5N
September 27 - October 18, 1980
The Doctor comes to help the people of Tygella, but is it really him?
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, we discuss the makeup on Tom Baker, the double act of Gregger and Brotadec, and the return of Jacqueline Hill to Doctor Who.
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"The Leisure Hive"
Production 5N
August 30 - September 20, 1980
The Doctor and Romana visit the planet of Argolis where tachyon technology is being used to restore a dying civilization.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, we discuss the new version of the theme, the removal of the Radomizer, and the agency of Romana.
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MUSIC Craig Ferguson of the Late, Late Show creates lyrics for the Doctor Who theme - Craig Ferguson ~ Doctor Who Special Openings! Show 11th SEASON RETROSPECTIVE John and Jim discuss the good, the bad, and the funny in Pertwee's final season as the Doctor. Stay tuned for our Pertwee retrospective next week. COMIC 97 - Doctor Who - "Size Control" - May 18 - June 29, 1974 The Doctor discovers a vessel where giant mantis-like creatures are preparing to destroy their enemies, a peaceful race of beings. We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com. Become a Patreon member today to get early access to weekly episodes as well as exclusive content.
"The Horns of Nimon" Production 5L December 22, 1979 - January 12, 1980 The Nimon threaten not only the planet Skonnos, but the Doctor and Romana as well. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, we are joined by Felicity Kusinitz of the Flopcast. Together, we discuss Felicity's entry into Doctor Who, the restrained performance of Soldeed compared to the Captain in "The Pirate Planet" and Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Nightmare of Eden" Production 5K November 24 - December 14, 1979 The Doctor and Romana find themselves trapped on a ship that is locked with another ship while dealing with drug runners. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the look of the Empress, the performance of Tom Baker and Lalla Ward, and the cliffhangers. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Creature from the Pit" Production 5G October 27 - November 17, 1979 On the planet Chloris, there is a mystery behind a murderous creature that skulks about in a pit. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the phallic nature of the creature, the voice change of K9, and the villainous Lady Adrasta. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"City of Death" Production 5H September 29 - October 20, 1979 On holiday in modern day Paris, the Doctor and Romana discover time ripples that have an effect on them and the people of the City of Love. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they are joined by author/podcaster Alan J. Porter to discuss Douglas Adams' humor, Lalla Ward's innocence, and the time travel potential of the story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Destiny of the Daleks" Production 5J September 1-22, 1979 The Randomizer takes the TARDIS to Skaro where the Movellans and the Daleks are searching for something in the ruins of the Kaled city. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Jim's appreciation of Lalla Ward's portrayal of Romana, the ratcheting up of humor in the show, and the condition of the Daleks in this story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
MUSIC Hank Marvin - Doctor Who (Official Video) https://youtu.be/8xHFDTO0PHU?si=ef94GqCjEJHL3EF9 SEASON 40 RETROSPECTIVE We take one last look at Ncuti Gatwa's first season as the Doctor. COMIC 86 - Doctor Who - The Threat from Beneath - April 7, 1973 The Daleks attempt an invasion of Earth from beneath the surface of the ocean, using psychological techniques to subvert humanity. 87 - Doctor Who - Back to the Sun - May 5-27, 1973 An alien race attempts to invade the planet via a new power station. We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com.
The Key to Time "The Armageddon Factor" Production 5F January 20 - February 20, 1979 The final segment to the Key to Time may prove the most difficult to find as the Black Guardian and his henchman, the Shadow, are hot on the trail as well. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss John's devotion to Lalla Ward, Romana's poor exit, and the legacy of Mary Tamm. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
The Key to Time "The Power of Kroll" Production 5E December 23, 1978 - January 13, 1979 The 5th segment to the Key to Time is on a world full of swamps and Swampies that make finding the segment difficulty for the Doctor and Romana. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the continued marginalization of Romana, the returning guest cast and the lack of anything of substance to say about this story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
The Key to Time "The Androids of Tara" Production 5D November 25 - December 16, 1978 Finding the 4th segment to the Key to Time is easy, but holding it while figuring out who is an android and who is royalty is proving difficult for the Doctor. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the marginalization of Romana, Tom Baker in his element and the culture of the planet Tara. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
The Key to Time "The Stones of Blood" Production 5C October 28 - November 18, 1978 The third segment to the Key to Time is located on Earth, but will an ancient cult prevent the Doctor and Romana from finding it? Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, yet another cult in a Doctor Who story, the gibes at men by the ladies of the story, and the Magara as justice machines. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
The Key to Time "The Pirate Planet" Production 5B September 30 - October 21, 1978 The second segment to the Key to Time is supposed to be on a planet that isn't there, but then suddenly is. Is it the same planet? Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Douglas Adams' humor, Jim's appreciation for Romana, and the use of yet another cult in a Doctor Who story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
The Key to Time "The Ribos Operation" Production 5A September 2-23, 1978 The Doctor is given an assignment to recover the six segments to the powerful Key to Time. He is also given a new assistant in the form of Time Lady Romana. Their first mission, retrieve the piece on the planet Ribos. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the concept of the Key to Time, the introduction of Romana, and the humor of Robert Holmes. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Big Finish "The Ark" June 8, 2023 The TARDIS arrives on Noah's Ark, a space station in the future holding the cryogenic human race. But there is an alien presence as well that wants Earth for itself. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Tom Baker's performance, the changes to the story, and modulation of alien voices. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Invasion of Time" Production 4Z February 4 - March 11, 1978 The Doctor returns to Gallifrey to claim his title of President of the High Council, but he appears to have an ulterior motive that could spell the end of Time Lord society. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the return to Gallifrey, the departure of Leela, and the story behind the production. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Underworld" Production 4Y January 7-28, 1978 The TARDIS materializes on a ship that has been on a quest to find a lost vessel for over 100,000 years. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the heavy use of CSO, the set and model design, and the connections with the Ancient Greek legend. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Sun Makers" Production 4W November 26 - December 17, 1977 The TARDIS takes the Doctor and Leela to Pluto where they face the Collector of an over-taxed colony. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the humor balance with the drama, the separation of Tom and Louise in the story, and the history behind this story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Image of the Fendahl" Production 4X October 29 - November 19, 1977 A 12,000,000 year old skull may prove to be more than just a link to an alien presence on Earth as the Fendhal prepares to take over. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the lack of K9, the missed opportunities of Wanda Ventham as a Fendahl, and the wonderful character of Martha Tyler. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Invisible Enemy" Production 4T October 1-22, 1977 In the year 5,000 the and Doctor and Leela fight to stop a virus from becoming so large, it could swarm across the universe. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the introduction of K9, the humor of Leela, and the trip inside the Doctor's body. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Horror of Fang Rock" Production 4V September 3-24, 1977 The TARDIS winds up on a lone lighthouse cut off by fog and under siege by a extraterrestrial. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the continuing strong characterization of Leela, the strange placement of two period pieces back to back, and the Rutans' war with the Sontarans. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
With our hiatus this time around, we are featuring a weekly Patreon bonus episode we recorded from the end of season nine. If you enjoyed it, please consider becoming a Patreon subscriber where you can receive the regular weekly episodes a day early and these weekly bonus episodes. Plus, when new Ncuti Gatwa episodes are released, you will receive them in your Patreon feed long before they will ever be released to the general public. Become a member today by clicking here. MUSIC Comedian Tim Minchin performs the theme on keytar at the BBC Comedy Proms - https://youtu.be/hiFaDIgKVI4?si=KMoFkRWJFbUciy2n RETROSPECTIVE With the end of the 9th season, we look back on the good, the bad and the just weird of the season. COMIC 79 - Doctor Who - The Enemy from Nowhere - June 24 - August 12, 1972 The Doctor helps Earth once again as an alien invasion appears imminent. NEW SERIES We discuss the latest rumors about the season finale. We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com.
"The Talons of Weng-Chiang" Production 4S February 26 - April 2, 1977 The Doctor shows Leela Victorian London and the two find themselves caught up in the mystery of local women going missing. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the racial stereotypes perpetuated in this story, the continuing development of Leela's character and Victorian entertainers of the time. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Robots of Death"
Production 4R
January 29 - February 17, 1977
A murder mystery aboard an alien sand miner has the Doctor eager to solve as he is a suspect.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Louise Jameson's performance as Leela, the murder mystery presented, and the art style of the robots and the sand miner.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Face of Evil" Production 4Q January 1-22, 1977 The Doctor returns to a world he once visited and helped, but he doesn't remember a thing about it. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the introduction of Leela, the writing of Chris Boucher, and the use of film for the jungle exteriors. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Deadly Assassin" Production 4P October 30 - November 20, 1976 The Doctor returns to Gallifrey where he's framed for murdering the Time Lord President by the Master. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss a companionless Doctor, the return of the Master and the portrayal of the Time Lords. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
A sample of this week's Patreon Exclusive episode. Become a supporter today - https://patreon.com/user?u=89125664&utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink- and get early access to review episodes, plus exclusive content including our reviews of new Ncuti Gatwa episodes. MUSIC What if Delia Derbyshire did a Doctor Who theme? - https://youtu.be/mYMvDXZBp74?si=tF3nf1j_TQyVvCBt - from our friend GeorgeCMusic Audio Drama
Exploration Earth
October 4, 1976
Writer - Bernard Venables
Director - Adam Bullock
The TARDIS takes the Fourth Doctor and Sarah back in Time to witness stages of the Earth's development. However, as the planet evolves from a mass of heat and gas, Megron the High Lord of Chaos has his own designs on our homeworld. If his threats to endanger the stability of Earth have any substance, the existence of mankind itself is in question!
COMICS 115 - Doctor Who - Mutant Strain - September 18 - October 23, 1976
Artist - John Canning
A murder mystery involving a decorated WWII veteran turns into a weird, dumb story of a professor enlarging animals to create an army for world domination.
The Comic Strip Companion We discuss the start of Patrick Troughton's run of comic strips including his encounters with the Daleks and Cybermen. BIG FINISH We conclude our look at Patreon subscriber Jameson's review at season 13 of Big Finish's Tom Baker run. NEWS We discuss the exact title of this year's Christmas special as a new trailer was released. We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com.
"The Hand of Fear" Production 4N October 2-23, 1976 Sarah Jane is taken possession of by an alien bent on revenge against his home world. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the departure of Sarah Jane Smith, the Kastrian costume design, and the use of a quarry as a quarry. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
A sample of this week's Patreon Exclusive episode. Become a supporter today - https://patreon.com/user?u=89125664&utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink - and get early access to review episodes, plus exclusive content including our reviews of new Ncuti Gatwa episodes. MUSIC Doctor Who on the Laser Harp - https://youtu.be/4hRIdOXBfSA?si=7NFitS5A0DgfLYK4 COMICS 113 - Doctor Who - Mind Snatch - August 14 - September 4, 1976 Artist - John Canning The Doctor’s mind is taken over by a race of beings in need of his help, but Sarah Jane saves him and they leave the race to their fate. 114 - Doctor Who - The Hoaxers - September 11, 1976 Artist - John Canning A really simplistic story where the Doctor and Sarah Jane trick a stingy wealthy man into giving to charity based on his fear of aliens. 114A - Doctor Who - Doctor Who Annual 1977 - September 1, 1976 “Menace of Matalupiter” Artist - Paul Crompton The Doctor, Sarah Jane and Harry are attacked by cat-faced robots whose world is under attack by a being that is trying to turn it into a giant crystal. “The Body Snatcher” Artist - Paul Crompton The Doctor’s body is taken over in order to use germ warfare on the planet Mitra B. But the Doctor manages to hide his mind in Sarah Jane’s head and stop the attack. The Comic Strip Companion We discuss the run of Daleks comics in the 60s. BIG FINISH We continue our look at Patreon subscriber Jameson's review at season 13 of Big Finish's Tom Baker run. NEWS We discuss the release date for this year's Christmas special on Disney+. We also talk about this year's colorized classic Doctor Who omnibus. We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com.
"The Masque of Mandragora" Production 4M September 4-25, 1976 The TARDIS brings an intelligent energy helix to Earth and it is bent on conquering the planet! Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss their opinions on medieval dramas, Jim's Sarah Jane fatigue, and Jim recognizing previous appearances of guest stars. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Moonbase 3 - "Departure and Arrival" September 9, 1973 A new administrator for Moonbase 3 finds himself tasked with learning who is at fault for the death of his predecessor. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the premiere episode of Moonbase 3, a series produced by then Doctor Who producers Barry Letts and Terrence Dicks. They talk about the characters introduced, the model work of the ships and moon vehicles, and the pacing of the overall story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Seeds of Doom" Production 4L January 31 - March 6, 1976 In the Antarctic, an extra-terrestrial pod erupts releasing a spore that infects humans and changes them into Krynoids! Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the pointlessness of UNIT being in the story, the campy Batman elements, and Tom Baker's intense performance. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Brain of Morbius" Production 4K January 3-24, 1976 The Time Lords send the Doctor on a mission to the planet Karn to determine if the renegade Time Lord Morbius is still alive. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the ramifications of the Time Lord wrestling match, the design of Morbius' new body, and the wonders of the Sisterhood of Karn. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Android Invasion" Production 4J November 22 - December 13, 1975 The TARDIS lands in an English village near a space research station where an astronaut believed lost by Sarah Jane turns up. But there is more to this village than meets the eye. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Terry Nation phoning it in, Tom Baker's diva status at this point in the series, and Jim's still not digging Sarah Jane. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Pyramids of Mars" Production 4G October 25 - November 15, 1975 The TARDIS lands in 1911 where an archeologist has unleashed the power of Sutekh, the Destroyer of Worlds. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the bickering time travelers, the performance of Gabriel Wolfe, and the rules about time interference. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Planet of Evil" Production 4H September 27 - October 18, 1975 The TARDIS overshoots its destination by 30,000 years where the Doctor and Sarah Jane find themselves facing a creature made of anti-matter. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the lack of real evil in the story, the set design, and the multi-use corpse. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Terror of the Zygons" Production 4F August 30 - September 20, 1975 The Doctor returns to Earth to help UNIT investigate a series of destroyed oil rigs only to find Earth once again facing an alien menace. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Sarah Jane coming into her own, the departure of Harry, and the last appearance (for now) of the Brigadier. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Jon Pertwee Retrospective Jon Pertwee played the Doctor for five years from 1970-1974. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the Doctor's characteristics, the companions and supporting cast, and Jon Pertwee's next TV appearance as host of "Whodunnit?". Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content such as this. Click on the link here to take you to the Patreon page.
"Revenge of the Cybermen" Production 4D April 19 - May 10, 1975 On the planet Voga, the Cybermen fear the gold and so they plan to destroy it. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the growing character of Sarah Jane, the humorous bent of episode four and the design of the Cybermen heads. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Genesis of the Daleks" Production 4E March 8 - April 12, 1975 The Time Lords send the Doctor, Sarah Jane, and Harry on a mission to stop or change the creation of the Daleks on Skaro. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the lack of Daleks in a Daleks story, the more steady performance of Tom Baker, and the McMuffin of the Time Ring. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Sontaran Experiment" Production 4B February 22 - March 1, 1975 A quick trip to a future Earth reveals a Sontaran plot to test humanity in order to determine its weaknesses. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Tom Baker's accident, the five fingered Sontaran, and the return of the two-parter. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Ark in Space" Production 4C January 25 - February 15, 1975 The TARDIS lands in the future where humanity is awakening from a sleep that took longer than intended with a threat growing in the engine room. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they are joined by artist Jerry Lange to discuss how this is considered a defining episode of Tom Baker's time, the slowly changing Sarah Jane, and the wonders of bubble wrap. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Robot" Production 4A December 28, 1974 - January 18, 1975 A newly regenerated Doctor faces his first challenge when a think tank creates a massive robot steals the codes for the world's nuclear weapons program. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the new opening title sequence, Tom Baker's radical change in the Doctor's persona, and the gulf between the Doctor and Sarah Jane. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Big Finish Productions
The Third Doctor Adventures
"The Unzal Incursion"
May 18, 2021
Under the supervision of the Doctor, the Brigadier and Dr Liz Shaw, UNIT are getting ready to activate Hotspur: their new, advanced early warning system. But something goes wrong. Can it be that UNIT has been betrayed from within? Suddenly bases are falling across the globe, and only the Doctor and his friends are able to escape. Not knowing how far the conspiracy goes, the Doctor, Liz and the Brigadier become fugitives. Their investigations lead them to the Fulcrum military training facility. And something beyond the Earth.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Doctor Who series. In this episode they discuss the voice actors in the production, the callbacks, and the very by the numbers, but enjoyable plot.
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"Planet of the Spiders" Production ZZZ May 4 - June 8, 1974 People and events from the Doctor's time on Earth come together as he must face his fear and his faults in a final battle against the Eight Legs. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the lack of resolution for Mike Yates, the trouble with Tommy, and this loving tribute to Jon Pertwee. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
HAPPY DOCTOR WHO PODCAST DAY! MUSIC Red Makes Music’s cover and titles concept for 2024 - https://youtu.be/x12j6gy2Pj0?si=IC7rE2OU4506fp5A BIG FINISH Listener Jamieson reviews the Doctor Who Unbound story - "Sympathy for the Devil" https://www.bigfinish.com/doctor-who-unbound-sympathy-for-the-devil-standard-edition-dl-retail John then reviews the Sarah Jane Smith adventure - "Ghost Town" https://www.bigfinish.com/sarah-jane-smith-ghost-town-standard-edition-dl-retail We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com.
"The Monster of Peladon" Production YYY March 23 - April 27, 1974 The Doctor returns to Peladon fifty years after his first visit and finds the world in conflict again as it tries to honor its commitment to the Federation while being true to its people. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the Ice Warriors as villains, how Sarah Jane is not a good companion for this version of the Doctor and the return of Alpha Centauri Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Death to the Daleks" Production XXX February 23 - March 16, 1974 A trip to Florana is sidetracked when the TARDIS is dragged to the world of Exxilon where the Doctor and Sarah Jane are caught in the middle of a conflict with the Daleks, a group of humans, and the mysterious Exxilons. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Sarah Jane's developing character, the lack of any likable characters, the lack of energy in the overall story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Invasion of the Dinosaurs" Production WWW January 12 - February 16, 1974 The Doctor and Sarah Jane return to a modern day deserted London, taken over by dinosaurs! Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the model work for the dinosaurs, the betrayal of Mike Yates, and the faith of Sgt. Benton. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Time Warrior" Production UUU December 15, 1973 - January 5, 1974 The Doctor investigates disappearing scientists and finds they are time related. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the introduction of Sarah Jane Smith, the first appearance of the Sontarans, and the lack of energy from Jon Pertwee. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Slide" February 13 - March 27, 1966 Writer - Victor Pemberton A sleepy English village is threatened by a growing pool of mud that has a strange effect on many of the inhabitants. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this special episode, they take a listen to a 1966 BBC radio drama with very clear connections to Doctor Who beyond star Roger Delgado. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Green Death" Production TTT May 19 - June 23, 1973 A Welsh mining community finds itself under attack by giant maggots! Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they are joined by artist Jerry Land as they discuss Jo Grant's departure, the lack of need for the BOSS in the story, and the disguises of Jon Pertwee. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Planet of the Daleks" Production SSS April 7- May 12, 1973 The Doctor and Jo discover a Dalek base being used as a launching point for an invasion force of 10,000 Daleks! Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Jim's attraction to Jane How, Terry Nation's greatest hits, and an anti-gravity Dalek. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Frontier in Space" Production QQQ February 24 - March 31, 1973 The TARDIS lands the Doctor and Jo in the middle of a growing tension between Earth and Draconia with the Master pulling the strings. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Roger Delgado's final Doctor Who performance, the potential of this story that is never realized, and Jo Grant as the liberated woman. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Carnival of Monsters" Production PPP January 27 - February 17, 1973 The Doctor's first trip in the TARDIS takes him to the Indian Ocean in 1926, but the ship he lands on comes under attack from a dinosaur! Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Jim's missing Earthbound stories, the Drashigs design, and Jo as the damsel in distress. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
William Russell Enoch left us on June 3, 2024. For 78 episodes, he portrayed the character of Ian Chesterton, a science teacher whisked away with fellow teacher Barbara Wright by the Doctor and his granddaughter Susan in their time machine, the TARDIS. He was the template for what a male companion to the Doctor should be. With his passing, John and Jim pause their viewing of Doctor Who to discuss the character and the actor. For Jim, who started his journey in the TARDIS from the beginning, Ian was his first companion. Join us as we offer this brief retrospective on the career of William Russell.
"The Three Doctors" Production RRR December 30, 1972 - January 20, 1973 The Time Lords call on all three incarnations of the Doctor to deal with a singularity that leads into another universe. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they are joined by fellow podcaster J.B. Anderton of the Doctor Who Gives a F*uck? podcast. They discuss the OTT performance of Stephen Thorne, the final performance of William Hartnell, and the MVP of the story, Nicholas Courtney. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
MUSIC Delaware Version - https://youtu.be/auwzrERev0w?si=EpWLUjsjr2zDQIGf SEASON 8 RETROSPECTIVE COMICS 72 - Doctor Who - The Vogan Slaves - May 29 - July 17, 1971 The Doctor winds up on a generational ship transporting slaves to the Vogan home world. We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Mutants"Production OOOMay 20 - June 12, 1972
The Master returns with a plan to capture the ancient Chronovore, Kronos, from the priests of Atlantis.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the design of Kronos, the talents of Ingrid Pitt, and Jo's fashion sense.
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"The Mutants"
Production NNN
April 8 - May 13, 1972
The Doctor and Jo are sent on another mission by the Time Lords to help with the evolution of the native species by the Earth Empire.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the mutant design, Jo Grant as a pawn, and the Star Wars connections with the story.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
"The Sea Devils" Production LLL February 26 - April 1, 1972 Ships go missing at sea and it appears the Master might be connected to it even though he is in prison. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss how much better a story this is compared to "The Silurians", the use of the British Navy, and the inconsistency of Jo in this story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Curse of Peladon" Production MMM January 29 - February 19, 1972 The TARDIS takes the Doctor and Jo to the planet Peladon that is on the verge of entering the Galactic Federation. But a mysterious, ancient creature threatens the negotiations. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss how Jo Grant has come into her, the Venusian Lullaby, and the honor of the Ice Warriors. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Day of the Daleks"
Production KKK
January 1-22, 1972
The Daleks have conquered Earth once again in the future and infiltrate the past in order to maintain their hold.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss how the Ogrons, the connections to stories past, and the lackluster return of the Daleks.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Patrick Troughton played the Doctor for nearly three full years from 1966-1969. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the "mercurial" performance of Patrick Troughton, the perceptions fans have of Patrick Troughton based solely on the almost complete sixth season, and his companions. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
"The Daemons" Production JJJ May 22 - June 19, 1971 A race of alien scientists have returned to one of their first experiments - Earth - and are ready to pass judgement. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. They are joined in this episode by writer/podcaster Alan J. Porter. In this episode, they discuss how cool the Brigadier is, the comradeship of Yates and Benton, and what perfect casting in Roger Delgado. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Colony in Space"Production HHHApril 10 - May 15, 1971 The Doctor's first trip in the TARDIS in over a year takes him and Jo to the planet Exarius on a mission for the Time Lords. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss a scheme worthy of the Master, Jim's disappointment in the lack of color of this episode, and Jo Grant, Girl Hostage. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Claws of Axos" Production GGG March 13 - April 3, 1971 An alien race offers a cure all for humanity, but it comes at a terrible price. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss freak weather conditions, Bill Filer - Man of Action, and the Doctor's selfishness. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Mind of Evil" Production FFF January 30 - March 6, 1971 The Master has a new plan to destroy the Earth by using an alien intelligence that feeds on the fears of humanity. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss a Benton/Yates adventure, ethnic casting, and the return of the Master. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Terror of the Autons" Production EEE January 2 - 23, 1971 A new evil arrives on Earth and he awakens an old evil that has periled the planet before. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the introductions of the Master, Jo Grant, and Mike Yates, the updated special effects, and the return of the Autons. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Join us as we present another Patreon exclusive as a preview of all the wonderful things we do over on Patreon. For just $3 a month, you get extra weekly content in the form of discussions on music, comics, novels, audio dramas and more. We'll be back next week with the premiere of our look at the 8th season of Doctor Who - "Terror of the Autons". MUSIC Doctor Who Theme on a Banjo - https://www.youtube.com/watch?v=FphlLCQgMPw Extra: Frazer Hines sings Who's Doctor Who? - https://youtu.be/W6jG7MbBguo?si=HF10dETgtMnPdd2t COMICS 51 - Doctor Who - Martha the Mechanical Housemaid - February 1 - March 1, 1969 Writer - Roger Noel Cook Artist - John Canning The Doctor creates a robot which he markets to the American public. The Quarks then take advantage by taking over the robots and attack the American people. You can't make this stuff up, people.
TARGET - "The Time Meddler" Jim shares his thoughts on the Target novelization "The Time Meddler" as chosen by our Patreon subscribers. We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Inferno" Production DDD May 9 - June 20, 1970 The Doctor is pushed into an alternate universe where Earth is several hours ahead in a project that is trying to penetrate the Earth's crust. The problem is, the results prove disastrous. Can the Doctor escape and warn his Earth in time to save the world. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the evil portrayals of several of the characters, the premiere of Venusian Karate, and the padding in this story. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Ambassadors of Death" Production CCC March 21 - May 2, 1970 The astronauts of Mars Probe 7 are missing, but then who are the astronauts that were taken from the capsule? Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they the deepening of the relationship of the Doctor and the Brigadier, the ineffectiveness of UNIT soldiers, and the re-introduction of Sgt. Benton. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Doctor Who and the Silurians" Production BBB January 31 - March 14, 1970 A menace from beneath the planet brings with it prehistoric creatures and a deadly plague. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they the trust issues of the Doctor and the Brigadier, the working relationship of the Doctor and Liz, and the introduction of Bessie. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Spearhead from Space" Production AAA January 3-24, 1970
The Doctor teams up with the Brigadier and UNIT to stave off an invasion of the Nestine Conscience.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Liz Shaw as a companion, the Doctor's tattoo, and the Pertwee Gurn.
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Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the impact of black and white episodes of Doctor Who, the differences between William Hartnell and Patrick Troughton's portrayals, and the best and worst of the entire six years of the 60s era.
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Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The War Games, Part Two" Production ZZ April 19 - June 21, 1969
The situation with the warring aliens reaches a point that the Doctor can't deal with it alone. He's forced to call in his own people - the Time Lords.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the evil of the Time Lords, do all Gallifreyans regenerate, and the treatment of Jamie and Zoe.
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"The War Games, Part One" Production ZZ April 19 - June 21, 1969
The Doctor, Jamie and Zoe, land in the middle of WWI, but the landscape quickly changes and they are facing a Roman legion. Are they on Earth?
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the pacing of the story, the buildup of plot elements, and Jamie getting his chance to shine.
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"The Space Pirates" Production YY March 8 - April 12, 1969
The TARDIS winds up in the middle of a pirate raid of a space beacon and the Doctor has to determine who leads the Space Pirates.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the writing of Robert Holmes, the model work in the story, and the performances of the main cast.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Seeds of Death" Production XX January 25 - March 1, 1969
In the future, the Ice Warriors take control of the official teleport system for the planet Earth with plans to terraform the planet.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the Ice Lords, Jamie getting more to do, and the very attractive Gia Kelly.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Krotons" Production WW December 28, 1968 - January 18, 1969
On a future world, the Gonds are subjected to a series of mental tests with the winners being killed by the robotic crystalline Krotons.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the Doctor/Zoe dynamic, the writing of Robert Holmes, and the odd history of this production space.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Invasion" Production VV November 2 - December 21, 1968
Earth is threatened by an alien invasion spearheaded by a leader of industry.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they are joined by artist Jerry Lange to discuss the design of the Cybermen, the length of the story, and the poor treatment of the Brigadier.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Patreon Exclusive #26 William Hartnell Retrospective Originally Released August 26, 2023 As we conclude our look at William Hartnell's time as Doctor Who, we take a look back, thanks to the framing device of an extensive email from our Patreon supporter, Jamie, to discuss Hartnell, his time on the show, his companions and his seasons, what worked and what didn't.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Mind Robber" Production UU September 14 - October 12, 1968
In the Land of Fiction, the Doctor, Jamie and Zoe fight to halt the attempts to make them part of the story. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Zoe as a judo expert, the "Master", and the idea of the TARDIS blowing up. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Dominators" Production TT August 10 - September 7, 1968
The Dominators and their deadly Quarks are willing to destroy the world of Dulkis in order to just refuel their ship.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Zoe's character, the design of the Quarks and the development of this story back in 1968.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
An Adventure in Space and TimeNovember 21, 2013
This 50th anniversary 2013 docudrama looks at the development of the worldwide phenomenon. It's fitting that we cover this now as we prepare to celebrate the 60th anniversary.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the casting of the original members of the TARDIS crew, the accuracy of events depicted, and David Bradley as an excellent Hartnell, but poor Doctor.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Wheel in Space" Production SS April 27 - June 1, 1968
The Cybermen attempt to takeover a space station with plans to use it to conquer Earth.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the new companion, Zoe, the disappointing performance of the Cybermen, and the beats of the typical "base under siege" story.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Fury from the Deep" Production RR March 16 - April 20, 1968
Intelligent seaweed takes control a gas pumping station at sea. Yeah, it's as dumb as it sounds.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the slow pace of this episode, the departure of Victoria, and the differences between the original broadcast and animation.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Web of Fear" Production QQ February 7 - March 9, 1968
London is overrun with Yeti and a fungus is growing throughout the London Underground.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. They are joined once again by author/podcast Alan J. Porter.In this episode, they discuss the premiere of Alastair Gordon Lethbridge-Stewart, how Victoria has failed Jim, and the redesign of the Yeti.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
The Enemy of the World"Production PPDecember 16, 1967 - January 20, 1968
The Doctor finds himself pitted against a world leader who looks exactly like him.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss how great it is to have two strong women in the show, Jamie getting to shine, and Patrick Troughton's Tour-de-force performance.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Ice Warriors"Production 00November 11 - December 16, 1967
In the future, Earth faces another ice age that is kept at bay by an ionizer that threatens a group of defrosted Ice Warriors.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss how the story doesn't hold up under critical scrutiny, they compare the Ice Warriors with the Cybermen, and they point out where the derision for Victoria comes from.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Abominable Snowmen"Production NNSeptember 30 - November 4, 1967
The TARDIS returns to Earth in Tibet of the 1930s where the Doctor returns an ancient bell to a monastery besieged by the legendary Yeti.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Jim's continuing appreciation for Victoria, the animation choices made for characters, and getting six episode stories right.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Tomb of the Cybermen"
Production MM
September 2-23, 1967
The TARDIS lands on the world of Telos where an archelogical group is attempting to open the Tomb of the Cybermen.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Jim's growing appreciation for Victoria, the stereotypes of the villains, and the Doctor/Jamie dynamic.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Dalek Invasion Earth 2150ADJuly 22, 1965 (London)August 5, 1965 (UK)
Dr. Who and his granddaughter Susan and niece Louise travel into the future with a police officer named Tom to find that Earth has been taken over by the Daleks.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this special Patreon episode, they discuss the differences between the TV episode and the movie, how this movie is so much better than the first one and their disappointment that a third movie was not made.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
The Evil of the Daleks"Production LLMay 20 - July 1, 1967
The Doctor and Jamie embark on an adventure that takes them across time and space from modern day England to a Victorian home to the planet of the Daleks where Jamie is experimented on to learn the "Human Factor" that has defeated the Daleks time and time again.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the epic quality of the story, the rotating companions, and Jamie finally coming into his own as a companion.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
The Faceless Ones"Production KKApril 8 - May 13, 1967
Passengers are disappearing after taking off on flights from Gatwick Airport.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the departure of Polly and Ben, the pacing of the story, and Samantha as a potential companion.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
The Macra Terror"Production JJMarch 11 - April 1, 1967
The TARDIS travels to a future Earth colony that is like a holiday camp, but it holds a sinister secret.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss emergence of Jamie, the swinging personality of the Doctor and the ways one gets multiple Macra out of one.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Moonbase" Production HH Febrruary 11 - March 4, 1967
The TARDIS makes an emergency landing on the surface of the moon as the Cybermen are trying to invade.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the new look of the Cybermen, the point of Jamie, and ineptness of the fourth episode.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Underwater Menace" Production GG January 14 - February 4, 1967
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the first visual appearance of Troughton as the Doctor, the acceptance of Ben as a companion, and the desire for Ara to be a companion.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Highlanders"
Production FF
December 14, 1966 - January 7, 1967
The Doctor and his companions find themselves caught up in the events following the Battle of Culloden where Ben finds himself being carted away as a slave.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Jamie the cypher, Polly's enthusiasm for the Doctor, and Ben's sudden development as a character.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Power of the Daleks"
Production EE
November 5 - December 10, 1966
The TARDIS lands on the planet Vulcan and not only do Ben and Polly have to deal with a new incarnation of the Doctor, but there are Daleks who appear subservient to the human colonists.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss Patrick Troughton's version of the Doctor, the slaughter of the Daleks, and the connections this episode has with the "Timeless Child" story arc.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Smugglers"
Production DD
October 8-29, 1966
The TARDIS lands on the South Pole in 1986 where an international space agency is monitoring a rocket landing. But they quicky discover an alien fleet appraoching Earth and a very weakened Doctor struggles to keep on top of the situation.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the Cybermen design, the renewal scene at the very end and the animation for episode four.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
_________________________________________________________________________________
Jim Beard pounds out adventure fiction with classic pulp style and flair.
A native Toledoan, he was introduced to comic books at an early age by his father, who passed on to him a love for the medium and the pulp characters who preceded it. After decades of reading, collecting and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time he's written official Spider-Man, X-Files, and Planet of the Apes prose fiction, Star Wars and Ghostbusters comic stories, and contributed articles and essays to several volumes of comic book history.
His prose work also includes GOTHAM CITY 14 MILES, a book of essays on the 1966 Batman TV series; SGT. JANUS, SPIRIT-BREAKER, a collection of pulp ghost stories featuring an Edwardian occult detective; MONSTER EARTH, a shared-world giant monster anthology; and CAPTAIN ACTION: RIDDLE OF THE GLOWING MEN, the first pulp prose novel based on the classic 1960s action figure.
Jim is also the co-publisher at Flinch Books, a small-press pulp house.
Please visit him on Facebook at http://facebook.com/thebeardjimbeard
Want to read some of Jim's works? Simply follow the link provided and enter a world of mystery and excitement.
"The Smugglers"
Production CC
September 10 - October 1, 1966
The Doctor lands Ben and Polly in the middle of the 17th century as a Cornish village is under threat of attack by a group of pirates. Their only hope is the Doctor solving a riddle posed by a dead church warden.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the characters of Ben and Polly, the locations shooting in Cornwall, and the possible racist portrayal of Jamaica. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
_________________________________________________________________________________
Jim Beard pounds out adventure fiction with classic pulp style and flair.
A native Toledoan, he was introduced to comic books at an early age by his father, who passed on to him a love for the medium and the pulp characters who preceded it. After decades of reading, collecting and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time he's written official Spider-Man, X-Files, and Planet of the Apes prose fiction, Star Wars and Ghostbusters comic stories, and contributed articles and essays to several volumes of comic book history.
His prose work also includes GOTHAM CITY 14 MILES, a book of essays on the 1966 Batman TV series; SGT. JANUS, SPIRIT-BREAKER, a collection of pulp ghost stories featuring an Edwardian occult detective; MONSTER EARTH, a shared-world giant monster anthology; and CAPTAIN ACTION: RIDDLE OF THE GLOWING MEN, the first pulp prose novel based on the classic 1960s action figure.
Jim is also the co-publisher at Flinch Books, a small-press pulp house.
Please visit him on Facebook at http://facebook.com/thebeardjimbeard
Want to read some of Jim's works? Simply follow the link provided and enter a world of mystery and excitement.
Dr. Who & The Daleks
June 25, 1965 (London)
August 23, 1965 (UK)
May 1966 (US)
Dr. Who and his granddaughters Susan and Barbara travel to the planet Skaro with Barbara's boyfriend Ian and discover a world filled with alien robotic creatures called Daleks.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this special Patreon episode, they discuss the differences between the TV episode and the movie, how Susan is more interesting in the movie and who the movie is really made for.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
_________________________________________________________________________________
Jim Beard pounds out adventure fiction with classic pulp style and flair.
A native Toledoan, he was introduced to comic books at an early age by his father, who passed on to him a love for the medium and the pulp characters who preceded it. After decades of reading, collecting and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time he's written official Spider-Man, X-Files, and Planet of the Apes prose fiction, Star Wars and Ghostbusters comic stories, and contributed articles and essays to several volumes of comic book history.
His prose work also includes GOTHAM CITY 14 MILES, a book of essays on the 1966 Batman TV series; SGT. JANUS, SPIRIT-BREAKER, a collection of pulp ghost stories featuring an Edwardian occult detective; MONSTER EARTH, a shared-world giant monster anthology; and CAPTAIN ACTION: RIDDLE OF THE GLOWING MEN, the first pulp prose novel based on the classic 1960s action figure.
Jim is also the co-publisher at Flinch Books, a small-press pulp house.
Please visit him on Facebook at http://facebook.com/thebeardjimbeard
Want to read some of Jim's works? Simply follow the link provided and enter a world of mystery and excitement.
"The War Machines"
Production BB
June 25 - July 16, 1966
The TARDIS brings the Doctor and Dodo back to London, 1966. There, the Doctor finds an evil force at work that he can feel and is determined to stop WOTAN and the War Machines
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the shift in storytelling tone, the even more abrupt departure of Dodo, and the music cues that were used in Spider-Man 1967. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
_________________________________________________________________________________
Jim Beard pounds out adventure fiction with classic pulp style and flair.
A native Toledoan, he was introduced to comic books at an early age by his father, who passed on to him a love for the medium and the pulp characters who preceded it. After decades of reading, collecting and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time he's written official Spider-Man, X-Files, and Planet of the Apes prose fiction, Star Wars and Ghostbusters comic stories, and contributed articles and essays to several volumes of comic book history.
His prose work also includes GOTHAM CITY 14 MILES, a book of essays on the 1966 Batman TV series; SGT. JANUS, SPIRIT-BREAKER, a collection of pulp ghost stories featuring an Edwardian occult detective; MONSTER EARTH, a shared-world giant monster anthology; and CAPTAIN ACTION: RIDDLE OF THE GLOWING MEN, the first pulp prose novel based on the classic 1960s action figure.
Jim is also the co-publisher at Flinch Books, a small-press pulp house.
Please visit him on Facebook at http://facebook.com/thebeardjimbeard
Want to read some of Jim's works? Simply follow the link provided and enter a world of mystery and excitement.
"The Savages"
Production AA
April 30 - June 18, 1966
The TARDIS lands in a future filled with peace and posperity, but there is a dark side to the utopia as the Doctor soon learns.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the departure of Steven, the music in the episode and the anticipation for Patrick Troughton. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
_________________________________________________________________________________
Jim Beard pounds out adventure fiction with classic pulp style and flair.
A native Toledoan, he was introduced to comic books at an early age by his father, who passed on to him a love for the medium and the pulp characters who preceded it. After decades of reading, collecting and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time he's written official Spider-Man, X-Files, and Planet of the Apes prose fiction, Star Wars and Ghostbusters comic stories, and contributed articles and essays to several volumes of comic book history.
His prose work also includes GOTHAM CITY 14 MILES, a book of essays on the 1966 Batman TV series; SGT. JANUS, SPIRIT-BREAKER, a collection of pulp ghost stories featuring an Edwardian occult detective; MONSTER EARTH, a shared-world giant monster anthology; and CAPTAIN ACTION: RIDDLE OF THE GLOWING MEN, the first pulp prose novel based on the classic 1960s action figure.
Jim is also the co-publisher at Flinch Books, a small-press pulp house.
Please visit him on Facebook at http://facebook.com/thebeardjimbeard
Want to read some of Jim's works? Simply follow the link provided and enter a world of mystery and excitement.
"The Gunfighters"
Production Z
April 30 - May 21, 1966
Sung to the melody of "The Ballad of the Last Chance Saloon"
The Doctor's got toothache,
He needs some relief,
He just needs a dentist
One's on a Tombstone street.
But Doc Holliday has other plans,
Ones that could spell your doom,
If you're slow upon the draw
at the Last Chance Saloon.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode they are joined by writer/podcaster Alan J. Porter. Alan was born and raised in England and grew up watching Doctor Who in the 60s. He shares his insights in this episode as we discuss the historical inaccuracy of the piece, the song - "The Ballad of the Last Chance Saloon", and the bad reputation this story has.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
_______________________________________________________________________________________
Jim Beard pounds out adventure fiction with classic pulp style and flair.
A native Toledoan, he was introduced to comic books at an early age by his father, who passed on to him a love for the medium and the pulp characters who preceded it. After decades of reading, collecting and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time he's written official Spider-Man, X-Files, and Planet of the Apes prose fiction, Star Wars and Ghostbusters comic stories, and contributed articles and essays to several volumes of comic book history.
His prose work also includes GOTHAM CITY 14 MILES, a book of essays on the 1966 Batman TV series; SGT. JANUS, SPIRIT-BREAKER, a collection of pulp ghost stories featuring an Edwardian occult detective; MONSTER EARTH, a shared-world giant monster anthology; and CAPTAIN ACTION: RIDDLE OF THE GLOWING MEN, the first pulp prose novel based on the classic 1960s action figure.
Jim is also the co-publisher at Flinch Books, a small-press pulp house.
Please visit him on Facebook at http://facebook.com/thebeardjimbeard
Want to read some of Jim's works? Simply follow the link provided and enter a world of mystery and excitement.
_______________________________________________________________________________________
Alan J. Porter, writer, and podcaster, likes to talk about stuff and makes up stories too. With over 30 fiction and non-fiction book publishing credits and hundreds of magazine articles, he covers the worlds of Pop Culture, Comics, High-Adventure fiction, Movies, Music, Business Strategy, and more.
His pop-culture non-fiction work has featured properties such as Batman, Star Trek, The Beatles, G.I. Joe, Battlestar Galactica, and James Bond. He can also be found podcasting on a regular basis about James Bond, The Beatles, and pop-culture in general.
He has also written comics for Tokyopop, BOOM Studios, Marvel, Disney, and Kid Domino, as well as produced a series of educational comics in partnership with the University of Texas and NASA.
He has written original adventures featuring classic characters such as Sherlock Holmes, Allan Quatermain, Houdini, The Musketeers, Wild Bill Hickok, Gideon Cain, and private eye Rick Ruby; as well as his own New Pulp adventurers, The Raven and The Lotus Ronin.
His other online activities include the comics history blogs: Batman On The Cover(Tumbler and Instagram) and Racing Comics: Motor Sports In The Comics (Tumblr).
He is a regular guest and speaker at various comics, pop-culture, and science-fiction conventions.
His business books have covered topics such as Customer Experience, Content Strategy, and Wiki Implementation.
A full bibliography can be found here.
"The Celestial Toymaker"
Production Y
April 2-23, 1966
The Doctor, Steven and Dodo find themselves trapped in the nightmare world of The Celestial Toymaker, forced to win at his games in order to escape.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss the lack of Doctor in the story, the lack of connection with Dodo and Steven, and the lack of interest in what should be an interesting story.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Want to read some of Jim's works? Simply follow the link provided and enter a world of mystery and excitement.
"The Ark"
Production X
March 5-26, 1966
The TARDIS crew visit a generational spaceship from Earth on a journey to a new home.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss the set design and scale of the episode, the poor costuming choices and the departure of producer John Wiles.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Massacre
Production W
February 5-26, 1966
The TARDIS lands in the middle of the Massacre of St Bartholomew's Day and yet the two manage to not get in much trouble.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss the lack of danger for Steven and the Doctor despite them landing in the middle of a brutal massacre, the arrival of Dodo, and the appeal of this episode to many, including one of your hosts.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Dalek Master Plan" - Part 2
Production V
November 13, 1965 - January 29, 1966
The Doctor finds himself with new companions and a new plot by the Daleks, this time to take over the galaxy.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss the Christmas episode, the Meddling Monk, and the Time Destructor as a plot device.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Dalek Master Plan" - Part 1
Production V
November 13, 1965 - January 29, 1966
The Doctor finds himself with new companions and a new plot by the Daleks, this time to take over the galaxy.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss the pointlessness of Katerina, the deaths of Katerina and Bret Vyon, and
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Myth Makers"
Production U
October 16 - November 6, 1965
The TARDIS winds up in Ancient Greece in the middle of the Trojan War where the Doctor and Vicki are mistaken for gods by either side and must help them come up with a way to defeat their enemy.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss the disappointing departure scene for Vicki, John's admitting "The Romans" is better than this, and the simplicity of the story itself.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Mission to the Unknown"Production DCOctober 9, 1965
On the planet Kembel, Space Security Agent Mark Cory has found a Dalek city where various alien races are converging to form an alliance against the universe.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss the only episode not to feature the Doctor in some capacity, the animation of Ian Levine's fan production, and the stepping up in terms of story-telling.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Galaxy 4"Production TSeptember 11 - October 2, 1965
The TARDIS lands on a world with only two days of life on it as a war rages between two races trapped on the surface.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss the start of the third season of Doctor Who, the story meant for Ian and Barbara, and design of the Chumblies
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
Dalekmania gripped the UK in 1964 the way Batmania gripped the US some two years later. Toys, comics, and a movie were quickly developed to capitalize on the pepper pots. It only made sense that there was also music composed specifically with the theme of Daleks in mind.
As "The Dalek Invasion of Earth" was wrapping up in December of 1964, the musical group The Go-Gos (no relation to the Belinda Carlisle American group) produced and released a record with "I'm Gonna Spend My Christmas with a Dalek". The song featured a 17 year old female singer posing as a child as she proclaimed how happy she would be to spend her Christmas with a killing machine.
Two months later, The Earthlings released "Landing of the Daleks", an instrumental piece with not one Dalek intoning "Exterminate".
What do both of these pieces have in common, besides the Dalek theme? They really irritated Jim and we discuss on our next Patreon exclusive episode.
Please let us know what you think of the songs and the episode itself that we'll share on an upcoming episode of the podcast by commenting here or writing us at thedoctorsbeardpodcast@gmail.com.
"The Time Meddler" Production S July 3-24, 1965
In 1066, Steven Tayler finds himself doubting he is in the past as the Vikings are planning to invade a Saxon village. And what is with the Monk who's monastery sits atop a cliff overlooking it all?
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this final episode of the second season, we discuss Boss Vicki, the Monk as the Master, and the near pitch perfectness of this particular story.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Chase" Production R May 22 - June 26, 1965
The Daleks have developed a time travel device in order to hunt the Doctor and his companions and exterminate them.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss, the departure of Barbara and Ian, the poor third and fourth episodes, the Machanoids, and the identity of Vicki.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Space Museum" Production Q April 24 - May 15, 1965
The TARDIS jumps a time track and the crew discover their future - displays in a space museum.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode we discuss, the Star Wars connections in the guest actors, Vicki coming into her own as a character, and the surprise of the Dalek in the museum.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Crusade" Production P March 27.- April 17, 1965 The Doctor finds himself caught up in court intrigue once again as he winds up with King Richard who is trying to take Jerusalem in his Crusade. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the quality of acting and dialogue in this episode, the portrayal of the Muslims in this story, and Ian Chesterton - Man of Action. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community. Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Web Planet"Production NFebruary 13-March 13, 1965
The TARDIS is drawn to the planet Vortis where the crew find themselves caught up in a civil war among the inhabitants brought on by an alien force known as the Animus.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the point that is missed in this episode by many fans, the costume design of the various races, and the cleverness of the Doctor.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Romans"Production MJanuary 16 - February 6, 1965
Vicki's first journey in the TARDIS takes her to the time of the Romans where she becomes embroiled with the Doctor in a plot to assassinate Caesar Nero.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the wasted opportunity in Vicki's first journey, the complete farce of a story, and the out of control giddiness of the Doctor.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
We share here one of the episodes featured for our Patreon subscribers. Each week, John and Jim record extra content related to the series from reviews of the comic strip to discussions of music recorded at the time to overviews of each series. Plus, Patreon subscribers have a say in the direction the show goes with online polls. Click on the link here for more information on how to become a Patreon member today.
November 9, 1964 - January 11, 1965
In 1964, the BBC commissioned the start of a weekly Doctor Who comic strip in TV Comic. This was unusual as the comic featured mostly ITV fare. The comic was a mixed bag for while it featured the Doctor and the TARDIS, that was about all that was recognizable in the strip. John and Jim plan to read through the series as it was released alongside the TV series here as a Patreon exclusive. We begin with "The Klepton Parasites". The two discuss the Doctor's grandchildren, the too on the nose name for the Kleptons, and the style of artwork used.
We hope you enjoy this discussion and as a Patreon member, we ask that if there is something you'd like to hear us cover on the podcast, do not hesitate to reach out to us by email at thedoctorsbeardpodcast@gmail.com.
"The Rescue" Production L January 2-9, 1965
Leaving Susan behind on 21st century Earth, the TARDIS lands on the planet Dido in the 25th century. There, the Doctor, Ian and Barbara meet Vicki, one of two survivors of the wrath of the once peaceful people of Dido. But is this a matter of mistaken blame?
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, which was live streamed for our Patreon subscribers as we recorded, John and Jim discuss Vicki, the Doctor/Ian relationship and the mystery at the end of the story.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Dalek Invasion of Earth" Production K November 21 - December 26, 1964
The Daleks are back and they escalate their hostilities by taking over Earth with a plan that will mean the end of humanity. But the Doctor and his companions know a thing or two about the Daleks.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode the two discuss the where this story places in the Daleks timeline, the potential for Susan finally being realized, and the pointlessness of the Slyther.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"Planet of Giants" Production J October 31 - November 14, 1964
The second series begins with a story intended for the show's premiere. An accident on board the TARDIS shrinks the time travellers to one inch in height. Can they make their way back to the TARDIS while dealing with a giant murderer and an inseciticide that can easily kill them?
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode the two discuss the switching roles of Barbara and Susan, the lack of interaction between the main cast and guest stars, and the design of the insects in the episode. They are joined by artist Jerry Lange who offers his thoughts as well.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Reign of Terror" Production H August 8 - September 12, 1964
The Doctor brings the TARDIS down in the middle of the French Revolution where the companions find themselves threatened with the guillotine. Can the Doctor, under the guise of a French official, save them from execution?
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode the two discuss the animation for the missing episodes, the Doctor's strange favorite time period, and the significance of the Doctor's ring.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
"The Sensorites" Production GJune 20 - August 1, 1964
The time travellers land on a spaceship caught in the grip of The Sensorites. The Doctor and his companions find themselves prisoners of the Sensorites when the lock to the TARDIS is stolen. Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode Jim worships at the alter of Barbara, Susan paints a beautiful picture of Gallifrey, and we show love for the double act of the Doctor and Ian, but question the Doctor's change of mood at the end of the story. And the Sensorites? Meh.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
Join our Patreon community where your sponsorship earns you early access to new episodes as well as exclusive content. Click on the link here to take you to the Patreon page.
A Whovian (podcaster John S. Drew) and a Newvian (writer/editor Jim Beard) walk into a TARDIS and proceed to conquet time and space by watching and reviewing every episode of the Classic Doctor Who series from the beginning.
Review episodes released every Saturday around tea time. Plus, join the community on our Facebook and Twitter pages where we continue the conversation with artifacts from British newspapers of the time.
In addition, become a Patreon member and gain access to bonus content and early episode releases. We'll see you in time and space...
"The Aztecs" Production FMay 23 - June 13, 1964
The time travellers are spearated from the TARDIS by an Aztec temple and Barbara is misaken for an Axtec goddess. But will the ruse keep the doubters from becoming too suspicious in time?
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode they discuss Aztec names, Badass Barbara, and "The Perfect Victim".
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
"The Keys of Marinus" Production EApril 11 - May 16, 1964
With the TARDIS trapped in a force field, the Doctor and his companions are forced to travel about the world of Marinus in search of a group of activator keys for a device known as the Conscience that can save the world.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode they discuss how vacations were good for William Hartnell, how this story was very Barbara-centric, and the mix of fantasy, science fiction and murder mystery in the story.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
"Marco Polo"
February 22-April 4, 1964
The TARDIS breaks down and the Doctor and his companions find themselves as "guests" of Marco Polo as he travels to the court of Kublai Khan.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode as long as the story itself, they discuss how unlikable Marco Polo is, watching a telesnap reconstruction, and the connections this story has with The Prisoner.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
"The Edge of Destruction"
February 2-8, 1964
The TARDIS is trying to warn the time travellers of a danger that is about to happen, but they aren't paying much attention as they barely know who each other are and are squabbling.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the brillaince of William Hartnell's monologue in episode 2, the firsts of this series, and the extras on "The Beginnings" DVD set.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
"The Daleks"
December 21, 1963 - February 1, 1964
The TARDIS lands on the highly radiated world of Skaro where the Daleks live in the cities and thanks to the Doctor and his companions, discover that their enemies, the Thals are alive and well and looking good.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. Here, they discuss Jim's shipping of a Thal and Barbara, the heavy padding in the second half of this seven part serial and the character development for Barbara and the Doctor.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
"An Unearthly Child"
November 23 - December 14, 1963
Two English school teachers are whisked away through time and space by an alien and his grandddaughter. They wind up in pre-historic times and face death when they cannot produce fire for the cavemen.
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In their first outing, they discuss the perfect casting of Carole Anne Ford, the unlikability of the Doctor and the use of Ian Chesterton as the central character.
Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.