Big Screen Symposium & Script to Screen: Recent Episodes
Script to Screen
Three Canadian guests with diverse backgrounds and experiences will discuss international co-productions and industry trends in Canada. The shared concerns, values, and history of New Zealand and Canada make them an ideal country to partner with and partnering is a great way to fully finance your projects.
Fraser Ash has worked with renowned creatives on complex film and TV productions, Alain Strati has industry knowledge from his policy and government relations work at the Canadian Media Producers Association, and Paula Devonshire, a member of the Mohawks of the Bay of Quinte First Nation, brings unique values from her work in the Canadian screen industry.
Moderated by Entertainment Lawyer Sarah Cull.
The talk is a collaboration with WIFT and the speakers are in New Zealand thanks to support from Ontario Creates, Telefilm Canada, Canadian Heritage, the Canadian Media Producers Association, the Indigenous Screen Office, the New Zealand Film Commission, NZ On Air, Te Māngai Pāho and Screen Wellington. They are attending the WIFT New Zealand / Canada Co-Production Summit.
Story creators Robyn Malcolm, Dianne Taylor and producer/director Peter Salmon come together with moderator Max Currie to talk about their collaborative process, from the very earliest story conversations to the writing, all stages of production, and publicity.
Peter, Dianne and Robyn will discuss some of their learnings and how they managed challenges that inevitably arose along the way.
Following the recent New Zealand release of The Moon is Upside Down, Loren Taylor (writer/director/actor) joins moderator and writer Duncan Sarkies (Scarfies, and Two Little Boys) to discuss her writing process, the challenges of creating stories and characters that come alive on screen, and how she and her team moved this unique and beautifully crafted feature from her initial idea to production and release.
With a production schedule of just 22 days and a budget of $1.5million The Moon is Upside Down is a significant achievement. This promises to be a fascinating discussion and a rare insight into processes that will appeal to filmmakers at all levels, especially those wanting to make their first feature film.
Kimball Thurston leads the strategy for future technology for VFX production at Weta FX. This session uses real-life examples as he offers insight into the AI intersections with creative artists and how these tools add to the creative process, not take away from it. This session is presented by Weta FX and WingNut Films.
The eleven regional film offices around New Zealand might be seen as competitors, but they’ve found a way over the last decade to cooperate and collaborate with each other in the spirit of ‘NZ Inc’, recognising the healthy ‘coopetition’ can be the best way to combine resources and achieve shared goals. They’re working towards a vision shared by many, a well-functioning Aotearoa New Zealand screen industry. This panel discusses how and why the RFOs work together and what lessons can be learnt about this collaboration. And most importantly, what exactly does a well-functioning screen industry look like, from North to South? Join this outstanding panel are moderator Jaclyn Philpott (Association of Film Commissioners International) visiting from Los Angeles, Petrina D’Rozario from Screen CanterburyNZ, Mark Westerby from Screen Wellington, Kahli Scott from Film Queenstown Lakes and Jade Kent from Film Bay of Plenty.
Australian Casting director Anousha Zarkesh, an influential creative force in the Australian screen industry, is in conversation with producer Fraser Brown discussing how to establish a great relationship with your Casting Director. They cover searching for new talent and attaching high-profile actors, the importance of cultural considerations and respect protocols and considerations in early develipment and budgeting. This session is a collaboration with Actors Equity.
ALEXANDER SWORDS presents Diverse Story Telling Patterns. He introduces the building blocks and patterns discovered in his research for Narrative Design. This gives an insight “under the hood” of how the different conventions function to engage audiences around the world. You’ll discover what film and tv writers can learn from narrative design in games.
Historically speaking, there has been a lack of representation and access for those who are deaf, disabled or neurodivergent within the screen industry. Chelsea Bridges, Jared Flitcroft and Felicity Hamill have a mission to improve industry standards by using their skills as access coordinators. This new role helps create a safe place on set for everyone. It can also improve every stage of production from development through to post-production to ensure best practice is implemented in front of and behind the camera. This session was moderated by Dale Corlett and Tayla Hancock from the New Zealand Film Commission.
With many people unable to continue working full time due to changing life circumstances and wellbeing concerns or outright leaving the screen industry, job-sharing is becoming a widely recommended practice. Jonathon Dutton from Screen Well Australia presents the findings from the Screen Australia funded initiative, Breaking Down the Barriers to Job-Sharing which involved piloting job-sharing on a Matchbox Picture’s production in Sydney. Following Jonathon’s presentation, Screen Guild’s ED Kelly Lucas initiates a discussion with the audience to gain some answers about how our screen industry could successfully implement job-sharing.
NZ On Air Head of Partnerships Raewyn Rasch introduces a case study of Sky Originals show Miles From Nowhere, where producers Ahmed Osman and Sam Wilton talk about the strategies they implemented to ensure inclusive representation of the Muslim community throughout the entire production process from casting to call sheets to creative decisions. Focused on representing the changing face of Aotearoa New Zealand, they explain how this level of equity and representation in front of and behind the camera can be achieved. This session was presented by NZ On Air.
NZ On Air Head of Music Teresa Patterson presents a conversation with experienced music supervisor Amine Ramer and Executive Producer Philippa Rennie to discuss the use of music in New Zealand screen stories. This includes forensic examination of a script, advice on budgeting for music, deciding how to use what songs where, and collaborating with the director, producer and editor on song choices.
This session uses Testify as an example to show the power the right song has, to elevate moments on screen.
This session is presented by NZ On Air to encourage more New Zealand music in our screen stories.
Hear how three friends came together to create the groundbreaking YouTube sensation Viva La Dirt League. After 13 years they had amassed 6.27 million subscribers and 3.4 billion views. In this session with Adam King and Alan Morrison, they tell their story which led to over 1,000 sketches and videos being released and several projects in development. This session is presented by Screen Auckland.
Getting on the Same Page is a method devised by Alexander Swords, a designer, a director, and a game runner, to get key creatives working together towards the same outcome. His “one page” of six instruments are taken from a range of creative processes to act as a source of truth. It holds intention, facilitates clearer communication, and helps teams hold themselves to account. During development it acts as prompts for all the important questions, and in production it helps teams understand the relationship between the many elements that come together for screen magic.
Screen industry practitioners Piripi Curtis, Te Kohe Tuhaka, Angela Cudd, and Tihini Grant discuss the diverse strategies Māori producers employ within their unique productions, with the aim of creating a greater awareness of Māori values, practices and perspectives when it comes to filming on iwi and hapu owned land.
This session shares respectful engagement practices and nuances of engaging with mana whenua.
Three leading screenwriters, Michael Bennett, Dianne Taylor and Lulu Wang share their experiences on the craft of writing for film and series, from the first idea being conceptualised through to the final draft for production based on examples from their own acclaimed work.
This session is moderated by Marc Laureano and presented by South Pacific Pictures.
James Napier Robertson has established himself as one of New Zealand’s most successful filmmakers over the last ten years with acclaimed films I’m Not Harry Jenson, The Dark Horse, Whina and Joika. Delving into the craft of directing, James’s masterclass offers insights into how a story can be told with visual choices and clarity of meaning.
This session is presented by the Department of Post.
Celebrating New Zealand talent the 2024 BSS Keynote address included seven New Zealand acting practitioners with unique stories and outlooks. In this podcast Jess Hong shares her thoughts on the BSS 2024 theme Stepping into the Unknown.
This session, was presented by Te Mangai Paho.
Celebrating New Zealand talent the 2024 BSS Keynote address included seven New Zealand acting practitioners with unique stories and outlooks. In this podcast Robyn Malcolm shares her thoughts on the BSS 2024 theme Stepping into the Unknown.
This session, was presented by Te Mangai Paho.
Celebrating New Zealand talent the 2024 BSS Keynote address included seven New Zealand acting practitioners with unique stories and outlooks. In this podcast Beulah Koale shares his thoughts on the BSS 2024 theme Stepping into the Unknown.
This session, was presented by Te Mangai Paho.
Celebrating New Zealand talent the 2024 BSS Keynote address included seven New Zealand acting practitioners with unique stories and outlooks. In this podcast Lucy Lawless shares her thoughts on the BSS 2024 theme Stepping into the Unknown.
This session, was presented by Te Mangai Paho.
Celebrating New Zealand talent the 2024 BSS Keynote address included seven New Zealand acting practitioners with unique stories and outlooks. In this podcast Shane Rangi shares his thoughts on the BSS 2024 theme Stepping into the Unknown.
This session, was presented by Te Mangai Paho.
Celebrating New Zealand talent the 2024 BSS Keynote address included seven New Zealand acting practitioners with unique stories and outlooks. In this podcast Pax Assadi shares his thoughts on the BSS 2024 theme Stepping into the Unknown.
This session, was presented by Te Mangai Paho.
Celebrating New Zealand talent the 2024 BSS Keynote address included seven New Zealand acting practitioners with unique stories and outlooks. In this podcast Cliff Curtis shares his thoughts on the BSS 2024 theme Stepping into the Unknown.
This session, was presented by Te Mangai Paho.
American writer, director and showrunner Lulu Wang speaks with NZ-based screenwriter Shuchi Kothari about her adaption process of the book The Expatriates, her journey finding her voice as a writer and her directing work. They touch on her feature film The Farewell which draws on a personal story for her, and more recently her six-episode drama series Expats which premiered at the Toronto International Film Festival and quickly became one of the most highly rated shows of the year. This session is presented by Images & Sound.
One of New Zealand’s most successful filmmakers Lee Tamahori discusses his past experiences that guided the making of The Convert. A homage to New Zealand’s brutal history The Convert is a collision of violence, masculinity, and colonisation that premiered internationally at the Toronto International Film Festival. Paula Morris delves into the mind of Lee to pick apart the origins of this film including addressing its controversial story themes and ideologies.
This talk was held live in October 2023 at the Capitol Cinema in Auckland.
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Lee Tamahori has an extraordinary body of work not limited to Once Were Warriors, Mulholland Falls, Along Came A Spider, Die Another Day, and more recently Mahana aka The Patriach. ----more----
This talk contains Explicit Language and mentions domestic violence and sexual assault. These themes and topics could be upsetting for some listeners. Discretion is advised. ----more----
This podcast is brought to you thanks to generous support from the New Zealand Film Commission, Foundation North, Images & Sound, White Studios and The Capitol Cinema.
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The voiceover was recorded by Jamie Irvine, and the music is by Podington Bear.
You can read more about these speakers at our website www.script-to-screen.co.nz
Explore the roots of accomplished New Zealand writers Briar Grace-Smith, Michael Bennet, and Pip Hall, and how through the years they have each paved their way for a successful career in the screen industry. Jackie Dennis probes into their screenwriting knowledge and seeks their advice for aspiring screenwriters including writer's block and special tips.
This talk was held in August 2023, at the Christchurch Screen Canterbury offices. ----more----
Pip Hall writes for television and theatre and has won awards in both mediums. Pip’s most recent works are Jonah and One Lane Bridge.
Briar Grace Smith – Writes for feature films and tv series. Most recently, Briar wrote and co-directed the Feature film Cousins and was a writer for Season 2 of Rurangi.
Michael Bennett – writes across many mediums, including novels, Tv series and feature films. His most recent release is The Gone,but our audience will also knowmini-series In Dark Places and the feature film Matariki. His novel Better the Blood is currently being adapted for the screen.
Jackie Dennis, Executive Director of Script to Screen, moderated the conversation held in August of 2023 at the Screen CanterburyNZ offices. ----more----
This podcast is brought to you thanks to generous support from the New Zealand Film Commission, Te Puna Matarau, Screen CanterburyNZ, Images & Sound and South Island Media. ----more----
The voice-over was recorded by Jamie Irvine, and the music is by Podington Bear.
You can read more about these speakers at our website www.script-to-screen.co.nz
Experienced screenwriter, script editor and development producer Nicole Dade breaks down the script development process and discusses how to develop your own idea so that it moves forward. Nicole talks about the main structural element of the story, the story world, and examines how the importance of finding the heart and primal theme of the story is fundamental to its success.
This talk was held in June 2023, at the Christchurch Screen Canterbury offices. ----more----
Nicole is referencing slides throughout this talk, but it is easy to following her development essentials without them.
This podcast contains one moment of strong language which hasn’t been censored.
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ABOUT NICOLE DADE:
Nicole Dade is a screenwriter, story developer and story/script producer with 15 years’ international experience in TV, film and online scripted content. She is a screenwriter of original and commissioned work and also contributes to writers’ rooms as writer, script editor or script producer. A skilled story and script consultant, Nicole is highly regarded for her creative and strategic insight and for her expertise in screen story and genre craft...----more----
This podcast is brought to you thanks to generous support from the New Zealand Film Commission, Te Puna Matarau, Screen CanterburyNZ, White Studios and Images and Sound.
The voiceover was recorded by Jamie Irvine, and the music is by Podington Bear.
You can read more about these speakers at our website www.script-to-screen.co.nz
What story have you got to tell? Hear from Anthony Mullins about how to expand your possibilities as a storyteller and widen your storytelling landscape. This talk delves into the art of screenwriting and explores how writers can excel in crafting more complex intricate and authentic stories through character arcs that go beyond the hero's journey.
This talk was recorded in Wellington, in May 2023.
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Episode Example (13min): The Beach | Full Episode | Bluey
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This podcast is brought to you thanks to generous support from the: New Zealand Film Commission, Foundation North, Te Auaha NZ Institute of Creativity, The Capitol Cinema, White Studios and Images and Sound.
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The voiceover was recorded by Jamie Irvine and the music is by Podington Bear.
You can read more about these speakers at our website www.script-to-screen.co.nz
Three outstanding writer-directors, Welby Ings, Mathew J. Saville, and Paula Whetu Jones discuss their observations with producer Karin Williams in crafting feature films Punch, Whina and Juniper. If you are telling a story from real life, learn from the experiences of these filmmakers as they recall the creative choices used to weave these screen stories of truth, memory, and social history. ----more----
This talk was recorded live in Auckland, in March 2023. ----more----
This podcast is brought to you thanks to generous support from the New Zealand Film Commission, Foundation North, White Studios and Images and Sound.
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The voice-over was recorded by Jamie Irvine, and the music is by Podington Bear.
You can read more about these speakers at our website www.script-to-screen.co.nz
In our Opening Keynote Addresses, six creatives in roles integral to the filmmaking process respond to our theme Mana Auaha, Creative Power. Composer Mahuia Bridgman-Cooper, colourist Alana Cotton, costume designer Jane Holland, editor Jabez Olssen, production designer Ra Vincent, and unit stills photographer Kirsty Griffin each share insight into their individual creative process and what Mana Auaha means to them. This session is presented by Screen Auckland. The speakers are introduced by event MC and actor Morgana O’Reilly.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this session, Australian screenwriter and producer Shaun Grant speaks with NZ screenwriter Fiona Samuel about his adaptation process, how to choose your next project, and finding your voice as a writer. They touch on his feature films Snowtown, Berlin Syndrome, and most recently Nitram, which was the first Australian film to premiere In Competition at the Cannes Film Festival in a decade. This session is presented by Script to Screen.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this panel discussion presented by the Aotearoa Screen Publicists Collective, publicist Courtney Mayhew and comedian Joe Daymond dive into the importance of social media content and its role in helping your next project reaching its audience. They discuss building a successful strategy, what you need to stand out and how to do so while remaining authentic to your story and audience. This panel is moderated by Letterboxd Editor in Chief and Tangata Tiriti Chair of the Aotearoa Screen Publicists Collective, Gemma Gracewood.
The Big Screen Symposium held in Auckland on the 9th and 10th of July 2022.
In this conversation, ground-breaking writer turned showrunner and producer, Neil Gaiman, speaks with moderator Sacha Judd about the joys and constraints of adapting his stories for the screen. They discuss collaboration; bringing worlds and characters he created in the past into the present; and what he’s learnt steering projects as a showrunner including Netflix’s the Sandman, which was yet to be released at the time of recording. This session is presented by South Pacific Pictures.
The Screen Industry Worker’s Bill was introduced to Parliament in 2020 and is expected to pass in the coming months. In this panel discussion, Principal Policy Advisor at MBIE (Emby), Gayathiri Ganeshan; the Executive Director of SPADA, Sandy Gildea; ED of DEGANZ, Tui Ruwhiu; ED of the NZ Writer’s Guild Alice Shearman; and the director of Equity New Zealand, Denise Roche speak with producer-director Leanne Pooley, offering an overview of the Bill and what it means for the screen industry. This session is presented by the SAE Institute.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
This session is a presentation by the New Zealand Film Commission - Te Tumu Whakaata Taonga. Hear from acting CEO Mladen Ivancic, Pou Whakahaere, Te O Kahurangi Waaka, Head of Incentives Catherine Bates, Head of International Screen Attraction Philippa Mossman, and Head of Marketing Jasmin McSweeney as they celebrate recent creative, cultural and commercial achievements within the screen industry since BSS 2020. The team outline NZFC’s focus on supporting the industry through COVID-19, re-engaging internationally, and adopting a strategic approach to change.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this session, writer, director and producer Toa Fraser shares insights into his creative process and how it has changed with his diagnosis of Parkinson’s Disease. Toa speaks with writer, director Paula Whetu Jones about growing up in England, making his way to New Zealand and connecting with his Fijian roots all while creating stories and discovering what Mana Auaha means to him. This session is presented by Hnry.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this session, celebrated writer director Destin Daniel Cretton speaks with NZ writer director Roseanne Liang about his journey developing his directing and storytelling voice throughout his career. They discuss his experience making the award-winning Short Term 12, and how its success eventually led to him directing Marvel Studios’ Shang-Chi and the Legend of the Ten Rings - the first film in the MCU to be led by an Asian actor and have a mostly Asian cast. Destin joined the Big Screen Symposium via live stream. This session is presented by Wingnut Group.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this session, series creator Simone Nathan and director Aidee Walker discuss the process of making the binge-worthy Jewish comedy series Kid Sister, from conception through to post-production. They speak with journalist Alex Casey about the writing process, the wearing of multiple creative ‘hats’, the joys of working with other female creatives, and the challenges of overcoming budget limitations.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this session, NZ On Air gives an update on what it’s been working on since December 2020, and where to from here. Chief Executive, Cameron Harland and Head of Funding, Amie Mills take us through topics such as innovative data framework for pan-sector audience measurement, new frontiers in children’s content, success of collaborations including Te Puna Kairangi and the co-fund with Te Māngai Pāho, some insights on what opportunities changes to NZSPG [SPIG] might bring, proposed updates to funding policies in the wake of the NZMF Review, and the win-win of bringing together New Zealand music and local screen content.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this session, Grant Major delves into his involvement as a production designer on The Power of the Dog, from first reading the script, to the painstaking work in bringing the physical settings to life, and shepherding them through the filming process. He talks about how story and authenticity were the paramount drivers in day-to-day decisions, and the collaborations he had with a brilliant, creative team of people in the world-building for this highly successful film. This session is presented by Department of Post.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this panel discussion, moderator Sacha Judd speaks with narrative designer, producer and screenwriter Harry Feltham, writer for screen and VR, Dane Giraud and Design Manager at Wellington-based games company Pikpok, Rick Stemm, about the similarities and differences between the storytelling requirements in games, VR, film and television. They discuss what they have learnt from working in the respective mediums and what opportunities there might be to cross over. This session is presented by Screen Canterbury.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this session, four screen industry practitioners, producer Mia Henry-Tierney, producer and showrunner Quinton Hita, writer/director Paula Whetu Jones and Pou Ārahi Kaupapa / Head of Content at Te Mangai Paho Blake Ihimaera as they share their experiences developing and creating work as Māori storytellers, building capacity in the industry, and their vision for the future of Māori stories on screen. This session is moderated by Associate Professor of Entrepreneurship and Director of Māori Advancement at AUT, Dr. Ella Henry.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
In this panel discussion, sustainability manager and steering committee member for Greenlit Rose Archer, producer and Greenlit chair Craig Gainsborough and Vector’s senior sustainability partner Dr. Prageeth Jayathissa shed light on the enormous sustainability challenges faced by the screen industry. They offer practical methods and tools to help film productions reduce their environmental impact, meet local and international carbon reduction targets, and reduce waste in the screen sector. This session is presented by Screenrights.
The Big Screen Symposium was held in Auckland on the 9th and 10th of July 2022.
The opening keynote addresses are centered around the theme Transforming
Culture and are delivered by five storytellers: documentary maker Leanne
Pooley, games designer and producer Maru Nihoniho, writer and activist Cole
Meyers, producer Emma Slade, writer/ director Sebastián Lelio online from
Chile, and microbiologist Dr Siouxsie Wiles. Each speaker presents their ideas on
the transformative power of story and the transformation the screen sector is
currently experiencing from their own unique point of view and relevant to their
recent work. This session is presented by Te Māngai Paho. The speakers are
introduced by event MC & journalist Paula Penfold.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
In this session, two-time Academy Award-nominated producer Finola Dwyer
whose projects include Brooklyn and An Education, shares her approach to
filmmaking using the film Brooklyn as a case study. Finola talks to Carthew Neal,
Academy Award-Winning producer for Jojo Rabbit, about the response to
challenges thrown up during production that ultimately achieved this ambitious film.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
In this case study of 2020 box office hit Savage, writer/director Sam Kelly and
producer Vicky Pope share what they learned from the unforeseen pitfalls and
breakthroughs while bringing to life this ambitious feature film.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
In this session, we hear from Australian multi-hyphenate Scott Ryan about his
process creating, writing and starring in the crime drama series Mr In-between. FX
renewed the series for a third season which was in production when this session
was recorded. Scott is the sole writer and Nash Edgerton is the sole director across
the seasons. Mr In-between is based on the 2005 feature film The Magician, which
is also written by and stars Scott Ryan. This session is moderated by entertainment
journalist, film critic and broadcaster Dominic Corry.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
In this session, NZ On Air's Chief Executive Cameron Harland and Head of
Funding Amie Mills outline the challenges, ideas and opportunities ahead as we all
try to put 2020 behind us. How do we get local content in front of fragmenting
audiences and young New Zealanders in particular? How do we achieve
authenticity for diverse audiences? If there's a year to transform culture, it is 2021.
This session is moderated by producer Kay Ellmers.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
In this panel discussion, writer and director Becs Arahanga, content commissioner
at Māori Television (kaikōkiri Kaupapa at Whakaata Māori) Lanita Ririnui and
producer Piripi Curtis explore ideas and methods for Tikanga Māori to be
incorporated into the creation of screen work, from the development of the idea,
through to funding, production, distribution and audience engagement. They share
their own transformative experiences and discuss future ways to tell stories with
Tikanga led values and processes. This panel is moderated by producer Kay
Ellmers.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
In this masterclass, screenwriter Sophie Henderson explores how to build a story
with empathy that connects with its audience. She argues for character authenticity
over likeability and talks about putting your whole self into your script. This session
is presented by Department of Post. Sophie is introduced by actor and director
Lucy Wigmore.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
In this session, storytelling for the docuseries format, producer, director and editor
Arielle Kilker delves into what it means to write for a documentary series. Using
her project hit Netflix series Cheer, Arielle covers finding the narrative across the
series as a whole, how to keep the heart of a character's backstory in the present
tense, and simplifying story for efficiency and dramatic impact while still honouring
truth and integrity. This session is presented by the US Embassy. Arielle is introduced by producer Cass Avery.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
In this podcast, storyteller and film director Sebastián Lelio gives a masterclass on
the film experience, conceived as a two-way dialogue between filmmaker and
spectator. Sebastián uses examples from his Academy Award-winning feature film
A Fantastic Woman to demonstrate ways a filmmaker can offer opportunities to a
spectator to reframe how they see the world. This session is presented by Images
and Sound. Sebastián is introduced by Script to Screen's Executive Director Jackie Dennis.
This session is from the Big Screen Symposium held in Auckland on the 4th and 5th of December 2020.
The Big Screen Symposium 2020 was brought to you by Script to Screen and J&A
Productions. We gratefully thank our event partners - the New Zealand Film
Commission, New Zealand On Air, Te Māngai Paho, Images & Sound, Screen
Auckland and AUT.
What happens when the process for taking your film to market, securing international sales, attending festivals and ensuring an audience sees your film is disrupted by a pandemic?
In this Podcast New Zealand feature film producers Georgina Conder (co-producer of Cousins) and Vicky Pope (producer of Savage) talk to entertainment lawyer Sarah Cull about their experiences taking Cousins and Savage to audiences in a world seriously impacted by Covid-19. They discuss how they dealt with disruptions to cinematic releases both here and abroad, the unexpected opportunities that arose along the way, and what they think will be helpful for you to know while the world adapts to this pandemic and a new normal.
In this TALK, globally recognised speaker on fans and online communities Sacha Judd and Gemma Gracewood editor-in-chief at Letterboxd go through some case studies to show the power of fans. They discuss fans, merchandise, cosplay, conventions, and the delightful power of letting your audience help chart your project’s course—all the way to a sequel, a franchise, a spin-off and beyond.
Have you ever found yourself confused by music rights, or grappling with decisions about soundtrack or score for your film, TV or online project? Wondering what the difference is between publishing rights and master rights?
Music can enhance visual expression when used well, setting a mood or atmosphere. But licensing agreements need to be negotiated and it can become complicated and expensive if you don’t plan well. This TALK will help you get your dream soundtrack by demystifying the jargon and giving some helpful tips to guide you about music choices, music rights, and how to effectively communicate with your composer.
Music supervisor Karyn Rachtman (Pulp Fiction, Boogie Nights, Moulin Rogue) and screen composer and music editor Samuel Flynn Scott (Phoenix Foundation, Boy, Hunt for the Wilderpeople, The Gulf) will chat to our Executive Director, Jackie Dennis about what they think filmmakers should consider when thinking about soundtrack and score.
In this online talk, Script to Screen invited Australian powerhouse creatives – showrunner/screenwriter/director/producer Tony Ayres (Stateless, The Slap, The Home Song Stories) and producer Kristina Ceyton (The Nightingale, The Babadook) to discuss Building a Slate You Believe In with moderator Karin Williams.
Despite the pandemic impacting screen production, distribution and exhibition, the development process for screen projects is able to continue and in some cases thrive. In this TALK, the panel will delve into curating the talent you work with and how to decide which projects to work on.
Now more than ever a captive audience demands engaging content. Tony Ayres and Kristina Ceyton’s feature films and television series demonstrate each of their abilities to produce projects that please both audiences and critics.
Tony is well known for creating some of Australia’s most revered film and television drama including The Home Song Stories, Nowhere Boys, The Slap, Glitch and most recently Stateless – created and executive produced with Cate Blanchett and Elise McCredie. Stateless is a series about the people caught up in Australia’s immigration system, it premiered at Berlinale this year and Netflix acquired global rights (release date soon to be announced).
Kristina’s most recent films, allegorical thriller The Babadook, historical thriller The Nightingale (both directed by Jennifer Kent) and Buoyancy (dir. Rodd Rathjen) about 14-year-old Chakra who is sold as slave labour to the captain of a Thai fishing vessel, all deal with challenging subject matter and have gone on to be award-winning films.
Script to Screen is excited to bring you a late-night TALK with award-winning director Jessica Hobbs, in conversation with moderator Rob Sarkies. Jessica started her career in New Zealand and has risen to work on some of our favourite series made in Australia and the United Kingdom.
Jessica has directed episodes of The Split, Apple Tree Yard, Broadchurch and most recently multi-award-winning show The Crown. She directed two episodes of Season 3, including the finale starring Olivia Colman and Helena Bonham Carter which was nominated for a Primetime Emmy Award for Outstanding Directing for a Drama Series. She has gone on to direct three episodes of Season 4 including the finale.
Before moving to the UK Jessica was the lead director on the award-winning series The Slap, directed episodes of Rake and Love My Way, and won an Australian Directors Guild Award for her work on Devil’s Dust. She was also awarded the Australian Film Institute Award for ABC mini-series, Answered by Fire.
In this Script to Screen TALK, Jessica will join us live from London to talk to director Rob Sarkies (The Gulf, Consent, Jean, Two Little Boys, Wanted, Out of the Blue, Scarfies). They will discuss what it is like working on a series drama in the UK right now, her approach to directing, and her ambitions for the future.
What stories do you need your production materials to tell? Defining EPK, B-Roll, BTS, Featurette, Making-of, Fan Service Videos, Partner video promos etc. The power of BTS stills & video for building engagement. How to be smart with tight resources. What decisions to make before going on set? Connecting your publicity stories to your main story.
In this session, EPK, BTS, OMG, publicist and founding member of the Aotearoa Screen Publicists Collective Courtney Mayhew spoke with photographer Kirsty Griffin, writer/director Todd Karehana and Selwyn Kumar a Social and Digital producer at TVNZ about Smart Strategies for getting all the materials for all media on set.
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland.
Now that you know everything, where do you start? In this session Coffee and Publicity we hear from speakers Adria Buckton from Trigger Marketing Publicity, and Leanda Borrett Marketing and Publicity Manager at TVNZ in a korero about NZ On Air’s Music Publicist Mentoring scheme, aka “the coffee cup fund”, which was set up in the midst of Covid to help self-managed artists plan their publicity strategies. How can it be adapted to suit screen creatives? The first ten questions a publicist will ask you, and how to come in prepared for success.
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland.
We know: you’re busy, you’re underfunded, you have deadlines, you can’t keep up with one of your social media accounts, let alone all of them - and yet, other busy creatives have time to also start a podcast? How to prioritise your public persona.
In this session, Chris Henry Director of 818 and PEOPLE OF INFLUENCE speaks to powerhouse duo Miranda Harcourt internationally recognised acting Coach, Actor and Director, and NZ Playwright and Director Stuart Mckenzie in a korero about Personal Branding and Making Authentic Connections with your own Audience.
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland.
Being prepared for international sales with the best materials possible; what international publicists’ pitches look like; multicultural marketing in the North American context; what it’s like doing Zoom junkets; coming out the other side of Covid; cultural competence, and other global issues to be aware of.
In this session Hello World we hear from two publicists working in the US. Gemma Gracewood who is Editor-in-Chief at Letterboxd, and a founding member of the Aotearoa Screen Publicists Collective talks to David Magdael a Publicist who has over two decades in PR and marketing for award-winning documentary films, indie features and broadcast content. Followed by Michelle Huff Elliot Co-Founder and Partner at Strategic Heights Media in korero to Brooke Hawe the communications manager at 387 Entertainment. Michelle manages strategic publicity campaigns for high-end clients, she talks to Brooke about what international publicists’ pitches look like and multicultural marketing in the North-American context.
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland.
From Takaro Tribe’s talking dolls to Kiri & Lou fan-made birthday cakes; from Hunt for the Wilderpeople’s Instagram stickers to Officer O’Leary and Officer Minogue delivering Covid safety messages, fan service can take many forms. A dive into fans, fandom, merchandise, cosplay, fan-cons, and the delightful power of letting your audience chart your course—all the way to a sequel, a franchise, a spin-off and beyond.
In this session, Tamar Münch asks the Writer, Actor, Producer of Paranormal Activity Paul Yates, and Sacha Judd Director of Hoku Group and Super-fan how they Embrace the Meme. This korero covers the importance of Engaging with Fans.
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland.
A deeper dive into the world of creating online buzz and meeting audiences where they already are. Which social channel is right for your story—and why you don’t have to use them all. Empowering your artists as your social superstars. How to pivot when you find an unexpected audience. Gifs, memes & quirky bits, and how to take Gen Z into account (aka not be cringe).
In this session The Digital Marae, Kenny Williams a Brand and Marketing Strategist talks about creating an online buzz for your project and taking an Iwi approach to building a community. This korero is all about making sure your sh*t is valid on social media
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland.
Despite the power of social, conventional media still plays a pivotal role in connecting your stories to Aotearoa audiences. Hear how today’s editors approach coverage of arts and entertainment for their audiences, and how you can get a story placed.
Simon Day, Commercial Editorial Director at The Spinoff, Kate Rodger Entertainment Editor and Film reviewer from NewsHub, Carmen Parahi Pou Tiaki Editor at Stuff, and Lisa Taouma director and producer at Coconet TV and Tiki Productions, in a korero about MAPPING AOTEAROA’S MEDIA LANDSCAPE IN 2021.
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland.
In May 2021 Script to Screen partnered with the Aotearoa Screen Publicists Collective to present the A to Z of Screen Publicity Workshop. The workshop’s purpose was to support the industry to increase discoverability by audiences for the shows being made. The sessions were recorded and this is one of ten that you can listen to. Opening remarks were made by Jackie Dennis Executive Director at Script to Screen, Gemma Gracewood founding member of Aotearoa Screen Publicists Collective and Amie Mills Head of Funding at NZ On Air.
Mā te huruhuru te manu ka rere (with feathers the bird can fly)
What do publicists do? In two case studies, we look at the holistic role of a publicist - why bringing them in early and keeping them through unit and release bridges the gap between your project and your audience (and provides care of artists along the way). What a publicist needs from you to make it happen.
In this session publicist and mentor, Sue May spoke to Ainsley Gardiner, Co-Director, Cousins; Chris Henry, Managing Director of 818 and PEOPLE OF INFLUENCE, Roseanne Liang, Director of Shadow in the Cloud and Creamerie; and Courtney Mayhew, Publicist from matter about THE CREATOR / PUBLICIST RELATIONSHIP: Setting Yourself Up for Success with Culturally Competent Connectors.
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland.
H
He aha te mea nui o te Ao? (What is the most important thing in the world?) He tangata! He tangata! He tangata!
People (audience), people (publicists), people (creatives)
Who is your target audience? How do you know? Statistics or Intuition? How does what they think, feel and do connect with the story you have to tell, and how can you transform that alignment into a devoted throng?
In this session A IS FOR AUDIENCE Gemma Gracewood who is Editor-in-Chief at Letterboxd, and a founding member of the Aotearoa Screen Publicists Collective spoke to Rueben Wiremu Senior Manager, TVNZ Marketing, Amatailevi Stella Muller Director at Bright Sunday and Stephen Smith Head of Audience Strategy at Radio New Zealand about Creating a Real Connection Between Your Story And Its Audience.
This Podcast is part of The A-Z of Screen Publicity workshop sessions. The two-day workshop was run by Script to Screen in partnership with the Aotearoa Screen Publicists Collective (ASPC) and was held on 7 & 8 May 2021 in Auckland as part of the A-to-Z of Screen Publicity programme.
In the wake of Covid-19, the Government announced a screen sector recovery package. This package includes a Premium Productions for International Audiences Fund of $50m to support the production of high-quality feature films or series dramas that tell strong Aotearoa New Zealand stories with international appeal.
This session opens with an address from Hon. Carmel Sepuloni (Minister for Arts, Culture and Heritage) who launched the Premium Productions for International Audiences Fund (Pūtea Kiriata Hiranga - Premium Fund) at the Big Screen Symposium. Then producer Emma Sladetalks to Annabelle Sheehan (NZ Film Commission), Cameron Harland (NZ On Air) and Larry Parr (Te Māngai Pāho) asking questions about the fund.
The Premium Fund is jointly administered between the NZFC and NZ On Air, and is developed in partnership with Te Māngai Pāho.
Essential information on the fund and the guidelines are available on the NZFC Website.
Got a script in development? Have you thought about your audience? Listen to this Script to Screen TALK and find out what local distributors consider before they take on a project for distribution. Having a strong script and a great filmmaking team is not enough. Most often, unlocking NZ Film Commission production funding depends on a commitment from a local distributor. Hear from Mark Chamberlain at Transmission, Andrew Cozens at Madman, Nigel Forsyth at Studio Canal and Kevin Gordon at Rialto Distribution. Entertainment lawyer, Sarah Cull talks to the panellists about what they look for and why, including genre and story elements, team, and at what stage of development they like to get on board. This talk took place on Wed 3 July 2019 at Te Auaha in Wellington, New Zealand. This TALK podcast was made possible thanks to the support of the New Zealand Film Commission and White Studios the New Zealand Film and Television School.
Many of us long to see ourselves and our communities represented on screen. Filmmakers are in the unique position of being able to bring to life the diverse characters and worlds we want to see. But with power comes responsibility. It can be a hard task navigating the balance between staying true to your story while satisfying the audience’s expectations for your character. Especially if those characters are the first of their kind on screen. In this TALK Shuchi Kothari (Coffee & Allah, Apron Strings, A Thousand Apologies), Stallone Vaiaoga-Ioasa (Three Wise Cousins, Hibiscus & Ruthless) and Josephine Stewart-Te Whiu (Waru, Ani) share their experiences finding the sweet spot between great stories and responsible representation moderated by Dr Suzanne Woodward. This talk took place on Tuesday 21 May 2019 at Galatos in Auckland, New Zealand.
In Kenyan filmmaker, Wanuri Kahiu’s Keynote address, she explores the AFROBUBBLEGUM movement. What if our art, our stories, our voices were more about celebrating joy than overcoming suffering? Would we think ourselves more worthy of happiness? Using examples of joy traditions and cultures expressed through African art, Wanuri presents an argument for the zeitgeist of joy and hope. This session is presented by NZ on Air. Anna's keynote address took place on Saturday 28 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple
CEO of the Swedish Film Institute, Anna Serner, has garnered international attention for her radical work towards gender equality in the screen industry. In this electrifying talk, she provokes us to think differently about gender equality and lays out her step-by-step plan to achieve it. This session is presented by WIFT NZ. Anna's keynote address took place on Saturday 28 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple
Premiering at Berlin in 2019, VAI is the second feature to come from the team behind groundbreaking 2017 film, WARU. A collaborative anthology, the film brings nine Pasifika female writer/directors together to realise a story that follows the life of a woman named Vai as she travels across the Pacific. A film about empowerment through culture, we hear how these nine trailblazing women brought their visions to life. This session took place on Friday 27 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
The Right Honorable Prime Minister Jacinda Ardern, who is also our Minister for Arts, Culture and Heritage, focuses her keynote address on the value of storytellers to New Zealand culture. Laying a challenge to government to shift focus from the economic impact of the screen industry to the importance of storytellers and their place in modern society. How does storytelling impact the way we navigate the modern world and how can we increase access to and participation in the arts in New Zealand? The Prime Ministers address took place on Friday 27 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple
Anna Dean works at the forefront of audience engagement across the digital, film and social landscapes. In this session, Anna shares key learnings on changes to audience engagement in recent years. She provides practical tips to help you articulate your project in a way that connects, and challenges you to think about what your audience actually wants rather than what you think they should know. This session is presented by Loading Docs. Anna's session took place on Saturday 28 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
Can new technologies address environmental issues and competing world views? Leading global thinker, Lynette Wallworth discusses her work in the Virtual and Augmented Reality sphere and the ways in which she “brings together technological advances and ancient understandings, new media and old practices, electronics and the electricity of human touch.” Lynette's session took place on Friday 27 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
Kenyan filmmaker, Wanuri Kahiu uses her recent short film PUMZI to illustrate the research techniques and decision-making process she used to create a distinct futuristic world on a low budget. She explains the rudimentary tools and special effects techniques she used to bring this world to life. Wanuri's session took place on Saturday 28 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
In this session filmmaker David Lowery uses a scene from his latest feature The Old Man & the Gun as a starting point to follow the evolution of an idea from first draft to final cut. He leads us on his own very specific filmmaking journey in order to explore the tangents and the detours that inspiration can take on its way to the big screen. This session is presented by The Weta Group of Companies. David's session took place on Friday 27 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
Being funny is a seriously tricky business, even if you’re a natural. In this session, some of NZ’s top comedic writing talent explore what makes their characters funny and how they’ve successfully taken NZ comedy to the world. Listen to Jackie van Beek, Madeleine Sami, Paul Yates and Melanie Bracewell chat with Alice Snedden about how they crafted the laughs. This session is presented by Department of Post. This panel discussion session took place on Friday 27 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple
STRAY is the debut feature film from award-winning writer/director/producer Dustin Feneley and producer Desray Armstrong. In this session, Dustin and Desray discuss how STRAY was financed as an independent film; focusing on securing private investment and their record-breaking crowdfunding campaign. They’ll also explore the entrepreneurial skills, drive and tenacity needed to succeed as independent filmmakers. Dustin and Desray's session took place on Friday 27 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
Writer/director, David Lowery’s keynote address dissects his experience of capturing the zeitgeist in his career to date. How can you ensure your story is relevant and interesting to modern audiences? David breaks down his rollercoaster ride from trying to make films for posterity to making films that affect people deeply and collaborating closely with a tight-knit filmmaking family. This session is presented by Screen Auckland. David's keynote address took place on Saturday 28 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
There are times for all filmmakers where there is no clear path ahead. Lynette Walworth and David Lowery share insights from their filmmaking journeys with moderator, Brita McVeigh. They explore the roadblocks they’ve faced, the deviations from the path and ultimately the way through in this intimate and enlightening conversation. This session is presented by Fish Entertainment. David and Lynette's session took place on Saturday 28 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
Fremantle’s Director of Drama, Jo Porter joins Phillipa Campbell in conversation to discuss her experience developing, producing and selling the trailblazing six-part Australian television series PICNIC AT HANGING ROCK. Together they explore the powers and pressures of adapting a beloved novel and the process of navigating a co-commission. This podcast is available on Podbean, Spotify and Apple. Jo's session took place on Fri 27 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda.
Stop-motion animation has enjoyed a renaissance over the past two decades despite the advancement of modern animation techniques. World-renowned experts in this field, Rachel Larsen and Antony Elworthy share insights into how they bring stop motion productions to life with filmmakers like Tim Burton, Wes Anderson and Harry Sinclair. Antony and Rachel's session took place on Saturday 28 Oct at the Big Screen Symposium 2018 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and janda. This podcast is available on Podbean, Spotify and Apple.
Got a script in development? Have you thought about your audience?
Listen to this Script to Screen TALK and find out what local distributors consider before they take on a project for distribution. Having a strong script and a great filmmaking team is not enough. Most often, unlocking NZ Film Commission production funding depends on a commitment from a local distributor. Hear from Tony Bald at Paramount Pictures, Andrew Cozens at Madman, Nigel Forsyth at Studio Canal and Kelly Rogers at Rialto Distribution. Moderator Emma Slade talks to the panelists about what they look for and why, including genre and story elements, team, and at what stage of development they like to get on board. This talk took place on Thursday 9 November, 2017 at 6:15 pm at the Basement Theatre in Auckland, New Zealand.
Moderated by Brita McVeigh.
David Michôd and Luke Davies have been in Los Angeles, living and working in close proximity a lot of the time for nigh on 10 years.
They talk to Brita McVeigh about their quite different respective experiences of this Hollywood chapter of their lives, their observation of each other’s individual working processes, and their feedback loops on each other’s projects.
They are now working together as co-showrunners of the TV adaptation of CATCH 22, in development. They explore how the collaboration is taking shape: how they have been writing together, how they attempt to create flow, how they try to be efficient, and how they are dividing the labour.
This session took place on Sunday 1st October, 2:40pm at the Big Screen Symposium 2017 in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Moderated by Brita McVeigh.
“An exquisite, beautifully shot meditation on love clouded by fear and doubt.” LOVESONG REVIEW, New York Times, Stephen Holden
Experienced independent director So Yong Kim is known for creating intimacy and atmosphere in her critically acclaimed films IN BETWEEN DAYS, TREELESS MOUNTAIN, FOR ELLEN and LOVESONG. In this session she talks about working with the actors to create this mood, and cultivating an individual voice when directing feature films.
As a sought after episodic director for leading series TRANSPARENT, AMERICAN CRIME, QUEEN SUGAR and ROOM 104, So Yong will contrast her feature film experience to directing episodic television using someone else’s blueprint.
So Yong Kim's session took place on Sunday 1st October, 11:10am at the Big Screen Symposium 2017 in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Presented by Images and Sound
Leading distribution strategist Peter Broderick gives an up-to-the-minute overview of the lay of the land, the opportunities, and the perils of distribution. This session is designed to empower filmmakers to design the best roadmaps for their projects.
In this masterclass Peter reviews possible destinations, and explains the importance of starting with clearly defined goals. He demonstrates how traditional routes often turn into dead ends including wide theatrical distribution; highlights promising new paths such as semi-theatrical campaigns; and addresses how essential windows are in marking the legs of the journey. Don’t miss this opportunity to learn how you can reach your potential audience in today’s world.
Presented by Loading Docs
Peter's session took place on Sunday October 1st, 11:10am at the Big Screen Symposium 2017 in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Moderated by Shuchi Kothari.
During this in-depth craft focused session, David Michôd delves into his directorial process and approach with moderator Shuchi Kothari.
Find out how David develops his vision for the look and feel of a film, and ensures it translates on to the screen. David will share his aesthetic preparation including the way he collaborates with DoPs, production designers and actors in pre-production and on set.
Having moved from gritty debut breakout ANIMAL KINGDOM to THE ROVER that was in official selection at the 2014 Cannes Film Festival then big budget Netflix WAR MACHINE, David addresses how scale has impacted his directorial vision and process.
David's session took place on Saturday 30th September, 3:00pm at the Big Screen Symposium 2017 in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Los Angeles based Luke Davies is one of Australia’s most sought after writers. In this session, he delves into the challenges of adapting source material for the screen.
Luke adapted his own novel Candy for the screen, and the book A Long Way Home by Saroo Brierley into LION, which went on to be nominated for 2017 Academy Awards Best Adapted Screenplay and to win a BAFTA in this same category.
His current work includes BEAUTIFUL BOY, an adaptation of a memoir chronicling meth addiction and recovery through the eyes of a father, produced by Brad Pitt’s Plan B, directed by Academy Award nominated Felix van Groeningen and starring Steve Carrell; and a six-part limited series adaptation for television of the beloved Joseph Heller novel CATCH 22.
Luke talks about his creative process when working with existing material to create blueprints for compelling film and television. This includes tough decisions he has made, and craft problems he has solved.
Presented by South Pacific Pictures.
Luke's session took place on Saturday 30th September, 11:40am at the Big Screen Symposium 2017 in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Bec Smith is an agent at United Talent Agency, one of the biggest talent agencies in the world. Originally from Australia, Bec has worked at UTA in Los Angeles for 10 years and her client list includes many acclaimed fellow Australians.
The agency system in the US plays an integral part in the packaging of film and high-end television projects, and Bec’s work as an agent goes beyond the representation of filmmakers.
Connecting talent, seeking finance and representing sales for her clients’ independent films are key parts of her job.
In this special conversation with Jill Macnab, Bec demystifies the US agency system and gives you her take on the current film and television market informed by her recent attendance at festivals and markets including Sundance, Berlin, Cannes, Venice, Toronto and the American Film Market.
Presented by Department of Post
Bec's session took place on Sunday 1st October, 1:20pm at the Big Screen Symposium 2017 in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
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Michael Bennett, Miriama McDowell, Jessica Hansell, and Todd Karehana each give their take on our theme Authenticity & Pretence in the context of their recent projects, working practice, and view of the world.
Presented by NZ On Air
David's session took place on Sunday 1 October, 9.30am at the Big Screen Symposium 2017 in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
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This session is moderated by Shuchi Kothari.
Francis Lee joins us from the UK to share stories about the making of his first feature, GOD’S OWN COUNTRY, winner of Best British Feature Film at this year’s Edinburgh International Film Festival, Best Director prize in Sundance’s World Cinema Dramatic Competition and the Männer Jury Award for Best Film at Berlin Film Festival. BFI describes the film as “one of the most assured, fully-formed British debuts of recent years”. Tune in to hear from Francis who started his directing career at 40 when he quit acting to make three self-financed short films.
This talk took place on 3 August, 2017 after the 1:00pm screening at the Wintergarden at the Civic Theatre in Auckland, New Zealand.
MOUNTAIN is described by The Guardian as“a 70-minute rush of adrenaline; a safari into the sublime; a vertiginous voyage to the top of the world”. Director, Jennifer Peedom (SHERPA) visits Auckland to share stories about her experience working for the second time with high altitude cinematographer Renan Ozturk; her collaborations with writer Robert Macfarlane and narrator Willem Defoe; creating an atmospheric score with the Australian Chamber Orchestra and wrangling more than 2,000 hours of footage shot in 15 countries to make her spectacular new movie.
This Q&A took place on 1 August, 2017 after a 6:30pm screening of the film at Wintergarden at the Civic Theatre in Auckland.
This session is moderated by Helene Wong.
Fresh from the World Premiere in Sydney, legendary filmmaker Gaylene Preston reveals what she discovered about Helen Clark, and the challenges she faced when making a documentary across multiple continents with a high profile subject.
“Preston’s cameras explore the cracks between the diplomats, the embedded press and feminist activists as they push for change, (at the U.N.), while caught up in a power process as secretive and patriarchal as the selection of the Pope.” Kip Brook (makelemonade.nz)
This discussion took place on 25 July, 2017 after an 11:00am screening at Wintergarden at the Civic Theatre in Auckland.
This session is moderated by Max Currie.
Francis Lee joins us from the UK to share stories about the making of his first feature, GOD’S OWN COUNTRY, winner of Best British Feature Film at this year’s Edinburgh International Film Festival, Best Director prize in Sundance’s World Cinema Dramatic Competition and the Männer Jury Award for Best Film at Berlin Film Festival. BFI describes the film as “one of the most assured, fully-formed British debuts of recent years”. Tune in to hear from Francis who started his directing career at 40 when he quit acting to make three self-financed short films.
This TALK took place on 2 August, 2017 after a 6:30pm screening at the Wintergarden at the Civic Theater in Auckland, New Zealand.
Moderated by Brita McVeigh.
“I’m fascinated by tightly-knit communities and how they operate – how characters battle for individuality or for their place within the society.”
Esteemed Australian director Tony Krawitz has directed across drama, documentary and television. His dramatic features JEWBOY and DEAD EUROPE were based in the Jewish and Greek communities respectively. THE TALL MAN was set on an island off the Queensland coast in one of the largest Indigenous communities in Australia that had been ripped apart by a murder.
For each of these films, Tony embedded himself within a community as an essential part of reaching a deep and nuanced understanding of and connection to his material. In this session, Tony discusses his immersive process and how it differs – and how it is the same – across adaptation, original story, and documentary.
Presented by Greenstone.
Tony's session took place on Sun 25th September, 2:15pm at the Big Screen Symposium 2016 in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Moderated by Emily Perkins.
An acclaimed author, Jonathan Raymond is also the award-winning screenwriter behind the courageously minimalistic festival hits WENDY AND LUCY, MEEK’S CUTOFF, OLD JOY and NIGHT MOVES – on which he collaborated with revered indie director Kelly Reichardt. Jonathan also co-wrote the HBO miniseries MILDRED PIERCE, winner of five Emmy Awards, with legendary director Todd Haynes.
In this conversation Emily Perkins talks to Jonathan about what risk means to him within the creative process, remaining open to new possibilities while searching for the heart of the material, and finding and investing yourself in the work while truly sharing the vision with your collaborators – in Jonathan’s case two of the boldest auteurs in independent cinema today.
Jon's session took place on Sat 24th September, 11am at the Big Screen Symposium 2016 in Auckland, New Zealand.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Moderated by Max Currie.
Recent years have seen exceptional television drama out of Australia. Like in the US and Europe, much of the most sought after acting, writing and directing talent is working across both film and TV.
Amongst her lauded film credits, writer/director Cate Shortland (SOMERSAULT, LORE) has written on the esteemed award-winning Australian dramas THE SLAP, DEVIL’S PLAYGROUND, DEADLINE GALLIPOLI and THE KETTERING INCIDENT. Currently she has her own show in development with Matchbox Pictures. Celebrated film writer/director Tony Krawitz (DEAD EUROPE) has also been lured into the invigorating world of television, his many impressive credits include directing DEVIL’S PLAYGROUND, A PLACE TO CALL HOME, and most recently atmospheric mystery THE KETTERING INCIDENT.
Join Cate & Tony as they provide us a writer’s and director’s behind the scenes perspective on the crafting of high-end television across the ditch.
Sun 25 Sept, Big Screen Symposium 2016, Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Moderated by Bailey Mackey.
In this intimate conversation with Bailey Mackey, esteemed actor Cliff Curtis shares his process when preparing for each role, his approach to risk-taking, his experiences at home and beyond, and what makes him tick.
Homegrown star and greatly respected actor Cliff Curtis has starred in many of NZ’s most celebrated films including THE PIANO, ONCE WERE WARRIORS, WHALE RIDER and THE DARK HORSE, whilst also carving a career as a chameleon character actor in Hollywood. He has also produced films including BOY and EAGLE VS SHARK with producer Ainsley Gardiner.
He currently stars in AMC’s FEAR THE WALKING DEAD alongside Kim Dickens. The show premiered on August 23, 2015, and was the most watched series premiere in U.S cable TV history.
This session took place on Sunday 25th September, 3.25pm at the Big Screen Symposium 2016 in Auckland, New Zealand.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
Moderated by Brita McVeigh.
“When writing, drawing from the subconscious is slower and more arduous, difficult to find – but perhaps in the end the pain creates something beautiful and idiosyncratic, and this is often the part that the viewer takes away and remembers, the part that gets under our skin.”
Cate Shortland is the acclaimed writer/director of the award-winning and profoundly memorable features SOMERSAULT and LORE, as well as a screenwriter on some of Australia’s most renowned television drama.
Cate uses examples from her film work to chart her writing process: from the genesis of an idea, to taking risks with character, to building scenes from the page up with actors and choreographers – and the vital role of imagery, landscape, and the subconscious.
Cate's session took place on Saturday 24th September, 2:45pm at the Big Screen Symposium 2016, in Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.
In a powerful response to the total absence of feature films made by Māori women directors since Merata Mita – WARU is a ground-breaking 80-minute film made by eight Māori women directors, that follows the lives of eight women all connected by a single, heart-breaking event.
Each episode is a self-contained 10 minute vignette, told in real time, and shot in a single take. Each one follows a different lead character during the same moment in time. The project was instigated by producers Kerry Warkia and Kiel McNaughton of Brown Sugar Apple Grunt, and the whole film was shot over eight days.
Join the writers and directors Katie Wolfe, Briar Grace-Smith, Ainsley Gardiner, Chelsea Winstanley, Paula W. Jones, Renae Maihi, Casey Kaa, Awanui Simich-Pene and Josephine Stewart-Tewhiu – as they each in turn present a short address on what risk means to them in the context of this new collaboration – still in progress.
Session: Sat 24 Sept, 11am, Big Screen Symposium 2016, Auckland, NZ.
The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.