rodzroom: Recent Episodes
rodzroom
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This is a tasty, raucous song that I mixed for a mixing contest, the winner of which will be announced in February. I knew the mix was finished when I could no longer listen without gritting my teeth and clenching my fists! Dark Times Collaboration - Turning Point Mix Contest 2021
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
This is a collection of tunes I wrote that I recorded and produced in 2019. I decided to wear my classic rock influences on my sleeve much more than I have in the past, while pushing into how I imagined David Bowie would be using technology if nobody knew who David Bowie was.
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
The Merchants of Soul project comprised Jay Russell, Bob Enck, & Rod West. From 2004–2006, Jay & Rod tracked Break It Up on top of Bob's drum arrangements in the basement of a window factory in NJ.
Jay's untimely passing in 2019 prompted this revival & fresh treatment of the tunes. You can donate to Jay's children by sending checks payable to Karen Russell: P.O Box 1161, Bristol PA 19007. credits released September 3, 2019
Jay Russell: vocals, guitar, bass, harmonica, percussion Rod West: vocals, keys, bass, percussion Bob Enck: vocals, drums, percussion
I just had to record a song using my new Shure MV88 microphone. This is it. All tracks recorded on my phone and individually dragged into my DAW on the computer.
The final track on my 2018 album. This is an instrumental interlude with old-school hip-hop style, and it conjures the image of detectives sneaking around.
Eponymous track from my forthcoming 2018 album. A patchwork of three distinct movements in which I explore a world with too many communication outlets and not much to say.
The very first song I ever wrote, quite a long time ago. I had a blast re-recording it.
This struck me as the "meaning of life" during a psychedelic experience. I'm not really sure I can exactly dispute it. It is worth considering, no?
Robots might be useful, but they aren's something you can truly love. We're stuck in the uncanny valley.
Concise, Ironic, Political Hip-Hop. My take on the Kanye thing, with the ironic use of his own words.
Whether or not the following is Fake News or not, it does not matter. I present this group of songs as is. I believe that they are equal measures of awesomeness and awesomality. Which also describes 2017.
I think we are all-in for being the best people we can be. That is where my heart was at the time I penned these “classics,” anyway. Who can say where the wind blows?
Whether or not the following is Fake News or not, it does not matter. I present this group of songs as is. I believe that they are equal measures of awesomeness and awesomality. Which also describes 2017.
I think we are all-in for being the best people we can be. That is where my heart was at the time I penned these “classics,” anyway. Who can say where the wind blows?
Whether or not the following is Fake News or not, it does not matter. I present this group of songs as is. I believe that they are equal measures of awesomeness and awesomality. Which also describes 2017.
I think we are all-in for being the best people we can be. That is where my heart was at the time I penned these “classics,” anyway. Who can say where the wind blows?
Whether or not the following is Fake News or not, it does not matter. I present this group of songs as is. I believe that they are equal measures of awesomeness and awesomality. Which also describes 2017.
I think we are all-in for being the best people we can be. That is where my heart was at the time I penned these “classics,” anyway. Who can say where the wind blows?
Whether or not the following is Fake News or not, it does not matter. I present this group of songs as is. I believe that they are equal measures of awesomeness and awesomality. Which also describes 2017.
I think we are all-in for being the best people we can be. That is where my heart was at the time I penned these “classics,” anyway. Who can say where the wind blows?
Whether or not the following is Fake News or not, it does not matter. I present this group of songs as is. I believe that they are equal measures of awesomeness and awesomality. Which also describes 2017.
I think we are all-in for being the best people we can be. That is where my heart was at the time I penned these “classics,” anyway. Who can say where the wind blows?
Whether or not the following is Fake News or not, it does not matter. I present this group of songs as is. I believe that they are equal measures of awesomeness and awesomality. Which also describes 2017.
I think we are all-in for being the best people we can be. That is where my heart was at the time I penned these “classics,” anyway. Who can say where the wind blows?
Whether or not the following is Fake News or not, it does not matter. I present this group of songs as is. I believe that they are equal measures of awesomeness and awesomality. Which also describes 2017.
I think we are all-in for being the best people we can be. That is where my heart was at the time I penned these “classics,” anyway. Who can say where the wind blows?
(Track 11/11 Gullet Stories) Started out as a songwriting challenge among friends, to write songs about each other. This song is a true story of how I made a lifelong friend.
(Track 10/11 Gullet Stories) Inspired by Alice in Wonderland, I used to sing my daughter to sleep with this song.
(Track 8/11 Gullet Stories)Inspired by Lady Chatterley's lover, I wrote it from the point of view of Clifford, her husband, who was injured in World War 1.
(Track 7/11 Gullet Stories) A fond blues tribute to a dear old deceased friend. Thanks to Christopher for ripping it up on the guitar.
(Track 6/11 Gullet Stories) A story "based on" a guys in high school who used to bring a knife to school, and who felt comfortable enough with me to show me. I tried my best to channel the Rolling Stones, with a pinch of Elvis Costello.
(Track 5/11 Gullet Stories) Another song written by my brother, this is a sad recounting of family childhood memories.
(Track 4/11 Gullet Stories) I'm not entirely sure how many years it took to cohesively arrange this and write lyrics for it, but it wrestles with the darkness that existed when I first lived on my own-- out of the house, having to make my way and wrestle with questions of life.
(Track 3/11 Gullet Stories) This is a Charles Bukowski poem set to music, with a refrain tacked on. I'm not certain why I chose "Can't Walk Away" other than beer and lack of sleep. It seems to work, and hopefully it doesn't ruin Bukowski's intention.
(Track 2/11 Gullet Stories) A song written by my brother about a beleaguered police officer with marriage issues.
(Track 1/11 Gullet Stories 2010) A spontaneous, very quickly written and recorded Nirvana-esque song. I don't even think I put pen to paper for the lyrics. I was sick and had a sore throat, and subsequently had a very little bit of the old Cobain rasp (at least in my mind at the time). So I just did it.
(Track 10/10 Nothing) This is an homage to John Prine. It is a very personal piece about surviving a rather long bout of unemployment.
(Track 9/10 Nothing) There is no hiding the fact that a Chinese Buffet is fantastic. Hence, this song. (trigger warning: poop humor at the end.)
(Track 8/10 Nothing) Like many songwriters, when I'm playing for others, people ask, "Do you know [some song] by [some popular artist]?" This song was a spontaneous reaction to one such incident.
(Track 7/10 Nothing) A melody that ran through my head at the time came out as this song. However, it wasn't that melody, and I sometimes remember what the original was and intend to eventually get it right. In the meantime, I wrote this more or less light-hearted philosophical mantra.
(Track 6/10 Nothing) I think this song is kind of Muppet-ish and show-tuney. Anyway, it's about feeling lost.
(Track 4/10 Nothing 2007) A snapshot of what it was like to wait for the bus in Camden, NJ.
(Track 3/10 Nothing 2007) I mustered all of the bitterness in my heart about a bad breakup. I was "so glad" she walked out on me. 10 years later, I feel the same way.
(Track 1/10 Nothing 2007) This song was a coping mechanism for the DUI I received while working on the album, "We Are Merchants of Soul." It suggests that Jesus stole my vehicle and credit card, then bought booze and drove.
(Track 14/14 Dreamgutter 2002) This song popped into my brain in its entirety while I had a bunch of people over. As soon as they left, I scribbled the lyrics and hit record. This is, therefore, a relatively dirty recording, with the notebook page-turn and everything.
I'm gearing up to live stream stuff once in a while. I've chosen Twitch as my medium, thanks to one of my oldest friends, known on Twitch TV as "cyberjerk."
Pat, or "Partick," has thousands of views as he not only streams his video game play, but also movies and music, with his belching, smoking, beer-drinking visage charmingly seated in the lower corner of the screen. His streams are the next best thing to actually hanging out with him, and I'm pleased when I am notified that he is going live.
Of course, I jumped at the chance to create a "pee intermission" theme song for him.
(Track 12/14 Dreamgutter)An updated band recording of the old classic loopy old-school song. As if losing your beer at a party weren't enough, this one has some extra broadway-esque dramatic soul.
(Track 13/14 Dreamgutter 2002) This is about how, when you're drinking beer at a party, you leave your beer somewhere and then can't find it. But sometimes, you actually drank it all and forgot that you drank it and were actually on your way to get another one. Loops 'n' beer 'n' samples 'n' fun.
(Track 10/14 Dreamgutter 2002) A song written by my Uncle Bruce, who spent some time in a Canadian park full of wine-o's way back in the day.
(Track 7/14 Dreamgutter 2002) A song born of the daily public transportation grind in Philly.
I helped my brother-in-law record and produce this nicely executed metal song. He plays guitar, Mike M. plays bass, and I programmed the drums and mixed/mastered it.
I forgot about this piece. It is making fun of violence, and seems poignant on the day following the latest anti-free-speech riots in Berkeley.
(Track 8/14 Dreamgutter 2002) Looping with the old Rhodes, reminiscing about the out-of-reach girl from highschool.
(Track 7/14 Dreamgutter 2002) A jam that I turned into a funky loop-based song. Christopher called out, "I try my best," which I heard as "I drive a bus." And that's what I ran with, lyric-wise. Fun stuff.
(Track 6/14 Dreamgutter 2002) Loop-based song with some jazzy live performance, plus scratching!
(Track 5/15 Dreamgutter 2002) This started as a little picking exercise on my acoustic, and transformed into a little gospel-type song. A bit of a premonition of awakening.
(Track 4/14) This is one of those songs that, when I consider I wrote it 15 years ago, amazes me. I really didn't know much, but this is a snapshot of how I felt about humanity, and it's not too shabby.
(Track 3/14) As my father pointed out, I am a "waveform generator." This is a weird acoustic guitar thing that transformed into a meditation on this notion.
This was (embarrassingly) inspired by Bruce Springsteen's Tunnel of Love (Pink Cadillac). But it soon got out of control with loops and my lovely Hammond. And, probably, tha chronic.
First release of the 14 tracks comprising the 2002 album Dreamgutter. This post 9/11 album is the product of my unemployment due to the dotcom bubble bust. Fueled by depression, drinking, and the outright nonsensical imagination that overtook my psyche while seeking employment, this song blends the desperation of a chaotic creative, love, and professional life.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
My 2008 album, Tohubohu—meaning "a state of chaos or confusion"—includes songs from the drudgery of day-to-day life within a white collar office environment. This was the year that the Philadelphia Phillies won the World Series. As a non-baseball fan, I was nevertheless living in an apartment in New Jersey that happened to be close enough to the ballpark to see the fireworks. So, I quickly wrote "Makes Me Feel Good" in what will likely be the only song I ever write about sports.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
This 2010 project represents one of my favorite collections of songs that I've written and recorded. It is deeply personal, with sarcasm and humor throughout; and working through it was quite therapeutic. The album cover was illustrated by my daughter, Aurora, who was 11 years old at the time.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
Free Music is a set of songs originally recorded in 2005. Although I keep a relatively immaculate archive of stuff, when I wanted to remix these tunes I found that these multitracks were nowhere to be found. So, I hunkered down and rerecorded all of the songs with a bit of a fresh approach, not the least of which was using an analog mixdown process through my oft neglected external chain.
my progress toward death is marching along my progress toward death is marked by this song
put some candles on the cake and hope tomorrow i’ll awake and then, mark someone else’s progress toward death
by wishing him a happy birthday