Fresh Soup: Recent Episodes
Fresh Soup
A podcast created by people who like electronic music.
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Engurland, Engurland, Engurland ... your Royal duty as a St George cross-bearing, sunburn-sporting, pint of Carling-swilling, monobloc polypropylene chair-chucking, international King of the louts is upon you. Let batty old Liz swear you into the court of chaos, say your oath to the spirit of Captain Tom, spit on the Marxist cult of BLM and shag a poppy. Your time is now, your country needs you. Or actually, just get in the sea you fascist fucks. Capturing the contradictory spirit of our troubled nation, Hilfingerz welcomes in the wonder and woe of football coming home, from flying chairs to brave lions, settle in for a rib cage-rocking set of tech house that screams 'take the knee', 'shut up you racist wankers', and most importantly 'fucking come on ENGLAND!'
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If you were in danger of having a lazy weekend, collapsing into your easy chair and tuning into Kenny Rogers, then fear not, our very own hero in a half shell is back to save your Saturday. With a familiar Soup session of squelching electronica and throbbing club-ready beats, the bandana-clad martial arts expert lures you from the sofa into his sewer.
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Deep and delicious, Simon Howlett's mixes are made for sweltering late nights and balmy evenings as the sun sets on a city skyline. Dropping in another Soup session of house music inflected by gospel, soul, disco and more, this one's to the start of the summer we all deserve but probably won't get.
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Summer is peaking through the clouds of Covid and threatening the status quo with the promise of fun. Remember that? To celebrate the return of sunburnt noses and sweaty briefs, our very own Øhm Dawg has cracked open a tinny and is luring us to his pool party with a session of future beats, lo-fi hip hop, neo soul and contemporary r&b.
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Active from 1991 until his untimely death in 2017, Marcus Intalex was a true pioneer of drum and bass in the north west of England, and a force our Simm considered one of the very best their was. Also producing house and techno music under the pseudonym Trevino, this tribute to a prolific game-changer in dance music takes us from Intalex's frenetic and soulful d&b back down to the slower but no less intense sounds of his four-to-the-floor alter ego; Simm marking the anniversary of his passing with a mix that embraces tempos from 174bpm to 126bpm.
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With a record bag capable of slaying a dancefloor at a rate more rapid than care home occupants were slain by a failed herd immunity policy, JBdeQ returns with another hour packed to the rafters with pitched up vocals, breakbeats, acid lines and booty-shaking beats and bleeps; working your inner hedonist into quite the stupor.
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Corona and conflict, corruption and climate, uncertain times call for a measure of calm. Who ya gonna call? If global confusion were a ghost, our Matthew Egginton would be the embodiment of Bill Murray and his phantom bashing pals. Fanning out the noise with another session of soothing spiritual house music, lose yourself in the blissful beats of our very own bedlam buster.
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The management would like to issue Mr Pete Carvell a formal double apology. Firstly, the blighter keeps making topical statements in his episodes: we are aware this is posted on the wrong day. Secondly, after finally making a date with a beautician, he asked us not to include this photo of his lockdown monobrow ... Actually, have just been informed neither of these devilishly handsome men are actually Mr Carvell, but they are in a pub, which keeps us inline with topical statements. Delivering another blistering hour of four-to-the-floor pumpers, our Pete celebrates an emergence from at-home drinking sessions and freezing cold terraces in typically boisterous style.
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Dishing up a Soup serving with another selection of lush house sounds more contagious than the Indian variant, big Mark Kovich is back behind our boogie box to take your weekend to the next level. Deep and dreamy, dandy and discoey, lose yourself in the hypnotic groove of house goodness.
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Is it ending? Is it time to dance? Whilst the pandemic is far from over, the shift into summer has brought with it a renewed sense of hope; vaccines on both sides of the pond they call the Atlantic being pumped out faster than Michael Gove can hoover up a line of bugle. Whilst the third summer of love may be on ice until 2022, we can still revel in a little positivity, and who better to soundtrack it than our resident Portland-based disco chugger, Simon Howlett? Nobody, that's who.
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Superstition is a load of bullshit, right? Wrong. Having just realised this was his unlucky thirteenth mix, our Pete promptly severed his toe on a picture frame. Bloody hell. Literally. Thankfully the curse didn't extend to this Soup session itself, Mr Carvell pumping out a typically rollicking affair that contains new music from Boys Noize, Perel, and Who Made Who, as well as a Frrrrresh drop from the elusive Burial which is as absolutely bonkers as it is brilliant.
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What do you call it, garage? What do you call it, urban? What do you call it, 2-step? At the end of the 1990s, skipped garage beats were forming a new evolution of sound in urban dance music; flooding dancefloors from East London to Ayia Napa with good vibes, attitude and eccentric MCs. Taking the 'speed garage' that Americans Todd Edwards and Armand van Helden had pioneered to a new audience and setting forth a transition that would go on to form UKG and dubstep, this hedonistic summer-ready style was a critical juncture for the British underground. Hollering with the rinsin' sound, Fresh Soup's thememaster drops an hour of sun-soaked club music from the golden era of 2-step.
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From pop to post punk and back again, Buck delves deep into his mixed bag for another session of sounds from the nether regions. More colourful than a set of Downing Street curtains, but much less shady, let Mr Houston take your hand and help you frolic through our late stage capitalism dystopia with gay abandon.
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Piling up the bangers higher than the stack of bodies Boris Johnson would rather have seen than another lockdown, JBdeQ is back with another hour of clubby, urban-edged house, electro and breaks. Soundtracking the sort of party we're all itching to get our bags out for, crank up the volume, piss off the neighbours, and lose yourself in the moment.
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Inspired in part by Mr Rycroft's recent 'house awakening' Soup session, our very own Duke of Drifty Synths, Matthew Egginton, calls on some of his favourites from "back in the day" for an hour of progressive house that reaches right into the scene's roots; a world of atmospheric arpeggios, of early trance and Renaissance-inspired euphoria.
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When you call yourself DJ Hell, it's obvious you want to let your listeners know what to expect. Sure, you could be plundering the Coldplay back catalogue, but you know whatever you're getting yourself into, it's not going to be easy listening. Thankfully, Helmut Geier doesn't seem keen on Chris Martin and his merry band of Tories, his brand of Hell is one of chaotic, punk-laced electronica; and his label, International DeeJay Gigolo Records, is a perfect expression of his sound.
Founded in 1996, the label was a driving force in the sound that became known as electroclash. From upstarts such as Fischerspooner and Miss Kittin & The Hacker, to stalwarts like Jeff Mills and Dave Clarke, Hell's DIY label gained ground quickly, and established itself as Germany's most successful label of its kind in the new century. Celebrating the very best of its raw energy, Øhm Sweet Øhm plugs into the abode of the damned for a fiery helping of throbbing electro. Straight from Mr Hell's own inferno, this is International DeeJay Gigolo Records.
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In the 12 months where fun got banned, nostalgia for packed dancefloors, lasers and big fish little fish dance moves has peaked; the sound of British hardcore being reproduced by kids who weren't even a glint in their parents' massively enlarged pupils, and hipster Instagram accounts ramping up the likes with crackly VHS footage. It's easy to forget, though, that there was huge prejudice at the time toward these raves and their music; and from the dance music community itself.
They say time heals, and for the hedonistic sound of hardcore, it's a nailed on truism; its sheer joy as infectious as it was back then, without any of the unnecessary and unpleasant elitist sneering that accompanied it. Through soaring piano riffs, falsetto vocals and skipping breakbeats, Fresh Soup's resident theme fan takes us on a blistering ride back to the mid-1990s, laying out the irresistible sound of 'Ardcore '94. You know the score.
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Our overlords have spoken and the doors are opening for a summer free from Covid restrictions, the prospect of being as one united under a groove looming ever closer. With sets frequently deeper than a certain German-Greek reptilian will be on Saturday afternoon, Mark Kovich is the man for this moment, his latest Soup session locking in electro, expansive house music, understated synths and squelching melodies fit to soundtrack our pending reunion.
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If Hilfingerz' last Fresh Soup session was a moment of contemplation and calm, his latest is the storm it preceded; Tom saying no to shamanic mindfulness and a big yes to ass-grindin' mindlessness. GTFU (you can work out the acronym yourself) is a very Hilfingerz celebration of Britain's gateway to bad behaviour finally opening its doors; the next Manchester Renaissance painting as close as it has felt since the sorry shitshow began. From pricks in the arms to pricks in the bars, our world-renowned shamelessness is on the horizon once again. Watch out Boris, you cunt.
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He's got an obsession with Messrs Leonardo, Raphael, Donatello and Michelangelo; he's eternally thirsty; and he loves a throbbing banger of a tune. It's the one and only, Pierre a Soif, back to rock you out of your socks with another dose of club-orientated nu-school electronica.
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It's slap bang in the middle of the 1990s and a much-loved Vauxhall Nova is traversing the A55, the M56, and M53. The cloud of smoke is dense and the tunes are life-changing. A group of teenagers send a fleet of cars from North Wales to Liverpool, Manchester, Leeds and beyond; clubs like Cream, The Haçienda and Back to Basics cementing sounds born in Chicago and New York into the foundations of England's north west. Matt Rycroft and his Nova would see many things in a few short years, and this is their story. A house music awakening where sweat drips from the ceiling and speakers are made for dancing on top of.
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Can you resist the temptation of the dark side? Back celebrating the raunchy roots of house music, Simon Howlett lures us into the warehouse for another steamy session of disco, dirt and deep house designed to set temperatures soaring.
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His is a name hallowed around here as the man most likely to theme the soundtrack to his own funeral; such is DJ Simm's fervent dedication to moments in time, sub-genres and discographies. For one night only, our man in Preston, Lancashire, drops his playlists and descends into a frenzy of thumpers that simply tickled his fancy. Drum and bass deep, dubby, clattering and cataclysmic, hold on to your hats and dive into Fresh Soup 116.
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It's the third day after his crucifixion and old J-dog is as dead as a dodo, but who's gonna turn water into wine if that badass son of God doesn't turn in his grave? Bringing back the long-lost spirit of bank holiday raving so rowdy it could wake the dead, Pete Carvell crashes into our Easter Monday with a session capable of resurrecting Christ himself. Hold onto your Mini Eggs for an hour of Holy hullaballoo.
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What's more random that digging your hand into a half a pound bag of pick 'n' mix? Buck Houston's track selection, that's what. The liquorice allsorts of Fresh Soup returns with another session selected from the deepest corners of his own mixed bag; all from synthpop to hip hop with new wave and rave in between. If you enjoy the cheap thrill of a lucky dip, Bucky's got you covered.
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Time to stock up on flowers to send to the neighbours, JBdeQ is back with an unapologetic ode to his underground awakening. Honouring countless school nights spent staying up late listening to Colin Dale's Abstract Dance Show on Kiss FM, this is a blistering 60 minute session containing many of his favourite tracks from those heady days of '90s UK techno; from Slam to Aphex Twin, Dave Clarke to Baby Ford. Turn it up loud and check your home insurance documents. You're going to need some new speakers after this one.
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Even in a global pandemic, we find it difficult to stop doing things. (Sourdough starters, that's all I'm saying.) The omnipresence of activity is inbuilt through decades of life in the neoliberal west, which is why many of us have tried, with varying success, to employ some kind of mindfulness to our routines. For Hilfingerz, his moment to stop and reflect, to enjoy life for what it is, manifests itself in a diversion from the 130bpm club bangers with throbbing basslines and skipping beats we've come to know him for. Tom might not be walking the way of the Rajneesh quite yet, but his baby steps are a reminder for us all to take a moment to ourselves; and what better an excuse than locking yourself into Fresh Soup 112 for an hour of carefree dance music mindfulness.
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The Prince of peacefulness is back, Matthew Egginton not crashing into our week, rather easing in elegantly from behind-the-scenes like a glamorous supermodel arriving at a shoot she's late for. With his blend of progressive beats and soothing synths, Matt's latest takes us on a sunrise journey to Eden; the perfect tonic for the 22nd of June.
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As disco in its spiritual home of New York's debauched nightclubs fell out of vogue, European producers inspired by the sound persisted with gusto; taking their scene to the mainstream with chart successes moulded in the manner of the Warhol Factory cookie cutter process. Once a dirty word, Italo Disco has won a devout new following, its catalogues plundered for synth-heavy camp classics with inimitable feeling. While the sound wouldn't resonate in the English speaking West at its peak during the 1980s, its influence can be felt in the distinctive electro-pop of Pet Shop Boys, Depeche Mode and New Order; today its new audience has made cult classics of one-hit-wonders from obscure artists and aliases.
The circle would be complete when Italo made its way into the nightclubs of New York and Chicago via American producers inspired by the high energy sound, the likes of Bobby O and Patrick Cowley evolving the scene as those in the UK had. For his latest deep dive, Øhm Sweet Øhm takes us on an uptempo ride through the individual sound of Italo Disco, the evocative scene that didn't know when it was beaten. Italians love synthesizers. And so do we.
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From a Croydon record shop called Big Apple to sold-out arenas in the city that goes by the same name, in the mid part of the 2000s to early in the following decade, a scene was born, exploded and its cultured ashes pissed on from a great height by an ugly American wave known ominously as EDM. Digital Mystikz, Coki and Mala, Loefah, Kode 9 a young Skream and Benga and many more helped transform a dark offshoot of UK garage into a dub-inspired haven of crackling tension and claustrophobic bass that would thunder through sound systems and onto dark and dank dancefloors. Those familiar with the sound's post-2010 demise may struggle to comprehend the gravity of this movement on electronic music at large. For those few years, dubstep was London's new punk. A blistering, DIY bolt of energy that warped sounds, crossed genres, and made clubbing exciting again. Honouring the scene's true sound, DJ Simm takes us on a quick tour from the underground to the edge of crossover with a selection of dubstep classics that stay true to their roots from beginning to end.
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Soaring and sonorous, deep and delicious. And that's just the velvet voice of Fresh Soup's Pete Carvell. Dropping another hour of lush house and electronica into our hearty bowls, lose yourself in some Sunday slurping as episode 108 transports you to a strobe-lit main room of ragged revellers.
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Feel the sweat drip from the ceiling and the moist embrace of an animated stranger. We will dance again, and to soundtrack the optimism that we're all allowing ourselves to feel just a little of, Mark Kovich is back behind the ones and twos with a hedonistic 60 minutes of deep and soulful house music, funky flex and disco dirt.
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Hold your horses, Johnny 5 is feeling alive in his guise a rootin'-tootin' sentient cow-bot. The nostalgia is back centre-stage at Fresh Soup, which can mean only one thing: Matt Rycroft is back with another hour-long good time session of electropop, tops off house joints and synth-driven electronica. Gitty-up all you robotic buckaroos, Saturday just got off to a flier.
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Brace yourselves for another incoming attack from the United States of America. Simon Howlett has his deep and dubby disco guns a-blazin' again, rendering reluctant dancers helpless in their wake. From Portland, Oregon, to Fresh Soup with love, steady your stereo for another irresistible invasion of ware-house-music for the soul.
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I went into a bookshop yesterday to see if they had anything about turtles. "Hardback?" The guy asks. "Yep, with little heads," I respond. OK, I'll quit it with the jokes, before we head for a turtle disaster. Crashing into the back end of your week, our favourite testudines returns with another blistering session of big room bangers set to leave you shell-shocked.
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They've been around the world, they're harder, better, faster and stronger, and they've played in the house of the guy who was the first to play them to the rock kids. They are Thomas Bangalter and Guy-Manuel de Homem-Christo, and they need no introduction. When your old man writes D.I.S.C.O. there's only one way to go, and through a fire of screeching 303 acid lines, they found their way home with nowhere left to travel. If you've been living under a rock or self-isolating in a lead-cladded panic room, the Daft Punks have bid adieu to one another, and this is our tribute to their legacy; Pete Carvell cranking up the energy for a thunderous rollin' and scratchin' ode to the two French boys who lived inside robots. To those who lost themselves to dance, we salute you.
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The drums and the bass are there, but so too are vocals, moving melody and lush instrumentation; this is the soul of drum and bass. Switching out rampant hoover synths and chaotic bass-bin-bustin' subs for song structures, pianos and harmonies, Simm takes us on his most polite outing to date. This is drum and bass that you can take home to meet the parents.
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Enter the sound of science, as Hilfingerz drops Fresh Soup 101; a joint ode to the technology that is slowly putting an end to our sad situation and that has shaped the music each and every Souper holds dear. Enjoy our own progress through tech, with a solid 60 minutes of bass heavy, urban-inflected dance music that celebrates the silent work of the scientists who shape our society. (And, yes, Tom does say it's his February mix, which is our fault not his. Sorry Hilf.)
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Free-falling Fresh Soup into three numbers, Buck Houston takes a leap of faith for this momentous mix, fixing the metronome at 100 beats per minute. Marking the big one-hundred with a typically eclectic session of movers dialled into the same speed for just under an hour, dive into Fresh Soup 100 and celebrate this and the previous 99 sets of unwavering quality. Felicitations Fresh Soupers, we made it.
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Tonight we're going to party like it's Fresh Soup 99. To mark our last session in double figures, resident raver JBdeQ gets our party started with a familiar blend of dubby and clubby house, breaks and bangers. Limber up like you've just heard the pandemic is over, put on your dancing shoes, and celebrate 99 marvellous mixes from team Fresh Soup.
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Some say you have to be a tad unhinged to join team Fresh Soup, but perfectly-sane-of-mind Jim Damentalist shows those naysayers otherwise. Having whipped crowds into a crazy stupor at clubs from Cream to Pacha, Ibiza Rocks to the infamously hedonistic Manumission, Jim opens his Soup account with a soothing 60 minutes of melodic house and understated dancefloor drama. What's in a name?
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In a world of uncertainty, some things are still set in stone. That the road out of the pandemic will be as precarious as Bolivia's Carretera a los Yungas; that a Pep Guardiola side will pass a lot; that Boris Johnson is a cunt. For fans of Fresh Soup, they'll also be familiar with the gold-standard certainty that an hour with Matthew Egginton will be a sonorous segue from the shit that surrounds us; a blissful session of atmospheric house music that makes it all go away.
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First standing behind the decks in 1969 at a club in a small town near Rimini, a young Italian DJ would spend the 1970s honing both his craft and a unique slant on the disco music that was being pioneered across the Atlantic. By the 1980s, Daniele Baldelli's Cosmic Disco was ready to lift off, literally; his DJ booth at Cosmic, an influential nightclub by Lake Garda, designed to replicate the cockpit of a spaceship.
Informing a more esoteric brand of disco the world over, Baldelli's tendency to dig out unknown gems, to spin 45s at 33, incorporate instruments and live elements into his sets, had rubbed off onto a generation of space disconauts; a sound that has endured to this day through artists such as Lindstrøm and Prins Thomas. For his latest deep dive, Øhm Sweet Øhm takes us back to the 1970s and '80s via an ethereal realm of otherworldliness, a cosmic 60 minutes of dancefloor wooziness guaranteed to take you to places you could never have imagined. Get ready for lift off.
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Hotstepping from the genesis of jungle at the turn of the 1990s to the genre in its current form, DJ Simm is back with a clattering ode to 21st century jungle; drawing from the catalogues of two of the labels at the heart of the scene's shifting sound, Rupture and AKO Beatz. Like a vaccine supercharged with steroids, Simm's latest is a brutally brilliant session of hoovers and rave stabs, thundering bass and drums that have been programmed like weapons of mass destruction. In Soup 095, the jungle is very, very massive.
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Happy birthday to us. As Fresh Soup marks six months of eclectic mixes and mid-pandemic merrymaking, the man who dropped our first session returns to his roots with a thunderous hour of alt-dance that draws on his hedonistic days as a resident at Ibiza Rocks; Pete Carvell blowing your bassbins to celebrate half a year of sensational Soup.
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Not even a case of Covid can keep Mark Kovich from delivering the goods. After a tough session of isolation, Mark presents Soupers with a deep and dark hour of house music that conjures the polar opposite of seclusion: that primal essence of clubbing, that we are all one under the trance of repetitive beats and squelching synths.
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"If you have a friend who's a robot, they'll never cross you. They're loyal because their love can't be bot." I'm here all week. With Paulie Pennino's robotic butler at his service, Matt Rycroft is back at the Fresh Soup ladle to dish up another helping of nostalgia-soaked, party-minded house music to make your weekend infinitely more danceable. Just don't ask Peter Crouch to show you his moves.
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As deep as Jeff Bezos's pockets, our latest incoming from Portland, Oregon, is another woozy walk into the weekend. Funk, filters, fuzz and flair all come together under the virtual strobe lights, as Simon Howlett takes us on another hour of deep and soulful house music.
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Call April O'Neil on the case, Pierre is back with another 60 minutes of leftfield house on the half shell. A deep, club-forward innings of beats and bleeps made with nostalgia for the dancefloor, tune in, turn up and wiggle your way to the weekend.
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Like a mutant strain that won't be suppressed by no vaccine a human could engineer, JBdeQ is back with another blistering session of high energy dance music. From techno through Baltimore club by way of clattering drum and bass, this party gets pitched up to a relentless 160bpm and stays there from the off.
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It's the turn of the 1990s, and the sound that Fabio and Grooverider had honed at London's infamous Rage club night was influencing a whole new generation of ravers; names like Goldie and 4hero shaping a new direction with their label's Metalheadz and Reinforced, the former beginning as a dubplate offshoot of the latter. A mutation of acid house that would form the basis of drum and bass in the latter half of the decade, the junglism of the early '90s is captured in its raw and primal essence by DJ Simm in his latest genre deep dive. Welcome to 'Jungle Origins'.
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Put on your hard hats and shelter for cover. In Pete Carvell's first Soup interview of 2021, Barry Almond—of infamous UK promoters, Goodgreef—sits in the hot seat to discuss 20 years of parties, passion and pounding beats. A major player in the often-maligned but much-loved world of hard house and trance, Goodgreef have welcomed names such as Tiesto, Paul Oakenfold, Mauro Picotto and Above & Beyond; hosting parties at events from Creamfields to The Warehouse Project, locations from Ibiza to Norway. Accompanying their chat, Pete ups the tempo for a session of Goodgreef-inspired thumpers guaranteed to shatter the woozy weekend peace of your neighbours.
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From altering the krautrock landscape to inspiring those across the Atlantic who changed the face of electronic music forever, there are few true 'icons' in the history of music, Kraftwerk are those who can ascend that title. Formed in 1970, the Düsseldorf pioneers were early on the uptake of new technology, and rewrote the rulebooks for what a 'band' could be. Anyone with more than a passing interest in the robotic German experimentalists will know that our Øhm Sweet Øhm is a fan, so it is fitting that his latest Soup see's him splashing headfirst into one of music's most momentous back catalogues. Vorwärts!
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"It doesn't matter if you're a loser, or a nerd, or a freak. All that matters is you become badass." Buck has been watching too much Cobra Kai. Which, apparently, is not a bad thing. Striking first and striking hard, Buck Houston shows no mercy with an hour of of hypnotic beats, global rhythms and hip-shaking waxing on and waxing off. What are you waiting for, you bunch of pussies?
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There's a lot of noise. Headlines, horror, hate. Which means Fresh Soup fans will be glad to know that their monthly dose of soothing sounds have dropped. Mr Egginton is back, delivering another hour of organic and progressive house music to alleviate the most troubled of times.
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Nothing says Saturday night like bouncing around your living room alone after a hard day's essential shopping. 2021 might be feeling a bit déjà vu so far, but that doesn't mean we shouldn't take it and ride it like a bull, oh no. Providing a hectic soundtrack for solo raving, former Ibiza Rocks resident and Fresh Soup stalwart, Pete Carvell, cranks up the energy with a pounding session of squelchy electro, hard-hitting house and new rave sensibilities.
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Simm Sundays are back with another genre-specific deep dive, this time exploring the atmospheric and ethereal edges of drum and bass, the Autonomic sound a shape-shifting progression that would take d'n'b into a new generation; fast and slow, ambient and eclectic. A futuristic sound breathing new life into an ageing genre, lose yourself in 90 minutes of paradisiacal Autonomic.
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It's a dark winter of doom and not even the orange buffoon's downfall could shine a bright light on it for long. But that shouldn't mean we are dark within ourselves, we have our souls. And our music. Delivering a resonant dose of house music rich in feeling and emotion, Mark Kovich keeps us raving through the lockdowns.
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A public service announcement for those lucky vagabonds who've been living off grid, holed up in a treehouse in Borneo: things are a bit shit. It's a new year, though, and a new day. As the orange sock puppet bobs unceremoniously out of the White House, and some folk are finally getting that prick in their arm, our Hilfingerz has decided it's time to look on the bright side of life; his latest a feel-good frolic through bouncing urban beats and odes to better times. Here's hoping Hilfingerz, here's hoping.
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If you can polish off 12 pills on a night out, you should be able to eat three jacket potatoes slathered in cheese on and tuna mayonnaise without running yourself over. Amirite? It seems the ability to consume ecstasy and starchy root vegetables are not mutually exclusive for our pint-sized friend. But what a pooch. All that has nothing to do with this mix, mind, so without further ado: here's Buck Houston's first for 2021, a familiar amalgam of rhythms from around the world to soundtrack your Sunday.
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Your shorts are not short enough and your socks are not high enough. Dig out your high tops and dust off your arcade skills. In another synthy session with big vibes for the greatest decade, Matt Rycroft hits a high score of 112bpm and takes us on a mid-tempo journey through electro, disco, boogie and more.
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Sex sells, and Øhm Sweet Øhm is buying. Slinking into the sleaze for a grinding session of hot and horny funk, soul and disco sounds, the Barcelona native raids his record collection with risqué and raunchiness in mind. With all the filthy fun of a sticky-sleeved VHS, Øhm dons his thickest moustache, curls his chest hair and loses his toes in the shagpile for an improper hour of fruity funk.
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Cowabunga! Our amphibious imbiber returns to Fresh Soup with another swashbuckling session of beats and bleeps, melody and mania. If you like your pizzas with an extra helping of nunchaku, step into Pierre's fabulous fantasy world for another 60 minutes of sonic boom.
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What's more fun than a racist killing themselves by tasering their own nuts? JBdeQ bouncing into your Monday with a rollicking session of club music. That's what. An animated amalgam of rave, house, breaks and hip hop, JBdeQ's first Soup for 2021 is one riot you should most definitely attend.
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If Simon Howlett's woozy disco session hadn't got you into gear for 2021, then Simm's latest is a no-option crank into it by force decree; our very own seasoned purveyor of drum and bass history plundering the weighty back catalogue of Belfast producer, Calibre. Rich in melody and musical endeavour, Dominick Martin's consistent presence in the scene is celebrated in a 90 minute mix which sees Simm condensing 20 years of Calibre into a strong 35-track selection.
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Are we awake yet? It's that misty mental hinterland between the close of one year and hitting the first gear of the next, but multiplied by a scale of 2020. As Trump's dynasty falls, Fresh Soup hot foots it to the United* States for our first drop of 2021; Simon Howlett representing from Portland with a woozy session of disco-inflected house music to help us collectively grind into gear.
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It's finally time to put The Worst Year Ever™ into the bin, so Fresh Soup is celebrating in style with a triple drop to get your party hazy. A mix-n-match choose your own adventure of an evening, the Soup NYE special closes with a midnight bang of disco balls and party poppers; Matt Bell delivering a padded shouldered moonwalk through the 1970s, '80s and '90s.
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It's finally time to put The Worst Year Ever™ into the bin, so Fresh Soup is celebrating in style with a triple drop to get your party hazy. A mix-n-match choose your own adventure of an evening, the Soup NYE special continues on a deeper note, Mark Kovich upping the vibes to strobes and smiles with a session of atmospheric house and squelching acid lines.
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It's finally time to put The Worst Year Ever™ into the bin, so Fresh Soup is celebrating in style with a triple drop to get your party hazy. A mix-n-match choose your own adventure of an evening, the Soup NYE special begins with an uplifting jam of broken beats that work their way through hip hop, soul and garage; an urban blend of skittish beats, thick basslines and soulful vocals from the one and only DJ Simm.
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For the third in a trilogy of festive outings, Buck Houston unwraps your Christmas morning with an ode to the iconic anti-Yuletide movies of the 1980s. A jingle-belled bolt of festive frolicking that requires stringent parental guidance, Wholesome Family Entertainment* is 60 minutes of nostalgia and naughtiness that is best served with a pint of Buck's fizz. Naturally.
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It's Christmas, Jim, but not as we know it. A topsy-turvy year where nothing was as it seemed warrants a Christmas Eve party pounder where not all is as it seems. The cheese board to your after dinner sherry, Pete's final Fresh Soup session of the year is a resonant miscellanea of styles that bounces between banging beats and thrashing guitars; a nod to his days behind the decks at Ibiza Rocks. In the year we all want to see the back of, Pete Carvell goes out with a bang.
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Part one in a short series of Christmas specials, Hilfingerz drops in behind the Fresh Soup decks for a festive set jam-packed with beats, energy and Vibes with a capital V.
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It is time once more to zone out and drift into the melodic and atmospheric sounds of Matthew Egginton, as another 60 minutes so soul-cleansing progressive house drops into the Soup mix.
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It is the turn of the 1970s in a grey, working class Greater Manchester town, and Brian has left behind his tough job in manual labour for a night on the tiles. He arrives at Wigan Pier with a few quid and his talcum powder. This is not a euphemism for drugs. Dusting himself with talc, Brian takes to the dancefloor with wild athleticism; popping and flipping to rarer than rare Motown cuts, oft forgotten about by even the artists themselves, but revered by trainspotting DJs in the north west of England.
Known as 'stompers', Brian and his friends on the scene provide an unforgettable face to a sound that transfixed ravers in the north; Northern Soul a movement that transcended the fast-paced soul that soundtracked it. Øhm Sweet Øhm's latest venture to the recesses of his record collection sees him laying down the foundations of a night of soul, revelry and bodies contorted into incredible shapes. For one night only, get your ears around the arresting sound of Talcum Soul.
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Old JBdeQ keeps teasing us with sets that leave us longing for the dancefloors that time forgot. And he's done it again. As the winter sets in and memories of stood in nightclub queues in sub minus temperatures set our teeth a'chatterin', JBdeQ does it again with an atmospheric set of club bangers.
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Plink, plink, fizz. Tis the season of stinking hangovers. (Or has it been the year of?) Ergo, big Buck blasts back with an hour of easier listening designed to get you slowly back into the party spirit whilst you scrape your tongue and season your big breakfast. All before you go and do it all again. Cheers.
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Christmas parties might not be 'a thing' in 2020, but that shouldn't stop you getting into the mindset of slamming your ass cheeks onto the unsuspecting screen of a photocopier and letting rip. Mark Kovich is back at Fresh Soup HQ and placing us firmly in party mode. Who ordered the shots?
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Pierre slashes back into the Soup with another taut selection of sounds that stretch the boundaries of house music. From the ethereal to the effervescent, the thirsty turtle takes us on a midweek ride to the unknown.
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Easy like a Sunday morning. Or afternoon. Simm slips us into the easy chair for a blissful 60 minutes of deep and dreamy drum and bass; think head shops, after parties and sunset festival tents.
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As the corks of liqueurs are popped and the ambassador unleashes his Ferrero Rochers, the wooziness of the festive season is upon us. Let Simon Howlett soundtrack your decoration disasters with another set of dazed and confused discoey deliciousness. The Baileys are on us.
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We might have a third bout of lockdowns to hurdle first, but with vaccines set to roll out, might we dream of the dancefloor once more? Priming us for a sweaty session of no-nonsense good times, Matt Rycroft returns with another mix of four-to-the-floor joy.
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Kid Krayola is a boy trapped in time, an enigma of hope; a 'what could've been.' For his first mix in two decades, the delinquent producer takes us on a personal journey of influence and inspiration, a reminiscence of a pre-streaming, pre-social media century where everything was still fucked up. We just didn't talk about it as much.
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Hilfingerz is back with another sweet treat, this time harking for better times with a set of tech house, wobbly bass and thundering beats; all liberally sprinkled with hundreds and thousands of classic hip hop vocals. Are you ready to party like it's 1999?
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It's a mix of two halves for Mr Carvell as he returns; Pete delivering some jarring juxtapositions as he stirs the Soup from a first half of electro-tinged house to a second session of beats, bass and a garnish of jungle.
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Heartbreaking but uplifting, Jonathan Kenyon's latest is Fresh Soup's most profound edition to date; the session dedicated to close friend, Michelle, who lost her battle with cancer this week. A touching tribute to someone whose joie de vivre lit up the dancefloor wherever she went, her presence runs throughout Kenny's mix, the bright star even having had a say on its tracklist. Dear Michelle, this is for you.
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Mark Kovich is back behind the Soup decks for another of his biweekly sessions; this a taut delve into a variety of house sounds that leaves us longing for the sweat of a stranger.
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Steve is back with a booming set of driving, four to the floor electro with his signature indie edge. Turn up loud and watch those bass bins quake.
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Ford Escort packed to its limit, bucket had dusted off from the weekend before, latest rave tapes being chewed up by a dodgy cassette player. Sorted. For his latest Soup session, Simm takes us back for a riotous revisit to the heady days of 1992. You know the score.
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Fresh Soup celebrates 50 sessions in serious style, George Thompson delivering an exceedingly special two hours of sound. The co-founder of Feel, one of the UK's most successful club nights, George played alongside names such as John Digweed and Paul Oakenfold, as well as regularly guesting at Cream and Gatecrasher; also having propped up the ones and twos at Ibiza's legendary Amnesia, and the esteemed Exogroove in Milan.
His first mix in six years, this Soup exclusive is a kind of 'life's work', running through an expansive selection of genres unified by an electro edge. Years in the making, work on this special set began with the birth of his daughter Ottilie, who joined George in dancing through the distance of his musical journey. A momentous mix to mark our big 5-0, dive into the sounds that shaped a celebrated name in British club history.
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Matthew Egginton returns with another luscious serving of expansive and dreamlike progressive house music; melodic and rich in textures, tune in and drift off to a sweeping plain free of the confusing communication detritus of our modern age.
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Øhm Sweet Øhm returns for his monthly genre deep-dive, this time paying homage to the early b-boys and MCs who discovered the robotic sounds of German electronic music during the early 1980s. Rapping over 808s and synths, this sound would define a generation; a carnival of breakdancing that rolled from The Bronx to an international stage.
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Dub no bass with my head, man! JBdeQ is back with a boom, honouring the deep and delicious sound of dub; cranking out a heavy mix that touches on the various genres and styles that have been informed by the echoey and expansive sound that filtered out of Kingston in the late 1960s.
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"Shit's been real this year, so we should take any opportunity to celebrate," explains Señor Houston of his latest excursion. With an overwhelming urge to party, Buck's latest has a string of joy running through it that was inspired by the double whammy of America's despot being toppled and the news of a vaccine on the horizon. We will dance again.
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Pete Carvell returns to the Soup with an electro- and techno-tinged mix interspersed by a Zoom chat with electro-pop outfit, Zkeletonz; expect talk of Alex James's dairy excursions, baked beans, upsetting Northerners, and the heady days of Pete's record label, Gash Digital.
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Pandemic? Impending doom? Turn off the news and put on your dancing shoes; Mark Kovich is back and in jubilant mood, laying down an hour's worth of funk, disco and house music to set our timeline straight back to the good times.
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Pierre a Soif is back with another odyssey into the more outré recesses of contemporary dance music. Rich in soundscapes and thundering bass drums, Pierre once again leaves us hankering for the strobe-lit spaces of a pre-pandemic world.
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Boom. DJ Simm is back with a weighty slab of vintage Bristolian drum and bass that outlines the mid-1990s moment when names like Roni Size, Krust and Dj Die redefined a dark corner of dance music. Futuristic for its time, this raw, resonant sound remains as potent to this day. Offering a hypnotic journey into the analogue archives of d&b's crossover moment, get your dancing shoes on for Simm's latest deep dive.
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Taking us on a late-night transcendence from a certain tug-of-war for power, Portland-based Simon Howlett returns to the Soup with the sort of sweaty and sleazy after-hours session you once heard resonate through disused warehouses from Bushwick to Ancoats. For one Saturday in 2020, let's pretend we're back where we all want to be. Rejoice.
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London-based Schmoking D is a self-proclaimed 'trainspotter' with an eclectic taste in dance music and an ear for the good times, although his sound often gravitates toward deep and progressive house music, for his Fresh Soup debut, Damien drops an expressive ode to the unrelenting joy of funk and disco.
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Crack Sells is the DJ name of Bram, the owner of Season Five; a Netherlands-based international booking agency who have worked with artists that include De La Soul, Talib Kweli, Slum Village and Ghostface Killah. For his Fresh Soup debut, CS simmers a session of soulful and jazzy hip hop that he simply calls "a mood."
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From the fun and frivolous disco parties that spun off the humble beginnings of Greenwich Village's now world famous Halloween Parade, through the haunting British hardcore and jungle of the 1990s, and back across the Atlantic to the dark and nihilistic sound of hip hop horrorcore, All Saints' Eve and alternative electronic music have a long and storied history. For a Fresh Soup special, Buck Houston reaches deep into his record box to dig out an eclectic ode to the year's most frightening celebration.
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Matt Rycroft celebrates the 60th birthday of football's greatest, maddest and baddest with a session of euphoric house music that couldn't fail to eke out some of Diego Armando's finest dancefloor moves. To the man whose hip-shaking warm-up is as legendary as the most famous goal in World Cup history, we salute you.
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James Dewitt Yancey—better known as J Dilla, or Jay Dee—was a quiet genius taken to soon, dying of a cardiac arrest after a long illness with a rare blood disease. He had just turned 32. Described as "jazz's latest great innovator" and 'the Mozart of hip-hop', among other plaudits, and hailed by the biggest names in the scene, Yancey himself remained humble and shunned the spotlight.
With production credits for all from De La Soul to Erykah Badu, his solo work remained unheralded in his lifetime; posthumously he is now regarded as hip hop's greatest ever beat-maker. In a Fresh Soup special, DJ Simm pays homage to a modern musical magician.
Mark Kovich is back, and sending Soup into its tenth weekend of electronic freshness with a deep and moody hour-long session of driving house music.
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Matthew Egginton returns to the Soup for a second expansive journey through the deep and dreamy sounds of lush, progressive house music.
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For his latest genre deep dive, Øhm Sweet Øhm takes us back to the late 1960s in Brazil, where influences from around the world were redefining the country's music and popular culture. 'Um Toque de Brasilidade' is a place where classic samba meets North American funk and soul, where MPB (música popular brasileira) would collide with expressive pop arrangements, emotive disco and jazz-led rhythms. Through to the early 1970s, this sound swept the country, and later the world. For an hour, lose yourself in this classically groovy sound, and discover a little of what it means to be Brazilian.
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Missing the club? Divert your ears now. JBdeQ returns to Fresh Soup with a whole load of deep and soulful, dancefloor-ready sounds to keep the dream of dance alive.
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From Libya to Algeria, Ghana to London, New York and beyond, whether Arabic or ethnic African, the music of the continent shapes sounds worldwide; serving as a constant source of inspiration from tribal times to today. With a strong African influence to his latest Sunday session, Buck Houston explores a myriad of styles that have played a key role in his personal journey of music discovery.
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"Soup is better than a brick. You can't throw a brick, it's too heavy." Wise words from a wiseguy. Pumping out an electronic soundtrack to an eroding global democracy, Pete Carvell crashes into your weekend with big, big bags of energetic Fresh Soup.
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As the head of sound at London's Royal Academy of Dramatic Art, Steve Mayo is more used to creating sound effects like angry dogs barking stage left than taking the sonic limelight himself. Putting his craft to use for something a little different, Steve makes his Fresh Soup debut with an eclectic mash up of electro that tips its hat to '90s indie and the great Mr Weatherall. Bravo.
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Flooding spaces throughout Barcelona and beyond with melodic and emotive underground electronica for more than two decades, Atmotic (aka Xuki) is a DJ and record collector with experience on his side. For his Fresh Soup debut, he delves into his impressive vinyl collection to share a personal ode to the laidback and jazzy sounds of Joe Claussell and Glenn Underground.
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From the roots of the rave scene to contemporary sounds that stretch the boundaries of the genre, Pierre a Soif floats into our Fresh Soup with an eclectic mix of house music operating to the very left of centre.
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It's Kangol caps and Kappa, double doves and motorway services. Smiley is the flag for your cerebral nation. Grab your whistles and settle into DJ Simm's latest for Fresh Soup, a passionate ode to the epic sounds of 1991. Acieed.
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Based in Portland, Oregon, Simon Howlett opens his Fresh Soup account with an end-of-summer ode to the sort of deep, dubby and disco-tinged house he would have usually been playing out on Sunday afternoon open-air sessions or at nights such as the city's Folding|Space. Capturing the mood of lazy weekends, Simon reminds us what we've been missing, whilst offering a dreamy hope for a post-pandemic world.
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It's a Matt Rycroft Friday, as the Fresh Soup co-founder drops a bomb of pure house. Find a platform to ascend and lose yourself to the moment; dancefloors might be off limits, but house parties for one are fair game.
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Navigating us past the boss battle, picking up a Super 'Shroom and loading up the next level for his second Fresh Soup session, Hilfingerz delivers a darker mix soaked in a deep UK urban sound.
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Buck is back. Returning for another of his biweekly deep dives into a myriad of dancefloor-friendly genres, the Barcelona-based music meddler takes us on a journey through R&B to acid and back again.
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Pete Carvell is back, serving up sounds from Daniel Avery to Timothy Clerkin, Terr to Way Out West, as well as delivering our first Fresh Soup interview; fellow resident, Hilfingerz, joining Pete to delve into nights out and misadventures at parties from England's North West to the paradisiacal Balearic island, Ibiza.
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Matt returns for a second childhood-inspired helping of synths and soundscapes. Don your visors, get behind the virtual wheel and hit play; your pixelated ride into the sunset continues.
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Matthew Egginton's Fresh Soup debut is a deep and melodic session of progressive house that kicks off with a Leftfield classic before dreamily drifting through a selection of new and old releases anchored by personal favourites.
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Øhm Sweet Øhm returns with another deep dive into his extensive record collection, picking out a selection of 'música con alma' close to his heart. Through Mambo and Boogaloo, Latin Jazz to Afro-Cuban, Barcelona's Óscar Sánchez takes us on a soulful Latin American journey from Puerto Rico to East Harlem.
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Simm continues on a nostalgic tip for his second outing on Fresh Soup; this time celebrating house music's shift toward the leftfield around the turn of the 2010s. With producers such as dubstep pioneer Loefah distancing themselves from their scene's transition into the mainstream, and post-dubstep creators like Joy Orbison offering a new template for 4/4 club music, Simm's second mix is filled to the brim with deep and bottom heavy sounds that borrow from the UK's urban underground.
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JBdeQ's second monthly mix crashes into Fresh Soup at a frenetic pace, pulling together inspirations from sweaty club music on both sides of the Atlantic.
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Fresh Soup's Buck Houston drops in for the third of his biweekly sessions of dance music miscellanea, delivering a home listening mix that spans generations.
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La Mano—aka Anglo Italian DJ and producer, Carlo Bragagnini—has had his music supported by DJs such as Âme, Man Power, Jennifer Cardini and Henry Saiz, and flexed his muscle for Bicep's Feel My Bicep podcast. Here, he delivers a deep and driving set of house and Italo disco.
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Following on from yesterday, another member of the One Nite in a Disco team saunters in for a slice of melody-driven house music; Jonathan Kenyon making his Fresh Soup debut.
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The founder of One Nite in a Disco, Lee Astbury slaps on some Soul Glo and takes us on a journey through the soulful side of house music.
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Matt Rycroft returns with a synth-heavy second session inspired by long hot summer days frequenting arcades as a child of the '80s.
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Buck Houston returns for a second session of Music, his bi-weekly exploration into sound; digging up a mixed bag that spans six decades.
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Needing no introduction for those who danced the floors of clubs in England's north west throughout the 1990s, Matt Bell makes his Fresh Soup debut by applying a contemporary twist to some old skool classics.
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Mark Kovich drops in for the first of his monthly Fresh Soup shows with a deep session of electro-tinged house music.
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Hilfingerz kicks off his monthly Fresh Soup show with an introductory mix of house, tech house, breaks and an array of surprise samples.
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The first of Matt Rycroft's fortnightly sessions splashes into Fresh Soup; a straight up hour of main room 'tops off' house music to set you up for a big weekend. No nonsense fun.
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Avid rare vinyl collector, Øhm Sweet Øhm, delves into his archives of classic disco for a purist's look into 1970s New York.
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Simm discovered electronic music at the age of 11, back in 1991. From there he followed the rave scene through hardcore to jungle and drum and bass. At 16 he got his first pair of decks and started collecting vinyl. Throughout the years he’s been involved in various genres, but drum and bass is always the sound closest to his heart.
This first mix for Fresh Soup is a selection of some of his favourite releases from 1996, the year he began DJ'ing. Tech step through to Jump Up and some of the more deeper cuts, DJ Simm provides a short journey through that seminal year.
Barcelona's JBdeQ spins us through the sounds of off-centre house inflected by disco and soulfulness.
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Music is a biweekly tour through the kitchen-sink record collection of Buck Houston, a restless pedlar of all accompanied by a groove.
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Pete Carvell digs deep into his record collection and shares choice cuts of house and techno from the past 30 years through to present day. This debut session showcases recent music from East End Dubs, Sam Girling and Special Request, alongside classics from Eurythmics, Sil, Krush and DJ Hell.
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