Someone called Edward Brathwaite makes a brief appearance in Roberto Fernández Retamar’s famous 1974 essay “Caliban: Notes toward a Discussion of Culture in Our America.” Like Caliban in Aimé Césaire’s play A Tempest, Edward Brathwaite later changed his name. But whereas Césaire’s Caliban demands that Prospero “call me X” (20), Brathwaite chose the name Kamau. […]
To the delight of students and seminar leaders alike, Professor Chaturvedi has been sharing politicized songs that bring together musicians and sound profiles from the South Asian and Afro-Caribbean diaspora before each of his Humanities Core lectures. Here is his essential HumCore playlist, along with some videos and additional information about the artists that […]