Bless the Lord: Recent Episodes

Humble Friday

Join us each week for a conversation with insightful and entertaining guests. From gear and technique to history, science and art, we discuss the topics most important to the contemporary photographer.

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In support of the 2021 OPTIC Outdoor, Photo/Video, Travel Imaging Conference, to be held online July 11-12, 2021, the B&H Photography Podcast team conducted our own photo walk, much like they do as part of the OPTIC Conference events. For this episode, we took our cameras and microphones to the beautiful Elizabeth Park Rose Garden in West Hartford, Connecticut and with Allan as the group’s leader and Jason and I as participants, we completed several photo challenges and practiced our photography and storytelling techniques. As this is a virtual and audio photo walk, we encourage our listeners to participate on your own time and in convenient locations, such as a local park or even your backyard.  The episode is designed so that the listener can pause the recording after the challenge has been assigned and complete it on their own. You can also just listen as we work through our assigned shots with Allan fielding our questions. The gear we use is our own, nothing fancy, and the various challenges can be completed with almost any camera and lens combination. For my part, I am using a full frame Nikon DSLR with a 24-70mm f/2.8 lens and a 70-200mm f/2.8 lens and Jason is using a full frame Sony Alpha mirrorless camera    with a  Sony wide-angle lens and the Sigma 100-400mm f/5-6.3 lens.  Assigned shots incorporate wide-angle and telephoto perspectives and utilize basic photo techniques, controlling aperture and shutter speed for varied affects, and applying ideas on composition, shadow, detail, and narrative. There is even a macro photography bonus challenge at the end of the episode, so bring that lens too if you have it. We look forward to “hanging out” with our listeners in this virtual setting as we do to soon returning to “IRL” photo walks with old and new friends. With that in mind, check out the OPTIC Conference events page with two-days of online presentations, and register for the free conference hosted by B&H Photo and sponsored by Canon, Nikon, Sony, Sigma, Godox and many others. Photograph © Jason Tables Challenges: Flower Challenge: Using a wide-angle lens make a photo of your garden as it sits within its landscape, a landscape photo with the garden as its primary feature. Then, using the same lens, make a photo of an individual flower, perhaps in relation to the other flowers around it. Water Challenge: Using the focal length of your choice experiment with shutter speed to blur the movement of water in a pleasing way. Also, make a photo of the reflections and refractions in your body of water. Architecture Challenge: Tell the story of a building or structure in three photographs: a wide shot, a detail and a third photo of your choice. Remember, tell the story of the building. Bonus Challenges: Use a macro lens to make a detail-rich close-up of a flower OR with a telephoto focal length, take a photo of an animal or bird in its natural environment, ideally demonstrating behavior.

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Live event and concert photography have obviously been drastically impacted by the global pandemic and related shutdowns. Let’s give a shout-out to all the photographers, musicians, technicians, and crew who have struggled with the loss of that part of their income and craft, but also make time on the B&H Photography Podcast to talk about concert photography as we inch toward a hopeful return to live music and art performances. Today’s guest is Christie Goodwin, a premiere concert and music photographer. She has been the tour photographer for the likes of Taylor Swift and Usher and has shot in venues around the world. She is also the house photographer for the famed Royal Albert Hall in London. Her work is impeccable, and a quick glance at her website features some of the most recognized faces in contemporary music today. With Goodwin we speak on a range of topics, including her goals as a concert photographer based on the needs of the artist, the management team, the venue, or the fans. We also talk about life on tour, the trust necessary to work with musicians, shooting techniques learned from experience, and how she lets a concert “speak to her” as she decides her photographic approach. We also talk briefly about her Canon DSLR cameras and lenses, and about her side hustle, creating conceptual images for book covers, and how this primarily mirrorless endeavor is the yin to her concert photography yang. Join us for this insightful and practical conversation. Guest: Christie Goodwin Photograph: Christie Goodwin

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Has the Canon EOS R5 changed the conversation about using mirrorless cameras for bird and wildlife photography? This is the position of our guest, David Speiser who, this summer, traded his Canon 1D X Mark III for the R system camera and lenses. But his colleague, fellow bird photographer and—for now—DSLR stalwart Grace Scalzo, is not quite ready to make that switch. Today’s episode of the B&H Photography Podcast focuses on the features of the Canon R5 and RF lenses that specifically benefit bird photographers. Speiser relates his decision to sell a treasure-trove worth of gear and re-invest in Canon’s mirrorless system.  He notes the advanced eye-focus, the customization features, in-body image stabilization, and new, sharp lenses as factors in his decision. Grace Scalzo, however, is not ready to give up her rugged, fast, and ergonomically balanced DSLR with its broad selection of quality glass and an optical viewfinder. This is a fun-spirited and well-articulated debate between two shooters who really know their gear and their craft. In addition to the DSLR vs. mirrorless smackdown, we discuss 600mm lenses, adapters, gimbal heads, tripods, sharpening software, and even some land management and wildlife ethics issues. Join us for this vastly informative conversation, ideal for Canon photographers and wildlife shooters considering their next purchase. Also, please check out the Musea Gathering virtual photo conference to be held on February 22 & 23, 2021, a wonderful two-day event on wedding and family photography. Guests: Grace Scalzo and David Speiser Photograph © David Speiser

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When we started the B&H Photography Podcast more than six years ago, the concept was “watercooler conversations” with photographers, about gear. Well, honestly, it hasn’t always turned out that way, but this episode with famed photojournalist David Burnett comes as close to that idea as any we have done; there’s barely an edit in the whole episode. Burnett joins us, and we just talk. We start with his coverage of the recent presidential inauguration and his decision to use a 1930 Graflex 4 x 5 camera in addition to his Sony mirrorless with an FE 100-400mm lens. Burnett reflects on the reasons he incorporates vintage cameras and lenses into his workflow and the need to challenge your own point of view as a photographer. We discuss the motivations that bring a particular camera to his eye and his sense of “obligation to all that has come before.” In the second half of the show, we talk about using legacy glass on mirrorless cameras and the relentless (and at times “goofy”) experimentation that both Burnett (and Allan) enjoy. From aerial reconnaissance lenses to old Kodak cine lenses, there is nothing that can’t be adapted, and we go into the weeds to discuss some of the many, many lenses Burnett has not just tried, but used successfully for his professional assignments. We also ask about the new Sony Alpha 1, the benefits of customizable functions, and his preference for the Sony a9 II and a6600 cameras. Join us for this easygoing conversation. Guest: David Burnett Photograph © David Burnett

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Its hard to imagine a more ideal guest for a photography podcast than the wonderful Ralph Gibson.  Gibson checks all the boxes—a straight-up master of the medium, a man of insights and tales, with a comprehensive understanding of photography from the nuts and bolts to the conceptual rigors. After training in the Navy, he assisted the great Dorothea Lange in the darkroom, but found his calling as an artist, staying true to his voice, and founding a publishing house for his seminal photo book, The Somnambulist, and those of many other artists, including Larry Clark, Mary Ellen Mark, and Duane Michals. On this episode of the B&H Photography Podcast, we speak with Gibson about Robert Frank and Dorothea Lange, about establishing a visual signature, “broken focus,” and of course, about his trusty Leica systems. We also touch on his relationship with musician and artist Lou Reed, 50mm versus 75mm lenses, deconstructing the tropes of photography, and the connections between music and photography. This was a conversation we wished could have continued for hours, and we suggest you consider one of Gibson’s bookmaking workshops or simply dig into his incredible body of work, perhaps starting with his latest book, Sacred Land: Israel Before and After Time. Join us for this wide-ranging and inspiring conversation, and as Gibson states, “I always believed that if I stayed true to my work, everything else would fall into place.” Guest: Ralph Gibson Photograph © Ralph Gibson

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Photography has long been used as a tool to explore and analyze history, but in the hands of an artist, that same tool is not asked to be exacting or accurate to the historical record. If anything, artists challenge this idea of photography as fact. And for this reason, it is such a pleasure to welcome artist and photographer Barbara Mensch to the B&H Photography Podcast. Mensch has created a book of history by using photographs she took as an artist.  Having lived in the shadow of the Brooklyn Bridge for many years, she photographed the bridge in varied light and perspective, but not until she ventured into the bridge itself did she become interested in using her photographic story as the anchor for a researched and nuanced study of the three principle creators of the Brooklyn Bridge. The book, In the Shadow of Genius: The Brooklyn Bridge and Its Creators, is the successful result of her work, and we talk with Mensch about re-evaluating older work, the endurance needed to complete a long project, the ability of photography to tell stories, and about square format and Hasselblad.  In the second half of the program, we take up Mensch’s current book project, which also re-addresses earlier work, in this case from her wonderful series on the workers of the South Street Seaport or, as it was then called, the “waterfront.” Here we discuss the intrapersonal skills needed to photograph in authentic, yet potentially dangerous situations, the creative and youthful zeal that fuels such projects, and even about Bergger photography paper. Join us for this engaging conversation. Guest: Barbara Mensch Photograph © Barbara Mensch