Making Comics: Recent Episodes
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the last few years teaching my making comics class at syn studio I’ve noticed that many students find it difficult to start writing stories. Not everyone has this problem, some students come into the class already with a graphic novel in mind, they want to start working on. But that isn’t really practical because graphic […]
“What is “Emanta”? And were you cursing?!” No, those are Grawlixes, and think emoticons. Emanata and Grawlixes are symbolic icons. They are just two names for a few examples, of a wide array of symbolic little cartoon elements and various other parts of comics, described thoroughly in the satirical but also utterly functional Lexicon of Comicana by Mort Walker! […]
A lot of studentscome to mewith a whole epicin mind. Those who want to tell sprawling tales that will end up slip cased novels in the hundred of pages! Understandable. I mean, it’s Comics! Of course there’s a lot of people looking for that. I’m pretty guilty of doing it a few times myself. But it can backfire […]
Lets start at the beginning! A These are a set of YouTube clips giving a walk through of how I develop comics pages from notes to thumbs to pencils, inks and on! Each subject is getting dedicated posts as well, but this one serves as an overview of it all. This is not even close […]
I’ve posted about the writing side of inventing characters, with comics of course the visuals are just as important, and by extension, often the world you set around them. If your comics take place in the now, then you don’t have to think as hard about it, just pick locations around you. Be creative about it, look […]
For the first few weeks as we study the structure and formalism of Sequential art, we’re also going to start keeping diary comics. And to keep focused on short narratives, while also forcing students to think about how to express their ideas in a limited format. There’s a strong tradition of poetry in comics, so […]
Of all the skills it takes to make comics, writing is one of the last I tried to tackle as a student and practitioner myself. Now that I’ve been working on it for about 25 years, trying to teach it is both fascinating and daunting. Quite simply it a HUGE topic to cover and I’m […]
This post features a short film and some bonus material by Redglass Pictures, staring the writer George Saunders, known for his short stories, essays, novellas and children’s books. In the documentary he reveals the pitfalls of bad storytelling and explains the openness and generosity he thinks is required to breath life into great characters. The film offers […]
On the site here I’m exploiting the surplus of material out there about writing for film and books because at their core, stories are stories! Studying how writers tell them in other mediums is one of the key ways I learned about how to write my own. And being a related visual medium, I studied film […]
Telling a good story is often about planning, and a great tool I recently heard about is something presented on Out on the Wire, a new story workshop podcast series about making stories, step by step. Cartoonist Jessica Abel & Co break down the principles of storytelling on the show really well, and while I’m going to […]
In the First post, I said I think Ty’s talk is an excellent crash course in Genre Writing, sometimes cast as lowbrow, but most popular forms of writing these days tend to conform to clear genre tropes, or making a point of hybridizing those for dramatic novelty. There’s nothing intrinsically keeping genre stories from being Literary […]
Ok, so I think the last two posts on story cover Genre. Genre is like the style of house your want your story to live in. So what goes in the first room of your story? In your story, there are more than just things happening. There are the people they are happening too. This is what readers, […]
Trope – noun -(ˈtrōp) plural: tropes : A word, phrase, or image used in a new and different way in order to create an artistic effect. – a : A word or expression used in a figurative sense : figure of speech – b : A common or overused theme or device : cliché
The core mechanism of sequential art, is Juxtaposition. Even when it’s a single gag cartoon, there is typically a juxtaposition of words, and picture. And the transitions between panels is entirely a mechanism for creating a moment of Closure, through Juxtaposition! It’s a very powerful tool, important to learn about and explore. Lets think about how […]
You could get the impression Scott likes making lists? Thanks to that we have a handy and fairly comprehensive model for the different kinds of panel to panel transitions, in terms of their content and subject matter! These are descriptions of the narrative nature of the Juxtaposition we create, panel to panel to panel, which […]
This episode of my podcast where I take a question from Andrew J. Hawthorn, who asked about “Narrative techniques or figurative tricks you can only do in comics” This episode of my podcast where I take a question from Andrew J. Hawthorn, who asked about “Narrative techniques or figurative tricks you can only do in […]
In my post “Like moving pictures, but not” I specifically talk about some of the ways Sequential Art and Cinema are different; How there are things comics can do that are completely unique to it. That said there are many ways in which they are similar and certainly a lot can be learned about telling […]
This is a short talk about the role of Detail, texture, and simplicity in my comics, as both style and tool.
I don’t recommend it exclusively, but for sure grids are handy to think about when it comes to laying out your comics page. In lieu of a better idea they are reliable, and save a lot of time over all in getting comics done. Seth in his recent documentary reiterated an idea I’ve heard from […]
FLOW sums up a key concept in comics page or strip design: Underlying structures that make the work legible, flow and should not need to be explained to readers. Flow is a big subject, though to nail down simply. It covers everything from the rudimentary like having the first person speaking always on the left […]
The first time you pick up a pencil, pen or brush to try to draw, just as we do with writing, if we want to learn quickly we start by systematically cultivating the skills we need. The ABCs of drawing. How to make the kind of mark, when we want to, where we want to, […]
What defines Cartooning as a medium is ironically often not really well-defined, we just associate it with something emblematic of idea in our head and take it for granted. It’s drawing of course, but a particular kind! How in particular? What makes one drawing a cartoon while another is called illustrative or something else? How about, […]
Cartooning and caricature is the use of simplified forms and lines to represent people, animals and things. Modern cartooning is diverse, I see it as having three major families or styles, falling along a spectrum from most abstracted to most representational, and on to idealized. All popular styles will fall somewhere along this line. Typically cartooning is about […]
The first stage of page building in comics is doing layouts. Under deadlines it’s often rushed, but if you have to go fast or you have a bit more time, it’s ALWAYS an ideal way to plan out a comic and have to make fewer revisions later. You’ll find printable templates for thumbnail sheets, to […]
Laying down the master lines! I will have a more formal content to post here including notes and tips on Penciling later, but for now I wanted to post at least this, a playlist of YouTube posts of my penciling, in both pencil and with pens as well. The main point of “penciling” is to […]