The AwardsWatch Podcast

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On episode 357 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Karen Peterson to go back 55 years and take a look at the 44th Academy Awards, covering the films of 1971.

In another Oscar retrospective, the team go back this week to the start of the 1970s, where Hollywood was in a transition period within the films of the past; costume dramas and period pieces, and the films that would dominate the decade; auteur, original filmmaking from new voices in cinema. One of those voices was director William Friedkin, who broke big in 1971 with The French Connection, a neo-noir, action thriller about a narcotics detective trying to take down a big-time, connected drug dealer. The film was a massive success for the director and its star Gene Hackman, with the Academy awarding them Oscar gold. But will the team let Friedkin and company keep their Oscars? The Best Picture winner, alongside A Clockwork Orange, Willy Wonka and the Chocolate Factory, McCabe and Mrs. Miller, The Devils, A New Leaf, Dirty Harry, The Last Picture Show, Nicholas and Alexandra, Fiddler on the Roof, Harold and Maude, and more were mentioned on the show.

In their in-depth discussion, the AW team talked about the film year of 1971, briefly discuss talk about The French Connection as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

This podcast runs 2h26m. We will be back next week to talk about the latest film from the director David Robert Mitchell, The End of Oak Street. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 167 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Nadia Dalimonte to discuss the next film in their Jane Campion series, The Piano (1993).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

The Director Watch duo have reached the crown jewel of Campion's career with The Piano, a titanic epic about a mute Scottish woman who travels to a remote part of New Zealand with her young daughter after her arranged marriage to a settler and begins an affair with another man. In doing this, the woman manipulates both men, using her silence as a tool to gain power in a time of struggle, in an environment that's not of her choosing or familiarity. Campion creates a defining, thorny masterpiece of its time, exploring the ideas of identity, control, and lust within her biggest hit to date. Ryan, Jay, and Nadia break down their thoughts on the film, Hunter's magnificent performance, The Piano's connection to a pervious film series the guys covered, the film's gorgeous ending, the embrace of Campion's vision by audiences, and all the reasons why this is such a special film.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page.

This podcast runs 1h59m. The guys will be back next week to continue their series on the films of Jane Campion with a review of her next film, The Portrait of a Lady. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 356 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Mark Johnson and Karen Peterson to give their thoughts on the latest film MCU, Spider-Man: Brand New Day, as well as discuss their favorite films of 2026 so far.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h48m. We will be back next week with an Oscar retrospective of the 44th Academy Awards, covering the films of 1971. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 166 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter to discuss the second film in their Jane Campion series, An Angel at My Table (1990).

With her second feature, director Jane Campion made herself a staple of New Zealand cinema as she explored the world of author Janet Frame, and three of her most vital texts. In diving deeper into her works, Campion looked inward at the life of Frame, her troubled adolescence, her complex diagnoses inside mental institutions, and her awakening as a young woman. By touch on these important moments in her life, Campion gives Frame as empathetic of a examination into the life of an artist that you will ever find on screen. Ryan and Jay break down their thoughts on the film, which section of the film works best for them, the themes of Frame's work and how it relates to Campion, Campion's confidence in the material shining brighter here than her debut, the reverence to Frame's work the country and how it is sprinkled and hinted at within the narrative of her life.

This podcast runs 1h39m. The guys will be back next week to continue their series on the films of Jane Campion with a review of her next film, The Piano. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Over the course of his career, no other director has documented the passage of time better on screen than writer-director Richard Linklater. The Texas filmmaker, synonymous with being one of the vital voices of the independent film movement of the 1990s, has used his filmography to record the most vital parts of our lives, and how those moments from our past and present can shape our future. Whether it's our first love and the long romantic journey with that person (the Before Trilogy), the magic of his childhood (School of Rock, Apollo 10½: A Space Age Childhood), the glory of high school and college (Dazed and Confused, Everybody Wants Some!!), the evolution of artistic expression (Me and Orson Welles, Blue Moon, Nouvelle Vague), Linklater has looked inward at the human condition expertly for close to forty years, but none more so perfectly than he did with his 2014 masterpiece, Boyhood.

Originating as an idea in his mind over two and a half decades ago, Linklater assembled a cast and crew to go on a twelve-year journey of filming that would chronicle the life of a young boy from the age of six all the way to eighteen, from kindergarten to the end of high school. From the early 2000s to the mid-2010s, Linklater tinkered in the editing room with footage from limited days to shooting with his actors, sometimes even without a finish script, and sprung out a one-of-a-kind film that serves as a memory box for generation within its specific look at a boy growing up in South Texas as he's discovering who he wants to be, living with his mother and sister and occasionally spending time with his father when he is in town. In symbolic nod to the years, it took to make Boyhood, it returns to theaters for a run of anniversary screenings nationwide for its twelve-year celebration to re-explore the evolving yet universal themes Linklater concluded about adolescence, parenthood, siblings, and learning that the road to becoming the person we want to be takes exactly one thing Linklater has become known for, time.

In a recent conversation, Linklater and I spoke about the origins of the project, collecting the music that made up the character's world, the evolving nature of the project, and retooling the film's narrative to fit the film's star Ellar Coltrane's life and interests. We also spoke about working with Patricia Arquette and Ethan Hawke, their growth within these characters as parents and how Arquette's role mirrored the life of Linklater's mother. Our discussion continued with what it was like to film eight other films while creating Boyhood, why San Marcos, TX was a great location to shoot the majority of the film (he continued to use this location for Everybody Wants Some!!), his optimism about the future generations on the whole as well as within the confines of artistic expression. In our final moments, Linklater teased his latest expansive project he's doing right now, an adaptation of the musical Merrily We Roll Along, this time with the film commencing over the course of twenty years to complete the time period of this celebrated work from Stephen Sondheim. While it seems like a daunting task, only Linklater would have the trust from audiences to deliver again once we are able to see the film in the years to come. But until then, the director, much like when he was making Boyhood, will continue to create great work that reminds us of his artistic super power; that by looking inward, we discover the value of our place, our time, and the skin we live in.

Boyhood will receive a 12th anniversary theatrical re-release from Independent Film Company (IFC) on July 31.

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On episode 355 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributors Josh Parham and Karen Peterson to go back 20 years and take a look at the 79th Academy Awards, covering the films of 2006.

The AW team goes back twenty years to take a look back on a time that was a nail biter of a season that resulted in Martin Scorsese coming out on time, winning his long awaited Oscar for the crime, gangster thriller The Departed. Alongside that, it was a fascinating five films in the Best Picture line-up that made up a pretty deep year of films that rank as some of the best of the decade of the 2010s upon retrospective. Films like Notes on a Scandal, Pan's Labyrinth, The Devil Wears Prada, United 93, Little Children, Half Nelson, and more from the nominations are talked about in-depth on this week's episode alongside Maria Antoinette, The Prestige, Miami Vice, Casino Royale, Children of Men, Inside Man, The Holiday get more attention from the group than their original award season run or get more nominations past their original snubs. It's a stacked conversation, and it makes for a fun episode of deliberation amongst the group.

In their in-depth discussion, the AW team talked about the film year of 2006, briefly discuss talk about The Departed as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

This podcast runs 2h44m. We will be back in next week to talk about the latest film from the MCU, Spider-Man: Brand New Day and talk about the best films of 2026 so far. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 165 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter to discuss the first film in their Jane Campion series, Sweetie (1989).

In the same week the boys say goodbye to the Christopher Nolan series, their next adventure begins as they make their way back to New Zealand to cover the films of a singular voice in cinema, Jane Campion. Known for make films about female expression, rebellion, awakenings, and how women's roles change over time, Campion is an essential director the guys knew they had to talk about, and all her themes come to form one way or another in Sweetie, which covers two sisters that are polar opposite of one another, with the titular character going through their own emotional breakdown due to the siblings' family dynamics. Ryan and Jay break down their thoughts on the film, their relationship with Campion's filmography, the point of view as a storyteller, and how this all relates to her promising, haunting first film.

This podcast runs 2h04m. The guys will be back next week to continue their series on the films of Jane Campion with a review of her next film, An Angel at My Table. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 354 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade, and Mark Johnson, aka The Awards Alchemist, to chat about the lineup for the 83rd Venice International Film Festival and to share their first Oscar podcast predictions for Adapted and Original Screenplay, Best Director, and Best Picture.

First, they dive into Venice's world premieres, including Wild Horse Nine, Primetime, and Bucking Fastard. Does this lineup look a little bit lackluster compared to previous editions? The group gives an overview of how they think this lineup (plus early announcements for TIFF and NYFF) could shape the Telluride lineup and the rest of the season.

Then, they take a look at four major Oscar categories, the likely nominees, and early possible winners. They discuss the dominance of Christopher Nolan's The Odyssey, contenders from the Cannes Film Festival, potential lone writing nominees, and other unseen films that could crash the party. Other films mentioned include Dune: Part Three, Project Hail Mary, La Bola Negra, Fjord, Minotaur, The Invite, Club Kid and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from Apple Podcasts, iHeartRadio, SoundCloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more.

This podcast runs 1 hr and 35 min. We will be back next week with an Oscar retrospective of the 79th Academy Awards. Until then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 164 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch Editor In Chief Erik Anderson and Associate Editor Sophia Ciminello to discuss the last and latest film in their Christopher Nolan series, The Odyssey (2026).

How does Nolan follow up the most commercially, critically successful film of his career that landed him onto of the cinematic world and landed him two Oscars? You get a blank check to create your version of the oldest story ever told, The Odyssey, and you spare no expense in make a grand epic that rivals all other blockbuster released this year. In doing this, Nolan has conjured up another monumental, technical achievement, one that audiences are already obsessing over, seeing in the largest formats they can find. But is the film worth the hype? Ryan, Jay, Erik, and Sophia break down their complicated thoughts on Nolan's latest, why it's the perfect "Nolan film" and a clumsy adaptation, what the film's themes are, how gives the best and worst performances in the film, their favorite scenes, just how smelly is must've been inside that Trojan horse, and the logistics of The Odyssey's popcorn bucket. Ryan and Jay also give out their final Nolan rankings as well as preview their next director series.

This podcast runs 3h07m. The guys will be back later this week to begin their series on the films of Jane Campion with a review of her first film, Sweetie. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 163 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Christopher Nolan series, Oppenheimer (2023).

In 2023, there was no bigger cinematic event that double feature of Greta Gerwig's Barbie and Nolan's Oppenheimer, each dominating the box office and culture for the entire summer. But as the year went on, it was clear, Nolan's historical, biopic epic was something more than his average popcorn film, but the epic of our time following the man who created the atomic bomb, thus it leads Nolan to not only to one of his most celebrated films to date, and a film of the decade candidate, but Oscar dominance as he reigned supreme over Hollywood and cemented his case the major filmmaker of his time. Ryan, Jay, and Sophia break down their thoughts on Oppenheimer, the questions of morality the film asks, the horror Nolan shows in the aftermath of testing the bomb, the structure of the "fission" and "fusion" storylines, Nolan's cynicism over humanity, the incredible work by all of his artisans, the brilliant performances from Cillian Murphy and the entire ensemble, and how this became one of the most rewatchable films of the decade so far but also one of the most vital films in the modern era.

This podcast runs 3h07m. The guys will be back next week to conclude their series on the films of Christopher Nolan with a review of his new film, The Odyssey. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 353 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and AwardsWatch contributors Mark Johnson, Josh Parham, and Karen Peterson come together for part two of their Best Supporting Actress Oscar winner tier ranking.

In the second part of the Best Actress tier rankings (listen to Part One here), the team return to the scene of the crime from last week to rank the remaining 45 Oscar winning performances, and discuss where they place them in their all-ranking. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. For the first time in the tier ranking episodes, the performances have been randomized, making the show even more unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 12 winners (when looking at percentages vs whole numbers compared to Best Actress, the group added two by the end of the episode) being able to be in the "S tier" and if an actress has multiple wins, only one of their wins can make it into the 12. Some of the winners ranked on this week's episode are Eva Marie Saint (On the Waterfront), Jennifer Hudson (Dreamgirls), Viola Davis (Fences), Mo'Nique (Precious), Meryl Streep (Kramer vs Kramer), Jane Darwell (The Grapes of Wrath), Amy Madigan (Weapons), two wins for Dianne Wiest (Hannah and Her Sisters, Bullets Over Broadway), Whoopi Goldberg (Ghost), and more. By the end of the episode, some of the wildest takes of the episode start coming out, so you will want to listen all the way to the end to hear them; it's lot of fun.

This podcast runs 4h46m. We will be back in next week for a special episode Director Watch, where co-hosts Ryan and Jay, alongside some guests, review the final film of their Christopher Nolan series and his latest epic, The Odyssey. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 162 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by the host of The Waffle Press Movie Podcast, Diego Crespo to discuss the next film in their Christopher Nolan series, Tenet (2020).

We live in a twilight world, or should we say, we live in a Nolan's world, and we are lucky to be living in it where films like Tenet are getting made. In an attempt to make his own spy film, Nolan creates an uncompromising, complex, loose thriller about an unnamed secret agent working to take down a rich, Russian billionaire who has discovered objects from the future and brought them to the past to end the world as we know it. Along the way, our Protagonist enlists the help of our villain's wife and a fellow spy (unknowing it's his best bud) and with just the titular word as his guild, doors open to a puzzle he finds himself at the center of. Complicated, confusing, and downright brilliant, Nolan stops explaining everything in this film, instead, opting for the audience to "just feel it" and make a film off good vibes and technical wonder; and doing so, made one of his best films. Ryan, Jay, and Diego break down their love of this film, when they saw it and how they saw if given the COVID-19 virus, and it's questionable release schedule, Kenneth Branagh's accent, the use of Elizabeth Debicki's height, what Hollywood is going to do with John David Washington, how good looking Aaron Taylor-Johnson is, what makes a modern movie 5 stars on Letterboxd, their excitement over the phrase "temporal pincer movement," if they like hot sauce with their meals, and whether the movie makes sense and if that even matters at all.

This podcast runs 2h50m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Oppenheimer. You can stream it on Peacock or rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 352 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and AwardsWatch contributors Mark Johnson and Josh Parham, for part one of their long-awaited Best Supporting Actress Oscar winner tier ranking.

It's that time of year for the AW team to dive deep into a two-part tier ranking episode. After doing Best Actress last year, the team moves on from those fiery episodes to the another popular category; Best Supporting Actress and its 90 winners. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. Only 45 of the winners are discussed on this episode, with the rest covered next week. For these Supporting Actress tier ranking episodes, the performances have been randomized, making the show unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 10 winners being able to be in the "S tier" (since the supporting categories weren't added until the 9th Academy Awards) and if an actress has multiple wins, only one of their wins can make it into the 10. It adds a fun wrinkle for the team to try and figure out when they get to their final rankings. Some of the winning performances discussed on this show were Catherine Zeta-Jones (Chicago), Renée Zellweger (Cold Mountain), Melissa Leo (The Fighter), Hattie McDaniel (Gone with the Wind), Rita Moreno (West Side Story), Jamie Lee Curtis (Everything Everywhere All at Once), Judi Dench (Shakespeare in Love), Ruth Gordon (Rosemary's Baby), and more. It may only be part one, but it's a great episode and we hope you all enjoy it and listen next week to part two.

This podcast runs 4h15m. We will be back in next week for part two of our Best Supporting Actress tier rankings. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 351 of the AwardsWatch podcast, TV Editor Tyler Doster is joined by Editor-In-Chief Erik Anderson to predict the Emmy nominations that will come out on Wednesday, July 8, announced by Emmy winners Jeff Hiller and Liza Colón-Zayas.

The AW duo provided predictions for 78th Primetime Emmy Award nominations in series and performance categories and dabble with possibilities in writing and directing. The two discuss the likelihood of The Pitt sweeping nominations, how Hacks could get more noms than ever before, and how anthology series' like Monster and Love Story will affect the race. Going through each of these categories, the two provide their picks for who they think will grab nominations and who else is in the running for each category. Listen along to find out who they think will make the cut, and who will be left out.

This podcast runs 1h33m. We will be back after the holiday weekend with part one of our Best Supporting Actress Oscar tier ranking. Till then, let's get into it.

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On episode 161 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch contributor Trace Sauveur to discuss the next film in their Christopher Nolan series, Dunkirk (2017).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

After Nolan's epic space family drama, the director looked to his other home country of England to take a look at one of the most important moments of humanity within World War II with Dunkirk. Instead of making a sweeping war picture, Nolan strips everything down to the visuals, uses three different sections of time, and splices them together to create the tension, fear of these men stranded on a beach within looking distance of home. In doing this, he created an undeniable masterpiece that took away some of his bad habits and makes a lean film that feels like an action set piece all the way through. Ryan, Jay, and Trace break down their thoughts on the film, Hoyte van Hoytema first collaboration with Nolan, each section of the war, how awesome Tom Hardy is in the plane we see in the film, the acting of Harry Styles, the sound work, and Jay's continued quest to remind us all that WWII is still underrated when we talk about important events in the world.

This podcast runs 2h04m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Tenet. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 350 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributor Josh Parham to go back 45 years and take a look at the 54th Academy Awards, covering the films of 1981.

The AW team goes back nearly fifty years to a year dominated by a group of young men running on the beach to the score of Vangelis, as Chariots of Fire took down Reds and Raiders of the Lost Ark to win Hollywood's top prize. In the same year, the four acting Oscars went to some of the eldest group of winners in Oscar history, performers who won late in their careers instead of for their best work. In this year at the theaters, genre reigned supreme and was discussed at length on this episode, with films like Escape from New York, The Road Warrior, Body Heat, An American Werewolf in London, Dragonslayer, Excalibur, Polyester were discussed alongside films like Arthur, The Great Muppet Caper, Thief, Blow Out, Mommie Dearest, Prince of the City as films to highlight from this bountiful year of cinema.

In their in-depth discussion, the AW team talked about the film year of 1981, briefly discuss talk about Chariots of Fire as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

This podcast runs 2h22m. We will be back in next week for part one of our Best Supporting Actress Tier Ranking. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 160 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch contributors Cody Dericks and Josh Parham to discuss the next film in their Christopher Nolan series, Interstellar (2014).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

After hanging up his cape and cowl Dark Knight pictures, Nolan set his sight on the stars, for a space epic that defined a generations taste in cinema. With Interstellar, the famed director takes us on a trip through time and space with a rescue mission to save the human population as Earth slowly dying and decaying. In this trip through a wormhole to investigate prospective, future inhabitance, one engineer (and former pilot) will stop at nothing to finding a solution to not only save humanity, but his family he left back on Earth. In making this bold, ambitious film, Nolan created his most emotional, thrilling, technically daring film of his career so far, but much like Inception, had detractors who took issue with the explanation of the science in the film, as well as feeling emotionally manipulated by the film's ending. Ryan, Jay, Cody, and Josh break down both sides of the Interstellar argument, why they love or dislike it, the score from Hans Zimmer, the use of time in the ending, the film's set piece, the importance of the McConaissance, Anne Hathaway's speech about love, a few impressions of Michael Caine, and why this film is the one that resonates the most with younger cinephiles.

This podcast runs 2h32m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Dunkirk. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 349 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Trace Sauveur to give their thoughts on the latest film from Pixar, Toy Story 5.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h25m. We will be back next week with an Oscar retrospective over the 54th Academy Awards, covering the films of 1981. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 159 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Trey Flynn of The Extra Credits podcast to discuss the next film in their Christopher Nolan series, The Dark Knight Rises (2012).

Riding high off the success of his two biggest films to date, Nolan went back to the world of Gotham City to conclude his Dark Knight trilogy with a full circle, political warfare, myth busting epic, settling one and for all his ties to the genre, while deconstructing what it means to put on the mask, and how does one carry on a legacy when faced with so much pain. After the death of actor Heath Ledger, it took a lot for Nolan to step back into his vision of Batman, but with the help of two memorable villains, and leaning into the political, social aspects found in the first film, he left the franchise on a financial high, with some questionable story choices that have aged well for some (Trey) and no so much for others (Ryan and Jay). Controversial, dated, unique, The Dark Knight Rises ends Nolan's superhero vision on his own terms, for better or for worse. The guys and their guest break down their thoughts on the film, what worked for them and what didn't, the appeal of Anne Hathaway, Nolan's use of the original characters throughout the third film, how radical or dull the film's politics are, the choices Bruce makes throughout the film, the puzzling ending, the opening plane sequence, and plenty of Bane voice impressions.

This podcast runs 2h47m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Interstellar. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 348 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Mark Johnson and Cody Dericks to give their thoughts on the latest film from director Steven Spielberg, Disclosure Day.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h07m. We will be back next week with a review of the latest film from Pixar, Toy Story 5. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 158 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch contributor Griffin Schiller discuss the next film in their Christopher Nolan series, Inception (2010).

How does someone follow up one of the most popular, important films of the last 25 years? Make one of the most original films of a generation, as Nolan cashed in his blank check from The Dark Knight to create a heist, action film set within the world of people's dreams. Inception became the next obsession for audiences, fully trusting Nolan to take them on a thrilling ride, making him more than just the guy who can director the Batman films, but a filmmaker that conjures up event films that every needs to see urgently once they are released. Over time, Inception has become, for people like Griffin, an important piece of art that has shaped their movie-going experience, or for Ryan and Jay, a nostalgic experience that's legacy is complicated due to its pacing issues and over-explanations; thus making for an episode where a balanced conversation over this complicated movie takes place. Ryan, Jay, and Griffin break down their thoughts on the film, when and where they saw it, Nolan's action set pieces in the film, DiCaprio's involvement in the making of the film, what ultimately works and doesn't work inside the film, and if Nolan should ever make a Bond film.

This podcast runs 2h27m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, The Dark Knight Rises. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 347 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to give their thoughts various films playing in theaters right now that include Obsession, Backrooms, Masters of the Universe, Blue Heron, Blue Film, and I Love Boosters.

This podcast runs 1h28m. We will be back next week with a review of the latest film from legendary director Steven Spielberg, Disclosure Day. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 157 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by founder and podcast host at InSession Film JD Duran and Editor-In-Chief of InSession Film Dave Giannini discuss the next film in their Christopher Nolan series, The Dark Knight (2008).

In what might be the single most important film of the 21st century for blockbuster filmmaking, The Dark Knight turned Christopher Nolan into the legend, iconic filmmaker he is today, creating a comic book, action packed crime thriller that elevated the entire genre, creating a film that audiences would obsess over for decades to come; the definitive comic book movie. With an all-time performance from the late Heath Ledger, Nolan upped the stakes of this second Batman film to be more about the fight to save soul of Gotham City, and gain hope in the future beyond the capes and clowns, and created a epic masterpiece. Ryan, Jay, JD, and Dave break down their thoughts on the film, the action set pieces, the battles for Gotham with our flawed heroes, Ledger's iconic Joker, the special effects work on Two-Face, the legacy of this film and why it's (more or less) aged so well.

This podcast runs 2h53m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Inception. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 346 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back 15 years and take a look at the 84th Academy Awards, covering the films of 2011.

On this week's retrospective, the AW team returns from Cannes to take a look back at the 84th Oscars, one that was known for having a great selection of films to choose from that the Academy decided to mostly ignore for more middle of the road, safer choices. This lead to a winner that is not remembered as much for a film that defined the year, both from a critical and commercial aspect, and also lead to one of the worst wins in the Best Actress category. So given the nature of the show and the game played by the AW team, change is a coming for 2011, as the following films were mentioned over the courses of lengthy discussions over every category; Weekend, Contagion, Shame, Melancholia, Crazy Stupid Love, Take Shelter, Killer Joe, The Skin I Live In, 50/50, as well as films that were already nominees getting more love like Moneyball, The Girl with the Dragon Tattoo, Warrior, The Tree of Life, Drive, Bridesmaids, and more.

In their in-depth discussion, the AW team talked about the film year of 2011, briefly discuss talk about The Artist as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

This podcast runs 2h52m. We will be back in next week for a review round-up episode discussing some of the newest releases in theaters like Obsession, Backrooms, Masters of the Universe, Power Ballad, Blue Film, Blue Heron, and more. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 156 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Jake Tropila discuss the next film in their Christopher Nolan series, The Prestige (2006).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

Just a year after dazzling audiences with Batman Begins, Nolan returned with a film that would become one of the best films of his career, about two magicians dueling each other for the right to produce not only the best magic trick of all time, but to be the last man standing in a feud that costs more than anyone could imagine. In being a film about filmmaking as well as a stellar adaptation of the Christopher Priest novel, Nolan made his darkest, most cynical film to date; a twisted tale about the sacrifices it takes to create art, and the obsession that consumes someone when they are close to reaching an immortality level of fame. Ryan, Jay, and Jake break down their thoughts on the film, how much The Prestige is a cousin to Memento in terms of tone, where Christian Bale is within his career, why Hugh Jackman has never delivered a better performance than this, the power of David Bowie, the horrid accent of Scarlett Johansson, the logic of the film's twist, the wild differences between the film and the original novel, and if seeing/knowing a film's twist helps or hurts a film's rewatchability.

This podcast runs 2h15m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, The Dark Knight. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 345 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch Associate Editor Sophia Ciminello to break down their favorite films of the 79th Cannes Film Festival, the winners of the In Competition prizes, and what they might mean going forward this coming award season.

This podcast runs 1h31m. We will be back next week with an Oscar retrospective over the 84th Academy Awards, covering the films of 2011. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 155 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by podcaster, film critic Bob Goochman discuss the next film in their Christopher Nolan series, Batman Begins (2005).

In the summer of 2005, Warner Brothers took the risk of handing over the world of Batman to Christopher Nolan, hoping he could revive a franchise that leaned too much into the cheesy nature of the Schumacher era, and had run the character into a bit of a joke on the big screen. With Nolan at the helm, he created a comic book film set in a world not too different than ours, and allowed for us to go on an emotional, action packed journey not just with the Caped Crusader, but with his real identity, Bruce Wayne. In doing this, Nolan delivered a massively entertaining blockbuster that would elevate his status to another level than what he was before, and showed he could handle such a monumental task; thus he never stopped making films of this size again. Ryan, Jay, and the Gooch break down their thoughts on the film, why the Batman property got stuck, Nolan's vision and version of Gotham City, how scary the film is at times, the use of mostly unknown villains at the time, the acting of Christian Bale and Katie Homes, and that epic reveal of the Joker card at the end of the film, signaling something grand is on its way.

This podcast runs 1h49m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, The Prestige. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 154 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Pop Culture Confidential host Christina Jeurling Birro discuss the next film in their Christopher Nolan series, Insomnia (2002).

What does one do after making their big breakthrough? For Christopher Nolan, it was his chance to step up another level and work on a American remake of the 1997 Norwegian film of the same name, Insomnia, which follows a washed up cop investigating a murder case in a small town, stuck in a web of lies connected to his past mistakes and getting tangled in a cat and mouse game with a smart criminal who wants to get away with the crime they've committed. Obsessed with the original when he was making Following, the young director set out to make his version of the modern cautionary crime tale, which for the guys and Christina seems like a misstep for him following his monumental statement of Memento. Ryan, Jay, and Christina break down their thoughts on the film, their connection with the original, the sleepiness of Al Pacino (with an impression by Ryan once or twice on the show), the dramatic work of Robin Williams, the appeal of Hilary Swank, not being able to sleep with the lights on, and how this is the least "Nolan" movie of his filmography, both in good ways and mostly bad ways.

This podcast runs 1h041m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Batman Begins. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 153 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the next film in their Christopher Nolan series, Memento (2001).

After making his debut film and showcasing it at film festivals around the world, Christopher Nolan caught the attention of audiences and studios, given small prizes and a chance to level up with his next film with resources needed to make his latest mind trip work. In getting those resources, he was able to make Memento, a crime thriller spliced together within the present and the past that showcases a broken man recreating a mystery over and over again to run away from the trauma he inflicted years ago. With this second feature, Nolan announced himself as a force to be reckoned with, as Memento is a deeply personal, heartbreaking looking in the mind of someone who simple wants to forget. Ryan and Jay break down their thoughts on the film, Leonard's secrets past and his plan to keep his secrets at bay, Nolan's use of black and white photography mixed with the scenes of color and how they play with time, the incredible performance of Guy Pearce, and the morality found within the shocking ending.

This podcast runs 2h05m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Insomnia. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 344 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello, and Pop Culture Confidential's Christina Birro to preview the 79th Cannes Film Festival and discuss the dramatic new rules set forth by the Academy last week for the upcoming Oscars and beyond.

This podcast runs 1h05m. We will be back next week with a live episode from the 79th Cannes Film Festival talking about the highlights of the first weeks of films. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 343 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Associate TV Editor Karen Peterson to review the spring blockbuster sequel The Devil Wears Prada 2, starring Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci.

It's been 20 years since we spent time with Miranda Priestly, Andy Sachs, Emily Charlton and Nigel Kipling and it's been well worth the wait. In this spoiler-filled review of the sequel to the 2006 hit, Erik and Karen talk about what the first film means to them, how successful the sequel is to follow up their story, the choice to focus on the state of journalism not just in the digital age but in the age of disappearing jobs in the industry, the new fashion and much more.

Written review here: https://awardswatch.com/the-devil-wears-prada-2-review-the-long-awaited-sequel-proves-that-fashion-is-always-in-vogue-b/

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 1h8m. We will be back later this week with an episode of Director Watch, where Ryan McQuade and Jay Ledbetter will be continuing their Christopher Nolan series with a review of his film, Memento (2000). Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 152 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Christopher Nolan series, Following (1998).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

At our current moment in cinema history, there is no other living director that compares to Christopher Nolan; he reigns supreme. In making some of the most memorable, eventful, successful films of the last 30 years, it was only a matter of time before Ryan and Jay tackled his filmography, and in doing so, they must start all the way back at the beginning, where Nolan lacked the resources he has today, making a noir thriller (on the weekends while working his day job) about a man who follows people and ends up following the wrong person down a rabbit hole of con artistry at its finest. A very small debut for Nolan that laid out the good and the bad tendencies that would be discovered about the famed director over the course of his bigger projects. Ryan and Jay break down their thoughts on the film, the smaller scale and scope compared to his bigger projects, their relationships with Nolan as a director, the lack of momentum in the film's story and pace, and how, in this early era of his filmography, Nolan will never get back to this small size of filmmaking ever again.

This podcast runs 1h44m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Memento. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 151 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the last film in their Charles Burnett series, The Annihilation of Fish (1999).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

After making a wild turn with The Glass Shield in 1994, Burnett went back to his roots, making a smaller indie drama about two people who are polar opposites that fall in love. The Annihilation of Fish is another gem from the director, exploring love at an older age, the effects of mental health on the lonely, and how hard it must feel to grow old alone; a thought too painful to even think about. Ryan and Jay break down their thoughts on the film, the performances of Lynn Redgrave and James Earl Jones, how The Annihilation of Fish fits within the themes of the series so far, give their rankings for the series, as well as tease what their next film series is going to be.

This podcast runs 1h28m. The guys will be back next week to begin their series on the films of Christopher Nolan with a review of his film, Following. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 150 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the next film in their Charles Burnett series, To Sleep with Anger (1990).

After breaking through with Killer of Sheep and My Brother's Wedding, Burnett made a massive statement, and the best film of his career, with To Sleep with Anger. In following a family whose world is rocked by an old friend coming in and turning their world dangerously upside down, the director chose to explore the internal emotions of those closest in our lives, and how we've spent years building up anger, resentment, jealousy, rage within ourselves, only for our worst impulses to come out when pushed to expose them. Darkly funny and harrowing, Burnett made an independent film statement that defined the time, and his career. Ryan and Jay break down the film, their thoughts on Danny Glover's performance, how this film mirrors Burnett's past work, the families battle with the good and the evil, seeing their world through the eyes of a child, and how the indie film world looked like in the 1990s.

This podcast runs 1h19m. The guys will be back next week to conclude their series on the films of Charles Burnett with a review of his film, The Annihilation of Fish. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 342 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Associate Editor Sophia Ciminello to give their thoughts on the news out of CinemaCon, and then give a review of David Lowery's latest film, Mother Mary, starring Anne Hathaway and Michaela Coel.

This podcast runs 1h52m. We will be back later this week with an episode of Director Watch, where Ryan McQuade and Jay Ledbetter will be wrapping up their Charles Burnett film series with a review of his film, The Annihilation of Fish (1999). Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 341 of The AwardsWatch Podcast, Executive TV Editor Tyler Doster is joined by AwardsWatch Editor-in-Chief Erik Anderson and Associate TV Editor Karen Peterson for a quick dive into the shows that could possibly make waves at the Emmys. We look into Lead and Series categories for Drama, Comedy, and Limited Series with a round-up of potential nominees in each, with a bit into the supporting categories for drama to wrap up.

Some of the series' in contention this year and discussed on this podcast are Half Man (HBO), Beef (Netflix), Hacks (HBO Max), The Comeback (HBO), Rooster (HBO), Nobody Wants This (Netflix), A Knight of the Seven Kingdoms (HBO), Margo's Got Money Troubles (AppleTV), The Pitt (HBO Max), Pluribus (AppleTV), The Testaments (Hulu), and The Diplomat (Netflix). Also mentioned is the upcoming Netflix film Remarkably Bright Creatures, starring Sally Field.

This podcast runs 1h5m. We will be back for deeper Emmy dives next month and with a review of the new David Lowery film Mother Mary, starring Anne Hathaway and Michaela Coel, this week. Until then, let's dive in.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 149 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Charles Burnett series, Killer of Sheep (1978).

Over the course of time, cinema of various time periods that was once considered lost is remastered, reborn, and reexamined as they reenter the public conscience. For the case of director Charles Burnett, this has been true as his films have been restored to their former glory on physical media over the last couple of years, thus giving the DW boys the opportunity to tackle a vital African-American voice who made films about the structure of family, the innocence of the youth within the black community, and finding the emotions with characters that deal with real life problems. With the case of his debut film, Killer of Sheep, Burnett examined the life of a weary slaughterhouse worker whose family life is slowly being tested every single day; it's impressive debut, one that still resonates to this day. Ryan and Jay break down the film, its themes on family dynamics, the innocence of a child, the incorporation of Italian neorealism with the narrative, their favorite shots within the film, as well as a discussion as to who the best professional athlete is in the world right now.

This podcast runs 1h19m. The guys will be back next week to continue their series on the films of Charles Burnett with a review of the film, To Sleep With Anger. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Back in 2021 I proclaimed in my review of The Green Knight that writer-director David Lowery was "the great American director of his generation;" a statement that holds even stronger weight given the rising talent behind the camera in modern filmmaking. With his latest film, Mother Mary, Lowery gives this writer enough ammunition to back up that proclamation as he's created yet another bold, poppy, hypnotic drama that could only come from the mind of a special, singular talent; a master of the artform. Born in Milwaukee, Wisconsin as the eldest of nine children, Lowery and his family moved to Texas in his youth, and where he and his family still reside today. His curiosity for film sprung at a young age, with the director making his first short when he was nineteen years old, and from there on, a slew of independent narrative feature films that included Deadroom, It Was Great, But I Was Ready to Come Home, and St. Nick. His breakthrough came within a two-year span, with his short film Pioneer winning the Competition and Grand Jury Award at the South by Southwest Film Festival, which lead to the release of his 2013 romantic crime drama, Ain't Them Bodies Saints, which was nominated for the Sundance Film Festival Grand Jury Prize and garnered a Best Feature nominated at the Gotham Awards that same year.

Those two projects were a springboard for Lowery into the public consciousness, as he was given bigger opportunities to explore his complex themes of humanity that lies at the core of his filmography. In 2016, he delivered the best Disney live-action adaptation yet with version of Pete's Dragon, followed up the next year the smaller, intimate yet profound meditation of the loss of someone and letting go as we enter the afterlife with A Ghost Story, and finishing this incredible three year run in 2018 with The Old Man and the Gun, a warm crime drama based on a true story that not only serves as an entertaining piece of throwback cinema, but an owe to one of the greatest actors of all time and the star of the film, Robert Redford. As we swung into the 2020s, Lowery gave us the aforementioned The Green Knight, a film I hailed as "a medieval masterpiece," and is, in my mind, one of the best films of the decade so far. He returned to Disney with a reimagining of the classic Peter Pan story with Peter Pan and Wendy, a film that may not be as successful as Pete's Dragon but it was a project Lowery found a sense of change within himself, and as he states in this interview for The Film Stage, he discovered the right amount of "courage and conviction" needed to make his latest, Mother Mary. In her review, our own Sophia Ciminello praised Lowery's film as "a beguiling, religious experience that will only get richer with the passage of time," as well as stated that just like Lowery's other standout work, "Mother Mary is about the ephemeral and the eternal, yet in an entirely new package for the filmmaker," it's another standout achievement from this visionary artist.

In a recent in-person conversation, the Mother Mary writer-director and I discussed about his origins to the project, being a massive fan of pop music, crafting this world with the film's production designer Francesca Di Mottola, as well as his work in helping the edit of the film. We also spoke about his collaborations with FKA twigs, Charli XCX, and Jack Antonoff on producing the original music in Mother Mary, molding his lead characters with his lead actresses Anne Hathaway and Michaela Coel, and his thoughts on the state of independent cinema and the role he sees himself in it as the industry is in a constant state of change. This wasn't the first time the director and I met, as we first spoke at the 2024 Telluride Film Festival, where we not only share a geek out moment of being in a three-person conversation with director Alfonso Cuarón, but it was the first weekend where Lowery has seen all of the footage of Mother Mary together as one cut. At the top of the conversation lies our reunion, as well as a look into his influences on the program, ranging from The Red Shoes to Taylor Swift concerts. Only someone as special as Lowery could take the wide ranging scope of this world and make it come to life, thus continuing to be a singular talent in a time where artistic expression and creativity is vastly need.

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On episode 340 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and contributors Mark Johnson, Karen Peterson, and Josh Parham to go back 35 years and take a look at the 64th Academy Awards, covering the films of 1991.

On this retrospective, the AW team takes a look back in time to when the Oscars last rewarded a film for winning the "Big Five" awards, with The Silence of the Lambs taking home Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay. In being only the third film in Oscar history to ever do that, and it being 35 years since it's big night, the wins for the film are historic, so the question would be for this episode, will The Silence of the Lambs stay a "Big Five" winner? In a wide ranging conversation, the Best Picture winner is mentioned alongside films The Prince of Tides, JFK, Beauty and the Beast, My Own Private Idaho, The Addams Family, Terminator 2: Judgment Day, Cape Fear, Thelma & Louise, Boyz n the Hood, and more, as well as spicy, first time moment for the game that you'll want to listen to asap!

In their in-depth discussion, the AW team talked about the film year of 1991, briefly discuss talk about The Silence of the Lambs as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

This podcast runs 2h32m. We will be back in next week for a review of Mother Mary, the latest film from director David Lowery. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 148 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the final film in their Powell and Pressburger series, Peeping Tom (1960).

After decades of working together, the Archers split up towards the end of the 1950s, ending one of the greatest cinematic partnerships of all time. For both, they went on to make more films, but none of them reached the heights of their collaborations, with Pressburger being the less successful of the duo. For Michael Powell however, he made one key piece of art from the two of them that lasted in Peeping Tom, a provocative thriller about a killer who stalks his pray and films the murders of his victims. Shocking for the time, it basically forced Powell into retirement, but is now revered as a champing of pushing the medium forward, and being a masterclass in directorial creation of tension. Ryan and Jay break down their thoughts on the film and the controversy surrounding it, the break-up of Powell and Pressburger, if the shocking nature of the film has aged well, and their complete rankings of the films of the Archers, while also previewing their next films series.

This podcast runs 2h03m. The guys will be back next week to begin their series on the films of Charles Burnett with a review of the film, Killer of Sheep. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 339 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham discuss their spoiler-filled thoughts on the latest film from A24, Kristoffer Borgli's The Drama, starring Zendaya and Robert Pattinson.

This podcast runs 1h1m. We will be back next week with an Oscar retrospective for the 64th Academy Awards, covering the films of 1991. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 147 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the latest film in their Powell and Pressburger series, The Tales of Hoffmann (1951).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

In a massive pivot in the type of film the Arches have made before, comes the film that was the last great film from them before their partnership broke. The Tales of Hoffmann follows a poet's glamorous, gorgeous journey of recounting his past failed romances, and in doing so, the directors examine, in excellent fashion, the cost it takes to make art, and the sacrifices it takes to collects along the way. Ryan, Jay, and Christina break down their thoughts on the film, how meta the opera is for the directors, the crumbling of the Archers relationship, preview Peeping Tom, and go over the three sections of the film that make the film so elegant.

This podcast runs 1h55m. The guys will be back next week to conclude their series on the films of Michael Powell and Emeric Pressburger with a review of the film, Peeping Tom. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 338 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and AwardsWatch contributors Dan Bayer, Jay Ledbetter and Josh Parham, to go back 50 years and take a look at the 49th Academy Awards, covering the films of 1976.

In this retrospective, the AW team returns from their two week break after the end of the 2025-2026 Oscar season to take a trip back 50 years to one of the most interesting ceremonies of all time; one similar to the one they just covered in more ways than one. A big, crowd pleasing film about an underdog boxer stole the heart of the Academy and audiences around the world, while the politically charged, socially relevant films walked away with the most awards on Oscar night, but missed out on the top two prizes. It was an epic battle between Rocky,All the President's Men, and Network, with Bound for Glory, Taxi Driver, Seven Beauties, Face to Face, Carrie, Marathon Man, and more honored by the Academy, with films like The Ritz, Grey Gardens, Mikey and Nicky, The Omen, The Bad News Bears, and more making up the films talked about on this show as films that could replace or be celebrated in this retrospective; highlighting a wide range of memorable titles released in 1976 that the team admire in one way or another.

In their in-depth discussion, the AW team talked about the film year of 1976, briefly discuss Rocky as a Best Picture winner, how that win speaks to the legacy of their win and the franchise, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

This podcast runs 2h30m. We will be back next week for a review of the latest film A24, The Drama, starring Zendaya and Robert Pattinson. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 146 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the latest film in their Powell and Pressburger series, The Red Shoes (1948).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

In their most popular, acclaimed film of their career, Powell and Pressburger take a look into the competitive, obsessive world of ballet and the personal scarifies it takes to make real art. With The Red Shoes, they created another lasting masterpiece, one with a trio of incredible performances, expert dialogue, a twisted ending, and one of the greatest sequences in film history involving the titular film's ballet. Ryan, Jay, and Sophia break down their admiration for the film, the price it takes Victoria Page to become the best dancer in the world, the jealousy of Boris Lermontov, the naiveté of Julian Craster, how the duo behind the camera were able to pull off that miraculous sequence, the food, the clothing, the mixture of location shooting and sets, the process it took to preserve this film via the Criterion Collection and Martin Scorsese, and one of the biggest, longest weekly recommendations in the history of Director Watch.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h55m. The guys will be back next week to continue their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, The Tales of Hoffmann. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 145 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Editor-In-Chief of InSession Film Dave Giannini to discuss the latest film in their Powell and Pressburger series, Black Narcissus (1947).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

In taking a darker turn with their latest film, Powell and Pressburger explore the role of temptation, guilt has on the mind when dealing with religion in Black Narcissus. A film that is about a group of nuns coming to a small village to spread their word of god only to be internally turned upside down by the human impulses being challenged by their beliefs in god and their mission, thus leading to one of the hottest, most complex films the duo ever created. Ryan, Jay, and Dave break down their thoughts on the film, the religious conversations the film is having, how gorgeous the film is, how sexy David Farrar is as Mr. Dean, the use of color photography in the film, and a silly summer movie bet between the two co-hosts that is from a galaxy far, far away.

This podcast runs 2h06m. The guys will be back later this week to continue their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, The Red Shoes. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 144 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Jesse Nussman to discuss the latest film in their Powell and Pressburger series, A Matter of Life and Death (1946).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

In the start of a run of episodes that will feature the guys talking about Powell and Pressburger's signature masterpieces, the Archers take a look at the power of love in the face of death and how having love can mean more than anything on this planet or in the afterlife. In a beautiful blend of black and white photography and technicolor, Powell and Pressburger delivered a cinematic statement that as long as a you have true love, nothing else matters and it's stronger than logic, reason, or whatever else you want to throw at someone when they are under the spell of love; matters of the heart mean more than matters of the brain, thus is a necessity of life. Ryan, Jay, and Jesse break down their thoughts on the film, the power of love, various iconic shots within the film, map painting, and a special Nussman surprise at the end of the episode.

This podcast runs 2h02m. The guys will be back next week to continue their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, Black Narcissus. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 337 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Associate Editor Sophia Ciminello and AwardsWatch contributor Josh Parham break down their reactions to the winners at the 98th Academy Awards and our newest Best Picture winner, One Battle After Another.

This podcast runs 1h46m. We will be back in two weeks with an Oscar retrospective for the 49th Academy Awards, covering the films of 1976. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 143 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the latest film in their Powell and Pressburger series, I Know Where I'm Going (1945).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

After their expansive wartime epic, Powell and Pressburger went to Ireland to tell a love story that is more than just about finding someone to spend the rest of your life with but more so about finding who you are before you make the biggest decision of your life. Shot on and off location, I Know Where I'm Going takes the time to dive deep in these two protagonist's heads, examining their stations in life, the pasts or futures that haunt them, leading to being in each other's arms in the end that feels poetic. Ryan and Jay break down their feelings on the film, how time and love have changed them, the beautiful shots found in the film, how the directors were able to convey everything on screen when some of the actors weren't there, and how this romantic fable feels also like a ghost story at times.

This podcast runs 2h05m. The guys will be back next week to continue their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, A Matter of Life and Death. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 336 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and AwardsWatch contributor Mark Johnson to give out their final Oscar winner predictions for the 98th Academy Awards.

This podcast runs 3h12m. We will be back next week to give our reactions to the winners for the 98th Academy Awards. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Since its first season premiered last January, The Pitt has been on a steep climb to being the best drama on television. Acting as a true ensemble show, every character gets their moment, however small it may feel in the moment. A sprawling cast that characterizes nurses, doctors, security guards, clerks, and patients seems unwieldy to handle, but Emmy winner Pitt actor Shawn Hatosy chose to direct an episode on top of being a guest star in the series.

Hatosy plays Dr. Jack Abbot, a night-shift attending that – we found out this season – also doubles as a field medic during the day. To hear Hatosy say it, this is Abbot's way of managing himself and his emotions, perhaps taking the suggestion of a therapist and twisting it to do something he enjoys and keeps his adrenaline pumping. Hatosy stepped into the director's chair for the ninth episode of the second season, "3:00 P.M." Though Hatosy doesn't have as much screen time as the regular ensemble, he makes his own impact with this episode, as "3:00 P.M." travels through the emergency department struggling with technology woes due to a potential cyberattack, Mel's sister showing up with her own ailment, a young boy who has blown off two of his fingers, and a cancer patient at wit's end.

Hatosy gets to show his commitment to camera choreography and blocking during the episode, the camera fluidly moving throughout, fast enough for the audience to suffer whiplash as the patients pour in and the day gets more difficult. As an actor (and former director on Animal Kingdom) on the show, he was already familiar with the planning that would be needed to get every part precise. The episode is tightly constructed and introduces the beginning of the end of the day, moving quickly but never rushed, every minute moving quicker than the last. The episode ends by introducing a major disaster that could influence the rest of the season: a waterpark slide has collapsed, and we all know where any potential patients will be going.

I spoke to Hatosy about getting the camera and blocking just right, setting up new relationships on the show, his preparation for directing "3:00 P.M." and how he's affected by the online community that loves him.

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On episode 142 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Bilge Ebiri discuss the latest film in their Powell and Pressburger series, The Life and Death of Colonel Blimp (1943).

The latest film in the boy's P&P series is a showcase of when filmmakers don't go for propaganda, and instead try to tell a version of their own truth. During WWII, the filmmaking duo did films for audience's tailor-made to provoke the political agenda of their country. For The Life and Death of Colonel Blimp, they take a look inward at their own countrymen and system and how destructive is has been on the war as much as the enemies they are fighting across Europe, even making our protagonists best friend a German character, causing uproar about the inclusion of someone for whom the world was morally against. In doing this, they created one of their defining masterpieces where their thesis lies in someone who has given their whole life to fighting for their country, all for their wisdom and talent to be washed away as a new generation rises up, a brilliant work. Ryan, Jay, and Bilge break down their thoughts on the film, laserdisc physical media, the idea on romance at the heart of our main trio, showing no violence in a war picture, the films ending, and much more.

This podcast runs 2h33m. The guys will be back next week to continue their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, I Know Where I'm Going. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 335 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In Chief Erik Anderson and AwardsWatch contributor Josh Parham to discuss The Actor Award and 2026 PGA Award winners, and what these wins mean going into the final days of Oscar voting.

This podcast runs 1h17m. We will be back next week to give out our final winner predictions for the 98th Academy Awards. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 141 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Powell and Pressburger series, 49th Parallel aka The Invaders (1942).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

Known as the most influential director duo of all time, and the greatest British filmmakers not named Hitchcock, Michael Powell and Emeric Pressburger were a powerhouse team in their era, creating some of the richest films of their time that have aged impeccably. But you don't have to tell the Director Watch hosts this because they've covered these filmmakers before on a previous series, on their old show. That was during the pandemic, and now they have had time to settle on their motion pictures, and seen them multiple times, and thought it would be a wonderful chance to go back and review these films under a now familiar lens. In the first entry into their series, they take a look at their 1941 war picture (released in 1942 in the U.S.), where the duo subverts the expectations of the audience, and force us to examine a group of "protagonists" that were rather unconventional at the time; a group of Nazis on the run, attempting to cross into the then-neutral United States. Ryan and Jay breakdown their thoughts on the film, their vast respect for Powell and Pressburger, their use of the Germans as the main characters, the propaganda within films during the war, and the amazing talents of Leslie Howard, Laurence Olivier, Anton Walbrook; the latter who will be mentioned much more throughout this series.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h54m. The guys will be back next week to begin their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, The Life and Death of Colonel Blimp. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 334 of the AwardsWatch Podcast, Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to break down the winners of the 79th BAFTA Film Awards.

Recorded minutes after the BAFTA ceremony, the details of the horrible incident involving Michael B. Jordan and Delroy Lindo being hurled slurs by Tourette's Syndrome advocate and subject of the BAFTA-winning film I Swear were not available and therefore not heavily discussed at risk of misinformed or misinformation. The full details are available in the BAFTA winners write-up, which was updated this morning.

The team opens with a healthy amount of time on the two supporting wins for Sean Penn (One Battle After Another) and Wunmi Mosaku (Sinners) and how that may have tipped us off on the upcoming SAG Awards and potential Oscar winners. Going deeper, we look at the haul of both One Battle (6) and Sinners (3) as the Oscar frontrunners and how the surprise Best Actor win for Robert Aramayo impacts that Oscar race.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from Apple Podcasts, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, and more. You can also listen to it on our AwardsWatch YouTube page.

This podcast runs 1h28m. We'll be back next week for a post-PGA and post-SAG Actor Awards reaction. Til then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 140 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the final film in their Chantal Akerman series, A Couch in New York (1996).

Chantal Akerman's late 1960s to 1970s output is what she is known for and highly celebrated for a time where the director was tapping into something artistically personal that resonates for decades to come. But what happens the rest of her career is a bit of sad, as she tried to chase the glory of her past work, delivering work that is fascinating given her early films, but rather aimless exercises. As the boys look at her past, they take a look at Akerman's attempt to make a Hollywood romantic comedy, with two leading stars of their times, but is missing the director's signature point of view and patience, thus making it a weird exercise to explore within her filmography. Ryan and Jay give their thoughts on the film, the strange premise of the film, Hurt and Binoche's lack of chemistry, if the ending makes sense, Akerman's documentary work with News From Home that is a much more vital piece of work from the director covering her time in New York. They also give out their rankings for the series and tease the new series they will be starting next week.

This podcast runs 1h56m. The guys will be back next week to begin their series on the films of Michael Powell and Emeric Pressburger with a review of their film, 49th Parallel. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On Episode 333 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and AW contributors Josh Parham and Dan Bayer out on the wily, windy moors to discuss Emerald Fennell's third feature, "Wuthering Heights," starring Margot Robbie, Jacob Elordi, Alison Oliver, Shazad Latif, and Hong Chau.

The adaptation of Emily Brontë's groundbreaking 1847 Gothic novel has already caused quite the stir, but is this an adaptation that they cannot live without or one that drives them mad? The team discusses Fennell's vision, their favorite performances, the changes made from book to screen, the movie's eroticism, and more. Then, the gang previews the 79th British Academy Film Awards (BAFTA) taking place next Saturday, February 22. Will it be one award after another for our nomination leader, One Battle After Another? How will the Brits respond to Chloé Zhao's spin on Shakespeare? We break it all down.

This podcast is 1h55m. We will be back next week with a recap of the BAFTA winners. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 139 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the next film in their Chantal Akerman series, Les Rendez-vous d'Anna (1978).

It's not easy following up what people consider to be the greatest film of all time, but Akerman, her next feature film seemed to be another perfect, meticulous examination of a woman's journey through life, continuing the trend she's looked at within the first two films of this series. But what makes Les Rendez-vous d'Anna such a fascinating film is that the picture feels as if it's from someone who has lived a life, and as they enter their thirties, their reflection on who they are, what they've done in their life, and what their purpose becomes clearer as she meets more and more figures of her past. It's a blistering, meta look into the director's life at the time, and what she thought about choosing her art over a more normal type of life. Ryan and Jay break down their thoughts on the film and how they see the turning points of their lives reflected within the honest piece of cinema by Akerman.

This podcast runs 1h29m. The guys will be back next week to conclude their series on the films of Chantal Akerman with a review of her next film, A Couch in New York. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 332 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer, Jay Ledbetter, and Josh Parham to go back 25 years and take a look at the 74th Academy Awards, covering the films of 2001.

On this retrospective, the AW team starts the year off with a look back at a solid year of film in 2001, that brought together some of the most memorable films of the last 25 years. But the winner for Best Picture is not one held in high regard, as A Beautiful Mind took home the top prize, a make-up win for director Ron Howard after losing for Apollo 13. While the film hasn't aged well as a winner, and even as a film, the year has with spectacular films that are mentioned throughout the show like In the Mood for Love, Mulholland Drive, Gosford Park, Memento, Ghost World, The Royal Tenenbaums, In the Bedroom, Hedwig and the Angry Itch, The Lord of the Rings: The Fellowship of the Ring, and more.

In their in-depth discussion, the AW team talked about the film year of 2001, briefly discuss talk about A Beautiful Mind as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

This podcast runs 2h06m. We will be back in next week for a review of the latest film from director Emerald Fennell, Wuthering Heights. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 331 of the AwardsWatch podcast, AW Editor-In-Chief, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello break down the recent DGA win by Paul Thomas Anderson for One Battle After Another and what that win means to the Oscar race at large right now.

There was a lot of anticipation leading up to last weekend's Directors Guild of America (DGA) awards, with Anderson and Ryan Coogler (Sinners) as the top contenders angling for that win, and with it came a good deal of Oscar pundit skittishness and squirming. Although most had acquiesced to the reality that Anderson was going to be the likely winner, the fact that no Black director had ever won DGA in its 77 years (78 now) gave some of them enough to hold onto a chance of it happening, and for a momentum switch from One Battle to Sinners begin to emerge. It didn't happen, and Producers Guild of America (PGA) voting ended days before the DGA Awards so those votes are locked in too. We won't know those results for almost another three weeks.

This podcast runs 1h. We will be back soon with an Oscar retrospective for the 74th Academy Awards, covering the films of 2001. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 138 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Morgan Roberts, host of the Female Gaze; The Film Club podcast, to discuss the next film in their Chantal Akerman series, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).

The Director Watch duo have talked about some of the most important films of all time, but none bigger than Jeanne Dielman, the film voted as the number one film of all time by Sight and Sound back in 2022. Following the everyday life of a widower preparing meals for her and her son while also performing the occasional trick to make it by, Akerman dives deep into the soul of someone on the verge of falling apart, slowing showing a three-day meltdown that leads to shocking, heartbreaking conclusions. But is it the greatest movie of all time is the real question. Ryan, Jay, and Morgan break down their thoughts on the film, the methodical pace and structure of this portrait of a modern woman, her preparation for the various meals we see her make, her uneven relationship with her son, how missing someone you love has long term effects, the film's controversial ending, and so much more that includes Ryan breaking down the entire plot of the 2011 sci-fi action picture In Time.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h43m. The guys will be back next week to continue their series on the films of Chantal Akerman with a review of her next film, Les rendez-vous d'Anna (1978). You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 330 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Trace Sauveur to discuss the latest film from director Sam Raimi, Send Help.

This podcast runs 1h. We will be back later in the week for an Oscar retrospective for the 74th Academy Awards, covering the films of 2001. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 137 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Chantal Akerman series, Je Tu Il Elle (1974).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

Last week the guys said goodbye to the figure that is Warren Beatty, and switch things up by focusing on a director whose work has become discovered and evaluated more as her second feature was given the crown of the "greatest film of all time" from Sight and Sound; Chantal Akerman. Before next week's examination of said greatest film, Ryan and Jay first take a look at her feature film, an experimental look at the life of a young woman (played by Akerman) and her journey of discovering her relationship with wanting to connect with someone and the damage it can have on her if it's absent in her life. As thought provoking and patient of a debut feature as you will ever see, the boys breakdown their thoughts on the film, off the cuff Top 10 for the Sight and Sound list if they were ever asked, their marvel of Akerman's use of the form, what eating pure sugar from a bag must be like, and how this film is the appetizer for the meal that is Jeanne Dielman on next week's show.

This podcast runs 1h38m. The guys will be back next week to continue their series on the films of Chantal Akerman with a review of her next film, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles. You can watch it on HBO Max or rent it via iTunes or Amazon Prime in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 136 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch contributor Trace Sauveur to discuss the final film in their Warren Beatty series, Rules Don't Apply (2016).

In a Howard Hughes like move, for close to two decades, the world got used to see Warren Beatty more as the arm candy for his wife at award shows and less so as a direct. But in the mid-2010s, Beatty finally got back to the director chair to make his long-awaited dream project, a film about the famous Hughes. It was a box office, critical disaster of epic proportions, but in the time of its release, and in the process of going over his directorial achievements, it's a bittersweet ending (potentially) to one of the most curious figures in Hollywood history, with the film becoming a meta commentary on where the world and Beatty see himself; it's really the films only redeeming quality. Ryan, Jay, and Trace break down the film, their thoughts on it, how Beatty mirrors Hughes later years, how it almost continues the story after the events of The Aviator, cream jeans, the cinemas in the greater Georgia area, the 2016 Oscar fiasco, whose fault it really was, some justice for Alden Ehrenreich, and a mention or two about Rob Lowe singing with Snow White at the Oscars (yes, it really happened). Plus, the guys give out their rankings of the Beatty series and preview their next movie series starting next week.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h08m. The guys will be back next week to begin their series on the films of Chantal Akerman with a review of her first film, Je Tu Il Elle (1974).You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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The Oscar nominations are in and we're wasting no time.

On episode 329 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and contributor Mark Johnson, aka The Awards Alchemist, break down the Oscar nominations for the 98th Academy Awards, including the record-setting number earned by Sinners, the total exclusion of Wicked: For Good and the most wtf nominations of the day.

This podcast runs 1h10m. We will be back next week with a review of the new Sam Raimi film, Send Help. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 328 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the latest film from director Nia Dacosta, 28 Years Later: The Bone Temple.

This podcast runs 47m. We will be back later in the week to give our reactions to the 2026 Oscar nominations. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 327 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello, and AwardsWatch contributor Josh Parham to discuss their final Oscar nomination predictions for the 98th Academy Awards coming this week on January 22.

It's been a long run of this phase of awards season, which truly starts all the way back at the Sundance Film Festival last January, where potential contenders debut, to summer blockbuster, big Christmas releases, and the critics awards, guild awards, Golden Globes and our gut instincts guide us to where we land today. From One Battle After Another to Sinners to Hamnet, and the abundance of international contenders from Cannes and Venice like Sentimental Value, It Was Just an Accident, The Secret Agent, No Other Choice and more, we find some categories eerily settled on (like Supporting Actor) but more with so many possibilities and variables who knows who's going to get it right.

This podcast runs 3h10m. We will be back next week to give our reactions to the 2026 Oscar nominations. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 135 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the next film in their Warren Beatty series, Bulworth (1998).

The year was 1998, and politics were on the mind, as in the same year as his old friend Elaine May was working with Mike Nichols on Primary Colors, Beatty was making his own political commentary; one that was sure to be one of the more controversial films within the director's filmography. As Beatty grew tired and frustrated by the Democratic party, and feeling they had turned their back on their values and the people who voted for them, he made Bulworth, a satire about a politician that orders a hit on himself and as he is chasing his own death, he starts to unleash, telling the world what is really going on in Washington D.C., all the while being embraced by the black community, and rapping his message out. Sound crazy enough for you? Well that is just a fraction of what is going on in a film that thinks very highly of itself. Ryan, Jay, and Christina break down their thoughts on the film, if it has aged well, if it was an effective satire for the time, how Beatty can't help but get the girl in the end, why everyone was trying to make the great satire of the time, why many fail, and why Bamboozle did what this movie is trying to do, but better.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h58m. The guys will be back next week to conclude their series on the films of Warren Beatty with a review of his last film, Rules Don't Apply. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 326 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello to discuss their reactions to the 2026 Golden Globe Awards, as well as thoughts on the SAG, DGA, PGA nominations, BAFTA long list mentions, and preview next week's big episode as we went the final stages of Oscar voting for the 2026 nominations.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, and more. You can also listen to it on our AwardsWatch YouTube page.

This podcast is sponsored by Hedda from Amazon MGM Studios and runs 56m. We will be back next week to give our FINAL predictions for the 2026 Oscar nominations. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 134 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Editor-In-Chief Erik Anderson and Izzy of Be Kind Rewind to discuss the next film in their Warren Beatty series, Dick Tracy (1990).

It took Beatty nine years to return to the director's chair after winning his Oscar for Reds, but when he did, he made a flashy, bold, audacious crime caper straight from the beloved comic book of the same name. Donning the iconic yellow trench coat, Beatty brought the world of Dick Tracy to life with music, vibrant colors, insane make-up design, and memorable supporting characters (an all-time Al Pacino), but in making the film, Beatty connected with the titular police detective grew larger than life, as he completed his mission he set out since 1975 to make. Finally getting the rights, he was able to shoot for the fences with this one, and make an entertaining picture that still holds up to today. Ryan, Jay, Erik, and Izzy break down their thoughts on the film, Beatty's relationship with his co-star Madonna, how wild Pacino gets within the film, if Beatty is right for the part of Dick Tracy, the production design, the recurring videos Beatty releases to keep the film rights, and if they like the original songs in the film from the legendary Steven Sondheim.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h16m. The guys will be back next week to continue their series on the films of Warren Beatty with a review of his next film, Bulworth. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 325 of the AwardsWatch podcast, Associate Editor Sophia Ciminello leads the team of Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and contributor Mark Johnson on predictions for the massive week of SAG, DGA and PGA nominations and next weekend's Golden Globes.

After attending the Critics Choice Awards last weekend, we turn our eyes to our first major bite of the top guilds in the industry: the Screen Actors Guild, Directors Guild and Producers Guild, who will all be announcing their nominations this week. While we intersect a lot as a foursome, each of us have outliers and potential spoilers to mix things up. Next, we look at the Golden Globes, the second televised awards show of the season and where they will go. Will it be a One Battle After Another sweep? Can Sinners find love? How will the international films fare and can Hamnet rebound outside of Jessie Buckley? All will be told soon...

This podcast is sponsored by Hedda from Amazon MGM Studios and runs 2h16m.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 133 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Associate Editor Sophia Ciminello discuss the next film in their Warren Beatty series, Reds (1981).

Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

After a successful directorial debut, Beatty pushed all of his chips into the middle of the table to make the passion project he wanted to make for the entire 1970s. In making Reds, he told the story of the life and career of John Reed, the journalist and writer who chronicled the October Revolution in Russia, and creative and passionate relationship with activist Louise Bryant. By making this epic, he showcased a sense of command of the camera in the midst of rewrites and on set fights with his leading lady and girlfriend of the time, the late Diane Keaton. With this, he created his masterpiece, resulting in an Oscar for Best Director and cementing his case for auteur status. Ryan, Jay, and Sophia break down their thoughts on the film, if Beatty is good in this film, if this is Keaton's best performance, the legend that is Jack Nicholson, the rewrites by Elaine May, and which steamy quote about Beatty's love life will Jay read before talking about one of the defining epics of the 1980s.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h57m. The guys will be back next week to continue their series on the films of Warren Beatty with a review of his next film, Dick Tracy. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 324 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello, AwardsWatch contributors Jay Ledbetter, Josh Parham, Griffin Schiller, Cody Dericks, and Trace Sauveur to discuss their favorite films of 2025 in part two of the AW end of the year show.

As we are about to begin an exciting new year of cinema in 2026, we say goodbye to 2025 with our AW team's favorite films of the year. Instead of having everyone on one call together, the show is split up into two episodes this year, each covering a selection of the nine films the team loved the most. On this second installment of the end of the year show, the movies discussed were The Mastermind (Trace), Weapons (Cody, Griffin), Marty Supreme (Jay), and One Battle After Another (Ryan, Sophia, Josh).

In each segment, each person talks about why they selected the film as their favorite of the year, as well as an in-depth discussion over the film. At the end, the team gave honorable mentions for other films that they loved that included Sentimental Value, Train Dreams, It Was Just an Accident, The Testament of Ann Lee, If I Had Legs Id Kick You, Twinless, Black Bag, Die My Love, No Other Choice, Sound of Falling, Hedda, and many more. Please enjoy this wonderful part two episode to wrap up 2025. Thank you all for reading everything on the website as well as listening to the show this past year. Have a Happy New Year and see you in 2026.

This podcast runs 3h34m. We will be back next week to breakdown the winners of the 2026 Critics Choice Awards, and preview the 2026 Golden Globes. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), 'Leonardo' by Chicago Underground Trio, 'Beware of Darkness' by George Harrison, 'Everyone Wants To Rule The World' by Tears for Fears, 'Dirty Work' by Steely Dan, "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 323 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, TV Editor Tyler Doster, Associate TV Editor Karen Peterson, as well as AwardsWatch contributors Mark Johnson and Dan Bayer to discuss their favorite films of 2025 in part one of the AW end of the year show.

As we are about to begin an exciting new year of cinema in 2026, we say goodbye to 2025 with our AW team's favorite films of the year. Instead of having everyone on one call together, the show is split up into two episodes this year, each covering a selection of the nine films the team loved the most. On this first installment of the end of the year show, the movies discussed were Sinners (Mark), Sorry, Baby (Tyler), The Secret Agent (Karen), Resurrection (Dan), and Hamnet (Erik).

In each segment, each person talks about why they selected the film as their favorite of the year, as well as an in-depth discussion over the film. At the end, the team gave honorable mentions for other films that they loved that included One Battle After Another, Weapons, Sentimental Value, Train Dreams, Pillion, The Naked Gun, The History of Sound, F1, and many more. Please enjoy this wonderful part one episode to wrap up 2025. Thank you all for reading everything on the website as well as listening to the show this past year.

This podcast runs 2h53m. We will be back soon with part two of the best films of 2025, end of the year show. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), 'I Lied to You' from Sinners, 'Sorry, Baby (Piano)' from Sorry, Baby, 'Transfusão de Sangue' from The Secret Agent, 'Clamor of Time' from Resurrection, 'On the Nature of Daylight' by Max Richter, 'Silver Dagger' by Paul Mescal from The History of Sound (outro).

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On episode 322 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Mark Johnson, aka The Awards Alchemist, to give their predictions for the upcoming Critics Choice Awards taking place on January 4, 2026.

Recording the day after Christmas, the trio give a short version of their holiday experience (wine, so much wine) and then jump right into predicting who they think will be the winners of the 31st Critics Choice Association Awards, as well as reveal what some of our own votes were, including some races that feel very close. With Critics Choice happening a full week before the Golden Globes, will the group rely on being Oscar predictors or tastemakers as the first televised org of the season?

While it feels like it's a head to head fight between One Battle After Another and Sinners in many categories--all of which is great for Warner Bros--some categories could be the beginning of a season-long coronation, like Amy Madigan vs Teyana Taylor in Best Supporting Actress and Jessie Buckley vs Rose Byrne in Best Actress. Best Actor could be a threeway race between Timothée Chalamet, Leonardo DiCaprio and Michael B. Jordan, although we're seeing Chalamet triumph here.

This podcast runs 1h26m. We'll be back soon with a Best of 2025 wrap-up. Till then, let's get into it.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 132 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Warren Beatty series, Heaven Can Wait (1978).

Welcome to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love.

One of the biggest movie stars on the planet from the 1970s was Warren Beatty, who was known not only for being the ultimate ladies' man, but an actor with extreme taste, charisma that rivals very few on screen, and was friends with just about everyone (even though he was a pain in the ass to work with). By the end of Hollywood's greatest decade, Beatty, alongside the help of acclaimed writer Elaine May, stepped back from in front of the camera and into the director's chair to tackle his first film as an auteur filmmaker, Heaven Can Wait, a remake of Here Comes Mr. Jordan from 1941, based on the Harry Segal play. By doing this, Beatty created a smash hit comedy that reigns supreme as the definitive adaptation of Segal's play, even if it also has some problems within the third act. Ryan and Jay break down their thoughts on the film, thoughts on Beatty, the flaws of this material, why the film's central romance doesn't work, the comedic genius that is Charles Grodin, and Jay reveals something about Beatty that will set up a very interesting theory the boys will be exploring over the next few weeks about Beatty the movie star turned director.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h04m. The guys will be back next week to continue their series on the films of Warren Beatty with a review of his next film, Reds. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 131 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate TV Editor Karen Peterson to discuss the final film in their Claire Denis series, High Life (2019)

In the final look into the cinematic world of Claire Denis, we see the guys, alongside Karen, give into what is widely known as the director's most celebrated modern film, about a futuristic, sci-fi film that examines the flaws and humanity of those who have harmed or destroyed other human beings. Set on a spaceship travelling to the ends of our galaxy, carrying a group of dangerous group criminals being experimented on by a crazed, horned up doctor, Denis examines if these humans who have committed the most heinous crime should be treated like decent members of society, and what it is life to care for life at the end of the space and time; it's simple beautiful as well as complexly unique in terms of style and story, essentially Denis at her best. Ryan, Jay, and Karen break down their thoughts on the film, Robert Pattinson's performance, if these characters deserve a second chance, "the box" scenes, what this film says about being a parent, as well as the boys' rankings of Denis' filmography and a preview of their newest series.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h03m. The guys will be back later this week to begin their series on the films of Warren Beatty with a review of his first film, Heaven Can Wait. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 321 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Cody Dericks to review the latest film from director James Cameron, Avatar: Fire & Ash.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h01m. We will be back later in the week with a 2025 award season focused podcast before the holiday break. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Oscar pre-season is in full swing and nothing says that more than the annual Oscar shortlists, which expand to 12 categories this year, adding Casting and Cinematography. On episode 320 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello break down the morning's shortlist announcement, discussing what surprised, what was snubbed and how it impacts the Oscar races overall.

12 categories for the 98th Academy Awards were announced this morning: Animated Short Film, Casting, Cinematography, Documentary Feature Film, Documentary Short Film, International Feature Film, Live Action Short Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Sound and Visual Effects.

Leading the way with eight mentions apiece were Sinners and Wicked: For Good. Both films made the cut in the exact same categories: Casting, Cinematography, Makeup and Hairstyling, Score, two in Song, Sound and Visual Effects.

Frankenstein came in with six: Casting, Cinematography, Makeup, Score, Sound and Visual Effects.

Up next, with five mentions apiece were F1 and One Battle After Another but possibly one of the day's biggest surprises was the huge showing for Spain's Oscar entry and Cannes Grand Prize winner Sirāt. Also earning five spots on the shortlist, it showed up in International Feature, Sound and Score as was relatively easy to predict, but also in Casting and Cinematography.

The Academy added two new shortlists this year. Well, one new one and one returning after several decades. The much-anticipated new Casting category that debuts this season brought contenders like The Secret Agent, Sentimental Value and Weapons but shockingly didn't have room for Wake Up Dead Man, the third in the Knives Out trilogy packed with a hearty ensemble.

Cinematography is back on the menu after a 46-year absence with finalists that included the major players like Sinners, One Battle After Another and Hamnet but also Ballad of a Small Player, Die My Love, Nouvelle Vague and Song Sung Blue to the table.

We focus a good deal of time on these new categories but also look to how sound and film editing are often in sync, if this means Wicked: For Good is back, if Hamnet might be in trouble, what the hell is Veni Verdi and much more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h1m. We will be back in next week for a review of the last big film of the year, Avatar: Fire and Ash. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 319 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back five years and take a look at the 93rd Academy Awards, covering the films of 2020.

On this retrospective, the AW team take one last trip to the past for the year to talk about the pandemic year of cinema that saw one of the worst Oscar telecasts of all time. Baffling decision after another, the night ended on a sour note instead of one of celebration for Nomadland winning the top prize and Chloé Zhao becoming the second female director to win Best Director. Still, even with the ceremony being so divisive, the year presented plenty of films the team wanted to highlight and discuss over the course of changing the Academy's nominations, with films such as The Nest, Tenet, Miss Juneteenth, Never Rarely Sometimes Always, Clemency, Dick Johnson is Dead, I'm Thinking of Ending Things, The Father, Sound of Metal, Minari, Judas and the Black Messiah, and more.

In their in-depth discussion, the AW team talked about the film year of 2020, briefly discuss talk about Nomadland as a Best Picture winner, how this year is full of celebrities that are problematic or "cancelled" and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of eight nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h41m. We will be back in next week for a review of the last big film of the year, Avatar: Fire and Ash. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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No one is having as much fun making films as Rian Johnson. Over the course of the last twenty years, Johnson has delivered some of the most original, bold, entertaining films, dazzling audiences with noir mysteries, a sci-fi action thriller, and a journey to a galaxy far far away. But in his latest three pictures, Johnson has crafted his own IP, creating a new cinematic detective series with the help of one of the biggest movie stars on the planet, Daniel Craig. The director, alongside his famed actor and a crew of regular collaborators over the course of his career, delivered the smash hits Knives Out in 2019 and Glass Onion in 2022, whodunit mysteries following the cases of Detective Benoit Blanc. Known for the hilarious tone, massive ensemble casts, and immaculate third act resolutions, the first two entries of the franchise were widely acclaimed by audiences and critics, leading to Johnson landing two Oscar nominations for his screenplays.

With the third entry in the Knives Out franchise, the director (in his own words) takes us "back to church" with a mystery centered around Reverend Jud Duplenticy (Josh O'Connor), a new priest who is framed for the murder of an another priest from a small parish in upstate New York. In trying to clear his name, Blanc hears of the case and is willing to assist Father Jud in clearing his name and getting the heart of who committed this horrible crime. In my review out of the Toronto International Film Festival, I raved about the film, calling it "the best entry in the Knives Out franchise to date" and also stating "Johnson and company pull out all the stops to create a dark, tense, comical, sharply-written mystery that sticks the landing." It's an entry that is not only darker, but seems more personal than ever for Johnson, as Wake Up Dead Man dabbles in ideas of faith, wickedness, revenge, spitefulness, how dangerous our world is, and how we need forgiveness more than ever if we are to heel as a species.

In my recent, extensive, spoiler-filled discussion with the writer-director, we spoke about Johnson's approach to this entry, when he knew he was going to enter the world of the gothic mystery, and working with Craig on their third film together. We also spoke about collaborating with the new cast, the social, political, religious themes found at the center of the film, as well as his film and literary inspirations for Wake Up Dead Man, as well his thoughts on modern cinema, the importance of celebrating cinema, and if he could get a director to confess their secrets to him, who would he select and why. It's a more serious conversation than the last time Johnson and I spoke when Glass Onion was coming out, but that's a prime example of not just the tonal versatility found within the Knives Out, but also within the person its creator. Insightful, lively, introspectively honest, Rian Johnson is a real original and there aren't many left in Hollywood who are like him.

Music: A Minor Omission, Nathan Johnson

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 130 of the Director Watch Podcast, the boys discuss the next film in their Claire Denis series, Let the Sunshine In (2017).

Over the last couple of years, Denis has had a bit of a renaissance with her contemporary work, exploring complex stories with female characters at the forefront, mostly portrayed by the incredible Juliette Binoche. In their first collaboration together, the duo takes us on a journey of a woman who is uncertain in the male relationships she's in, but knows that she wants more than ever to not be alone, forcing herself into situations that aren't healthy. By doing this, they show how heartbreaking it can be to grow old alone without someone to share a life with. Ryan and Jay break down their thoughts on the film, how grateful they are in the relationships they are in, how lonely it must be to grow old without a partner, Binoche's performance, and a couple of fun tangents as well.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h55m. The guys will be back next week to conclude their series on the films of Claire Denis with a review of her film, High Life. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 129 of the Director Watch Podcast, the boys discuss the next film in their Claire Denis series, White Material (2009).

Within the latest film of the Denis series, she heads back to Africa to explore a family drama set in the background of an unstable, unknown country, but as the film plays out, seems to be more interested in what is in the background rather than the characters that are focused on within the film. Instead of making a "white savior" movie, Denis is using this film as a honest, reflective look at her own place within this world as a white woman, commenting on the violent world that surrounds these white characters, and mirrors her own childhood. While it's not her best film, it's her most personal, and a bold piece of filmmaking that isn't looking for a pat on the back, but rather exposing the flaws within power dynamics in a part of the world we will never be able to fix or understand. Ryan and Jay break down their thoughts on the film, Denis' relationship to the source material, the violence in the background of the film, the lingering questions about the open ending, as well as plenty of fun tangents post-Thanksgiving for the boys, highlight some of their favorite films they've been catching up with lately.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h57m. The guys will be back next week to continue their series on the films of Claire Denis with a review of her film, Let the Sunshine In. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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It's been a big first week of December with no less than five sets of critics groups announcing winners and nominations as we kick off the next three months of nonstop awards season. On episode 318 I am joined by AwardsWatch Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to break down the awards landscape and more.

Before we get into that we have to talk about the other huge piece of news this week and that was yesterday's announcement that Netflix had won the battle to buy Warner Bros and all of its properties, which includes the DC Universe films and HBO/HBO Max. Unsurprisingly, there is no one on the podcast thinks this move is a good idea and sees the Netflix model as intentionally destructive of the theatrical model.

Next we move the Critics Choice Awards nominations, announced this morning, where Sinners and One Battle After Another lead the way, where Sentimental Value and Hamnet made comebacks and where Wicked: For Good faltered. Then it's onto the AFI and NBR lists, the New York Film Critics and the Gotham Awards, where Sophia gives her in the room insight of the event.

This podcast runs 1h 18m You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 317 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson alongside AwardsWatch contributors Dan Bayer and Josh Parham to go back 30 years and take a look at the 68th Academy Awards, covering the films of 1995.

On this retrospective, the AW team take a trip to 1995, where actor Mel Gibson rode off the with multiple Oscars, winning Best Picture for his war epic, Braveheart. While a hit within its own right, it was a bit of a shocking win considering many believed that Apollo 13 was going to take home Oscar's top prize. It's a massive upset that would have ripple effects over the course of Academy history that would have make up wins not just for Ron Howard, but for other nominees in this Oscar field. 1995 is a stacked, incredible year of cinema that the gang tries to reflect a little better than what the Academy nominated with films like Heat, Showgirls, Get Shorty, Clueless, Seven, Before Sunset, Friday, To Wong Foo, Thanks for Everything! Julie Newmar and more getting either mentions, nominations, or wins in the big top eight categories.Maybe one of them wins Best Picture, maybe they don't, you'll have to listen and try not to fall down a flight of stairs to find out.

In their in-depth discussion, the AW team talked about the film year of 1995, briefly discuss talk about Braveheart as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h47m. We will be back in next week for another retrospective over the 83rd Academy Awards, covering the films of 2010. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 128 of the Director Watch Podcast, the boys discuss the next film in their Claire Denis series, 35 Shots of Rum (2008).

Sometimes when you are planning a series, you don't think about the connections between the directors and their films, so this week is a happy surprise as Denis' 35 Shots of Rum is inspired by Yasujirō Ozu's film Late Spring, a film they covered earlier this year. Following a father-daughter relationship that is challenged by the arrival of a younger man who wants to date the daughter, Denis uses Ozu's masterpiece to reflect the racial, societal changes within France and Japan, as well as the differences between the two co-dependent family members, and the need for both to move on with their lives, no matter how heartbreaking it is. Ryan and Jay breakdown their thoughts on the film, its relationship to Ozu, how each film is different, as well as random thoughts on films from this year, Thanksgiving food, Jay's recent family vacation, and the pull quote that broke the internet this past week.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h50m. The guys will be back next week to continue their series on the films of Claire Denis with a review of her film, White Material. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 316 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Trace Sauveur to review the latest film from Universal Pictures, Wicked: For Good

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h54m. We will be back in next week for an Oscar retrospective for the 68th Academy Awards, covering the films of 1995. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 315 of The AwardsWatch Podcast, Executive Editor Ryan McQuade and Editor-In-Chief Erik Anderson give their reactions to Wicked: For Good, Marty Supreme and give their updated thoughts on how both films will do in the Oscar race as well as an overview of where the race is at within the four acting categories.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h16m. We will be back on Monday for a full review of Wicked: For Good. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 127 of the Director Watch Podcast, the boys are joined by AwardsWatch Editor-In-Chief Erik Anderson discuss the next film in their Claire Denis series, Beau Travail (1999).

Jumping ten years into Denis' filmography, the boys hit the film of the series with Beau Travail, a film that follows the story of a section of French Foreign Legion soldiers training in the desert of Djibouti. What can seem like a macho, male dominate setting it quickly, slowly shown to be a memory piece about longing, desire, regret, attention, and more as she centers the film on a Adjudant-Chef Galoup and his evolutionary yet repressive time within the group. In doing this, Denis created a defining piece of filmmaking that cemented her legacy in cinema, giving us one of the greatest films of all time. Ryan, Jay, and Erik break down the film, its themes of sexual repression, how things that are super straight and masculine can be something else entirely, the ending featuring "The Rhythm of the Night," and an update on where Madonna was at in 1999.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h07m. The guys will be back next week to continue their series on the films of Claire Denis with a review of her film, 35 Shots of Rum. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 314 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Trace Sauveur to review the latest film from director Edgar Wright, The Running Man.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h24m. We will be back in next week for a review of Wicked: For Good. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 126 of the Director Watch Podcast, the boys discuss the first film in their Claire Denis series, Chocolat (1988).

One of the most singular, influential filmmaker of modern independent, French cinema is the subject of the boy's new series, Claire Denis. Known for making immersive, emotional films about repression and love, Denis' first film explores her childhood through the lens of a young girl who sees her country, France, imposing their will onto the people of Africa, at the same time her Mother's starts a longing, flirtatious relationship with the family's household servant. It's a stunning debut, instantly setting the bar high for the series and Denis' career. Ryan and Jay break down their thoughts on the film, the idea of who this film is being shown through, Denis' personal connection to the story, the central romance, their cultural, racial ties at the center of the film's conflict, and a story about Ryan's recent trip to the theater that you'll want to hear.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h29m. The guys will be back next week to continue their series on the films of Claire Denis with a review of her film, Beau Travail. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 313 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade, Associate TV Editor Karen Peterson, and Contributor Josh Parham to discuss the Original Score and Original Song categories at the Oscars and to do a quick state-of-play on the Best Director and Best Picture categories.

First, they share their predictions for the Original Score category, discussing how this branch may vote, the old favorites that might return, and which potential new composers they could see in the category. Will any of the top scores be ruled ineligible? They dig into all of that and more.

Next, it's time to talk about Diane Warren, the "Golden" ticket to the Oscars, and the potential for double nominations for Sinners and Wicked: For Good in the Original Song category. Finally, the team does a brief check-in on the Best Picture and Best Director categories. They chat about the excitement surrounding a potential coronation year for Paul Thomas Anderson, Hamnet's audience prizes, and why One Battle After Another is the movie of the moment. What makes an awards season hero or villain? It's November, and the vultures are already circling.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more.

This podcast runs 1h17m. We will be back soon with a brand new episode. Until then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 125 of the Director Watch Podcast, the boys discuss the final film in their Hughes Brothers series, The Book of Ell (2010).

In their final collaboration as an artist pair, the Hughes Brothers take a dive into the end of the world, action genre where a man is roaming from town to town, searching for the haven of humanities last chance for hope within a broken country, where water is a privilege and knowledge is a weapon. In a making a film about the hunt for the last bible on Earth, the brothers tackle the rotten core of our humanity when faced up against each other, and the lust for power something as simple as a book can bring out of people. This plus it's just a cool idea for an action movie where Denzel Washington is being the best movie star on the planet and Gary Oldman is doing his villain thing that he does so well. But the real question with The Book of Eli is, why isn't it an all timer, why does it look the way it does, and why was this the last film the Hughes Brothers made together? Ryan and Jay breakdown all these questions, as well as look at the careers of Washington, Oldman, and Mila Kunis, what they learned from this series, what the Hughes Brothers are doing now, give their series rankings for the sibling duo, and preview their next director series.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h22m. The guys will be back next week to begin their new series on the films of Claire Denis with a review of her film, Chocolate. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 312 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson alongside AwardsWatch contributor Josh Parham to go back 20 years and take a look at the 78th Academy Awards, covering the films of 2005.

We are finally out of film festival season and the team is back to give you one of their most anticipated Oscar retrospectives of the year, taking a look back at 2005, the year Crash beat Brokeback Mountain for Best Picture. In a time where the center of the film world was focused on a film centered around two gay men falling in love, the Oscars swung the opposite direction and gave it to one of the worst Best Picture winners of all time, a film so vile that its win hasn't aged well the moment it won. Beyond that, it was a fascinating year when the critically acclaimed films of the year took over the top eight categories, while the more populist films made up the winners in the below the line categories; an interesting split in the Oscar wins.

In their in-depth discussion, the AW team talked about the film year of 2005, briefly discuss talk about Crash as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h40m. We will be back in next week for an update of the 2025 Oscar season. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 124 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Josh Parham to discuss the next film in their Hughes Brothers series, From Hell (2001).

After making two independent films that feel very much like the Hughes Brothers announcing their style and cinema language to the world, they took a detour to making a studio film, one that had been in development for some time. Based on the beloved Alan Moore graphic novel, From Hell centers around a renowned detective who is hunting down Jack the Ripper and using his helpful powers of deduction to save the girls being harmed by this mad man before it's too late, while also discovering the truth around who the Ripper is. Convoluted and silly, From Hell is a piece of early 2000s nostalgia for millennial audiences that works more as a fun, disposable period thriller than the next film within the Hughes Brothers' filmography, as it seems that they were directors for hire and doesn't have much of their voice found within their first two films. Ryan, Jay, and Josh talk about their thoughts on the film, how it fits in the Hughes Brothers filmography, the careers of Johnny Deep and Heather Graham, Josh's connection to the history of Jack the Ripper, how much a nice guy Alan Moore seems (sarcasm), and what the hell is going on with the James Bond franchise and plenty of more tangents.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h19m. The guys will be back next week to conclude their series on the films of the Hughes Brothers with a review of their last film, The Book of Eli. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 311 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello to give their thoughts on the 2025 edition of the AFI FEST, their updated thoughts on the Best Actor, Actress categories, and give their live thoughts to the 2025 Gotham Award nominations.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h23m. We will be back in next week to do an Oscar retrospective for the 78th Academy Awards, covering the films for 2005. Till then, let's get into it.

Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 123 of the Director Watch Podcast, the boys discuss the next film in their Hughes Brothers series, Dead Presidents (1995).

After their astonishing debut feature film, the Hughes Brothers took a big swing with their next project, making a coming of age, period piece that is equal parts war film, heist film, and historical fiction, all set within the late 1960s to early 1970s. The scope of Dead Presidents is expansive, larger than their previous film, showing an elevation of filmmaking from the duo at such a young stage in their career. But the problem within the film lies its aimless pace, and the fact that most of their ideas don't gel as one, leading to a fascinating second feature that doesn't reach the heights of debut, which also leads the duo away from making mostly African American stories after this feature; a move that seems very disheartening upon retrospect. Ryan and Jay break down their thoughts on the film, which section they think is the best one, how the influences of the past shape the narrative of the film as well as how influential this seems to be for future filmmaking, if they were the right age to tell this story, how this is a pivotal point in their filmography, and how Jay's trip to Europe went along with his hot takes on the state of modern pop music.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h55m. The guys will be back next week to continue their series on the films of the Hughes Brothers with a review of their next film, From Hell. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decisionmaking process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 122 of the Director Watch Podcast, the boys discuss the first film in their Hughes Brothers series, Menace II Society (1993).

Leaving the world of Ozu, the boys return to a more contemporary setting by explore the films of Allen and Albert Hughes, identical twin brothers who became known for their bold music videos in the late 1980s, early 1990s for artists like Tone Loc and Tupac Shakur. But it was their first feature, Menace II Society, that took the world by storm as it followed the life young black men in LA trying to making it out the neighborhood they lived in, surrounded by the accepted violence that's systemic, perpetrated by a country willing to allow this section of the world fall apart from within. Released a few years after Boyz in the Hood, this is a sharper, edgier, meaner, realist look at the Watts and Crenshaw neighborhoods that we've ever seen before on screen, introducing the world to a duo of vital voices in cinema. Ryan and Jay break down their thoughts on the film, it's comparisons to other African American coming of age films made in the early 1990s, the violence found within the film, the strong directorial voices found within this debut feature, the strong cast that make up the film, and their relationship with the directors and their filmography.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h53m. The guys will be back next week to continue their series on the films of the Hughes Brothers with a review of their next film, Dead Presidents. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it.

Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 310 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson and Executive Editor Ryan McQuade to chat about the 63rd edition of the New York Film Festival and two below-the-line Oscar categories.

First, the gang shares their overall experience at the festival before diving into quick reviews on the World Premieres of Anemone, Mr. Scorsese, and Is This Thing On? Then, they discuss the hype surrounding the electric Secret Screening of Josh Safdie's Marty Supreme. The film, starring Timothée Chalamet, Gwyneth Paltrow, and Odessa A'zion, had a tremendous response at the festival, but what does that mean for Oscar season and the movie's upcoming Christmas release?

Finally, Sophia, Erik, and Ryan take a look at two major technical categories, Film Editing and Cinematography. They discuss the upcoming Cinematography shortlist, the potential for history to be made, and the possible crossover between these two categories and Best Picture. Films mentioned include One Battle After Another, Hamnet, Sinners, Sentimental Value, Frankenstein, F1: The Movie, Marty Supreme, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more.

This podcast runs 1h8m. We will be back soon with a brand new episode. Until then, let's get into it.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 121 of the Director Watch Podcast, the boys discuss the final film in their Yasujirō Ozu series, An Autumn Afternoon (1962).

The boys have come full circle within the end of their Ozu series, as the director takes a similar story structure of a father wanting his daughter to get married, and elevates to beyond what he’s shown before on screen; a lasting note within a masterful filmography. In An Autumn Afternoon, Ozu explores what the future holds not just for his characters, but his country as a whole, while also examining the events and actions of his characters in the film through the lens of someone grieving the idea of losing their parent, as Ozu’s mother had passed away shortly around the making of this film. A heartbroken director crafted his most personal family drama yet, and a beautiful note to end his career and this series on. Ryan and Jay break down their thoughts on the film, get personal with what Ozu is showing here one last time, look at how the past shapes the present and future of Japan and their cinema, while also giving their Ozu rankings and previewing their new exciting directors’ series that begins next week.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h01m. The guys will be back next week to begin their new series on the films of The Hughes Brothers with a review of their first film, Menace II Society. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 309 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello to give brief thoughts on The Smashing Machine, take a look at Oscar contenders at the Fall Box Office, and breakdown their thoughts on the 2026 Best Original and Best Adapted Screenplay categories.

We are in the middle of the New York Film Festival (more on that next week) and at the beginning of the Mill Valley Film Festival, but festival season is in full swing as movies that premiered earlier in the year are making their way to the theaters with The Smashing Machine this weekend. The MMA-biopic vehicle to get The Rock an Oscar seems to be between a rock and a hard place after a lackluster showing at the box office and audience score. The team break down their thoughts of the film, why they think it didn’t hit at the box office, as well as look at the other films releasing this weekend and circle back to the numbers for One Battle After Another.

In the back half of the episode, Ryan, Erik, and Sophia take a deep look at the screenplay categories, Original and Adapted, which have become a vital category to win if a film is going to win Best Picture. Films mentioned are Sentimental Value, Sinners, Jay Kelly, One Battle After Another, Hamnet, Weapons, Train Dreams, It Was Just An Accident, and many more as possibilities that could make up the ten films that will become the nominees in March 2026.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 59m. We will be back in next week to recap and wrap up the 2025 New York Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 120 of the Director Watch Podcast, the boys discuss the next film in their Yasujirō Ozu series, Floating Weeds (1959).

On the penultimate episode of the Ozu series, the boys take a look at the second feature film form 1959 from the Japanese director that was also a remake of his own work from 1934, A Story of Floating Weeds. In retelling this tale of an estranged father that returns with his theater company to the city former love and their son live in, Ozu explores the dynamics of jealousy and how the decisions of the past shaped the present and there is no fixing them because explore them could lead to even more disastrous outcomes that shape the future of the characters. Heartbreaking and real, Ozu perfected this storyline the second go-round with a prickly film about how keeping things a secret might be best for all. Ryan and Jay break down their thoughts on the film, the idea of a director remaking their own work, how harmful the ending is to all involved, films releasing in the Fall that Jay will love, their thoughts on the packaging of the new Wes Anderson box set, and so much more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h38m. The guys will be back next week to conclude their series on the films of Yasujirō Ozu with a review of his next film, An Autumn Afternoon. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 119 of the Director Watch Podcast, the boys are joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch Associate Editor Sophia Ciminello to discuss the latest film from director Paul Thomas Anderson, One Battle After Another (2025).

On the podcast, Ryan and Jay love nothing more than sitting back and seeing a passion project from a major director be given the greenlight to be shown to the masses, and such is the case for One Battle After Another, the latest invention from PTA, who has spent nearly twenty years tinkering away at this story, making it perfect for the big screen. Loosely based off the novel Vineland by Thomas Pynchon, the film follows an ex-revolutionary who must find his daughter once a dangerous, evil enemy resurfaces after 16 years. What seems like a simple premise evolves into the grandest feature film PTA has made, combining social, political commentary with a wicked, sharp sense of humor, and centering it all around a father, mother, and daughter dynamic that heartwarming, sincere, and emotionally profound. By doing this, Anderson has made a successful odyssey that is the culmination of his career so far while pushing the director do things he’s never done before and also things audiences have never seen on the big screen. It’s the movie of our time and there was no way the boys weren’t going to talk about it. Ryan, Jay, Erik, and Sophia breakdown their thoughts on the film, the various formats they’ve seen the film in, PTA’s sentimental heart clashing with his audacious direction, how timely the film feels, how every performance is pitch-perfect, thoughts on the Christmas Adventurers club, and so much more including a new wrinkle in Jay’s Oscar game where we put his expertise to the test and make him predict how many Oscars this film will be nominated for. It’s a fun, long, wild ride full of SPOILERS, so if you haven’t seen the film, you’ve been warned.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 3h09m. The guys will be back later this week to continue their series on the films of Yasujirō Ozu with a review of his next film, Floating Weeds. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 118 of the Director Watch Podcast, the boys are joined by Ross Bonaime, Senior Movies Editor of Collider, discuss the next film in their Yasujirō Ozu series, Good Morning (1959).

In the ultimate transition for Ozu, the rest of the films in this series goes from his elegant black and white filmmaking to the world of technicolor, as he slowly transitions into more modern forms of visual storytelling. By doing this, he’s also going back in time, reimagining his own work, as Good Morning is a loose remake of his own 1932 silent film I Was Born, But..., and follows the story of two boys going on a silent strike against their parents in order to get a television. In what is an innocent film, is slowly morphs in a tale of gossip within a community and how perception by some doesn’t make it a reality, leaving the film an introspective look at the shifting times in Japan. Ryan, Jay, and Ross break down their thoughts on the film, Ozu’s evolution within the form, the running fart gags, the defiance of a stubborn child, and so much more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h50m. The guys will be back next week to continue their new series on the films of Yasujirō Ozu with a review of his next film, Floating Weeds. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 308 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the competitive International Feature Film contenders and provide a preview of some of the major titles coming to the 63rd New York Film Festival.

With more than 70 countries having submitted films for the International Feature Film Oscar so far, now was a good time to look at the frontrunners like Sentimental Value, It Was Just an Accident and The Secret Agent, the NEON dominance of them and how many can really make the final five. We also look outside of those Cannes winners for titles that could pique the voters' interest as uniquely named films have done in the past.

Next up is the preview of the 63rd New York Film Festival, which begins this Friday with the opening film, Luca Guadagnino's After the Hunt. After taking a critical drubbing at its Venice bow, we examine if it can rebound here in the states. Two world premieres will be a part of the festival including Anemone, the feature debut from Ronan Day-Lewis starring his three-time Oscar-winning father Daniel Day-Lewis, back on screen for the first time since 2017's Phantom Thread. At the time of recording both Sophia and I had just seen the film but were under embargo (until September 28). The Venice Golden Lion winner Father Mother Sister Brother from Jim Jarmusch is the Centerpiece film and then Bradley Cooper's third directorial effort, the stand-up comedian story Is This Thing On? will close the festival. Could this be Cooper's attempt to rein it in and silence some of the critics of Maestro?

This podcast runs 1h07m. We will be back next week with xxxxx Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 117 of the Director Watch Podcast, the boys are joined by Matthew Huff, Senior Editor of Parade Magazine, discuss the next film in their Yasujirō Ozu series, Tokyo Twilight (1957).

Following up an all-time masterpiece is always a task for the Director Watch hosts but Ozu strikes again with another beautiful, dark film about two sisters finding out the existence of their long-lost mother, exploring parental history and hidden secrets in a way only the master director could. This brilliant examination of a broken family is heartbreaking, but also the most mature film in the series to date, tackling an issue not normally discussed at the time in Japan, much less the rest of the world. Ryan, Jay, and Matthew breakdown their thoughts on the film, the impact this revelation has on each sister, how Ozu demonstrates the passage of time, how patient the film is as it is slowly building up to the finale, childhood backgrounds, VeggieTales, and more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h55m. The guys will be back next week to continue their new series on the films of Yasujirō Ozu with a review of his next film, Good Morning. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Living in a post-Venice/Telluride/Toronto world means it's time get serious about our Oscar predictions and that's just what we're doing this week. On episode 307 of the AwardsWatch podcast, AW Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to look at what shined at the fests, what lost its luster and the introduction of a new bombshell in the villa.

In our conversation, we begin with the top winners at Venice and with Alexander Payne's contentious jury, including how Jim Jarmusch's Father Mother Sister Brother could factor in and if Benny Safdie's Silver Lion Best Director win for The Smashing Machine was what that film needed. Next we move to Telluride, where Hamnet was the most-liked film (while we still await the results of Michael's Telluride Blog polls of critics and non-critics) and how the Cannes winners held their ground. Moving to Toronto and Hamnet's People's Choice Award win keeps it at as a top tier contender and we talk about some films, like 1st runner-up Frankenstein, fared better at TIFF than it did at Venice and Telluride.

Then we dive into Paul Thomas Anderson's One Battle After Another, which began screening last week. While Ryan and Sophia had the film at the top of their predictions list last month, I was the idiot who rashly dropped it out of my top 10. That mistake is corrected here and we talk about the narratives at play for PTA, Chloé Zhao for Hamnet, Ryan Coogler for Sinners and Joachim Trier for Sentimental Value.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h37m. We will be back next week with a preview of the 2025 New York Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 116 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Kevin L. Lee discuss the next film in their Yasujirō Ozu series, Tokyo Story (1953).

Sometimes you see a film and it’s so incredible, you wonder why you never saw it before you first screen. Such is the case with the transcendent film Tokyo Story, one of the greatest films of all time about an aging couple who travel to Tokyo to visit their family and see how they all turned out after moving away from home and growing up. Tender, reflective, and personal, Ryan, Jay and Kevin breakdown the dozens of layers found in this masterpiece, telling reflective, emotional stories of their past as they dive deep into explore the human themes found in this masterpiece from Ozu.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h33m. The guys will be back next week to continue their new series on the films of Yasujirō Ozu with a review of his next film, Tokyo Twilight. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 306 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello to break down the films, awards buzz, and wild moments they had at the 2025 Toronto International Film Festival.

Packing the conversation is talk about No Other Choice, The Testament of Ann Lee, Frankenstein, Hamnet, Rental Family, The Lost Bus, Wake Up Dead Man, Hedda, The Smashing Machine and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h25m. We will be back in next week for post-TIFF Oscar predictions and a preview of the 2025 New York Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 115 of the Director Watch Podcast, the boys discuss the next film in their Yasujirō Ozu series, Early Summer (1951).

Coming off of seeing and discussing Late Spring, the boys dive deep into the next evolution of a similar story for Ozu, about a family changing their culture post-WWII. In Early Summer, it is less so about a woman not wanting to leave her father for a new life with a husband, but more so about a young girl choosing the match for herself that she wants rather than the set life her family arranged for her, causing strife within her family. Hilarious, insightful, and heartwarming, Ozu’s evolution as a storyteller grows stronger and stronger with each project, leading up to next week’s masterpiece with Tokyo Story. Ryan and Jay break down their thoughts on the film, the expanded scope of this story, if it’s as emotionally relevant to them as Late Spring, early football predictions from the guys as well as what would Ozu have served at a Super Bowl party, and more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h49m. The guys will be back next week to continue their new series on the films of Yasujirō Ozu with a review of his next film, Tokyo Story. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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The 52nd Telluride Film Festival has wrapped up and that means it's time for the AW team to gather and talk about what we saw, what we heard and what it means for the rest of the fall season of festivals and films.

As we began to record this podcast upon returning to our hotel in Montrose, Colorado, we thought it might be fun to record live from the lobby of the hotel. It's not a busy place, there was no one around for hours. But, as fate would intervene, as we started recording, people started filing in, talking across the room, microwave bings reverberated like sounds from a morning radio disc jockey. Add to that more than a little wine and it was a disaster not waiting to happen but happening live. We relented and headed up to one of our room's for some solitude (and to keep from laughing as much as we did) to fully give ourselves, and to our listeners, our thoughts on the films we saw and what people told us were their favorites (I'm looking at you, Hamnet).

On episode 305 of the AwardsWatch podcast, AwardsWatch Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, contributor Mark Johnson and Pop Culture Confidential's Christina Birro to recall and reminisce about our time on the mountain; the things we loved, the things that surprised us and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. And to everyone at the festival who told us they follow AW and listen to the podcast, we thank you from the bottom of our hearts, it means the world.

This podcast runs 1h23m. We'll be back next with a recap of the Toronto International Film Festival, which kicks off on September 4. Til then, let’s get into it.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 114 of the Director Watch Podcast, the boys discuss the first film in their Yasujirō Ozu series, Late Spring (1949).

Known as one of the defining directors of Japanese cinema, Yasujirō Ozu is a staple of slow-burn, emotionally impactful cinema that evolved over time as his nation was coming to terms with what their identity was going to be post-World War II. Ozu, a popular director of domestic dramas and comedies before the war, made propaganda pictures for his country during the world struggle to entertain the people of Japan while the horrific violence of war played on throughout multiple countries over many years. The events of the war changed the country forever, and so did the director, as he started to question in his later films the traditions of the past with the western ideas that would become a part of modern culture around the world. In Late Spring, he does this within a father, daughter dynamic about when is the right time to leave one’s family to create their own life, and when is it okay for a parent to let go of their child. In reviewing this first film, Ryan and Jay not only review the film and its themes, but explore their own personal relationships within the decisions Ozu makes within the framework of the narrative, making for one of their most personal podcasts to date as they start this new discovery into the world of Ozu.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h39m. The guys will be back next week to continue their new series on the films of Yasujirō Ozu with a review of his next film, Early Summer. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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It's time for our weekly Oscar talk and the one before everything changes. Next week begins the fall festival season with Venice and Telluride on top of each other, then bleeding into Toronto in the first week of September. Everything that looked 'good on paper' now has to put up or shut up because this is where real buzz begins. On episode 303 AwardsWatch Editor-In-chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the trailers for Anemone and Hedda and break down the Best Actor, Best Actress and Best Supporting Actress Oscar races.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 57m. We'll be back next with a Telluride wrap up. Til then, let's get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 113 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello discuss the last film in their Paul Verhoeven series, Benedetta (2021).

For Verhoeven’s latest film, the director reteamed with his Elle collaborator David Birke, to make a religious film, as he’s an expert scholar of the Jesus Seminar, even writing a book in 2007 entitled Jesus of Nazareth. Though his adaptation of his book, along with several other projects, didn’t come to head, he was able to make Benedetta, a loose adaptation of Judith C. Brown’s Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy, following the life of a nun (Virginie Efira) who joins the Italian convent while she was a young child and later has a forbidden love affair with another nun, while also seeing religious visions that make her seem like she has direct contact with Jesus. Wickedly hilarious, sensual, and fascinating, Benedetta is a thorny tale of the complexities of faith, as well as Verhoeven’s critique of the church, an institution that he’s examined for all of his life. Ryan, Jay, and Sophia break down their thoughts on the film, just how funny the film is, if it has more to say than what Verhoeven is bringing up on the surface, the dream sequences, Benedetta’s struggles with temptation, Jay’s love of The Great Gatsby, Sophia’s story about seeing the film at the world premiere at the Cannes Film Festival, and splinters. And seeing that it is the end of the series, the boys give out their Paul Verhoeven rankings as well as preview their new director series starting new week.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h44m. The guys will be back next week to begin their new series on the films of Yasujirō Ozu with a review of his film, Late Spring. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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For over thirty years, Adam Scott has been one of the most engaging, hilarious, versatile actors we have working today. Born in Santa Cruz, California, Scott, the son of two teachers and the youngest of three children, sent all of his schooling in The Golden State, as he was a graduate of the American Academy of Dramatic Arts. Post college, Scott started to get acting gigs in several feature films like Star Trek: First Contact, The Lesser Evil, High Crimes, and a notable supporting role in The Aviator, sharing scenes with Leonardo DiCaprio. At the same time, he had made a name for himself on the small screen with appearances on shows like Boy Meets World, Party of Five, and as a love interest on Six Feet Under. Growing up, Scott always dreamed of becoming either the next Al Pacino or David Letterman, becoming obsessed with Pacino as a beacon of acting for a generation as well with Letterman’s obscure sense of humor tickling his funny bone. It’s funny how life works out, because as Scott was making his mark in more dramatic work, the summer of 2008 changed his career forever when he starred in the latest comedy from director Adam McKay, Step Brothers, and without any improve skills to his resume, was able to land giant laughs opposite the biggest comedy star of the time, Will Ferrell.

From this moment, things took off for Scott, as the following summer saw the release of the cult comedy television classic, Party Down, which followed a group of caterers in Los Angeles as they hope to make it in Hollywood. The show was cancelled after two seasons in 2010 (though it was brought back in 2023 for a third season), but as that door closed for Scott, another one opened with his role as Ben Wyatt on Parks and Recreation, a state auditor who slowly becomes the love interest for Leslie Knope (Amy Poehler). As a fan of the acclaimed NBC show, I can say that the best thing to happen to Parks and Recreation was the addition of Scott as Ben Wyatt, delivering one of the funniest characters on the show as well as one of the best television couples of the last twenty years. Since his time with the gang from Pawnee, Indiana, he’s continued to showcase his range as an actor, with guest comedic spots on shows like The Good Place and Veep, was part of the ensemble for Big Little Lies, appeared in the sequel to Wet Hot American Summer, and even hosted comedic physical game show called Don’t in 2020. But all of this work has lead him to the biggest role of his career so far as Mark on hit Apple TV+ drama, Severance.

From the mind of creator Dan Erickson, Severance follows employeesat a mysterious company called Lumon Industries that have undergone a procedure known as “severance” to ensure that they have no memories to the outside world while they are at work, with no memory of their work life once they leave the building. This creates then the idea of an “innie” and “outie” personality within one’s self, which would be dangerous if the worlds crosses, but that’s exactly what happens to Mark at the end of season one, as he and his other colleges at Lumon briefly are able to bring their innie selves into the real world in their outie’s body. The second season grapples with the repercussions of the rebellious Lumon employee’s actions, as well as goes down various rabbit holes to show that the company that Mark works for is various dangerous as well as a deeper, personal connection to him that he could’ve ever known. It’s riveting, thought-provoking, thrilling television that has slowly become the best show on television in large part to the excellent writing by Erickson, the inventive direction by Ben Stiller, and the incredible work by the show’s massive ensemble, led by Scott, who in season two, not only gives the best performance of his career so far, but the best performance by any actor on television this year. In his glowing review of the season, our television editor Tyler Doster stated that Scott was “at his best this season,” finding “a new hunger” within his performance that grows this season as the mystery around Mark and the other characters begins to take shape.

In my in-depth conversation with the Emmy nominated actor and producer, we discussed the anticipation of filming season two, the differences in playing Mark S. and Mark Scout, how trust is a key theme throughout the second season, and what it is like to be part of a global television phenomenon similar to The Twilight Zone and Lost; two shows that mean a lot to him and speak to the power of character forward storytelling. We also spoke about the dueling romantic relationships Mark finds himself in, what it is like working with co-stars Britt Lower and Dichen Lachman, the technical challenges of filming the camcorder and running sequences found in first and last episode of the season, as well as his versatility as a character actor; moving from drama to comedy, and how that helped him form who Mark is. In between all of this, Scott shared his favorite flavor of Gatorade, the need for bananas when performing stunts on set, his fondness for his time on his other beloved television series Party Down and Parks and Recreation, and why he loves the Fast and The Furious franchise. From comedy to drama to everything in between, Scott can do it all, and with Severance, he’s showcasing a confidence of an actor who is destiny to continue to empty the tank until it’s time to punch out his time card a long time from now.

Adam Scott is Emmy-nominated for Outstanding Lead Actor in a Drama Series for the episode "Cold Harbor" of Severance.

Music: Severance, Opening Title Sequence: Season 2 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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We're a mere 11 days before the 52nd Telluride Film Festival kicks off on Labor Day weekend and we have a packed show. On episode 303 AwardsWatch Editor-In-chief Erik Anderson is joined by Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, contributors Mark Johnson and Jorge Tenreiro and Christina Birro of Pop Culture Confidential to break down what we think will be at Telluride this season, who might be getting Silver Medallions and much more.

On this episode the crew looks at how Toronto and New York film festival designations give us the clues we need to see what will, or might, be showing up at Telluride including coveted world premieres, Chloé Zhao's Hamnet starring Jessie Buckley and Paul Mescal, and Edward Berger's Ballad of a Small Player with Colin Farrell and Tilda Swinton among them. Telluride is also full of Cannes winner carryovers and we expect to see Jafar Panahi's Palme d'Or winner It Was Just an Accident, Joachim Trier's Sentimental Value (Grand Prize winner) and Kleber Mendonça Filho's double winner The Secret Agent (Best Director, Best Actor Wagner Moura) -- all NEON films -- in the lineup. There's also a certain amount of sleuthing involved in the guessing game and is there a chance that A24 debuts Mother Mary here? We'll have to wait and see...

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h4m. We will be back in next week to talk about Spike Lee's newest film Highest 2 Lowest and talk about our Top 5 Spike Lee joints. Till then, let’s get into it.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 112 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Dan Bayer discuss the latest film in their Paul Verhoeven series, Elle (2016).

After a full decade without making a film, Verhoeven returned to the big screen doing what he does best; pushing buttons. With Elle, he made one of his most talked about, controversial films of his entire career about a successful businesswoman who get caught up in a dangerous, sexual game of cat and mouse with the man whom she believes raped her. Blurring the lines between a female’s liberation, sexual desire, and abuse, Elle explores the complex emotions attached to those who have been abused. Ryan, Jay, and Dan break down their thoughts on this complex masterpiece, the performance from Isabelle Huppert, the sexual politics presented in the film, how controversial the film was at the time, if this would’ve been embraced more by the Academy if it was released today, how the film foreshadows the film will cover next week on the show, and the differences between video games now and the ones made from our childhood in terms of the graphics.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h32m. The guys will be back next week to conclude their series on the films of Paul Verhoeven with a review of his film, Benedetta. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 302 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello as we look at the state of the Oscar race post-TIFF and NYFF lineup announcements and ahead of the Venice and Telluride film festivals.

In our conversation, which begins looking at how a film's surplus of festival appearances can help or hurt its chances and, on the other side, how a minimal footprint can be a hindrance or a benefit, especially for voters who feel they can discover a film rather than be told what to vote for.

We turn our eyes to two specific categories on this episode: Best Casting and Best Supporting Actress. With the new Casting category making its Oscar debut this season, we wanted to look at not just the types of films we expect to see - like Sinners, Jay Kelly, Sentimental Value, Wicked: For Good and more - but also why, and how much the branch might raise up titans in their industry who will be earning the highest accolade for the first time. Our focus then moves to Best Supporting Actress as the fervor over Amy Madigan's performance as Aunt Gladys in Zach Cregger's horror hit Weapons this last weekend has people pounding the alarm to take her seriously as a potential nominee. We look at the reality of it happening in a race full of potential contenders.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 47m. We will be back in next week for a preview of the 2025 Telluride Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 301 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson alongside AwardsWatch contributor Karen Peterson to give their thoughts on the latest horror film from director Zach Cregger, Weapons. This podcast contains full SPOILERS!

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h27m. We will be back in next week for a preview of the 2025 Telluride Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 111 of the Director Watch Podcast, the boys are joined by film critic Ben Miller discuss the latest film in their Paul Verhoeven series, Black Book (2006).

After a six-year absence from the film world following Hollow Man, Verhoeven resurfaced with a World War II drama about a young Jewish woman in the Netherlands who becomes a spy for the resistance. In doing so, as she gets deeper behind enemy lines, she starts to fall in love with one of the high ranking members of the Nazi military. As scandalous and provocative as Verhoeven usually is, this is a whole other level and reminds his audience of the director that he once was before he went to Hollywood; asking questions and pushing buttons with sophisticated intrigue. In the years since its release, it’s not only become one of his more underrated film of his filmography that people have discovered as genius work, but the Dutch public voted it the best Dutch film ever made, which is very high praise. Ryan, Jay, and Ben breakdown their thoughts on the film, the performance of Carice van Houten, the murkiness of the love interests in the film, the depictions of violence and sex, how both sides of the fight mirror each other, the interesting final shots of the film, and what kind of cake do the host think the Germans made for their leader’s birthday depicted in the film.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h05m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Elle. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 300 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson alongside AwardsWatch contributors Karen Peterson and Josh Parham to go back 35 years and take a look at the 63rd Academy Awards, covering the films of 1990.

On this retrospective, the AW team take a trip to 1990, where actor Kevin Costner rode off the with multiple Oscars, winning Best Picture for his western Dances With Wolves. While a massive hit at the time, history has not been kind to the winner here as it has become one of the biggest mistakes in Best Picture history, with many believing this was the right time to give Martin Scorsese his due with his masterpiece, Goodfellas. Alongside talking about that, the team explores a turning point of cinema, where the big Hollywood hits made or released from the 1980s were starting to blend with the independent cinema that would dominate the 1990s. It’s a fascinating year at the intersection of Hollywood’s biggest night.

In their in-depth discussion, the AW team talked about the film year of 1990, briefly discuss talk about Dances With Wolves as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h07m. We will be back in next week for a review of the latest horror, Weapons. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 110 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Josh Parham discuss the latest film in their Paul Verhoeven series, Hollow Man (2000).

In his final project within the Hollywood system, Paul Verhoeven entered the new millennium looking to make a new take on a classic horror film, about a scientist working on a special government project that turns you invisible by taking a special serum. In aiming to make a more conventional blockbuster, the director made one of his most controversial, thorny pictures as the main protagonist of the film is a downright psycho, hell bent on staying invisible despite being told how dangerous he has become by his long time co-workers on the project. It’s a mostly entertaining throwback to the 2000s with excellent special effects as well as a deeply disturbing commentary attached to it. Ryan, Jay, and Josh break down their thoughts on the film, the creepy nature of tech-bros, the unfocused nature of who really is the lead of this film, the filmography of Kevin Bacon, how cool this movie poster was at a Blockbuster video, and just how many jokes can Josh make about Jay relating to the main characters of this film.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h23m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Black Book. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 299 of the AwardsWatch Podcast, it's an all editors show as Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the wealth of fall festival lineup announcements that came in this week from Venice and Toronto.

In the pod, the trio start with Venice, which will be the kickoff of no less than three Netflix titles: Guillermo del Toro's Frankenstein, Noah Baumbach's Jay Kelly and the return of Kathryn Bigelow with A House of Dynamite. With a few other Netflix titles rolling around, we talk about the impact of these three titles starting off here and where else we'll see them this season. Yorgos Lanthimos' newest collab with Emma Stone, Bugonia, will also bow at Venice, leaving Focus Features' other top title Hamnet, rip for Telluride. Mona Fastvold, fresh off The Brutalist last year (with her partner Brady Corbet), has The Testament of Ann Lee with Amanda Seyfried, something has all of us buzzing. Then there's The Smashing Machine from Benny Safdie and starring Dwayne Johnson and Emily Blunt. We also dig into the Out of Competition titles, specifically Luca Guadagnino's After the Hunt, which has some internet folks thinking it means something more than it does.

Onto TIFF, always the most helpful as specific designations are listed for each film, we talk about Rental Family starring Brendan Fraser, Sydney Sweeney in Christy and where the big Cannes winners from NEON and MUBI, like Sentimental Value, It Was Just an Accident, The Secret Agent, Sirāt and Sound of Falling landed.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h14m. We'll be back next week with an Oscar retrospective of the 63rd Academy Awards, covering the films of 1990. Till then, let's get into it.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 109 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Trace Sauveur discuss the latest film in their Paul Verhoeven series, Starship Troopers (1997).

After making a cult classic with Showgirls, Verhoeven took to space to go back to his political, social satire with an adaptation of Robert A. Heinlein’s novel, Starship Troopers. The director readapted the book heavily, not liking the politics of the book, making his film more aware that these characters were fascists in a fascist country that didn’t know that they are fascists. By using this tool, he made a masterpiece grilling the military industrial complex, and our countries obsession with concurring other nations. Ryan, Jay, and Trace break down their thoughts on the film, their thoughts on the films politics, the casting in the film, the visual effects that have aged well and are horrific, the spin-off sequels, how relevant the film is in the modern era, and how clever Verhoeven is able to mix the horror of war with his usual, twisted humor found in his films.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h08m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Hollow Man. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 298 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Griffin Schiller to review the latest film in the MCU, The Fantastic Four: The First Steps.

You can also read the published review from Trace Sauveur on the website here.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h27m. We will be back soon to talk about the fall festivals and give a preview to the upcoming Oscar season. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 297 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Dan Bayer, Josh Parham, and Jay Ledbetter to go back 50 years and take a look at the 48th Academy Awards, covering the films of 1975.

On this retrospective, the AW team take a look back at what might’ve been the greatest Best Picture lineup of all time, featuring the films One Flew Over the Cuckoo’s Nest, Barry Lyndon, Nashville, Dog Day Afternoon, and Jaws. This group of five films collectively encapsulate the type of films audiences clamored for fifty years ago and are all considered all-time classic in their own right, some being the best film within their respected director’s filmography. But the interesting exercise with this line-up is looking at the lackluster films surrounding these masterful films. But this is the fun part of the process of looking back and talking about a year like this, if it is a landmark year like others in the 1970s or if it just top heavy.

In their in-depth discussion, the AW team talked about the film year of 1975, briefly discuss talk about One Flew Over the Cuckoo’s Nest as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h40m. We will be back in next week for a review of the latest film from Marvel, The Fantastic Four: First Steps. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 108 of the Director Watch Podcast, the boys are joined by AwardsWatch Editor-In-Chief Erik Anderson discuss the latest film in their Paul Verhoeven series, Showgirls (1995).

Following the massive cultural, commercial success of Basic Instinct, Verhoeven and screenwriter Joe Eszterhas turned their eye to the world of professional dancing as a young, ambitious girl, with a mysterious past, sets her sights on becoming a star as the main showgirl in over-the-top production set on the Las Vegas strip. The film was set up with massive expectations and the largest budget ever for an NC-17 film ($45m), Showgirls was hailed as one of the worst films of the 1990s, a box office bomb, and ruined star Elizabeth Berkley chances at becoming a star on the big screen like she was on television. But the film became a cult classic, and has now been fully reevaluated as a “masterpiece” of excess and the dangers women face within the entertainment industry; Verhoeven’s The Red Shoes. Ryan, Jay, and Erik breakdown their relationship with the film, their favorite lines within the movie, the definition of “camp,” Berkley’s rocky relationship with the film, how horrifying the sex is within the film, the legendary performance given by Gina Gershon, which characters they relate to, and which modern day pop-star Jay says has had a better 21st century success on the Billboard Charts than Madonna; a move that might see the end of the co-host as we know. Listen now to find out who mentions.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h45m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Starship Troopers. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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It's still warm from the heat of the nominations this morning for the 77th Primetime Emmy Awards, where Apple dominated the competition, leading both the drama and comedy fields with the long-awaited second season of Severance (27) and the first season of The Studio (a record-setting 23). On episode 296 I am joined by The Ankler's Katey Rich to break down this year's nominees.

From the ongoing strength of The White Lotus, continuing to dominate the acting categories, to buzzy new shows like The Pitt, Rich and we look at how and why certain shows remain strong in the minds of Emmy voters, why The Bear fell dramatically, and talk about some of the biggest snubs and surprises of the day.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 34m. We will be back in next week for an Oscar retrospective on the 48th Academy Awards and the films of 1975. Till then, let’s get into it.

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On episode 295 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Griffin Schiller to review the latest film from director James Gunn, Superman, starring David Corenswet as the Last Son of Krypton (and Clark Kent, of course), Rachel Brosnahan as intrepid reporter Lois Lane and Nicholas Hoult as evil real estate tycoon turned government-overthrowing villain Lex Luthor.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h38m. We will be back in next week for an Oscar retrospective on the 48th Academy Awards and the films of 1975. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 107 of the Director Watch Podcast, the boys are joined by film critic Brandon Streussnig discuss the latest film in their Paul Verhoeven series, Basic Instinct (1992).

We enter a new chapter in the Verhoeven series, as the guys talk about one of the most iconic erotic-thrillers of all time with the most iconic image of the genre. But beyond that one scene lies an ode to Hitchcock, as we follow a sleazy detective down a rabbit hole of deception, sex, and murder as he investigates the death of a wealthy rock star, and the prime suspect is his old girlfriend, a writer whom wrote about his death in her latest book. Purposive, wild, and slightly progressive and regressive at the same time, Basic Instinct is the crown jewel of a type of film that audiences used to obsess over, perfectly made by a director at the height of his powers, featuring an all-time performance from Sharon Stone. Ryan, Jay, and Brandon breakdown their thoughts on the film, the history of the erotic thriller, the controversy over the iconic scene, how sex is weaponized throughout, the introduction to Joe Eszterhas as a writer to the world, the laughable sequel made several years later, ice picks, and just how good of a cop is Michael Douglas’ Nick Curran.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h56m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Showgirls. You can rent it via iTunes and Amazon Prime rental or stream on HBO Max in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 294 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Jay Ledbetter to play the Director Stock Market Game.

Two years ago, the AW podcast team talked about the state of modern movie stars and discussed who might be the future movie stars of films. Given how the trend of the film industry is leaning more towards IP driven films and becoming a director’s medium, it’s only right the team did a follow-up episode to talk about some of the bright talent from behind the camera, and who could become the premiere visionary directors that we will follow for years of releases to come.

With this in mind, Ryan, Josh, and Jay put together a list of directors under the age of fifty who they believe have the potential to join the rank of some of the greatest filmmakers of the modern era of cinema. The list of names included a wide range of talent like Emerald Fennell, Damien Chazelle, Ryan Coogler, Ari Aster, Celine Song, Jordan Peele, The Daniels, The Safdie Brothers, and many more the team had to decide if they were going to buy, sell, or hold the stock of these directors. It was a lot of fun doing this episode, we hope you enjoy it.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h19m. We will be back in next week to review the latest release, Superman. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 106 of the Director Watch Podcast, the boys are joined by the host of The Waffle Press Movie Podcast, Diego Crespo discuss the latest film in their Paul Verhoeven series, Total Recall (1990).

Following up the massive success of RoboCop, Verhoeven turned his attention to another world, the planet Mars and the work of Philip K. Dick to make another commentary on our military obsessed culture with Total Recall. Following the story of a construction worker who finds out he is actually a super spy who has been planted with false memories of his past and who he is, setting off a chain of events that leads he into a war between the powerful elites of our world and the newly formed colony on Mars. Thought provoking then as it is now, Verhoeven taps into our ongoing paranoia of who is in-charge of our world, and questions whether their leadership is more relevant than a body of citizens willing to fight for their place in the world. Ryan, Jay, and Diego breakdown their thoughts on the film, if its commentary is as strong as RoboCop, the visual effects, Arnold Schwarzenegger’s performance, the meaning of the film’s ending, and so much more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h3m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Basic Instinct. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 293 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Dan Bayer to review F1: The Movie, and talk about their favorite films of 2025 so far, which include conversations on Black Bag, Sinners, The Life of Chuck, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h21m. We will be back in next week for an exciting new episode where we play The Director Stock Market Game. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 105 of the Director Watch Podcast, the boys discuss the first film in their Paul Verhoeven series, RoboCop (1987).

Known for being one of the most provocative directors of our lifetime, Paul Verhoeven has expertly used genre to tackle strong satirical elements of our society in ways his counterparts have never been able to. From the late 1960’s to the early 1980s, the Dutch director mostly worked on films from his side of the world, slowly making his way to American productions by the end of the 80s. His first big introduction to commercial audiences was RoboCop, a futuristic examination on the power of corporations, corruption, crime, and lawlessness left unchecked by justice. Centering on a former police officer turning into the ultimate killing machine, Verhoeven delivers one of the most damning criticisms of American capitalism, as well as a signature film of the era. Ryan and Jay breakdown their thoughts on the film, their favorite lines in the movie, the over-the-top action set pieces, Murphy’s (Peter Weller) journey and his reckoning with who he has become at the hands of those who harmed him, the episodic logistics of crime shows, and why no one can make a good satire, political commentary anymore.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Total Recall. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 292 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to review the latest film from Oscar-winning director Danny Boyle, 28 Years Later.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h08m. We will be back in next week for a review of F1: The Movie, and talk about our favorite films of the year so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 104 of the Director Watch Podcast, the boys are joined by Editor-In-Chief of InSession Film Dave Giannini to discuss the last films in their Peter Jackson series, The Hobbit Trilogy (2012/2013/2014).

After the failure of The Lovely Bones, Jackson and company turned their attention back to a familiar place, Middle Earth. First starting as a producer, The Hobbit would find Jackson getting back in the director’s chair for the prequel to his acclaimed The Lord of the Rings series, taking over the project from Guillermo del Toro, who seemed to struggle to get his vision of the film to mash with what the studio wanted. Instead of the initial two films suggested to tell the story, Jackson set out to make another trilogy, drawing from other texts of J. R. R. Tolkien in order to expand on this smaller story, giving it a grander history to the original trilogy, as well as adding new characters and elements to the classic tale. But Jackson can’t capture the magic of The Lord of the Rings, making a messy, CGI heavy collection of films that become more and more tedious as the trilogy goes on; wasting solid performances because the story is now in the hands of a director more focused on his creative toys than making something as spectacular as the trilogy that made him a household name. Ryan, Jay, and Dave breakdown their thoughts on the films, why they look so ugly, the unnecessary love story found in The Hobbit: The Desolation of Smaug, how cool dragons are, how there aren’t five armies in The Battle of the Five Armies, why these films turn into being a chore by the time they were released, and wonder if Jackson will ever go back to making feature films. The guys also give out their rankings on the Jackson series and reveal who they will be covering for their next movie series.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h42m. The guys will be back next week to begin their series on the films of Paul Verhoeven with a review of his film, RoboCop. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 291 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Karen Peterson to review the second feature film from Oscar-nominated writer-director Celine Song, Materialists.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h05m. We will be back in next week for a review of the latest film from Pixar, Elio, as well as the latest from director Danny Boyle, 28 Years Later. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 103 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Karen Peterson to discuss the next film in their Peter Jackson series, The Lovely Bones (2009).

Oh how the mighty fall. By the end of the 2000s, director Peter Jackson was still riding off the high of The Lord of the Rings and King Kong, as he looked to make his next project. In finding the novel The Lovely Bones, Jackson connected with the idea of a young girl using the afterlife to process her death as well as help her family heal after said tragedy, and attempt to catch the person who killed her. Using CGI and green-screen for the in-between world and the afterlife, Jackson tried to bring together one of the most popular young-adult novels of the time, but in doing so, got distracted by his special effects and new techniques for these sequences, and instead, he created an emotionless slog of a film that was (and still is) considered by all to be a massive misstep within his career. Ryan, Jay, and Karen breakdown the film, how Jackson and his team did in adapting the novel to the big screen, the major casting shift at the center of the film, the current status of Saoirse Ronan’s career, how Stanley Tucci should never have hair in a movie, and how massive of a misstep it is from the same mind that brought us Heavenly Creatures.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h21m. The guys will be back next week to conclude their series on the films of Peter Jackson with a review of his set of other Middle Earth films, The Hobbit trilogy. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Good horror films should terrify audiences with memorable monsters and eerie effects, but great horror will also fearlessly tackle timely issues with complex characters and impactful resolve. This is exactly what Tina Romero does in her feature debut, “Queens of the Dead,” with her talented team of collaborators. Though she never expected to make a movie about zombies, the title makes for a beautiful nod to her dad, George, aka the “Father of the Zombie Film” or “Godfather of the Dead,” while still remaining true to herself. Which, as a talented multi-hyphenate, allowed her to imbue the film with even more soul and called back to her early days as a DJ. She speaks to the collective energy music fosters, how her DJ name added another layer to the film’s setting, and how Kesha became the ideal voice for a queer-coded apocalyptic battle cry.

Romero joined me for a lively, revealing interview along with producer Natalie Metzger and actors Tomás Matos (Fire Island, Fantasmas) and Julie J before the film’s premiere at the Tribeca Film Festival. They all expressed their overwhelming excitement for working on a project that was as unapologetically queer and richly imagined, and were quick to hype up their sensational co-stars, including: Katy O’Brian, Jaquel Spivey, Riki Lindhome, Margaret Cho, Quincy Dunn-Baker, Jack Haven, Nina West, Dominique Jackson, and Cheyenne Jackson. Furthermore, they credit the makeup designer Christina Grant, hair department head Mitchell Beck, and costume designer David Tabbert for creating unforgettable looks that quite literally slay the house down boots.

The effortless rapport in the following recording and seen on-screen is a direct result of the entire team cultivating a sense of community and tolerance. Attacks against the LGBTQ+ community continue every day and this film is a testament that having an open dialogue and fighting back with kindness and honesty is the only way to achieve a brighter, more accepting future.

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On episode 290 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, AwardsWatch contributor Mark Johnson, and special guest Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast, for part two of their Best Actress Tier Rankings.

In the second part of the Best Actress tier rankings (listen to Part 1 here), the team return to the scene of the crime from last week to rank the remaining 49 Oscar winning performances, and discuss where they place them in their all-ranking. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. For the first time in the tier ranking episodes, the performances have been randomized, making the show even more unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 15 winners being able to be in the “S tier” and if an actress has multiple wins, only one of their wins can make it into the 15. Some of the winners ranked on this week’s episode are Claudette Colbert for It Happened One Night, Nicole Kidman for The Hours, Meryl Streep for Sophie’s Choice, Julia Roberts for Erin Brockovich, Jodie Foster for The Silence of the Lambs, Diane Keaton for Annie Hall, Faye Dunaway for Network, Michelle Yeoh for Everything Everywhere All at Once, our most recent winner Mikey Madison, Anora, and many more. By the end of the episode, some of the wildest takes of the episode start coming out, so you will want to listen all the way to the end to hear them; it’s lot of fun.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 4h18m. We will be back in next week reviews of Materialists and The Phoenician Scheme. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 102 of the Director Watch Podcast, the boys are joined by the Head of Content for The Ringer and co-host of The Big Picture podcast Sean Fennessey to discuss the next film in their Peter Jackson series, King Kong (2005).

After making one of the most successful trilogies of all time, winning dozens of Oscars, making billions of dollars at the box office, and defying all odds due to the inadaptability of the source material, Peter Jackson was on top of the cinematic world. Following up The Lord of the Rings was going to be no small task, but the director had essentially created an opportunity that very few artists get to have in a career; he earned a blank check to make whatever he wanted. In doing this, he came back to a project he had been trying to make years before his work in Middle Earth; a remake of one of the most iconic films in the history of cinema, King Kong. In making a direct remake of the 1939 classic, Jackson was able to recreate and expand a film that changed his life when he first saw it as a child in a local theater with his mother. But in doing so, he made a heavily CGI'd spectacle filled with dinosaurs that bogs down the emotional, fantastical elements at the core of the original story, and an effort that showed the problematic signs of what happens when total creative control is handed to those that need a little bit of a guiding hand. Ryan, Jay, and Sean breakdown their thoughts on the film, the other versions of King Kong, the career of Naomi Watts, how Jack Black is still a giant movie star, Adrian Brody’s Oscar speech, why no one can make a good dinosaur film outside the first Jurassic Park, why this movie didn’t work, why Sean picked this film to come on and talk about, and how nice a guy David Cronenberg seems.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h43m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, The Lovely Bones. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 289 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, AwardsWatch contributor Mark Johnson, and special guest Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast. Fasten your seatbelts, it's going to be a bumpy night.

While everyone is settling into the summer blockbuster season and recovering from the Cannes Film Festival from the month of May, the AW team turn to the month of June by going back to a favorite exercise from last year, an extensive tier ranking of an Oscar category. After doing Best Director last year, the team moves the most popular category the Oscars has for the team; Best Actress and its 98 winners. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking.

Only 49 of the winners are discussed on this episode, including Vivien Leigh in Gone with the Wind, Liza Minnelli in Cabaret, Jessica Chastain in The Eyes of Tammy Faye, Judy Holliday in Born Yesterday, Elizabeth Taylor in Who’s Afraid of Virginia Woolf?, Marion Cotillard in La Vie en Rose, Loretta Young in The Farmer’s Daughter and Sally Field in Norma Rae, with the rest covered next week. For the first time in the tier ranking episodes, the performances have been randomized, making the show even more unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 15 winners being able to be in the “S tier” and if an actress has multiple wins, only one of their wins can make it into the 15. It adds a fun wrinkle for the team to try and figure out when they get to their final rankings. It may only be part one, but it’s a great episode and we hope you all enjoy it and listen next week to part two.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 3h58m. We will be back in next week for part 2 of our Best Actress tier ranking episode. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 101 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Griffin Schiller to discuss the next film in their Peter Jackson series, The Lord of the Rings: The Return of the King (2003).

One final time, in the winter of 2003, the world ran to the theaters to see the final chapter in what was the greatest, most important cinematic trilogy with The Lord of the Rings: The Return of the King. In the climatic ending of Peter Jackson’s masterpiece, we find the war for Middle Earth taking full effect as Frodo and Sam get closer and closer to destroying the ring of power once and for all. With many memorable moments (and a few too many endings?), Jackson was able to stick the landing, resulting the movie event of the 21st century, the highest grossing film of 2003, and performing a clean sweep as Return of the King went on to win eleven Oscars, including Best Picture and Best Director for Jackson. Ryan, Jay, and Griffin break down their thoughts on the third film in The Lord of the Rings trilogy, if the extended cut of the film adds anything but runtime to the final film, the ending controversy, every character’s arc and how they are wrapped up, how emotional the film is, if this is the most important, best blockbuster of the 21st century, and so much more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h25m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, King Kong. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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The 78th edition of the Cannes Film Festival has ended but not without a few bumps along the way, including a full city power outage just hours before the Closing Ceremony.

AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello (along with a handful of contributors) were on the ground, watching the films that will soon be hitting future festivals and cinemas near you. On episode 288, we discuss our impressions of this year's fest as a first-timer (Ryan), a second-timer (Sophia) and a fourth-timer (Erik) from the city, the food, and of course, the films. And the coughing. So. much. coughing.

We break down our favorites that we saw (and a few we really didn't like) like Sentimental Value, The Mastermind, Highest 2 Lowest, The History of Sound, Pillion and more, plus we look at the winners as chosen Academy Award-winning French actress Juliette Binoche and her jury, including Academy Award-winning American actress and filmmaker Halle Berry, Indian director and screenwriter Payal Kapadia, Italian actress Alba Rohrwacher, French-Moroccan writer Leïla Slimani, Congolese director, documentarist and producer Dieudo Hamadi, Korean director and screenwriter Hong Sangsoo, Mexican director, screenwriter and producer Carlos Reygadas and American actor Jeremy Strong.

We had to talk about the NEON of it all, winning its sixth Palme d'Or in a row with Jafar Panahi's It Was Just an Accident, and buying up the lion's share of In Competition contenders to help shore that up. We look at how these wins could factor into the upcoming Oscar race as Cannes has become the new kickoff of awards season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h24m. We'll be back next week with the first part of our Best Actress Rankings.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 100 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Peter Jackson series, The Lord of the Rings: The Two Towers (2002).

Once The Fellowship of the Ring released into theaters, and became the biggest film of the year, audiences didn’t have to wait too long to go back and continue the journey in Middle Earth as the winter of 2002 brought the second chapter of The Lord of the Rings to the big screen. Continuing the events of the saga just after the separation of the fellowship, our heroes venture off into three separate but vital storylines for the ultimate destination of destroying the ring of power and saving Middle Earth from a dark war. Though the middle chapter, many, including Ryan, hold The Two Towers as their favorite entry into the trilogy, one with heart, action, and a new, game changing character in Gollum that makes for one of the most important villains in modern film. Ryan, Jay, and Sophia break down their thoughts on the film, the revolutionary work on Gollum, casting what ifs, the introduction to the Kingdom of Rohan and its incredible characters, why Jay doesn’t think Legolas isn’t that cool, what the gang was like in high school, space missions, favorite type of potato, and so many more thing about and not about the film. It’s the 100th episode and it’s a damn good one.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h54m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, The Lord of the Rings: The Return of the King. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 99 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Cody Dericks to discuss the next film in their Peter Jackson series, The Lord of the Rings: The Fellowship of the Ring (2001).

After making The Frighteners, Peter Jackson set out to make an epic, and had the blessing of the Hollywood studio system to do so. He spent a lot of his time trying to come up with an idea to remake the monster movie classic King Kong (more on that in a couple of weeks). After a failed attempt to get that project off the ground, he set off to make an action adventure film in the vein of The Lord of the Rings, and after a first draft, his partner Fran Walsh told Jackson that a lot of what he was writing basically was J.R.R Tolkien’s trilogy of books. From that moment, Jackson decided to make his version of a collection of novels that were deemed unadaptable for the big screen, and in doing so, created one of the single most influential trilogies in cinema history. Ryan, Jay, and Cody break down their thoughts on the first entry into The Lord of the Rings saga, the behind the scenes drama leading up to making the film, re-casting what ifs, the earnestness of these films, the building and breaking apart of the fellowship, who is the character they relate to the most, and we finally find out after fifteen years of being agnostic to this trilogy if Jay now likes Lord of the Rings. You’ll have to listen to find out.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h30m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, The Lord of the Rings: The Tw Towers. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 287 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and special guest Christina Birro of Pop Culture Confidential to preview the 2025 Cannes Film Festival, which they will all be attending for the next two weeks. They talk about what it is like going to the festival, the film’s in and out of competition that they are looking forward to see, and which film they think will win the Palme d'Or this year.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 55m. We will be back in next week for our thoughts on the first week of the 2025 Cannes Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 98 of the Director Watch Podcast, the boys are joined by Brian Tallerico, Managing Editor of RogerEbert.com, to discuss the next film in their Peter Jackson series, The Frighteners (1996).

The critical success of Heavenly Creatures proved to put Jackson on the map, with Hollywood calling for him to start making bigger pictures. In writing a treatment in 1992 for an idea that would become The Frighteners, Oscar winning director Robert Zemeckis viewed their idea as a chance to be a spin off to the television series Tales from the Crypt, centering on a small town private eye who can see and speak to the dead. In working with Jackson and Fran Walsh, Zemeckis liked the idea of the young director making the film, and thus became the last film he would make before the biggest project of his life. But is it good, is it successful, or is it a forgotten relic that doesn’t make sense within Jackson’s filmography. Ryan, Jay, and Brian debate where The Frighteners lands, the importance of Weta Digital, the career of Michael J. Fox, Jackson getting the movie filmed in New Zealand even though it takes place in America, and preview the start of the boys’ journey to Middle Earth over the next couple of weeks.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h21m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, The Lord of the Rings: The Fellowship of the Ring. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 286 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Karen Peterson to review the latest film from the MCU, Thunderbolts*, in a discussion full of SPOILERS. They also take a look into what the future plan for the Marvel Cinematic Universe looks like via the post credit scene of this newest project.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h26m. We will be back soon preview the 2025 Cannes Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 97 of the Director Watch Podcast, the boys are joined by film critic Jesse Nussman to discuss the next film in their Peter Jackson series, Heavenly Creatures (1994).

After making a name for himself as a horror director, Jackson took a different route for his next film, incorporating his genre sensibilities for a drama about a real life murder case in New Zealand. Centered around two young girls who become friends and a tight bond that is threatened by their parents, who find it stranger than your average friendship. In an attempt to be with each other forever, the two girls come up with a plan to run away, and in doing so, commit a heinous crime that shocked the entire country. By tackling this subject, Jackson was able to embody a magical realism to the entire film, particularly in the imaginative world the girls have built for each other, and in doing so, created a one of a kind bio-pic that is haunting and heartbreaking. Ryan, Jay, and Jesse breakdown their thoughts on the film, if running away was a good plan, the murder weapon used in the crime, the breakout performances for Melanie Lynskey and Kate Winslet as well as the different paths each actress took, Jackson’s imagery in the dream world, if the extended cut adds anything new to the story, and how hard it is to find this film on streaming and physical media.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h20m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, The Frighteners. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 285 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Karen Peterson and Mark Johnson to preview the films coming during the 2025 Summer.

Summer movie season is upon us. As Sinners and A Minecraft Movie dominate the Spring box office, we’re heading into the time of the year where everyone is going on vacation, out of school, and looking to cool off from the heat by going to see some of the biggest films of the year. The AW team opts out of a Summer Movie Draft this year, and instead, breaks down the titles coming out over the course of the next four months, with extensive conversations over their box office potential as well as the groups anticipation for the live action Lilo and Stitch, Mission: Impossible – The Final Reckoning, Jurassic World Rebirth, the live action How to Train Your Dragon, Superman, The Fantastic Four: First Steps, F1, Pixar’s Elio, Thunderbolts, Weapons, Materialists, M3GAN 2.0, The Naked Gun, and more. Stay tuned to the end to hear what they think will be the Top 3 highest-grossing films of the summer.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h45m. We will be back in next week for a review of the latest film from Marvel, Thunderbolts. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 96 of the Director Watch Podcast, the boys discuss the first film in their Peter Jackson series, Braindead (1992).

The journey for the boys to talk about Peter Jackson has taken a long road, winding road to get here, much like the director’s acclaimed trilogy. But in one of the more fascinating careers of the last thirty years, Peter Jackson saw a rise to fame after years of making scrappy, independent horror-leaning films that landed him a couple of big checks that became some of the most known films of the 21st century. By 1992, Jackson had already made two films; lesser known titles Bad Taste and Meet the Fables (which the guys give their brief thoughts on at the beginning of the episode). But it was his third film, Braindead, that was his breakout; a zombie comedy splatter film about a son’s relationship with his needy mother that turns gory when she is bitten by a hybrid rat-monkey creature and begins to transform into a zombie. In the vein of the Evil Dead franchise, Jackson goes all out with the gore and mayhem to allow for a unique, memorable horror experience like no other. Ryan and Jay breakdown their thoughts on the film, the level of gore and blood in Braindead, ponder how this guy went on to make the films that he did, discuss their favorite kills in the film, preview the rest of the Jackson series and explain why this was the right time to finally do this series.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h48m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, Heavenly Creatures. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 284 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Dan Bayer to review the latest film from director Ryan Coogler, Sinners, and talk about their favorite horror films of the century so far.

The film world has been buzzing the last two weeks in the anticipation for Ryan Coogler’s Sinners, a Southern gothic vampire musical that in one of the most original, authentic studio films released in sometime. After a strong opening box office and even stronger word of mouth from audiences, receiving an “A” CinemaScore this past weekend, Sinners is being considered one of, if not the best film of 2025 released so far. Ryan and Dan breakdown their extensive thoughts on the film, avoiding spoilers yet diving deep into the complex, exciting world Coogler has built. After they are done reviewing the film, they dive into a discussion over the horror genre for the last 25 years, and how it has evolved and changed over the course of the last two and a half decades. Films mentioned in their conversation ranged from Get Out, Saw, The Ring, The Cabin in the Woods, The Conjuring, Drag Me to Hell, The Others, American Psycho, The Witch, Midsommar, It Follows, Green Room, The Substance, Nosferatu, Suspiria, Titane, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h17m. We will be back in next week for an extensive 2025 Summer Movie Preview. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 95 of the Director Watch Podcast, the boys discuss the final film in their Elaine May series, Ishtar (1987).

It had been a few years since Elaine May had been behind the camera, and her return to the big screen was likely her most talked about film, as Ishtar was considered by many at the time to be one of the worst films of all time, and a financial calamity. Following two down on their luck singers who take a gig in the Middle East and get caught up in international espionage, on paper, these films had two big movie stars in a what could be comedy gold. But the behind-the-scenes turmoil mixed with studio interference caused the film to be a disaster, and thus became the final film the director has ever directed. But is it as bad as history made it out to be? Ryan and Jay give their thoughts on the film, the music sung throughout the runtime, Dustin Hoffman and Warren Beatty’s careers, why May hasn’t been able to make another film, and give out their rankings of her films within the series and how they rank against her pal, Mike Nichols.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h. The guys will be back next week to begin their series on the films of Peter Jackson with a review of his film, Braindead. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 283 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to breakdown the 2025 Cannes Film Festival lineup and then review the latest film from A24, Warfare.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 48m. We will be back in next week to review the latest film from director Ryan Coogler, Sinners, and talk about their favorite horror films of the century so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 94 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Trace Sauveur to discuss the next film in their Elaine May series, Mikey and Nicky (1976).

Just a few years after the second film, Elaine May set out to make her follow-up to The Heartbreak Kid, and in doing so, made one of the most memorable films of the 1970s in Mikey and Nicky. While the movie was another step forward for the director as a visual storyteller and featured to dynamite performances from Peter Falk and John Cassavetes, its journey to the big screen was wild, as it took May years to hand the studio a finished edit of the film, as she tinkered with it until she was forced to hand it over. Even after its release, she still wasn’t fully satisfied with the final film, reworking on it some when it got into the Criterion Collection. In the end, what she gave us is an intense, heartbreaking looking into a crumbling friendship set over the course of one night. Ryan, Jay, and Trace breakdown their thoughts on the film, May’s direction, the behind the scenes stories of the making of the film, their thoughts on the main character’s friendship, the harsh ending, and the fall of auteur driven cinema of the 1970s.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h53m. The guys will be back next week to conclude their series on the films of Elaine May with a review of her final film, Ishtar. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 282 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello as well as AwardsWatch contributors Dan Bayer, Jay Ledbetter, Josh Parham, and Karen Peterson to go back 10 years and take a look at the 88th Academy Awards, covering the films of 2015.

The team take a trip back to just a decade ago where the Oscars were at a moment of reflection as the #OscarsSoWhite movement rang loudly as the nominations didn’t fully show the diverse, talented artists that made the year in film so strong. Chris Rock (whose jokes this night would spark the later controversy for “The Slap” at the 2022 ceremony) hosted the ceremony and highlighted perfectly that the Academy had a long way to go to show the world that they can change and allow everyone the chance to be nominated and win an Oscar. For the telecast, it was a night dominated by Mad Max: Fury Road and The Revenant in the technical categories, Leonardo DiCaprio finally winning an Oscar, a cool, shocking upset in Best Visual Effects, and Spotlight winning the top prize, along with just Best Original Screenplay, making it the first film since The Greatest Show On Earth to win Best Picture while only winning one other award.

In their in-depth discussion, the AW team talked about the film year of 1980, briefly discuss talk about Spotlight as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of eight nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h14m. We will be back next week for a review of the new A24 drama, Warfare, as well as talk about some of the best war films of the decade/century so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 93 of the Director Watch Podcast, the boys are joined by film critic Jake Tropila to discuss the next film in their Elaine May series, The Heartbreak Kid (1972).

It didn’t take long for Elaine May to make her second feature, as she released The Heartbreak Kid just a year after A New Leaf was released. But much like her longtime friend and collaborator Mike Nichols, May elevated just about every aspect of her skills from behind the camera to make one of the greatest comedies of all time; a film that follows a newly married salesman who falls in love on his honeymoon with another woman, and will do whatever it takes to fix the “mistake” he has made. Written by great Neil Simon, May’s sophomore feature is a great mirror to Nichol’s The Graduate, and represents the same determination but ultimate sadness found within the decisions of the heart found within the younger generation of the 1970s. Ryan, Jay, and Jake break down their feelings on this masterpiece, how they were able to few this film given its copyright issues, the hilarious dialogue, the performance from Charles Grodin, the film’s ending, the 2007 remake feature Ben Stiller, who would Hollywood cast as Lenny if The Heartbreak Kid was made today, and the importance of pecan pie.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h2m. The guys will be back next week to continue their series on the films of Elaine May with a review of her film, 1976's Mikey and Nicky. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 281 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Josh Parham to review Death of a Unicorn from A24, as well as talk about their favorite comedies of the 2020s as well as their favorite comedies of the last 25 years, the first quarter of the century.

Before getting into their thoughts on the latest release, Ryan and Josh discuss the big trailer that dropped last week for Paul Thomas Anderson’s film One Battle After Another, starting Leonardo DiCaprio. In the first glimpse of the biggest film of the director’s career, there was plenty to love as well as be cautious about in anticipation of the film’s release this coming September. After their brief thoughts on the trailer, they transition to Death of a Unicorn, which premiered earlier in the month at the 2025 SXSW Film Festival. Ryan, who reviewed the film at the festival, was mixed on it, and Josh joined him for a mixed reaction of a fascinating concept that never amounted to much in the final product. A disappointing comedy featuring a mostly wasted all-star cast.

The conversation moves to talking about their favorite comedies of the 2020s so far, as the website and podcast will start to look at the best films of the decade so far. Films like Hundreds of Beavers, Bottoms, Anora, Benedetta, Barbie, Anora, and more. After discussing those films, they opened up the conversation to the best comedies of the last 25 years, as the team will also be taking a look at the best films of first quarter of the century. Films included in the conversation was Anchorman, A Serious Man, MacGruber, Bridesmaids, Spy, Mean Girls, The Grand Budapest Hotel, Walk Hard, Superbad, Hot Fuzz, Forgetting Sarah Marshall, and plenty ore.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h39m. We will be back in next week for a Oscar retrospective over the 88th Academy Awards, covering the films of 2015. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 92 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Karen Peterson to discuss the first film in their Elaine May series, A New Leaf (1971).

The first series of 2025 covered one half of the dynamic comedy duo of Nichols and May, so it only seemed right the guy’s new auteur deep dive explored the fantastic (yet limited) work of Elaine May. Known as a renowned playwright and actress in the 1950s and 1960s, May turned in a script for A New Leaf based on the short story by author Jack Ritchie, about a New York City playboy has run out of money and decides to find a wealthy bride, and in doing so, finds a shy heiress who becomes fond of him. May never intended to direct the film, much less being one of the leading performances in the picture, but studio convinced her to do it, paying her much less than male counterparts at the time to create the project. While over-budget and with tons of delays withstanding, the film is a hilarious, sometimes heartwarming picture about opposites attracting to each other, while also maturing into the person you were meant to be. Ryan, Jay, and Karen break down their thoughts on the film, all the behind-the-scenes mess of the film’s production, Walter Matthau and Elaine May’s performances, the film’s ending, finding May’s films on physical media, and the impeccable screenplay at the heart of this debut.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h52m. The guys will be back next week to continue their series on the films of Elaine May with a review of her film, The Heartbreak Kid. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 91 of the Director Watch Podcast, the boys discuss a miniseries event for their Mike Nichols series, the multi-Emmy winning Angels in America (2003).

There were a lot of films and stage productions that made Mike Nichols the household name that he was in Hollywood, but when HBO's Angels in America came out in the early 2000s, he introduced himself to a brand new audience with one of the most important pieces of television to ever be created. Following the lives of multiple individuals as they navigate life in 1980s New York City during the AIDS epidemic, Nichols examined the social, sexual, and religious implications of the deadly illness, and delivered a profound piece of art that remains just as vital today as it was back in 2003.

Led by an all-star Emmy-winning cast of Al Pacino, Meryl Streep, Jeffrey Wright and Mary-Louise Parker, who swept all four main acting wins, Angels in America is a definitive achievement found within Nichols’ career and there was no way the boys were going to pass up the chance to talk about it. Ryan and Jay break down their thoughts on the six-hour television event, who they think gave the best performance, Nichols direction, what the show is trying to say about humans, AIDS, and forgiveness, and tease their upcoming series on the films of Elaine May.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h21m. The guys will be back next week with to begin their next movie series covering the films of Elaine May with a review of her first film, A New Leaf. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 280 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello as well as AwardsWatch contributors Jay Ledbetter, Josh Parham, and Karen Peterson to go back forty-five years and take a look at the 53rd Academy Awards, covering the films of 1980.

Throughout Oscar history, there have been Best Picture wins that have become “controversial,” with some being about the quality of film that won or because of the films that lost Hollywood’s top prize. The latter has become the case, as many cinephiles believe that Raging Bull should’ve won Best Picture over Ordinary People, which sets up a perfect challenge for the team to see if they believe this call for injustice by the Academy holds any merit.

In their in-depth discussion, the AW team talked about the film year of 1980, briefly discuss talk about Ordinary People as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h24m. We will be back next week for a review of the new A24 comedy, Death of a Unicorn, as well as talk about some of the best comedies of the decade and century so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 90 of the Director Watch Podcast, the boys are joined by film critic Tom O’Brien to discuss the final film in their Mike Nichols series, Charlie Wilson’s War (2007).

For the last film in Mike Nichols’ filmography, he attempts again to try and make a political commentary that will stand out as one of best to ever get made. As someone who has tackled the human condition so well throughout his films, Nichols has also chased the idea of making a political film from his films of the 70s, to even a film on this series in Primary Colors. This time working with a script from Aaron Sorkin, Nichols does his best to tell the story of a Texas congressman and the CIA who worked together on a covert operation to support the Afghan mujahideen during the Soviet–Afghan War. Led by Tom Hanks, Julia Roberts, and Philip Seymour Hoffman’s stellar performances, Charlie Wilson’s War is mostly the best political film Nichols made; you just wonder if he ever needed to chase this whale in the first place considering this film is still a lesser script from the acclaimed screenwriter behind it. Ryan, Jay, and Tom break down their thoughts on the film, Sorkin as a figure in Hollywood, how uneventful the film feels, Hanks wanting Nichols for this film, the greatness of Hoffman, as well as the guys final rankings of Nichols’ filmography, and a reminder of the next film series the guys will be covering after their upcoming bonus episode for Nichols’ Angels in America.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h. The guys will be back next week with a bonus episode for the Mike Nichols’ series with a review of his acclaimed miniseries, Angels in America. You can rent it via iTunes and Amazon Prime rental or stream on Max in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 279 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributor Karen Peterson to discuss their thoughts on the latest 2025 releases, Mickey 17 and Black Bag.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h37m. We will be back in next week for a Oscar retrospective over the 53rd Academy Awards, covering the films of 1980.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 89 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Josh Parham to discuss the next film in their Mike Nichols series, Closer (2004).

Things got a little rough for Mike Nichols at the start of the 2000s, with one of the worst films of his career and the decade with What Planet Are You From?; an horrendous idea of a film from the mind of comedian Garry Shandling. Just a few short years later though, Nichols returned to the big screen with a film adaptation of the popular play Closer, about four people entangled in a romance in rather sadistic ways. A controversial piece of work, this is a call back for Nichols, who much like earlier in his career, was fascinated by relationship dynamics and the idea of sex, as covered in films previously in this series, i.e. Who's Afraid of Virginia Woolf? and Carnal Knowledge. Led by an excellent ensemble, Closer feels somewhat like the culmination of filmmaker, though no everyone on this episode will agree with that statement. Ryan, Jay, and Josh break down their thoughts on the film, if it has aged well, which of the four actors gives the best performance, the dated needle drops to throughout the film, and how Closer uses the idea of time passing throughout the film.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h28m. The guys will be back next week to conclude their series on the films of Mike Nichols with a review of his last film, Charlie Wilson’s War. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 88 of the Director Watch Podcast, the boys are joined by film critic Ben Miller to discuss the next film in their Mike Nichols series, Primary Colors (1998).

Released shortly before one of the biggest political scandals in American history, director Mike Nichols reteamed with writer Elaine May to release their latest film, Primary Colors, based on the best-selling novel about of the same name about a southern governor’s rise to becoming President of the United States. Though the book was deemed a work of fiction, it was based around Bill Clinton and his run to the White House, which made for a topical, fascinating subject to dissect, so much so Nichols paid a million dollars for the rights of the book to make it into a film. But as we all know, while Nichols was a hardcore member of the Democratic party and engrossed himself into politics, he struggled in his filmography to land a film that landed a punch when talking about the issues facing our country, and Primary Colors is another mixed bag. Ryan, Jay, and Ben break down their thoughts on the film, the behind the scenes of making the film, if Henry (Adrian Lester) is written poorly, John Travolta’s over the top performance, the greatness of Kathy Bates and Billy Bob Thornton, if the film was made too soon during the Clinton administration’s time in the White House, if the scandal’s in the film are a walk in the park compared to today, and how each of the guys navigate talking politics and making the turkey at Thanksgiving.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h05m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Closer. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 278 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Karen Peterson to talk about the 97th Academy Awards and wrap up the 2025 Oscar season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h28m. We will be back in two weeks to talk about a couple of new 2025 film releases, Mickey 17 and Black Bag.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 87 of the Director Watch Podcast, the boys are joined by our Editor-In-Chief Erik Anderson to discuss the next film in their Mike Nichols series, The Birdcage (1996).

For the better part of two decades, Mike Nichols was chasing the idea of directing some version of the iconic play, La Cage aux Folles. Nichols called the play “one of the greatest comedy structures” of all time, and knew he to be involved with it somehow. So in the mid-1990s, he was able to convince the studios and producers to let him make an American remake of the play and have his longtime, iconic stage collaborator, Elaine May, to write the script; and thus The Birdcage was born. Centering around a gay Miami couple whose son is set to marry the daughter of a conservative U.S. senator, The Birdcage is a groundbreaking, iconic comedy that remains hilarious and timely to this day thanks to the incredible ensemble cast, May’s sharp script, and Nichols steady direction bringing it all together. Ryan, Jay, and Erik discuss their thoughts on the film, what their favorite performance is in the movie, how Nichols was able to wrangle Robin Williams’ persona in, the dozens of iconic lines, the entire third act of the film, and tangents, tangents, tangents.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h55m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Primary Colors. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 277 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello to give out their final Oscar winner predictions for the 97th Academy Awards.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h39m. We will be back next week to wrap of the 2025 Oscar season and give our reactions to the winners of the 97th Academy Awards.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 86 of the Director Watch Podcast, the boys are joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the next film in their Mike Nichols series, Postcards from the Edge (1990).

As we enter the 1990s, Mike Nichols is coming off one of the most successful films of his career, and with his follow-up to Working Girl, he brings to life the deeply honest, humorous, personal story of Carrie Fisher’s autobiographical novel, Postcards from the Edge. Based on Fisher’s novel inspired by real life events from her childhood, relationship with her mother Debbie Reynolds, her acting career post Star Wars, and her battle with substance abuse, Nichols is expertly able to bring every element of Fisher’s life together with a brilliant performance by Meryl Streep, and the excellent work by Shirley MacLaine playing her version of Reynolds, and the tragic yet relatable bond the real mother-daughter had while going through the Hollywood machine. Ryan, Jay, and Christina break down their thoughts on the film, their connection to Fisher and Reynold’s careers, how different a role like this is for both Streep and MacLaine, the perfect use of Gene Hackman, the film’s depiction of substance abuse and if it goes deep enough on the matter, and the what might possibly be the funniest moment in the history of the show with the discovery of the plot of a Disney Channel original movie from 2004 and how it all ties to the career of Debbie Reynolds. And no, we aren’t talking about Halloween Town. You will have to listen to find out, and trust us, it’s worth it.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h48m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, The Birdcage. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 276 of The AwardsWatch Podcast, AW's Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello break down the 2025 BAFTA winners and give a preview and their predictions of next week's SAG Awards.

A very spread-the-wealth year, BAFTA gave no film more than four wins, including a split Best Film and Best Director, with Conclave claiming the former and Brady Corbet the latter for The Brutalist, the two films to to earn those four BAFTAs. No real surprises in the Leading Actor (Adrien Brody), Supporting Actor (Kieran Culkin) and Supporting Actress (Zoe Saldaña) races but when Anora won the Casting award early on it was the bellwether for Mikey Madison's 'surprise' win for Leading Actress at the end of the night over Demi Moore (The Substance). A Real Pain's historically significant triumph over Anora in Original Screenplay also set up what will be one of the most competitive Oscar races on March 2 as winner voting ends tomorrow.

We jump over to SAG, a conversation that mirrors BAFTA a bit, where we all feel strongly for three frontrunners and each make cases for Madison, Moore and the outside spoiler of a Cynthia Erivo.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h13m. We will be back next week to talk the results of the back-to-back Spirit Awards and SAG Awards and reveal our final Oscar predictions of the season. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 275 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Trace Sauveur to talk about the latest film from the MCU, Captain America: Brave New World and dive into a conversation about the current and future state of the Marvel Cinematic Universe.

You can read Trace's review of the film here.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h50m. We will be back soon to discuss the 2025 BAFTA winners and preview the 2025 SAG awards. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 85 of the Director Watch Podcast, the boys are joined by Associate Editor Sophia Ciminello to discuss the next film in their Mike Nichols series, Working Girl (1988).

By the late 1980s, Mike Nichols was back to being a steady force in the industry. After the moderate success of Heartburn, and while filming his other 1988 feature film, Biloxi Blues, he found the script for the next big hit of his career, Working Girl. In finding a tale of an ambitious secretary from Staten Island working her way up the corporate ladder, pretending to be in her boss’s role and proving herself valuable while also falling in love with the man she partners with on a big deal for both of their companies. Working Girl is not only a staple within Nichols’ filmography, but it is a defining film of the 1980s led by extraordinary performances, zippy dialogue, and just the right amount of earnestness to make it a classic. Ryan, Jay, and Sophia talk about their thoughts on the film, Melanie Griffith’s career best performance, just how complex the story is, the hotness of Harrison Ford, the elegance of Sigourney Weaver, which beer brand is the king of cheap beer, discussions on modern popstars, and over a dozen fun tangents that make this episode so long, yet so great.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h44m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Postcards from the Edge. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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This weekend truly kicked off the Oscar race with the 1-2-3 punch of Critics Choice, the Directors Guild and the Producers Guild all announcing their winners in the span of 24 hours, including dueling ceremonies for the latter. On episode 274 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson is joined by AwardsWatch Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to break down what happened, how it happened and what's next.

In a surprising sweep, Sean Baker's Anora took home the top prize at all three: Best Picture at Critics Choice (its only win), the DGA for Theatrical Film and the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures at the PGA. Erik, who was at all three events, offers his insight to vibe in the rooms, which felt muted at Critics Choice until the left field Best Director win for Wicked's Jon M. Chu (and the awkward Oscar-stat intro the category got), and the race from the DGA to the PGA that brought life back to everyone, making Anora the first film to win the Palme d'Or and DGA since 1955's Marty and pushing it (back?) to the top of the Best Picture race. But what does that mean for its star Mikey Madison? The young actress is the far and away critics' leader but so far has lost to Demi Moore (The Substance) in their first two face-offs, the Golden Globes and Critics Choice (ironically, or not so). With BAFTA and SAG looming, as well as the passion for Fernanda Torres (I'm Still Here), Best Actress remains the most exciting race of the season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h57m. We will be back next week with the very fresh BAFTA winners and a preview of the Screen Actors Guild. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 84 of the Director Watch Podcast, the boys are joined by Izzy of Be Kind Rewind to discuss the next film in their Mike Nichols series, Silkwood (1983).

While most directors from the 1970s flourished during this time period, Mike Nichols struggled through the decade trying to find himself. With two lackluster pictures under his belt, Nichols went back to the theater, look for inspiration and a chance to make something meaningful again. After making some successful plays, he came back to cinema in the early 1980s with one of his most celebrated films to date, a biopic about Karen Silkwood, a a nuclear whistleblower and a labor union activist who investigated alleged wrongdoing at the Kerr-McGee plutonium plant where she worked. The story was all over the news in the late 70s, and the rights to make the film went through hell and back again in the courts, but when it was all set and down, Nichols and company got the chance to make a vital picture that would become a blueprint for Hollywood in telling stories like this for decades to come. Ryan, Jay, and Izzy breakdown their thoughts on the film, how well it holds up, Meryl Streep’s incredible performance at the center of the film, queer identity displayed through the eyes of Dolly played by Cher, how smoking hot Kurt Russell was at the time, their thoughts on the current state of physical media, and the worst foods to eat in a movie theater.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h54m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Working Girl. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 273 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Jay Ledbetter and Josh Parham to go back 25 years and take a look at the 73rd Academy Awards, covering the films of 2000.

The state of the new millennium say the Oscar get nostalgic as Ridley Scott’s swords and sandals epic, Gladiator, took home the top prize of the night, alongside Best Actor and a couple wins in the technical categories. A giant hit from the summer, the film took down an international film sensation in Crouching Tiger, Hidden Dragon, two films from Steven Soderbergh in Traffic and Erin Brockovich, and the sleeper, delightful indie film Chocolat. Overall, it was a descent list of nominees and winners that represented a shift from the indie films that dominated the 1990s, and the more populist films that would become winners in the early 2000s.

In their in-depth discussion, the AW team talked about the film year of 2000, briefly discuss talk about Gladiator as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h14m. We will be back next week for a recap the winners from Critics Choice, DGA and PGA as the Oscar race starts to narrow before final winner voting begins. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 83 of the Director Watch Podcast, the boys are joined by Awards Connection writer Andrew Carden to discuss the next film in their Mike Nichols series, Carnal Knowledge (1971).

After starting off on a hot streak with his first two films, Mike Nichols hit a bit of bad luck for his third film, with an adaptation of the renowned novel Catch-22. Considering it was released after the smash hit that was Robert Altman’s MASH, audiences didn’t respond to the film at all, but the following year, audience did discuss Nichols’ fourth film, the controversial Carnal Knowledge*. Focusing on the troubled relationship between two men who meet in college, become friends, and their journey through the sexual relationships they have and share along the way. Might sound like a simple summary but the film is far thornier with the way these men and their relationship with each other and others evolve as the film plays out; making for a fascinating film. Ryan, Jay, and Andrew break down their thoughts on the film, Nicholson’s unhinged performance, the idea of an unlikeable protagonist, Ann-Margret’s vulnerable work, the film’s battle with censorship, the final, controversial scene of the movie, and more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h45m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Silkwood. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 272 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Trace Sauveur to talk about the latest film from Steven Soderbergh, Presence, and discuss the Top 5 film from the acclaimed director. Some of the films covered in the Top 5 range from Ocean’s Eleven, Contagion, Magic Mike, Kimi, Out of Sight, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h23m. We will be back next week with an Oscar retrospective on the 73rd Academy Awards, covering the films of 2000. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 82 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Cody Dericks to discuss the final film in their Mike Nichols series, The Graduate (1967).

Just a year after his impressive, celebrated debut film, Mike Nichols returned with one of the most important American films of all time; an era defining feature film that is still as vital, thorny, and thematically rich as it was in the late 1960s. The Graduate was a signature film that ushered in what would become the “New Hollywood,” and showcased a generational anxiety of growing up and growing beyond the ease of one’s college life, and the refusal to want to accept your place in the world. It also is a hilarious comedy featuring sexy, memorable performances anchored by the most confident, boundary-pushing directorial work from Nichols in his career. Simply put, it is a masterpiece. Ryan, Jay, and Cody break down their thoughts on the film, Nichol’s camera work, their favorite moments of hilarity, the iconic soundtrack, the film’s remarkable ending, the films of 1967, the relationship dynamics found in the film and share where they were at in their life post their time in school.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h52m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Carnal Knowledge. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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2025 Oscar nominations for the 97th Academy Awards have been revealed and on episode 271 of the AwardsWatch podcast Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to break down everything that went down.

From the field best 13 nominations for Emilia Pérez (is this finally their Oscar Best Picture win?) to how The Brutalist, Wicked and Anora played out, the gang look at who is the frontrunner as we enter the second phase of awards season, who falls and our favorite nominations of the day. We try and crack some of those '5th spot' nominations like Fernanda Torres over Marianne Jean-Baptiste and Sebastian Stan over Daniel Craig and much more.

For ways to donate or help with the ongoing fires in Los Angeles and their aftermath, go here.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 57m. We'll be back next week to talk about our favorite Steven Soderbergh films and our thoughts on his newest, Presence.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 81 of the Director Watch Podcast, the boys are joined by 'Keep It' cohost and 'Jimmy Kimmel Live!' writer Emmy nominee Louis Virtel (for writing the Oscars, no less), to discuss the first film in their Mike Nichols series, Who's Afraid of Virginia Woolf? (1966).

New year, new series, as the guys take a stroll down the career of one of the most famous, influential directors of the last sixty years, Mike Nichols. Known for his excellent reputation with actors and his work on the stage, Nichols first came on the film scene with one of the best debuts in cinema history with the explosive adaptation of the great American play, Who's Afraid of Virginia Woolf? Following the events of one evening spent with two couples, one being much more naive than the other, we watch a thrilling chess match of devilish wit, psychological damage, and imploding relationships bubble to incendiary results, with four incredible performances at the center of it. Ryan, Jay, and Louis break down their thoughts on the film, Nichols’ rise to becoming a director, Burton and Taylor’s relationship on and off screen, the historical relevance of this film, the importance of going to sleep, and more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h35m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, 1967's The Graduate. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 270 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Karen Peterson and Mark Johnson to give out their final Oscar nomination predictions for the 97th Academy Awards.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h23m. We will be back next week with a brand new episode. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 80 of the Director Watch Podcast, the boys are joined by film critic Ema Sasic to discuss the final film in their Nancy Meyers series, The Intern (2015).

It’s hard to imagine that the Nancy Meyers’ series is already coming to an end, as the director feels like she has so many stories to tell, but alas here the boys are with the (for now) final film in the director’s filmography. Six years after her last film, Meyers returned with a workplace dramedy about a retired widower that signs up to becoming a ‘senior intern’ for an up and coming, online clothing company. Over the course of the film, we see generations collide and a true friendship arise, making for one of the most delightful, heartwarming entries in the series so far, and one of Meyers’ best films to date. Ryan, Jay, and Ema break down their thoughts on the film, if Meyers is a fan of Workaholics, how genuine these characters are, riding a bike in the office, Robert De Niro’s incredible performance, why people need to stop hating on the great Anne Hathaway, and why the world needs more Nancy Meyers movies. They boys also give their personal ranking of Meyers’ filmography and announce the next director movie series they will be covering.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h48m. The guys will be back next week to begin their series on the films of Mike Nichols with a review of his first film, Who's Afraid of Virginia Woolf?. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 269 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello discuss the winners of the 2025 Golden Globes and how they will impact the Oscar race.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast is brought to you by Orion Pictures’ Nickel Boys, from director RaMell Ross. Nominated for five Critics Choice Awards; Best Adapted Screenplay, Cinematography, Aunjanue Ellis-Taylor for Supporting Actress, Best Director and Best Picture. Named “The best film of the year” by The New Yorker, The Atlantic, Indiewire, Boston Globe, and The New York Times. For Your Consideration in all categories including Best Picture.

This podcast runs 1h45m. We will be back next week to announce our final Oscar nomination predictions.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 79 of the Director Watch Podcast, the boys are joined by Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast, to discuss the latest film in their Nancy Meyers series, It’s Complicated (2009).

Divorce can be really tough, but getting back with your ex while he is married to the woman he left you for…sounds complicated. This is the premise to the latest film from Nancy Meyers, about a successful bakery owner who starts an affair with her ex-husband while also becoming romantically involved with her architect that is building her the kitchen she’s always wanted. If you are thinking this is the ultimate Nancy Meyers fever dream of a film, well you would be one hundred percent correct, and it’s a lot of fun. Ryan, Jay, Kevin break down their thoughts on the film, just how complicated this movie is, how this narrative could connect to Meyer’s own life, smoking in the guest bathroom, Streep’s killer comedic performance, how Baldwin and Martin work alongside her in the film, the elegant kitchen at the center of this film and how it doesn’t need to be replaced.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h36m. The guys will be back next week to finish their series on the films of Nancy Meyers with a review of her film, The Intern. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 268 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, and AwardsWatch Contributors Dan Bayer, Cody Dericks, Jay Ledbetter, Josh Parham, Karen Peterson, Trace Sauveur, and Griffin Schiller breakdown their favorite films of 2024.

As we are about to begin an exciting new year of cinema in 2025, we say goodbye to 2024 with our AW team’s favorite films of the year. Instead of having everyone on one call together, the show is split up into six sections, each section covering the six films the team loved the most. Those films included Robert Eggers’ Nosferatu (Karen and Griffin), Radu Jude’s Do Not Expect Too Much from the End of the World (Trace), Payal Kapadia’s All We Imagine as Light (Josh) Jane Schoenbrun’s I Saw the TV Glow (Dan and Cody), RaMell Ross’ Nickel Boys (Erik and Jay), and Brady Corbet’s The Brutalist (Ryan and Sophia).

In each segment, each person talks about why they selected the film as their favorite of the year, as well as an in-depth discussion over the film. At the end, the team gave honorable mentions for other films that they loved that included Challengers, Queer, Juror #2, Maria, Hit Man, Babygirl, Hundreds of Beavers, Hard Truths, Anora, Trap, Dahomey, The Substance, and many more. Please enjoy this wonderful last episode of 2024, thank you all for reading everything on the website as well as listening to the show this past year. We here at AwardsWatch hope you all have a Happy New Year.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h50m. We will be back next week to breakdown the winners of the 2025 Golden Globes.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “Once Upon a Time” from Robin Carolan, “Basm epic” from Z.O.B., “Imagined Light” from Topshe, “Anthems For A Seventeen Year-Old Girl” from yeule, “Color Memory” from Alex Somers, “Overture (Bus),” “Intermission” from Daniel Blumberg, “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 78 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Karen Peterson to discuss the latest film in their Nancy Meyers series, The Holiday (2006).

Tis the season at Director Watch, as the boys and Karen have come together to talk about one of the most popular modern holiday classics, The Holiday. Billed as a house swap story of two heartbroken women wanting to leave their world’s behind after terrible encounters with the men in their lives, Meyers sets a more dramatic, sweet tale of finding love and confidence during the holiday season. In what feels like her version of Love Actually, Meyers is able to deliver a much more compelling, romantic film than that British film from just a few years before, lead by an all-star cast of Kate Winslet, Cameron Diaz, Jude Law, and Jack Black. Ryan, Jay, and Karen break down their thoughts on the film, what their holiday traditions are with their families, who character gets a better deal within the house swap, Jude Law’s summer tan, singing in a Blockbuster video, the charming Eli Wallach, and, of course, the most important person in cinema history, Mr. Napkin Head.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h06m. The guys will be back next week to continue their series on the films of Nancy Meyers with a review of her film, It’s Complicated. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 267 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Jay Ledbetter and Dan Bayer to go back a couple of years to take a look at the 92nd Academy Awards, celebrating the films of 2019.

Five years ago, the Academy handed out one of the coolest Best Picture winners in our lifetime, awarding Bong Joon-ho’s Parasite alongside a surprising win for Best Director as well as wins in the Best Original Screenplay and Best International Feature. It was a historic win as it was the first non-English language film to win the Oscar’s top prize, and might go down as one of the influential wins in the modern era. This film released inside a fantastic year of cinema to end the 2010s, though it was nominated in a selection of films that more or less didn’t showcase just how strong of a year 2019 was. But that is what episodes like this is for, for the AW team to come in and make the changes necessary to the nominations (and winners) to showcase just how great a year in film is was.

In their in-depth discussion, the AW team talked about the film year of 2019, briefly discuss talk about Parasite as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to five films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy. They also do something for the first time in this episode in one category not yet done before, making for a wonderful new wrinkle to the game.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h14m. We will be back next week for our episode on the AW team favorite films of 2024. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 77 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the latest film in their Nancy Meyers series, Something’s Gotta Give (2003).

With her third feature film, Nancy Meyers reunited with Diane Keaton and recruited Jack Nicholson to star in a romantic comedy about famous, neurotic playwright and elder playboy, philanthropist falling in love with each other, despite being complete opposites. Considered to be the best film in her filmography, Meyers’ signature attention to detail and charm is matched by two incredible performances by Keaton and Nicholson, all wrapped within a hilarious, steamy screenplay that makes this film extremely rewatchable and quotable. Ryan, Jay, and Sophia extensively dive into why they love this movie, wearing turtleneck sweaters in the summers, the birth of the Nancy Meyers’ kitchen obsession, the food in the film, how time works in this story, Nicholson’s star power, how Keaton’s character reflects Meyers’ personality, the performances of Keanu Reeves and Frances McDormand, if Keaton picks the right man at the end of the film, and a new movie franchise “pitch” for the ages.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h34m. The guys will be back next week to begin continue their series on the films of Nancy Meyers with a review of her film, The Holiday. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 76 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Dan Bayer to discuss the first film in their Nancy Meyers series, What Women Want (2000).

Following up her success of The Parent Trap, Nancy Meyers’ second feature film follows an chauvinistic advertising executive who gains the ability to hear the inner thoughts of women, truly finding out what women want. A simple, amusing premise formed into the biggest box office hit of the director’s career, with stars Mel Gibson and Helen Hunt lighting up the screen together. But over two decades later, the film, while successful, has become the most divisive film of her filmography, given her lack of involvement in the film’s script, leading to some of the strangest storytelling decisions you’d see in a romantic comedy. What Women Want feels like a movie stuck between eras of time where most of the jokes don’t work, characters and plot devices haven’t aged well, and yet the premise is still interesting enough to keep things moving; it’s a fascinating film to talk about. Ryan, Jay, and Dan break down their thoughts on the film, what still works within the film and what doesn’t, the message Meyer’s might be saying about her own personal life, the careers of Gibson, Hunt, and Marisa Tomei, if Nick Marshall is a redeemable character, and if hearing the thoughts of a female dog makes sense.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h06m. The guys will be back next week to begin continue their series on the films of Nancy Meyers with a review of her film, Something’s Gotta Give. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 266 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Josh Parham to give their thoughts on some of the films releasing this holiday season, Queer, Babygirl, A Complete Unknown, and Nosferatu.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h7m. We will be back next week for retrospective over the 92nd Academy Awards, covering the films of 2019.

This podcast is sponsored by Focus Features presenting Conclave. Your choice changes everything. In theaters now.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 75 of the Director Watch Podcast, the boys are joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the first film in their Nancy Meyers series, The Parent Trap (1998).

After nearly two decades of writing acclaimed screenplays that earned top dollar at the box office as well as an Oscar nomination, Nancy Meyers set out in the late 1990s to make her directorial debut with a remake of the 1961 Disney family film, The Parent Trap. Centering around two identical twins who discover each other while they are at summer camp who switch places on their return home in order to get their parents back together, Meyers used this property to not only establish her special cinematic we’ve all come to love, but as a vessel to handle her divorce from her co-collaborator for many years, director Charles Shyer. In doing this, she made a film that is far superior than the original, while also finding a star in the making with newcomer Lindsay Lohan. Ryan, Jay, and Christina break down their thoughts on the film, the plot of the film, Lohan’s incredible performance, if Dennis Quaid and Natasha Richardson play the worst parents in the history of film, best camp movies, and the Disney live action film era of the late 1990s to early 2000s.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h34m. The guys will be back next week to begin continue their series on the films of Nancy Meyers with a review of her film, What Women Want. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 265 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello break down the nominations for the 2025 Golden Globes, as well as the winners for the European Film Awards and Los Angeles Film Critics Association (LAFCA).

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h8m. We will be back next week to discuss some of the latest 2024 film releases before the end of the year.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 264 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Karen Peterson, Jay Ledbetter and Josh Parham to go back 30 years to take a look at the 67th Academy Awards, celebrating the films of 1994.

Thirty years ago, it was Bob’s year as Robert Zemeckis’ Forrest Gump took home the Oscar for Best Picture, alongside Tom Hanks winning his second straight gold statue for back to back wins. It was one of the most commercially successful films of 1994 that went on to win the big prize, and is part of one of the most influential years from the 1990s. Films like Pulp Fiction, The Shawshank Redemption, Four Weddings and a Funeral, Three Colours: Red, Hoop Dreams, The Lion King, and more highlight a crossover of studio films blending success with indie darlings to make for a fascinating film year to talk about.

In their in-depth discussion, the AW team talked about the film year of 1994, briefly discuss talk about Forrest Gump as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h28m. We will be back next week to discuss some of the latest 2024 film releases before the end of the year.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 263 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello break down the deluge of early season goodies with Gotham Awards, New York Film Critics Circle, Spirit Awards nominations, National Board of Review winners and the AFI Top 10 announcements.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h24m. We'll return next week with reviews of A Complete Unknown, Nosferatu and Babygirl. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 74 of the Director Watch Podcast, the boys discuss the next film in their Krzysztof Kieślowski series, Three Colours: Red (1994).

In the last entry in his acclaimed trilogy, Kieślowski turns to the color red, which focuses on the idea of fraternity. In this drama, we find two characters, a young, curious girl and a reclusive older man, become interconnected within each other’s lives and form a familiar bond that transforms into a surprising friendship. As other characters come in and out of their story, the film forms into a coming of age story for the younger protagonist and a redemption story for her male counterpart, making for a beautiful, profound piece of filmmaking from the director that saw him receive critical acclaimed, leading to several Oscar nominations. Ryan and Jay break down their thoughts on the film, surveillance being a strong aspect of the story, it’s connection to Blue and White, if the film’s ending adds anything to the overall experience of the trilogy, Irène Jacob and Jean-Louis Trintignant performances, closing thoughts on Kieślowski, their rankings of his films, and how old some of our favorite directors are.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h29m. The guys will be back next week to begin their new series on the films of Nancy Meyers with a review of her film, the 1998 remake of The Parent Trap. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 73 of the Director Watch Podcast, the boys discuss the next film in their Krzysztof Kieślowski series, Three Colours: White (1994).

The next entry into Kieślowski trilogy might go down as one of the most surprising films the guys have covered so far, as this anti-comedy is a completed shift from the tone and ideas covered in Blue. Following a couple from two different countries playing a manipulative game of chess with one another over time, Kieślowski is able to use this duo as a personification of geo-political warfare and how smaller countries have to react and fight in order to relevant in the world. It makes for a fascinating examination of European ideals wrapped within a twist tale of love and country. Ryan and Jay break down their thoughts on the film, how the logic of it only makes sense from a non-literal perspective, shifting point of views throughout the film, the film’s ending, if these two really do love each other, what they each like to put on a sandwich, and what a “dumpster Whopper” is.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h16m. The guys will be back next week to continue their series on the films of Krzysztof Kieślowski with with a review of his film, Three Colours: Red. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 262 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Jay Ledbetter to give their thoughts on Gladiator II and discuss their Top 5 Denzel Washington performances.

Big weekend at the movie as audiences around the world got to see the long awaited Wicked Part 1 and Gladiator II. Before the guys get into their thoughts on Ridley Scott’s latest, Ryan shares his reactions to Wicked Part 1, and why for him, the film is mostly frustrating experiences with a couple of good performances in it. After that, Ryan and Jay dive right into Gladiator II, a film over twenty years in the making, as Scott dives back into the world he created in 2000’s Best Picture winning epic. Much like the original, the film is a tale of revenge, centered around a main character looking to take on not just the ones of betrayed him, but the most powerful of Rome, leading to bloody battles and political intrigue around every corner. The boys were mixed on it, with Jay not being as positive on the film as Ryan is, with the totality of the conversation focusing on the film’s script, Scott and his team’s craft of recreating Rome, if Paul Mescal is a “movie star,” and Denzel Washington’s incredible performance.

Once they are done reviewing the film, the episode shifts solely to Washington, one of the greatest movie stars of all time and his magnificent, celebrated career. The two time Oscar winner has built a career on and off screen that rivals many legendary actors and actresses. And after covering plenty of his films on Director Watch this year, Ryan and Jay give out their Top 5 Denzel Washington performances. The films discussed ranged from Remember the Titans, Malcolm X, Man on Fire, He Got Game, Crimson Tide, The Tragedy of Macbeth, Roman J Israel, Esq., John Q, Training Day, Philadelphia, Glory, Devil in a Blue Dress, and more. A fun, extensive dive into a career of one of the best to ever do it, and we hope you enjoy it.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h11m. We will be back next week for a retrospective of the 67th Academy Awards, covering the films of 1994. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 72 of the Director Watch Podcast, the boys discuss the next film in their Krzysztof Kieślowski series, Three Colours: Blue (1993).

Moving right along into the trilogy that made Kieślowski a legend in the cinematic community, the director set out to make a trio of films based around the colors found in the French flag, the country to which he could get funding for the film. With Blue, we enter his first phase, liberty, and in the case of the film, a complex look into a woman recovery as she tries to go on living her life after a tragic car accident kills her husband and daughter. In turning cold on the world and everyone around her, Julie (Juliette Binoche in a masterful performance) slowly opens back up, and it is within the final act of the film we see her recover beyond her understandable, heartbreaking grief. It makes for a wonderful start to this important trilogy. Ryan and Jay break down their thoughts on the film, the idea of grief and how everyone handles it differently, the use of the color blue throughout the film, the balance of the loss of Julie’s husband and daughter, the guy’s thoughts on Binoche’s career and what type of reality, trash television shows people are watching today.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h42m. The guys will be back next week to continue their series on the films of Krzysztof Kieślowski with a review of his film, Three Colours: White. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Editors Claire Simpson and Sam Restivo had already worked together on several of Ridley Scott’s movies, including House of Gucci and Napoleon, before embarking on Scott's massive motion picture Gladiator II.

Restivo has previously worked with directors like Michael Mann and Cameron Crowe and Claire Simpson received an Academy Award for her work on Oliver Stone's Platoon. And, in a nice bit of symmetry with Gladiator, started her career as assistant editor on Caligula, with Malcom McDowell and Helen Mirren.

For AwardsWatch we talked about the sheer volume of footage Ridley provides them with every day, the research process, the kiss Denzel Washington says was edited out and much more.

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Emperors! Gladiators! Nearly 1000 extras! We talked to Jana Carboni (makeup designer) and hair designer Guiliano Mariano about their immense work on Ridley Scott’s Gladiator II. How they were inspired by Fellini's Satyricon and the Sex Pistols. Battling the heat and the elements to get Paul Mescal’s gladiator tan and body paint just right. Denzel's manicured hands and much more.

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On episode 261 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Mark Johnson and Karen Peterson discuss where we are at in the 2024 Oscar race, giving an updated temperature check on the current award season.

A lot has changed in the world since the last time the AW podcast talked about the Oscars and which films and performances will go home with the gold. A post-election shift could be coming, with audiences and voters seeing the contenders in the race differently than before the political results from two weeks ago. Ryan, Sophia, Mark, and Karen break down how they think the election will connect and effect the award season, where the Best Picture, Best Director, and Acting categories are right now, as well as give their reaction to the news that the Oscars have selected a host, former late-night talk show host, comedian Conan O'Brien. This discussion also includes who the team has at the front runners in all of these categories, as well as the other contenders that could come in overtake the films, performances in the lead right now. It was a fun conversation we hope you all enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h55m. We will be back next week to do discuss the latest film release, Gladiator II, and talk about our Top 5 Denzel Washington performances.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 260 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to review Steve McQueen’s Blitz and A24’s latest horror film, Heretic.

It is a short, simple episode of the AW podcast this week as tons of films are being released right now before the holiday season, campaigning events are happening all around the country, and the world is still reeling from the results of last week’s U.S. elections. Instead of a grand show, Ryan and Josh are here to talk about two films that hit theaters this weekend, Blitz and Heretic. The first is Blitz (read review here), the latest film from Oscar-winning filmmaker Steve McQueen (12 Years a Slave), and premiered at the London Film Festival last month before making stops at the New York Film Festival (Closing Night selection) and Middleburg Film Festival (Opening Night selection). The boys talk about the film’s relation to McQueen’s filmography, the lackluster script, beautiful craft work, the performances from Saoirse Ronan and Elliott Heffernan, and where it sits in the Oscar race right now. Next up is the religious, psychological horror film Heretic (read our review here), from the writers of A Quiet Place. Led by an excellent performance from Hugh Grant, Ryan and Josh talk about the tense, exciting pace of the first act, Grant’s monologue’s, hint at hilarious pop culture references within the film, A24’s run of films this year, and why the film crumbles, like a blueberry pie, in executing a thrilling finale.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 59m. We will be back next week to do a discussion on where everything is at in this year’s Oscar race. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 71 of the Director Watch Podcast, the boys discuss the first film in their Krzysztof Kieślowski series, The Double Life of Veronique (1991).

Known for being a documentarian in the 1970s and making smaller, personal films and television shows in the 1980s, Polish director Krzysztof Kieślowski broke through in the 1990s with four films that became some of the most influential films of the last 30 years. For the first film in this month long series, Kieślowski dives into the world of two young girls (both played by Irène Jacob) who feels connected to each other, a bond that transcends time, language and geography. In a unconventional, beautiful version of a coming of age story, Ryan and Jay talk about their relationship with Krzysztof Kieślowski, thoughts on the film, the differences between Weronika and Véronique, sex used as a vital tool for storytelling, the film’s haunting tone and ending, and many stories about Jay’s recent family Disney trip.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h04m. The guys will be back next week to continue their series on the films of Krzysztof Kieślowski with a review of his film, Three Colours: Blue. You can rent it via iTunes and Amazon Prime in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 259 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Dan Bayer and Josh Parham to go back 10 years to take a look at the 87th Academy Awards, celebrating the films of 2014.

Ten years ago, Hollywood’s biggest night was won over by Alejandro G. Iñárritu’s Birdman, a dramedy about a washed up actor trying to form a comeback away from the big screen and back on stage in New York City, and while doing this, also making sure he can keep him mind sane. The film was a critical, commercial success, though winning Best Picture, Director and Original Screenplay for Iñárritu that night has put a target on his back for not only beating films like Boyhood and The Grand Budapest Hotel, but was the first of back to back years where the director found himself capturing Oscar gold. With these wins, it has become one of the most divisive years of the Oscars in recent memories, alongside a slew of other questionable winners and nominees inside a bountiful year of incredible cinema from the year 2014. A lot of Oscars from this year need to change hands, and the AW team is here to rewrite some Academy history.

In their in-depth discussion, the AW team talked about the film year of 2014, briefly discuss talk about Birdman as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h21m. We will be back next week to do discuss the latest film release, Blitz, and doing a character actor movie draft.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 70 of the Director Watch Podcast, the boys discuss the next film in their Carl Franklin series, Out of Time (2003).

After the box office failure of Devil in a Blue Dress, and making a Meryl Streep movie (One True Thing) and a standard legal thriller starring Ashley Judd and Morgan Freeman (High Crimes), Carl Franklin’s last feature film was his last effort at trying to make a entertaining popcorn films starring Denzel Washington, Out of Time. What sounds like an interesting premise of a small town cop racing against the clock when the woman he is seeing ends up the prime murder suspect in his area of Florida, with the team investigating the crime run by his ex-wife (Eva Mendes). In what feels like a discount Tony Scott film, Franklin isn’t able to elevate the movie beyond just being a decent film that Denzel carries to the finish line. Ryan and Jay talk about their thoughts on the film, diving into some heavy Jimmy Buffett references, Dean Cain’s filmography, the illogical ending of the film, how much they’ve loved talking about Denzel Washington films this year, the sad reality behind where Franklin’s career is now, as well as give their ranks of the films within this short but important series.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h03m. The guys will be back next week to begin their series on the films of Krzysztof Kieślowski with a review of his film, The Double Life of Veronique. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 258 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello talk about the Gotham Awards nominations, the world premieres of AFI FEST 2024 and two films we saw outside of the festival that will be in the Oscar race.

Always considered the kickoff of awards season, the Gotham Awards nominations were revealed this week and without too much surprise Sean Baker's Anora led with four nods: Best Feature, Best Director, Outstanding Lead Performance (Mikey Madison) and Outstanding Supporting Performance (Yura Borisnov). Next up with three apiece were RaMell Ross’s Nickel Boys (Best Feature, Best Director, Breakthrough Performer – Brandon Wilson) and Jane Schoenbrun’s I Saw the TV Glow (Best Director, Outstanding Lead Performance – Justice Smith, Outstanding Supporting Performance – Brigette Lundy-Paine). We break down these nominations, the surprises (Challengers in Best Feature as its only nod, The Brutalist missing there) and snubs (notably, Joan Chen) and everything in between. See full list of nominations here.

Then we head over to the AFI FEST 2024, which just ended last weekend, to talk about the world premieres of the fest: Music by John Williams (review), Robert Zemeckis's Here (review), Clint Eastwood's Juror #2 (review) and the new Aardman Animation film Wallace & Gromit: Vengeance Most Fowl. It's a pretty spirited conversation as the film from two directing giants are among our least favorite films of the year, but then buoyed by the joy and fun of the new Aardman. Conversely, we venture into two films that we loved and saw outside of the festival last week, Halina Reijn's Babygirl, starring Nicole Kidman and Harris Dickinson, and Ridley Scott's return to the Colosseum with Gladiator II, starring Paul Mescal and Denzel Washington.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 58m. We will be back next week for a retrospective of the 87th Academy Awards, covering the films of 2014. Till then, let’s get into it.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 69 of the Director Watch Podcast, the boys discuss the next film in their Carl Franklin series, Devil in a Blue Dress (1995).

Following the massive success of One False Move, Franklin turned down the opportunity to work on bigger studio films to adapt a neo-noir mystery thriller based on the popular series of books by Walter Mosley. With an Oscar winning star, Denzel Washington, on the poster to go along with an impressive ensemble cast around him, detailed production design and world building within the script, this movie was destined to be the start of a new Hollywood movie series. But sadly, we never go to see more stories of Easy Rawlins on the big screen, with the film earning a cult status since its release, becoming another gem in Franklin’s filmography. Ryan and Jay break down their thoughts on the film, the history behind the making of this movie, their continued love for Denzel, the amazing performance from Don Cheadle, the film’s SAG nomination, the racial dynamics of the film, and answer why they think audiences didn’t connect with it when it came out.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h43m. The guys will be back next week to conclude their series on the films of Carl Franklin with a review of his film, Out of Time. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 68 of the Director Watch Podcast, the boys discuss the first film in their Carl Franklin series, One False Move (1992).

Much like Terrence Malick, the subject of the last Director Watch series, director Carl Franklin came out of the AFI Conservatory ready to take the world on fire as a force behind the camera. In his first couple of films, he was taken under the wing of producer Roger Corman, who saw something in a young Franklin and gave him the necessary experience to then make something of his own. By the early 1990s, when the American indie film era was beginning, Franklin made one of the most vital crime thrillers of the decade with One False Move, a film centered around a small town sheriff waiting for three killers to enter his town, with a connection to who they are leading to a dangerous conclusion. With a script written by Billy Bob Thornton and Tom Epperson, Franklin was able to tap into the insecurities of being in a small town position as a police officer, the danger of being a fugitive on the run, and the racial dynamics (and insecurities) at the heart of the story. Ryan and Jay break down Franklin’s early work, their thoughts on the overall film, Bill Paxton and Cynda Williams’ performances, the film’s shocking ending, the tragic final shot of the film, Thornton’s career as a writer, and how influential a movie like this was for the decade.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h53m. The guys will be back next week to continue their series on the films of Carl Franklin with a review of his film, Devil in a Blue Dress. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 257 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello talk about some of our favorite (and not so favorite) films we saw at 62nd New York Film Festival and then look at them through the lens of the pending Oscar race.

Kicking things off we start with The Brutalist, Brady Corbet's sprawling epic about a Hungarian architect, played by Adrien Brody, who emigrates to the United States post-World War II. Corbet won the Best Director award at the Venice Film Festival. You can read Sophia's review of that film here. Next we go into the Venice Golden Lion winner for Best Film, Pedro Almodóvar's The Room Next Door, starring Tilda Swinton and Julianne Moore, the director's first major festival top film win. Ryan's review of the maestro's festival favorite can be found here. The conversation here, about older directors creating films now that stand up against their best early work, moves to what we felt as a far less successful version of that, Francis Ford Coppola's Megalopolis (read Ryan's review here) but then we're back to the festival high of Luca Guadagnino's Queer, his adaptation of the 1985 William S. Burroughs short novel starring Daniel Craig and Drew Starkey, a drug-induced story of gay love and longing set among the lives of American expats in Mexico City in the late 1940s. You can read my review of Queer here. We also venture into some quick talk of other films we saw and loved at the festival, including Mike Leigh's Hard Truths and David Siegel and Scott McGehee's The Friend, starring the biggest attention getter of the fest, Bing the great Dane.

From there we look at how looks at these films have shaped or changed our earlier Oscar predictions, what's out in front, what is falling off and the complete unknown entities coming up that could change race completely.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h16m. We will be back in two weeks to discuss AFI FEST and update our Oscar predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 256 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Josh Parham to discuss Sean Baker’s latest film, Anora, and discuss their favorite films to win the prestigious Palme d'Or award.

While we are coming towards the end of fall festival season, one of the hottest festival films of the year was the winner of the Palme d'Or at the Cannes Film Festival back in May. Anora, written and directed by Sean Baker and starring Mikey Madison, has been the one of the most talked about films of the year, garnering praise from audiences around the world and setting itself up for a big run later this Oscar season. But just how good is the film? Ryan, Josh, and Dan breakdown Baker’s latest, what they think of the film overall, the performances, mild discussion on the film’s ending, and where they see its path in the Oscar race moving forward. Once they were done with that, they moved into a larger discussion over their favorite past winners of the top prize at the Cannes Film Festival, the Palme d'Or. With some of the most influential, celebrated films of their respected years winning the award, the Palme d'Or is a signal for excellence in cinema. Some of the films discussed ranged from All That Jazz, Taxi Driver, Pulp Fiction, The Piano, Brief Encounter, Blow Up, The Conversation, Parasite, Shoplifters, Barton Fink, The Umbrellas of Cherbourg, The Tree of Life, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h49m. We will be back next to do discuss the main trifecta of fall festivals - Telluride, Toronto and New York - then in two weeks for AFI FEST Film Festival and take a look at the Oscar race after each.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 67 of the Director Watch Podcast, the boys are joined by Dave Giannini, Editor-In-Chief of InSession Film, to discuss the final film in their Terrence Malick series, A Hidden Life (2019).

The time has come for the Malick series to come to an end, and it is ending with yet another beautiful look to the past by the director after years of making personal films about the present. In taking a journey back to the past, the director was able to search into a man’s personal, religious reasoning for not wanting to go to war for the Nazis. Shot beautifully cinematographer Jörg Widmer, Malick has created another masterpiece of epic, poetic masterpiece, contrary to many who thought it was just another Malick film; this one is just as special as the rest. Ryan, Jay, and Dave break down their relationship with the film, Malick’s stance on religion, the film’s beautiful score, the excellent performance from August Diehl, give their final thoughts on the series, their final Malick rankings, and announce their next series they will be doing starting next week.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h26m. The guys will be back next week to begin their series on the films of Carl Franklin with a review of his film, One False Move. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 255 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Jay Ledbetter, and Josh Parham to go back 15 years to take a look at the 82nd Academy Awards, celebrating the films of 2009.

Fifteen years ago, after the Academy made an egregious snub and didn’t include The Dark Knight in the Best Picture lineup, the Academy expanded the category to include ten films, in an effort to include a wider range of films that audiences had seen. The results ended up with one of the most balanced, representative selection of nominees in some time, with the biggest, highest grossing film of all time going up again the indie-war film, that would go on to win and make Academy history as the first female director to win Best Director (Kathryn Bigelow). In their in-depth discussion, the AW team talked about the film year of 2009, briefly discuss talk about The Hurt Locker as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h40m. We will be back next week to do discuss the latest film release, Anora, and discuss our Top 5 Palme d'Or winners.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 66 of the Director Watch Podcast, the boys are joined by hosts of the Screen Drafts podcast Clay Keller and Ryan Marker to discuss the next film in their Terrence Malick series, Song to Song (2017).

The final film in Malick’s modern, personal trilogy finds the director searching for love, loss, inspiration and faith in the music scene set in Austin, Texas. Filmed over multiple years, and at various music venues and festivals, Malick was able to explain the dirtiness that surrounds being in an artistic industry and how much of your soul you have to give up in order to find success. At the same time, he displays a location of this country that is evolving from it’s “weird” roots and becoming more conventional, losing the very thing that makes the fabric of a town like Austin so unique. In one of the liveliest DW episodes the boys have ever had, Ryan, Jay, Clay, and Ryan break down the thoughts on the film, the use of real life musician’s as actors throughout the film, Malick’s relationship with casting movie stars, their love for the Red Hot Chili Peppers, first reactions to seeing a Malick film, which one of the guys on the show is actually in the film, who got cut from the film, how it is showcases Austin, and what is the best Malick movie to show someone if they have never seen one of his films.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h11m. The guys will be back next week to conclude their series on the films of Terrence Malick with a review of his next film, A Hidden Life. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 65 of the Director Watch Podcast, the boys are joined by film critic Jesse Nussman to discuss the next film in their Terrence Malick series, Knight of Cups (2015).

The second entry in Malick’s modern, personal trilogy finds the director exploring fame, love, family, faith, and one’s purpose in the city of angles with Knight of Cups. Centered around the idea of chapters in a person’s life, he uses tarot cards and their meanings to reflect on his own life, using Christian Bale as a surrogate to funnel the pain, love, and loss of his life. The result is a beautiful odyssey through the chaos and confusion of life that has been fully lived in, and doesn’t know where to go next upon reflection of the past. Ryan, Jay, and Jesse break down the film, explore Bale’s filmography, discuss the meaning behind each tarot card talked about in the film, examine Malick’s thoughts on LA and Las Vegas as his version of hell, the use of comedians throughout the film, and a special surprise at the end of the episode that you aren’t going to want to miss.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h59m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, Song to Song. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “Malick Mode” by Jesse Nussman (outro).

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On episode 254 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Karen Peterson and Dan Bayer to review and give their reactions to the movie everyone is talking about, The Substance.

Since its premiere at the Cannes Film Festival earlier this year, audience can’t stop talking about the latest body horror thriller from director Coralie Fargeat, The Substance. Led by powerhouse performances from actresses Demi Moore and Margaret Qualley, and filled with tons of blood, twists, and turns, the film just came off of winning the TIFF People's Choice Award for the Midnight Madness section of the program. As it heads into theaters across the country, Ryan, Karen, and Dan break down their inventive, unique world that Fargeat created, the make-up design as well as the stellar work by the entire ensemble, making for one of the team’s favorite films of the year. They did their best to not give any of the film’s reveals away, knowing audiences show go into The Substance knowing little to nothing about it in order for the full wave of shocking moments Fargeat’s second feature presents. Also on the show this week was brief thoughts by Karen about Transformers One, and Dan’s thoughts on the TIFF Audience Winner, The Life of Chuck. A rare one-hour episode with lots packed in, so we hope you enjoy!

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h08m. We will be back next week to do discuss the latest film release, Megalopolis.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 64 of the Director Watch Podcast, the boys are joined by Managing Editor of RogerEbert.com Brian Tallerico to discuss the next film in their Terrence Malick series, To the Wonder (2012).

A year after his most celebrated film was released, Malick returned with something new, experimental for even his own standards. The director had looked to turn away from even more traditional storytelling, filming hours on end, searching for the meaning of his film in the edit as he made his first contemporary setting about a couple’s troubled marriage. Mirroring a lot of his own personal life, Malick examines his role in his past marriage and in turn, makes one of his saddest, brutally open films of his filmography. Ryan, Jay, and Brian breakdown their feelings on the film, why it might be considered Malick’s least successful work, the weight of expectations a movie can have on its shoulders, the wild career of Benjamin Affleck, how faith and love are tested to their ultimate limits, and how the director sees himself in this film, and if he is successful in pointing the finger at his past transgressions to make a compelling narrative.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h38m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, Knight of Cups. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 253 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello take a look at the awards landscape now that we're in a post-Venice, Telluride and Toronto film festival world.

With Venice, led by jury president Isabelle Huppert, choosing Pedro Almodóvar's The Room Next Door, Telluride critics and audiences both going for Sean Baker's Anora and Toronto voters choosing Mike Flanagan's currently distributor free The Life of Chuck as the People's Choice, there's plenty to talk about in how these choices impact the Oscar race, solidifying some early predictions and changing up others. Telluride saw strong showings for early frontrunner Conclave and late surprise September 5, which just got a Paramount pick up and a prime awards release date while Saturday Night seems to have peaked and cratered in a matter of days.

With Nicole Kidman winning the Volpi Cup at Venice for Babygirl and Sony Pictures Classics choosing to push both Tilda Swinton and Julianne Moore in TRND for lead consideration, the Best Actress conversation gets more exciting and fruitful by the day. Angelina Jolie, Mikey Madison, Amy Adams and more are all circling that final five. But a lot of internet chatter hyper-focused on that TIFF win for The Life of Chuck and understandably so; all of but one of the last 15 winners there earned a Best Picture Oscar nomination. That stat caused lots of scurrying, lots of extra math, and for many, finding a place for it in their new top 10. But, stats fall every year and sometimes instinct beats out overthinking.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 51m. We will be back next week to do discuss the latest film release, The Substance. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 252 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Associate Editor Sophia Ciminello and AwardsWatch contributors Karen Peterson and Josh Parham to go back 50 years to take a look at the 47th Academy Awards, celebrating the films of 1974.

Fifty years ago, the Academy Awards gave out the Best Picture Oscar to the first sequel in their history by awarding The Godfather Part II their highest award, as well as Best Director, Best Supporting Actor, Best Adapted Screenplay, Best Art Direction and Best Original Dramatic Score. 1974 not only featured one of the greatest sequels of all time, but multiple masterpieces like Chinatown, The Conversation, Young Frankenstein, and many more. The Best Picture lineup, as well as the nominees, showcased a pretty stacked, diverse year at the movies, with comedies, ensemble action films, costume dramas being represented alongside prestige crime dramas that spoke to the moment. In their in-depth discussion, the AW team talked about the film year of 1974, briefly discuss talk about The Godfather Part II as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h17m. We will be back next week to do discuss the latest film release, The Substance.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 63 of the Director Watch Podcast, the boys are joined by Editor-In-Chief Erik Anderson to discuss the next film in their Terrence Malick series, The Tree of Life (2011).

We’ve come to the midpoint mark of the Malick series and have hit the most important film in the filmography of the director, not just in terms of accolades and being known as one of the most important films of the 2010s, but it is also the film Jay claims as his favorite film of all time. A very personal episode of Director Watch is in store as the guys, alongside Erik, break down Malick’s most personal film to date about a journey through time, our place in the universe, what our stamp on history is, and what the meaning of life is through the eyes of a family living in a small Texas town. Ryan, Jay, and Erik talk about their relationship with The Tree of Life, how well the film has aged from when they first saw it due to growth and experience in their lives, the masterful imagery conveyed by cinematographer Emmanuel Lubezki, the work of Brad Pitt and Jessica Chastain as not just parents to the boys in the film but as the personification of nature vs. nurture, the dinosaur sequence, the glorious ending mixed into the fascinating scenes feature Sean Penn as a grown up version of Jack, how Malick is able to evoke the viewer’s memories of their past and juxtapose it to what he is showing on screen through his characters and setting, and of course, talk about the wild Oscar season that covered the films of 2011.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h17m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, To the Wonder. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 251 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributos Karen Peterson and Cody Dericks to discuss Tim Burton’s latest film, Beetlejuice Beetlejuice, and talk about some of the favorite (and least favorite) “legacy sequels.”

While everyone is making their way back from Venice and Telluride, and others are in Toronto for TIFF, the new release of the week spark a surprise hit at the box office, and a return to form for its director, Tim Burton. Beetlejuice Beetlejuice, a legacy sequel to the 1988 cult classic, took in close to $145 million at the worldwide box office after premiering to a mostly positive reception out of Venice just two weeks ago. The team break down the film, how it fits in with the original, Keaton’s performance, the evolution of the existing characters alongside the addition of new one, and what Burton should do next.

After talk about Beetlejuice Beetlejuice, they transitioned to talking about the “legacy sequel,” which is a film that follows the continuity of the original movie(s), but takes place further along the timeline and focuses on new characters with the original ones still existing in the new story. Sometimes the film can even follow the same formula as the original film, just adding in new special effects or characters to make the audience feel like they are witnessing this world for the first time; essentially a nostalgia bomb. While these don’t always work, there are some that are an exception to the rule, as Ryan, Karen, and Cody discuss when they talked about films like Top Gun: Maverick, Creed, Doctor Sleep, The Color of Money, Before Sunset, Mad Max: Fury Road, Star Wars: The Force Awakens, Mary Poppins Returns, and more, including some legacy sequels that frustrate them like the recent Scream and Indiana Jones films.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h05m. We will be back next week to do another AW Oscar Retrospective episode about the 47th Academy Awards, covering the films of 1974. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 62 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Karen Peterson to discuss the next film in their Terrence Malick series, The New World (2005).

Entering a new millennium, Malick embarked on a mission to create a vision of timeless story that he had been trying to make since the 1970s. After finally getting the financing to create The New World, he sent out to create a definitive take on the story of historical figures Captain John Smith (Colin Farrell), Pocahontas of the Powhatan tribe (Q'orianka Kilcher), and Englishman John Rolfe, without having to hold true to being one hundred percent accurate to their history. He uses this love story to breakdown our human relationship with exploration and nature, and how when these worlds collide, it provides change that irreversible, beautiful, and tragic. In short, he created another masterpiece. Ryan, Jay, and Karen give their reaction and relationship to the film, speak about how hot Colin Farrell was during this era of his career, Emmanuel Lubezki luscious cinematography, Q'orianka Kilcher’s transformational performance, the movie’s connection with the past, present, future via water and boats, the poor animated Disney version of this story, and how the freedom, if the extended version of this film is worth it, and how the experimental filmmaking of this movie set a path for the modern Malick we’ve come to know.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h02m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, The Tree of Life. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 250 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and special guest Christina Birro of Pop Culture Confidential come together to discuss their reactions to the films at the 51st Telluride Film Festival.

The 2024 film festival season has begun and many of the biggest titles of the fall film slate, Oscar season are being released over the last week with both the Venice Film Festival and Telluride Film Festival. Based on our past episode, the Telluride Film Festival announced their line-up with the world premieres of Conclave, Nickel Boys, Saturday Night, The Piano Lesson, The End alongside with several other films, as well as movie that have premiered at other festivals like Anora, The Outrun, Maria, A Real Pain, September 5, Emilia Perez, and more. It made for a great lineup over the Labor Day weekend, and the group break down their time at the festival, talk about all the movies they saw above and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h01m. We will be back next week to discuss Beetlejuice Beetlejuice and talk about our favorite “legacy sequels.” Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 61 of the Director Watch Podcast, the boys are joined by film critic Jake Tropila to discuss the next film in their Terrence Malick series, The Thin Red Line (1998).

After making two of the most celebrated, respected films of the 1970s, Terrence Malick spent the next twenty plus years crafting multiple projects, with nothing to show for it. Towards the beginning of the 1990s, the director was approached with the idea of crafting an adaptation of the World War II novel The Thin Red Line, which intrigued Malick enough to start working on this film, which seemed to spark every male actor in Hollywood to audition for him so they could be a part of this epic. The results of being gone from cinema for two plus decades gave us not only one of Malick’s most signature films, but what some consider to be the greatest war film of all time. Ryan, Jay, and Jake discuss their thoughts on the film, the insane roster of actors in this film, how Malick cut Adrian Brody mostly out of the film to create a new vision from the original source material, the brutality of war and what it does to a soldier’s morality, how it compares from Saving Private Ryan which came out from the same year, how something as so necessary as water becomes vital for the everyone involved, and the continued look into the career of Jim Caviezel.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h58m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, The New World. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 249 of the AwardsWatch Podcast it's another all editors edition as yours truly, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello are packed and ready to head to mountains of Colorado for the 51st Telluride Film Festival with special guest Christina Birro of Pop Culture Confidential.

As Telluride famously does, the actual lineup of films isn't released until the day of the festival (August 30) but with Venice, Toronto and New York announcements and designations of films as a 'world premiere,' 'international premiere,' 'North American premiere' or 'Canadian premiere' we have a pretty good idea of many of the films we'll be seeing, with all important world premiere titles that we'll likely be seeing before anyone like Edward Berger's papal thriller Conclave (Focus Features) starring Ralph Fiennes, John Lithgow and Stanley Tucci, Michael Gracey's Robbie Williams biopic Better Man (Paramount Pictures) with the UK star playing himself, Jason Reitman's Saturday Night (Sony Pictures), telling the story of the first night of SNL in 1975 with Gabriel LaBelle, Dylan O'Brien, Rachell Sennott, Cory Michael Smith and Willem Dafoe, Malcolm Washington's adaptation of August Wilson's Pulitzer Prize-winning The Piano Lesson starring Samuel L. Jackson, Danielle Deadwyler and John David Washington and RaMell Ross's Nickel Boys (Amazon MGM), adapting Colson Whitehead's Nickel Boys with Aunjanue Ellis-Taylor, Hamish Linklater and more.

We also expect a healthy selection of Sundance and Cannes features to make their way to Telluride for a fall resurgence like A Real Pain, Emilia Pérez, Anora, The Seed of the Sacred Fig and more. Telluride medallions are also a topic of conversation with three traditionally up for grabs. Based on the expected lineup we think it will be Jason Reitman, Angelina Jolie and Samuel L. Jackson but there's a handful of possible contenders here.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h10m. We will be back the week after next to recap the 2024 Telluride Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 60 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Terrence Malick series, Days of Heaven (1978).

Five years after delivering one of the best debut films of all time, Terrence Malick returned with an essential piece of art within his filmography, and one of the best films of the 1970s, Days of Heaven. Shot mostly in Alberta, Canada, Malick’s epic follows lovers who travel to the Texas Panhandle for work harvesting crops for a wealthy grain farmer, only for the three of them to turn into a love triangle of biblical, spiritual proportions. While the shoot and edit of the film ran so long that additional editors and crew members had to be added to the film in order to get the film to the finish line, Malick was able to deliver a mesmerizing, lyrical cautionary tale about love, lust, greed, anger, desire, and finding your sense of freedom in a new world forming around. In other words, a masterpiece. Ryan, Jay, and Sophia breakdown their relationship with the film, the beautiful house built by Jack Fisk, the logistics of the locus scene, the film’s incredible performances led by Richard Gere, Sam Shepard, and Brooke Adams, the troubled production of the film, the director’s relationship with water, the insightful narration, if Malick’s career relates to any other modern director, and how the film’s ending full encapsulates all the themes suggested or mentioned throughout the film.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h16m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, The Thin Red Line. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 248 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to breakdown the various films in the Alien franchise and then give their thoughts on the latest entry, Alien: Romulus.

For listeners of last week’s episode, which covered the films of 1979 via a Oscar retrospective, you would’ve heard the team was really high on Ridley Scott’s masterpiece, Alien. Known as one of the most celebrated films of the 1970s, as well as one of the greatest sci-fi films ever made, Alien set a standard of excellence for the sci-fi horror genre that everyone has tried to recreate. The film then spanned many sequels, prequels, spin-off films going on for the past 45 years. Ryan and Josh discuss their relationship with the franchise, their favorite and least favorite things about each film, which includes Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, Alien: Covenant, and the two Alien vs Predator films. Once they’ve gotten through all of those titles, they jump right into a SPOILER-FILLED conversation about Fede Álvarez’s Alien: Romulus (review here by Sophia Ciminello), which is a low stakes prequel set between the first two films in the franchise and stars Cailee Spaeny and David Jonsson. While the film provides some decent kills, Ryan and Josh give their full thoughts on how disappointed they were by this film, and how they don’t know where the future of this franchise will go after this confusing, wasted entry left things off. It’s a very in-depth conversation we hope you like.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h56m. We will be back on the next episode to preview the 2024 Telluride Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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There aren’t many actors that are having, and about to have, a year like Jonathan Bailey.

For Showtime’s Fellow Travelers, a sprawling look at the Lavender Scare of the 1950s to the AIDS epidemic in the 1980s as told through the eyes of two lovers spanning these three decades, Bailey earned a Critics Choice Award for his performance in the series at Tim Laughlin and cheekily during his now viral speech thanking co-star Matt Bomer, “Those of you who have seen Fellow Travelers will know that Matt and I come together” and that was a moment I couldn’t let pass by in my conversation with him after earning an Emmy nomination for Supporting Actor in a Limited or Anthology Series or Movie last month.

He’ll be guest starring on the third season of Netflix’s Emmy-winning YA hit series Heartstopper in October and then the silver screen in November with the feature film version of the smash Broadway musical Wicked, portraying Fiyero, the prince of princes in the land of Oz. He’s set to return to the stage next year in Richard II and oh, he’ll also have the fourth Jurassic World film to catapult him into even more mainstream screen stardom next summer.

For Bailey though, his focus is being able to talk about Fellow Travelers and like his co-star and fellow Emmy nominee Matt Bomer (read our interview with Bomer here), bringing the truth about this period in American history is something he’s passionate about. Based on the 2007 novel by Thomas Mallon and created for television by Ron Nyswaner (Philadelphia), the story chronicles the lives of staid State Department official Hawkins ‘Hawk’ Fuller (Bomer) and rebellious but deeply Catholic political neophyte with the eagerness of a golden retriever, who wants to work in the Eisenhower administration in the late 1950s as the government began weeding out anyone suspected of homosexuality. Through marriages and children, secret retreats and rendezvous that push into the civil rights era of the 1960s, the gay sexual liberation of the 1970s and the brutality of the political reaction to the AIDS crisis of the 1980s, Hawk and Tim live deeply complicated and conflicting lives; of love and commitment, or lack thereof, of unbridled passion and sex, and ultimately acceptance.

He goes into great detail about how the book and series came to him, how much he wanted to do a gay romance of this scope after hitting such a starry stride from the huge success of Bridgerton. With both of us being gay men, Bailey’s language quickly becomes an inclusive ‘we’ and ‘our’ and he also takes time to ask what my experience and knowledge was like. I mention my grandparents, who probably never knew what the Lavender Scare was and he talks about how his 92-year old nana, who was born the same year as his character, watched the show and recalled someone she knew and worked alongside with who was gay and killed himself and that the show was able to reveal a way for her to process and understand it. He wants to relate and wants Fellow Travelers to reach and be related to. But through serious questions, Bailey and I take time to have fun. To joke about his Critics Choice speech, to talk about carrying Kylie Minogue to the stage at Hyde Park with Andrew Scott. “The real trophy for any gay man is carry Kylie Minogue,” he says, and he can’t help but comment on Bomer’s toes (“the most delicious I’ve ever come across”) and we venture into the show’s nakedly erotic and vulnerable sex scenes. So cheeky.

Bailey also wants to make sure that I knew the collective effort it took for him to bring Tim to life, shouting out his agents and reps (“The power of asking ‘why not?'”), and the cumulative nature of allyship in aligning him with gay journalists that ‘get it’ because we’re a part of the same community. “This is interview is knockout, one of my favorites,” he says, not to toot my own horn too much but then again, why not? As he says, “The conversations open when opportunities arise.”

Jonathan Bailey is Emmy-nominated in the category of Outstanding Supporting Actor in a Limited or Anthology Series or Movie for Fellow Travelers with the episode “Make It Easy.”

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 59 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Dan Bayer to discuss the first film in their Terrence Malick series, Badlands (1973).

With the summer of Tony Scott in the rearview mirror, the newest Director Watch takes a look at one of the most celebrated, unique, creative, innovative, and important American directors of all time, Terrence Malick. Within Malick’s filmography lies questions about nature, spirituality, creativity, violence, conflicting internal and external human emotion, and the longing for purpose in life. He is not only the perfect director to explore for a series, but he also happens to be Jay Ledbetter’s favorite director, setting the expectations for this director deep dive at higher levels than usual. With Malick’s first film, Badlands, the director took his first crack at tapping into the soul of the American culture he grew up in with a tale about a two young lovers who go on a killing spree in the summer of 1959. While it may seem as the most straight forward of Malick’s narrative feature film, Badlands is an engrossing examination of the past that reflects the unstable, violent world we create amongst the love and beauty that surrounds us. Ryan, Jay, and Dan discuss their thoughts on the film, what they think of Malick overall, Sheen and Spacek’s incredible performances, the exquisite, detailed work of production designer Jack Fisk, the narration sprinkled throughout the film, the loss of innocence between each of the main character and how that effects their overall love for one another, and the final fifteen minutes of the movie, which features one hell of a car chase sequence. A good start to a promising new series that is lengthy, but filled with tons of insightful detail (mostly to make sure the guys attempt to sound like they are smart when talking about the thematically heavy films of Terrence Malick).

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h25m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, Days of Heaven. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 247 of the AwardsWatch podcast, AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello take a look at the newest announcements from the Toronto International Film Festival and New York Film Festival, changes to the Gotham Awards and the kickoff of International Feature Film Oscar submissions.

Beginning with the TIFF announcements of new Gala and Special Presentations, we look into the heavy Venice to TIFF crossover with titles like Babygirl, Queer and The Brutalist (all skipping Telluride) as well as the 'Canadian Premiere' of Jason Reitman's Saturday Night, detailing the 90 minutes leading up to the first ever episode of NBC's Saturday Night Live's debut in 1975. Toronto will also get the world premiere of On Swift Horses, with Jacob Elordi, Daisy Edgar-Jones and Diego Calva, which appears to be its sole major fest showing. We then venture into today's NYFF Spotlight additions, including A Real Pain, Emilia Pérez and Maria. We talk about studio strategies and the paths festivals can create for determining awards contenders and how flying a bit under the radar, like Netflix is doing this year, becomes a vehicle for audience discovery. Next we move to the 2024 Gotham Awards, which announced this week the introduction of two new categories (Best Director and the return of Breakthrough Performer) as well as the rules that come with each of them. Finally, the submissions for the International Feature Film Oscar have started to roll in with Ireland's Kneecap, Austria's The Devil's Bath and Latvia's animated film Flow as the first out of the gate.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 45m. We will be back next week on this show for our Telluride Film Festival preview and predictions and on the main show to talk about Alien: Romulus, the state of blockbusters and more. And keep your eyes out for the Thursday drops of Director Watch episodes, which kicks off its Terence Malick series this week. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 246 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributor Josh Parham to go back 45 years to take a look at the 52nd Academy Awards, celebrating the films of 1979.

Before we step back into another AW Oscar retrospective, the team take a look at the summer movie box office game as we enter the final month of the summer. With Deadpool and Wolverine, Inside Out 2, and Despicable Me 4 dominating the box office, they take a look at how the summer has shown to prove many of their initial thoughts right about the box office, as well as the couple of surprises that took over the box office like Longlegs. Ryan’s team is in the lead by there is still plenty of time left for Erik’s team to make a comeback.

Onto the main portion of the podcast, Ryan, Sophia, and Josh travel back forty-five years, to 1979, where Hollywood was in the middle of a transition from the auteur filmmaking of the 1970s to the more conventional, franchise, populist filmmaking of the 1980s. The 52nd Academy Awards were a good showcase for this shift in focus as Kramer vs Kramer took home five Oscars, including Best Picture, a small family drama that was one of the top grossing films of the year; beating out All that Jazz, Apocalypse Now, Breaking Away, Norma Rae for the top prize. In their in-depth discussion, the trio talked about the film year of 1979, briefly discuss talk about Kramer vs Kramer as a Best Picture winner, do a little Oscar trivia as it relates to this year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. As usual, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h42m. We will be back next week to talk about the latest release, Alien: Romulus, as well as break down the Alien franchise as a whole. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 58 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Kevin L. Lee to discuss the last film in their Tony Scott series, Unstoppable (2010).

In 2009, Tony Scott received a script based on a real life event where a runaway freight train ran uncontrolled through a small, rural area of Ohio. The true story saw two men, who worked for the railroad company, chase down the coaster on their own train, saving thousands of civilians from the danger of the toxic chemicals on board the runaway train that could lay waste to a unspeakable amount of devastation. Thus laid the premise for Scott’s last film, Unstoppable, starring his longtime actor, collaborator Denzel Washington and Chris Pine (whom Washington and Scott personally wanted to do this film), which is not only one of the best action films of the 2010s, but is a top-tier film in Scott’s filmography due to its blend of incredible practical effects and a deeply earned emotional story found at the heart of this movie. Ryan, Jay, and Kevin break down their relationship to the film, Washington and Pine’s chemistry, the film’s chaotic behind the scene’s production, the film’s edge of your seat pacing, their thoughts on the lasting legacy of Tony Scott, as well as give out their rankings of the filmmaker’s filmography.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h17m. The guys will be back next week to begin their series on the films of Terrence Malick with a review of his first film, Badlands. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 245 of The AwardsWatch Podcast, we're doing things a little different. Splitting off from the main pod that drops on Mondays, AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello focus on the fall festivals and the awards contenders that will potentially come from them. A leaner, shorter conversation, we'll be sharing hosting duties and digging into how important these festival plays, and which ones, can be a crucial part of the awards campaign.

Looking at the Venice, New York and Toronto film festivals (which was recorded ahead of yesterday's TIFF's Centerpiece and NYFF main slate announcements), we talk about New York's Opening, Centerpiece and Closing films with RaMell Ross's Nickel Boys, Pedro Almodóvar's The Room Next Door and Steve McQueen's Blitz, respectively. NYFF is also a great playground for Cannes winners, which we expect to see show up. We also have a few potential outliers, Jason Reitman's Saturday Night and James Mangold's A Complete Unknown, that haven't been announced for any festival yet that could pop up later. We talk a bit about Telluride (we'll do a singular pod on that soon), where the Reitman film could debut, and even earning the director a medallion on the mountain. We have a lot to say about Pablo Larraín's Maria and Luca Guadagnino's Queer, both premiering at Venice in a matter of weeks, still not having any U.S. distribution. While Maria, based on the date it's hitting the Lido, is likely to show up at Telluride, Queer definitely won't. Where else could it be this season?

We talk about the strange reveal of Edward Berger's Conclave earning a PG rating from the MPA. The buzzy papal thriller beach read could be reverse appealed by Focus Features to up it to a PG-13 to give the film more adult gravitas (the only recent Best Picture nominee rated PG has been Greta Gerwig's Little Women). Searchlight Pictures dropped news that Jesse Eisenberg's Sundance winner A Real Pain will move off its original October 18 bow to November 1, opening the door for a much bigger fall festival run right before it premieres. We close with BAFTA revealing a host changes to voting and eligibility in nearly all categories (including getting rid of the way the juries decide nominees) and introducing a whole new category, Best Children's and Family Film.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 51m. We will be back next week on the main show to do another Oscar retrospective episode over the 52nd Academy Awards and the films of 1979. Till then, let’s get into it.

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On episode 244 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Karen Peterson to give their thoughts on the career of director M. Night Shyamalan and then give out a SPOILER review of his latest film, Trap.

As we step into the second half of the year, one of the most anticipated films arrives from one of Hollywood’s most fascinating figures with M. Night Shyamalan’s Trap. The new thriller seems to be dividing audiences and critics alike, much like man of the films within the director’s filmography, leading to a interesting conversation between Ryan and Karen as their review took place shortly after they saw the film opening night. But before they give their thoughts on Trap, the duo talked about the director’s previous fifteen films, the good ones, the bad ones, and his place in Hollywood stands in the pantheon of the other directors from his era as well as where he stands as an artist today. Then they get into a full SPOILER review of Trap, where they talk at length about Hartnett’s killer performance, the film’s thoughts on fame, serial killers, being a dad, as well as the music and, of course, the film’s ending. If you think this conversation was a good and in-depth about Shyamalan’s career, go to our website and read both Ryan’s ranking piece on Shyamalan’s entire career, as well as Cody Dericks’ retrospective review of the director’s twenty year old classic, The Village.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h10m. We will be back next week to do another Oscar retrospective episode over the 52nd Academy Awards and the films of 1979. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 57 of the Director Watch Podcast, the boys are joined by InSession Film podcaster and film critic Brendan Cassidy to to discuss the latest film in their Tony Scott series, Déjà Vu (2006).

There have been many types of films Tony Scott has wanted to make throughout his celebrated career, but one of them wasn’t science fiction. Scott didn’t like the idea of the focus being taken away from the characters in exchange for a high concept idea like the one at the heart of Déjà Vu. But after some convincing from frequent collaborators Denzel Washington and Jerry Bruckheimer, Scott was able to get on board, as the sci-fi, time travel thriller slowly morphed into a character piece on one man’s journey to save an innocent girl, along with a boat full of murdered Navy soldiers, from an attack by a psychopath. Scott also used the film as a chance to make a love letter to the city, spirit, and people of New Orleans, and in doing so, made one of his best films the guys have talked about in the series so far. Ryan, Jay and Brendan break down the logic of the film, their love for it, Denzel’s stellar low-energy performance, the incredible chase sequence between both the past and the present, make a couple of Tenent jokes, and marvel at the blockbuster era of the early 2000s.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h07m. The guys will be back next week to conclude their series on the films of Tony Scott with a review of his last film, Unstoppable. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 243 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch Television Editor Tyler Doster to talk about Deadpool & Wolverine and discuss their favorite films of 2024 so far.

Before we get into the meat of this week’s episode, a couple of major pieces of news dropped this past week. First up is the first trailer for James Mangold’s A Complete Unknown, starring Timothée Chalamet as music legend Bob Dylan. The film will be releasing in December, most likely heading straight to theaters and skipping the upcoming fall film festivals. Erik and Tyler were largely positive on the trailer, but Ryan had some…other thoughts that’s well worth the listen. After that, the team broke down the announcements of the full line-ups for the Venice and Toronto Film Festival, as well as the opening night film for the New York Film Festival. We are starting to find out where all the films are going for each festival, setting up the upcoming Oscar season. More on that and some predictions of next week’s podcast.

Moving right along to the main review for the week, Deadpool & Wolverine, which destroyed all competition at the box office this past weekend while also showing a divide amongst critics and audiences. Ryan and Erik give their thoughts, which were just as mixed as our review from our own Jay Ledbetter that is up on the website. After talking about the film, Ryan, Erik, and Tyler discussed at length their favorite films of 2024, as we are pasted the halfway mark of the year and there have been plenty of good movies to discuss. Some of the titles mentioned are Babes, I Saw The TV Glow, Challengers, Furiosa: A Mad Max Saga, Ghostlight, National Anthem, Sing Sing, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h42m. We will be back next week to talk about the latest release, Trap, as well as talk about some Oscar predictions before the fall festival season begins. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 56 of the Director Watch Podcast, the boys are joined by Managing Editor of RogerEbert.com Brian Tallerico to discuss the latest film in their Tony Scott series, Domino (2005).

In the early 1990s, Tony Scott was sent an article about a young English woman who was the daughter of a movie star that turned into a bounty hunter, hunting down wanted people in the greater Los Angeles area. This intrigued the director so much that he tracked down Domino Harvey and spoke with her about turning her life story into a film. After getting her permission, and going through two versions of a screenplay, Scott and screenwriter Richard Kelly set out to make a thorny, sex, over-the-top action crime drama about the seedy underbelly of America through the lens of Harvey and her counterparts adventures, some real and some fictional. It made for one of the most divisive films in Scott’s filmography and one of the more anticipated films to talk about within the series. Ryan, Jay, and Brian break down their relationship to the film, Kelly’s screenplay and other directorial work, Scott’s wild visual language throughout the film, Knightley’s bold performance, and why a movie like this would never get made by modern studios.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h28m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, Déjà Vu. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 242 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributors Josh Parham and Karen Peterson to give their thoughts on Twisters and discuss their favorite disaster movies.

Before a big political announcement right before the recording of this episode, the news of the weekend was the success of Lee Isaac Chung’s Twisters, which made over $80 million dollars, shattering expectations made by box office prognosticators. Though this is one victory for the film, the AW team’s review of the film was rather mixed in their in-depth, layered conversation about the follow-up film to the original 1996 film. The team talked about the film as a whole, as well as the weak script, half-hearted attempts at connecting the original film to this new version, the chemistry between the film’s leads, and the impressive visual effects that are on full display. We have a full review up on the site written by Erik, where he describes Twisters perfectly, as it is “more fizzle than sizzle.”

In the back half of the episode, inspirited by Twisters and the fondness for Twister, the team had a fun discussion over some of their favorite disaster movies; films that cover some form of natural disaster, accidents, attacks or global catastrophes such as a pandemic. The films mentioned included The Poseidon Adventure, The Towering Inferno, Contagion, The Day After Tomorrow, Titanic, War of the Worlds, Sunshine, Jurassic Park, Dante’s Peak, Armageddon Unstoppable, Airplane, Deep Impact, Volcano, Crawl, The Happening, The Perfect Storm, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h11m. We will be back next week to talk about the latest release, Deadpool & Wolverine, breakdown the lineup for the 2024 Venice Film Festival, and talk about their favorite films and performances of the year so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 55 of the Director Watch Podcast, the boys are joined by Editor-In-Chief of InSession Film Dave Giannini to discuss the latest film in their Tony Scott series, Man on Fire (2004).

Back in 1980, when Tony Scott was trying to make his first film, he grew fond of a book series written by author A. J. Quinnell about an American-born former member of the French Foreign Legion. He wanted to make it as his follow-up to The Hunger, but studios didn’t think he had enough experience to make this movie work. Twenty years later, Scott finally got the chance to make his passion project, and alongside his frequent collaborator Denzel Washington, set out and made one of the defining films of their careers and one of the great action films of the 21st century. Updating the story for the protagonist John Creasy, we see a one-man death machine reborn looking for closure and peace after the abduction of the young girl he was in charge of is kidnapped. In doing this, Scott creates a cathartic, violent, uniquely visual experience very rarely found in modern cinema. Ryan, Jay, and Dave break down the film, the film’s visual style, Denzel Washington’s performance and where is ranks in his career, the emotionally beautiful ending, why Rotten Tomatoes is frustrating, if Creasy earns his redemption, and the complicated shout out to the country of Mexico in the end credits of Man on Fire.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h27m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, Domino. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 241 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello and AwardsWatch contributors Josh Parham and Jay Ledbetter go back 25 years to take a look at the 72nd Academy Awards, celebrating the films of 1999.

Two and a half decades ago marked on of the richest years of cinema, showcasing some of the most influential films within popular culture that have lived on as classics that brought us into the 21st century. But with such a rich selection of cinema released by Hollywood, with innovated blockbusters, stellar comedies, groundbreaking international selections, and introspective, auteur driven projects that rank as some of the best films of the careers for filmmakers like Stanley Kubrick, The Wachowskis, David Fincher, Paul Thomas Anderson, Michael Mann, and more. But when it came to the Oscars for this year, the Academy went with a newcomer in director Sam Mendes and his suburban drama, American Beauty, a beloved film at the time that has become complicated and disliked by many, as well as most of the winners from this ceremony.

On this episode, the team talk about where they were in 1999, their thoughts on the overall film year as well as the Oscar ceremony, briefly discuss talk about American Beauty as a Best Picture winner, do a little Oscar trivia as it relates to this year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. It made for a lively, fun show with spirited debate, alliances, vote swinging and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h04m. We will be back next week to talk about the latest release, Twisters, and our favorite disaster movies. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 54 of the Director Watch Podcast, the boys are joined by Kelsi and Trey of The Extra Credits podcast to discuss the latest film in their Tony Scott series, Spy Game (2001).

There is a phrase the Director Watch hosts like to use a lot when it comes to films starring two movie stars where one of the stars is a legend of the past and the other is a future star in the making that goes on to be one for their generation. This is called the “baton passing” film; think of Paul Newman and Tom Cruise in The Color of Money and you will understand the kind of film Spy Game is should be because it should not just be a passing of the movie star mantel, but it should also be a movie to showcase what makes these two actors so special; with Spy Game being that for Robert Redford and Brad Pitt. Instead, director Tony Scott gives us a political spy thriller that feature the duo less than one would want, making this more a vehicle for late career Redford to take center stage and face both the realities of his life as a spy, and the protégé (Pitt) he misguided on his way into the field. It makes for a messy, complicated, fascinating film to break down as Ryan, Jay, Kelsi and Trey talk about their reactions to the film, the release of this film post 9/11, the poorly written love interest played by Catherine McCormack, the lack of veteran actors that made Scott’s other films shine, an examination of Redford and Pitt’s career, and some remarks on the better spy movie from 2001, Robert Rodriguez’s Spy Kids.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h51m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, Man on Fire. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 240 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson is joined by AwardsWatch TV Editor Tyler Doster to give our final predictions for the 2024 Primetime Emmy Awards nominations in Drama and Comedy Series, Limited Series and TV Movie and all lead and supporting acting categories.

I know it seems like we just had the Emmy Awards and because...we did. Just six months ago, the 75th Primetime Emmy Awards were held in January after the Television Academy vacated their usual September date due to the ongoing writers and actors strikes last year. Not only did we have the Emmys plunked right down in the heart of Oscar season, because the Television Academy uses its traditional eligibility period of June 1 - May 31 and groups like the Golden Globes and Screen Actors Guild use a regular calendar year (January 1 - December 31) that put, for example, the first season of The Bear winning Emmy Awards and the second season (which aired last June) winning Globes and SAGs. Messy and confusing for the average viewer, to say the least.

Speaking of The Bear, after its domination last season (winning Comedy Series, Directing, Writing, Lead Actor, Supporting Actor and Supporting Actress), the second season should find itself among the most-nominated comedy seasons of all time when nominations are announced next week. The current record holder for a comedy is 30 Rock when it earned 22 in 2009. With expanded supporting and guest categories, The Bear is very likely to tie if not surpass that this year.

This year's nominations will also give us a wealth of new contenders, both as first seasons and as one or more in, as many shows have either ended their run or did not make the eligibility cutoff. Shows we won't hear on nomination morning include The White Lotus, House of the Dragon, The Last of Us, Yellowjackets, Jury Duty, and Wednesday while shows canceled or that have ended their run include Succession, Better Call Saul, Barry, and Ted Lasso.

As Tyler and Erik break down who we think is getting in, it becomes clear that not only will some of these five-nomination slot categories be bloodsport competitive, the move by FX to soft greenlight more seasons of Shōgun, therefore allowing it to submit in Drama Series, has really shaken up the race. A race that seemed like a bit of a cake walk for the final season of The Crown as it limped to its finale. We start off with the limited series categories, which prove to be the most competitive with so many categories limited to five spots. Faves will fall on nomination morning. Moving into comedy, the dominance of The Bear after its season one triumphs point to a likelihood of it being able to take up half of any given supporting (or guest) acting category. Finishing off with drama, it's a similar story, figuring out how many actors from Shōgun will make it in.

The 76th Primetime Emmy Awards nominations will be announced on Wednesday, July 17th at 8:30am PT by previous Emmy winners Tony Hale and Sheryl Lee Ralph (Hale is in Unfrosted and Quiz Lady, Ralph is in Abbott Elementary) on emmys.com.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h30m. We will be back next week for a Oscar retrospective covering the 72nd Academy Awards, celebrating the films of 1999. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 239 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Karen Peterson and Dan Bayer to review Ti West’s latest in his X franchise, MaXXXine, and talk about their favorite films set in Los Angeles.

While the Minions dominated the box office this past weekend, it was Ti West newest horror film that got the attention of the AW team. Known for being one of the teams most anticipated films of the summer, MaXXXine continues the adventures of Mia Goth’s titular character after her survival of the events of 2022’s X, and finds her on the run for her life against a mysterious killer in 1985’s L.A. While Ryan gave the film a mostly positive review on the website, the film has been received with mostly a mixed reaction by critics and audiences, which made for a fascinating conversation by the team as their thoughts varied in all different directions, much like the plot of the film.

In the back half of the episodes, inspired by the setting of MaXXXine, the AW team got to sit down and talk about films that are some of their favorites set in the City of Angels, Los Angeles. Being one of the premiere destinations in all of the United States, and the birth place of Hollywood, L.A. can be a magical, daunting, mystical, romantic, terrifying, complex setting for a film, and thus makes it such an interesting place to talk about. Some of the films mentioned in the conversation ranged from Clueless, Mulholland Dr., Singin’ in the Rain, Sunset Boulevard, Speed, Collateral, Heat, Chinatown, Double Indemnity, Once Upon a Time in…Hollywood, L.A. Confidential, The Player, Boogie Nights, Magnolia, Licorice Pizza, Who Framed Roger Rabbit?, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h11m. We will be back next week for a Oscar retrospective covering the 72nd Academy Awards, celebrating the films of 1999. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 53 of the Director Watch Podcast, the boys are joined by Robert Daniels, Associate Editor of RogerEbert.com, to discuss the latest film in their Tony Scott series, Enemy of the State (1998).

The paranoid conspiracy, political thriller seemed like a perfect vehicle for Tony Scott at this moment in his career, and with Enemy of the State, it turned out to be the excellent choice after Crimson Tide. Based on a script by David Marconi, with additions by writers Aaron Sorkin, Henry Bean and Tony Gilroy, Scott and his team set out to create on the great paranoid thrillers that existed in a pre-9/11 world, using one of the biggest movie stars in the world, Will Smith, and pairing him with veteran actor Gene Hackman, who is no stranger this genre as his performance in Francis Ford Coppola’s The Conversation was an inspiration on the film. Ryan, Jay, and Robert break down their thoughts on the film, the stacked supporting cast of the film, how Will Smith’s career seems like a massive missed opportunity, Hackman’s incredible work in Enemy of the State, and reminiscing on the nominations for the 1999 MTV Movie Awards.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h33m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, Spy Game. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 238 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to review the latest film releases, Kinds of Kindness and Horizon: An American Saga – Chapter 1, as well as discuss their Top 5 Westerns.

While A Quiet Place: Day One was dominating the box office this past weekend, two other releases caught the attention of the AW team, Kinds of Kindness and Horizon: An American Saga – Chapter 1, both of which premiered at the Cannes Film Festival earlier this year. For Kinds of Kindness, we find acclaimed director Yorgos Lanthimos returning to the big screen with his follow up to Poor Things with a nearly three-hour anthology film with an all-star cast lead by Emma Stone, Jesse Plemons, Willem Dafoe, Hong Chau, Margaret Qualley, and more that focuses on three separate stories that center around the idea of control. In the case of Horizon: An American Saga – Chapter 1, we see the big screen return, and gamble, of director Kevin Costner, with a three hour sweeping epic set in the old west that takes place over five different storylines. Ryan and Josh (who saw both films at Cannes) break down their reactions to both films, the pros and cons of both, and whether they think they will dive into the remaining chapters of Horizon and what they hope to see in Lanthimos’ next film coming out next fall.

In the back half of the episode, the duo dive into a Top 5 based on the western genre, inspired by the release of Horizon. One of the oldest genres in the history of cinema, the western is one that speaks to the roots and fabric of America, while also being one to speak brilliantly of how our current world can be reflected so bold, brash, and violent as our past. This makes for the perfect conversation to talk about some of the best films in not just the genre, but some of greatest films of all time. Mentioned in this discussion were films like Butch Cassidy and the Sundance Kid, Unforgiven, The Man Who Shot Liberty Valance, Once Upon a Time in the West, McCabe and Mrs. Miller, The Assassination of Jesse James by the Coward Robert Ford, and so many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h18m. We will be back next week to talk about latest film from A24, MaXXXine, and discuss their Top 5 films set in Los Angeles. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 52 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the latest film in their Tony Scott series, Crimson Tide (1995).

Back in 1993, the U.S Navy allowed studio executives to come in and film their day-to-day operations in the hope of Hollywood making a submarine film in the vein of Top Gun. But what director Tony Scott and producers Don Simpson and Jerry Bruckheimer took from their experience was a much more serious, deeper connection to the mindset of the officers below, thus became the beginning of a research process that would result in one of the great action thrillers of the 1990s, Crimson Tide. Based on a script by Michael Schiffer (with significant additions by Quentin Tarantino), Scott crafted a masterpiece in tension, pitting two generational actors, Gene Hackman and Denzel Washington, against each other for the battle of not just the ship they are on or the idea of going to all-out war with their enemy, but an examination of who people really are when they are faced with pressure, and just how dangerous or stubborn they can become in the name of having to be provide right. Ryan, Jay, and Sophia break down their feelings on the film, talk way too much about college football, the behind-the-scenes disagreement between Washington and Tarantino, dive deep into Hackman’s career at this time, the racial component at the core of the film, the stacked supporting cast, and even sing a little bit of Seal once they get to the Oscar conversation at the end of the episode.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, Enemy of the State. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 237 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Karen Peterson to discuss the latest film from Jeff Nichols, The Bikeriders, and talk about their Top 5 Hang Out Movies.

Before getting into this week’s topics, Ryan and Karen give a little update to the AW Summer Box Office Game as we are about to head into the month of July. For most of summer, Team Erik held a healthy lead in the friendly competition but things have changed with the entrance of Pixar’s Inside Out 2. With Despicable Me 4, Deadpool and Wolverine, and each teams “bomb pick” still in play, the game looks to still have plenty of twists and turns that we will keep you updated on throughout the upcoming weeks.

Transitioning to the main discussion, Jeff Nichols returns to theaters with his first film in eight years, The Bikeriders. Following a gang of bikers in the 1960s in Illinois, the film has been considered on the best releases of the year so far, but our two podcasters were left impressed that others and explained their thoughts as to way Nichols’ latest effort felt half baked. Once they gave their thoughts on The Bikeriders, they used this new release as a chance to do a Top 5 over their favorite “hang out” movies, stories where the plot takes a back seat to a group of characters and their usually fun, vibrant interactions. During their Top 5, some of the films discussed during this conversation included Empire Records, Almost Famous, Ferris Bueller's Day Off, Lost in Translation, American Graffiti, Before Sunrise, Before Sunset, Everybody Wants Some, A Hard Day’s Night, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h46m. We will be back next week to talk about Yorgos Lanthimos’ latest film, Kinds of Kindness, and discuss our Top 5 Westerns inspired by the release of Horizon: An American Saga – Chapter One. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 51 of the Director Watch Podcast, the boys are joined by the host of Two Peas On A Pod Podcast, Gerald Morris to discuss the latest film in their Tony Scott series, True Romance (1993).

Continuing his trend of gravitating towards collaborations with in-demand screenwriters, Tony Scotts next project following The Last Boy Scouts has him teaming up with one of the most celebrated writers of the last thirty years right as he is breaking out, Quentin Tarantino. Coming off the heels of Reservoir Dogs releasing, Scott was able to direct the film after Tarantino sold the screenplay to the studio after losing interest himself in directing it. However, Tarantino is on record of saying that True Romance is one of his most autobiographical films to date, and while he tussled with Scott over aspects of the final cut, including the ending, Tarantino and Scott respected the hell out of each other by the end of this. The result was a cult classic about two cinema loving newlyweds on the run from the Mafia after stealing a shipment of drugs, and another signature film in Scott’s filmography. Ryan, Jay, and Gerald talk about their thoughts on the film, the career of Christian Slater, the film’s ending, the incredible supporting cast of veteran actors, Tarantino’s controversial dialogue, the score by Hans Zimmer, and just how long should a movie really be.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h11m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, Crimson Tide. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 236 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello and AwardsWatch contributors Karen Peterson and Jay Ledbetter to participate in a draft of the greatest movie stars of all time.

A recurring question surrounding the talks about the future of modern cinema is the absence of the ‘movie star,’ a person audiences can trust when spending their money to go to the theaters. For close to a hundred years, the film industry has survived on the movie star to survive, though the idea of what makes one had changed as time has gone on. In trying to understand potentially the future of the ‘movie star,’ the AW team decided to have some fun with this topic by doing a Greatest Movie Star draft, consisting of six rounds where the team, in a ‘snake order’ draft picks the best movie stars that represent various decades that include 1930s-1940s. 1950s-1960s, 1970s, 1980s, 1990s-2000s, and a wild card round where the team picks a current movie star that is under 35 years old that they think will be the new faces of Hollywood. Some of the stars mentioned in this draft are Denzel Washington, Tom Cruise, Harrison Ford, Meryl Streep, Al Pacino, Jack Nicholson, Eddie Murphy, Katharine Hepburn, Julia Roberts, Robert Redford, Paul Newman and many more. Listen and see who everyone drafted and then go and vote to see which team is the best ensemble of the greatest movie stars of all time.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h53m. We will be back next week to talk about Jeff Nichols’s latest film, The Bikeriders, and discuss our Top 5 Hang Out Movies. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h53m. We will be back next week to talk about Jeff Nichols’s latest film, The Bikeriders, and discuss our Top 5 Hang Out Movies. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 50 of the Director Watch Podcast, the boys are joined by the host of The Waffle Press Movie Podcast, Diego Crespo to discuss the latest film in their Tony Scott series, The Last Boy Scout (1991).

After the mild success of Days of Thunder, Tony Scott transitioned away from the protective arms of producers Don Simpson and Jerry Bruckheimer to move over to a Joel Silver project with a script pinned by screenwriter Shane Black, who was coming off of writing Lethal Weapon and turning that into a franchise. But Black was kicked off the second installment of Lethal Weapon, and the script for The Last Boy Scout, a buddy action sports comedy about a private eye and a former pro Quarterback teaming up to stop corruption involving professional football and the US government, became the hottest thing in Hollywood (Black earned a record $1.75 million for the script, with over a $1 million guaranteed up front), and intrigued Scott immensely because of Black’s overall vision. Led by the impeccable duo of Bruce Willis and Damon Wayans, this dark, even dystopian vision of 1990s Los Angeles is a relic of 90s action films with tons of politically incorrect, problematic moments of humor that is a cult classic and is a wildly impressive piece of filmmaking within Scott and Black’s careers. Ryan, Jay, and Diego break down this complicated film, their history with it, kid acting, the body of work by its two stars Willis and Wayans, their relationship with the game of football, and why we don’t get movies like this made anymore.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h03m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, True Romance. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 235 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Dan Bayer, Cody Dericks, and Josh Parham conclude their tier ranking of the 97 Best Director winners from the Academy Awards.

In the second part of the Best Picture tier rankings (listen to Part 1 here), the AW team start in the 1980s and go all the way to the most recent winners of Best Director. This is where our hosts and audience are able to talk about the films they have most likely seen the most, and see the expansion of the limited “S tier,” where compromise and sacrifices of some member’s favorites are placed lower than you would be expected. But there are plenty of surprises amongst the team, leading to a fascinating final ranking of these 97 winners, including Ang Lee, Steven Spielberg, James Cameron, Sam Mendes, Steven Soderbergh, Christopher Nolan and Chloé Zhao. This was another fun exercise getting to talk about some of the best (and not so great) winners of all time and the team really hopes you enjoy this part as much as part one.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h06m. We will be back next week to review Richard Linklater’s latest film Hitman and participate in a fun draft to determine who are the greatest movie stars of all time. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 49 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Karen Peterson to discuss the latest film in their Tony Scott series, Days of Thunder (1990).

Four years after making the monster hit that was Top Gun, Tony Scott reteamed with Tom Cruise and producers Dom Simpson and Jerry Bruckheimer to take their collaboration from the skies to the racetrack with Days of Thunder. After making Beverly Hills Cop II and Revenge (which are discussed briefly on the show), Scott was tapped to recreate the magic of his 1986 hit, this time with his leading man a bigger star and co-writer on the project, inspired by Cruise falling in love with racing, as well as the producers loving this new idea. While Scott clashed with Simpson and Bruckheimer throughout the production, the end result is an entertaining sports action drama with tremendous performances by Cruise and Robert Duvall, as well as the breakout role for Nicole Kidman. Ryan, Jay and Karen (the biggest Tom Cruise fan we know) discuss the film, their relationships to the sport of racing and their overall love of sports, Karen’s favorite Tom Cruise movie, the overt boyish behavior the characters have throughout the film, if the ending/John C. Reilly side plot works, the racing scenes, the infamous wheelchair race scene between Cruise and Michael Rooker, and if this movie is better than Top Gun.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h05m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, The Last Boy Scout. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 234 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Dan Bayer, Cody Dericks, and Josh Parham to tier rank the 97 winners for Best Director from the Academy Awards.

While everyone is breakdown the summer box office and the state of movies from the month of May, the AW team turn to the month of June by going back to a favorite exercise from last year, an extensive tier of an Oscar category. After doing Best Picture last year, the team moves onto the next most prestigious category at the Oscars; Best Director and its 97 winners. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place the films in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. The episode was so much fun that it had to be split into two parts, with this episode covering all the films up to 1980, placing a couple of classics making their way into the S tier early on.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h46m. We will be back next week with Part 2 of the Best Director tier rankings. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 48 of the Director Watch Podcast, the boys are joined by founder and podcast host at InSession Film JD Duran to discuss the latest film in their Tony Scott series, Top Gun (1986).

The Tony Scott series heads into the DANGER ZONE this week at Ryan, Jay and JD dive into one of the most popular films of the 1980s, Top Gun. After The Hunger, Scott was brought on to make a film fighter pilots in the Navy after a successful profile article done in “California” magazine. Used as both a vessel to entertain audiences and recruit young Americans into the military, Scott ultimately made a subversive, deeply emotional action packed spectacle that launch himself and the film’s star, Tom Cruise, into the figures we know them today. In this lengthy, entertaining discussion, the guys talk about their relationship with Top Gun, famous aerial warfare moments in history, Cruise’s rise as a movie star, the beach volleyball scene, the film’s soundtrack, the homosexual, hyper masculine undertones throughout the film. They also talk about how the film handles grief, the modern phenomenon that was Top Gun: Maverick, and what the guys call signs would be.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h25m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, Days of Thunder. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 233 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson to discuss director George Miller’s latest film, Furiosa: A Mad Max Saga, talk about the winners from the 2024 Cannes Film Festival, and preview the 2024-2025 Oscar season.

We are getting close to the halfway point of the film season, and you know what that means; Oscar season is around the corner. Before talking about the season though, Ryan and Erik give their thoughts on Furiosa: A Mad Max Saga, which premiered at the Cannes Film Festival and has been buzzed as one of the best films of the year so far. Erik would strongly disagree with that statement while Ryan, who wrote the review on the website, would say that Furiosa is “one of the greatest prequels of all time” as well as consider it one of the year’s best. After have a well-rounded conversation about the film, they transitioned to talking about the winners at the Cannes Film Festival, which saw director Sean Baker take home the Palme d'Or for his latest film, Anora. This sparked a discussion that got Ryan and Erik talking about the impact this year’s Cannes Film Festival will have on the rest of the award season, what films from the first half of the year have a shot at breaking into the race, and which films to keep an eye out for at the fall festivals, as studios start to get into their positions for another race towards a Best Picture win. The films discussed ranged from Dune Part 2, Sing Sing, Kinds of Kindness, Blitz, Conclave, Queer, Maria, The End, A Real Pain, Gladiator 2, We Live in Time, Emilia Perez, The Nickel Boys, Wicked, The Piano Lesson, The Fire Inside, Inside Out 2, Joker: Folie à Deux, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h34m. On our next episode, we will be doing a tier ranking episode based on Best Director winners at the Oscars to determine who the greatest winners of the category are.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 47 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Josh Parham to discuss the first film in their Tony Scott series, The Hunger (1983).

Director Watch is entering the summer of Tony Scott, as they dive deep into the career of one of the most prolific directors of blockbuster entertainment of the last forty years. But before all the big budget, action packed spectacle, he started his career with an independent erotic, vampire thriller centered around two vampires (the insanely hot David Bowie and Catherine Deneuve) who have been together for hundreds of years. But when one starts to age in a rather hasty fashion, the other must finds their next companion in the form of a doctor (Susan Sarandon) in 1980s New York City. Known for being a controversial film at the time of release due to its steamy sex scene and being a commercial failure at the box office, The Hunger has been revaluated over the years as the first step in Scott’s career of being known for mastering tone, and visually separating himself from his brother. Ryan, Jay, and Josh break down their thoughts on the film, the incredible vibes throughout the film, the logic around the film’s nonclinical ending, some sports comparisons, and the forming of a question that will be asked to every guest throughout this series; whose filmography would you choose, Ridley or Tony Scott?

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h14m. The guys will be back next week to continue their series on the films of Tony Scott with a review of his next film, Top Gun. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 232 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch TV Editor Tyler Doster to discuss NEON’s latest film, Babes, and then dive into a conversation about the 2024 Emmy Race.

Back at SXSW this year, Pamela Adlon’s Babes premiered to glowing reviews, including Tyler’s review that called it “the comedy of the year.” Releasing in limited theaters this past weekend, Ryan and Tyler give their thoughts on the hilarious comedy starring the talented Ilana Glazer and Michelle Buteau. Once they are done talking about the film, Ryan and Tyler dive deep into the Emmy Race, as things are heating up since episode 226 when Tyler spoke with Erik about how things are going to look for the latest season. With Shōgun moving to the Drama Series categories, Baby Reindeer announcing itself in the Limited Series race, and shows like Hacks, The Sympathizer releasing their episodes, the Emmy season is looking to be one of the most head scratching yet exciting batch of nominees we’ve seen in a long time. The two editors go back and forth on the shows they are watch, the questions they have about the latest movements in the categories, and the impact a season like this could have on future Emmy seasons.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h01m. On our next episode, we will be discussing Furiosa: A Mad Max Saga, 2024 Cannes Film Festival winners and get into our first 2025 Oscar predictions of the year.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 46 of the Director Watch Podcast, the boys are joined by film critic Ema Sasic to discuss the final film in their Sofia Coppola series, Priscilla (2023).

2023 brought us Sofia Coppola’s latest examination of the past, as she dives into the life of one of the most famous spouse’s in music history, Priscilla Presley. Adapting the film from Presley’s autobiography titled Elvis and Me, Coppola’s showcases the real life story about how an American teenager girl met, fell in love with, and married the “King of Rock and Roll”, all the while become a caged birded trapped within Graceland while Elvis was on the road. In making the perfect counterweight to Baz Luhrmann’s Elvis, Coppola added one of best films of her filmography, continuing her examination of women trapped within a world of powerful, dangerous men. Ryan, Jay and Ema break down the film, their relationship with Elvis’s music, the stunning performances from Cailee Spaeny and Jacob Elordi, the film’s production design, a little Austin Butler talk, what the characters eat in the Dune franchise, as well as giving out their Sofia Coppola rankings and teasing their Tony Scott movie series that starts next week.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h52m. The guys will be back next week to begin their series on the films of Tony Scott with a review of his debut film, The Hunger. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch.. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 231 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Dan Bayer to review the latest film from A24, I Saw The TV Glow, and give out their Top A24 films.

Since its premiere at the Sundance Film Festival, audience have been raving about Jane Schoenbrun’s psychological drama, I Saw the TV Glow, which is a fascinating examination of our consumption of media as well as a queer allegory about trying to find yourself within a small town that doesn’t accept you. The movie is considered by many to be the film of the year, with our own Savina Petkova calling it “fiercely beautiful” with her review out of the Berlin Film Festival. Ryan and Dan breakdown all the beautiful, complex aspects of this stellar second feature in a lengthy, spoiler free discussion.

In the back half of the episode, in honor of the latest film released by the famous yet young studio, the duo takes a trip down memory lane and talk about their favorite film released by A24. With films ranging from modern horror classics, heartwarming coming of age comedies, experimental genre films, and even two Best Picture winners, A24 has released a wide range of films that can be considered some of the most vital, celebrated cinema from any studio in the last two decades. Some of the films they talked about included The Green Knight, Hereditary, Eighth Grade, 20th Century Women, A Most Violent Year, Past Lives, Moonlight, The Zone of Interest, Lady Bird, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h18m. On our next episode, we will be discussing the latest release from NEON, Babes, and talking about our favorite films about parenthood.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 45 of the Director Watch Podcast, the boys are joined by Oscar Wild co-host and film critic Nick Ruhrkraut to discuss the next film in their Sofia Coppola series, On the Rocks (2020).

We needed places to escape to during the COVID-19 lockdown of 2020, and leave it to Sofia Coppola to deliver an easy, breezy father-daughter hang out movie. On the Rocks not only feature fantastic chemistry between Rashida Jones and Bill Murray, but it has Coppola going back to the ideas she explored within the beginning of her career; the relationship she had with her father and where she is at currently in life as an artist as well as a parent and a spouse. What she delivers is a hilarious, insightful look at someone’s life who is seeking too much instead of appreciating the good things they have in front of them. Ryan, Jay, and Nick break down their reactions to the film, Bill Murray’s charm, Rashida Jones’s career, what it’s like to pal around in New York City, where this ranks in Coppola’s filmography, and if they’d like to see this story continue or not.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h45m. The guys will be back next week to conclude their series on the films of Sofia Coppola with a review of her most recent film, Priscilla. You can stream the film on MAX, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 230 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Josh Parham, and Karen Peterson to give their thoughts on The Fall Guy and discuss their favorite movies that are about making movies.

The summer movie season is in full swing as stars Ryan Gosling and Emily Blunt take to the big screen again, this time ditching their Barbie and Oppenheimer crews to come together for The Fall Guy, an action-adventure-romance spectacle about a stunt guy who is hired by a Hollywood producer to find the missing star (whom he used to double for) of a major studio film that is being directed by his ex-girlfriend. Lead by the chemistry between Gosling and Blunt, The Fall Guy is a kind of movie that “can remind you that going to the movies is a magical, highly entertaining experience.”, Ryan, Dan, Josh and Karen break down their reactions to the film, its underperformance at the box office, and why they think people should give it a shot and go see it before it leaves theaters.

In the second half of the show, the gang discuss their favorite movies about movies, which is a big part of the overall plot of The Fall Guy, speaking a ton about the film industry and the personalities that are at the center of it. But movies about movies can be a multitude of things, ranging from being a love letter to the art form to an examination of the dangerous, heartbreaking mirage that fame and filmmaker can be. This allowed the team to talk about a wide selection of films that included Sunset Boulevard, Get Shorty, Singin’ in the Rain, The Player, American Movie, Who Framed Roger Rabbit, Sullivan’s Travels, Ed Wood, Dolemite Is My Name, Pain and Glory, Mank, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h47m. On our next episode, we will be discussing the latest release from A24, I Saw the TV Glow, and revealing our top five A24 films.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 44 of the Director Watch Podcast, the boys are joined by Lead News Editor for Collider Maggie Lovitt to discuss the next film in their Sofia Coppola series, The Beguiled (2017).

Four years after her most modern film to date, Sofia Coppola swerved back into a historical dramatic setting with The Beguiled, a remake of the 1971 Southern Gothic thriller set in Virginia during the American Civil War. When a young girl finds a wounded Union soldier right outside her all-girls school where she lives with several other women of various ages, the ladies nice, quiet way of life is turned upside down by the arrival of this sensual, seductive, ultimately menacing presence. Led by an all-star cast that includes Nicole Kidman, Kristen Dunst, Elle Fanning, and Colin Farrell, Coppola dives beautifully and patiently into the physiological nature of what it is like when a figure like this infuriates these women’s lives and how their nature and unnatural responses to this soldier’s inclusion in their life speaks to their basic human desires, and how temptation can overwhelm and get the best of them when it is all said and done. Ryan, Jay, and Maggie break down their reactions to the film, its connections to the original film, where it ranks in Coppola’s filmography, Farrell and Kidman’s career retrospective, how devilish Farrell’s character is in the film, and if her second attempt at a period piece is just as successful as Marie Antoinette.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h01m. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her next film, On the Rocks. You can stream the film on Apple TV+ rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 229 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello to review Luca Guadagnino’s latest film Challengers, and then discuss their favorite sexiest/horniest films.

Releasing this past weekend was one of the best reviewed films of the year so far, Challengers, which was supposed to come out last year but was delayed because of the SAG/WGA strikes. In his follow-up to 2022’s Bones and All, Luca Guadagnino’s tennis love triangle became the number one film at the box office, and had the AW team talking about it all week long. Ryan, Erik, and Sophia break down their overall reactions to the film, its excellent performances from its all-star cast, the innovated editing, fist-pumping score from Reznor and Ross, and of course, the hot, sexual tension at the core of this incredible film. Listen to their review as well as read Josh Parham’s written review of the film on the website.

After they are done talking about Challengers, the gang transition into a conversation about their favorite films that they find sexy and/or horny. In trying to go within the vein of Challengers tone, they talked about some great films that not only just had sex scenes, but the feeling of falling in love, longing for the person they want to be it, as well as repressing one’s love and how tragic that can feel. There are also just some obvious picks that are just straight up horny fun. Included into the conversation was Out of Sight, Don’t Look Now, Wet Hot American Summer, Brokeback Mountain, Y tu mamá también, In the Mood for Love, Moonlight, Bull Durham, The Age of Innocence, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h22m. On our next episode, we will be reviewing The Fall Guy and talking about our favorite movies about movies.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 43 of the Director Watch Podcast, the boys are joined by Nicole Ackman to discuss the next film in their Sofia Coppola series, The Bling Ring (2013).

Following her most subtle work to date, Sofia Coppola took a full swing the other way in tackling a larger than life, true story that is all about how we consume celebrity culture and consumerism. The Bling Ring follows a group of young, fame-obsessed teenagers in the late 2000s, that use the internet to track where their favorite movie and reality stars are so they can rob their homes while the stars are away. Led by Emma Watson, Taissa Farmiga, and a mostly unknown cast, Coppola examines the newest generations obsessions with the figures and institutions that she grew up around, how this mindset has gotten worse since the actions seen in the film, and how it all seems inconsequential in the grand scheme of things once all the dust settles on the robbers. Ryan, Jay, and Nicole break down their impressions on the film, if Coppola was the right choice to tackle this modern subject matter, Watson’s career path (a lively, respectful argument between Ryan and Jay), the minimalist approach to the screenplay, the sharp contrast in the cinematography between the day and night sequences, what is the best sandwich they’ve ever had, and is this the best social film commentary released in 2013.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h01m. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her next film, The Beguiled. You can stream the film on Netflix, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 228 of the AwardsWatch podcast, it's a full house as Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello are joined by AwardsWatch contributors Jay Ledbetter, Josh Parham, Dan Bayer, Kevin Lee and new to the AW team, Karen Peterson, on her first pod with us. Executive Editor Ryan McQuade was unable to join today.

This episode we're tackling the 2024 Summer Box Office Draft and we noticed something right away. Not only is there nothing close to resembling a 'Barbenheimer' like last year, it feels like a soft summer for most of us. After COVID decimated theaters and theater attendance in 2020 and 2021, it started to bounce back in 2022, if slightly. Then double industry strikes - first writers then actors - over the summer of 2023 sent scrambling studios moving some of their high profile films around (like Amazon MGM's Challengers and Warner Bros' Dune) to spring and beyond.

But even without clear box office behemoths like Barbie and Oppenheimer, there still look to be a few juggernauts that could spell a win for either Team Ryan (with Sophia, Josh and Karen) or last summer's winner, Team Erik (with Kevin, Jay and Dan). Shuffling through sequels, prequels, franchises and a handful of original films, the teams built their drafts with Team Ryan going first, followed by Team Erik, picking five films we think will get us across the finish line and one bomb we think will ding the other team's chances. Animated films like Despicable Me 4, Inside Out 2 and The Garfield Movie making the list, as did the long-awaited teaming up of Deadpool & Wolverine. But smaller films found their way in to, with Trap and MaXXXine showing up. We close talking about some major titles that just the missed the cut, how this year's horror films have shaken out and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h56m. On our next episode, we will reviewing Luca Guadagnino's hot, love triangle tennis drama Challengers, starring Zendaya, Mike Faist and Josh O'Connor.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 42 of the Director Watch Podcast, the boys discuss the next film in their Sofia Coppola series, Somewhere (2010).

With the underwhelming commercial and critical reaction to Marie Antoinette, Sofia Coppola took a step back in terms of approach and returned to making a smaller, vibes based film set in modern day Los Angeles. By doing this, it was almost a reset for the director, and yet she delivered her most underrated film within her filmography, as she dives into making another personal, profound film about the anxiety of growing up as an adult, and the responsibility it takes to be a parent. Led by an incredible performance by Stephen Dorff and a breakout role for Elle Fanning, Ryan and Jay break down their reaction to the film, Coppola’s loose filmmaking for this project, the mundanity found in being a celebrity, how much of Coppola is found in both Dorff or Fanning’s character, the meaning behind the film’s ending and how it might tie into Lost in Translation, the Fanning Sister’s careers, and the appreciation of Chris Pontius as well as a look into the Jackass movies.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h42m. The guys will be back next week with a review of her next film, The Bling Ring. You can stream the film on MAX, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 227 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello and AwardsWatch contributor Josh Parham to discuss the latest film from director Alex Garland, Civil War, and discuss their favorite political and journalism thrillers.

Before they jumped into the review of Civil War, the 2024 Cannes Film Festival was announced this past week, with dozens of American and European films dominating the lineup. Films from Francis Ford Coppola, Paul Schrader, Andrea Arnold, Yorgos Lanthimos, Sean Baker, Jacques Audiard, Paolo Sorrentino, David Cronenberg and more will be having their world premiere next month at the prestigious festival. Not only is it one of the biggest film festivals in the world, but it has become an important stomping ground for International Features, especially the ones that make it into the Oscar categories later in the season. The gang break down what they can’t wait to see since Josh is going to the festival next month while Ryan, Erik, and Sophia will catch a lot of these titles at Telluride later in the year.

Moving onto the main event of the podcast, Civil War has become one of the most talked about films of 2024 so far, even before its premiere at SXSW. The trailer alone sparked discussion and anger from many thinking it is not the right time to be releasing a film like this as the United States is ramping up for another Presidential Election. But much to the surprise of all, early reactions indicated a much different movie than the trailer suggested. The gang break down their reaction to it the film, covering everything from the film’s political stance, the screenplay, the performances and so much more. After that, they dive into a fascinating, in-depth conversation over their favorite political and journalism thrillers, a topic that all of them love considering some of their favorite films of all time came out of the genres. Some of the films discussed in the extensive conversation include All the President’s Men, Nightcrawler, JFK, Zodiac, Munich, The Hunt for Red October, Blow Out, The Ghost Writer, Zero Dark Thirty and so many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h17m. On our next episode, we will be doing the 2024 AwardsWatch Summer Movie Draft. You won’t want to miss it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 41 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Sofia Coppola series, Marie Antoinette (2006).

Three years after Sofia Coppola was riding high off her Oscar winning, smash hit Lost in Translation, she cashed in her black check to create a stylized, personal account of the life of one of history’s most recognizable figures. With Marie Antoinette, she took a forty-million-dollar budget and made it feel like a hundred-million-dollar epic about a young women force into a social, political world she is not ready for, and must find a way to blend in before she is devoured from the inside out. Led by a magnificent ensemble, as well as luscious costumes, production design and a modern soundtrack, Marie Antoinette may have been criticized by audiences at the time of release for not being the movie they wanted after Coppola’s era defining masterpiece, but over time, it has become an essential piece of filmmaking within her celebrated career. Ryan, Jay and Sophia break down Dunst’s brilliant performance, the non-existing French accent work by the casts, Coppola’s confident scope and vision for the film, the idea of a ‘birds in a cage’ that the director loves to explore, the career of Jason Schwartzman, and what their favorite type of pie is (they aren’t that big on cake).

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her next film, Somewhere. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Although the Emmy Awards were just earlier this year in January due to the SAG-AFTRA strike in summer and fall of 2023, we're back into the Emmy season once again as April and May find networks and streamers cramming content under the wire to hit the May 31 deadline. On episode 226 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson and TV Editor Tyler Doster break down the top categories for a preview of what this new Emmy race could look like.

We start with the most competitive section of this year's race, Limited or Anthology Series or Movie categories. While other top series categories have been expanded to eight nomination slots by the Television Academy, Limited or Anthology Series have just the classic five and as each year sees a meteoric rise in limited series content, it's going to be one of the toughest races in decades with Shōgun (FX), Fargo (FX), Lessons in Chemistry (AppleTV+), True Detective: Night Country (HBO/Max), Feud: Capote vs The Swans (FX), Masters of the Air (AppleTV+), The Regime (HBO/Max), Ripley (Netflix), Fellow Travelers (Showtime), The Sympathizer (HBO/Max) and more all vying for one of those previous five spots. That's before you even get into the acting categories, which could prove to be even more cutthroat with A-list Oscar winners like Jodie Foster, Kate Winslet, Brie Larson, Julianne Moore, Nicole Kidman and Michael Douglas in the mix.

In Comedy, we have several returning winners and previous nominees in the race (like Abbott Elementary (ABC), Hacks (HBO/Max) and reigning champ The Bear), shows waving farewell like Curb Your Enthusiasm (HBO/Max) and Reservation Dogs (FX), and new hopefuls like Palm Royale (AppleTV+) and The Gentlemen (Netflix).

But it's Drama that has proven to be the bleakest of the bunch, with so many non-returning shows that it's practically an easy coronation for The Crown (Netflix) in its final season. We'll see The Morning Show (AppleTV+) for its third season but after that it's a Wild West of programs never nominated like The Gilded Age (HBO/Max), Loki (Disney+) and Slow Horses (AppleTV+) going up against a flood of new programming, some of which has or could be strategically submitted here instead of Limited Series where they more likely belong (like Showtime's The Curse or Prime Video's Mr. and Mrs. Smith, neither of which have been renewed for a second season). Flooding the market with their first seasons include: 3 Body Problem (Netflix), Fallout (Prime Video), Sugar (AppleTV+), Hijack (AppleTV+) and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h15m. On our next episode, we will be latest film from director Alex Garland, Civil War, along with discussing our favorite political thrillers, and breaking down the 2024 Cannes Film Festival line-up.

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On episode 225 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello to discuss Dev Patel’s directorial debut, Monkey Man, and talk about some of their favorite directorial debuts from actor turn directors.

Some of the best debuts feature films within a yearly film slate come from actors taking their turn behind the director’s chair. This is year is no different as Oscar nominee Dev Patel has released, alongside the help of Universal Studios and producer Jordan Peele, Monkey Man, an action revenge thriller that is a reimagining of childhood stories and myths Patel heard when he was growing up. Premiering earlier this year at the 2024 SXSW Film Festival, the film was received extremely well, with Ryan’s review from the fest stating that “Patel has announced himself as a directorial voice to be reckoned with a knockout, confident debut.” Erik and Sophia were able to catch up with it this past week and gave their thoughts on this personal, action pack thrill ride from Patel.

After talking about Monkey Man, the conversation shifted to a large discussion on the groups favorite directorial debuts by actor turn directors, which covered a large range of personalities and genres. Already being the public eye, and having some form of cache in the business, along with something to say, there can be a lot of pressure on actors who step into the role of directors and make their first films and beyond. Some go on to use their first film as a launch pad for a big career behind the camera, while others peck within their first project, never able to capture the magic again. In a wide-ranging conversation, some of the films discussed by Ryan, Erik and Sophia were Ordinary People, This is Spinal Tap, Get Out, Reds, Eve’s Bayou, Yentl, A Star is Born (2018), The Virgin Suicides, Confessions of Dangerous Mind, Lady Bird, Whip It, The Night of the Hunter, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h2m. On our next episode, we will be latest film from director Alex Garland, Civil War, along with discussing our favorite political thrillers, and breaking down the 2024 Cannes Film Festival line-up.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 40 of the Director Watch Podcast, the boys are joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the next film in their Sofia Coppola series, Lost in Translation (2003).

Four years after her confident, striking debut, Sofia Coppola returned with her most celebrated, revered film to date with Lost in Translation. Set in modern day Tokyo, we follow a veteran movie star going through a mid-life crisis and a young woman neglected by her husband who form an unlikely bond after crossing paths in the hotel they are staying at. This innocent, sweet friendship blossoms into an awakening for the both of them, realizing what they must do going forward to live out their lives as well as continue to move on in their marriages. Shot on location in Japan a relatively cheap budget, Coppola was able to tap into her personal life, looking both at her family’s material history as well as her own as she had just recently married at the time. In doing so, she created one of the most talked about, acclaimed films of the 21st century. Ryan, Jay, and Christina break down their relationship with the film, the aspects that have agreed well as well as the ones that haven’t over time, fish out of water stories, personal stories of random connections they have had over time, Bill Murray and Scarlett Johansson’s performances, and how no one likes to cook their own meal at a restaurant.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her next film, Marie Antoinette. You can stream the film on Pluto TV. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 224 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Cody Dericks to take a look back and review The Matrix for its 25th anniversary and give out their Top 5 1990s Action Films.

As talked about a couple of times on the AwardsWatch Podcast as well as on Director Watch, 1999 is one of the greatest years for cinema, not just in the modern era but of all time. The collective batch of films released in that last year of the 20th century profoundly spoke to the times they were released, while also paving the way for the next 25 years of films and filmmakers to come. One of the most influential films from that year was The Matrix, which just celebrated its anniversary of release just a few days ago. In a wonderful conversation, Ryan, Dan, and Cody break down this one-of-a-kind sci-fi-noir- action spectacle, talking about what the films means to them and so many others, as well as it’s substantial legacy that has made it stand as one of the best films of all time.

In the back half of the show, in honor of speaking about The Wachowski’s masterpiece, the AW team go back to their nostalgic pasts and talk about their Top 5 action movies released within the 1990s. A bountiful decade to choose from, they were able to narrow this difficult exercise down with films like Mission: Impossible, Twister, Heat, Speed, Face/Off, Saving Private Ryan, Terminator 2: Judgment Day, and more were discussed.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h14m. On our next episode, we will be reviewing Dev Patel’s directorial debut, Monkey Man, and talking about our favorite actor-director debut feature films.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 39 of the Director Watch Podcast, the boys discuss the first film in their Sofia Coppola series, The Virgin Suicides (1999).

Over the past thirty years, there have been few female filmmakers who have been as influential as Sofia Coppola. As the child of one of cinema’s greatest America directors, the deck could be stacked against them to succeed. But Sofia Coppola directorial vision was focused from the beginning because when she read Jeffrey Eugenides’s acclaimed novel, she knew exactly how to make this story come to life. Setting aside her acting career, her transition to writer director proved to be the correct decision as The Virgin Suicides was not only one of the great films released in 1999, but it was one of the best directorial debuts of all time. As we follow a group of young boys who become enamored with five mysterious sisters who are sheltered by their strict, religious parents in suburban Detroit in the mid 1970s, we see that Coppola is also examining not just how these boys see these girls, but rather the society around them. As a commentary on suburbia, adolescence, desire, and human insecurities, The Virgin Suicides is still as relevant as when it premiered 25 years ago. Ryan and Jay give a full break down into their thoughts on the film, Coppola’s style and visual language, the incredible ensemble at work here, and give their overall thoughts on Sofia Coppola as an artist as they jump into this brand new, exciting series.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h46m. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her next film, Lost in Translation. You can stream the film on Amazon Prime Video. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 223 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello and AwardsWatch contributor Josh Parham and Dan Bayer to do a look back twenty years at the 77th Academy Awards, celebrating the films of 2004.

As the 2023 Oscar season and the 2024 SXSW Film Festival is behind us, the AW team are refreshed after a week off and ready to go back in time twenty years to discuss the Oscar ceremony where Million Dollar Baby took home the top prize, giving director Clint Eastwood his second Best Director Oscar of his career, and rewards Jamie Fox, Hilary Swank, Morgan Freeman, and Cate Blanchett the acting awards for their work in Ray, Million Dollar Baby, and The Aviator. Hosted by comedian Chris Rock (his first time hosting), the ceremony represented a pretty good year in cinema, with movies like The Incredibles, Sideways, Eternal Sunshine of the Spotless Mind, Collateral, Vera Drake, Shrek 2, Closer, Finding Neverland, Harry Potter and the Prisoner of Azkaban and more making up the winners and nominees.

On this episode, the team talk about where they were in 2004, their thoughts on the overall film year as well as the Oscar ceremony, what they think of Million Dollar Baby as a Best Picture winner, do a little Oscar trivia as it relates to this year, and then they play a new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a team who the nominees and winners should be in the eight categories. Only catch is, they can only replace two of the previous nominees from each category. It made for a lively, fun show that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h12m. On our next episode, we will be covering a retrospective review of The Matrix for its 25th anniversary and talk about their favorite 90s action movies.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 38 of the Director Watch Podcast, the boys discuss the final film in their William Friedkin series, The Caine Mutiny Court-Martial (2023).

After a 12-year absence from making a feature film, William Friedkin returned with a faithful, reverent adaption of one of the most celebrated plays of all time, The Caine Mutiny Court-Martial. Being a movie he’d wanted to make his entire career, the film came together over the course of two months in early 2023; a modern, relevant version of Herman Wouk's classic text, only to sadly pass away before the film premiered at the 2023 Venice Film Festival. For a final film, it is a perfect end to a celebrated career by one of Hollywood’s most unique directorial talents. With an extraordinary cast lead by incredible performances from Kiefer Sutherland and Jason Clarke, Ryan and Jay break down Friedkin’s last film, the modern setting of his adaption, Lance Reddick’s career, the film’s explosive ending, favorite court room dramas, and they give their definitive rankings of William Friedkin’s filmography.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h48m. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her debut film, The Virgin Suicides. You can stream the film on Pluto TV. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 37 of the Director Watch Podcast, the boys discuss the latest film in their William Friedkin series, Killer Joe (2011).

After the successful collaboration with screenwriter Tracey Letts on his last film Bug, Freidkin went right back to work with him on an adaptation of Letts’s debut play about a family who hire a corrupt police detective with a side career as a contract killer to take out their estranged mother for her insurance policy. Based in a small Texas town, Killer Joe is slowly unfolds into a twisted, violent American Southern Gothic crime drama that explodes with one of the craziest endings in the acclaimed director’s career. Ryan and Jay break down their reactions to the film, if the ending justifies it’s grizzly conclusion, the overall journey of the McConaissance, fried chicken legs and so much more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h35m. The guys will be back next week to conclude their series covering the films of William Friedkin with a review of his last film, The Caine Mutiny Court-Martial. You can stream the film on Paramount+. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 222 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Josh Parham to give their thoughts on the 96th Academy Awards and wrap up the 2023-2024 Oscar season.

The Oscar season has come to an end as the 96th Academy Awards were announced this past Sunday, and not shocking anyone at all, Christopher Nolan’s Oppenheimer took home seven Oscars including the night’s top prize, Best Picture. Nolan walked away with the Best Director prize, and his leading man Cillian Murphy won Best Actor, alongside his co-star Robert Downey Jr. for Best Supporting Actor. Emma Stone pulled the upset over Lily Gladstone to take home Best Actress for Poor Things, giving her a second Best Actress Oscar within her career. And Da'Vine Joy Randolph was able to complete her season dominance as she won Best Supporting Actress for her work in The Holdovers. A full list of the winners can be found in our article on the site. Beyond the winners, there was plenty to discuss including Jimmy Kimmel’s hosting, the telecast itself, Ryan Gosling’s incredible “I’m Just Ken” performance, favorite speeches, and shocking upsets within our predictions. Ryan, Dan, and Josh cover it all as they close the book on what was another long but successful Oscar season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h21m. On our next episode, we will be doing an Oscar retrospective on the films of 2004. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 36 of the Director Watch Podcast, the boys discuss the latest film in their William Friedkin series, Bug (2007).

Moving away from his early 2000s action thrillers era, Friedkin set his sights on a project of much small scale, as he saw a play by writer/actor Tracy Letts that blew him away. Set mostly in a single location, motel room, Bug follows Agnes (a fantastic Ashley Judd) as she begins a new relationship with Peter (an excellent Michael Shannon), a stranger that turns unstable and unpredictable as layers of his past unfold and we start to see the lines of what is real and what is fake collide. With this, Friedkin creates an effective paranoid thriller with stellar performances and a scorching good ending. Ryan and Jay break down what they like about the film, the careers of both Judd and Shannon, the wild choices made by Harry Connick Jr. with his work in the film, how the film handles PTSD, and once again discuss the great film year that was 2007.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h35m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, Killer Joe. You can stream the film on Amazon Prime Video. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 221 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello to give out their final 2024 Oscar winner predictions.

And just like that, the time has come for the final winner predictions for the 96th Academy Awards. In a year where the critic and industry awards have been dominated by Christopher Nolan’s Oppenheimer, the chances are near zero that the three-hour epic won’t walk away with the top prize this coming Sunday. But just because Best Picture is all but certain doesn’t mean some of the below the line categories and Best Actress race aren’t still open for discussion. In an extension conversation, Ryan, Erik and Sophia break down every possible outcome as well as pick their winners for all twenty-three categories. They also speculate which former winners will show up in the presentation of the acting categories, something that hasn’t been done on the telecast since the Oscars in 2009.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h48m. On our next episode, we will be back to wrap up the Oscar season. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 35 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the latest film from director Denis Villeneuve, Dune: Part Two (2024).

Due to the WGA and SAG strikes from 2023, Warner Bros decided to move the second installment in their new franchise, Dune, thus making moviegoers around the world, as well as Ryan and Jay, have to wait till March 2024 to not only see the film, but to truly conclude their Denis Villeneuve movie series from last year. Well, the time has come to talk about one of the year’s most anticipated films; one that has been called “a masterpiece” by many and worthy of being in the same conversation as movies like The Lord of the Rings: The Return of the King, Lawrence of Arabia, and even The Godfather. On this special episode of Director Watch, Ryan, Jay, and Sophia break down their thoughts on the latest sandworm epic by talking looking back on their thoughts on the first film, the relationship with the source material, and what about Dune: Part Two didn’t fully work. In a very tough but fair overview of the film, the trio thoroughly explain the parts of Dune: Part Two that worked for them (the performances from the all-star cast, the production design of each world, the final thirty minutes of the film) and what didn’t work (the screenplay and lack of visual wonder found in the first part), as well as look to the future and briefly talk about the film’s Oscar chances.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, Bug. You can stream the film on Pluto TV. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 34 of the Director Watch Podcast, the boys discuss the latest film in their William Friedkin series, The Hunted (2003).

In the early 2000s, William Friedkin had transitioned into work in some mainstream adult action-dramas that looked into ideas of the military industrial complex and how those institutions can break and corrupt a man. With his 2000 feature, Rules of Engagement, he unsuccessfully tried to tackle these issues in a run of the mill court room drama that fell flat for most audiences, as well as Ryan and Jay. But with The Hunted, Friedkin makes a bloody, lean, mean action thriller about an FBI deep-woods tracker who attempts to capture a trained assassin he mentored who is going on a killing spree and must be stopped. Led by two entertaining performances from Tommy Lee Jones and Benicio del Toro, the guys break down this underrated gem in Friedkin’s filmography, the wild action sequences, Tommy Lee Jones’s career, the biting commentary Friedkin is able to pull off with making a cat and mouse thriller, and they get into a little bit of a debate on the correct year you should say when referring to a previous Oscar season.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h38m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, Bug. You can stream the film on Pluto TV. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 220 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello and AwardsWatch contributor Josh Parham to give their reactions to the 2024 SAG Awards.

Before we get into talking about the SAG Awards, the first significant release of 2024 screened this past week, as many were able to get a first look at Denis Villeneuve’s Dune: Part Two before it arrives in theaters later this week. Ryan and Erik were able to be some of the lucky critics to catch it, and gave their quick, spoiler free reactions to the film at the top of the show. The full review from Ryan is live on the website, and there will be a new episode of Director Watch coming soon to discuss the film is its totality.

Onto the main topic for this week, the gang come together to talk about the 2024 SAG Awards, which streamed live on Netflix this past Saturday night. While the show was a bit of a mess, the winners for the acting categories started to take full shape for the Oscars as Da'Vine Joy Randolph, Robert Downey Jr. continue their award season dominance for Supporting Actress and Supporting Actor, while Cillian Murphy and Lily Gladstone took the lead in Best Actor and Best Actress as we head into the final week of Oscar voting. Listen as the AW team breaks it all down and previews next week’s show as we head into the final Oscar predictions for the season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h09m. On our next episode, we will be giving our final 2024 Oscar predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 33 of the Director Watch Podcast, the boys discuss the latest film in their William Friedkin series, Blue Chips (1994).

Since the mid-1980s with To Live and Die in L.A., Friedkin started a stretch that would fully cement his journeyman status for the remainder of his career. After a couple of flops and uninteresting project, Friedkin was given a script by acclaimed screenwriter Ron Shelton (Bull Durham, White Men Can't Jump) that dives deep into the world of college basketball, and the questionable tactics a coach would take to recruit players in the modern era. In what feels like a movie ahead of its time in terms of speaking out about the corruption within college athletics, as well as also outdated in some aspects given that the film is over 30 years old, Friedkin makes a more interesting film to discuss rather than one to watch. Led by a committed performance from Nick Nolte, Ryan and Jay discuss their relationship to the sport of basketball, their overall thoughts on the film, the connection between Nolte’s character and legendary coach Bobby Knight, the use of real players, Shaquille O'Neal and Penny Hardaway, where this film ranks in the genre of sports movies, and if the final speech at the end is earned.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h41m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, The Hunted. You can stream the film on Max. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 219 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributor Dan Bayer to give their reactions to the 2024 BAFTA Awards, and give out their predictions for the upcoming 2024 PGA, SAG, and Independent Spirit Awards,

As discussed on last week’s show, the 2024 BAFTA awards were this past Sunday, with Christopher Nolan’s Oppenheimer taking home seven awards including Best Film, Best Director and Best Actor for Cillian Murphy. With the film’s other wins in Supporting Actor, Cinematography, Editing and Score, it has solidified itself not only as the frontrunner for Best Picture at the Oscars, but it is the forgone conclusion that it will be our winner this year. But with three weeks to go, can any other film set forward as a challenger and take Best Picture right at the last second? Poor Things looked to be the latest challenger to Oppenheimer as made its case by winning five BAFTA’s including Best Actress for Emma Stone. But it lost Best British Film in a upset to Jonathan Glazer’s The Zone of Interest, thus making it clear which film the BAFTA voting membership was going to reward its top prize to. Anatomy of a Fall, The Holdovers, and American Fiction also took home prizes, while films like Barbie. Saltburn, All of Us Strangers, Maestro, and Killers of the Flower Moon went home empty handed. The gang discuss the impact of these results and how much they will factor them in going into the final stage of season.

After discussing the BAFTAs, Ryan, Erik, and Dan gave their full predictions for the PGA, SAG, and Independent Spirit Awards, which included plenty of talk about Oppenheimer another big step towards it’s Best Picture win, discuss how the four acting races will conclude, how SAG will vote in their television categories, and what they think the unpredictable Film Independent voters will vote on for its winners. All in all, it was a fun predictions portion segment filled with tons of possibilities for various winners to walk away with the top prizes at each show.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h46m. On our next episode, we will be giving our reactions to the SAG Awards, as well as doing a review of the latest sci-fi epic, Dune: Part Two. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 32 of the Director Watch Podcast, the boys discuss the latest film in their William Friedkin series, To Live and Die in L.A. (1985).

At the midpoint of the 1980s, Friedkin found himself in no man’s land, as the studios had made the full switch to more stylized, commercial vehicles that audiences would want to see, rather than blank check films made by popular directors. After failing hard with one of the worst films in his filmography in 1983’s Deal of the Century, he set his sights on an adaptation of Gerald Petievich’s novel To Live and Die in L.A., in which we follow two Secret Service agents go on a wild investigation to arrest a dangerous counterfeiter. Wild a mild success at the time, it’s influences could be traced throughout the rest of the decade, especially in the works of Michael Mann (whom Friedkin may have took a lot of ideas from). What we get in return is a lean mean neo-noir that ranks as one of the last great films from Friedkin. Ryan and Jay break down the film, the connections to Mann and other films and shows of the 1980s, the gruesome violence, the careers of William Petersen and Willem Dafoe, how cool it looks to make counterfeit money, and morality at play with the film’s ending.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h44m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, Blue Chips. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 218 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributor Dan Bayer to give their 2024 BAFTA predictions and talk about their favorite romantic comedies.

Before getting into the meat of this week’s show, there was major Oscar news this past week, as the Academy announced the addition of a brand new category for the 2025/2026 season, Best Casting. While there is a lot of speculation as to the rules of this new category, but this is a welcome addition to the Oscar lineup. The gang speculate what they want to hear from the Academy when they announce the specifics to their new category in April 2025.

Moving onto the awards talk, the guys talk about the recent wins at the DGA and ADG awards ceremonies from this past weekend, which saw not only Christopher Nolan get closer to an Oscar win for Best Director, but a real race for Best Production Design between Poor Things, Oppenheimer, and Barbie. This led right into the BAFTA predictions conversation, which could open up the race and lead to some surprises from this overseas voting body that has a big cross over with the Academy. Films like Oppenheimer, Poor Things should do well, with The Zone of Interest, Anatomy of a Fall, The Holdovers and All of Us Strangers looking to play spoiler in a few categories. Winners will be handed out next weekend and we will discuss them on next week’s show.

Then in the back half of the episode, as Valentine’s Day rolls around this coming week, Ryan, Erik and Dan discuss their favorite romantic comedies. They talk about what they love about the genre, what makes them work, some of their favorite films and memorable theater experiences seeing them, as well as what they would like to see going forward when it comes to rom-coms. Some of the films discussed included My Big Fat Greek Wedding, When Harry Met Sally, Moonstruck, Bottoms, Fire Island, Annie Hall, Harold and Maude, The Shop Around the Corner, Sleepless in Seattle, and so many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h53m. On our next episode, we will be giving our reactions to the BAFTA awards, as well as give our predictions to the SAG Awards and talk about the latest film from Ethan Coen, Drive-Away Dolls. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 31 of the Director Watch Podcast, the boys are joined AwardsWatch Editor-In-Chief Erik Anderson to discuss the latest film in their William Friedkin series, Cruising (1980).

Entering the 1980s, Friedkin is still reeling from the fall out of the box office mess of Sorcerer and the flop that followed it up with The Brink’s Job. But as we entered the new decade, right as we is able to become a mostly “director for hire” for the good chunk of the next two decades, Friedkin delivered one of his most talked about features in Cruising, which is about a police officer that goes undercover in the underground, S&M gay subculture of New York City to catch a serial killer. After being approached by multiple producers to adapt reporter Gerald Walker’s novel, Friedkin became interested in the project after string of an unsolved killings within gay leather bars within the 1970s. Working with the local Mafia members of New York City who owned the bars shot in the film, and having Al Pacino as his lead actor, Friedkin set out to make another significant, yet controversial film within not just his filmography but a milestone in the history of queer cinema. Ryan, Jay, and Erik break down the film’s legacy, the film’s depiction of S&M culture, the lost forty minutes of footage cut from the film, Pacino’s laughable performance, Friedkin’s intentions with the ending and violence throughout Cruising, pleasure vs. pain, and so much more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h03m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, To Live and Die in L.A. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 217 of The AwardsWatch Podcast, AwardsWatch Editor-In-Chief Erik Anderson stands in for AW Executive Editor Ryan McQuade and welcomes AW Associate Editor Sophia Ciminello and AwardsWatch contributor Josh Parham to talk a bit about the Oscars, review Argylle and dive into our favorite films of the spy and espionage genre.

Early February is a quiet time for Oscar predicting; there are very few critics groups to still chime in and all guilds and industry nominations have landed. It’s voting time for several, including SAG, DGA and PGA and idle hands are the devil’s playground. In our opening, Erik, Sophia and Josh root around the lead acting and screenplay categories which seem more open and elusive than usual and we take an early stab at what could shake things up and why.

Then it’s Argylle, Apple Films’ colossal box office, critical and audience flop that opened this weekend and Josh is tasked with stewarding that sinking ship as the only person on the pod who saw it. With its $16M opening, mid-40s Rotten Tomatoes score and C+ Cinemascore, the film is not long for theaters and Josh will tell you why.

Then we get to the meat of the podcast and that’s talking about spy and espionage films that do work for us and those that we count among our favorites. With the Mission: Impossible and Bond franchises looming so large over this genre – we give them space and due – we talk about some formative film in the genre for us like Goldfinger and the spy spoof Condorman and then into the films that we love the best like The Manchurian Candidate (1962), From Russia with Love (1963), Three Days of the Condor (1975), The Conversation (1974), No Way Out (1987) and Spy (2015). Plus, what list would be complete without Hitchcock?

But we return to Bond and give out some of our choices to replace the iconic figure now that Daniel Craig is officially retired from the role. Hit us up in the comments with who you want to see play the dashing, rogue agent.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h36m. On our next episode, we will be talking about our favorite rom-coms just in time for Valentine’s Day and our predictions for the BAFTA winners. Till then, let’s get into it.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 30 of the Director Watch Podcast, the boys are joined film critic Jake Tropila to discuss the latest film in their William Friedkin series, Sorcerer (1977).

Riding off the high of two of the biggest films of his career, and having the cachet to make whatever film he wanted, Friedkin set out to make a semi remake of the classic film The Wages of Fear, about four outcasts who are forced to take a job transporting unstable dynamite through the Colombian jungles. On the screen, it is one of the most tense, cynical thrillers of the 1970s, looking deeply into the souls of these men, their circumstances, and the inevitability of their dangerous actions catching up to them; thus it is a masterpiece. But behind the scenes, Sorcerer was a financial disaster, and consider one of many films that push studios to get away from the auteur, blank check driven vehicles of the 1970s, and the studios controlled filmmaking processes of the 1980s. Ryan, Jay and Jake break down the creation of this project, where the production went wrong, the restoration of this film, how this movie impacted Friedkin’s career going forward, and how a little film from a galaxy far, far away came in and stole Sorcerers thunder, and if the title of the movie actually fits the film.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h44m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, 1980's Cruising. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 29 of the Director Watch Podcast, the boys are joined film critic Jesse Nussman to discuss the latest film in their William Friedkin series, The Exorcist (1973).

How does a director follow up his Oscar winning effort that landed him the prize for Best Director? That’s simple, he goes on to make one of the greatest, most influential horror films of all time, and in the process, makes the film we would all remember him by. Friedkin’s The Exorcist, which follows the demonic possession of a young girl and her mother's attempt to rescue her through an exorcism by two Catholic priests, was one of the biggest films of the 1970s. Controversial upon release, it’s staying power in the mind of cinephiles is in large part to creating the template for every exorcist/possession/horror film to come along after it, as well as being notoriously known for its rocky behind the scene’s production. But through all the good and the bad, Friedkin, alongside screenwriter and author of the original novel William Peter Blatty, made a flat out masterpiece. Ryan, Jay, and Jesse break down their love for The Exorcist by talking about the ambiguous opening to the film, their favorite scene, Ellen Burstyn and Linda Blair’s performances, the film’s iconic score, the god awful sequels in this franchise, and ponder how long they would last in a room where an exorcism was being performed.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h03m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, Sorcerer. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 216 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributor Josh Parham to give their reactions to the 96th Academy Award nominations.

Bright and early on Tuesday, January 23, 2024, the Academy of Motion Picture Arts and Sciences announced the 96th Oscar nominations, celebrating the films released within the year 2023. If you have been listening to the show, and following the race this season, it is no shock at all that Christopher Nolan’s Oppenheimer lead all films on nomination morning with 13 nominations, followed by Poor Things with 11 nominations, Killers of the Flower Moon with ten, and Barbie with eight. Speaking of Barbie, the biggest snubs and surprise of the nominations came when director Greta Gerwig and Margot Robbie missed in the Best Director and Best Actress category, only for America Ferrera to sneak into the Best Supporting Actress line-up. There were other surprises that included five-nomination tallies for Anatomy of a Fall and The Zone of Interest, The Holdovers (but missing Best Director), and a solid showing for American Fiction. Ryan, Erik, and Josh break down every aspect of the above the line nominees, which predictions they got right as well as the ones they missed, and as they get into the below the line categories, question some of the stranger choices the members of the Academy made. An overall good conversation surrounding a (for the most part) good group of nominees.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h12m. On our next episode, we will be talking about our favorite spy/espionage films due to the release of Matthew Vaughn’s latest film, Argylle. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 215 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello and AwardsWatch contributor Kevin L. Lee to give out their final 2024 Oscar nomination predictions.

Tuesday, January 23, 2024 will mark the moment we have all been waiting for; this year’s Oscar nominations. We’ve seen the Golden Globes and Critic Choice Awards hand out their winners, with SAG, PGA, BAFTA and many more industry groups hand out their nominations so far and it is shaping to be a big day for Oppenheimer, Poor Things, Barbie, Killers of the Flower Moon, and The Holdovers.

But before we find out the nominations, out team came together early to break down who they think will get in, as well as which films they could see being shut out on Oscar nominations morning, and which film could pull out some surprise nominations. Early in their discussion, they give a brief overview of the below the line categories before they dive in the big eight categories (Best Picture, Best Director, the four acting and two screenplay categories), as well as Best Animated Feature, Best Documentary, and Best International Feature. It was a very detailed, fun show where the team laid out all the various scenarios in each category that could take place, leaving plenty of room for doubt as many categories are still wide open for surprises on the morning of the nominations.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h39m. We will be back next week to talk about the 2023 Oscar nominations, what got in, what didn’t and everything in between. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 28 of the Director Watch Podcast, the boys are joined AwardsWatch Associate Editor Sophia Ciminello to discuss the latest film in their William Friedkin series, The French Connection (1971).

Though The Boys in the Band was a significant film in Friedkin’s filmography, the young director hadn’t quite yet made a hit, and was running out of chances within the Hollywood system. But along came The French Connection, a movie made right around the success of Bullitt, where audiences were ready for a cat and mouse cop movie with really good chance sequences. Though it fits that templet, The French Connection finds Friedkin dabbling into the grimy workings of a anti-hero cop who is looking to break the case of a lifetime, regardless of the collateral damage he leaves in his path. Led by an all time, Oscar winning performance from Gene Hackman, Friedkin made the hit of the year, and went on to win the Oscar for Best Director, and the film landed the Best Picture win of 1971. Ryan, Jay and Sophia breakdown all the crazy behind the scene stories from the making of the film, Friedkin’s account of the events, Friedkin thought’s on Hackman, the original ending of the film, the French New Wave influences, if Popeye Doyle is good at his job, if this is an all-time Best Picture winners for Dads, and more than a couple of signature tangents from the gang.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h10m. The guys will be back later this week to continue their series covering the films of William Friedkin with a review of his next film, The Exorcist. You can stream the film on Max. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On this special episode of the Director Watch Podcast, the boys are joined by the Head of Content for The Ringer and co-host of The Big Picture podcast Sean Fennessey to give out the first awards for a Director Watch series, the PTA Awards.

Towards the end of last year, Ryan and Jay set out to cover the films of writer, director Paul Thomas Anderson, thus breaking down one of the great modern filmographies of any contemporary director. In doing this, they talked about dozens of great performances, lines of dialogue, needle drops, favorite scenes, and so much more. So it only made sense to come back one more time to the world of PTA to break down and single out the various categories and reasons why they love PTA’s films. Joined by Sean (a fellow lover of PTA’s work), they discuss give out awards ranging from Best Male Performance, Best Female Performance, Best Direction, Best Screenplay, Best Needle Drop, Best Scene, the PTA Acting Muse award, Most Valuable Collaborator, and talk about the actor they would love to see in a future PTA film that hasn’t already worked with the director. It was a very loose, fun conversation that we hope you all enjoy.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h27m. The guys will be back later this week to continue their series covering the films of William Friedkin with a review of his next film, The French Connection. You can stream the film on Max. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 27 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Josh Parham to discuss the first film in their William Friedkin series, The Boys in the Band (1970).

Early in his career, director William Friedkin started out unlike most directors, making studio for hire work like Good Times starring Sonny Bono and Cher. After a couple of other moderate to unsuccessful films, Friendkin was brought onto a project that would change his career, as he helmed one of the most influential LBGTQ+ films of all time, The Boys in the Band. Centered around a group of friends celebrating one of their owns birthday, the movie unravels into a look at the regrets and unspoken truths gay men were and still are feeling to this day. In this episode, Ryan, Jay, and Josh break down the film’s themes, if it holds up, the over the top performances, if Friedkin’s style and voice is found in the project, the 2020 Netflix remake, and if they would nominate this movie for any Oscars for the 1971 ceremony.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h54m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, The French Connection. You can stream the film on Max. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 214 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson break down the winners of the 81st Golden Globes.

As we flip our calendars to 2024, the Oscar race has started to heat up at the winners of the 81st Golden Globe Awards were honored from The Beverly Hilton in Beverly Hills, California, live on CBS and Paramount +. The evening marked the first televised award show of the season, giving actors, writers, directors, producers and more the necessary opportunity to make the first speeches of the season, and see who can emerge as a front runner on the night. With an impressive haul, Christopher Nolan’s Oppenheimer took home the most awards with 5 wins including Best Picture, Drama.

Over on the Comedy-Musical side of things, Yorgos Lanthimos’s Poor Things took home the Best Picture prize, with Barbie, Anatomy of a Fall, The Holdovers, and The Boy and the Heron taking home many of the film awards.

For television it was a dominating night for Succession, The Bear, and Beef, showcasing their strength in the industry right before the long-delayed Primetime Emmy awards next week. Ryan and Erik discuss it all, and talk about how these wins will shape what we see further in the Oscar and Emmy races.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 51m. We will be back next week to break down the winners of the SAG and DGA nominations and the winners of Critics Choice. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 26 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Dan Bayer to discuss the final film in their Paul Thomas Anderson series, Licorice Pizza (2021).

In his latest film to date, PTA embarked on a cinematic return to his home, the San Fernando Valley, to create a nostalgic look back on the time and place he grew up in. In collecting stories from friends, permission to create characters based on real life people, and filming a movie with his friends and family during the end of the 2020 pandemic, PTA set out to make a hot bottom film that got a lot of people talking about the story of Alana and Gary, to lost souls that collide for a series of adventures during the summer of 1973. With two all-time first-time performances from Alana Haim and Cooper Hoffman, PTA made relaxed comedy on the surface that works equally as a commentary on the uneven power dynamics men and women deal with throughout their lives. In this film episode of the series, Ryan, Jay, and Dan talk about the central relationship of the film, what the ending really means, some of the internet chatter surrounding the film, the veteran actor work from Sean Penn and Bradley Cooper, Alana Haim’s real life family playing roles in the film, water beds, pinball machines, gas shortages, peanut butter sandwiches and a whole lot more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h15m. The guys will be back next week to begin their series covering the films of William Friedkin with a review of his next film, The Boys in the Band. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 213 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, TV Editor Tyler Doster and AwardsWatch contributor Josh Parham, Dan Bayer, Cody Dericks, and Jay Ledbetter to discuss their favorite films of 2023.

As we begin the new year, we say goodbye to 2023 with our AW team’s favorite films of the year from a year filled with so many exceptional movies, it looks like we will be talking about 2023 as one of the great movie years for a long time. Instead of having everyone on one call together, the show is split up into four sections, each section covering the four films the team loved the movies. Those films included Andrew Haigh’s All of Us Strangers (Erik and Josh), Celine Song’s Past Lives (Tyler and Dan), Todd Haynes’s May December (Sophia and Cody), and Christopher Nolan’s Oppenheimer (Ryan and Jay).

In each segment, each person talks about why they selected the film as their favorite of the year, as well as an in-depth discussion over the film. At the end, the team gave honorable mentions for other films that they loved that included The Zone of Interest, Killers of the Flower Moon, Barbie, The Taste of Things, The Killer, Asteroid City, Priscilla, Passages, Godzilla Minus One, Are You There God? It’s Me, Margaret., and many more. Please enjoy this wonderful first episode of 2024, thank you all for reading everything on the website as well as listening to the show in 2023. We hope you all have a Happy New Year.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h55m. We will be back next week to break down the winners of the 2024 Golden Globes. Till then, let’s get into it.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 25 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Paul Thomas Anderson series, Phantom Thread (2017).

The idea for PTA’s eighth film came to him when he was ill. As he laid helpless on his back in bed, he saw the look of his wife taking care of him, and knew there was something there to latch onto. In creating Phantom Thread, Anderson recruited his There Will Be Blood lead actor Daniel Day-Lewis, to craft a story about an eccentric, meticulously mannered dressmaker who meets his match with a strong-willed woman that becomes his muse. Within this period piece lies honest, captivating power dynamics that showcase not only what it is like to fall in love and live with an artist, but the realistic, day to day interactions one has with someone whom they’ve been in a long term relationship with. These interactions can be sad, sexy, hilarious, deliciously evil, or a combination of all of them at once, much like the film. Led by three fantastic performances, Ryan, Jay, Sophia breakdown why this is Sophia’s favorite film of all time, if the dress in the film are actually good dresses, the iconic breakfast order, if this is really Daniel Day-Lewis’s final role, their favorite lines from the film, their thoughts on Taylor Swift using the film as inspiration for one of her songs, and which of one our Director Watch co-hosts has the film as their favorite PTA film.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h33m. The guys will be back next week to conclude their series covering the films of Paul Thomas Anderson with a review of his next film, Licorice Pizza. The film is streaming on Amazon Prime. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 24 of the Director Watch Podcast, the boys discuss the next film in their Paul Thomas Anderson series, Inherent Vice (2014).

In what is his most controversial film of his career amongst cinephiles, PTA set out to do what many in the literary and film world deemed impossible; adapt a novel by author Thomas Pynchon. In doing this exercise, he was able to take this stoner neo-noir comedy and mold it into another brilliant examination of how power structures of the world is built on a system of corrupt that will eat you alive the more you go down the rabbit hole looking for answers. With an all-star cast led by a gonzo performance by Joaquin Phoenix, Inherent Vice rewards viewers more and more over time, making it a rewarding, layered puzzle box film within Anderson’s filmography. Over the course of this episode, Ryan and Jay discuss their initial viewing experiences with the film, PTA’s love of making movies in LA, the wild adaption process PTA took to bring the book to the screen, how great Josh Brolin and Reese Witherspoon are, how much paranoia was at play in the 1970s, the use of perfect needle drops throughout the film, and showcase their Jay Leno impressions.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h40m. The guys will be back next week to continue their series covering the films of Paul Thomas Anderson with a review of his next film, Phantom Thread. The film is streaming on Netflix. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 212 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributor Dan Bayer to discuss their reactions to the Golden Globe and Critics Choice nominations, as well as talk about a slew of films releasing during the holidays.

Right as we head into the holiday break, the 2023 Golden Globe and Critics Choice nominations were announced last week, with similarities and major differences to consider for the race to Oscar nominations next month. With the Globes, major love was found in the form of International films with Past Lives, The Zone of Interest, Fallen Leaves and Anatomy of a Fall landing big nominations in many of the major categories. At Critics Choice, Saltburn and The Color Purple landed in the Best Picture lineups, something they weren’t able to do at the Golden Globes. But what was clear is the four films that collected a ton of nominations at both, with Barbie, Oppenheimer, Killers of the Flower Moon, and Poor Things leading all films at both ceremonies. Ryan, Erik and Dan break it all down and even give a give a Golden Globe prediction or two.

After this lovely, lively conversation, the guys transition to reviewing three of the major award season and commercial releases of the holidays, The Iron Claw, Wonka, and The Color Purple. While these weren’t all glowing reviews of these new titles, Ryan, Erik and Dan had a balanced discussion of what worked and didn’t work for each of them when it came to these titles.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h23m. We will be off next week but we will be back the following week for our end of the year, best of 2023 episode. Till then, let’s get into it.

Music: “Modern Fashion” from HAAWK via AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 23 of the Director Watch Podcast, the boys are joined by AwardsWatch Editor-In-Chief Erik Anderson to discuss the next film in their Paul Thomas Anderson series, The Master (2012).

How does someone follow up one of the most important films of the 2000s you may ask? It’s simple, you make a film that is to its level and one of the best films of the 2010s. That’s what PTA did with The Master, a philosophical drama with dark humor splashed throughout about a World War II vet who’s struggling to fit back into society and finds himself in a religious movement (a cult) under the leadership of its charismatic leader and wife, who is always keeping a watchful eye on everything. What forms from there is one of Anderson’s most complex films, exploring the dangers of religious fanaticism, toxic masculinity, mental health, alcoholism, and just about everything else you can think about when it comes to the human condition. Led by three titanic performances, Ryan, Jay and Erik dive right into deep process to discuss the film’s themes, Amy Adams' career choices of late, weird Joaquin Phoenix performances, scientology, the film’s lack of Oscar recognition for PTA, missing Philip Seymour Hoffman, and how the visual language of the film is so alluring.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h02m. The guys will be back next week to continue their series covering the films of Paul Thomas Anderson with a review of his next film, Inherent Vice. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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On episode 211 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Dan Bayer to discuss the four acting categories within the 2023 Oscar race.

Before we get into the Oscar conversation, two titles came out this past weekend that have sparked a ton of acclaim and conversation, Yorgos Lanthimos’s Poor Things and Hayao Miyazaki’s The Boy and the Heron. Considered by many to be two of the best films of the year, Ryan and Dan briefly dive into both, talking about the themes these two director’s present in their respective new films, as well as the stunning visual language both offer. So far in their runs at the box office, both have been a success and look to continue to pick up critic’s and industry prizes throughout the rest of the season.

Once they are done talking about the new release, Ryan and Dan switch their attention to the four Oscar acting categories. While there are frontrunners in each category so far, no one has yet stuck out as clear winners this early in the race. With this, they dive deep into a long, detailed conversation about all four of the major categories, who they think they are confident could get in, who they are less sure about, and who are the long shots that need some help from critics groups or other outside help to get back into the mix.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h45m. We will be back next week to talk about our reactions to the 2023 Golden Globe nominations, and talk a little bit about Wonka. Till then, let’s get into it.

This podcast is supported by Amazon MGM Studios presenting AIR, from award-winning director Ben Affleck and starring Matt Damon, Chris Messina, and Viola Davis. The film follows the gamble of an unconventional team and the uncompromising vision of a mother who knows her son’s worth. RogerEbert.com calls it "a timeless underdog story of grit, dreams, and moxie" and Variety says it's "this generation’s ‘Jerry Maguire.’ AIR is awards eligible in all categories.

Music: “Modern Fashion” from HAWWK and AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 22 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Josh Parham to discuss the next film in their Paul Thomas Anderson series, There Will Be Blood (2007).

At the midpoint of the series, the boys have reached one of the most important films of the 21st century, and a vital film for both hosts in terms of their film taste and inspired them to become the writers/podcasters they are today. With There Will Be Blood, PTA created a film that broke through the zeitgeist, crossing over with audiences and the Academy, and thus he made the film he’d arguable be most remembered for, as Anderson constructed a captivating, darkly humorous masterpiece that clashes capitalism and religion in an oil filled epic set in the small, imaginary town of Little Boston. Led by an all time performance by Daniel Day Lewis, Ryan, Jay, and Josh discuss the film overall, Day Lewis and Paul Dano’s performances, how There Will Be Blood shares a bond with No Country for Old Men in more ways than one, downloading movies in the early 2000s, Jonny Greenwood’s iconic score, the morality of these characters, milkshakes and so much more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h57m. The guys will be back next week to continue their series covering the films of Paul Thomas Anderson with a review of his next film, The Master. The film is streaming on MAX. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 2010 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia and AwardsWatch contributors Kevin L. Lee discuss the 2023 Best Picture race and the movies they watched way too young.

It is December so that means we are right at the beginning of awards season, where the various critics groups are going to start handing out prizes to the best films and performances from the year. This past week saw the Gotham Awards give Past Lives Best Feature Film, Lily Gladstone (The Unknown Country) and Charles Melton (May December) taking the Best Lead and Supporting Performance awards. Sophia was able to attend the ceremony and gave her reactions to the night’s events before the group talked about these wins alongside the NYFCC announcing their winners later in the week.

This led right into the first major discussion of the episode about the Best Picture race and where everything stands. As of now, there seems to be three films that stand as the frontrunners for Best Picture, and those are Barbie, Killers of the Flower Moon, and Oppenheimer. The group discuss the strengths and weaknesses in these films chances of winning Hollywood’s biggest prize, as well as the various films, The Holdovers, American Fiction, Maestro, Poor Things, The Color Purple, that are right there in the mix to win the Oscar.

After that great conversation, they transitioned into talking about a topic the team has wanted to talk about for a long time, movies that they were way too young to see. In a deep dive into their taste in films, Ryan, Erik, Sophia and Kevin revealed the films that they were shocked they got to watch at such a young age, as well as movies that scared them, and made them cry. Titles included Jaws, Alien, Jurassic Park, Basic Instinct, As Good as It Gets and a ton of Disney animated films.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h45m. We will be back next week to talk about the Oscar Acting Categories, review Poor Things, and talk about our favorite coming of age films. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 21 of the Director Watch Podcast, the boys are joined by Associate Editor of RogerEbert.com Robert Daniels to discuss the next film in their Paul Thomas Anderson series, Punch Drunk Love (2002).

Following his previous two features, PTA looked to strip things back, opting out of making another three-hour epic of storytelling, and instead making something that was ninety minutes. Hand selecting one of the biggest stars on the planet at the time in Adam Sandler, Anderson set out to make a unconventional romantic-comedy that challenged himself as a filmmaker to stay within the lines and parameters he personally set on himself. In doing so, he created what many consider to be his most underrated film of his career, with the best performance Sandler has within his career, In diving into Punch-Drunk Love, Ryan, Jay, and Robert explore their love of Sandler from this era, Barry and Lena’s relationship, an all-time supporting turn from the late Philip Seymour Hoffman, a minor discussion on Robert Altman’s Popeye, and puka shells.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h33m. The guys will be back next week to continue their series covering the films of Paul Thomas Anderson with a review of his next film, There Will Be Blood. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 209 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Kevin L. Lee discuss Ridley Scott’s latest film Napoleon and give out their Top 5 Ridley Scott films.

With one of the most interesting filmographies of all time, director Ridley Scott’s mark on cinema is one that will always leave you curious. In making some of the best, most influential films of his time, Scott has become a Hollywood journeyman, specializing in visual spectacle. Though he has just as many misfires as he does hits, there is always something drawing you into the theaters to see his latest film, regardless of how good or bad the last one was. With this in mind, Ryan, Josh, and Kevin review Napoleon, Scott’s nearly three-hour epic about the French Emperor and the love of his life Josephine, played by Joaquin Phoenix and Vanessa Kirby. Their reactions to the film vary, leading to a very good conversation. Afterwards, they transitioned into talking about their Top 5 Ridley Scott films, with discussions over titles such as The Last Duel, Alien, Blade Runner, Gladiator, Thelma and Louise, Matchstick Men, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h46m. We will be back next week to talk about our updated Oscar predictions and our Top 5 Films We Saw Way Too Young. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 20 of the Director Watch Podcast, the boys are joined by Managing Editor of RogerEbert.com Brian Tallerico to discuss the next film in their Paul Thomas Anderson series, Magnolia (1999).

After making a giant statement with Boogie Nights, Paul Thomas Anderson took it up a notch with his third feature film centered around a cast of lonely characters connected grief, chance, divine intervention, and the music of Aimee Mann. Inspired by the films of Robert Altman, in particular Short Cuts, PTA creates a masterful examination of the human condition and the complexities that exist in order to find peace within one’s self. Ryan, Jay and Brian dive deep into the dozens of interpretations Magnolia presents, if the film is a religious movie, PTA find his voice so early on, the darkness surrounding each story line, the performances from one of the best ensembles of the 1990s, and where Magnolia ranks in the epic year of cinema that was 1999.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h32m. The guys will be back next week to continue their series covering the films of Paul Thomas Anderson with a review of his next film, Punch Drunk Love. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 19 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Paul Thomas Anderson series, Boogie Nights (1996).

By the time you are done watching Hard Eight, you can just feel that there was something wonderful just waiting to get out, and that was the sexy, wild comedy-drama that PTA made as his second feature. Set during the late 1970s, early 1980s in the San Fernando Valley, Boogie Nights falls the rise and fall of the porn industry through the eyes of a hot shot actor, his filmmaker mentor, and a cast of eccentric, heartbreaking characters that make up this broken family. Inspired by John C. Holmes, a real life porn star, and his own short from high school called The Dirk Diggler Story. Anderson through everything but the kitchen sink at the creation of his film, ruffling feathers with his cast, crew, audiences, and people in the industry. But in doing so, he created the first of his signature masterpieces, and a film that is an essential piece of filmmaking from the 1990s. Ryan, Jay, and Sophia breakdown what makes the film so special, if PTA’s directorial influences get in the way of his creation, how is the MVP of this cast, if Leonardo DiCaprio would’ve made a good Dirk Diggler, and which character they identify with.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h59m. The guys will be back next week to continue their series covering the films of Paul Thomas Anderson with a review of his next film, Magnolia. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 208 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributor Jay Ledbetter discuss David Fincher’s latest film The Killer and give out their Top 5 David Fincher films.

One of the most celebrated directors of our time is a man that is fully obsessed with every detail about making a film. Known for being a perfectionist, director David Fincher has made a body of work that stands amongst many as one of the best to ever do it. From police procedurals to adaptations of popular novels to important stories based on a real life events, he prides himself in being a man that loves to showcase the process of how things are done or how we arrive at the most difficult moments humans can make. On this episode, Ryan, Sophia, and Jay breakdown why Fincher is one of their guys, what they love about him, and how his movies have shaped the good and bad tendencies of modern Hollywood. This includes talking about his latest thriller The Killer, which is streaming on Netflix and is one of the best films of the year so far, with stellar performances from Michael Fassbender and Tilda Swinton, as well as the usual excellent craft work done by Fincher and his collaborators. After that, the group breakdown their Top 5 Fincher films, that include Se7en, The Girl with the Dragon Tattoo, The Social Network, Gone Girl, The Curious Case of Benjamin Button, and Zodiac.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h25m. We will be back next week to talk about our Top 5 Best and Worst Prequels of all time. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 18 of the Director Watch Podcast, the boys are joined by Ethan Warren, Senior editor at Bright Wall/Dark Room and author of The Cinema of Paul Thomas Anderson: American Apocrypha Ethan Warren, to discuss the first film in their Paul Thomas Anderson series, Hard Eight (1996).

So begins a new series about a director that might not only be the best of his generation, but is a foundation filmmaker for both Ryan and Jay. But before he influenced them, a young PTA had to find his voice, and after breaking out with the short film Cigarettes & Coffee, he was given the chance to turn it into a feature film. In this somber directorial debut, Hard Eight follows an older gambler takes a younger, homeless kid (John C. Reilly) under his wing, and they do well making money, till they both meet a waitress (Gwyneth Paltrow) that will change their life, for better and for worse. Led a stellar performance from veteran actor Philip Baker Hall, Ryan, Jay and guest Ethan talk about the legacy of Anderson’s debut, if he wears his influences too much on his sleeve, how this movie lead to Boogie Nights, the final shot of the film, and read an interesting review for Ethan’s fantastic book.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h38m. The guys will be back next week to continue their series covering the films of Paul Thomas Anderson with a review of his next film, Boogie Nights. You can stream Boogie Nights on Paramount + with the Showtime plan, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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On episode 207 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia and AwardsWatch contributors Josh Parham and Jay Ledbetter discuss who might they think will be the future stars of Hollywood with the Movie Star Stock Market.

For months, the AW podcast team have talked about the state of modern movie stars, and what the future of cinema looks like. Given how the trend of the film industry is leaning more towards IP driven films as well as a big point of emphasis on director’s names attached to projects, the role, and criteria of what we have considered a traditional movie star has changed. With this in mind, Ryan, Sophia, Josh, and Jay put together a list of forty names of actors mostly under the age of forty who they believe have the potential to be the movie stars of the future and help carry movies like the stars before them. The list of names included a wide range of talent like Timothée Chalamet, Margot Robbie, Emma Stone, Daniel Kaluuya, Austin Butler, Paul Mescal, Zendaya, Robert Pattinson, Kristen Stewart and many more the team had to decide if they were going to buy, sell, or hold the stock of these potential movie stars. It was a lot of fun doing this episode, we hope you enjoy it.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h35m. We will be back next week to talk David Fincher’s The Killer and our Top 5 David Fincher films. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 17 of the Director Watch Podcast, the boys discuss the last film in their Lynne Ramsay series, You Were Never Really Here (2018).

In her fourth film of her career, Ramsay seemed to change direction back to the style of films she was making before We Need to Talk About Kevin, and strip everything back to a singular focus and tone rather than grander ideas. In doing so, she collaborated with one of Hollywood’s most in demand actors, Joaquin Phoenix, to create a violent, tight neo-noir crime thriller about a mercenary haunted by his past, who is hired to rescue a politician’s daughter who was kidnapped by a human trafficking network. Premiering at the Cannes Film Festival in 2017, Ramsay and Phoenix would go on to win prizes for her screenplay and his fully committed performance as Joe, some of the best work of his celebrated career. Ryan and Jay break down the film, speak briefly about Phoenix’s filmography, the film’s beautiful yet haunting ending, Jonny Greenwood’s subtle score, and give out their rankings of Lynne Ramsay’s small but fascinating body of work.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h18m. The guys will be back next week to begin their next series covering the films of Paul Thomas Anderson with a review of his debut film, Hard Eight. You can stream Hard Eight on Pluto TV, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 206 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Sophia Ciminello recap the AFI FEST 2023.

Before they get into their final festival experience of the year, the 2023 Gotham Awards were announced last week, giving us the first nominations of the upcoming Oscar season. Voted on by a jury system of selected critics, the films listed comprised of some of the best indie films of the year, including Past Lives, Passages, Showing Up, A Thousand and One, All of Us Strangers and more. This year, the organization removed the budget cap requirements, which limited the film’s that could be considered for consideration to anything made for less than $35 million. Once they were done discussing that, Ryan and Sophia moved on to briefly talk about a big release that debuted in theaters while the podcast was off last week, Killers of the Flower Moon, and why it is one of the best films of the year, in their opinion.

After they were done talking about Scorsese’s latest, they moved on to the AFI FEST, that saw the world premieres of films like Leave the World Behind and Freud’s Last Session and closed with Bradley Cooper’s Maestro. Ryan and Sophia talk about those films, as well as their thoughts on Perfect Days, La Chimera, American Fiction, and two highlights, A Matter of Life and Death and All That Jazz, from Greta Gerwig’s special Guest Director section, showcasing five big screen classics.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h27m. We will be back next week to talk about a really fun topic, our Top 5 Modern Movie Stars. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 16 of the Director Watch Podcast, the boys discuss the next film in their Lynne Ramsay series, We Need to Talk About Kevin (2011).

After coming out with two films back to back early in her career, Ramsay took nine years to return to the big screen with her third feature film that sparked tons of divisive reactions and was regarded as one of the best films of 2011 and of the 2010s decade. A tense psychological thriller about a mother’s bond with her strange, disturbed child showcased Ramsay’s unique ability to build tension throughout a complicated story, as well as the talents of one of the best working actresses in modern cinema, Tilda Swinton. Ryan and Jay breakdown their thoughts on the film, if it’s still relevant subject matter about massive killings in America is handled properly as well as the narrative logistics of the aftermath, Swinton’s stellar career, the titular actor in this film and their body of work, and how much bleak punishment is okay to put on the audience with a movie like this.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h32m. The guys will be back next week to conclude their series covering the films of Lynn Ramsay with a review of her fourth feature film, You Were Never Really Here. You can stream You Were Never Really Here on Amazon Prime Video, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 15 of the Director Watch Podcast, the boys discuss the next film in their Lynne Ramsay series, Morvern Callar (2002).

Three years after making her feature film debut, Lynne Ramsay returned with another fascinating character study in Morvern Callar, which follows a young woman whose life completely changes for better and worse following the suicide of her boyfriend. Based on the novel by Alan Warner, Ramsay and her co-writer Liana Dognini took the experimental nature of the book and expanded the scope of who this protagonist is and created a fascinating look into the life of someone who is making things up as they go in order to run away from their grief. Led by an extraordinary performance from Samantha Morton, Ryan and Jay discuss the vibrant direction by Ramsay, Morvern’s decision making process and how it fits within the rules of the film, the unsettled feeling they both had watching the film, and how this was their first experience using Freevee to watch a movie with commercials.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h22m. The guys will be back next week to continue their series covering the films of Lynn Ramsay with a review of her third feature film, We Need to Talk About Kevin. You can stream We Need to Talk About Kevin on Amazon Prime Video, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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On episode 205 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Zach Laws talk about their Top 5 favorite, and least favorite, franchise remakes/reboots.

Before getting into the Top 5 for this week, Ryan announced the winner of the 2023 Summer Movie Draft, which ended up being a very close finish when the numbers were all added up, showcasing a lot of interesting lessons learned to be going forward into next year’s draft. Once the winner was announced, Zach briefly talked about his review of The Exorcist: Believer, which was the inspiration for the Top 5 this week. As it seems to be another bad horror remake/reboot for director David Gordon Green, it made for an interesting idea to look some of the best franchise remakes/reboots and what makes those work so well, as well as look at the ones that didn’t work out and set back their intellectual properties further than before. Ryan list covered a wide range of films and genres, while Zach primarily stayed in the horror genre for his selections, which included for both of them Invasion of the Body Snatchers, The Thing, The Mummy, Ocean’s Eleven, Casino Royale, The Fly as examples of their favorites, and Man of Steel, Fantastic 4 (2015), Jurassic World, Alice in Wonderland, and the recent Halloween reboot as films that were their least favorite attempts at making a franchise relevant again.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h47m. We will be back in two weeks to recap the AFI Film Festival and give our thoughts on the latest film from Martin Scorsese, Killers of the Flower Moon. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 14 of the Director Watch Podcast, the boys discuss the first film in their Lynne Ramsay series, 1999's Ratcatcher.

Gaining notice throughout the 1990s for her short films, director Lynne Ramsay became a name cemented in the fabric of modern cinema as someone who was able to distinctly exam human relationships at such a raw yet honest perspective. After winning the 1996 Cannes Prix de Jury for her graduation short film, "Small Deaths," she spent some time working on various short films, all with critical success, leading her to develop one of the most personal debuts of the last 25 years, Ratcatcher. In telling the story of a young boy trying to move on in his life after a tragedy to one of his best friends, Ramsay showcases what happens when the innocence of childhood is taken too soon before you are ready to grow up, and announces herself as one of the best visual storytellers of her generation. Led by a cast of mostly unknown actors and shot impeccably by cinematographer Alwin H. Küchler, Ryan and Jay breakdown down Ramsay’s debut and where it ranks as some of the best debuts of the 90s, the child performances in the film, the open ending for the film, and the film year that was 1999.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h19m. The guys will be back next week to continue their series covering the films of Lynn Ramsay with a review of her second feature film, Morvern Callar. You can stream Morvern Callar on Max, as well as rent it via iTunes or Amazon Prime Video in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 204 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello and Dan Bayer dive the newest AwardsWatch Oscar retrospective covering the 91st Academy Awards and the films of 2018.

If you can remember back to just five years ago, the Oscars were coming off the heels of a couple of years of great winners from the Academy, with Spotlight, Moonlight, and The Shape of Water taking home the previous three Best Picture prizes. It looked like, with new members added every year, the Oscars were done giving disappointing winners their top honor, but the 2018 Oscar season proved to be a massive step back for the Academy as Green Book won Best Picture, and went down in history as one of the worst winners in Oscar history. Moreover, the season not only had other films of questionable quality nominated as well, but it started a path towards a host-less ceremony, ideas of cutting categories, not inviting the acting winners from the year before to the ceremony to present, and other problems that would come up in one form or another for the next few years at the Oscars.

In this in depth retrospective, Ryan, Sophia and Dan break down the year in film, the good and bad nominees, and the overall legacy of Green Book’s win and the rest of the winners on the night. They also talked about where they were at just five years ago, the campaigning that got us this Best Picture win, and how similar tactics have been used since for both good and bad reasons. After doing that, Ryan gave out some Oscar Trivia for Sophia and Dan to answer, and then they got into playing 'Should’ve, Could've, Would’ve,' where they replace nominees from the 91st Academy Awards and give out their personal winners for the year. The films included in their discussion ranged from If Beale Street Could Talk, Burning, Leave No Trace, A Simple Plan, First Reformed, Hereditary, Widows, BlacKkKlansman, Private Life, Roma, First Man, The Old Man and the Gun, Disobedience, Suspiria, The Favourite, Paddington 2, Can You Ever Forgive Me, Blindspotting, Wildlife, and so many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h32m. We will be back next week to talk about our Top 5 Best/Worst franchise reboots, inspired by the latest Exorcist revival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 13 of the Director Watch Podcast, the boys discuss the final film in their Denis Villeneuve series, Dune (2019).

As the guys talked about last week, Blade Runner 2049 wasn’t the biggest success in the world, though it won a couple of Oscars and was considered a perfect test for Villeneuve to explore existing IP and give his unique vision to it. In successfully making that film, he was then given the massive opportunity to adapt one of the greatest pieces of sci-fi canon with Frank Herbert’s classic novel, Dune. Obsessed with the novel as a kid, Villeneuve decided to split the book into two parts, only shooting the first film, and trusting audiences would like his take on the book enough for there to be a demand for more. It was a big gamble and it paid off with Dune being a good commercial hit that also bleed into multiple Oscar nominations and wins, and a part two that we will see soon. In their discussion, Ryan and Jay talked about the marketing of the film, if it works as a solo film or not, where they stand on Timothée Chalamet as a Hollywood leading man, the technical achievement behind the work, if Villeneuve was snubbed for a Best Director nomination, and give out their rankings to wrap of the series. Make sure you listen to the whole episode to hear the next two series the guys are going to cover to wrap up the 2023 calendar year.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h02m. Dune is currently available to stream on Max and Netflix as well as for rent on Prime Video. The guys will be back next week for the beginning of an all-new series covering the films of Lynne Ramsey, and her first feature, Ratcatcher. You can stream Ratcatcher on Max, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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On episode 203 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Nicole Ackman and Dan Bayer to give out their Top 5 Sci-Fi films of all time.

Before the team gets into the Top 5 for this week, they discuss the historic deal that the WGA was able to make with the major film studios. In an important step in the right direction, the 148-day strike came to an end on September 27, with the writers getting a three-year deal that met every important demand that they wanted, including better pay, full transparency when it comes to streaming numbers, and the avoidance of A.I being a part of writer’s rooms and letting creatives still run their own projects. While SAG-AFTRA is still looking to make their own deal and their strike is still ongoing, this is a huge win for not just the WGA but workers and unions all around this country.

Moving on from this very important news, Ryan, Nicole and Dan move on to talk about their Top 5 Sci-Fi films, a topic inspired by the release of The Creator, which Nicole reviewed on the website this past week. It is another difficult list for the team to put together, having to consider not just their favorite films in the genre, but which films also honor the genre the best in asking questions about the state of our modern world in mostly futuristic settings. It is one of the richest genres in film history, and the titles selected like Blade Runner, Never Let Me Go, Avatar, The Matrix, Star Wars, Total Recall, Children of Men, 2001: A Space Odyssey, and Back to the Future only scratch the surface in how many wonderful sci-fi films there are, which led to a really great conversation by the team.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h50m. We will be back next week with a brand new AwardsWatch Oscar retrospective, talking about the 91st Academy Awards, covering the films of 2018. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 12 of the Director Watch Podcast, Ryan and Jay are joined by fellow AwardsWatch contributor Sophia Ciminello as they discuss the next film in their Denis Villeneuve series, Blade Runner 2049 (2017).

After being nominated for Best Director at the Academy Awards and having Arrival land a Best Picture nomination as well, Villeneuve took on his biggest project yet, a sequel continuing the story of the legendary sci-fi film, 1982’s Blade Runner. In working with his staple of regulars like cinematographer Roger Deakins and editor Joe Walker, and with the blessing of the original film’s director, Ridley Scott, Blade Runner 2049 was a technical marvel, that builds on the classic film before it and elevates itself as one of the best blockbusters (if not at the box office) of the last thirty years. In taking a trip to the near future, Ryan, Jay and Sophia talk about Ryan Gosling and Harrison Ford’s dynamic performances, the mystery at the core of this story, the acting choices of Jared Leto, Hans Zimmer’s lackluster score, if this is the best film they have talked about so far, and how in the world did Warner Bros. even greenlight this movie, and if a continuation of this franchise is the right thing to do.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h54m. The guys will be back next week to conclude their Denis Villeneuve series with a look at Dune. You can stream Dune on Max, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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On episode 202 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Josh Parham, and Zach Laws to give out their Top 5 Directorial Debuts of all time.

2023 has been a pretty great year of films so far, based on what has been released and what most of the team as already seen at the fall film festivals from earlier in the month. With that there has been some standout directorial debuts, most notable Chloe Domont's Fair Play, which debuted at the Sundance Film Festival earlier this year and also screened at the Toronto International Film Festival. With it set to release in theaters this upcoming weekend (with a streaming date of October 13 on Netflix), the AW team got together for a Top 5 list inspired by the highly acclaimed debut to talk about some of the best first time features to ever be release. In breaking down their lists, Ryan, Sophia, Josh, and Zach talked about a wide range of debuts that were both meaningful to them personally, as well as shaped the course of cinema history when they arrived to audiences around the world. Some of the titles discussed on this episode were Who's Afraid of Virginia Woolf?, The Night of the Hunter, Badlands, The Parent Trap, Thief, Ordinary People, Bound, The Virgin Suicides, Citizen Kane, and so many more, as the list of honorable mentions were long and full of films everyone should catch up with.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h27m. We will be back next week to talk about our Top 5 sci-fi films in honor of the release of The Creator. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 11 of the Director Watch Podcast, the boys are joined by fellow AwardsWatch contributor Zach Laws as they discuss the next film in their Denis Villeneuve series, Arrival (2016).

Following the critical and commercial success of Sicario, Villeneuve returned a year later with his first stab into the sci-fi genre, making a film about a linguist who is tasked with the job of finding a way to communicate with extraterrestrials who have landed in twelve different spacecrafts around the Earth. But beyond the film, Villeneuve unexpectedly delivered a healing vessel for audiences who felt a sense of hopelessness with the results of the 2016 election. Lead by a career best performance from Amy Adams and the best work of Jóhann Jóhannsson career, Arrival is considered not just one of the best films of 2016, but one of the most important films of the last decades, and what many consider Villeneuve’s finest work of his career. In this episode, Ryan, Jay and Zach talk about where they were when they saw it in 2016, Zach’s star-studded screening story, why Amy Adam’s was subbed for a Best Actress nomination, the morality of the film’s ending, the fantastic supporting work from Jeremy Renner, Forest Whitaker and Michael Stuhlbarg, as well as one or two Tim Allen impressions.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h17m. The guys will be back next week to continue their Denis Villeneuve series with a look at Blade Runner 2049. You can rent Blade Runner 2049 via iTunes and Amazon Prime rental (no streaming options) in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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On episode 201 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer and Kevin L. Lee to give their reactions to the films they saw at the 48th edition of the Toronto International Film Festival.

A couple of weeks back, Ryan and Erik gave their reactions to the Telluride Film Festival, one of the first film festivals to start of the fall festival season. After they left the mountains of Colorado, they got their passports ready and headed north to Canada for the annual Toronto International Film Festival. Known for having big Oscar contenders premiere and star-studded red carpets, because of the ongoing SAG-AFTRA and WGA strikes, TIFF was not as glamorous as years past. But with close to 300 movies from around the world screening across a week and a half, there was still plenty of good films that the gang saw that they were able to share their opinions on.

Before getting into the films, Ryan, Erik, Dan, and Kevin talk about their TIFF experience in terms of what it is like to attend the festival, the ticketing system, and how the screenings work for press and general audiences going to the festival. Then they went on to discuss the three films that won the TIFF People’s Choice Awards: American Fiction, The Holdovers, and The Boy and the Heron. After giving their thoughts on TIFF winners, they went on to gives thoughts on tons of films that included Next Goal Wins, Monster, Dumb Money, Sing Sing, Rustin, His Three Daughters, Woman of the Hour, Dream Scenario, Evil Does Not Exist, Hitman, Origin, Wicked Little Letters, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h38m. We will be back next week to talk about our Top 5 Directorial Debuts, in honor of the stellar year of debuts that have come out in 2023. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 10 of the Director Watch Podcast, they discuss the next film in their Denis Villeneuve series, Sicario (2015).

After releasing Prisoners and Enemy back to back, Villeneuve returned the following year with his most confident film to date. Set around the U.S and Mexico border, Sicario dives deep into the murky waters of the ongoing fight to stop the drug cartels from moving their product into the U.S. Lead by an all-star cast that includes Emily Blunt, Josh Brolin, and Benicio Del Toro, and stellar cinematography from Roger Deakins, Sicario ranks highly within Villeneuve’s filmography, showcasing a true sense of tension throughout each from of the film. Ryan and Jay break down the politics of the film, the rise of screenwriter Taylor Sheridan, Blunt and Del Toro’s magnetic chemistry, and even talk a little about the sequel, Sicario: Day of the Soldado.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h38m. The guys will be back next week to continue their Denis Villeneuve series with a look at Arrival. You can stream Arrival on Netflix as well as rent via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 9 of the Director Watch Podcast, they discuss the next film in their Denis Villeneuve series, Enemy (2014).

Following up the successful of Prisoners didn’t take long, as Villeneuve’s next film was actually shot just before it and was released to high acclaim in the spring of 2014. Enemy unites the director with Gyllenhaal again, this time playing a duel role about a two men who look the exact same but are completely different. In what would be the last small indie film for Villeneuve in his filmography to date, it has also led to problem the most discussed ending of any of his films with the reveal of the GIANT SPIDER. Ryan and Jay break down what they think the spider imagery means, Gyllenhaal’s double performance, the Canadian Screen Awards, Mélanie Laurent’s career, and if they think Villeneuve wants to ever make another film like this.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h31m. The guys will be back next week to continue their Denis Villeneuve series with a look at Sicario. You can stream Sicario on Paramount Plus as well as rent via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 200 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Sophia Ciminello are joined by journalist and host of the Pop Culture Confidential podcast, Christina Jeurling Birro, to give their reactions to the films they saw at the 50th edition of the Telluride Film Festival.

Two weeks ago on the podcast, Ryan, Erik, Sophia and Christina came together to preview the 2023 Telluride Film Festival. Flash forward to now where the gang arrived at the festival and spent five glorious days watching some of the biggest films of the year that we will be talking about throughout award season. Recorded on the last night of the festival, they breakdown some of the major world premieres that the lineup offered like The Bikeriders, Saltburn, All of Us Strangers, The Holdovers, NYAD, Rustin, as well as a couple of titles that premiered at previous film festivals like The Zone of Interest, Poor Things, and Anatomy of a Fall. The gang also discuss their experience at the festival, as this was Sophia and Christina’s first time in Telluride. They also briefly mention how the overall vibe of the festival was as the WGA and SAG-AFTRA strikes are still on-going during the festivities.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h40m.We will be off next week as most of the AW podcast team will be at the Toronto International Film Festival. We will be back in two weeks to recap the show. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 8 of the Director Watch Podcast, they are joined by AwardsWatch Editor-In-Chief Erik Anderson discuss the next film in their Denis Villeneuve series, Prisoners (2013).

After breaking through on the festival circuit in America with Incendies, as well as receiving an Oscar nomination for Best International Feature, Villeneuve took some time off riding the success of his acclaimed film. He returned to cinemas in 2013, directing his first Hollywood studio project, Prisoners, a story involving the search for two missing young girls in Pennsylvania. Focusing on two perspectives, one being the father of one of the missing girls (Hugh Jackman) and the detective trying to solve the case (Jake Gyllenhaal), this bleak mystery thriller was a surprise hit back in 2013, as well as considered by many of his fans to be Villeneuve’s best. In this episode, Ryan, Jay and Erik break down the symbolism shown throughout the film (SNAKES, PUZZLES), Jackman and Gyllenhaal’s performances, Paul Dano’s punchable face, Melissa Leo’s wig, Roger Deakin’s cinematography, the film’s ridiculous logic, and if it is a David Fincher knockoff.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h35m. The guys will be back next week to continue their Denis Villeneuve series with a look at Enemy. You can stream Enemy on Cinemax on Demand as well as rent via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

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On episode 199 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Nicole Ackman and Jay Ledbetter to give out their Top 5 Sports Movies.

With just days before the fall festivals begin, the AwardsWatch podcast takes a left turn before all the madness begins. As one of the final films of the summer, Gran Turismo, finally made its way into theaters, giving the podcast team a chance to do a Top 5 Sports Movies episode inspired by the newest racing release. While not everyone is a sports fan, sports movies can be films made for all audiences, with some popular themes and messages that are larger than life, making audiences connect with the characters on their athletic journeys, thus becoming inspiring in the process. But not every film about sports is uplifting, as they can also be a looking glass into the soul of a human being, as well as examination of the time we live in and the dangers that the sporting world could bring to those who participate. Ryan, Nicole and Jay examine what makes a great sports film, what they love about them, and even stretch out the idea of what even qualifies as a sports movie in a fun episode featuring conversations over films like A League of Their Own, Bull Durham, Speed Racer, I, Tonya, The Color of Money, He Got Game, Warrior, Bend it Like Beckman, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h34m. We will be back next week to the films that premiered at the Telluride Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 7 of the Director Watch Podcast, the guys discuss the first film in their Denis Villeneuve series, Incendies (2010).

As Ryan and Jay said goodbye to Todd Haynes on the last episode, so begins another series talking about one of the biggest directorial names in modern cinema. Over the last fifteen years, Denis Villeneuve has risen the ranks to be compared alongside the names of big budget directors with the likes of Christopher Nolan and Ridley Scott. While he is a fairly recent director, his filmography has led to massive discussions by film fans around the world, and in anticipation for his latest film, Dune Part 2, it made sense for the guys to tackle his work. But before he was making sci-fi spectacles, he made heart wrenching, celebrated indie dramas, which leads us to Incendies, which is a tale about a mother (a deeply committed performance from Lubna Azabal), whose devastating trauma from her past life must be dealt with by her children before she is firmly laid to rest. In this episode, the boys set up their relationship with Villeneuve and his films, their thoughts on this bleak breakout film, the morality and construction of the film’s finale, and whether Radiohead’s music should be used in any film.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h2m. The guys will be back next week to continue their Denis Villeneuve series with a look at Prisoners. You can stream Prisoners on Netflix as well as rent via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 198 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Sophia Ciminello are joined by journalist and host of the Pop Culture Confidential podcast, Christina Jeurling Birro, to predict and preview the upcoming 50th edition of the Telluride Film Festival, whose official lineup will be announced on August 30.

We are less than ten days till the beginning of the fall film festivals, and thus the start of a brand new award season. While the Venice Film Festival is happening on the other side of the world, in the mountains of Colorado lies the small town of Telluride that will be the host of its 50th annual film festival that has been the launching pad for dozens of films Oscar chances. The Telluride Film Festival is known for being a director focused festival, taking titles from all around the world in it’s lineup, with plenty of world premieres of some of the biggest films of the fall. Erik and Ryan went last year, and talked about their experience at the 49th annual festival in a previous episode, and how that Labor Day weekend was the part of the award season momentum for titles like Women Talking, TÁR, Bardo, Aftersun and many more.

With this being Sophia and Christina’s first time going to the festival, the crew get together to talk about their festival expectations, how everyone is going to have to step up with festival outfit game compared to Erik, the films that won’t be at the festivals, the world premieres we expect to be there and the films from other film festivals that could and should be part of the lineup. The episode is full of laughs and insights into the start of another busy award season. Expect to hear back from the same crew in two weeks to wrap up the festival and see how many of the lineup shacked out.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 6 of the Director Watch Podcast, they are joined by AwardsWatch contributor Nicole Ackman to discuss the final film in their Todd Haynes series, Dark Waters (2019).

On the surface, Dark Waters may seem like an odd choice for Todd Haynes to direct, making the project almost seem like a “director for hire” situation. But once you dive into this legal thriller, the more of Haynes you will find. In a story about an environmental lawyer who puts everything on the line to expose DuPont, one of the world’s largest chemical companies, of a lengthy history of pollution, Haynes dives into not just how the danger threatens everyone in the local small towns that are being poisoned by DuPont, but the millions of people around the world using their products. In doing this, Haynes makes a visually striking, cynical drama about one man’s endless such for accountability.

Led by Haynes’s excellent direction, Ryan, Jay, and Nicole discuss Mark Ruffalo’s performance, Ed Lachman’s bold cinematography, which character actors stand out in the cast, if Anne Hathaway’s performance is underwritten, and if Dark Waters is the most underrated gem from 2019 film year.

Warning, the audio to this episode was damaged but that still shouldn’t stop you from listening to this fantastic, fun conversation.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h28m. The guys will be back next week to begin their Denis Villeneuve series with a look at Incendies. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 197 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Zach Laws, and Josh Parham to discuss their 2024 pre-Fall festival Oscar predictions.

In less than three weeks, the Fall film festivals will be in full swing around the globe, as dozens and dozens of films premiere with great optimism that they will have what it takes to carry over in the award season conversation. While we know most of the film festival lineups and where everything will be playing, no one can predict at this exact moment in time what the nominations and winners will be come March 2024. With this in mind, we are at the start of a brand new Oscar season, thus the AW team has come together to give their first podcast Oscar predictions before the world premieres at the Venice, Telluride, and Toronto Film Festivals.

Erik has been covering the monthly Oscar predictions on the site, but these predictions are the first chance for Ryan, Josh, and Zach to talk with Erik as a group and see where everyone is right now, who are the early frontrunners, and which films have what it takes to make it all the way to Hollywood’s biggest night. Their conversation covered the Best Picture category, as well as Best Director, both Original and Adapted Screenplay, and all four of the acting categories. Among the several films that were highlighted the most in the team’s conversation include Oppenheimer, Killers of the Flower Moon, The Zone of Interest, Barbie, Past Lives, The Holdovers, Dune Part Two, Maestro, May December, Anatomy of a Fall, Air, Saltburn, The Killer, Ferrari, Nyad, Priscilla, The Iron Claw and Poor Things, with a hand full of other titles like Asteroid City, Dumb Money, Spider-Man: Across the Spiderverse, The Color Purple, Long Day’s Journey into Night and Rustin also getting some consideration.It was a detailed, exciting podcast that we hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h16m.We will be back next week to preview the 2023 Telluride Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 3 of the Director Watch Podcast, they are joined by AwardsWatch contributor Zach Laws to discuss the latest film in their Todd Haynes series, Wonderstruck (2017).

Two years after Carol was released with worldwide acclaim, Haynes took a rather unpredictable turn in his filmography by crafting a multi-generational family drama aimed for young audiences. Working off a script from writer Brian Selznick (based on his novel of the same name), Haynes takes two time periods, the 1920s and 1970s, and melds two stories of two young deaf children who are searching for their parents in New York City. Working alongside actresses he’s worked with before in Julianne Moore and Michelle Williams, and discovering the breakout talents of Millicent Simmonds and Oakes Fegley, Haynes is able to takes us on an emotional ride through fifty years of family, as well as human history, to tell an earnest story about togetherness and sincerity. Ryan, Jay, and Zach dive into the right turn for Haynes, the look of each time period shot by Haynes’s regular cinematographer Edward Lachman, the child performances, and if a less cynical approach for a Todd Haynes films makes this stand out in a good or bad way for his filmography.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. The guys will be back next week to conclude their Todd Haynes series with a look at 2019's Dark Waters. Till then, let’s get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 196 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Zach Laws, and Josh Parham to discuss their Top 5 Modern Directors.

With Greta Gerwig and Christopher Nolan’s films dominating the box office, having audiences racing to see Barbie and Oppenheimer over and over again, we thought that it would be a good idea to do a list inspired by two of the biggest directors working in movies today. For the Awards Watch team, directors and their filmographies are the backbone of why they are the writers and film enthusiasts they are. In do this list, Ryan, Sophia, Zach and Josh dive head first into the directors that speak to them during our modern era of filmmaking. In doing so, the gang set an age requirement of 60 or below and the director had to have at least three films to their filmography to qualify. In doing this, some of the biggest, most influential filmmakers of our time were mentioned, including Barry Jenkins, Steve McQueen, David Fincher, Sofia Coppola, Céline Sciamma, David Lowery and Wes Anderson, alongside some names that were new discoveries for the group, and many more.

NOTE: The audio to this episode was damaged but that still shouldn’t stop you from listening to this fantastic, fun conversation.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. We will be back next week talking about our pre-fall festival 2024 Oscar predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 4 of the Director Watch Podcast, they are joined by Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast, to discuss the latest film in their Todd Haynes series, Carol (2015).

After making I’m Not There, Haynes stepped away from feature films for a lengthy eight years to focus on other projects, most notably the 2011 Mildred Pierce mini-series for HBO. But in 2015, Haynes returned to the big screen with a dazzling, romantic period drama that is considered to be one of the best films of the last decade, Carol. Working off a script written by Phyllis Nagy adapted from Patricia Highsmith’s groundbreaking novel, the film follows two women, a young inspiring photographer (Rooney Mara) and an older housewife (Cate Blanchett) going through a divorce, who begin a forbidden affair that forms into a beautiful, heartbreaking love story over the course of the film. On this episode, Ryan, Jay, and Kevin dive into these two fascinating performances by Mara and Blanchett, Nagy’s perfect screenplay, the expert work by everyone in the crafts departments, why the film was nominated for Best Picture, and most importantly, Haynes’s evolution as a director as a filmmaker who specializes in making memorable period pieces.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h26m. The guys will be back next week to continue their Todd Haynes series with a review of Wonderstruck. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 195 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer, Sophia Ciminello, Zach Laws, and Josh Parham conduct a classic Academy Awards retrospective for the 66th Oscars, covering the films of the year 1993.

Right now, while the world is still in the middle of the phenomenon that is Barbenheimer, the AW team go back thirty years to when director Steven Spielberg was the king of Hollywood. In 1993, Spielberg made two of what many people believe to be his best films in Jurassic Park and Schindler’s List, the latter being the film that would win the director his first Best Director Oscar and win Best Picture of the year. Alongside this success for one of cinema’s best artists, the year was a banner year for cinema all around, with a great variety of films celebrated at the Oscars that had massive cultural and critical success like The Fugitive, Philadelphia, The Piano, In the Name of the Father, The Remains of the Day, In the Line of Fire, The Firm, The Age of Innocence, and many more.

In this retrospective, the AW team take a look at the year as a whole, talk about the Oscar ceremony, any trends they see in the year, and the legacy of Schindler’s List and its Oscar wins. Throw in some Oscar trivia and an extensive version of “Should’ve, Could’ve, Would’ve”, where the team highlight what they think the real winners and nominees should be, and you’ve got a fun look back as the gang cover dozens of titles, filled with plenty of juicy hot takes.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h47m. It is a big episode but worth the time to talk about this milestone year in cinema. We will be back next week talking about our Top 5 Modern Film Directors. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 3 of the Director Watch Podcast, they are joined by AwardsWatch contributor Sophia Ciminello discuss the latest film in their Todd Haynes series, I’m Not There (2007).

Following up his most successful film to date, Todd Haynes pivoted from the Douglas Sirk inspired world of Far From Heaven to tackle a music biopic about one of the greatest American figures in music history, Bob Dylan. Unlike Velvet Goldmine, where he wasn’t granted access to use the songs of the iconic singer David Bowie, Dylan gave his blessing to Haynes for this project, which explore the multiple personas of the legendary singer songwriter performed by six different actors of various age, gender and race. With this, Haynes made a film that is now celebrated amongst the other outstanding films of the vastly rich year that was 2007. On this episode, Ryan, Jay and Sophia breakdown if Haynes was able to stick this landing for this ambitious film, if it does right by Dylan’s legacy, why more modern biopics aren’t made this way, they aren’t looking forward to the new Bob Dylan biopic from director James Mangold, and which other music genius could get a similar I’m Not There style of film made about their life and career.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h37m. The guys will be back next week to continue their Todd Haynes series with a look at Carol. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 194 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Zach Laws, Kevin L. Lee and Jay Ledbetter to review the two biggest movies of the year, Barbie and Oppenheimer.

Barbenheimer is upon us! As audiences are selling out theaters around the world, it has become one of the most successful weekends in history of cinema. With this, the AW team takes a deep dive into the two most hyped films in a long time, starting with Greta Gerwig’s Barbie followed by Christopher Nolan’s Oppenheimer. A candy color dreamscape comedy and a three-hour historical epic about the making of the atomic box take center stage as Ryan, Erik, Zach, Kevin, and Jay go into what the liked about each film and if they struggled with any aspects of the film.

After the teams very in-depth and length reviews, they take a look at the 2023 Summer Box Office Draft and notice that Team Erik has gain some ground on Team Ryan, as we make our way into the final month of the summer. Moving on from there, the team answer some listener questions that included what they thought the Oscar chances were for both films, who the hottest Barbie and Ken was in the film, which Gerwig film was their favorite, and a fun game involving which director-actor pair they would’ve love to have seen taken on the story of Oppenheimer like Christopher Nolan and Cillian Murphy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h12m. It is a long episode but worth it to talk about the cinematic event of the decade. We will be back next week doing an Oscar retrospective over the 66th Academy Awards that covered the films of 1993. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this brand new AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 2 of the Director Watch Podcast, they are joined by AwardsWatch Editor-In-Chief Erik Anderson discuss the latest film in their Todd Haynes series, Far from Heaven (2002).

Right off at the top of the show, we address that there won’t be an episode on Velvet Goldmine, as an error was made, and the episode has been lost forever. But Ryan, Jay and Erik give some brief thoughts on the 1998 film before diving into Haynes’s 2002 follow up. In a pivot away from the glam rock drama, he found his way back into the cinematic world with another look at the domestic life of a wife played by Julianne Moore. Unlike Safe, Far From Heaven takes place in the 1950s, and explores a traditional 50’s family crumbling due to sexual and racial relationships the married couple form in the film that were taboo for the time. Known for being one of the best films of the year 2002, Ryan, Jay, and Erik breakdown the film from every angle, from the brilliant score, Moore’s performance, Haynes’s screenplay, the homages to the genius director Douglas Sirk, and so much more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h31m. The guys will be back next week to continue their Todd Haynes series with a look at I’m Not There. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 193 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Catherine Gonzales and Zach Laws to review the latest action packed epic Mission: Impossible - Dead Reckoning Part One and give out their Top 5 Tom Cruise films.

Before the team gets into the review, there was big news out of Hollywood this week, as SAG-AFTRA announced that they would be joining the WGA strike, joining forced in a strike for the first time since 1963. This historic move set a clear and loud message around the world and the AW team not only wanted to comment on the ongoing strike, but wanted to also share their full support in the fight for a fair deal for the writers and actors, whom without, none of this would exist.

Transition into the rest of the show, the number one film in the world finds Tom Cruise back in the saddle again as IMF agent Ethan Hunt in Mission: Impossible - Dead Reckoning Part One. The team talk at length about the latest Mission adventure, what they like and don’t like about it, and try to figure out how much longer Cruise will keep making these movies before he ends up killing himself. After the review, they transitioned to talking about Cruise’s Top 5 films of his career. In a career that spans decades, and close to fifty films, this length conversation spanned multiple films that showed Cruise’s range not just as a movie star, but an incredible actor. Titles included Eyes Wide Shut, Magnolia, Legend, Collateral, A Few Good Men, Mission Impossible: Fallout, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h49m. We will be back next week to review the two biggest films of the year, Barbie and Oppenheimer. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 192 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade and Editor-In-Chief Erik Anderson are joined by Griffin Schiller of FilmSpeak to discuss the filmography and legacy of director Christopher Nolan.

There have not be many writer-directors over the last twenty plus years who has become one of the bigger names in Hollywood than Christopher Nolan. From starting off with small indie thrillers, he morphed overnight into one of the most well-known names in the business, making countless box office hits, landing critical success, and dozens of accolades along the way. So with the release of his latest film, Oppenheimer, coming out next week, Ryan and Erik invited Griffin on to talk about Nolan, and what the director has meant to the landscape of modern cinema and what their relationship is with his films. They also discuss his greatest strengths and weaknesses as a filmmaker, his influence (good or bad) on cinema, and talk about some of the favorite scenes from his films. They also give out their Nolan film rankings and give out their expectations going into not just his newest project, but what they would like to possibly see him do next.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h42m. The AwardsWatch Podcast will be back next week to discuss Mission: Impossible – Dead Reckoning Part One and talk about our Top 5 Tom Cruise performances. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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Welcome to Director Watch! On this brand new AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 1 of the Director Watch Podcast, they discuss the first film in their Todd Haynes series, Safe (1995).

After introducing the show, Ryan and Jay go into a review as to why Safe, Haynes’s second feature, is one of the most remarkable indie films of the 1990s. Released four years after his debut feature film Poison, Haynes makes a startling examination on a housewife slowly losing herself to a mysterious illness caused by the daily environment she lives in. Led by an all-time performance from Julianne Moore, Safe was a film that not only brought together this iconic director-actor duo for the first time, but both were brought to the attention of audiences around the world and would set the stage for their incredible careers going forward. We dive into the film’s themes, its lingering questions, the impeccable blocking by Haynes and his cinematographer Alex Nepomniaschy, if Julianne Moore is the greatest actress of the last thirty years and a whole lot more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h39m. We will be back next week to continue their Todd Haynes series with a look at 1998's Velvet Goldmine. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 191 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster to discuss our predictions for the 2023 Emmy nominations.

Taking a break from movies for this week, the Television Academy will announce the nominations for the 75th Emmy Awards on July 12th. The AW team, led by Erik and Tyler, have put together an amazing season so far of coverage on the site, with reviews, interviews and prediction pieces that cover the wide range of television that is up for this year’s Emmys. A lot of shows said goodbye this year – like Succession, Better Call Saul, and Ted Lasso - but there are a ton new shows that have become popular, some just within the time of voting. It will be very interesting to see which shows and artists get nominated and which will be snub in this massive fields of talent.

In a lengthy but spirited and informative episode, Ryan, Erik, and Tyler break down who they think will get nominated in the major, televised categories for Limited or Anthology Series or Movie, Comedy Series, and Drama Series. While they agreed on a lot, there were some deviations in their predictions that led to an entertaining conversation as to what each editor thinks will be considered by the voters this year.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h30m. We will be back next week to discuss Mission: Impossible – Dead Reckoning Part One and talk about our Top 5 Tom Cruise performances. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 190 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Zach Laws to review Indiana Jones and the Dial of Destiny and talk about their favorite films of 2023 so far.

With the upcoming 4th of July holiday this week, families are usually trying to beat the heat and heading for the movies, with the big release this year being the latest entry in the beloved Indiana Jones franchise. Though the film received a mixed reception coming out of the Cannes Film Festival, our critic Ben Rolph was overall positive on the film in his review, stating that the film is a “thrilling joyride down memory lane as Ford puts the hat on for one last time.” And while audiences seem to be enjoying the film, it is on course to be yet another box office disaster this summer, and potential the first big bomb in our AW Summer Movie Draft of the films selected. Our podcast team break down the 5th entry, which finds Ford working alongside the always sensational Phoebe Waller-Bridge in the current day of the film's setting (1969) and with director James Mangold (Ford v Ferrari) utilizing some questionable de-aging technology to send Ford back to 1944 to play the character at a younger age, battling Nazis once again. You can also see Zach's breakdown and ranking of all five Indiana Jones films here.

After the Indy talk, since we are at the half point of the year, the AW team discussed some of their favorite films and performances of the year, and why you should catch up on them if you haven’t seen them already. Around twenty titles were mentioned including Past Lives, Air, Are You There God? It’s Me, Margaret, Asteroid City, John Wick: Chapter 4, Spider-Man: Across the Spider-Verse, and many more. Then the team briefly moves on to mentioning a couple of titles they are still looking forward to in 2023. Summer is going by fast and before you know we’ll enter in the Fall movie season; it’ll be here before we all know it.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h50m. We will be back next week to give out our final 2023 Emmy nomination predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 189 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer and Zach Laws to discuss Wes Anderson’s latest film, Asteroid City, and then talk about the director’s top 5 films of his career so far.

Before the group go down the Wes Anderson rabbit hole, with June coming to a close, it was time to give another update in the AW Summer Movie Draft. While Team Ryan still holds the lead over Team Erik, it is all going to come down to a busy July and August at the movies to decide the winner. What can be seen though are some interesting domestic and international trends that could benefit or fail both teams going down the wire. Should lead to an exciting finish.

Moving on to the main portion of the show, Wes Anderson’s Asteroid City hit theaters wide this past weekend and has garnered critical and commercial acclaim yet again for the highly celebrated career of the talented writer-director. In our review out of Cannes from earlier this year, our writer Ben Rolph called the film “a wonderfully rousing and whimsical ride of idiosyncrasies,” and our podcast team couldn’t agree more, proclaiming one of the best films of the year so far. After talking about Asteroid City, they then broke down Anderson’s filmography by giving out their picks for their top five Wes Anderson films, which included Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, Rushmore, and more. You can also read Zach's piece ranking all 11 Wes Anderson films, Everything in its right place: Ranking the films of Wes Anderson from ‘Bottle Rocket’ to ‘Asteroid City’.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h14m. We will be back next week to review Indiana Jones and the Dial of Destiny and talk about our favorite films of 2023 so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 188 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Nicole Ackman to review Pixar’s Elemental and take their first look at the 2024 Oscar Season.

Before getting into the meat of this episode, big news out of Hollywood this past week as the Golden Globes were bought out by Dick Clark productions and the HFPA has been dispensed. It is a big revelation as the Globes are still in an ongoing struggle to move on from their checkered past. The team discuss what this could all mean going forward for this year’s telecast as well as the future of their voting body.

After that, they moved on to talk about this weekend’s releases, with Nicole giving brief thoughts on WB’s The Flash, and the group at large talking about Elemental, both which underperformed at the box office. While the DCEU seems to be crumbling before our very eyes with each new entry in the franchise, Pixar seems to be at a crossroads as Elemental received good reviews but had the lowest opening weekend box office returns in the studio’s history. Part of it could be the film, or Pixar’s recent decisions to put their films on Disney+. Either way, the team talk about what they liked and didn’t like from the film and the studio’s future.

Usually when a Pixar film releases, this means we could talk about its Oscar chances or even potential win in the Best Animated Category. But since Elemental underwhelmed and Across the Spider-verse has exceeded expectations, it seems like we have our animated frontrunner that also has a small chance to get into Best Picture. Speak of that, since we are closing in at the halfway point of the year, and we are living in a post Cannes Film Festival world, the team take a look at the films that have been released so far that could make it into the Best Picture lineup, followed by the films this fall that they think will be the ones to look out for to win the Oscar’s top prize.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h47m. We will be back next week to review Asteroid City and give out our Top 5 Wes Anderson films. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 187 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Dan Bayer, Zach Laws and Josh Parham conclude their tier ranking of the 95 Best Picture winners from the Academy Awards.

AwardsWatch Podcast #186: Tier Rankings of all Best Picture Oscar Winners – Part 1

In the second part of the Best Picture tier rankings, the AW team start in the 1960s and go all the way to the most recent winners of Best Picture. This is where our hosts and audience are able to talk about the films they have most likely seen the most, and see the expansion of the limited “S tier,” where compromise and sacrifices of some member’s favorites are placed lower than you would be expected. But there are plenty of surprises amongst the team, leading to a fascinating final ranking of these 95 films. A truly fun exercise getting to talk about some of the best (and not so great) winners of all time.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h21m. We will be back later next week to talk about Pixar’s Elemental and take an early look at the 2024 Oscars. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 186 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Dan Bayer, Zach Laws and Josh Parham to tier rank the 95 winners for Best Picture from the Academy Awards.

While this summer has provided some good films and the team has given out some fun top 5 lists inspired by them, the heart of AW is always the awards season, specifically what will win the Best Picture prize at the Oscars. So in a fun change of pace, the AW podcast team set out to tier rank the 95 films the Academy has handed out the prize of Best Picture to over their celebrated history. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place the films in the S (all time winner), A, B, C, D, or F tier and explain the ranking. The episode was so much fun that it had to be split into two parts, with this episode covering all the films up to 1960, placing a couple of classic in the S tier early on.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. We will be back later this week with Part 2 of the Best Picture Tier rankings. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 185 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman and Josh Parham to review Spider-Man: Across the Spider-Verse and give out their Top 5 Non-Disney/Pixar animated films.

Before diving into the Spider-verse, the gang went over the first month’s results of the 2023 Summer Movie Draft. After four titles released, Team Ryan has taken the lead, scoring more the 300 million dollars at the box office so far than the films selected by Team Erik. But there is still plenty of time for Erik’s team to come mount a comeback, as this summer’s box office seems to be rather unpredictable.

Moving over to the main review, it’s been five years since Spider-Man: Into the Spider-Verse debuted and not only became known as one of the best films of 2018, but is considered by many to be the best Spider-Man film ever released and an absolute masterpiece. So Across the Spider-Verse had a lot to live up to but based on the groups conversation, and our review on the website by Sophia Ciminello, this is a sequel you aren’t going to want to miss and sets up the potential of what could be one of the greatest trilogies of the 21st century.

After the review, the team gave out a list of their Top Non-Disney/Pixar animated films, inspired by the release of Across the Spider-Verse. It was a difficult list to make given that there are so many titles to choose from, thus the selection varied amongst the group, with selected titles including Fantastic Mr. Fox, The Iron Giant, Wolfwalkers, The Lego Movie, Your Name. Listen to the show to find out the full lists given by the AW team.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h03m. We will be back next week to do something new, a tier ranking episode where the podcast crew will rank each Best Picture winner. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 184 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributors Sophia Ciminello to discuss the series finales for HBO’s Barry and Succession.

Before getting into the main part of the episode, the 2023 Cannes Film Festival wrapped up with the winners announced this past Saturday. For the fourth Cannes in a row, NEON took home the Palme d’Or, the top prize of the festival for Justine Triet’s Anatomy of a Fall, with the runner up Grand Prize award going to Jonathan Glazer’s The Zone of Interest from A24. Other films of notable interest included Fallen Leaves, The Pot-au-Feu, and Monster. Expect a lot of these titles and more from the festivals make the rounds at Venice, Telluride and TIFF later this fall with upcoming podcasts to anticipate and follow.

Moving on, the last two months of television have brought audiences together for two of HBO’s recent flagship programs with Barry and Succession. After weeks of speculation, and years of episodes and awards, the two shows come to an end in epic fashion with what the panel believes might be two of the best finales in years. Ryan, Erik, Tyler, and Sophia break down what they love about these episodes, the shows at large, and give a look at how the 2023 Emmy season will look like with these two final seasons included.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h51m. We will be back next week to discuss the latest animated superhero film, Spider-Man Across the Spider-Verse. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 183 of The AwardsWatch Podcast, AW Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AW contributors Zach Laws and Catherine Gonzales to review Fast X and discuss the Fast and the Furious franchise as a whole. Before the gang gets behind the wheel of their Fast conversation, a big trailer dropped this past week for Martin Scorsese’s Killers of the Flower Moon, which will be released in theaters later in October. To put it mildly, it’s one of the best trailers of the year, and in light of the film’s premiere at the Cannes Film Festival, there was a lot to discuss.

‘Killers of the Flower Moon’ review: Martin Scorsese’s true American crime story of greed, murder and love may be his most empathetic | Cannes Moving on, the team got to dive deep into the latest entry in the Vin Diesel led action packed extravaganzas, Fast X. The franchise hits the home stretch, as this film alongside the eleventh and twelfth installment look to close out the long running story for Dom and his family, and there is plenty to talk about including, a fantastic new bad guy, tons of cameos, moments of absolute nonsense, and insane, over the top set pieces. Ryan, Erik, Zach and Catherine break it all down as well as give out their rankings for the franchise as a whole, say who their favorite and least favorite characters are, what is the dumbest moment in this franchise, and more.

‘Fast X’ review: The ‘Fast & Furious’ franchise may be running on fumes, but Jason Momoa makes it a fun ride Shut up and drive: ‘The Fast and the Furious’ franchise ranked

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h46m. We will be back next week to discuss the series finales of Barry and Succession, and take a look a little at the 2023 Emmys. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 182 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by TV Editor Tyler Doster and AwardsWatch contributor Sophia Ciminello to give out their Top 5 Romantic Comedies.

Coming off last week’s episode about Guardians of the Galaxy Vol. 3 and the groups Top 5 Comic Book Movies, the AW podcast switches over to talk about the latest entry in the romantic comedy genre, Book Club: The Next Chapter. Sophia was able to catch up with it and gave her brief thoughts on the film, which quickly turned into a side conversation on which streaming platform it would go onto and the news that Disney + and Hulu might be merging. Once off the side tangent, Ryan, Sophia, and Tyler delivered their Top 5 romantic comedies, with films ranging from About Time, Bull Durham, Roman Holiday, Something’s Gotta Give, Up in the Air, and so many more. If you love these movies just as much as they do, you aren’t going to want to miss this wonderful conversation.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h39m. We will be back next week to discuss the latest entry in the Fast and Furious franchise, Fast X. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 181 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello and Dan Bayer to talk about the latest film in the MCU, Guardians of the Galaxy Vol. 3, give out their Top 5 Comic Book Movies.

Coming off the heels of last week’s Summer Box Office Draft, a major trailer release that shifted the focus for film fans this week as the first trailer for Dune Part Two. The gang talked about it, what they liked and didn’t like about it, then shifted their focus to the Tony nominations, which were announced earlier in the week. Dan, with a little help from Sophia, broke down the nominations, their favorites of the nominees and who were the biggest snubs.

After that, Ryan and Sophia reviewed Guardians, talking about why they think it was a good time a theater, while also discussing a little why it underperformed at the box office domestically this past weekend. Once they are done talking about the film, the team gives out their Top 5 Comic Book Movies, which included not just comic book superhero films, but films that originated from graphic novels and mangas. Some of these titles included The Dark Knight, The Rocketeer, Josie and the Pussycats, Road to Perdition, X2, Edge of Tomorrow, and so many more, making for a fantastic conversation.

Tell us in the comments and on our social media pages what you think of each team’s picks and who you think is going to win.

Don't forget to subscribe for the new AwardsWatch Newsletter, a twice a week roundup of AW reviews, interviews, news, predictions, podcasts and more. Sign up here!

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h10m. We will be back next week to discuss our Top 5 romantic comedies, in honor of the release of Book Club: The Next Chapter (review by Sophia Ciminello here). Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 180 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributors Sophia Ciminello, Dan Bayer, Zach Laws, Josh Parham, Nicole Ackman, and Catherine Gonzales to take part in the 2023 Summer Box Office Draft. Returning for the second year in a row, the AW podcast team comes together to draft what they think will be the highest grossing films at the worldwide box office. Last year, Team Ryan came out on top, mostly due to the surprise box office hit that was Top Gun: Maverick. In the fall, Team Erik came back with a blowout victory in large part because of the other biggest film of 2022, Avatar: The Way of Water. With a new year comes new teams and an extra pick, along with a couple of surprises announced during the show, this summer season looks to be stacked with plenty of films for everyone to pick, as well as a lot of uncertainty in the selections.

For any first-time listeners, here is how the game goes. The two teams are comprised of our AW podcast crew – Team One: Ryan, Sophia, Zach, Josh, and Kevin (who couldn’t make it on the show) vs. Team Two: Erik, Tyler, Nicole, Dan, and Catherine. Each team built a strategy of what films we think will be the biggest summer hits of the year worldwide as well and factoring in what films will be the most critically lauded. For a fun bonus, each team presented the other with a ‘bomb’ pick; a film they think will tank and negatively impact the other team’s score.

Tell us in the comments and on our social media pages what you think of each team’s picks and who you think is going to win. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h28m. We will be back next week to discuss the latest film in the MCU, Guardians of the Galaxy: Volume 3. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 179 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Zach Laws to give their thoughts Beau Is Afraid and Evil Dead Rise, as well as answer some listener questions.

Director Ari Aster has become one of the most popular directors of the last ten years, creating his own brand of horror films with hits like Hereditary and Midsommar. With his third feature, he has made an anxiety filled dark comedy that is three hours long and packed with just about anything that can come from the director’s mind. By doing this, Aster has made the most divisive film of the year, one that team dive fully into with not just a discussion of the context of the film, but the discourse that has followed since its release. Once they are done, they give their brief reactions to the latest entry into the Evil Dead franchise.

Towards the end of the episode, the team answer some listener questions, with topics including movies that they ‘hate,’ going into detail as to what point of their viewing experience did they realize that didn’t like the movie. They also talk about their favorite films about ‘nature’ and what are some of their favorite needle drops in films.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h03m. We will be back next week the 2023 Summer Movie Draft. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 178 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributor Nicole Ackman, Dan Bayer, Zach Laws and Josh Parham to dive deep into another AW Oscar retrospective, covering the 2003 season which awarded The Lord of the Rings: The Return of the King the Best Picture of the year.

20 years ago, the Academy Awards were viewed by almost double the eyeballs of a modern telecast, and across the world people gathered to see Peter Jackson’s epic trilogy get awarded Hollywood’s top prize. Not only did Return of the King win Best Picture, but it went on that night to win ten more Oscars for a grand total of eleven, a clean sweep, and tying it with 1997’s Titanic and 1959’s Ben-Hur for the most Oscar wins ever by a single film.

Ryan, Nicole, Dan, Zach and Josh break down the year 2003 as a whole, see if Return of the King holds up as a good to great Best Picture winner, and talk about some of the best and worst nominations from the lineup. Throw in Oscar trivia and some “Should’ve, Could’ve, Would’ve” rounds to highlight who they would give the Oscar to and it's an extensive yet fun look back as the gang covers dozens of titles, filled with plenty of hot takes.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, iHeartRadio and more.

This podcast runs 2h27m. We will be back next week to review Ari Aster’s latest film, Beau Is Afraid. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 177 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributor Nicole Ackman and Dan Bayer give their thoughts Ben Affleck’s latest film, Air, as well as their Top 5 films that are ‘based on a true story.’

Since its premiere at SXSW, the buzz has been building for Ben Affleck’s Air, which is the story about how Nike was able to get the deal done with Michael Jordan to get the Air Jordan shoe deal done. With being a little box office surprise as well as being a critical success, the AW crew give their thoughts on the film overall and what they think works and doesn’t work. After the review, in a Top 5 list inspired by the Affleck’s latest directorial effort, as Ryan, Nicole and Dan breakdown their favorite films that are ‘based on a true story,’ speaking about a variety of films that include Moneyball, Dog Day Afternoon, The Last Duel, Malcolm X, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, iHeartRadio and more.

This podcast runs 2h29m. We will be back next week to do an Oscar retrospective episode covering the 76th Academy Awards, the films of 2003.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 176 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Sophia Ciminello, Josh Parham and Zach Laws review The Big Lebowski for its 25th anniversary, and give their Top 5 Coen brothers movies. At the top of the episode, the AW crew welcome Zach to the team, and he shares a little bit about himself before everyone goes right into their review of the Joel and Ethan Coen's LA-based, noir inspired comedy that is considered to be one of the best film of the 90s and an influential film from its time. Turning 25 years old, the team go into what makes the film so special after all these years and why it might be on their Top 5 list. And speaking of lists, with 18 films to choose from, and being among the most popular directors of all time, Ryan, Erik, Sophia, Josh and Zach count down their choices and examine which films they think are the Coen brothers' best.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, iHeartRadio and more.

This podcast runs 2h05m. We will be back next week to review Ben Affleck's Air and talk about our Top 5 ‘Based on a True Story’ films.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 175 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello and Kevin L. Lee give their thoughts on the latest film in the John Wick franchise, John Wick: Chapter 4, and discuss their Top 5 Action Movie Sequels.

After a week off due to the end of the Oscar season and SXSW, the AW podcast is back and ready to talk about the number one film in the world, John Wick: Chapter 4. In a spoiler free review, Ryan, Sophia and Kevin talk about their thoughts on the film overall, the action sequences, and where they want to see the franchise going forward.

‘John Wick: Chapter 4’ review: The operatic fourth edition of the action series proves that too much is never enough

In the second half of the show, in a Top 5 list inspired by the latest action vehicle from star Keanu Reeves, the team talk about their favorite action movie sequels. Some big titles were put in the penalty for each member of the team but overall, even with some crossover picks, there were plenty of titles mentioned and a great discussion over tons of great action movie sequels.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h59m. Next week we'll be doing a retro review of The Big Lebowski and talk about our Top 5 Coen Brothers movies. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 174 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Kevin L. Lee and Josh Parham to breakdown their thoughts on the 95th Academy Awards.

Well, the 2023 Oscar season has ended and it resulted with a historic night for A24’s Everything Everywhere All at Once winning seven Oscars including Best Picture. A day after its one-year anniversary at SXSW, the film carried its momentum a full year and landed the most above the line wins in Oscar history, as well as historic wins for the Daniels, Michelle Yeoh and Ke Huy Quan. But they weren’t the only ones who has a big night, as Netflix walked away with another impressive haul, including four wins for All Quiet on the Western Front. Recorded shortly after the telecast, Ryan, Dan, Kevin, and Josh cover every moment and stat the night have to offer and put a bow on another long but rewarding award season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h43m. We will be back next week to talk about the films that premiered at SXSW. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 173 of The AwardsWatch Podcast, AW Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AW contributor Sophia Ciminello give out their final predictions for the 2023 Academy Awards.

Well, there is no backing away now. We are in the final week of the Oscar season, leading up to the Oscars being handed out in just six days. As we stand, we are looking at what could be a history making night for A24’s Everything Everywhere All at Once, and the biggest question remains, how many Oscars do we think the film is going to go home with? There also are plenty of categories still wide open, making this one of the most exciting finishes to an Oscar season in years. Ryan, Erik, and Sophia break it all down and give out their final predictions, though they still have the right to change one or two things at the last second.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h42m. We will be back next week to wrap up the 95th Academy Awards. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 172 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Sophia Ciminello break down the winners of the 2023 SAG awards and where the Oscar race is at before the start of voting.

We are down to the final two weeks of the Oscar season, and it has become clear that we are heading towards a historic night at the 95th Academy Awards for A24’s Everything Everywhere All at Once. After it’s win last Saturday night at the Producers Guild of America (PGA), the little movie that could took home the most SAG awards in the Screen Actors Guild history on Sunday, with three acting prizes and Best Cast. This is a big change from the BAFTA awards the week before, and the perfect scenario for the film going into Oscar voting. Ryan, Dan, and Sophia break down the winners, what they mean for the overall race, the chaos of Best Supporting Actor, and tease a very long show next week with our final predictions.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h10m. We will be back next week to give our final Oscar predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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There is more than one queen that reigns over Wakanda. That queen is costume designer Ruth Carter, a 4-time Academy Award nominee (Black Panther: Wakanda Forever, Black Panther, Amistad and Malcolm X), and winner for 2018’s Black Panther. She is also an Emmy nominee for Roots, a 3-time Costume Designers Guild Award winner (Coming 2 America, Black Panther, Career Achievement Award), a 3-time Critics’ Choice Award winner (Black Panther, Dolemite Is My Name, Black Panther: Wakenda Forever), and so much more.

Carter is responsible for the iconic outfits that Marvel favorites like Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), Nakia (Lupita Nyong’o) wear. She was also tasked with creating the outfits for the newly-introduced world of Talokan, like Namor (Tenoch Huerta) and Namora (Mabel Cadena). Carter continues to raise the bar higher and higher, not only for the Marvel Cinematic Universe, but for any individual in the profession. In result, Carter was honored with her fourth individual Academy Award nomination for the film, where the film itself garnered five nominations (Best Supporting Actress, Best Original Song, Best Makeup and Hairstyling, Best Costume Design, Best Visual Effects).

When asked about The Hollywood Reporter article that was penned by The Woman King director Gina Prince-Bythewood around omissions of Black women for Academy Award nominations, Carter responded, “It’s not myopic representation. It’s global and I find representation in Bardo. I find representation in Everything Everywhere All At Once. I find representation in Pinocchio. I find representation in Camille Friend, in Angela Bassett, in myself, in Ludwig Göransson. There is a lack of representation of black voices and black images, and for that, I feel sad. Women directors, for that, I feel very sad. I do hail the efforts of those who have films that do speak to the Black community and such. I cannot turn my back on that type of representation as well this year.”

We will find out the winners of the Academy Awards on Sunday, March 12.

What’s next for Ms. Carter? She will continue to stay in the Marvel Cinematic Universe by designing for the reboot of Blade. While tight lipped, she did reveal that, “Mahershala [Ali] has been training for weeks… months. I think we are going to see another Mahershala that I haven’t seen yet because he is dedicated.” Blade will be directed by Yann Demange and will be released on September 6, 2024. Black Panther: Wakanda Forever stars Letitia Wright, Lupita Nyong'o, Critics’ Choice and Golden Globe winner Angela Bassett, Danai Gurira, Michaela Coel, Martin Freeman, and Julia Louis-Dreyfus. The film is currently streaming in the Academy screening room and on Disney+.

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On episode 171 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Dan Bayer break down the winners of the 2023 BAFTA Film Awards and DGA Awards and give their predictions for the upcoming SAG Awards.

With less than a month before the Oscars, the awards race has shifted its focused to the industry, where on Saturday night, The Daniels took home the top prize at the DGA and continued the storybook run for Everything Everywhere All at Once. But the Sunday came and the BAFTA chose to go a very different route, with Netflix’s All Quiet on the Western Front taking home seven awards including Best Feature. Alongside this came some pretty big upsets by the hands of The Banshees of Inisherin, leaving a lot of questions to be answered about what this means going forward in the race.

After a lengthy discussion on BAFTA, Ryan, Erik and Dan broke down who they think are going to win the SAG Awards next Sunday and if any of the BAFTA winners will carry over, thus placing some contenders in perfect position to win. Mix in some listener questions and you got the receipt of another jammed backed, fun show from the AW crew.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h47m. We will be back next week talk about some new releases and potentially another game. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 170 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Nicole Ackman, Sophia Ciminello and Dan Bayer review James Cameron’s Titanic and take a look back at the 1998 Oscars.

Over the past weekend, the epic, billion-dollar love story from director James Cameron returned to theaters for its 25th anniversary, and finish in the top five of the box office. Now as modern audiences are going back to Titanic again, the AW crew review the film, their history with it, and what it was like to see it on the big screen again.

Once the review is over, the team moved on to talking about the 1998 Oscars, where Titanic dominated the night with 11 Oscar wins, with Big Jim Cameron claiming he was “the king of the world.” But as the team look back, they talk about the other films that were nominated from the 1997 film year, answer trivia questions about the ceremony and then play a game called “Should’ve, Would’ve, Could’ve,” in which each host say which of the nominees they would pick as the winner, and then who they would replace in the category alongside which film/performance they would replace it with. It was a lot of fun hearing all the fascinating answers selected by all the AW team on the show.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h22m. We will be back next week to talk about the BAFTA and DGA winners plus SAG predictions. Till then, let’s get into it.

Music: "My Heart Will Go On" (Love Theme from Titanic sung by Celine Dion) via Columbia/Sony Music Entertainment Canada Inc. (intro) and "Hymn To The Sea" (Music From The Motion Picture music by James Horner) via Sony Soundtracks (outro).

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On episode 169 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Josh Parham review the latest film from director M. Night Shyamalan, Knock at the Cabin, and talk about their favorite twist endings.

Jumping right into things, the crew jump into Knock at the Cabin, the first film to take down Avatar: The Way of Water at the box office. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, and follows a gay couple and their daughter vacationing at a remote cabin, but things take a turn for the worse when they are held hostage by four strangers, who demand they sacrifice one of their own to prevent the apocalypse. In the follow up to Old, Shyamalan adapts the best-selling novel by Paul G. Tremblay, and based on the reception on the podcast and audiences around the world, the film has garnered a mixed reception, thus leading to a very detailed, SPOILER-FILLED discussion. Josh also wrote the review for the film, which you can read on the site right now.

After the review of the film, Ryan, Erik and Josh talked about some of their favorite films that featured a twist ending. They also discussed the various degrees a twist is used in a film, the various genres that use them well, directors who are known for them, and which films also had some pretty bad twists the ruined the whole experience. As they signed off the week, they gave a little prediction for next week’s Super Bowl and picked which films from the 2023 slate they would like to see a trailer drop for during the big game.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h16m. We will be back next week talk about the re-release of Titanic and to do a retrospective on the 1998 Oscar season. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 168 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Kevin L. Lee give their reactions to the best and worst films they saw for the 2023 Sundance Film Festival.

Before the guys get into their Sundance discussion, they briefly give their thoughts on the ongoing conversations surround last week’s Oscar nominations. It was announced that the Academy would be doing an investigation into the campaign practices surrounding Andrea Riseborough’s nomination. We will know more in the coming days, but until then, Ryan, Erik and Kevin take a little time to talk about all the angles of this story and what could potentially happen.

Moving on from there, the crew talk about the Sundance Film Festival, were there over 110 films featured across the in person and virtual programs. In our first look at the independent films releasing in 2023, there were a ton of fine films they may have not hit the mark entirely, but enough gems for a great discussion. First up is a discussion of a Sundance selection that just released in Brandon Cronenberg’s Infinity Pool, which led to a balanced conversation of the positives and negatives of the film (you can read Kevin's review here). From there over a dozen of films are mentioned, there is plenty to look forward to within the next couple of months.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h44m. We will be back next week talk about some new releases and potential a game. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 167 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and special guest Mark Johnson (Editor, film critic, and Oscar prognosticator at Awards Daily) give their reactions 2023 Oscar nominations.

Well they are finally here, the nominations for the 95th Academy Awards. All the buildup and anticipation led to the nominations announced on the morning of January 24, and there were plenty of great, history making moments from these batch on nominees as well as a lot of misses, snubs, and one wild nomination that has sparked a massive conversation. Ryan, Erik, and Mark leave no stone unturned and break down all the aspects of these nominations, who came out looking the best, and who is the strongest going into the next phase of the Oscar season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h24m. We will be back next week to give our reactions to the 2023 Oscar nominations. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 166 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Sophia Ciminello, Josh Parham and Dan Bayer give their final 2023 Oscar nomination predictions.

With the final pieces of the puzzle announced this week with the BAFTA nominations, the AW crew have come together to the longest episode to date to discuss all of the predictions for the feature length categories for the Oscar. Everything Everywhere All at Once, The Banshees of Inisherin, and The Fabelmans look to be the three leading contenders to lead the nominations tally come next Tuesday, January 24, 2023. But will another film emerge to take the top spot with the most nominations? Who are going to get into all the acting categories? Who is the fifth spot in Director and Original Screenplay going to be? What are the team’s ‘no guts, no glory’ picks? All of the answers to these questions and more are broken down category by category with plenty of reason and details to support each team member’s answers. It’s the must listen episode of the season so far.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 4h 9m. We will be back next week to give our reactions to the 2023 Oscar nominations. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 165 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman and Dan Bayer discuss the biggest week of the Oscar season so far with SAG, PGA, and DGA nominations released.

Before they get into the guilds, the team circle back to the beginning of the week with their reactions to the Golden Globes. Between the speeches, winners, and overall vibes of the show, the Globes were everything they said it would be, even if the winners were a little more predictable than they thought they would be.

Going to the news of the week, the Screen Actors Guild (SAG) announced not only their 2023 nominations, but they announced that they will be streaming exclusively on Netflix for the foreseeable future, starting on their YouTube page this year before making it to the full platform next year. Ryan, Erik, Nicole and Dan break down this news, as well as the shocking misses and inclusions in their crop of nominations, as well as some interesting scenarios that could possible happen on Oscar nomination morning. They moved on to talk about the Producer Guild (PGA) and Directors Guild (DGA) nominations, and who they think might be in right now and which films or filmmakers are on the outside looking in.

This conversation serves at the appetizer to this week, as the Critics Choice winners and BAFTA nominations will be announced by the time they record next for the final episode before Oscar nominations.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h52m. We will be back next week to give our Oscar Nomination predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

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On episode 164 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Sophia Ciminello, Dan Bayer and special guest, Kevin Jacobsen (host of And the Runner Up Is) give their predictions for the 2023 Golden Globes

Before the gang get into their predictions, Ryan, Erik, Sophia and Dan give their thoughts on the first major release of 2023, the horror-comedy M3GAN. Talked about already as a new camp classic, they go through their brief reactions to this wild little film, which they all can’t wait to see the next film featuring the new horror icon.

Moving on from there, the full group talks about their Golden Globe predictions. While they are a wild, controversial bunch, this will be marked as the first big televised event of award season, and could be big for many films that need to keep up or get some momentum in the race. First up were the television categories, followed by the film categories. The group picks were a mixture of safe plays and big swings, leading to a fun conversation. Stay tuned for the end of the episode, as everyone gives their wild prediction for what might come on SAG nomination morning.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h31m. We will be back next week to give our reactions to the Golden Globe winners, as well as PGA and DGA nominations. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) and the Original Motion Picture Soundtrack of The Banshees of Inisherin by Carter Burwell used with permission.

This podcast is sponsored by Searchlight Pictures presenting The Banshees of Inisherin – one of the best reviewed films of the year with a 97% on Rotten Tomatoes, a Metacritic “Must See” film, and named one of the top 10 films of the year by the National Board of Review. Now nominated for nine Critic’s Choice Awards including Best Director Martin McDonagh, Best Actor Colin Farrell, Best Screenplay, and Best Feckin’ Picture of the Year. For your consideration in all categories.

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On episode 163 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer and Kevin Lee to talk about their favorites of 2022.

In the first episode of 2023, the AW crew takes a look back at their favorite movies, performances and theater going experiences of the past year. Lots of love for Aftersun, RRR, TÁR, The Fabelmans. Nope, and more as they also talked about their favorite scenes of the year, favorite opening/endings, and what it means when a movie moves you emotionally over others you see throughout the year. At the end of the conversation, they also mentioned the movies they are looking forward to seeing the most in 2023 too.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.This podcast runs 2h. We will be back next week to give our Golden Globe predictions and talk about M3GAN! Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) and "Speak Up" by Hildur Guðnadóttir from Original Motion Picture Soundtrack of Women Talking used by permission.

This podcast is sponsored by the United Artists Releasing film Women Talking. Critics hail Sarah Polley’s Women Talking as “Unlike Any Film You’ve Seen Before” and “One of the Cinematic Events of the Year,” and it is now nominated for 6 Critics’ Choice Awards including Best Picture.

Starring Rooney Mara, Claire Foy, Jessie Buckley, Ben Whishaw, and Frances McDormand, Women Talking has also been named one of the 2022 AFI AWARDS Movies of the Year, one of the Top Films of the Year and winner of Best Ensemble by the National Board of Review, and is nominated for Three Independent Spirit Awards, Including Best Feature. For Your Consideration in all categories including Best Picture.

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On episode 162 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Dan Bayer to give their Oscar Shortlist predictions.

Before they get into the main show, the guys break down the 2023 Golden Globe, Critics Choice, and Hollywood Critics Association nominations that were announced this week, including the films and performances that got snubbed, and which films had the strongest showings. After that brief discussion, Ryan, Erik and Dan dive into their Oscar shortlist predictions, which will be announced on Wednesday, December 21, 2022. The shortlists are always a good glimpse into what the voters are considering for the overall nominations that will be revealed on January 24, 2023. The categories include Documentary Feature, International Feature, Makeup and Hairstyling, Visual Effects, Sound, Original Score, and Original Song.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs a zippy 1h15m. We will be off next week for the holiday but will be back at the start of the new year! Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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On episode 161 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer and Josh Parham to talk about the latest critic’s awards winners including NBR and AFI and answers some listener questions.

Another busy week within the latest phase of award season, as the National Board of Review (NBR), American Film Institute (AFI), and various critic’s voting bodies including Los Angeles Film Critics (LAFCA) announced their winners this week, with Everything Everywhere All at Once, The Banshees of Inisherin, TÁR, and RRR have very strong showings across the week. The team breakdown these wins and what they mean for the Oscar race.

After this discussion, which was recorded Sunday before Golden Globe nominations (see full noms here), the gang move on to listener questions that cover Brendan Fraser’s nomination status with the Hollywood Foreign Press Association, what they would love to see nominated for Best Comedy/Musical at the Globes, and their favorite moments in Globes history. They also talk about TÁR’s Oscar chances, if Michelle Williams would’ve swept the season if she was in the Best Supporting Actress race, and the state of the race for Netflix’s Best Picture chances.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h17m. We will be back later this week with our reactions to the Golden Globe nominations. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

This podcast is sponsored by Amazon Studios presenting Thirteen Lives from director/producer Ron Howard, and starring Viggo Mortensen, Colin Farrell, and Joel Edgerton. Thirteen Lives recounts the effort to rescue a Thai soccer team trapped in a cave during an unexpected storm. Vanity Fair calls it "a pulse-pounding, incredibly detailed recreation of a remarkable global event" Thirteen Lives is streaming now on Prime Video.

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On episode 160 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello and Dan Bayer to talk about the first wave of awards and nominations handed out this award season and answer listener questions.

Right at the start of the show, the AW crew discuss the trailer to the horror-comedy Cocaine Bear, which looks like a new camp classic in the making. Once that discussion was over, they moved on to talking about the Gotham Award and New York Film Critic Circle winners that were announced this week, and the Independent Spirit Award nominations that were released last week. A lot of love for titles from A24, especially Everything Everywhere All at Once, which managed wins and nominations across all of these three events. The same goes for Todd Field’s TÁR, which is looking like it could become the critical darling of the year. It was a lively conversation, covering all the aspects of how the beginning of the race is playing out so far.

As that discussion wrapped up, the gang tackled some listener questions which talked about the evolving Best Actor race, film they can’t wait to show their families over the holidays, and who got a major bump from the nominations and wins over the last two weeks. They also gave some early predictions for who they think will be nominated for Best Stunt Ensemble for the SAG Awards.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h44m. Good to be back and we will be back next week. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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On episode 159 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined AwardsWatch contributors Dan Bayer and Josh Parham to discuss the Grammy nominations and Thanksgiving related topics.

The 2023 Grammy nominations were announced this past week, with some of the biggest artists in music making history with their nominations. The top nominees included Beyoncé, Kendrick Lamar, Adele, ABBA, Brandi Carlile. The guys talk (to the best their ability) about the nominations and who some of the Best New Artists are.

Next up, the crew speak about their favorite Thanksgiving traditions they do with their families as well as their favorite food item to eat during their Thanksgiving meal. They also discuss what movie related plans they have for the holiday and what they are most thankful for as a film critic.

Lastly, the AW gang answer some listener questions, ranging from which artist from this current Oscar season would they bring to Thanksgiving to who they think will be the next person to complete the EGOT. They also discuss the Best Picture chances for Guillermo del Toro's Pinocchio and what are their current top 3 in their current Best Picture rankings.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h27m. We will be off next week due to the Thanksgiving weekend. Without further ado, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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On episode 158 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined AwardsWatch contributors Dan Bayer, Kevin L. Lee, and Nicole Ackman to discuss the latest film in the MCU, Black Panther: Wakanda Forever, and talk about their favorite sequels of all time.

The second to last big budget spectacle on the 2022 calendar has released with Marvel’s Black Panther: Wakanda Forever, the sequel to the 2018 Oscar winning, global sensation. Following the death of actor Chadwick Boseman, director Ryan Coogler and company had an enormous task on their hand in crafting this film, with many other obstacles other than just Boseman in their way in the process of bringing this film to screen. With all of this said, Coogler has delivered a film many critics and audiences believe to be the strongest film in Phase 4 of the MCU, and another great installment in the overall franchise. But do our hosts feel the same way? Listen and find out, it is a fascinating, well rounded discussion. After this review, do a fun segment talking about some of their favorite sequels of all time. Lots of fun variety in their choices.

Lastly, the AW gang had some time for listener questions covering their biggest annoyance so far in this award season, as well as what films they would be happy to see a sequel to. They also talked about the best costumes they’ve ever seen in a movie, if John Williams will miss a Best Original Score nomination for The Fabelmans, and what their current outlook on the Best Supporting Actor race looks like right now.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, YouTube and more. This podcast runs 2h21m. Bit on the long side but it was a lot of fun recording this one. Without further ado, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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On episode 157 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson to break down the films they saw at the 2022 AFI Film Festival.

Located in beautiful Los Angeles, California, the AFI Film Festival marks the end of the Fall film festival season, and has a lineup of films expected to enchant audiences as well as be real players within the awards race. Ryan and Erik break down their thoughts on titles like Bardo, Pinocchio, Devotion, "Sr.," The Fabelmans, and more, as well as give a little bit of insight in how they can see some of these titles play out above and below the line at the Oscars this year.

2022 AFI FEST reviews You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 55m. We will be back next week with the AW team as we talk about Black Panther: Wakanda Forever. Until then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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On episode 157 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson to break down the films they saw at the 2022 AFI Film Festival.

2022 AFI FEST reviews You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 55m. We will be back next week with the AW team as we talk about Black Panther: Wakanda Forever. Until then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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On episode 156 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributors Sophia Ciminello, Dan Bayer, Kevin L. Lee, Nicole Ackman and Josh Parham to do the Winter Movie Draft and answers some listener questions.

Back in the summer, on the first episode of the newly vamped AwardsWatch podcast, the AW gang divided up into two teams to do the Summer Movie Draft, trying to predict which team will have pick the highest grossing, best reviewed films of the summer. In doing so, Ryan’s team beat out Erik’s team thanks to Tom Cruise saving cinema with Top Gun: Maverick. Now with two months left in the film calendar, and tons of cinema left to see, Erik’s team looks for revenge in the new Fall Box Office draft while Ryan’s team looks to continue their winning ways from the summer. Lots of fun picks, including some hilarious “bomb” picks by each team.

Once the draft was over, the team moved over to some listener questions covering the above the line chances for The Whale and the overall Oscar chances for mid-budget films like The Woman King. They also discuss what are some changes to the Oscars ceremony they would make to make it more celebratory of the nominated films, which modern actors they would like to see in a rom-com, what classic, older films they would pair in a double feature with this year’s awards contenders, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h15m. Good to be back and we should have a new episode from Ryan and Erik live at the AFI Film Festival. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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On episode 155 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by TV Editor Tyler Doster and AwardsWatch contributors Dan Bayer, Sophia Ciminello and Kevin Lee to talk about their Top 5 Horror films of all time and answer some Halloween themed listener questions.

Since we have entered the month of October, the AW crew thought it would be a fun time to talk about some of the best films that have scared them over the years. The range of films mentioned within this extensive conversation span over multiple decades, directed by some of the best directors over all time, and are considered some of the best films ever made. Personal, passionate stories fill each pick by the five podcasters, making this top five conversation one of the best ones covered on the podcast so far.

Transitioning over to the listener questions, the team talk about their favorite Halloween candy and what movie themed costumes they have worn over the years, or could be wearing this year. They also talked about which films would be best to recommend for someone who isn’t into horror movies, the scariest films they have seen that aren’t in the horror genre, favorite horror creature, and the first horror movie that made each of them scared to go to sleep.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h23m. Lots of spooky talk on this week’s show, so without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

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On episode 154 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer, and Josh Parham to have an extensive conversation over the 2022 Best Actor and Actress races, as well as answer listener questions and play a fun new game.

Before the group get into their Oscar conversation, the results of the 2022 Summer Box Office Draft were announced, as well as the film the losing team will be watching as a ‘reward.’ There will be another draft in two weeks, as well as a review of the film selected for the losing team.

Jumping from there, Ryan, Erik, Nicole, Dan, and Josh gave their updated views on the ever-changing races for Best Actor and Actress. With a thin crop to pick from, the Best Actor race is looking to have a ton of new faces, with many surprises coming along the way. As for Actress, it is the most competitive, stacked category of the year with ten to fifteen performances vying for the five Oscar spots. These conversations were filled with tons of great insight, as we trek forward into another wild award season. [NOTE: this podcast was recording a day before the official announcement that Apple will release Emancipation, starring Oscar winner Will Smith, in December]

Moving along, the crew answered listener questions, starting with what they think Netflix should prioritize with their awards campaign. They also discuss what makes movies an important art, their early thoughts on the 2022 DGA nominees, what the Best Adapted Screenplay looks like, and what their favorite horror performances are. Lastly, they mention some contenders for the Best Original Score and Song categories for this year, as well as the influences of Golden Globes, who should host the Oscars, and many more questions.

And before they signed off, they played a new game called ‘This is NOT 40’ where they each take a turn in naming all the acting nominees that are under 40 years old. This went over really well and will be played in other iterations in the coming weeks.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h10m. It’s a long one but it needed to be after not having a show last week. So, without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

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On episode 153 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer, and Kevin Lee to talk about the best films from the 2022 Toronto International Film Festival, as well as give out their predictions for the TIFF Audience Award.

Over the past week, the Toronto International Film Festival has been shaping out the Oscar season with plenty of World premieres and North American premieres. Some of the big titles included Steven Spielberg’s The Fabelmans, Rian Johnson’s Glass Onion, the Viola Davis led The Woman King, and the Billy Eichner-led Bros. Other notable films included My Policeman, The Menu, The Inspection, Pearl, All Quiet on the Western Front, The Whale, The Son, Broker. These films and more were discussed by our panel, who were more than eager to discuss why many of these titles were some of the best and worst films of 2022 so far. They also gave out their predictions from the TIFF audience awards, which hadn’t been announced yet at the time of recording. Listen to see if any of them got the top three correct.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h59m. A little on the longer side this week about there was a lot of great cinema to cover. So without further ado, let’s get into it.

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On episode 152 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and TV Editor Tyler Doster to give their instant reactions to the winners and losers of the 74th Primetime Emmy Awards.

The 2022 Emmys have come to a close, with a three-hour telecast that left audiences mixed, though there were plenty of shocking moments, repeat winners, and a ton of history being made. Ryan, Erik, and Tyler break down the biggest winners of the night as well as the shows that underperformed, and what worked during the telecast and what didn’t. They also talk briefly about what could be in the running for next year’s Emmys, as well as their favorite moments and speeches of the show. Overall, a short conversation that put a bow on an Emmy season for the ages.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 39m. We will be back next week to discuss everything going on at TIFF and how things are looking for the upcoming Oscar race. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

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On episode 151 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson for a special in-person episode over their reactions to the films they saw at the Telluride Film Festival.

The 2022 awards season has begun. Last week marked the start of the Venice International Film Festival, and this past Labor Day weekend was the annual Telluride Film Festival. Celebrating its 49th year, Telluride has been the launching pad for many Oscar campaigns, and this year was no exception with movies like Women Talking, Empire of Light having their World Premieres at the festival, as well as the North American debuts of films like Bardo, TÁR, Bones and All, Broker, and more. Ryan and Erik covered the festival and had plenty of positive things to say about the titles they saw, as well as where they can see some of them playing out during the awards season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h07m. We will be back next week with our Emmys reaction episode. Till then, let’s get into it.

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On episode 150 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and TV Editor Tyler Doster as they give out their final predictions for the 2022 Emmy Awards.

Time has flown by quickly this summer, leading us to the final weeks before the Creative Arts Emmys on Saturday, September 3 and Sunday, September 4, then the Primetime Emmy Awards live on NBC on Monday, September 12, 2022. In previous episodes, Ryan, Erik, and Tyler have discussed all the possibilities of how things will play out within the Drama, Comedy, and Limited Series categories, and now it is the time to see who they think will take home the gold. With many shows never competing against one other, this is shaping to be a wild, unpredictable Emmys for many categories. Our hosts seemed to agree on most of the categories, but there were some disagreements that could very well lead to some shocking upsets if they come true.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h40m. We will be back next week with Ryan and Erik doing a live recording of the buzz from the Telluride Film Festival. Till then, let’s get into it.

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You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h40m. We will be back next week with Ryan and Erik doing a live recording of the buzz from the Telluride Film Festival. Till then, let’s get into it.

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On episode 149 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, as well as AwardsWatch contributor Sophia Ciminello to talk about their pre-fall festival Best Picture predictions and answer some listener questions.

The fall movie season is upon us, as the Venice Film Festival and the Telluride Film Festival are in less than two weeks and will kick off the new Oscar season. With this, Ryan, Erik, and Sophia dive deep into what they think the race for Best Picture will look like, and which films they think will make the line-up. This is a fun exercise in an evolving race that we will look back on and see if our group were right about their predictions, or if just how far off they were. Again, it is just August and most of these films haven’t been screened just yet, but it is also a good time to overview what will most likely be in competition for Hollywood’s biggest prize.

Before they leave, the trio answers some listener’s questions. They talk about the films that might end up on their Top Ten of the year list that have a zero percent, what films they are looking forward to at the Toronto International Film Festival, and name their favorite Oscar nominees that didn’t win or weren’t nominated for their best work.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h9m. We will be back next week with our final Emmy predictions. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

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On episode 148 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, and AwardsWatch contributors Nicole Ackman and Josh Parham, who gather to talk about film festival news, answer listener questions, and discuss their thoughts on the HBO Max/Discovery + and the ongoing struggles within the streaming service landscape.

Before the main topic this week, the group talk about some positive news stories that were announced this week, like the Academy naming producer Janet Yang at the new President of the Academy, our first look of Colman Domingo as Bayard Rustin in Rustin, TIFF announcing more films to their slate including WEIRD: The Al Yankovic Story, and NYFF will screen James Gray’s Armageddon Time and Noah Baumbach’s White Noise.

But all of that news was overshadowed by the drama with the merger of HBO and Discovery and the cancellation of the Batgirl movie that was about to wrap and head to post production with a premiere on HBO Max. This promoted the gang to talk about the good, the bad, extreme discomforts, and even confusion of this topic of the moment and what it means for the streaming services and their competitors in the business going forward.

Next up our weekly listener questions, where they are asked if they think Babylon will play at the fall festivals or just release in theaters, as well as The Fabelmans Oscar chances going in based on how West Side Story did for Steve Spielberg last year. They also talked about if Amsterdam will be a contender this award season, if this year’s acting nominations will be more diverse given the film landscape and choices become more diverse for consideration, and what their dream cast would be for a film.

Lastly, the AW podcast team played a new game simple titled ‘The Percentages Game,’ in which Ryan throws out a prompt and the group give him their percent chance that the prompt will happen. Topics include if Top Gun: Maverick will still be the highest grossing film of the year, if the Golden Globes will happen, if a female director will win Best Director for the third year in a row, and many more. It was a fun game and we would love if you sent in your own prompts for the next round by tweeting at either Ryan (@ryanmcquade77) or Erik (@awards_watch), and they will be answered on the next show.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h52m. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

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On episode 147 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor and Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributor Dan Bayer talk about their Top 5 favorite films in the Criterion Collection, Beyoncé’s new album, and the latest fall film festival announcements.

Ryan is back in the host chair, and right off the bat, the group discuss their thoughts on Beyoncé’s Renaissance, the long awaited follow up to her 2016 album Lemonade. They talk about their favorite songs on the album, and brief mention if it will have the momentum to get nominated for Album of the Year at next year’s Grammys.

Moving right along, the Venice Film Festival and the Toronto International Film Festival announcing a big chunk of their festival lineups, the table is set for a fun, chaotic fall festival slate. The group mention their observations between the two festivals and what they are looking forward to seeing the most, since Erik and Dan will be at TIFF in a little over a month from now.

On to the main topic of the show, which was supposed to be the main topic two weeks ago before Ryan got sick, which is a deep dive into their Top 5 films with the Criterion Collection. With thousands of films to choose from all around the world, the Criterion Collection has cemented itself as the go to place for film preservation and appreciation of physical media. And with the annual July Barnes and Noble sale ending, the group give out their 5 favorites within the collection, as well as a variety of stories to match each selection. Tons of great cinema was discussed, with even a running theme from Tyler that was absolutely delightful.

Last up this week are our weekly listener questions, and continuing with the theme of the show, the panel was asked what was their favorite non-Criterion Collection piece of physical media, as well as what films they would like to see added to the collection. They also gave out recommendations for first timers seeking out their entry point into the Criterion Collection, as well as what Best Picture winners they would like to see join the other eleven that are already a part of the famous collection. Finally, they talk about actors they would like to see get a second Oscar nomination.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h43m. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

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The AwardsWatch Podcast returns this week, with episode 146, as executive editor and host Ryan McQuade fell ill but, the trooper that he is, and who called in from the hospital (!), is here on this week's show with me back in the host seat (just this once). We are joined by Nicole Ackman, Dan Bayer and Josh Parham.

After a brief check in with Ryan we dive into this year's Comic-Con, which unveiled Marvel's closure of Phase 4 of their worldwide domination and the entering of Phases 5 and 6. While the con itself was a little light on actual content, the one that stood out was the very first trailer (and look of any kind) of Black Panther: Wakanda Forever. Stunning visuals, a performance from Angela Bassett that looks immediately memorable and quotable (hello, Keke Palmer!), this epic teaser took San Diego and the world by storm, racking up 15M views on the Marvel YouTube and 32.6M on its Twitter in less than 24 hours.

Up next is fall festivals news about what's going to be playing where, highlighted by the big surprise news last week that Steven Spielberg's semi-autobiographical film The Fabelmans will have its world premiere at the Toronto International Film Festival, his first-ever appearance there. Could it be the stage for a return to Oscar glory? It certainly won't hurt.

We move into Emmy talk is with the group looking at how the notorious 'vote-splitting' believers could rear their ugly heads in categories were few shows dominated. The White Lotus, Succession, Ted Lasso and Hacks all find themselves with the lion's share of acting nominations in several categories but does that mean they'll cancel each other out? Not so fast, as history has shown that not to be the case, especially when there are built-in frontrunners in more than one.

Opening this weekend with high anticipation and expectation was the latest from Oscar winner Jordan Peele (Get Out) with his sci-fi/horror and homage to directing greats, Nope, starring Oscar winner Daniel Kaluuya and Keke Palmer. Thoughts are wildly mixed among the panel (Nicole sits this one out as she hasn't seen it yet) with Josh (who reviewed the film for the site) liking it better on his second viewing, Ryan being a full-fledged superfan of the film, and Dan and I, who both liked it but with reservations about its screenplay hobbling it from being great. This conversation, which runs from the 52:00 mark to 1:22:50, is spoiler-heavy so if you haven't seen the film, skip on over.

Listener questions are next from Bryan Sudfield, S2S Movie Reviews, JacobK2022 and TV Fontaine who want to know our thoughts our favorite Emmy nominations and biggest snub, what's to be done about shows dominating Emmy categories, career comebacks like Cameron Diaz and why certain Oscar narratives fail and others succeed.

Next week's show will revisit the listener questions that went unanswered from two weeks prior, plus the group reveals their favorite Criterion releases ever.

This podcast runs 1h47m. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

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On episode 145 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor and Chief Erik Anderson, as well as AwardsWatch contributors Dan Bayer, Josh Parham and Kevin Lee to give their takes on Thor: Love and Thunder, answer some listener questions, and play a brand new game.

Before they get into their thoughts on the latest film in the MCU, there have been a lot of recent classic film anniversaries this year, and with Ryan seeing The Godfather on the big screen this past weekend, the group got to talk about some of their favorite moments of seeing classic films at their local art house theaters. This was a fun, informative discussion on how important these films and theaters can be in the landscape of modern cinema.

Getting into their review of Thor: Love and Thunder, the crew talk about the film overall, the performances, and the general look of the film from director Taika Waititi. Within this conversation, they talk about the vision of the MCU going forward, as well as the grand plan for this franchise, since many of the complaints by members on the podcast, and fans of the MCU, have been that these movies aren’t being executed to the level of care and consistency as a couple of years ago. It is a fascinating conversation that goes many places, even leading into a little more praise for Top Gun: Maverick by the end.

Next up were the weekly listener questions, and continuing with the theme of talking about the MCU, they discuss if the franchise is becoming over-saturated and is becoming too much. They then talk about their feelings on the Penny Marshall film A League of their Own, which is celebrating its 30th anniversary this year (check out our retrospective here). Then they reveal which fictional movie restaurant they would want to eat at, what movie they would like to see a documentary made about, and which superhero they would want Taron Egerton to play in the MCU.

Lastly, the group play a new game title, How to Name a Franchise and Get Away with It. The basic rules of the game are Ryan reads a name of a subtitle of a film and the other hosts name the franchise it is a part of. They play of round competitively till a winner is name, then a free for all with the final titles leads to some pretty hilarious, crazy film title reveals from the history of cinema.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h37m. Without further ado, let’s get into it.

Music: “Modern Fashion” used by permission from AShamaleuvmusic

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On episode 144 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson and TV Editor Tyler Doster as they give out their final Emmy nomination predictions before they are announced next week.

Over the course of the last three weeks, Ryan, Erik, and Tyler have discussed the 2022 Emmy landscape, talking about what they think is going to be nominated when it is all said and done. Well, this is the moment of truth, where all their prognosticating and lineup shifting of potential nominees in their respected categories comes to a halt. They break down who they think will be nominated in the Limited Series, Drama, and Comedy categories. While they do agree on a lot on this show, there are moments where they break from the group, which could lead to some fascinating surprised come nomination morning. They also give an update on who they think is the front runner still in the categories at this stage of the Emmy race. For a full rundown of Erik and Tyler’s Emmy nomination predictions, you can check them out on the website.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h17m. We will have a new podcast next Monday, as the AwardsWatch podcast team talks about Thor: Love and Thunder, answer some listener questions and plays some games. Till then, let’s get into it.

Music: “Modern Fashion” used by permission from AShamaleuvmusic

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On episode 143 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Nicole Ackman and Kevin Lee to give out their Top 5 most anticipated films remaining for 2022, answer some listener questions, and play a quick game.

A few weeks ago, the podcast crew talked about their favorite films of the year so far. As we cross over into July, we are starting the second half of 2022, where bigger budget spectacles release alongside all the films that will play apart within the awards season conversation. With this, Ryan, Nicole, and Kevin give out their top 5 most anticipated films remaining within the calendar year. From films like Blonde, Women Talking, Glass Onion: A Knives Out Mystery, Decision to Leave, Nope, Avatar: The Way of Water and many more are mentioned in this discussion, which shows a bountiful slate of films for all audiences to enjoy as well as provoke fascinating discussions.

Moving on from their top 5 lists, the group answers some wonderful listener questions, starting with if they would give Natalie Portman or Christian Bale a second Oscar from the work in their career (a question brought up because of the release of the upcoming Thor: Love and Thunder). Next, they talk about which non-English language performance from the last ten years they would give an Oscar nomination to. They also give out their top 3 Madonna songs, give an update on if The Whale will be released this year, and the Oscar chances for Nope. As things wrapped this segment up, they also talked about which actors they think will win a second acting Oscar, and what they think of the fourth season of Stranger Things.

Lastly, the three host play a quick round of Cinephile Filmography, competing over the films of the legendary Meryl Streep. It was a great reminder of just how many movies the three-time Oscar-winning actress has been in, including a lot of dramas and, more recently, musicals that provide a long, fascinating round. After they finish the game for the week, they each give a recommendation for readers and listeners to go watch right now

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h06m. So, without further ado, let’s get into it.

Music: "Modern Fashion" used by permission from AShamaleuvmusic

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On episode 142 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson, as well as AwardsWatch contributors Dan Bayer and Josh Parham to give deep with their thoughts about Elvis, give out their Top 3 music biopics, answer some listener questions and play a game.

Before they dive into Baz Luhrmann’s latest film, Ryan and Erik give a shout out to the AwardsWatch team, who have been working hard this entire Emmy season with reviews and interviews you can find on the website daily. Please continue to read everyone’s fantastic work weekly, as we will have more coming within the next couple of weeks.

Transitioning over to the conversation about Elvis, Erik and Dan speak to what work for them about in this film about the king of rock ‘n’ roll, while Ryan and Josh have some reservations about this film. Each host gave detailed, respectable opinions on a film that has divided some film critics and audiences, but has become a box office success this past weekend. After they speak on their thoughts about Elvis, the group breakdown their Top 3 music biopics and what makes them their favorites. Some of the films included were I’m Not There, Sid & Nancy, Coal Miner’s Daughter, Get On Up, Amadeus, and many more. Considering this is a bountiful sub-genre with plenty of films to select from, this was a conversation that covered a lot of ground.

In this week’s listener question segment, the hosts discuss Austin Butler’s Oscar chances for Elvis, as well as give out there ranking of Baz Luhrmann’s filmography. They then give their selections of which comedians they would like to see take their talents to the director’s chair, as well as which established they think will win an Oscar within the next ten years. Next, they answer which actors or actresses they think has way too many Oscar nominations, as well as which actor or actress they think is in need of getting there first Oscar. Lastly, in honor of TV Editor Tyler Doster, they choose which of Amy Adams nominated performances they would give her the Oscar for.

Then to wrap up the episode, they gang play another round of Part of the Ensemble, aka the SAG Ensemble game. While it is Dan and Josh’s first time playing the game, they picked up quickly, leaving to some good competition amongst the host, with even a couple of ensembles stumping them.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h01m. A little on the long side but another fun episode. So, without further ado, let’s get into it.

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You know what’s better than two podcasts in one week…three! On episode 141 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson and TV Editor Tyler Doster as they breakdown the Drama Series categories for the 2022 Emmys.

Unlike the comedy series categories, which were discussed on episode 140, the majority of the winners from last year’s categories are not in the race this year, given that The Crown has taken this year off to fill its final two seasons with a brand new cast. Many assume that this is the time for previous Best Drama Series winner Succession to come back and dominant the Emmy categories like it did two years ago. But a lot of great television has come out in that time, leaving a lot of uncertainty as to if the HBO drama has what it takes to take back its crown.

Ryan, Erik, and Tyler break down the directing, writing, acting, and series categories, and the various challengers like Ozark, Squid Game, Severance, Yellowjackets, Better Call Saul, Stranger Things, Yellowstone, and more that plan on taking on the Roy family come Emmy nomination morning and the night of the ceremony. While these predictions, like the previous Emmy episodes, aren’t set in stone, it was a fascinating conversation to see where the race is currently at, and what potential spoilers and dark horses lie in the weeds waiting to make their presence known.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h34m. The final predictions episode will land around a week ahead of the Emmy nominations announcing on July 12. Till then, let’s get into it.

"Modern Fashion" by AShamaluevMusic used with permission.

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Two podcasts in one week, what a treat. On episode 140 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson, TV Editor Tyler Doster, as well as AwardsWatch contributor, host of the And The Runner Up Is podcast, and the new Content Update Editor for Entertainment Weekly Kevin Jacobsen, as they break down the Comedy categories at this year’s Emmys.

On episode 137, it was alluded to how the Limited or Anthology Series or Movie portion of the Emmy race seemed to be a little lacking in competition. Well, have no fear because the Comedy Series races are chock full of recent winners, old favorites that are looking to come back strong, and new series looking to capitalize on their freshmen season success. Last year saw the Apple TV+ darling Ted Lasso and the HBO Max smash hit Hacks take home the majority of the awards, and with very strong second seasons, they look to continue their winning streaks.

But not so fast, as Barry season three has just wrapped up with one of the best season of television of the year, leading many to think it could be the one to beat when it comes to Emmy night. The Marvelous Mrs. Maisel, and Atlanta also returned with stellar efforts and have been previous winners in multiple categories. And there are newcomers in Only Murders in the Building, that led by a spectacular comedic trio, and Abbott Elementary, which could be stealing Lasso’s title as the most charming show on television, and showing one of the best ensembles of the year.

With also shows like What We Do in the Shadows, Russian Doll, The Flight Attendant, Reservation Dogs, Insecure, Julia, Curb Your Enthusiasm, black-ish, Our Flag Means Death, Peacemaker, and many more trying to compete for limited nomination spots, this is the most stacked Comedy Series categories we’ve had in years. Thus, Ryan, Erik, Tyler, and Kevin have tons to break down, with plenty of fantastic insight into how they see each category and show shaping out, and a lot of painful omissions from their new wave of predictions.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h40m. The Drama Series Categories episode will be released sometime soon, but in the meantime, please check out all of our Emmy nomination predictions and interviews on the website. Now, let’s get into it.

"Modern Fashion" courtesy of AShamaluevMusic and used by permission

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On episode 139 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson, TV Editor Tyler Doster, and AwardsWatch contributors Sophia Ciminello to discuss what they have been recently watching their Top 5 Pixar Movies, as well as some listener questions and a brand new game.

First up is an update within the 2022 AwardsWatch Summer Movie Draft. While it is early in the game, Ryan’s team has a wide margin ahead of Erik’s team, who still have plenty of time to catch up. Winner of this competition will be announced at the end of August. Since it has been a couple of episodes since everyone talked about movies, Ryan, Erik, Tyler and Sophia each give out some thoughts on some recent releases, including Jurassic World Dominion, Cha Cha Real Smooth, Lightyear, and so much more.

Speaking of Lightyear, it was a good transition for everyone to talk about their Top 5 Pixar Movies. Pixar is a staple not just within the world of animation but for each of our hosts, thus as they talk about their favorite films from the studio, they not only talk about their moments of joy in seeing these films, but they also talk about the moments that moved them to their core. It is a beautiful conversation you aren’t going to want to miss.

For this week’s listener questions, the crew talked about the Oscar chances for Dakota Johnson and her latest film, Cha Cha Real Smooth, as well as the Oscar prospects for international smash hit, RRR. They also answer a question about what films, actors, or directors that they think of when they think of each other. This lead to some pretty interesting choices for each host.

Finally, the gang play a brand new game called Part of the Ensemble. The game goes as so; Ryan reads a list of actor’s names from nominated casts for Best Ensemble in a Film at the SAG Awards. He starts with someone lesser known in the cast, one at a time, till one of the other hosts buzzes in with their guess. It is a lot of fun and something they plan on doing again, next time on the television side.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h09m. This is a little bit on the long side but we are really proud of this one. Without further ado, let’s get into it.

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That was two-time Emmy winner Elisabeth Moss invoking the iconic Maggie Smith line from Downton Abbey as we began our chat on a Sunday morning. Reminding ourselves that we aren't in chosen industries where phrases like 'weekends' and 'business hours' are non-existent, it's a funny icebreaker before diving into talking about her work.

Moss may play some of film and television's most taunted and tormented characters but she as opposite of that in possible in real life. Jovial and effervescent (I don't think I've interviewed someone who laughs as much), our conversation digs into her new role and new show Shining Girls, which recently finished airing on AppleTV+. Moss plays Kirby Mazrachi, an archivist for a Chicago newspaper in the mid-90s who was savagely attacked six years prior. When a recent murder is discovered to have a similar calling card to her own assault, she forges a bond with a reporter (played by Wagner Moura) to find and nab the killer (Jamie Bell).

We jump right into the fact that the show throws the audience into this story, one of split personalities, time shifting and time travel, and gives them just enough information to stay afloat, much like Kirby herself. Often as an audience we're one step ahead of our protagonist but in Shining Girls, based on the novel by Lauren Beukes and from showrunner Silka Luisa, the viewer is a part of the unfolding mystery and sharing in the suspense.

Moss received the script back in 2018 ("I just thought it was the coolest thing") to act in and produce, but her time behind the camera on The Handmaid's Tale more than prepared her to helm this new project that features all women directors; Moss is joined by Michelle MacLaren (Game of Thrones, Breaking Bad) and Daina Reid (The Handmaid's Tale) as well as a crew largely comprised of women ("It was just the natural thing to do...and all the best people for the job were women") and talk about the ever-important penultimate episode, .

We of course dive into working with her co-stars Wagner Moura, aka "Wag," who Moss says is "so unbelievably alive, he's so facile. He has a presence that is absolutely electric." On Bell, playing heavily against type as the series bad guy, she remarks, "This is the best performance he has ever given. I think that man is going to be somebody who is going to win an Oscar."

This is AwardsWatch so I would be remiss if I didn't take a look at how Moss is poised to make Emmy history if she's nominated for her performance in Shining Girls. She is currently tied with 10 women who have earned Lead Actress in a Drama Series Emmy nominations for two different shows, including Glenn Close, Connie Britton and Barbara Stanwyck. Moss earned lead actress nominations for Mad Men and The Handmaid's Tale, winning for the latter. She would be in a place all her own if she can nab a nom this year for a third show.

Listen to our conversation below. Major spoilers of the series in the last third of the interview so if you haven't seen the show, I recommend it.

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On episode 138 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, as well as AwardsWatch contributors Dan Bayer and Nicole Ackman to break down all the winners and major moments within the 2022 Tony Awards.

Before the group gets to the Tony Awards, there was a major casting announcement this past week that made Erik lose his mind and that they had to talk about. Per reports from all major outlets, it was confirmed that two-time Emmy Award winner Julie Garner has accepted the role within the upcoming Madonna bio-pic, which will be directed by the pop icon. While the film is still in pre-production, this didn’t stop the gang (mostly Erik) from bragging about getting this casting correct, and what they would like to see covered within the film once it is release. Doesn’t have to be good, you all know we will be covering it when it comes out.

Beyond this piece of film news, the rest of the show is dedicated to the 75th Annual Tony Awards, which took place at Radio City Music Hall just last night. The show was hosted by recent Academy Award winner Ariana DeBose, who the panel agreed was a fantastic choice as host and should return to host this show and any other award show. They went over who won the top prizes of the night, as well as the performances for the nominated revival and new musicals, which showcased the best that Broadway had to offer. On the musical side, A Strange Loop, MJ, and Company walked award with the most Tonys on the night, while on the stage play side of things, it was a big night for the Sam Mendes drama, The Lehman Trilogy.

Not only was every big moment of this show covered by the group, but they also talked about what this Tonys telecast could mean for the upcoming Oscars telecast, in terms of being a confident show that is willing to embrace what they are and who they are putting on a show for. It was a very knowledgeable, well rounded discussion on Broadways biggest night. For a full list of the winners, please read Erik’s piece on the show which includes all the winners on the night.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h12m. Movie and TV talk, as well as listener questions and games will be back next week. Till then, let’s get into it.

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A change of pace for this special edition of the AwardsWatch Podcast as it's not only all about the Emmys, it's dropping on a Friday. Don't worry, we'll still have the Monday edition, too.

The first of many Emmy podcast to come this season, AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and TV Editor Tyler Doster take on the top categories in the Limited or Anthology Series or Movie section, which has some very contentious and tough races as we enter the nomination voting period next week.

Hulu is a dominant factor in this year's races with Dopesick, The Dropout, Pam and Tommy, The Girl from Plainville, Candy, WeCrashed and Under the Banner of Heaven (FX on Hulu) all fighting several networks, streamers and programs, as well as with itself.

As is often the case, Lead Actress in a Limited or Anthology Series or Movie is proving to be the most competitive. While a few names feel locked in like Amanda Seyfried (The Dropout), Best Actress Oscar winner Jessica Chastain (Scenes from a Marriage) and Margaret Qualley (Maid), the rest of the field is packed with previous Emmy winners like Viola Davis (The First Lady), Gillian Anderson (The First Lady), Claire Foy (A Very British Scandal), Julia Garner (Inventing Anna) and Toni Collette (The Staircase) as well as Oscar winners (a category Davis also falls under) Anne Hathaway (WeCrashed) and Julia Roberts (Gaslit). But with only six spots, who's in and who's out?

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h 4m. Let's get into it.

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On episode 136 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Nicole Ackman and Josh Parham, as they review talk about their favorite films of 2022 so far, answer listener questions, and play some games.

While everyone is catching up with Top Gun: Maverick in theaters right now, the AwardsWatch podcast crew decided to talk about some of the favorite films, performances, scenes and more of 2022, considering we are very close to the half way point of the film year. Between Everything Everywhere All at Once, The Batman, After Yang, Benediction, RRR, The Northman, Kimi and more, the year has given our team a lot to talk about that they agree on. But they also mentioned some out of the box picks, as well as talked about some films that will be coming out soon that they saw earlier this year at film festivals. It will be interesting to see if any of these selections remain in tack once everything is the fall is seen and they do their end of the year lists.

Moving over to this week’s listener questions, the group talk about their favorite LGBTQ+ films, in honor of Pride Month. They also decided who would win in a fight between AwardsWatch editors Erik Anderson and Ryan McQuade, as well as answer what their favorite interviews or reviews of their careers are, as well as their most memorable moments in their podcasting careers. Next, they talk about what their favorite, and least favorite, Best Picture and Director winners are, as well as look back at the last 25 years, and see if they would change any of the Best Picture winners with another film that was nominated within the same year. Lastly, they select which director has had the best three film run of all time.

And in the final segment of the show, the gang play two rounds of the renowned Cinephile game, in which they compete against each other in the Filmography game. This week’s actors were two time Oscar winners Denzel Washington and Cate Blanchett, whose extensive body of work lead to a lot of selections and fun amongst the group.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h02m. It’s a little on the longer side this week but it’s a good one. Let’s get into it.

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On episode 135 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, as well as AwardsWatch contributor Dan Bayer, as they review Top Gun Maverick, and talk about the prize winners for the 2022 Cannes Film Festival.

As discussed on the last couple of episodes, the Cannes Film Festival is going on, and as of this past week, it wrapped up with the jury prize winners announced, with NEON landing their third straight Palme d’Or winner with Ruben Östlund’s Triangle of Sadness. Ryan, Erik, and Dan break down the full list of winners, as well as if they think any of these wins will translate over into an Oscar campaign for the respective films or performances that won.

Transitioning over to listener questions, the guys talk about their favorite moments they have experienced at a film festival, and what they watch to decompress after a rough last couple of weeks. They also choose who which musician they would like to see making the jump to the big screen. Diving into some more Oscar related questions, they breakdown some of their favorite VFX Oscar winners of all time, which network they thing the SAG Awards will end up on, and how they would fix the Best International Feature Film category qualifications. Lastly, they look at this year’s Best Animated Feature category and examine why there is so much genre bias within the Academy.

After that, Ryan and Dan review Top Gun: Maverick, which landed in theaters this past weekend. They talk about the film’s spectacle, smocking hot cast, and how it is exceeding all expectations, with both of them clearing expressing that it is better than the original in almost every way. They also give some thoughts on the first trailer for Mission: Impossible – Dead Reckoning Part One, which premiered online this past week. Basically, we live in Tom Cruises world right now, and they are okay with it as he seems to be the only one making these types of practical big-budget films that dare to go above and beyond with each outing.

And in the final segment of the show, the gang play the beloved AwardsWatch or Not Game, this time breaking down the filmography of Tom Cruise and pitting his films up against each other. They also give out recommendations for which shows or movies you should be watching right now.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h27m. Let’s get into it.

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On episode 134 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-in-Chief Erik Anderson, as well as AwardsWatch contributors Nicole Ackman, Sophia Ciminello, and Dan Bayer, as they discuss their first predictions of the Best Actor and Actress races of the 2023 Oscar season.

Starting off this week’s show, the group give their brief thoughts on the new Harry Styles album, and talk about their favorite concerts that they have ever gone to. Once done, they continued their conversation from last week about previewing this year’s Oscar season with a look at Best Actor. With his Erik’s first predictions just published, it looks like Leonardo DiCaprio is in the number one spot, with the hopes of landing his second Academy Award. But as they get to talking, everyone brings up their own actor who could challenge DiCaprio in these very early projections. As they wrapped up Best Actor, the conversation shifted to a bit on the Best Actress, which is just as chaotic as it usually is. Erik’s Best Actress predictions article should be releasing later this week.

Moving on to listener questions, the gang talk about their biggest pet peeves about the discourse surrounding award season and what they would change or get rid of if they could. They also share some brief thoughts on the first reactions out of the Cannes Film Festival, as well as what might win the screenplay prize given out by the Cannes jury. Lastly, they talk about the Emmy’s and the nomination chances for the shows Yellowjackets and Severance, as well as Better Call Saul actress Rhea Seehorn's chances in Best Supporting Actress in a Drama Series.

In the final segment of the show, the gang played two games. The first game is another round of Call Me by Your Tagline, this time with a Cannes related theme. The second game they play is a round of the beloved Cinephile game, in which they played the Filmography, in which each host takes a term in naming a film from an actor selected on the chosen card. The actor chosen was the beloved Julianne Moore, and it led to a lengthy battle between everyone that you won't want to miss.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h55m, and it was a lot of fun. Let’s get into it.

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On episode 133 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-in-Chief Erik Anderson, as well as AwardsWatch contributors Sophia Ciminello and Josh Parham, as they dive deep into the website’s first Oscar Predictions for the 2022-2023 season.

In the wake of the news that the 2023 Oscars will be held on Sunday, March 12, 2023, it was only right for the first predictions of the Oscar season to go live on the site this week. Ryan, Erik, Sophia, and Josh breakdown the Best Supporting Actor and Best Supporting Actress races, who the early contenders are, who they would like to see make it into the race, and which performances they are a little skeptical about already. It is a long way till the nominations on January 24, 2023, and with most of these performances as of yet unscreened, it will be fascinating to take a look back on this conversation to see how spot on everyone was, as well as how far off some of these predictions might be.

Then they transitioned over to listener questions, where they discussed what the Academy needs to do to attract younger viewers to the watch the Oscars next year, as well as which films from the beginning of the year can sustain their momentum into the fall. They also talked about the film from Cannes they are most interested in based on first reactions, as well as talk a little about if one or both of Hirokazu Kore-eda or Park Chan–Wook could be an international director to break into the Best Director lineup. Lastly, they mention what debut directional efforts they are looking forward to in 2022 and if they think Top Gun: Maverick has any chance in Best Picture. A wide range of listener questions, but we thank everyone who sent in their questions in.

In the final segment of the show, the gang played two games. The first game was another round of AwardsWatch or Not, this time pitting the top ten lists of 2020 and 2021 against each other to see which film year was better. The first round of lists consisted of Erik’s favorite films, while round two focused on Ryan’s taste in film. Then they played a new game titled Call Me by Your Tagline, in which Erik, Sophia and Josh had to match the poster tagline of an Oscar–winning or nominated film to its respected title. It got a little competitive but it was a lot of fun.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h47m, and it’s blast. Let’s get into it.

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On episode 132 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Nicole Ackman, Dan Bayer and Kevin L. Lee to talk about the latest film in the Marvel Cinematic Universe, Daytime Emmy Nominations, previewing Tony Nominations and playing a new game.

Starting off this week’s show are our listener questions, which consist of asking everyone if there is a 2023 Oscar nomination the panel is willing to lock in right now based on the films released in theaters. They then break down if there are any other films like Avatar: The Way of Water and Top Gun: Maverick that they would love to see get a long awaited sequel for. And speaking of Top Gun: Maverick, they also discuss which directors they would love to see the film’s star Tom Cruise work with in order to get out of his action movie phase of his career and go back to his most dramatic focused work that made him a star.

Moving right along, the group then break down the recently announced Daytime Emmy Nominations, and then dive into a Tony Nomination preview, with those nominations set to announce on Monday, May 9, 2022. This discussion was very insightful, and for more coverage of both these topics, we encourage you to take a look at Erik’s Daytime Emmy Nomination article as well as Dan’s two articles covering the Tony Awards (Musical & Plays) from last week.

Finishing out the episode is a brief conversation on the Avatar: The Way of Water trailer, which is being shown exclusively in theaters right now in front of Doctor Strange in the Multiverse of Madness. And speaking of Doctor Strange, the gang then give their full thoughts on the first blockbuster of the summer, going into extensive details as to why it works on some levels and doesn’t on others. It is a SPOILER FILLED review so if you haven’t seen the film, skip over to the last segment of the show, where Ryan, Nicole, Dan and Kevin play a new game called AwardsWatch…or Not, where two films are pitted against one another and they must decide what they want to keep while the other film is lost forever. They played two rounds, covering films in the MCU and Non-MCU movies featuring members of the extensive cast of Doctor Strange in the Multiverse of Madness.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h16m, and it’s an absolute blast. Let’s get into it.

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The AwardsWatch Podcast is back and better than ever. Kicking off this reboot, AwardsWatch Executive Editor Ryan McQuade hosts show #131 with Editor-In-Chief Erik Anderson, TV Editor Tyler Doster, with Sophia Ciminello, Dan Bayer, Kevin L. Lee, Nicole Ackman and Josh Parham joining the podcast family.

At the top we answer listener questions about the Oscars like should studios position more awards players in the summer and was last season's record numbers of stat breakers a fluke or a sign of a fundamentally changed landscape? We also talk about what limited series' we think would have been better off as singular films and a question about this year's Cannes Film Festival sparks a conversation about what our gut instinct tells us is winning the coveted Palme d'Or.

CinemaCon wrapped last week, giving us several first looks at some of this year's most highly anticipated films and even peeks at 2023. Top Gun: Maverick, Greta Gerwig's Barbie and the long, long-awaited sequels to Avatar from James Cameron whetted the appetites of attendees and onlookers alike.

We also introduce a new game feature to the AwardsWatch Podcast with a Summer Movie Draft where our group of eight were split into two teams - Team One: Ryan, Tyler, Nicole and Josh vs. Team Two: Erik, Sophia, Dan and Kevin. Each team built a strategy of what films we think will be the biggest summer hits of the year worldwide as well and factoring in what films will be the most critically lauded. As a knife-twisting bonus, each team presented the other with a 'bomb' pick; a film they think will tank and negatively impact the other team's score. Tell us in the comments and on Twitter what you think of each team's picks and who you think is going to win.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs a sleek 1h36m. Let's get into it.

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The year was 2015. A year in cinema that saw one of the greatest actions films ever made delivered to cinemas with George Miller’s Mad Max: Fury Road. The fourth installment in Miller’s Mad Max franchise was an experience like no other. A two-hour bonanza filled with thrilling car chase sequences, memorable characters, and a cinematic world unlike anything we’ve ever seen. Layered into this spectacle were social and political messages on climate change, warmongering, hoarding nature resources, and the power of feminism, all the while sharing the screen with a guy playing an electric guitar on top of a moving vehicle with flames coming out.

With stars Tom Hardy and Charlize Theron leading the charge in front of the camera, Miller and company gave the world an entertaining achievement that was not only loved by audiences and critics around the world and the Academy of Motion Picture Arts and Sciences with ten nominations and six wins, but it is almost a film may consider one of the best films of the last decade, some even going as far as to say of all time.

But the journey to the big screen is a story within itself, as there were twenty years of obstacles in pre-production, on-set, and even leading up to the test screenings for the final cut of the film. This is all documented in the new book by Kyle Buchanan, Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road. Over the course of the book, we are told the history of this film struggles, leaving no stone unturned in terms of information about how hard it was for Miller to get this made, the monumental task of recasting the iconic Mad Max character, the extensive production that resulted into a behind the screen feud between the two leading stars of the picture, the constant fight to keep Miller’s version Fury Road his and only his, the legacy of this film and even a tease at the future of the franchise.

Buchanan, known for being a pop culture, awards season reporter (The Projectionist is his Oscar column) for The New York Times, former the senior editor at Vulture, makes an engrossing, stellar debut novel filled with loads of honesty and passion for Miller’s action epic. In taking in dozens of accounts from people involved with the project, along with mixing in talent within the industry, film historians, and journalists, he crafts a must read for any self-proclaimed cinephile.

In our audio conversation below, we talked about his first experience with seeing the film, when he knew he wanted to make this book, what he learned about director George Miller and actress Charlize Theron, why the Academy went for the film, and what the future of the Mad Max series looks like. We thank Kyle for his time and implore everyone, once they are done listening to the interview, to go purchase his book. You won’t regret it.

Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road is available in stores and online wherever books are sold.

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Ariana DeBose is a triple threat force to be reckoned with. From the moment she arrives on the screen of Steven Spielberg’s adaptation of the classic musical West Side Story, it is clear we are in the presence of singular talent that expertly performs any task she is assigned. Since the film’s release, she has become an overnight sensation and the front-runner to take the Best Supporting Actress prize at this year’s Oscars, but if you have followed her career, it’s not surprising that she is in this position.

DeBose began her career in 2009 as a contestant on the dancing show So You Think You Can Dance, where she finished in the Top 20. She then landed roles in musical productions of Bring It On, Motown, and Pippin, where she landed the understudy role and eventually, for Pippin, was the star of the show. These projects led her to the part of “the bullet” in the ensemble of the Broadway phenomenon, Hamilton.

From her time on Hamilton, she moved on to playing Disco Donna in Summer: The Donna Summer Musical, where she landed a Tony nomination for Best Featured Actress in a Musical. With this, DeBose was able to make the transition to the big screen and small screen, with prominent roles in Ryan Murphy’s The Prom and Schmigadoon! from AppleTV+.

But it’s with West Side Story, and her layered, energetic, passionate interpretation on Anita, a role made famous by the legendary Rita Moreno, that has brought Ariana DeBose the most praise and accolades of her career to this point. And with her Oscar nomination, she is the first Afro-Latinx actor to be nominated for an acting prize, as well as one of the few nominees in the history of the Academy Awards to be openly out as a member of the LGTBQ+ community. This brings enormous pressures and power being in this position, but after speaking with her, it is clear she is taking it all in as gracefully as one can be at this monumental moment in their career.

Within the first moments of speaking with her, I marveled at how down to earth and open she is. As the conversation started, DeBose arrived on the zoom humming a song with subtle lyrics about getting set up for our chat. About five minutes in, as she is answering a question, her Airpods went out, and as she responded, she quickly configured her settings, all the while staying focused, smiling the entire time. Midway through, her cat started to crawl right next to her and she grab it and put them on her lap as we finished out our time together. Completely comfortable and authentic, she spoke to me about her love of musicals, the important relationships with her West Side Story co-stars, what she is going to look for in future projects, and so much more.

By the end, as we parted and exchanged goodbyes, she struck me by the way she said goodbye, as if it was a friend saying goodbye to someone they know, someone they will see again down the road. In a world that is harsh to navigate through, DeBose shows in this interview, and the variety of others she has done throughout this awards season, that her kindness, relatability, and comfort within who she is is infectious and leaves you with a smile on your face and a warm heart. Good things happen to good people, and Ariana DeBose is beyond good, she is phenomenal. I hope our paths do cross again; till then, here is my full conversation with the recent Oscar nominee.

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Last week, when the Academy announced Oscar nominations, hair and makeup designer Donald Mowat was on set in Spain, hard at work on his next project. When he found out that his fantastic work for Dune was nominated, it was the culmination of over 35 years of incredible creations being celebrated for the first time by his peers. For Mowat, an Academy member who over 20 years, he couldn’t believe it happened, and still can’t we I spoke with him recently, but takes a lot of pride in this honor because it’s for a movie and team he truly loves.

Known for working with actors Mark Wahlberg, Daniel Craig, Ryan Gosling, and Jake Gyllenhaal as their make-up artist, and being the department head for movies like First Man, The Fighter, Skyfall, Prisoners, Sicario, and Blade Runner 2049, Mowat’s dedication to his craft has garnered praise by many in the industry, thus making him one of the most reliable artists working today in the business. On Dune, he and his team’s collaboration built upon their director’s vision to create unique looks for each character and the story they are telling. Between extensive research and detailed “vision boards,” they were able to successfully separate the work on this film from any of the previous versions of Dune we had seen before.

I sat down with Mowat back at the 2021 Middleburg Film Festival, right before the release of the film and before he and his team have gone on to win award after award for their work on Denis Villeneuve’s sci-fi spectacle. In this interview, I asked him about his reaction to being nominated for his first Oscar nomination, what Dune has meant to him, his team’s work on the villainous Baron Vladimir Harkonnen (Stellan Skarsgård), dealing with weather difficulties on shooting on location in Budapest, and his excitement for working on Dune: Part 2. And while he’s a little nervous about the outcome of the Oscars in late March, he is mostly excited to get back together with Denis and the team behind Dune one last time to celebrate their epic achievement.

This audio interview, which runs 51m, might contain spoilers, so if you have not seen Dune, go watch the film and come back to this conversation.

Dune is available to buy on Blur-ray and DVD, as well as to own or rent on all VOD platforms. It will return to HBO Max in March 2022.

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Dave Karger is a host on Turner Classic Movies (TCM), including the network's annual 31 Days of Oscar, which kicks off on March 1 this season.

An award-winning host, interviewer, and entertainment expert, Karger began guest hosting on TCM in 2016 and was named an official host in 2018. He has made more than 200 live appearances on NBC’s Today show and also serves as a Special Correspondent for IMDb. In 2018 he co-hosted ABC’s Live from the Red Carpet on Oscar night.

In 2015, Karger received the Publicists Guild Press Award honoring the year’s outstanding entertainment journalist. In 2014, he was named one of OUT Magazine’s “OUT 100,” acknowledging the most influential people in the LGBT community.

From 2012 to 2016, he served as Chief Correspondent at Fandango, creating and hosting the original video series “The Frontrunners,” which received a 2013 Webby Award nomination for Best Variety Series. Before that, Karger spent 17 years as a senior writer at Entertainment Weekly, where he wrote more than 50 cover stories on subjects including George Clooney, Angelina Jolie, Elton John, Taylor Swift, Johnny Depp, Denzel Washington and Carrie Underwood.

In 2012 and 2013, he was the Academy’s official red-carpet greeter on Oscar night and only the third person ever to hold that post. Dave graduated cum laude from Duke University.

I sat down with Karger to talk about 31 Days of Oscar, the look of this year's race, the changes in the Academy over time and his own Oscar origin story.

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On this 88th podcast I am joined by Kenzie Vanunu to talk about the upcoming BAFTA nominations.

Kenzie and I break down the writing, acting, directing and Best Film categories as well as try and tackle the always difficult to predict Rising Star nominees. Throughout the podcast we detail the changes in BAFTA voting that were enacted last season (that also gave us wild snubs like Gary Oldman, Carey Mulligan and Olivia Colman), how those new rules will impact this year's results and who will be helped and hurt by BAFTAs choices.

Best Actress is one of this year's most contentious categories and at BAFTA we're very likely to see many of the top Oscar contenders missing - outside of the chapter-voted top two - in favor of more local-grown talent. But who's getting snubbed - Lady Gaga? Jessica Chastain? Kristen Stewart? ALL of them?

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s RESPECT. Jennifer Hudson is Aretha Franklin in the true story of the icon’s musical and spiritual journeys. She overcomes controlling men and inner demons and, empowered by family friend Dr. Martin Luther King, Jr., becomes a civil rights activist. With Forest Whitaker, Marlon Wayans, and Audra McDonald. Critics say this is “Another Oscar worthy performance from Jennifer Hudson” that has been hailed as “electrifying.”

For Your Consideration in all categories including Best Actress - Jennifer Hudson.

This podcast runs 1h 45m with intro and music.

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On this 87th podcast I am joined by AwardsWatch staff writer Zach Gilbert to break down the big guild nominations - WGA, DGA and PGA - that are happening this week.

With the Writers Guild eligibility list omitted several top contenders, including Oscar frontrunners, Zach and I agree on most of our predictions with a few outliers seeking one of the final spots. Same goes for the Directors Guild, in both the main award and the First Time Feature award, where we are 4/5 in agreement in two very competitive categories.

The Producers Guild of America nominations is where things get tough as we align on 8/10 in a year where the Oscars return to a straight 10 nominees. Not even in the first two years of 10 nominees (2009 and 2010) did PGA and Oscar lineup exactly so the race is on between House of Gucci, No Time to Die, Spider-Man: No Way Home, Nightmare Alley, The Tragedy of Macbeth and more for those spots, both at PGA and Oscar.

Nominations for the Writers Guild, Directors Guild and Producers Guild are Thursday, January 27.

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s No Time to Die, produced by Michael G. Wilson and Barbara Broccoli, and directed by Cary Joji Fukunaga. Daniel Craig concludes his five-film portrayal of James Bond in No Time to Die. ‎Joining forces with his MI6 team and a new generation of agents, Bond faces the highest stakes of his espionage career and emotionally explores the sacrifices of heroism.

Critics are hailing - “No Time to Die will be remembered for its emotional impact above all.” You can watch it everywhere you rent movies. For Your Consideration in all categories including Best Picture of The Year.

This podcast runs 1h 1m 30s with intro and music.

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For over to forty years, Nicolas Cage has given us one of the most diverse filmographies of all time. While being one of cinemas greatest action heroes with hits like The Rock, Gone in 60 Seconds, Con Air and Face Off, Cage also excels in prestige dramas about complex, emotionally rich characters in films like Leaving Las Vegas (for which he won the Oscar), Matchstick Men, Adaptation, and Joe. He can make you fall in love with him in films like Moonstruck and Raising Arizona, while discovering and protecting historical American secrets. Basically, the man can do anything and knock it out of the park, thus makes him one of, if not, the best actor of his generation.

But with his latest film, Pig, Cage takes his range and dramatic work to a whole new level as Rob, a reclusive chef who must confront his past after his beloved truffle hunting pig is kidnapped. Written and directed by Michael Sarnoski, and co-starring Alex Wolff and Adam Arkin, Cage is stunning in this film. When I reviewed Pig back July, I stated that “it’s not just one of the best performances of the year so far, but how it is the best work he has ever done,” and after seeing the film again, that statement firmly holds up. This sentiment was fleshed out a month later in an FYC piece for Cage to get a nomination for Best Actor at this year’s Oscars, noting that what the legendary actor was doing in this part was “an astonishing achievement” and that he delivers “a bloody, broken, delicious showcase that lingers well beyond the briskly efficient 92-minute runtime.”

After writing about this performance all year long, it only seemed fitting to go to the source and sit down to ask the actor about his incredible, career defining work in this movie. In the interview below, I spoke with Cage about his time making Pig, the bonds with Sarnoski and Wolff that grew on and off set, the lessons he learned in playing a chef, and his love of cinema. At the end, we concluded our chat with some interesting rapid-fire questions with answers lifelong fan of his movies have always wanted to know, as well as take a look at what he has coming in the not too distant future.

This interview runs 24m 31s.

Pig is available to rent or buy wherever you stream movies.

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On podcast #86 I welcome, for the first time, Christina Jeurling Birro, from Pop Culture Confidential. You probably know Christina from her PCC podcast, which I've guest on several times but she's finally here and I couldn't be happier.

In just an hour, Christina and I break down the Golden Globes winners and non-ceremony last Sunday, and the one-two punch of BAFTA longlist and Screen Actors Guild nomination announcements announcements that happened within an hour of each in the early hours of Wednesday morning. We dive into the surprise SAG mentions for Bradley Cooper and Ben Affleck at the expense of the Belfast boys, the shocking snub of Kristen Stewart and who showed up at BAFTA and why it matters.

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s House of Gucci. Directed by Ridley Scott and starring Lady Gaga, Adam Jared Leto, Jeremy Irons, with Salma Hayek, and Al Pacino,House of Gucci is inspired by the true story of the family empire behind the Italian fashion house of Gucci.

Critics have hailedHouse of Gucci as “One of the best films of the year. A supremely entertaining and revealing drama from Ridley Scott.” and that the cast displays a “masterclass in acting” with “the best performances of the year.” Nominated for 4 Critics Choice Awards and 3 Screen Actors Guild Awards including Best Supporting Actor Jared Leto and Best Actress Lady Gaga, winner of the New York Film Critics Circle for Best Actress Spanning three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it’s worth, and how far a family will go for control.

For Your Consideration in all categories including Best Picture of the Year.

This podcast runs 1h 5m with sponsorship, intro and music.

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Stevie Martin and Lawrence Davis are two very well-established makeup and hair designers, having traversed the worlds of film and television with equal success and yes, respect.

Martin made her start in makeup designing when she started doing makeup for magazines before building her way to TV and film. She was one of the key makeup artists on projects such as The Hunger Games: Catching Fire, then returning for Mockingjay – Part 2, The Nice Guys and Sleepless, where she grew a reputation of her minimalist style and using no prosthetics.

Davis comes from a very ranged background of work, having even won an Emmy for his work on Hairspray Live! He went on to being one of the key hairstylists for daytime and primetime TV shows and specials like the Grammys, the Academy Awards, American Idol. From this he went onto movies and became a key hairstylist for projects such as In Time, Flight and Dumb and Dumber To. Through all of this he started working frequently with Jennifer Hudson, which is how he landed the role of Hair Designer Head for Respect.

We were curious how they both went about the daunting task of transforming Jennifer Hudson and Marlon Wayans into their respective roles as Aretha Franklin and Ted White, especially when the filmmakers asked for no prosthetics. Benji Bury had a sit-down discussion with them about how they climbed this high mountain.

Respect is currently available to rent or buy wherever you stream movies.

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When Ridley Scott calls, Janty Yates answers. 2021 brought not one, but two Scott projects - The Last Duel and House of Gucci - and Yates was by his side on both. With The Last Duel, we are transported back into medieval France to meet Marguerite de Carrouges (Jodie Comer), Jacques Le Gris (Adam Driver) and Sir Jean de Carrouges (Matt Damon) as they fight for the truth. As for House of Gucci, we meet Patrizia Reggiani (Lady Gaga) in the late 1970s as she begins her relationship with Maurizio Gucci (Adam Driver). Yates’ costumes are standouts and she is receiving some of the best reviews of her career.

Yates is no stranger to the awards attention. In 2001, she was the winner of Academy Award for Best Costume Design for Gladiator. She was also nominated for a Satellite Awards (where she is 4x nominee), a Saturn Award (where she is a 3x nominee) and a BAFTA. In addition to these accolades, she is also a 2x Costume Designers Guild Awards nominee (The Martian and De-Lovely).

Yates has been racking up nominations left and right for critics prizes for both of her films of this year, including a Hollywood Critics Association nomination and a Broadcast Film Critics Association Awards nomination.

Their collaboration continues with Kitbag, starring Joaquin Phoenix as Napoleon Bonaparte. Jodie Comer was originally cast as Joséphine Bonaparte but had to drop out due to COVID-influenced scheduling conflicts.

This audio interview runs 25m 19s.

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To this day, 3x Oscar nominated production designer Arthur Max continues to transport us to his beautifully constructed worlds. In 2021, he took us to the castles of medieval France with The Last Duel and to the bustling streets of Italy in House of Gucci. Through tireless research and close collaboration, Max has been frequent go-to of Ridley Scott for over two decades.

His three Oscars were for Best Achievement in Production Design (The Martian), Best Achievement in Art Direction (American Gangster) and Best Art Direction-Set Decoration (Gladiator). The accolades don’t stop there. He is also a 2x BAFTA nominee (1x winner for Gladiator), 7x ADG nominee (2x winner for The Martian and Gladiator), NBR Award winner for Gladiator, and many more.

Their collaboration continues with Kitbag, starring Jodie Comer and Joaquin Phoenix as Joséphine Bonaparte and Napoleon Bonaparte.

House of Gucci is out in theaters today and stars Lady Gaga, Adam Driver, Jared Leto, and Al Pacino. The Last Duel is on VOD today and stars Matt Damon, Adam Driver, Jodie Comer and Ben Affleck.

This audio interview runs 59m 27s.

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On this episode, I am joined by the twin team of Cole and Justin, better known as The Oscar Expert and Brother Bro, who return to the AwardsWatch Oscar Podcast to talk about the Screen Actors Guild and offer our predictions.

We hit all categories and dive into both likely nominations, weird SAG-only possibilities (like Viola Davis and Sandra Bullock in The Unforgivable) and break down how many nominations Belfast and The Power of the Dog can score. Each stand a chance to to get in 3 or even 4 individual actors plus the SAG Cast category. The all-time record still stands at 5 nominations for a single film and we could see it happen once, or even twice, this year.

West Side Story is a big part of the conversation, which was recorded on December 26, because at the time no screeners, digital or physical, had been sent to the SAG nominating committee for voting. As of this writing, digital screeners have now reached the 2000-2500 voters but is it too late? Voting opened on December 6 ends on January 9 and many might have already submitted their picks, deciding not to wait on 20th Century/Disney to drop those screeners. Our predictions for WSS reflect that here.

Support for this podcast comes from Amazon Studios, presenting Being the Ricardos. Lucille Ball (Nicole Kidman) and Desi Arnaz (Javier Bardem) are threatened by shocking personal accusations, a political smear, and cultural taboos in Academy Award-winning writer and director Aaron Sorkin’s behind-the-scenes drama Being the Ricardos.

A revealing glimpse of the couple’s complex romantic and professional relationship, the film takes audiences into the writers’ room, onto the soundstage, and behind closed doors with Ball and Arnaz during one critical production week of their groundbreaking sitcom I Love Lucy.

Featuring J.K. Simmons, Nina Arianda, Alia Shawkat, Tony Hale, Jake Lacy, Linda Lavin, Ronny Cox, and John Rubinstein. Now nominated for three Critics Choice Awards for Best Original Screenplay Aaron Sorkin, Best Actress Nicole Kidman, and Best Supporting Actor J.K. Simmons. Variety raves the film is “intoxicating; a beautiful illustration of Lucille Ball and Desi Arnaz." Being the Ricardos is streaming now on Prime Video.

Support for this podcast also comes from Amazon Studios’ The Tender Bar, which tells the story of J.R. (Tye Sheridan), a fatherless boy growing up in the glow of a bar where the bartender, his Uncle Charlie (Ben Affleck), is the sharpest and most colorful of an assortment of quirky and demonstrative father figures.

As the boy’s determined mother (Lily Rabe) struggles to provide her son with opportunities denied to her — and leave the dilapidated home of her outrageous if begrudgingly supportive father (Christopher Lloyd) — J.R. begins to gamely, if not always gracefully, pursue his romantic and professional dreams — with one foot persistently placed in Uncle Charlie’s bar.

The Tender Bar is based on the best-selling memoir of the same name by J.R. Moehringer. The Los Angeles Times calls the film “a nostalgic coming-of-age drama lovingly directed by George Clooney... Affleck has never been better." The Tender Bar is in theaters now and streaming January 7 on Prime Video.

This podcast runs 1h 20m with music and sponsorship content.

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I’ve been a fan of Robin de Jesús since Camp, nearly 20 years ago.

But de Jesús is more than Camp, he's built a stellar career with work in television, film and of course, theater where he's a three-time Tony nominee, earning nods as Featured Actor in a Musical twice (2008's In the Heights and 2010's La Cage aux Folles) and Featured Actor in a Play for the 2019 revival of The Boys in the Band.

Born in Norwalk, Connecticut, he always loved to sing and would join his family in the Parranda, the Puerto Rican version of caroling, during Christmas and go from house to house wherein that house's family would then join and go to the next house until the group grew into most of the neighborhood. It gave him the outlet for his voice and also a creative outlet for his family ("they sort of identified as factory workers but at that time of year they were musicians") and it pushed him through his school years to explore the possibility of making it a career.

After 2003's Camp, his first feature film, de Jesús landed a career breakthrough, the part of Sonny in Lin-Manuel Miranda's In the Heights, a relationship that would bear fruit once again with the theatrical feature version of Jonathan Larson's tick, tick...BOOM!, bringing him full circle back to Miranda, who directs. His performance has earned him Hollywood Critics Association and Satellite nominations for Best Supporting Actor.

Throughout our 30m conversation, we talk about the electrifying response to the film's world premiere at AFI FEST in November and the actor gets candid about his well being and mental health during the shooting of the film ("I wasn't choosing the healthiest thoughts") and how he broke through it to recognize love and blessings in his work and being present in his own life. We talk about his onscreen co-star Andrew Garfield, the depiction of the friendship between a straight man and a gay man on film and what that means on a larger scale.

We also take a look at the state of representation of queer and Latino actors and what representation means to him, the difference between who should play certain roles and who even gets a seat at the table from the ground floor of auditions and casting, what his dream role is and more.

tick, tick...BOOM! is now streaming exclusively on Netflix.

This interview runs 33m with intro and music.

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2021 has been the year of the musical. Whether it was Encanto, Vivo, tick…tick…BOOM, Annette, Cyrano, West Side Story, and many more, audiences have experienced a resurgence of the once staple genre of Hollywood. But for many, including myself, the musical that still stands out over the rest this year came out during the summer, Warner Bros' In the Heights.

Based on the Broadway hit musical created by Lin-Manuel Miranda, the film is set over the course of a couple of days in the mostly Latinx based neighborhood of Washington Heights, where people are navigating the modern world and fight to obtain their sueñitos, their little dreams that will change their lives forever. With this, we many follow Usnavi, played by recent Golden Globe nominee Anthony Ramos, is saving enough money to go back to his home in the Dominican Republic and start fresh. But leaving isn’t easy when the community he is in, surrounded by family and friends, rely on him to move forward as much as he needs them.

With awe-inspiring choreography, impeccable performances by this talented ensemble, and lavish cinematography by Alice Brooks, In the Heights provides wonder not found in many modern musicals today. In large part, this has to do with the direction of Jon M. Chu, whose vibrant energy and passion for musicals comes through in almost every moment we see in the film. Chu, known for starting his career making dance movies with Step Up 2: The Streets and Step Up 3D, followed by blockbuster sequels with G.I Joe: Retaliation and Now You See Me 2, he found his biggest success in the 2018 worldwide smash hit, Crazy Rich Asians. With that film he not only made the highest grossing romantic comedy of the 2010s, but landed major awards nominations including a SAG Ensemble, thus making a commercial, celebrated film that all audiences can enjoy while given a vehicle for Asian actors to be seen by audiences in a light that they hadn’t been seen since The Joy Luck Club. Therefore, when it was announced he was attached to In the Heights, it made all sense in the world that he would carry his sincere, detailed approach over to this mostly Latinx, yet universal story.

In a recent conversation with Chu, I talked to him about his passion for the project, his love of the genre, what he carried from making the film’s extravagant musical numbers like "9600," and what he has learned, good and bad, from his experience post the film’s release. With his schedule getting bigger by the day as he starts preparations adaptation of the film version of the monumental musical sensation, Wicked, it was nice to sit down and speak with Mr. Chu about his process and passion to tell diverse stories. His affection for this world and time with Miranda, Ramos, the rest of the cast, and crew still shows in how he speaks, displaying the same feeling the audience has when watching his film, that of an unforgettable experience.

In the Heights is available to stream on HBO Max, as well as to own or rent on Blu-ray and all VOD platforms.

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It's almost Christmas but the real gift for awards watchers is the Oscars shortlist announcement!

On this 84th podcast, I'm joined by Will Mavity of Next Best Picture to talk about Original Score, Original Song, Makeup and Hairstyling, Visual Effects, Sound, Documentary Feature and International Feature Film and who we think is getting in when the official list comes in on December 21.

Throughout the podcast we highlight how categories like Original Score and Song often nominate well known names and the challenges of being a new name here as well as break down one of the most competitive - and most Eurocentric - International Feature Film competition in years.

2022 Oscar Shortlist predictions: Expect love for ‘Dune,’ ‘Don’t Look Up,’ ‘The Harder They Fall’ and more

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s LICORICE PIZZA – a film written and directed by Paul Thomas Anderson. LICORICE PIZZA tells the story of Alana Kane and Gary Valentine growing up, running around, and falling in love in the San Fernando Valley, 1973. Named Best Film of 2021 by the National Board of Review, and nominated for eight Critics Choice Awards including Best Picture. Now playing in select theaters in seventy millimeter. Everywhere Christmas day. For Your Consideration in all categories including Best Picture of the Year.

This podcast runs 1h 7m with music.

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On this 83rd podcast I am joined by the fabulous Sophia Ciminello and fantastic Nick Ruhrkraut of the Oscar Wild Podcast (like and subscribe!).

After a brief razzing of Nick over The Power of the Dog, we settle into looking at how the National Board of Review and New York Film Critics Circle kicked off the critics awards season and what it all means. We dive into the NBR and NYFCC Best Actress wins for Rachel Zegler (West Side Story) and Lady Gaga (House of Gucci), respectively, and the stat that favors at least one of them to get in.

We also take a look at how the Top 10 Films lists from NBR and AFI, especially where they crossover, and how those lists might end up looking like a Best Picture 10. That takes us to a sojourn about the differences between initial critics social responses to films (like Being the Ricardos, Don't Look Up and House of Gucci) vs what the reviews end up looking like. We also dig into the Best Actor category, packed full of previous winners and nominees and wonder if the 41-year stat of a first-time nominee will hold this year or finally fall. In that conversation we look at the two main contenders to keep it going: Peter Dinklage in Cryano and Clifton Collins, Jr. in Jockey.

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s CYRANO. From Joe Wright, the award-winning director of PRIDE & PREJUDICE, ATONEMENT, and DARKEST HOUR. A lush, musical retelling of the timeless tale of Cyrano de Bergerac set against a baroque cityscape, CYRANO is a symphony of romance and beauty that belies a heartbreaking love triangle. Starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr., critics are calling CYRANO “one of the best films of the year.”

For Your Consideration in all categories including Best Picture. Opens in select cities in January. Everywhere February 4.

This podcast runs 57m 56s with music.

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Within the first few moments of speaking with writer-director Mike Mills, you vibe with his calm energy and gentle spirit, therefore making it a very soul enriching experience to have during an interview. This feeling isn’t a stranger to most who have seen his films, as Mills has been making audiences feel this way over the last sixteen years since his debut feature Thumbsucker. In taking time between his debut and his next three projects, he was able to find distinct connections that span into grand ideas about not just the world his character inhabits, but our modern culture and society.

Films like Beginners and 20th Century Women are, respectively, pieces of art used as an ode to his father and mother. The former earned massive acclaim, including the late Christopher Plummer’s Oscar win for Best Supporting Actor. The latter was hailed as one of the best films of the last decade and landed Mills his first Oscar nomination for Best Original Screenplay. But it is his latest film, C’mon C’mon, that finds him examining new territory, as Mills is making a film about a new family member, his relationship with his child, thus his most personal film to date. Within C’mon C’mon, we follow a journalist named Johnny (Joaquin Phoenix) and his precocious nephew Jesse (Woody Norman) as their bond grows while Jesse’s mom Viv (Gaby Hoffman) is tending to the needs of Jesse’s struggling father (Scoot McNairy). Built within this simple narrative lies some of the most honest screenwriting of the year as Mills is able to balance this familial dynamic as well as the difficult themes he suggests about humanities future and how unsure our world is, with no solutions in sight.

From talking with him, he is someone who cares deeply about his craft, and the connection his work has with audiences across the world. In doing so, he understands the human soul better than anyone working today in film right now. C’mon C’mon is, as stated in our review, “the best film of his career” and “crafts one of the best screenplays of the last ten to fifteen years.” In my conversation with the writer-director, Mills spoke about his creative process, his inspirations for the film, and tells stories and antidotes of his cast, including the relationship between the veteran actor, Joaquin Phoenix and the newcomer of the year, Woody Norman. Here’s hoping the one time Oscar nominee can add not just another Oscar nomination to his leaguer, but a gold statue as well, thus honoring him and one of the best films of 2021.

C’mon C’mon is currently playing only in theaters from A24.

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We're baaaack!

After six long months, the AwardsWatch Oscar Podcast is back with the first of the 2021/2022 season with very special guest Ryan McQuade from InSession Film and, as of today, a new staff writer for AwardsWatch.

In this podcast, recorded October 28, Ryan and I talk about the fall film festivals we attended - Telluride, Middleburg and Mill Valley - and how our conversations with fellow pundits, directors, actors, Academy voters and general attendees help shape the race and give us some of the puzzle pieces we use for predicting. We go into detail of Oscar predictions in most top categories, discuss who we think are the frontrunners and make our cases as to why. Can anything stop Will Smith and Kristen Stewart or is it too early to call? Will the Telluride 'rule' hold this year once again or will there be a Green Book surprise?

Then, of course, we had to talk about the sheer pageantry and camp of the new House of Gucci trailer (the hair, the dialogue, those accents!) and where that stands in the race.

Let's get into it.

This podcast runs 1h 24m including the opening and closing House of Gucci trailer.

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When you go to a film festival, you never know who you are going to meet. At the opening night after party of the Middleburg Film Festival, I was introduced to one of the most talented, hardest working people of their or any craft, the great make-up artist Donald Mowat. What started as a meet and greet turned into multiple conversations over the span of four days, talking about not just his work and the festival, but every other topic in between. Thus was the case when we sat down for a conversation at the Salamander Resort and discussed his extraordinary work.

In a career spanning over 35 years, Mowat has created some of the most iconic looks for some of the most celebrated films in that time span. His highlighted work as a department head includes 8 Mile, The Fighter, Skyfall, Nightcrawler, First Man. He’s worked closely as a personal artist for actors such as Mark Wahlberg, Daniel Craig, and Jake Gyllenhaal. But his biggest collaborations of late have been his work with director Denis Villeneuve on Prisoners, Sicario, Blade Runner 2049, and their latest project, Dune. When talking with Mowat, there is an infectious glee that comes out of him when he talks about working with Villeneuve because of how proud he is of not just his work, but the work of all involved to make these movies successful.

Though his stellar work has been celebrated by many over the decade, Mowat has yet to receive an Oscar nomination. With Dune however, that is bound to change at it is not only some of the bes make-up and hairstyling of the year, but it is some of Mowat’s best work of his career. In the conversation below, we talked about his relationship with Villeneuve, how he came up with the looks of the different character groups in Dune, and what it would mean to Mowat, an Academy member since 1999, to be celebrated by his peers.

The interview might contain some mild spoilers, so if you want to go in blind, see the film before listening to the conversation.

Warner Brothers released Dune in theaters and on HBO MAX on Friday, October 22.

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The last in our 2021 Emmy predictions video podcasts ends with the Drama categories, covering writing, directing, guest acting, supporting and lead acting.

With the Emmy sliding scale of number of nominees based on submissions in full swing, that effect is made clear in the drama categories which see some with six, some with seven and supporting acting getting a whopping eight each (due to the parity rule). Even more fascinating is that my TV Awards Editor Tyler Doster and I did not consult each other on our predictions before the podcast and found ourselves eerily closely aligned in some categories we thought we would see huge differences.

Emmy Podcast #38: The Comedy Categories [VIDEO]

There are three shows that seem poised to really dominate the Emmy nominations when they're announced on Tuesday, July 13 and they are: Netflix's The Crown, Hulu's The Handmaid's Tale and The Mandalorian from Disney+. Both Tyler and I are expecting huge numbers from these shows in writing, directing and acting, with the first two possibly set to utterly dominated supporting actress.

Emmy Podcast #37: The Limited Series categories [VIDEO]

With so few other returning shows due to COVID-related delays, we're also going to see an influx of new shows like Amazon Prime Video's The Boys, HBO's (now canceled) Lovecraft Country and Netflix's Bridgerton all staking claims are major Emmy nominations. We'll also see the farewell of FX's Pose (can they finally get an acting nomination outside of Billy Porter?) and several Apple TV+ hopefuls searching for a spots.

This podcast runs 48m 19s.

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We hope you enjoyed our first Emmy podcast of the season, The Limited Series Categories, because now it's time for comedy.

Comedy is a section that feels both packed with competition yet also surprisingly slim. We know the latter part of that because of the Emmys' new sliding scale of nomination slots based on submissions by category. While it seemed like we all did nothing but consume massive amounts of television during 2020, we ended up with fewer slots this year than last, with some back down to just five, including Outstanding Comedy Series and Outstanding Lead Actress in a Comedy Series.

Much of the conversation revolves around just three shows: Ted Lasso from Apple TV+ and Hacks and The Flight Attendant, both from HBO Max. Each are expected to rack up a boatload of nominations and in the case of Ted Lasso, two or three in the supporting categories.

But several shows could also find themselves with strong numbers on nomination morning including Hulu's PEN15, Netflix's The Kominsky Method and even a bit of a comeback for network television with ABC's black-ish, plus Kenan and Mr. Mayor from NBC.

In just 45 minutes, AwardsWatch TV Awards Editor Tyler Doster and I manage to take on Comedy Series, all acting categories (including guest) plus writing and directing.

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In this first in a series of 2021 Emmy podcasts, AwardsWatch TV Awards Editor Tyler Doster and Erik Anderson, AwardsWatch Editor-in-Chief, break down the contenders in the Limited Series, Anthology Series or Movie categories. For now, we're just sticking with the series and acting categories until the official Emmy nominating ballots are revealed on June 17 (the first day of Emmy nomination voting) that will tell us who's competing for directing and writing slots. That said, many of this season's limited series' are singular visions, meaning one director took on the entire show. Whether it's The Queen's Gambit, Small Axe, The Underground Railroad or Mare of Easttown, this season has been about sole showrunner vision.

We started with Limited Series simply because it's the most competitive and by far the most interesting section of the Emmys this year. While the Television Academy expanded the Drama and Comedy series and acting categories, Limited Series stayed the same with just five nominee slots.

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It's hard to believe but this is the first, and only, Oscar podcast I've done for this extended and wild Oscar season. I've guested on quite a few in recents months but had opted out of doing my own during this period. That ends today as I am joined by two young upstarts in the Oscar prediction community who've really blown up in the last couple of years: The Oscar Expert (Cole) and Brother Bro (Justin). I've had the pleasure of being a guest on their show twice and it was time I returned the favor.

In this podcast, which was also recorded as a video (see below), the three of us go over what an exceptional year its been and we finally near the big finale of the 93rd Academy Awards. We address the last-minute frontrunner hit pieces that fell at Nomadland's feet, take on every single category in depth and make our cases in some of the tough categories like Best Actress, which I saved until just before Best Picture.

You can find The Oscar Expert on his popular YouTube channel (here) where he and Brother Bro have dropped their final Oscar predictions, which were recorded before this podcast. You can also find them on Twitter @expert_oscar and @withbrotherbro.

This podcast is sponsored by the Apple Original Film Wolfwalkers, Academy Award Nominee for Best Animated Feature. A girl goes to Ireland with her father to track the last pack of wolves and undergoes a magical transformation. Go to fyc.appletvplus.com for more.

This is the breakdown of categories and time stamps for this Final Oscar Predictions podcast.

0:00 - 0:22 - Apple TV+ Wolfwalkers sponsorship announcement
0:22 - 0:37 - Wolfwalkers advertisement
0:37 - 1:00 - "and the Oscar goes to..."
1:00 - 8:00 - State of the Race, fake ‘Nomadland’ controversies, anonymous Oscar ballots
8:00 - 13:45 - Live Action Short
13:45 - 16:50 - Documentary Short Subject
16:50 - 20:10 - Animated Short
20:10 - 23:20 - International Feature Film
23:20 - 29:10 Documentary Feature/Netflix domination of below the line nominations
29:10 - 30:40 - Animated Feature
30:40 - 32:15 Visual Effects
32:15 - 36:00 - Sound
36:00 - 42:40 - Original Song
42:40 - 44:25 - Original Score
44:25 - 47:00 - Makeup and Hairstyling
47:00 - 48:10 - Costume Design
48:10 - 51:45 - Production Design*
51:45 - 54:20 - Cinematography/Oscars being shot on film
54:20 - 58:40 - Film Editing
58:40 - 1:02:00 - Original Screenplay
1:02:00 - 1:05:40 - Adapted Screenplay/Female screenwriter Oscar winners
1:05:40 - 1:13:10 - Supporting Actress/What is Oscar bait now/New Academy members
1:13:10 - 1:16:30 - Supporting Actor
1:16:30 - 1:26:10 - Best Actor/BAFTA talk
1:26:10 - 1:28:50 - Best Director
1:28:50 - 1:44:40 - Best Actress
1:44:40 - 1:53:25 - Best Picture/closing thoughts/win we want to see the most
1:53:25 - 1:53:55 - Wolfwalkers advertisement

One correction: in the discussion of Production Design I mention a stat about the last film to be Best Picture-nominated and then only win Production Design was 1953's Julius Caesar. I was wrong, it's 1978's Heaven Can Wait*.

With intro and exit, this podcast runs 1h 53m 30s

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If you're here on AwardsWatch then it's probably safe to say that you're obsessed with the Oscars and have been for a very long time (to date, there is no known cure). Well, have I got something for you.

If you don't already listen, I have your newest podcast obsession about your favorite subject: the Best Actress Oscar. The Just To Be Nominated: An Awards Season Murder Mystery podcast isn't simply a chat about the Academy Awards, it's a murder mystery at the Academy Awards with a delicious meta twist. Think Clue meets Serial meets Little Gold Men. Here's the set up:

Riley Audrey won the Academy Award for Best Actress after a long and arduous campaign. Later that night, she was found dead in a hotel room. Someone was not happy with her win.

Leo Gold and Terri McPherson are the hosts of the popular award prediction podcast "Just to Be Nominated." And they believe they hold the key to solve Riley's death. Week by week, they'll go back to listen to interviews they did with the major players and contenders of a controversial award season, and try to put the pieces together of who killed Riley Audrey.

Just To Be Nominated is a Kingdom of Pavement production and available on Spotify, Apple or wherever you listen to podcasts. New episodes land bi-monthly on Thursday and the first two are out and ready for listening and stars Anouk Samuel as Riley Audrey, Drew Droege, Adam Faison, Gabriela Ortega, Sid Phoenix plus Brendan Scannell and Zach Noe Towers as Leo Gold & Terri McPherson and many more.

I interviewed Jorge Molina, the creator, writer and director of the Just To Be Nominated podcast about what inspired his love of the Oscars, the incredible cast he's assembled, some of his favorite Oscar campaign seasons and everything you'll want to know about his passion project. I have provided an audio version as well as a written one over at awardswatch.com for your needs and/or pleasure.

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In this special edition episode of Talking Madonna with Erik and Abdi, we look back at the Queen of Pop's 14 studio albums and curate a perfect record from them. Not a traditional 'greatest hits' by any means, but featuring one song from each album, single or album track, plus three 'bonus tracks' from individual singles, soundtracks or other greatest hits albums.

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It's been a minute.

The AwardsWatch Emmy podcast return and at the top asking how my guests, Kevin Jacobson and Amanda Spears, have been coping as we enter the 5th month of sheltering in then out then in place and how it's changed or altered their lives. We then go into the realistic chance of what the Primetime Emmy telecast might actually look like with the Television Academy already canceling the Governor's Balls and turning the two-night Creative Arts Emmys into virtual events.

We tackle the Comedy, Limited Series and Drama categories (about an hour each) including all acting. So much to unpack here with the newly expanded categories (eight in series and supporting roles for drama and comedy) and how the the loss of Game of Thrones opens up the race tremendously. Does that mean a long-standing bystander like Rhea Seehorn (Better Call Saul) finally gets in or was she never that close to begin with? What does Lead Actor in a Drama Series look like, which has been on a clear path of rewarding only first and last season performances with wins? How will Apple fare in its first Emmy season with The Morning Show and Defending Jacob?

Watch out for full written predictions including writing and directing throughout this week.

There is a slight glitch between 1:54:00-1:54:15 while Amanda is doing her Supporting Actor in a Drama Series predictions that couldn't be fixed in editing.

This podcast runs 3h 5m 50s with intro and outro.

Opening: Pose opening (FX)

Closing: Schitt's Creek main and end title medley (by Maribeth Solomon and Geek Music)

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What if you had the chance of opting into a second life after death? In the Amazon original series Upload, Robbie Amell plays computer programmer Nathan Brown, a handsome but self-centered computer programmer who dies under suspicious circumstances and finds himself in Lake View, a utopian virtual after-life. As Nathan acclimates himself to his new existence, he befriends Nora Antony (Andy Allo), his virtual handler. Nathan and Nora grow closer as they work to solve the mystery surrounding Nathan’s untimely demise. Upload is a sweet and whimsical comedy, with profound observations about technology, love, class and the meaning of life.

Amell, who’s made the sci-fi genre his playground with roles on Netflix's Code 8 and the CW series' The Tomorrow People and The Flash was immediately drawn to creator Greg Daniel’s futuristic vision in Upload. Amell shares "When Greg and I talked about the script and the show he said if this digital after-life was created by people then it would have the same problems the real world has with division of wealth and income inequality.”

Amell also shares his audition process in landing the role of Nathan, why fans are rooting for Nora and Nathan to be together and why the idea of a virtual afterlife appeals to him.

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Patti LuPone’s been busy. Between starring in the new Ryan Murphy Netflix show Hollywood, performing in Zoom concerts, giving no-holds-barred interviews in her signature outspoken fashion and giving us regular video updates from her basement, there’s no question that 2020 – coronavirus be damned— has already been Patti LuPone’s year.

But to many of us, EVERY year is Patti’s year. My love for the legendary diva spans decades of seeing her perform in countless shows and settings, including an evening almost 10 years ago when I got to see her sing at a Barnes and Noble in New York City to promote her deliciously honest memoir. Watching LuPone in that intimate setting solidified my love and admiration for this woman and was an evening I’ll never forget (partly because I was also seated right next to the late, great Zoe Caldwell— but that’s a story for another day.)

So you can imagine how thrilled and honored I was to get a chance to talk to her briefly in the midst of her busy quarantine schedule. Patti filled me in on the challenges of trying to stay productive while stuck at home, chatted about the current state of the arts in general and theatre in particular, filled me in on how she prepared to play a female studio executive in 1947 Hollywood, and, yes, gave me some insight into those basement videos that have turned her into a full-blown Twitter legend.

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In this era of quarantine it's time for some levity.

Kevin Jacobsen and Amanda Spears return for this podcast, covering the Comedy categories and it's a bit of a Schitt fest. With so many contenders not in the race this year, like Veep, Barry and Russian Doll, everything is much more open than usual. Plus, how will the extended Emmy voting period and inability to host FYC events impact this year's awards?

We cover Supporting Actor, Supporting Actress, Lead Actor, Lead Actress and Comedy Series where, in many races, looks like Schitt's Creek vs The Marvelous Mrs. Maisel in nearly all but Lead Actor. Dan Levy vs Tony Shalhoub, Alex Borstein vs Annie Murphy and Catherine O'Hara vs Rachel Brosnahan. But what about Merritt Wever in Run? Is the final season of Modern Family rearing its ugly head?

We close with an interesting conversation on the theory of 'vote-splitting,' which I generally don't believe is a real thing, or at least used correctly as a descriptor. But between Kevin, Amanda and myself - and using last year's Drama Directing race as an example - I think we land on a mutual understanding.

This podcast runs 1h 29 with music.

Opening: Theme from The Good Place by Geek Music/Symphonic Distributor

Closing: End theme from Schitt's Creek by Maribeth Solomon

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Last week, Kevin Jacobsen, Amanda Spears and I tackled the Limited Series categories for the year's Emmys but today it's all about the DRAMA.

Starting with Supporting Actor first, we look at the likely returning nominees like Jonathan Banks (Better Call Saul), Bradley Whitford (The Handmaid's Tale) and David Harbour (Stranger Things) as well as who could break in for the first time like Josh O'Connor for The Crown, Kieran Culkin for Succession and Tom Pelphrey for Ozark.

With Game of Thrones gone, that opens up a whopping four spots in Supporting Actress, which finds HBC (Helena Bonham Carter) as HBIC for The Crown, with the newest winners here - Julia Garner in Ozark, Thandie Newton in Westworld and Ann Dowd in The Handmaid's Tale - ready to give her chase. Plus, Big Little Lies is now here so you know what that means: Meryl Streep and newly minted Oscar winner Laura Dern. Can Better Call Saul's Rhea Seehorn finally catch a nom here?

Lead Actor could be a wild set of nominees with two of its most recent winners - Billy Porter in Pose and Sterling K. Brown in This Is Us - on weirdly shaky ground. Could Succession pull double duty and get both Brian Cox and Jeremy Strong in? Perennial nominee Bob Odenkirk is in for Better Call Saul, Jason Bateman is surely a lock for Ozark and b's Tobias Menzies seems safe too. Can Al Pacino break in for the critically divisive Hunters? Is there a world were former winner and Oscar winner Rami Malek makes one final nomination for Mr. Robot?

Emmys: Lead Drama Actress is a winners circle but who will come out on top?

There isn't going to be a more bloody fight this season than Lead Actress in a Drama Series (which Kevin breaks down here) with Oscar winner Olivia Colman in The Crown, previous Emmy and new SAG winner Jennifer Aniston in The Morning Show and last year's surprise winner here, Jodie Comer in Killing Eve (which premieres late in April). Then you still have Emmy favorite Laura Linney (in her best season of Ozark), previous winner here Elisabeth Moss in The Handmaid's Tale (and having a great year in film). What about previous winners in their final seasons like Viola Davis (How to Get Away with Murder) and Claire Danes (Homeland)? Can Sarah Snook sneak in for Succession or is this the wrong category for her?

Emmys: Who will make the cut for Best Drama Series?

We end with Drama Series, another category looking for a brand new winner now that four-time champ Game of Thrones is gone (check out Amanda's breakdown here). Will HBO's Succession take the crown or will it be, well, The Crown? How will previous nominees like Pose and Westworld fare here? Can Big Little Lies make the jump from Limited Series to Drama Series successfully and will Apple TV+ score its first series nod with The Morning Show?

All of these questions and more are answered in this 33rd Emmy podcast, which runs 1h 23m 45s with music.

Opening: Theme to Succession by Nicholas Britell

Closing: Theme to The Crown by Hans Zimmer

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Podcasting in the time of corona.

The AwardsWatch Emmy Podcast returns and this week I am joined by Kevin Jacobsen and Amanda Spears to talk about the Limited Series categories and the state of television in the ever-changing landscape the coronavirus pandemic has created.

We open by talking a bit about our own personal experiences with the outbreak, the lockdowns and our existential thoughts. My sincere apologies for any of my coughing that comes through, I've been battling a severe dry cough (no fever!) and did the best I could to stifle it.

Even with the new season of Fargo out of the mix (production had to halt because of the virus and it won't make its April debut), the Limited Series races are jam packed with great content, most especially the lead actress and supporting actress categories. Full of Oscar winners and nominees, Emmy winners and nominees, both are set to be the most exciting of the season.

This podcast runs 47m 15s with intro and outro.

Opening: The trailer for HBO's Watchmen

Closing: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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That's that, the Oscar nominations for the 92nd Academy Awards are in and Joey Moser from Awardsdaily and I have some words to say about them.

From Joker's 11 nominations to the dearth of non-white acting nominees to no female director nominees there's a lot we have to talk about. Is the Academy regressing? Why are there so many 'dad' movies in Best Picture this year?

Is it all bad? Definitely not. Some strides were made even as setbacks were like a tidal wave over them.

We try and end on a positive note of our favorite nominations of the morning (Parasite! Honeyland x2! Great short noms!) and include some words of wisdom and advice from a snubbed contender to help right the ship.

This podcast runs 1h 10m with music.

Opening: John Cho and Issa Rae intro to the morning's Oscar nominations

Closing: "New York City by Day" from the Original Motion Picture Soundtrack of Desperately Seeking Susan by Thomas Newman

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In what might be the wildest Golden Globes in a while, with so many categories open and without a true frontrunner, returning guest Kyle Buchanan of the New York Times and I try to figure out who's going to win this Sunday and who might go home empty-handed.

There's a lot of Oscar talk in this podcast too, especially as this shortened season pushes everything so much closer together. Oscar nomination voting just kicked off yesterday so we could the impact of this Sunday's Globe winners felt when Oscar noms are announced on January 13th.

Kyle and I do agree on a few locks of the night, like Brad Pitt for Supporting Actor, but we differed on who's going to take Best Actor - Drama...well, at first. I've been in the Adam Driver seat all pre-season but, as often happens during a good podcast, I have gone over to the dark side and wound up agreeing with Kyle that it's probably Joaquin Phoenix's to lose. Especially if Joker is going to give us an upset in Motion Picture - Drama...

Amazingly, Best Motion Picture - Drama might be the most open category and we make the case for almost any of the five nominees to be able to win.

Support for this podcast comes from NEON, presenting PARASITE, the film that the New York Times has called “the movie of the year.” Featured on over 100 Top 10 lists, Parasite is nominated for a Screen Actors Guild Award, seven Critics Choice Awards and three Golden Globes Awards. Visit www.neonguilds.com to find screenings.

This podcast runs a zippy 48m with music.

Opening: “Modern Fashion” by AShamaluevMusic

Closing: “New York City By Day,” by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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The Oscar shortlists dropped earlier this week in nine categories: Original Score, Original Song, Makeup and Hairstyling, Visual Effects, Documentary Feature, International Feature Film, Documentary Short Subject, Animated Short Film and Live Action Short Film.

On this podcast, my guest Will Mavity of Next Best Picture and discuss the first six of those shortlists, identifying the biggest surprises and the biggest snubs but also the bigger picture (and potential) what it means for a film like Parasite to get into Original Song or 1917 to make the cut in both Visual Effects and Makeup & Hairstyling. We also give our predictions in each category.

This podcast is sponsored by Amazon Studios and their films Les Misérables, which made the Oscar shortlist for International Feature Film and One Child Nation, which made the shortlist for Documentary Feature.

This podcast runs 1h 32m with music.

Opening: “Modern Fashion” by AShamaluevMusic

Closing: “New York City By Day,” by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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On this 76th Oscar podcast I welcome Variety's Awards and Features Editor Jenelle Riley, a first time guest, to discuss the upcoming Golden Globe and Screen Actors Guild nominations for film.

While we don't really get into line by line predictions, Jenelle and I dig into the recent National Board of Review and New York Film Critics Circle wins, including The Irishman breaking from the pack early, but also the stealth contenders we're seeing come out of these announcements. Namely, Richard Jewell and Knives Out.

We talk a bit about potential 'controversies' this year but highlight and recognize that no amount of internet chatter keeps voters from voting what they want to vote for.

We close with a bit of hopedicting and, wonderfully, we have the same single pick. #NominateNaiNai

This podcast runs about 52m with music.

Intro: "Modern Fashion" by AShamaluevMusic

Outro: "New York City By Day," by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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With the Creative Arts swinging big for Game of Thrones, The Marvelous Mrs. Maisel and Chernobyl, will the Primetime Emmys follow suit?

In this final Emmy winner prediction podcast, Amanda Spears and I delve into all Drama, Comedy and Limited Series categories with our winner predictions plus the spoiler in those categories.

Even with Game of Thrones as the obvious winner for Drama Series (can you imagine the upset if it lost?) where else will it win? It's at 10 Emmys from the Creative Arts, just two away from the all-time record of 12 for a single season (a record owned by GOT itself, twice) so breaking that record should happen. But, by how much?

Creative Arts Emmy Award Winners – ‘Game of Thrones’ leads with 10; ‘Chernobyl 7,’ ‘Maisel’ with 6

Comedy is a fight between Barry, Fleabag, The Marvelous Mrs. Maisel and Veep. Barry picked up two wins at the Creative Arts (yet lost stunts and sound editing, strangely), Fleabag snagged the casting award (a huge get) and Veep went 0/4. Its chances of taking the crown back from Mrs. Maisel seem like a pipe dream at this point.

Limited Series categories at the Creative Arts loved Chernobyl, giving it seven big wins. When They See Us, only managed a single win but it was for casting, a good bellwether for Sunday. There is a lot of history to be made if the series and its creator/director Ava DuVernay win. She's the frontrunner for writing and directing right now, making her first African-American woman to achieve that if she does.

This podcast runs 1h 14m with music.

Opening: Main title of Game of Thrones

Closing: Trailer for season two of The Marvelous Mrs. Maisel featuring the song "Get Happy"

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It's crazy but this is our first Oscar podcast of the 2019/2020 awards season!

With Berlin, Cannes, Venice, Telluride and Toronto behind us the Oscar season prospects are coming into view. Some things that looked strong in spring and now wilting in the fall, while others have emerged as frontrunners.

I am joined (for the first time) by AwardsWatch's own Mina Takla. Mina hit Cannes and TIFF for AW this year, knocking out over two dozen fantastic reviews and providing a much-needed looking at the non-English language selections that 2019 has to offer.

TIFF 19 Wrap-Up: From jokers to popes and birds to hustlers, here are the Best Films and Performances of the Toronto International Film Festival

In this podcast, we begin discussing Mina's experience at TIFF and the films and performances he liked the best. We end that section talking about the Grolsch People's Choice winner Jojo Rabbit and its runners-up Marriage Story and Parasite, which propels us into the Oscar conversation.

We cover Best Picture, Best Actor (with a focus on Joaquin Phoenix and Adam Driver), Best Actress (with a focus on Renée Zellweger and Cynthia Erivo), Documentary Feature and dabble in the supporting categories, as well as the historical potential of the Best Director category having more than woman director and/or two Asian directors with Bong Joon-ho (Parasite) and Lulu Wang (The Farewell) both in contention, on our way to closing out with the huge success and awards potential of Hustlers and the potential for Jennifer Lopez.

My apologies in advance for some of the audio. Something's a bit buggy with my side of the recording (and yes, that clickety-clack is me) lately and I'm still working it out. Thank you for your patience!

This podcast is 1h 17m with music.

Opening: "Over the Rainbow," from Roadside Attractions' Judy, sung by Renée Zellweger

Closing: "New York City By Day," by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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The Creative Arts Emmys, a two-night affair celebrating the technical achievements of the television season such as lighting, editing and cinematography, are this weekend - September 14th and 15th. I am joined by returning champ Amanda Spears on the Creative Arts Emmy winner prediction podcast.

The Creative Arts Emmys are also the home of five of the biggest awards of the Emmys: the four Guest Acting categories and Reality/Competition Host. We start the podcast analyzing the guest categories (Can Bradley Whitford win again? Will Adam Sandler be an Emmy-winning actor? Will Phylicia Rashad finally take it?) and that Reality/Host contest. RuPaul Charles stands a very good chance of tying Survivor's Jeff Probst for a 4th win here for RuPaul's Drag Race.

We also tackle categories that are often bellwethers for what is going to happen the week after at the Primetime Emmy Awards. Namely, the Casting categories. Casting for a Limited Series is going to be a tough fight between Chernobyl, Fosse/Verdon and When They See Us, one of many between these three nomination giants. Casting for a Drama Series should easily go to Game of Thrones as part of its inevitable sweep (keep an eye out for a GOT article from Amanda, who correctly predicted it would hit 32 nominations, on its potential wins). But it's Casting for a Comedy Series that gives us trouble. Veep won this three times in a row on its way to Comedy Series wins. In its absence last year, The Marvelous Mrs. Maisel won. But we also have huge Emmy hits Barry and Fleabag. Who will win and will that win correlate to a Comedy Series win?

The four costume categories (Contemporary, Period, Fantasy/Sci-Fi/Variety, Reality or Competition) and several music categories (Music & Lyrics, Main Title Theme, Score for Series and Limited Series) make up the rest of our Creative Arts Emmy winner predictions.

We'll be doing a Primetime Emmy winner predictions podcast just after the Creative Arts Emmys are held this weekend.

This podcast runs with music.

Opening: HBO's Chernobyl, episode "Please Remain Calm"

Closing: "Mein Herr" from FX's Fosse/Verdon

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With the Drama and Comedy categories under our podcast belts, returning guest Amanda Spears and I tackle the Limited Series/TV Movie nominees with our ranked predictions.

The top three nomination getters - Chernobyl, Fosse/Verdon and When They See Us - take up quite a bit of oxygen in every race, going up against each other in virtually every category. Will there be a sweep or will the three split categories across the board? Will Ava DuVernay make Emmy history?

What to do with Supporting Actress. Will it be Patricia or...Patricia? Amanda and I go toe to toe on whether Arquette or Clarkson will be triumphant here. But maybe there's a spoiler lurking...

This podcast runs 1h 21m 55s with music.

Opening: "Big Spender" from Fosse/Verdon (FX)

Closing: Trailer for When They See Us (Netflix)

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After a spirited debate on the Drama categories for this year's Primetime Emmy Awards, Amanda Spears and I return to tackle Comedy and it's a much more open race across the board than their more serious counterparts.

While Game of Thrones is the clear frontrunner and runaway winner in many categories over in Drama, the Comedy side is rich with major contenders and no clear shot at who's going to end up on top. The return of Veep, for its final season, is surely a serious threat to take the crown back from The Marvelous Mrs. Maisel, who triumphed during Veep's hiatus and sits at a field-best 20 nominations, but we also have Barry, a big winner last year with double the noms this year, and the return of Fleabag, the cult hit that turned into a pop culture phenomenon this spring.

Emmy Podcast #27: Winner predictions in the Drama categories While it doesn't seem to leave much room for the other nominees, there stands a chance for Schitt's Creek stars Eugene Levy or Catherine O'Hara to surprise - especially O'Hara who, back in the tape-based era, could probably run away with this with her submission "The Crowening." Veep's Julia Louis-Dreyfus stands in her way though, looking for her 9th career win, which would break her tie with Cloris Leachman as the female actor with the most Emmy wins. JLD has never lost here for Veep yet, a six-year streak.

Speaking of Schitt's Creek, late in the podcast (just before we reveal out Comedy Series winner predictions), Amanda has a special announcement to share.

With music this podcast runs

Opening: Theme to Veep by Rupert Gregson-Williams

Closing: Ending theme to Schitt's Creek (composer unknown)

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With all of the episodes submissions in for Drama Series and individual performers, the first Emmy winner prediction podcast is here, tackling the guest, supporting and lead acting acting categories as well as the big one itself.

I am joined once again by Amanda Spears, who correctly predicted the path for Game of Thrones to earn its historic and record-breaking 32 Emmy nominations this season. While it's kind of a forgone conclusion that the incest and dragons page-turner will triumph in Drama Series, there's a lot of room for spoilers, upsets and surprises in the acting categories.

Can Peter Dinklage make history and win his fourth? Will Pose's Billy Porter be the first out, queer, black man to win Lead Actor in a Drama Series? Will Lead Actress go to Killing Eve's Jodie Comer or Sandra Oh? Or is Emilia Clarke going to fly in destroy their chances? All these questions and more get answered.

With music, this podcast runs 1h 16m 38s with music.

Opening: Into to FX's Pose

Closing" "Home," sung by Mj Rodriguez, Billy Porter and featuring Our Lady J from FX's Pose

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Is Game of Thrones running away with the Drama Series Emmy win? All signs point to yes but that doesn't mean there isn't a conversation to be had about this year's drama races.

I am joined once again by Amanda Spears to break down Drama Series, Lead Actor and Actress and Supporting Actor and Actress (guest, writing and directing categories will be tackled later).

In this podcast we tackle if GOT can break NYPD Blue's all-time record for most nominations by a show in a single season, how the acting races could play out for Killing Eve's Jodie Comer, Pose's Billy Porter and the Emmy fate of This is Us and House of Cards and much more.

This podcast runs 56m 30s with music.

Opening: The theme from Game of Thrones by Ramin Djawadi

Closing: "New York City By Day,' by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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We're right in the middle of the Emmy voting period for the 2019 Primetime Emmy Awards, making it high time for an Emmy podcast.

Returning champion Amanda Spears and I discuss the likely nominees, if When They See Us can dominate the acting categories, how Deadwood, Chernobyl, Fosse/Verdon and Sharp Objects will fare and if there's any room for major surprises.

This podcast runs 57m 10s with music.

Opening: Trailer for When They See Us (Netflix)

Closing: "New York City By Day," by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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In our first Emmy podcast of the 2018/2019 season, I am joined by Amanda Spears, who has been detailing her Emmy predictions here over the last few weeks.

In this episode we tackle the Comedy Series categories and the battle that seems to be between Veep's final season and the second season of the history-making winner from last year, The Marvelous Mrs. Maisel. Will this focus on only these two shows (and their acting components like Julia Louis-Dreyfus vs Rachel Brosnahan and Alex Borstein vs Anna Chlumsky) make room for a surprise third to come in and shock?

We look at the possible demise of the regular networks in the top category, with ABC's black-ish barely hanging on and NBC's The Good Place possibly coming in to take its place in the final lineup of seven shows.

Netflix has been enormously successful at the Emmys...with nominations. With so many comedies, new and previously established for it to push, how many can it realistically get in? 2? 3? 4?? And can it ever win?

I know I say at the beginning of the podcast that we'll be doing both Comedy and Drama categories but I decided to split them up so Drama cats will be coming soon.

This podcast runs 1h 7m 45s with music.

Opening: "Change for the World" by Charles Bradley from HBO's Barry

Closing: "New York City by Day" by Thomas Newman from the original motion picture soundtrack of Desperately Seeking Susan

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The 2018-2019 awards season pulled itself across the finish line last night with the 91st Academy Awards giving Best Picture to Green Book.

The night gave us the widest spectrum of wins where Bohemian Rhapsody and Green Book sit beside BlacKkKlansman, Black Panther and If Beale Street Could Talk as Oscar winners in the same year, from the same voting body.

On this 74th podcast, the Oscar post-mortem, I am joined by New York film critic Tomris Laffly of Time Out and RogerEbert.com to work our way through this bizarre season of over the top controversy and scandal, of show producers' tone deaf ideas and how it ultimately fed into a telecast that gave us inspired wins, unique moments and tearful speeches.

Tomris and I also dig into the how the producers listened to the backlash (albeit seemingly oblivious to it), what we thought of the show having no host, our favorite wins and moments and what we hope and want for next year's show.

This podcast runs 1h 30m with opening 2019 Oscar moments and closes with, as usual, "New York City By Day," by Thomas Newman from the Original Motion Picture Soundtrack to Desperately Seeking Susan.

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Welcome to the AwardsWatch Final Oscar Winner Predictions Podcast!

I am honored to be joined by Amanda Spears, the creator of the #PresentAll24 hashtag and movement that brought film and Oscar fans together when the Academy and show producers announced it would be pushing four categories to commercial breaks. The wave of social media support to keep all 24 categories on the live broadcast moved actors, directors and filmmakers to join the push and late last Thursday night, they reversed their decision.

On this 73rd podcast, first time guest Amanda and I break down this year's race not just its controversies but how we talk about the Oscar race, including how the controversies of Green Book and Bohemian Rhapsody have impacted how we do that.

We work our way into categories that are up in the air such as Supporting Actress where Regina King (If Beale Street Could Talk) and Rachel Weisz (The Favourite) are neck and neck.

The technical categories give us a lot to talk about, especially in Production and Costume Design that see a close race between The Favourite and Black Panther and how closely other categories, like Makeup & Hairstyling, Sound Mixing and Editing are closely tied to Best Picture nominees.

As we move into the more locked categories (like Supporting Actor, Best Director) we find ourselves at Best Picture, where we reveal our rankings from #8 to #1 and the ins and outs of why and how.

Amanda Spears can be found on Twitter at @msamandaspears and her writing can be found at GoldDerby.

Keep an eye out for my FINAL Oscar winner predictions at awardswatch.com this week.

This podcast runs 1h 53m with music. Enjoy!

Opening: "And the Oscar goes to..." montage

Closing music: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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At the age of 85, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. But without a definitive Ginsburg biography, the unique personal journey of this diminutive, quiet warrior's rise to the nation's highest court has been largely unknown, even to some of her
biggest fans – until now. RBG is a revelatory documentary exploring Ginsburg 's exceptional life and career from Betsy West and Julie Cohen, and co-produced by Storyville Films and CNN Films.

I spoke with Betsy West and Julie Cohen, the directors of RBG, the double Oscar-nominated documentary of the life and victories of the judicial powerhouse. In our conversation we talk about the directing duos first meetings with RBG, her unique relationship with fellow Supreme Court Justice Antonin Scalia and what it could tell us about how we interact with each other today.

RBG is currently available to rent or buy on DVD or streaming on Amazon. The 91st Oscars will take place on Sunday, February 24th, 2019 and air live on ABC.

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The 2019 Oscar nominations happened less than 12 hours ago and on this 72nd podcast I am joined by the awesome Valerie Complex to talk about the nominations we liked, what we didn't like and where we think the Academy is heading with these choices.

We dig in on the good (Black Panther, BlacKkKlansman, LGBTQ character inclusion) but also talk about how a group that makes impressive and inclusive choices like nominating Yalitza Aparicio and Marina de Tavira (ROMA) can continue to fall back on safe, easy 'traditional Oscar bait.'

Does the Academy hold back on 'too many' black or female or LGBTQ stories and need to coalesce around one or two? Why wasn't there room for If Beale Street Could Talk or Disobedience? Where's Crazy Rich Asians or genre films Hereditary and performances likes Toni Collette's?

All of this and more is covered.

This podcast runs 51m 45s with music.

Opening: Theme for 2019 Oscar nominations announcement

Closing: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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Here it is. The FINAL Oscar nominations predictions podcast and, as usual, it's a big one.

I am joined by Next Best Picture's Will Mavity for this 71st Oscar Podcast and we dig in on how wild this season has been so far, with films being hit with controversy, the continuing chasm between critics and audiences and where we think the Academy is going to lean as a result.

Predictions start off with Visual Effects and build up through the techs into the top 8 of Original Screenplay, Adapted Screenplay, Supporting Actor, Supporting Actress, Director, Best Actor, Best Actress and finally Best Picture. Regrettably, we didn't hit Animated Feature, Documentary Feature or Foreign Language Film but you can find those predictions at each of our respective sites.

We spent time on the hows and whys of films like A Star Is Born, Green Book and Bohemian Rhapsody hitting the guilds and audiences whereas If Beale Street Could Talk not finding that same love. We also ask: will First Man become the most nominated film in the expansion era to not hit Best Picture? Can Barry Jenkins be a lone director nominee a la Bennett Miller?

These details, utilizing guild nominations, box office, branch history and more help guide us through our predictions, with both Will and I making changes on the fly during our conversation.

This podcast runs 2h 23m with opening and closing music.

Closing music: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan.

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This 70th AwardsWatch Oscar podcast I am joined by someone I've followed and enjoyed listening to for a long time, Isabel Custodio. You may know her better as be kind rewind from her fantastic YouTube videos that deconstruct the Best Actress Oscar races over the last 90 years. Always succinct and thoughtful; thorough and completely engaging, Isabel's passion for the Oscars, and especially, the history of actresses, is a natural fit for the AW podcast and I am so happy she was able to come aboard in a year with such a bandwidth of roles, performances and women heading up female-fronted films and controlling the narrative in them.

The podcast opens with Isabel talking a bit about why she loves the Oscars and actresses so much and how it got her into creating her wonderful videos.

As we start to dig into this year's race we quickly settle on the prevailing belief that the top 3 of Glenn Close (The Wife), Lady Gaga (A Star Is Born) and Olivia Colman (The Favourite) are as closed to locked in as can be and that it's nearly a dozen others fighting for the 4-5 spots.

While we both think those two spots look the most likely for Viola Davis (Widows), Yalitza Aparicio (ROMA) and Melissa McCarthy (Can You Ever Forgive Me?), each also comes with enough drawbacks that make room for a Felicity Jones (On the Basis of Sex), Nicole Kidman (Destroyer), Emily Blunt (Mary Poppins Returns) or KiKi Layne (If Beale Street Could Talk), just to name a few.

We also dive into actress wins of the past and and offer some thoughts on the concept of a musical biopic vs a musical with regards to the Golden Globes.

Isabel and I offer our predictions as well as our hopefuls to get in in such a competitive year.

This podcast runs 1h 49m 30s.

Opening: "Look at me" clip from The Favourite, The Wife clip, "One Reason" clip from A Star Is Born

Closing: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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In this titillating 69th Oscar podcast, I am joined once again by returning guest Kyle Buchanan, newly of The New York Times where he has his own column called The Carpetbagger.

Kyle and I kick the tires on all four acting categories, taking a closer look at co-leads running in Supporting (like Best Supporting Actor frontrunner Mahershala Ali for Green Book) to a seemingly barren Best Actor season (with only two 'locks' in the form of Bradley Cooper for A Star Is Born and Christian Bale for Vice) and the overflow of great contenders in this year's Best Actress race that includes locked and loaded Glenn Close in The Wife, Lady Gaga in A Star Is Born. and Olivia Colman in The Favourite.

Category placement has been a jumble this last week with two studios walking back previously announced pushes: Paramount with Emily Blunt for A Quiet Place (going from Lead last week to Supporting this week) and Sony Classics, doing the same with Jonathan Pryce for The Wife.

We also take some time to talk about Black Panther as an across the board contender (including Michael B. Jordan in Supporting Actor) and why some pundits shouldn't dismiss it and Widows (from Viola Davis to Daniel Kaluuya to the film' technical mastery) as major Oscar player.

With music Oscar Podcast #69 runs an 1h 19m.

Opening: Trailer clips from If Beale Street Could Talk and A Star Is Born.

Closing: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack to Desperately Seeking Susan

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On the 68th AwardsWatch Oscar podcast I am joined by Kristy Puchko, Managing Editor of Pajiba and we dig into what we saw at the fall festivals, what we liked and didn't like with Kristy talking a bit about her recent trip to Fantastic Fest.

We land on a long conversation about A Star Is Born, talking about elements both good and bad and the differences between festival audiences and audiences at large.

Then we move into talk about the year of 'skater' movies including Skate Kitchen, Mid90s and how much we both love Minding the Gap, how great Hereditary is (and what it's like to sit next to Kristy at a movie) and that Toni Collette should be a real Oscar contender.

We also talk at length about stories with female and queer perspective including Eighth Grade and the upcoming Can You Ever Forgive Me? and the fantastic performances from Melissa McCarthy and Richard E. Grant.

Kristy gets super excited to talk about The Favourite, most especially the costumes (which makes sense comes from a fashion maven such as herself).

Making sure we get some Oscar talk in there, we talk about the now defunct Popular Oscar category and why it was a bad idea.

This podcast runs 1h 50m with music.

Opening music: "Sulk" by TR/ST

Closing music: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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Since graduating from New York University's Tisch School of the Arts, Brian A. Kates has edited many acclaimed films, with 14 films selected to premiere at the Sundance Film Festival and 5 films in Cannes.

He has been honored with an Emmy Award for his work on Taking Chance, and an Emmy nomination for editing the pilot episode of The Marvelous Mrs. Maisel. He also won two ACE Eddie Awards for his work on Bessie and Lackawanna Blues, in addition to two other Eddie Award nominations.

His collaborators have included Andrew Dominik (Killing Them Softly), Dee Rees (Bessie), Joseph Cedar (Norman: The Moderate Rise and Tragic Fall of a New York Fixer), Michael Cuesta (Kill the Messenger), Tamara Jenkins (Private Life and The Savages), Philip Seymour Hoffman (Jack Goes Boating), John Cameron Mitchell (How to Talk to Girls at Parties and Shortbus), Lee Daniels (Shadowboxer and The Butler), Nicole Kassell (The Woodsman), George C. Wolfe (Lackawanna Blues and Nights in Rodanthe), Moisés Kaufman (The Laramie Project), Ross Katz (Taking Chance), John Krokidas (Kill Your Darlings), and Jeremiah Zagar (We the Animals).

In addition to his work in fiction, he was Jonathan Caouette's co-editor on the groundbreaking documentary Tarnation.

His television work has included collaborations with Alfonso Cuarón (Believe), Bill Condon (The Big C), David Simon and Eric Overmeyer (Treme), and Amy Sherman-Palladino and Daniel Palladino (The Marvelous Mrs. Maisel).

He is currently finishing his third collaboration with John Cameron Mitchell, a 10-episode original audio musical, featuring the music of Bryan Weller and Mr. Mitchell, and a cast including Glenn Close, Patti LuPone, Cynthia Erivo, Ben Foster, Nakhane, Bridget Everett, Justin Vivian Bond, and Laurie Anderson, entitled Homunculus.

I had the pleasure of chatting with Brian this week about his Emmy nomination for The Marvelous Mrs. Maisel, his summer camp background that got him into film and his collaborations with Lee Daniels and John Cameron Mitchell.

By the end it turns a bit into an impromptu gushing about his work on NBC's Kings and a promo for his new film We the Animals, which is in theaters now. GO SEE IT.

You can see Brian's work next in the upcoming Tamara Jenkins film Private Life, which will world premiere at the New York Film Festival next month.

There also might be a bit of tea spilled on an upcoming sequel to a gay classic.

This interview runs just shy of 37m with music.

Opening: "A Wonderful Day Like Today" from The Roar of the Greasepaint, the Smell of the Crowd (Original 1965 Broadway Cast)

Closing: "Girls Talk" by Dave Edmonds

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Christopher Scott never wanted to dance. Now he's a three-time Emmy nominee for Outstanding Choreography.

After his mother packed him and his sister from Maryland to Hollywood to give them better opportunities, Scott defied having to enter a dance class, opting for track and field instead. "If you had told me I was going to be a dancer I would have laughed in your face," he says.

He entered Hollywood High School in the 9th grade, and applied and was accepted into the performing arts magnet program. It was in his very first semester that he checked out the school's production of West Side Story (his sister was in it and dating the "coolest guy in school") and out of sheer boredom learned the songs and the dance moves and landed a part in the production. During his four years in the program, he had leading roles in several stage productions and studied various styles of dance, particularly excelling in tap. To hone his tap dancing skills, he spent many weekends as a street performer on the Venice Beach boardwalk and the 3rd Street Promenade in Santa Monica, California.

In 11th grade, three-time Emmy winning actress and choreographer Debbie Allen (and future So You Think You Can Dance judge) came to the school to audition dancers for the opening of the American Music Awards with Mariah Carey. "I feel like the luckiest kid in America," he says. It was his first paying job and when he got his paycheck (about $650) he thought 'I think I'm gonna go with this,' and his dancing career began.

Since then Chris has worked with renowned artists such as Selena Gomez, Miley Cyrus, Imagine Dragons, Khalid, and Gloria Estefan, and has worked on a variety of film and TV projects including the Emmy-nominated 82nd Academy Awards, Step Up 4: Revolution, Step Up 5: All In, Dancing with the Stars, and America’s Best Dance Crew.

In 2009, Scott teamed up with Harry Shum, Jr. to choreograph the super hero inspired web series The Legion of Extraordinary Dancers, aka The LXD. An experiment in storytelling through dance, the series is the brainchild of writer/director/producer Jon Chu.

In 2011, Scott made his So You Think You Can Dance debut and thereafter made frequent visits choreographing contestants' duets and group routines. He received Outstanding Choreography Emmy nominations for his work on the show in 2012 and 2014.

In my interview with the three-time Emmy nominee and Scott talks about his leap from dancer to choreographer, his love of props in routines, reveals his advice for new dancers and the song that got away - the only tune he hasn't been able to snag the rights to (yet).

Christopher Scott is nominated for Outstanding Choreography for So You Think You Can Dance.

The Emmy voting period ends August 27th at 10pm PST.

The Creative Arts Emmys will be a two-night affair on Saturday, September 8th and Sunday, September 9th.

The 70th Primetime Emmy Awards will be Monday, September 17th.

This interview runs 25m.

Opening: So You Think You Can Dance theme

Closing "Say You Won't Let Go" cover by Boyce Avenue (used by Christopher Scott in one of his nominated dance routines featuring Allison and Logan)

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Costume designer Meghan Kasperlik has made a name for herself in the world of feature films after first cutting her teeth in the fashion industry and then television. Out of college she jumped at the opportunity to work with the legendary Patricia Field (Emmy winner for Sex and the City, Oscar nominee for The Devil Wears Prada). Building her resume on shows like Hope & Faith, Cashmere Mafia and Royal Pains, Meghan made the jump to feature films, working as an assistant costume designer on The Dark Knight Rises, American Hustle, The Amazing Spider-Man 2, Noah and Joy before being the head costume designer on Little Accidents, Crown Heights and It Comes at Night. Her work on Ramin Bahrani’s 99 Homes brought her to the HBO movie that would earn her her first Emmy nomination, Bahrani's update of Fahrenheit 451 which made its world premiere at this year's Cannes Film Festival and stars Michael B. Jordan and Michael Shannon. In my interview with Meghan the Emmy-nominee talks about her approach to color and texture when she designs, how she's an expert second-hand shopper and some of her costume design inspirations and favorites of all time (including Keira Knightley's iconic green gown from Atonement). You can see some of Meghan's most recent work on the upcoming second season of Netflix's The OA. The Emmy voting period ends August 27th at 10pm PST.

The Creative Arts Emmys will be a two-night affair on Saturday, September 8th and Sunday, September 9th.

The 70th Primetime Emmy Awards will be Monday, September 17th.

This interview runs 23m

Opening: "Fahrenheit 451" from Fahrenheit 451 music byMatteo Zingales and Antony Partos (Milan Music)

Closing: "Resurrection" from Fahrenheit 451 music by Matteo Zingales and Antony Partos (Milan Music)

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There are some major changes coming to the very next Oscars ceremony...and they're not good.

Yesterday, the Academy, in a bombshell announcement, revealed that they would be creating a new category: Outstanding Achievement in Popular Film.

After yet another year of dropping ratings, this attempt to secure viewership from audiences that have shelled out their money to the year’s blockbusters like Black Panther, Mission: Impossible Fallout and Mamma Mia: Here We Go Again, can be assured that ‘popular’ will now equal ‘best.’

The Board of Governors have also committed to a 3-hour telecast. Even though ad rates for the Oscars are still among the highest in television, the length of the Academy Awards has always been the butt of jokes, often by the host themselves. One of the ways the show intends to shorten the running time won’t be asking winners to make quicker speeches but to move some categories to commercial breaks. Other awards shows implement this already, like the Tonys or the the MTV Movie Awards, and it’s likely that categories such as Live Action Short (and its kind) will be moved there.

The third big change won’t involve next year’s Oscars but the 92nd Academy Awards. They’re moving up from their previously announced date of February 23rd to February 9th. That is going to result in a seismic shift in every other awards show, nomination date and give pause for every studio in how they dole out their fall and winter releases.

In this podcast, I am joined by returning guest Daniel Joyaux, freelance film writer (The Verge, Vanity Fair, Moviemaker magazine and more) and publications editor for the Sundance Film Festival.

We discuss in enraged detail each of these changes (and the real reason behind them), whether they'll be able to withstand the barrage of hate they received on social media and I posit a way that maybe, just maybe this new category nonsense might actually work the way they want it to.

This podcast runs 1h 29m

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Bill Groom is no stranger to the Emmys, he's a four-time winner for HBO's Boardwalk Empire. With its expansive sets and designs of Atlantic City, both the boardwalk and interiors, Groom was more than ready to take on the mid-century look of New York City for Amazon's The Marvelous Mrs. Maisel, which earned 14 Emmy nominations for its freshman season, including one for Groom's meticulously detailed production design.

In my interview with Groom we discuss his incredible body of work which includes HBO's Vinyl, ABC's miniseries When We Rise and the feature films Eat Pray Love and Milk, the process of location vs sets and the leg work involved in recreating the period with accuracy and detail.

Bill Groom is nominated in Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) for The Marvelous Mrs. Maisel episode "Ya Shivu v Bolshom Dome Na Kholme."

The next season of The Marvelous Mrs. Maisel will hit Amazon in late 2018 or early 2019.

This interview runs 34m with opening and closing music.

Opening music: "Egh-choh-choh" by The Barry Sisters

Closing song: "Rebel Rebel" by David Bowie

The Emmy voting period ends August 27th at 10pm PST.

The Creative Arts Emmys will be a two-night affair on Saturday, September 8th and Sunday, September 9th.

The 70th Primetime Emmy Awards will be Monday, September 17th.

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Cort L. Hessler lll, with his 2014 Emmy for Stunt Coordination on 'The Blacklist'

Emmy-winning stunt coordinator Cort L. Hessler lll got his start in Florida, where he grew up, at Disney when the theme park came to his high school scouting for talent. He water skied, did live shows, anything and everything that was available to him.

When Universal Studios opened in 1990 he auditioned for, and got, a Miami Vice-style show in the park's lagoon and that kicked off his film and television stunt career. With live shows and film and television being shot for onlookers and tourists to see, Hessler jumped in head first, filming stunts in the park. That led his first big break, the NBC primetime show SeaQuest 2032 starring Roy Scheider and Jonathan Brandis. Hessler doubled for Brandis and he became a go-to for water and underwater stunt work.

On The Blacklist, a job he got over Facebook while working on Blue Bloods, Hessler is proud of the level of practical stunts he employs (including more than one character on fire, CGI-free) and the safety he demands on his set.

In our chat we talk about his directorial debut on the show last season (he'll have another one next season), his favorite types of stunts, his favorite sequences from this last season, his advice for those interested in this (sometimes literally) backbreaking work, and if the Oscars will catch up to the Emmys and Screen Actors Guild in recognizing stunt work.

Season 6 of The Blacklist will return this September on NBC.

The Emmy voting period ends August 27th at 10pm PST.

The Creative Arts Emmys will be a two-night affair on Saturday, September 8th (where Hessler’s category is slotted) and Sunday, September 9th.

The 70th Primetime Emmy Awards will be Monday, September 17th.

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For Ben Kutchins, his love of film and filmmaking started out the way it did for a lot of kids; finding an old 35mm camera in a parent's drawer, dusting it off and giving it a go. Looking at life through a lens became a hobby, then a passion and during college he interned, as many people who are interested in film and live in Northern California do, at Lucasfilm. That internship turned into a job but he saw the tides turning from film to digital and that he was on track to a working at a desk, which he didn't want.

Pushing back, he left a job offer from Lucasfilm and entered NYU's film program. It was everything he wanted; shooting over 60 short films, learning the language of film and learning from and with Reed Morano (Emmy-winning director of The Handmaid's Tale) and Rachel Morrison (Mudbound, and the first ever female director of photography nominated for the Cinematography Oscar).

Throughout his career Kutchins has been inspired by cinematographers like Oscar-winner Emmanuel Lubezki ("He moves the camera in the most naturalistic way that I've seen of any modern cinematographer"), Roger Deakins ("The best lighting cameraman I've ever seen), Gordon Willis ("He knows how to give each location its own beating heart") and more.

For his work on Netflix's Ozark, Kutchins earned the first Emmy nomination of his career in the category of Outstanding Cinematography for a Single-Camera Series (One Hour). But he'll tell you he didn't get there alone ("I take every day as a gift, I don't take that lightly"). He had been the cinematographer on a film starring Jason Bateman (The Longest Week) and that relationship earned him a spot on Bateman's team for the Emmy-nominated Netflix hit ("We get excited about the same things, we're real film nerds"). Working with Stephani Lewis (costume designer) and Derek Hill (production designer, who's also Emmy-nominated) on finding the look of Ozark, Kutchins calls it a "melding of minds" and "gearing towards the same aesthetic."

Ozark returns to Netflix for its second season on August 31st. You can watch the trailer here.

The Emmy voting period ends August 27th at 10pm PST.

The Creative Arts Emmys will be a two-night affair on Saturday, September 8th (where Kutchin's category is slotted) and Sunday, September 9th.

The 70th Primetime Emmy Awards will be Monday, September 17th.

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This week gave us the lineups of two of the fall's biggest festivals, Venice and Toronto.

On this 66th Oscar podcast, I am joined by freelance film writer (you can find his work at Vanity Fair, Moviemaker magazine and more) and publications editor for the Sundance Film Festival, Daniel Joyaux.

While these festival announcements always give us great intel on how studios are positioning their fall and winter awards releases, it's often the films that are missing that give us even bigger clues. Where are Bohemian Rhapsody, Boy Erased, Destroyer and Mary Queen of Scots? Some may show up at Telluride, others may be added to Toronto's lineup next month (there are still three Gala spots and 30 Special Presentation slots open).

Venice will give us premieres of Damien Chazelle's First Man, while Toronto will world premiere Steve McQueen's Widows and If Beale Street Could Talk from Barry Jenkins. Alfonso Cuarón's Roma looks set to hit every major festival - Venice, Toronto, NYFF and Telluride. All eyes will be on the follow-ups of these Oscar-winning directors.

The Cannes/Netflix kerfuffle earlier this summer proved to be the gain of both Venice and Toronto as each festival is flush with debuts from the streaming service. The Coen brothers' anthology series (which will apparently compete as a feature film for the Oscars) The Ballad of Buster Scruggs, Paul Greengrass's 22 July and the final film from Orson Welles, The Other Side of the Wind are all set to kick off at Venice.

I will be at the Toronto International Film Festival this year for the first time. Keep your eyes and ears open for more podcasts leading up to, at, and after TIFF.

With music this podcast runs 1h 27m.

Opening song: "Sulk" by TR/ST

Closing song: "New York City by Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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From left: 'Jessica Jones' creator Melissa Rosenberg, Netflix's Ted Sarandos with Sean Callery with Emmy win for Outstanding Original Main Title Theme Music for Netflix's Jessica Jones (photo: Image24 PR)

It doesn't get more Emmy-tastic in the Music Composition categories than Sean Callery.

Callery has received 17 Emmy nominations and 4 wins, making him one of the most nominated composers of all time. 10 of his Emmy nominations are for the hit Fox drama 24, starring Kiefer Sutherland, where Callery composed all nine seasons and is the only composer to have been nominated every year for a series that ran more than three seasons. Altogether, Callery won three Emmys for Outstanding Music Composition for his work on 24.

His fourth, and most recent win, came in 2016 for Outstanding Original Main Title Theme Music for Netflix's Jessica Jones, starring Krysten Ritter.

He also composes the music for hit series such as Showtime’s Emmy and Golden Globe award-winning drama Homeland, starring Claire Danes and Mandy Patinkin, ABC’s Designated Survivor, starring Kiefer Sutherland, and CBS’s Sherlock Holmes-inspired drama series Elementary, starring Lucy Liu and Jonny Lee Miller.

I had the pleasure to chat with Sean about his prolific composing career, the intricacies of being a Television Academy judge in the Limited Series music sections, and how music is a primal form of human communication.

In our conversation, Sean talks about his first major moviegoing experiences that helped shape his own likes and inspirations with composing, including 2001: A Space Odyssey and Jaws.

Describing creating the Emmy-winning theme for Jessica Jones, Sean found the voice of Jones through film noir but with an original spin, playing with the playful and hardened elements of the character.

Sean also reveals the golden piece of advice that every composer wants to hear before creating a score.

Sean resides in Los Angeles with his wife, Debbie.

This interview opens with his Emmy-winning main title theme from Jessica Jones and closes with music from Homeland's 7th season and sixth episode, "Species Jump."

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Composer Nathan Barr has received critical acclaim for his unmatched versatility, incorporating eclectic instruments from musical cultures across the world. Nathan recently completed construction on his new 8,000 square foot personal studio in Tarzana, California that can house 50-60 musicians. The studio, Bandrika (named after the fictional country in Hitchcock’s The Lady Vanishes, which I had forgotten!), houses the original Wurlitzer pipe organ that was installed at Fox studios in 1928 that recently went through a four-year restoration. With 1,500 pipes, able to mirror hundreds of different instruments ("It's like Willy Wonka and the Chocolate Factory for music," he says.), its music can be heard in iconic films including Journey to the Center of the Earth, The Sound of Music, and Patton. Barr and his team are currently compiling a list of composers that have used the organ including Oscar winners John Williams, Jerry Goldsmith and Bernard Herrmann.

I chatted with the two-time Emmy-nominated composer about his work on The Americans, how his pianist mother and banjo-playing father introduced him to music in Japan at five years of age and becoming a collector of rare and unusual instruments from around the world such as a human bone trumpet from Tibet, dismantled pianos, a rare Glass Armonica, gourd cellos, many of which you can hear on any number of his original compositions. We also talk about some of his favorite composers and film scores including The Third Man and its classic zither.

Since the end of The Americans, Nathan scored the dystopian action thriller, The Domestics, starring Kate Bosworth and Tyler Hoechlin, which hit theaters June 29th and is currently scoring season two of AMC’s multi-generational western epic, The Son, starring Pierce Brosnan. He's also putting the finishing touches on his next collaboration with director Eli Roth, the upcoming adventure film The House with a Clock in Its Walls (see trailer below) starring Jack Black and two-time Oscar winner Cate Blanchett. The film's release on September 21 will mark the Wurlitzer's 21st-century debut for movie audiences. 2019 will find Nathan scoring Amazon’s upcoming fantasy, period drama, Carnival Row, starring Orlando Bloom and produced by Guillermo del Toro.

Nathan Barr currently resides in Los Angeles, California.

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Before earning an Emmy nomination last week for her work on the series finale of Once Upon a Time, Cindy O'Connor began her career as a musical theater composer...well, actually it goes back further than that. Her parents love to regale their friends with stories of Cindy composing at the age of 5, writing song on her keyboard called "The Aku-Aku Foot Disease" while her family was living in Japan. It all began there. Flash forward to 1993, writing the music for All That He Was in collaboration with Larry Todd Johnson where she won the National Playwright Award and the Kennedy Center American College Theatre Festival for New Play. The darkly comic musical, about one man’s struggle with AIDS where the deceased functions as host and narrator, invisible among the friends and family assemble to pay him final respects, has since been produced in Los Angeles, New York, Chicago, and several theaters across the US.

O'Connor worked from the ground up in television and film, with Emmy-winning Oscar-nominated composer Mark Isham taking her under his wing. The two have collaborated for over a decade and share that 2018 Emmy nomination with Michael D. Simon. Throughout her musical career she's worked on the Oscar-winning film Crash, Blade, The Conjuring 2, The Black Dahlia and as the composer for shows like The Black Donnellys and the television adaptation of Crash.

I chatted with Cindy about her first Emmy nomination (and being the only female nominated in the Music Composition categories), jamming with Pat Benatar and the importance of advocacy for women composers and in the film and television industry. She's also a member of the Alliance of Female Composers. On September 4th she'll be a part of KCRW Presents The Future is Female: A Concert Celebrating Female Composers at The Wiltern in Los Angeles that will also include Tamar Kali (Mudbound) and Ronit Kirchman (The Sinner), both featured in 5 Female Composer You Should Know. Tickets are available here.

Here is my interview with Emmy nominee Cindy O'Connor.

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Buckle in, kids, this is a doozy.

On this FINAL Emmy nominations prediction podcast, I am joined by Awardsdaily TV's Joey Moser. The shade will be deep and the tea is steeped.

Starting off with the Drama categories, working our way up from Guest to Lead to Supporting and Drama Series itself, Joey and I debate if Westworld can hold its own against the return of Game of Thrones and how both will do in the face of The Handmaid's Tale's second season after a first season domination at last year's Emmys.

Comedy gets into how the absence of Veep could find its replacement with up to three freshman shows (The Marvelous Mrs. Maisel, GLOW and Barry) looking for a spot in Comedy Series against the reboot of Will & Grace, Silicon Valley and frontrunner Atlanta.

Limited Series and TV Movie closes the podcast and, as is often the case, we find it the most difficult to predict.

Watch for my full list of final Emmy predictions today.

This epic podcast run 2h and 30m with music and is worth every moment.

Opening music: Theme from Black Mirror

Closing music: Theme from Will & Grace

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It's Emmy season and in podcast #22 I am joined by GoldDerby contributing editor and Emmy super sleuth Riley Chow.

The Emmy nominating ballots were revealed yesterday and Riley and I begin the podcast by discussing any anomalies in the submission list and the Guest vs Supporting categories and new(ish) 50% rule.

Westworld and The Handmaid's Tale will likely make up a large portion of guest and supporting acting nominations and Riley and reveal our thoughts on where we think each show will land now that they both will face Game of Thrones.

We venture into the writing and directing categories of drama, talking at length about The Americans, Game of Thrones, The Handmaid's Tale, The Crown, Stranger Things and This Is Us. I also try and make the case for Killing Eve.

In comedy we focus on Atlanta, GLOW, Barry, The Marvelous Mrs. Maisel, Silicon Valley and how the absence of Veep and Master of None opens the door for an interesting lineup.

We close on the Limited Series and TV Movie categories, as bleak as they are this year, finding similar predictions with The Assassination of Gianni Versace: American Crime Story, The Tale, Twin Peaks: The Return and Godless and more.

Stay tuned for more podcasts before the July 12th announcement of the 70th Primetime Emmy Awards and check in with my 2018 Emmy write-ups here.

This podcast runs 1h 14m with music.

Opening: Theme to Mindhunter

Closing: Theme to Twin Peaks: The Return

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It's one week after the close of the 71st Cannes Film Festival and guest Aaron Locke, who guested on the first Cannes podcast, returns to chat with me about it.

We talk about Aaron's impressions as a first-time visitor of the fest, those early pieces about the lack of prestige and importance of Cannes and then move into our favorites like Burning, Shoplifters and Lazzaro Felice and least favorites (sorry, Godard) of the two week extravaganza.

We close revealing our picks for dream jury members for the future.

With music this podcast runs 1h 5m.

Opening music: Cannes Film Festival opening theme

Closing music: “New York City By Day” by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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In this very first AwardsWatch Cannes Podcast, I am joined by Aaron Locke, who will be attending the festival for the first time. This will be my third but first as press under my own moniker. We both of a slew of films we're looking forward to and why.

A truly international festival, Aaron and I chat about the new Lee Chang-Dong (Burning), Kore-eda (Shoplifters) and Knife + Heart from Yann Gonzalez. On the American side, two films are represented - Spike Lee's BlacKkKlansman with John David Washington, Adam Driver and a very buzzed about Topher Grace and Under the Silver Lake from David Robert Mitchell starring Andrew Garfield, Riley Keough and again, Topher Grace.

We also talk the interesting choice of Cannes and Oscar winner Asghar Farhadi's Everybody Knows as the festival opener and about potential controversies with the new Lars von Trier (The House That Jack Built) and Terry Gilliam (The Man Who Killed Don Quixote) in the age of #MeToo. Both films, and their directors, are likely to be under tremendous scrutiny this year, especially during the press conferences.

This is a brisk podcast, coming in at just over 45m with music. Keep your ears open for a mid-festival podcast too.

Opening music: Cannes Film Festival opening theme

Closing music: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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I chatted with Screen Actors Guild nominee Leonardo Nam, star of HBO's Emmy-winning sci-fi series Westworld, which just had its second season premiere last night. We talked at length about the importance of visibility, opportunity and representation in films and television and his early role models and acting idols, Sidney Poitier and Denzel Washington.

Born in Buenos Aires, Argentina to Korean parents and then raised in Australia, Nam knows a little something about cultural diversity. TheLA-based actor constantly defies stereotype with his versatility and is actively making sure other Asian-Pacific and Asian-American actors and filmmakers get noticed, including his ambassadorship with the Asian Pacific American Visionaries Short Film competition sponsored by HBO and his support of multi-cultural designers in what he wears on the red carpet.

Nam broke big with the 2004 Paramount Pictures film The Perfect Score, playing a lead role opposite Chris Evans and Scarlett Johansson but is beloved for his role of Brian McBrian in 2005's The Sisterhood of the Traveling Pants and the film's sequel (for which he was almost replaced). He talks fondly of his mentor on that film, Debra Martin Chase, who really went to bat for him for a role that was written as a blond-haired, blue-eyed guy. We might fan out over the movies juuust a little bit. Nam also reveals a touching story of a young female fan of the book who was not happy when she found out he was cast but had a change of heart once she saw him in the film.

Talking Westworld, Nam teases a bit of what's in store for Felix's hero status after helping Maeve escape last season and what Westworld, and television like it, has to say about the state of the world today.

Westworld season 2 airs every Sunday on HBO. Listen to the full interview below.

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In the first Emmy podcast of the 2017-2018 television season I am joined by a familiar voice - Vox.com's critic-at-large Todd VanDerWerff.

The first hour of this 90-minute podcast focuses heavily on the Outstanding Drama race which sees the return of Game of Thrones after taking a year off and now going up against last year's winner The Handmaid's Tale. How will that affect the return of Westworld? Its 22 nominations last year are likely to take a hit with Game of Thrones competing directly with it in multiple categories.

Delving into comedy finds a lot of talk about Roseanne's ratings-bonanza return, the chances for One Day at a Time to stake its Emmy claim and whether or not reboot fever (that also includes Will & Grace) will find its way to nominations. With Veep out of contention this year, the door opens for Amazon's The Marvelous Mrs. Maisel (and Amy Sherman-Palladino into the Emmy conversation) as well as HBO still having four comedies to choose from in Silicon Valley, Curb Your Enthusiasm, Insecure and their freshman show Barry. We also talk about how FX could position Pamela Adlon and Better Things to have a much-needed conversation about Louis C.K. from one of the people closest to him.

Finally, Todd makes a desperate plea for...well, I'll just let you listen and hear for yourself.

This podcast runs 1h 32m with opening and closing music.

Opening music: Westworld theme by Ramin Djawadi

Closing music: "This Is It," by Gloria Estefan - theme song for One Day at a Time

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It's all down to this.

Oscar voting is now over and the big show is on Sunday. In this 65th podcast I am thrilled to be joined by Vanity Fair's Joanna Robinson.

READ: Why Should I Care About the Oscars?

This podcast focuses quite a bit on the race itself, how this season has gotten us to three possible Best Picture winners, the obstacles it took to get there and how our predictions were led by passion and gut versus simple statistics.

Will it be Three Billboards? The Shape of Water? Get Out? Or possibly something else?

With the acting categories seemingly locked up, we talk about the divergence of early critics wins versus the televised awards, the possible importance of Original Screenplay telling us something early in the show and close with the categories that always end up making or breaking your Oscar pool predictions: the shorts.

Take a peek at the Gold Rush Gang's Final Oscar predictions here before tomorrow's publication.

This podcast runs 1h 13m with music

Intro: "And the Oscar goes to..."

Outro: "New York City by Day," by Thomas Newman from the Original Motion Picture Soundtrack to Desperately Seeking Susan

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In this 64th Oscar podcast, I am joined by Gold Rush Gang member Matt Dinn the day after the BAFTA awards where Three Billboards outside Ebbing, Missouri won Best Film and the four acting frontrunners - Gary Oldman (Darkest Hour), Frances McDormand (Three Billboards outside Ebbing, Missouri), Sam Rockwell (Three Billboards outside Ebbing, Missouri) and Allison Janney (I, Tonya) all repeated their wins from the Critics' Choice, Golden Globes and Screen Actors Guild awards in an historic sweep.

But, is Three Billboards actually the frontrunner to win the Best Picture Oscar? Over the course of just over an hour, Matt and I make the cases for why it can and why it won't. Same for The Shape of Water. The Critics' Choice, DGA and PGA winner seems like a good bet. Or is it? Digging deeper, we discuss the path for a Get Out win in the face of seemingly insurmountable statistical odds. How much will the preferential ballot impact these three films and which stands the best odds with it? Will Original Screenplay be a deciding factor?

2018 Oscars: The State of the Race the Day Before Voting Starts and Why Get Out Can Win With every Best Picture nominee facing one obstacle or another, stats and history start to fall by the wayside and let gut feeling and instinct and the impact of social relevance to take over.

This podcast runs 1h 16m with music.

Outro music: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan.

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It's Oscar nomination day and I have Awardsdaily's first lady of Oscar talk Sasha Stone with me to discuss and break down this morning's Oscar nominations and what the state of the race looks like now.

2018 Oscars: 90th Academy Awards Oscar Nominations

Sasha and I dig deep into where Three Billboards Outside Ebbing, Missouri and The Shape of Water are after their SAG and PGA wins, what that Martin McDonagh director snub means and how the current brewing backlash of his film could stop it dead in Oscar's tracks.

2018 Oscars: Who Are the Frontrunners Now?

Get Out and Lady Bird feature heavily as contenders that could find themselves with less baggage than the two guild beasts and the Academy showed this morning that they're diverging on a different path than those guilds with over-performers like Darkest Hour and Phantom Thread and under-performers like I, Tonya and Molly's Game.

This podcast runs 1h 9m with music.

Intro: Andy Serkis and Tiffany Haddish announce the 2018 Best Picture Oscar nominees (via the Oscars' YouTube page)

Outro: "New York City By Day," by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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It's Wednesday, January 17th and this is the FINAL Oscar nomination predictions podcast of the 2017-2018 awards season.

Through the roller-coaster of this awards season we found ourselves without a true frontrunner until really just this month in Three Billboards but, is it? Can Get Out, Lady Bird or The Shape of Water turn the tide? How did critical frontrunners like Willem Dafoe (The Florida Project) and Laurie Metcalf (Lady Bird) stumble once the televised awards started?

Gold Rush Gang member Bryan Bonafede and I explore this season's Oscar race in great detail: from missed opportunities, to why studios keep putting prestige releases at the end of December (and when it sometimes works like I, Tonya) and the possible look of this year's nominees through the optics of a new Academy.

There's a handful of Producers Guild (PGA) and Screen Actors Guild (SAG) talk as both groups announce their winners this weekend, just days before Oscar nominations.

We break down top categories and analyze chances of outliers, discuss if Netflix will finally break through this year with Mudbound and where and finally, reveal our one nomination wish for Tuesday.

Sit back, this podcast runs 2h 10m with music.

Intro: Oscar nominations introduction

Outro: “New York City By Day, ” from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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This 61st podcast is focused on the Golden Globe Awards this Sunday, January 7th and our winner predictions.

I am joined by Gold Rush Gang member Matt Dinn and we break down what is one of the most competitive, up in the air awards seasons in years, in almost every category.

Will there be a sweep like La La Land last year or will the HFPA want to stay away from that backlash? Will that Globes-only screening pay off in more than just nominations?

75th Golden Globe Awards Winner Predictions (Motion Picture) Is is Ronan or Robbie? Metcalf or Janney? McDormand, Streep or Hawkins? Can Timothée Chalamet upset Gary Oldman?

With nearly every category having two and sometimes three viable contenders it's going to make for a very fun show. We think we have some good ideas on who will actually triumph in the end.

This podcast runs 1h 11m 45s with music

Note: Between 26:20-26:30 Matt's mic dropped out

Intro: "Waiting for the Globes," from the 59th Golden Globe Awards

Outro: "New York City By Day, " from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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Oscar Podcast #60, the second in a week, welcomes the fantastic Kayleigh Donaldson of Pajiba to talk about Golden Globe and Screen Actors Guild nomination predictions.

A healthy portion of the first part of the Golden Globe conversation centers around Get Out, both in its quality as a film and its likelihood as a Golden Globe Best Picture nominee. Talk about Call Me By Your Name, Dunkirk and the Darkest Hour are abound.

The Screen Actors Guild conversation details the nature of nominees being dependent on the SAG nom comm getting screeners and how odd nominees can find their way here. Kayleigh and I both agree that the main category here, Cast in a Motion Picture is chock full of likely and worthy contenders and that it's going to be a bloodbath.

Mudbound is a point of contention as to whether is lives or dies on SAG nominations or not.

It's at this point that we take a sojourn into the wonder that is The Florida Project, which happens to be among both of our favorites of the year.

We wrap with a few nominees we feel we might only see here at SAG (hint: mine if from Logan and it's not Hugh Jackman).

You can see my official Golden Globe predictions here, and my Screen Actors Guild predictions will be revealed this weekend.

This podcast runs 1h 9min with music.

Intro: Get Out TV spot #3

Outro: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack to Desperately Seeking Susan

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In this 59th Oscar Podcast I am joined by Kyle Buchanan, senior editor of New York Magazine and Vulture.com.

We start by discussing the first round of critics' awards: the National Board of Review, New York Film Critics Circle and the Los Angeles Film Critics Association and what their wins for Call Me By Your Name and The Shape of Water could have on the upcoming (ongoing?) road to the Oscars.

Interview: CALL ME BY YOUR NAME’s Luca Guadagnino and Michael Stuhlbarg

Throughout, Kyle peppers the conversation with his insight on voters, the importance of being the 'movie for right now' and we dip a bit into Screen Actors Guild talk, especially regarding Get Out (watch out for a new podcast for that this weekend).

We wrap up addressing some of the controversies surrounding contender Three Billboards Outside Ebbing, Missouri and reactions to Call Me By Your Name.

2018 Oscar Predictions from the Gold Rush Gang

This podcast runs 1h 5m 25s with music.

Intro: Call Me By Your Name TV spot

Outro: "New York City By Day," by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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It's been quite a while since our last Oscar Podcast but we're back with #58 talking about the downfalls of Harvey Weinstein, Kevin Spacey and the avalanche of accusations and allegations that have rocked Hollywood this last month. The first section of the podcast my guest, Gold Rush Gang member Matt Dinn, and I talk about the impact of this on the current landscape of the Oscar race, specifically to The Weinstein Company's awards efforts and the surprising news last week that Ridley Scott would cut Kevin Spacey out of his Getty kidnapping drama All the Money in the World, replace him with Christopher Plummer (the actor he originally wanted for the role of Getty) and the race to do this and keep the film's December 22nd release date.

The Gold Rush Gang's 2018 Oscar Predictions

Then we examine the exciting and complicated Supporting Actor race with its multiple dual contenders from the same films this year, including Call Me By Your Name, The Shape of Water and Three Billboards Outside Ebbing, Missouri. We make our cases for the top 3: Sam Rockwell, Willem Dafoe and Michael Stuhlbarg as potential winners and if Armie Hammer can break the 26-year curse in this category.

Interview: CALL ME BY YOUR NAME’s Luca Guadagnino and Michael Stuhlbarg

Next is Supporting Actress which focuses on frontrunners Allison Janney (I, Tonya) and Laurie Metcalf (Lady Bird) and the mother-daughter theme of this category and the contenders at large. I make my case for Tiffany Haddish (Girls Trip) to get in if Universal pushes hard and gets her out there and that this acting category could be the only that will have a POC represented (most notably, Octavia Spencer in The Shape of Water and Mary J. Blige in Mudbound).

Lead Actress gets a ton of talk time (of course) with Meryl Streep (The Post) and Frances McDormand (Three Billboards) dominating that as well as looking at our existing top 5 and wondering how or who could break through that solid-looking lineup that includes Sally Hawkins (The Shape of Water), Margot Robbie (I, Tonya) and Saoirse Ronan (Lady Bird).

The trailer for Steven Spielberg’s THE POST has been delivered

Lead Actor also finds itself with three solid contenders but open doors for spots 4 and 5. Will Tom Hanks go supporting for The Post like Jason Robards did for All the President's Men? Will Jake Gyllenhaal see another year where he hits precursors only to be snubbed at Oscar? What about how very white this category is? It seems only Daniel Kaluuya (Get Out) and Denzel Washington (Roman J. Israel, Esq.) could make that not happen but it's going to take some heavy lifting by their studios to do it.

With intro and outro this podcast runs 2h 7m.

Intro: The Post trailer via 20th Century Fox

Outro: "New York City by Day" by Thomas Newman from the Desperately Seeking Susan Original Motion Picture Soundtrack

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"I like your shoes."

Those were the first words that Luca Guadagnino, the director of Call Me By Your Name, one of this year's biggest critical hits and Oscar favorites, said to me as I sat down to interview him. Truth be told, I did wear my red sequined Converse so I might have been fishing for that. Guadagnino himself was sporting fabulous red suede shoes so, of course, I returned the compliment.

Both Luca and one of his film's stars, Michael Stuhlbarg, were in town for the Napa Valley Film Festival. Stuhlbarg was receiving a Spotlight award and had two films at the festival - The Shape of Water and Call Me By Your Name. A fascinating duo, as Guadagnino was verbose and gave detailed and long responses to questions and Stuhlbarg with a more methodical approach to answers.

Throughout the interview we talk about the journey for the book to get to film, getting Sufjan Stevens aboard and even a casting scoop the upcoming sequel (hint: it's someone from The Big Splash).

This interview runs 36m 10s with intro and outro.

Intro: Call Me By Your Name trailer featuring "Mystery of Love" by Sufjan Stevens

Outro: "Visions of Gideon" by Sufjan Stevens from the Call Me By Your Name Original Motion Picture Soundtrack (copyright - The Orchard Enterprises and ℗ 2017 Sufjan Stevens)

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It's the first Oscar podcast after the big summer film festivals - Venice, Telluride and Toronto - and usually by now we have a frontrunner. But not this year.

Guillermo del Toro's The Shape of Water won the Golden Lion at Venice and Martin McDonagh's Three Billboards Outside Ebbing, Missouri won the People's Choice Award at Toronto. Both are from Fox Searchlight, but who will they favor in this fall and winter's awards race?

READ - Frontrunner Friday or: How Late September Doesn’t Have an Oscar Frontrunner I am joined on Oscar Podcast #57 by Gold Rush Gang member Jason Osiason and Matt Dinn, who both attended Toronto this year and give their thoughts on personal favorites like I, Tonya, Lady Bird and The Florida Project.

Next up is the New York Film Festival which will give us our first looks at Last Flag Flying and Wonder Wheel.

This podcast runs 1h53m

Intro: "Three Billboards Outside Ebbing, Missouri" official trailer B

Outro: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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This 20th Emmy Podcast, I am joined by fellow Emmy Expert Jonathan Boehle to give our predictions in Variety Series, Variety Talk Series, Variety Sketch Series, Special Class Program, Reality-Competition Program and Host for a Reality or Reality-Competition Program.

While it feels some categories have clear frontrunners (how is Saturday Night Live not winning Variety Series?), others seem like closer races.

Will Stephen Colbert or Samantha Bee triumph in Variety Special for their election themed specials? Will the (Hamilton) Tonys beat the (Moonlight) Oscars?

What about Reality Host? Will RuPaul Charles triumph again or will Emmy magnet Alec Baldwin find a match?

Check out the full predictions for this year's Emmy Awards from the Emmy Experts as they're updated live until next month's Creative Arts and Primetime Emmys.

Keep an eye and ear out for upcoming Emmy podcasts covering Comedy, Drama and Limited Series/TV movie categories.

This podcast runs a tight 51 minutes with opening and closing elements.

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With the Venice, Toronto and New York Film Festivals all having announced their slates for this year it was the perfect time to podcast. I am joined by Gold Rush Gang member Bryan Bonafede and we drill deep into who is playing where and even Telluride, which doesn't announce until the weekend of the fest. Based on the type of premiere a film gets at one those other three gives us information on who is going to Colorado.

We dig into Best Actress after it became official this week that Sony Pictures Classics has picked up FILM STARS DON'T DIE IN LIVERPOOL, giving Annette Bening the best shot of her career at an Oscar win. This unfolds to Supporting Actress where Melissa Leo dominates with NOVITIATE but we recognize that the category is pretty open in terms of nominations.

We discuss four films outside the scope of the fall festivals that are (or, in one case, were) potential Oscar contenders: DUNKIRK, GET OUT, DETROIT and THE BIG SICK.

READ: 2018 Oscar Predictions from the Gold Rush Gang

We have a lot to say about Fox Searchlight's THE SHAPE OF WATER from Guillermo del Toro, which we think could be the real Best Picture contender this year and certainly has the best chance at the highest nomination total come January.

We close mentioning the new president of the Academy, John Bailey, and his predecessor Cheryl Boone Isaacs, who leaves behind a legacy unlike any president before her.

This podcast runs 1h 45m with music.

Intro music: Going Green

Outro music: "New York City By Day," by Thomas Newman from the film Desperately Seeking Susan

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This 55th Oscar podcast I'm joined by no less than three esteemed Gold Rush Gang members - Jason Osiason, Richard Anthony and Matt Dinn.

We open on a discussion of the 774 Academy invitees announced two weeks ago and some of the backlash against names some felt were diluting the membership. We talk about how last year's new group impacted Moonlight's Best Picture win this year and how this new group will shape future nominees and winners.

Then it's onto the Venice and New York Film Festivals and who we think will show up. Between previous director and studio relationships there's a wealth of opportunities for films to make their big awards breakthroughs here. Films like The Shape of Water, Suburbicon, Wonderstruck and mother! are all aiming for prime time spots in world's bests fests.

Throughout we discuss Oscar potential for films but we close on some more specific categories and films. Detroit, Blade Runner 2049 and Dunkirk get a lot podcast play, as does Supporting Actor and the Screenplay categories, where Original is overstuffed with contenders and Adapted is struggling for five that make sense.

With music this podcast runs 2h 7m.

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In this 19th Emmy podcast I am joined by AwardsWatch's Peter Cioth and Jonathan Boehle to discuss our final predictions for the 69th Emmy nominations.

Our focus this podcast is on Drama and Comedy Series and the Lead and Supporting categories in both. In Drama, much discussion surrounds what new shows will find themselves with nominations with Game of Thrones and Downton Abbey not in contention (This Is Us, The Crown, Westworld, Stranger Things, The Handmaid's Tale) and what could be left off this year (Homeland, House of Cards, Mr. Robot). Same goes for Comedy, will this be the year Modern Family is dropped? Will Atlanta be the only new show nominated or can Dear White People or Fleabag get in?

We end with the Variety and Special Class Program predictions.

With music this podcast runs about 2h 9m.

Intro music: Stranger Things opening theme by Survive (Kyle Dixon and Michael Stein)

Outro music: Atlanta opening music by Childish Gambino

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This 18th Emmy podcast I am joined by former and current Emmy Experts Peter Cioth and Chris Pepper to break down the newly revealed nomination ballots to discuss the writing, directing and guest acting categories.

This podcast runs 1h 45m.

Opening music: the theme from 'The Crown'

Closing music: "Alla luce del giorno" by Ennio Morricone used in the opening sequence of 'Master of None' season two, episode one

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Finally!

After two months of no podcasts, I return for #54 with special guests Júlia Guimaraes and David Acacia. David is an AW member as well as a member of the International Cinephile Society. He guested on last year's post-Cannes podcast and he's back to spill some tea on his faves, what he didn't like and the general 'meh' feeling of this year's festival.

Bear with this podcast, folks, as David's connection goes in and out so much he sounds like he's reporting from the Black Lodge in Twin Peaks. Júlia, however, comes up with a clever tactic to overcome this.

The podcast covers the Cannes prize winners and their possibility as awards contenders as we move through the season. With The Beguiled, The Killing of a Sacred Deer and Wonderstruck there are certainly some that could find themselves with Oscar attention. We also talk about the foreign language film contenders from the festival, including Palme d'Or winner The Square, Grand Prize winner 120 Battements par minute and Jury Prize winner Loveless. We dig into the female representation of the in competition films, which jury member Jessica Chastain found disturbingly lacking (her press conference convo started a viral firestorm).

We finish up, of course, talking about Nicole Kidman's 70th anniversary prize, bestowed on her for her body of work in this year's festival (The Beguiled, The Killing of a Sacred Deer - both in competition - plus How to Talk to Girls at Parties and Top of the Lake: China Girl.

This podcast runs about 1h 45m and if you make it all the way to the end despite David's dropping in and out I heartily salute you.

Intro music: “Going Green”

Outro music: Thomas Newman’s “New York City By Day” from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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This 53rd Oscar Podcast, the first of the 2017-2018 season, breaks down the main contenders right now and who could be in the future.

With CinemaCon last week, we got some insight on a few high-profile Oscar contenders like The Greatest Showman, Suburbicon, Downsizing, Wonderstruck and Darkest Hour. On the flip side, we are still very much in the dark about other films like Kathryn Bigelow's Untitled Detroit Riots Project, The Current War, The Post, and mother!

We talk about the impact, if any, the buzz for CinemaCon films will have on this month's predictions and also dig deep into where things stand in a post-Moonlight Oscar world. Will the pendulum swing back to an OscarsSoWhite year?

Intro music: "Going Green"

Outro music: Thomas Newman’s “New York City By Day” from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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In our first Emmy podcast of the 2016-2017 Emmy season, Chris Pepper and I focus on the Limited Series and TV Movie categories.

Starting with Supporting Actress and Actor, we debate if American Horror Story can still muster nominations for Emmy winners Kathy Bates and Sarah Paulson or will Ryan Murphy's new venture, Feud: Bette and Joan, gobble up those spots for Judy Davis and Catherine Zeta-Jones. Category placement is still up in the air for many performances right now so we could see a different lineup in the coming months.

Lead Actor is next with debate about Ewan McGregor in a double role for Fargo making it in or possibly getting the Patrick Wilson treatment. And, are both Riz Ahmed and John Turturro (The Night Of) getting in?

We hit the top categories, Limited Series and TV Movie, which feel much more locked than they should be at the moment.

We end on the most competitive Emmy category in many years, Actress in a Limited Series or TV Movie. Jam packed with Oscar winners and nominees, this category has 10 legitimate contenders vying for six spots. Nicole Kidman, Reese Witherspoon, Jessica Lange, Susan Sarandon, Michelle Pfeiffer, Carrie Coon, Felicity Huffman, Regina King, Oprah Winfrey, and Viola Davis will battle it out here. There will be snubs.

Intro music: Opening theme to Feud: Bette and Joan by Mac Quayle

Outro music: Opening theme to Big Little Lies: "Cold Little Heart," by Michael Kiwanuka

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On this 52nd Oscar podcast, the last of the 2016-2017 awards season, I'm honored to have AwardsDaily's Sasha Stone and Ryan Adams as guests for the post-Oscar post-mortem.

After last night's historic win for Moonlight in Best Picture and an announcement fiasco unlike anything the Academy Awards have ever seen before, there is a lot for Stone, Adams and myself to talk about.

Between our personal appreciation for Moonlight (and La La Land, for that matter) the conversation traverses politics and emotions as we analyze the academic reasons for the film's success and why it was so important that it won.

We cover the perceived backlash and controversy that arrived late for La La Land, what streaks and records were broken last night and which ones held true, including that Best Actor SAG stat where we saw Denzel Washington lose to Casey Affleck.

This podcast runs 1h 36m with music.

Intro: A24's 'Moonlight' trailer featuring music from Nicholas Britell's Oscar-nominated score

Outro: Thomas Newman's "New York City By Day" from the Original Motion Picture Soundtrack of Desperately Seeking Susan

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Well, here we are. The last prediction podcast of the 2016-2017 Oscar season.

I am joined by Gold Rush Gang members Kenneth and Evan for a deep dive into all 24 categories, starting off with the last batch of guilds that announced and using them as the jumping-off points for those Oscar categories.

That carries us into a conversation about Hidden Figures in this race, a film that's done very well with the guilds even though it has only three Oscar nominations, none of which it's a frontrunner for.

Then we hit a pair of highly competitive races, Best Actor between Denzel Washington (Fences) and Casey Affleck (Manchester by the Sea) and Best Supporting Actor between Mahershala Ali (Moonlight) and Dev Patel (Lion).

Here is the itinerary/agenda of the podcast.

Last week of guilds:

MPSE – Sound
MUAHS – Makeup and Hairstyling (Star Trek Beyond v Suicide Squad)
WGA – Screenplays
CDG – Costumes (Will Jackie become the first winner here without a Production Design nom since Elizabeth: The Golden Age?)
Hidden Figures
Actor (Denzel Washington v Casey Affleck)
Supporting Actor (Mahershala Ali v Dev Patel)
Shorts
Animated
Foreign Language Film (Toni Erdmann v The Salesman)
Documentary Feature (OJ v 13TH)
Actress
Music – Song and Score
Costumes
Prod Design
Cinematography
Actress
Director
Picture

This podcast runs 3h 4m with music.

Intro music: ‘Going Green’
Outro Music: ‘New York City’ By Day by Thomas Newman from the Desperately Seeking Susan soundtrack

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In our 50th Oscar podcast, I am joined by Gold Rush Gang member Bryan Bonafede.

With BAFTA behind us, Bryan and I dig deep into that Dev Patel win and how much it and Lion's recent surge will impact the Oscar race. We also cover most of the tech categories, their history and correlation with Oscar and where BAFTA might have convinced us to change our Oscar rankings. La La Land lost Costumes, Production Design, Film Editing, and Sound so we look closely at the films that won these, compare them with recent guild announcements from the Art Directors and ACE Eddies as well as upcoming ones like Costume Designers and both Sound guilds.

The battle for Best Actor is next and it's a battle between the overwhelming critics' winner Casey Affleck (Manchester by the Sea) and two-time Oscar winner Denzel Washington (Fences). Between personality, awards history and checkered pasts, this is a category ripe for surprise and we detail the reasons we've chosen who we've predicted to win.

We also look at the Visual Effects category where, while we both agree that The Jungle Book is the undisputed frontrunner, we each make a case for a possible spoiler in Deepwater Horizon and Kubo and the Two Strings.

With the Writers Guild of America this weekend we look at how, or if, the winners there will have much impact on possible Oscar results since category placement and eligibility between the two bodies don't match up very well. That said, Bryan and I both agree that at WGA the race for Original is between La La Land and Manchester by the Sea (where Moonlight is nominated) while the Adapted category (where Moonlight is Oscar-nominated) looks like a fight between Arrival and Hidden Figures. WGA predictions will be up tomorrow.

Don't fret, we end with talking about Best Actress and just how far ahead Emma Stone and if a chance for an Isabelle Huppert spoiler is in the cards.

This podcast runs 1h 36m.

Intro music: 'Going Green'
Outro Music: 'New York City' By Day by Thomas Newman from the Desperately Seeking Susan soundtrack

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With two of the three major guilds (PGA and SAG) having announced their winners, Gold Rush Gang member Júlia and I break down what the winners mean in terms of the Oscar race.

From the surprise wins for Hidden Figures and Denzel Washington (Fences) at the Screen Actors Guild to La La Land's march to an easy win at PGA, there's actually a lot to talk about.

We start with the PGA and its correlation to Oscar's Best Picture and where we now see Hidden Figures in that race. Then it's on to Supporting Actor where we wax poetic on Mahershala Ali's speech (lots of swooning here) and Viola Davis (Fences) as she steamrolls through the season and her competition. Best Actress is next, where Emma Stone (La La Land) stands alone as the frontrunner but who is next - Portman or Huppert? I detail why Portman might not be the #2 people think she is and why I think she lost. Next is Best Actor, which threw us a big left turn. Is Denzel Washington the new frontrunner or was he all along? Finally, we talk at length about the win for Hidden Figures for SAG's top award.

READ: 2017 Oscar Predictions - Post-Producers Guild, Screen Actors Guild

We close with predictions for next weekend's Directors Guild of America (DGA) awards and the impact on the Foreign Language Film race from the Trump administration's devastating anti-Muslim ban in regards to Iran's The Salesman and its director, Asghar Farhadi.

This podcast runs just over one hour.

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Ok folks, get comfortable. This 48th Oscar podcast, our final Oscar predictions podcast before the nominations are announced on Tuesday the 24th is epic. 3h 25m epic. But don't be afraid; Chris, Bryan and I tackle all categories (except the shorts, sorry shorts) with laser precision and detail, offering up potential spoilers, justifications for crazy predictions as well as wondering if too much agreement within the group means we could be dead wrong.

We know La La Land will dominate on Tuesday but who will surprise? Is Nocturnal Animals the contender that BAFTA and the Golden Globes think it is? Is Isabelle Huppert safe? What about Best Picture - will we see all nominees come from the PGA top 10 or is something lurking in the dark? Will there be eight or nine nominees? What's the weakest link? The answer might surprise you.

READ: 2017 Oscar Predictions: FINAL Predictions in ALL Categories

After all, it's the Oscars, anything's possible.

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In this 47th Oscar podcast, Gold Rush Gang member Júlia and I have a lot to discuss. The Golden Globes were last week and brought with them the deluge of La La Land's history-making wins, the shocks of Aaron Taylor-Johnson and Isabelle Huppert and the triumph of Moonlight in the 11th hour.

Then, BAFTA nominations showered Nocturnal Animals with love and held back on Moonlight.

PGA and DGA showed us that Harvey isn't out of the fight just yet as Lion roared back to life, landing at both guilds.

All this and more on a supremely succinct podcast that runs less than an hour.

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This 46th Oscar podcast finds Gold Rush Gang member Júlia Albuquerque and myself talking about the first huge batch of critics awards to roll in: National Board of Review, New York Film Critics, Los Angeles Film Critics and more.

Then we head over to our Golden Globe nomination predictions for tomorrow and our thoughts on the Screen Actors Guild nominations (Dec. 14).

These two award bodies have us bewildered and flummoxed with so many potential nominees in the mix.

Will it be Arrival? Fences? Hacksaw Ridge? Hell or High Water? Hidden Figures? La La Land? Lion? Manchester by the Sea? Moonlight? Sully? Silence?

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In this 45th AwardsWatch Oscar podcast, I welcome the return of Joey Nolfi from Serving Cinema. After a record-breaking podcast last month, we go at it again - this time talking a lot about Fox Searchlight's Jackie, both our love of the film and its Oscar chances. We mull over the Independent Spirit Award nominations that were announced this week and wonder how Rebecca Hall missed out on a nomination for Christine and if there is a path for her at SAG a la Sarah Silverman last year. Then there's the release this week (finally!) of the trailer for Paramount Pictures's Silence.

We end on the release of the Gilmore Girls - A Year in the Life, which was released by Netflix today and bit about NBC's This Is Us. Let's just say I was surprised by Joey's response to it and leave it at that.

In between all of this movie and TV talk you'll find copious amounts of shade so get your wig glue ready, you'll need it.

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On this 44th podcast, I am joined by a special guest, Entertainment Weekly's Joey Nolfi.

We cover a lot of ground in this podcast (which hits the 2-hour mark): from Viola Davis's submission in Supporting for Fences and what that means for the Best Actress and Best Supporting Actress categories now to Moonlight and if its critical impact will equal Oscar nominations. Best Actress, as usual, gets heavy rotation as we talk about our likely nominees; Emma Stone in La La Land, Natalie Portman in Jackie and Annette Bening in 20th Century Women but also those who round out a very rich category this year - Isabelle Huppert (Elle), Ruth Negga (Loving), Amy Adams (Arrival), Jessica Chastain (Miss Sloane) and of course, Meryl Streep (Florence Foster Jenkins).

UPDATE: There is a spoiler regarding Manchester by the Sea at around the 1hr 20m mark that I forgot to edit out. I recommend that you skip forward to about 1h23m to keep from being spoiled on a specific plot aspect of the movie. I apologize to anyone who listened to the podcast and is upset by hearing the spoiler.

We dig into Best Picture and its frontrunners and wonder if there's something on the outside that we're missing. With former heavy hitters like The Birth of a Nation and Billy Lynn's Long Halftime Walk (which Joey talks extensively about) falling by the wayside, it means other contenders like Arrival and Hidden Figures become stronger while 'steak eater' films like Sully or Hell or High Water must be considered.

The podcast closes with an 'original' piece by Joey featuring Beyoncé and Diane Ladd.

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In this 43rd Oscar podcast, I am pleased to welcome special guest Kyle Buchanan of Vulture.com.

Most of the conversation centers around the Best Actress category as it is a wealth of possibility this year. Natalie Portman (Jackie), Viola Davis (Fences) and Emma Stone (La La Land) land in the in 'sure thing' positions (although Kyle has some thoughts about Davis...) but what then? Annette Bening (20th Century Women), Isabelle Huppert (Elle), Amy Adams (Arrival and Nocturnal Animals), Meryl Streep (Florence Foster Jenkins), Ruth Negga (Loving), Taraji P. Henson (Hidden Figures) and Jessica Chastain (Miss Sloane) all seem to have paths to the final five. We talk about what role an Oscar pundit has in advocacy for a film in the race

We also talk about what role an Oscar pundit has in advocacy for a film in the race and chat about how 'Oscar Bait' has become quite the pejorative in pundit talk, using Kyle and Mark Harris' fantastic piece on it as a jumping off point. We also discuss how early major contender Billy Lynn's Long Halftime Walk was cut short by awful reviews at the New York Film Festival.

Check out the most up to the minute predictions from the Gold Rush Gang starting right here.

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I recently sat down for a conversation with writer/director Barry Jenkins to talk about his extraordinary new film Moonlight. The film tells the story of a largely under-represented section of society - queer African-American males. In this interview, we discuss the film, what it means to be an active ally, his cinematic influences, and his incredible ensemble cast.

READ: Review: 'Moonlight' (★★★★)

Moonlight played the Telluride, Toronto, New York, BFI London and Mill Valley Film Festivals this fall, earning an Audience Award from MVFF this week. It currently sits at 97 on Metacritic and 98% on Rotten Tomatoes. The film stars Mahershala Ali, Naomie Harris, Andre Holland, Trevante Rhodes, Ashton Sanders and Alex Hibbert and was based on a story by Tarell McCraney.

A24 will open Moonlight in New York and Los Angeles this Friday, October 21st, and then expands in the coming weeks. Check out where the Gold Rush Gang thinks Moonlight is in the Oscar race right here.

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The Venice and Telluride Film Festivals have kicked off the beginning of Oscar season (even though we've been at it for months!), giving us a first look at some major fall players like La La Land, Moonlight, Arrival and Nocturnal Animals.

With my guest, Gold Rush Gang member Bryan Bonefede, we discuss how these films and their mostly stellar reviews have boosted their Oscar profiles among the Gold Rush Gang and how mixed to bad responses of Bleed for This and Wakefield have basically sunk theirs. We also talk about Sully and if this 'meat & potatoes' film will be a Best Picture contender or not.

The second half of the podcast we cover the impact of Nate Parker's rape controversy on his film, The Birth of a Nation, and how the GRG responded in terms of Oscar predictions.

Finally, I had to get out a beef from this week of the rumor going around that Paramount is planning on running Viola Davis in supporting for Fences. I don't agree and think that floating the 'rumor' as fact or information isn't the best way to have an Oscar conversation. Although the role in the original version of the Broadway play won the Tony for a Featured Actress for Mary Alice, Davis won the Tony in 2010 in LEAD and has spoken up about her role being even bigger in the film than in the revival of the play.

Tell me what you think about that and all of these subjects in the comments section or in the AwardsWatch forums.

The opening music is "City of Stars" from La La Land (Summit/Lionsgate) and the closing music is "New York City by Day" by Thomas Newman from the film Desperately Seeking Susan.

This podcast runs about 1h 45m.

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On this 41st podcast our commentary is restricted to a single issue - the explosive week information regarding Nate Parker, the writer, star and director of Fox Searchlight's The Birth of a Nation, and the 1999 rape case he and his Birth co-writer, Jean Celestin, were involved in.

There have been think pieces upon think pieces this week that began with a very careful and concerted effort by Parker and Fox Searchlight to get ahead of the controversy by having him interview for Deadline. With that followed Fox Searchlight's immediate statement of support for Parker but very soon after came the revelation that the acquitted Parker and convicted Celestin's victim had committed suicide in 2012.

On the podcast we try and examine the case as honestly and as factually as possible and hopefully did so with respect and integrity. We cover the media's response, the nature of Hollywood to turn the other cheek, our personal opinions and what it now means for the film's financial and awards success. I encourage this to be an ongoing conversation and you can comment here on the story as well as our podcast and in the forums of AwardsWatch.

This podcast runs just over one hour with intro and outro.

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In our 40th Oscar podcast, I am joined by Gold Rush Gang members Richard Anthony and, new this season, Bryan Bonafede.

With the announcements this week of the Toronto and Venice film festival lineups, that gives us lots to talk about in terms of who rises (La La Land, Arrival) and who falls (Loving, Moonlight) in our Oscar predictions. The upcoming Telluride announcement will be even more telling and we talk about some of the films expected there as well.

We detail updated predictions in Best Picture, Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress and wonder is Ruth Negga (Loving) is as locked as some of us (meaning I) think she is and how we build our predictions. How many performances from a single film will get Oscar nominated? Is Best Actor skewing too young and is there room for a newcomer in Best Actress? Why are Supporting Actor and Supporting Actress so bleak right now and are Liam Neeson (Silence) and Michelle Williams (Manchester by the Sea) going to be runaway winners?

All this and much more on this podcast that runs just about two hours.

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The 2016 Emmy Nominations were yesterday and on this 16th Emmy Podcast, Chris and I break down the good, the bad and the ugly in what was, overall, a pretty good set of nominees. We talk about the breakthrough for The Americans and Mr. Robot, why Horace and Pete failed and how the Television Academy treated the final seasons of The Good Wife and Downton Abbey. We also talk about the diversity of nominees in terms of people of color, a bit of trivia and what our favorite nominations of the day were.

Don't worry, this isn't a 2 hour listen, it's only about 45 minutes.

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As promised, part two of our final Emmy predictions find their way into Emmy Podcast #15 (check out Emmy Podcast #14 here) where we talk exclusively about the incredibly competitive Limited Series acting categories, most especially just how many acting nominations can The People v. O.J. Simpson: American Crime Story get and will Fargo and/or American Crime be left in its wake? Plus, will Hotel be the nail in American Horror Story's nomination coffin or will Lady Gaga nudge her way in? American Crime, which earned 10 nominations last year, could find itself on the outside of the behemoth of The People v. O.J. Simpson this year, or we could see it reap nominations in multiple acting categories. Same with Fargo; a strong second season could see a good fight and it appears Supporting Actor in a Limited Series or TV Movie is going to be ground zero for that battle.

Next we tackle the Guest categories in Drama and Comedy and wonder if The Good Wife's final salvo will see a boatload of nominations here. It seems like these categories could see a lot of previous winner name-checking (Allison Janney, Margo Martindale) but there's also a lot of room for some surprises (like Octavia Spencer or Vanessa Williams).

Finally, Chris, Jonathan and myself all give up our Emmy wishes for nomination morning that include BoJack Horseman, Rectify, You're the Worst, Allison Wright (The Americans), Constance Zimmer and Shiri Appleby (UnREAL), T.J. Miller (Silicon Valley), Connor Jessup and Joey Pollari (American Crime) and more.

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