Art Gallery of South Australia: Recent Episodes
AGSA
Thank you for listening to this talk produced by the Art Gallery of South Australia. Join Andrew van der Vlies, Professor, University of Adelaide, as he discusses work by artist Zanele Muholi in celebration of pride month.For more information visit agsa.sa..gov.auImage: Zanele Muholi, born Umlazi, South Africa 1972, Zazi, from the series Somnyama Ngonyama (Hail the Dark Lioness), 2019, Boston, Massachusetts, United States of America, gelatin-silver photograph, 59.3 x 55.3 cm (image); Gift of Anna Baillie-Karas, Robert Hill Smith and Louise Rigoni through the Art Gallery of South Australia Foundation Annual Collectors Club 2021, Art Gallery of South Australia, © Zanele Muholi.
Thank you for listening to this talk produced by the Art Gallery of South Australia.Join Dr Georgina Downey, Author, Art Historian and Educator for a floor talk focusing on the works of art by Stella Bowen in Dangerously Modern. Read Georgina’s contributing essay in the Dangerously Modern catalogue – available online and from the Gallery Store.For more information visit agsa.sa.gov.auImage: Installation view: Dangerously Modern: Australian Women Artists in Europe 1890-1940, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join curators Tracey Lock and Elle Freak for a tour of Dangerously Modern, the first major exhibition to focus on the vital role of Australian women in the development of international modernism.Featuring more than 200 works of art, Dangerously Modern invites visitors to embark on a journey of the senses. Artistic explorations of colour, light, form and movement offer moments of contemplation, love, loss and transcendence. Ranging from large public statements to private portrait miniatures, the featured works challenge preexisting notions of ambition and success. They also expand understandings of modern art movements such as realism, impressionism, post-impressionism, cubism and the emergence of abstraction.For more information visit agsa.sa.gov.auImage: Hilda Rix Nicholas, born Ballarat, Victoria 1884, died Delegate, New South Wales 1961, The pink scarf, 1913, Paris, oil on canvas, 80.5 x 65.0 cm; Gift of Mrs Roy Edwards through the Art Gallery of South Australia Foundation 1993, Art Gallery of South Australia, Adelaide.
This soundscape was commissioned by Adelaide-based multidisciplinary artist Margie Jean Lewis.
This soundscape was commissioned by Adelaide-based multidisciplinary artist Margie Jean Lewis.
This soundscape was commissioned by Adelaide-based multidisciplinary artist Margie Jean Lewis.
This soundscape was commissioned by Adelaide-based multidisciplinary artist Margie Jean Lewis.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join exhibition curators Tracey Lock and Elle Freak as they introduce AGSA's latest exhibition, Dangerously Modern: Australian Women Artists in Europe 1890–1940.For more information visit agsa.sa.gov.auImage: Hilda Rix Nicholas, born Ballarat, Victoria 1884, died Delegate, New South Wales 1961, The pink scarf, 1913, Paris, oil on canvas, 80.5 x 65.0 cm; Gift of Mrs Roy Edwards through the Art Gallery of South Australia Foundation 1993, Art Gallery of South Australia, Adelaide.
Thank you for listening to this talk produced by the Art Gallery of South Australia. Hear from Maria Zagala, Curator of Prints, Drawings and Photographs, as she discusses the work of Donald Judd in celebration of the 50th anniversary of his topographical object, Untitled.For more information visit agsa.sa.gov.auPhoto: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.Join artist Stephanie Radok in conversation with Maria Zagala, Curator, Prints, Drawings and Photographs, about her drawings Pages from a Twenty-first century Herbal currently on display.For more information visit agsa.sa.gov.au
Thank you for listening to this talk produced by the Art Gallery of South Australia.Mansoureh Rajabitanha, University of Adelaide, and Russell Kelty, Curator, Asian Art, as they discuss the poetry of the thirteenth century Sufi mystic, Jalāl al-Dīn Muḥammad Rūmī or Rumi (1207-1273), and his pervasive influence on historical and contemporary culture in Iran and across the world.For more information visit agsa.sa.gov.auImage: India, 'Mathnavi' of Jalal al-Din Muhammad Rumi, 13 April 1641, Shahjahanabad (Delhi), India, ink, opaque watercolour and gold on polished paper, leather, 474 folio bound volume, 24.8 x 16.8 cm (volume, closed); M J M Carter AO Collection through the Art Gallery of South Australia Foundation 2013, Art Gallery of South Australia, Adelaide.
Thank you for listening to this talk produced by the Art Gallery of South Australia. Join renowned Italian Professor and art historian Chiara Rostagno, Deputy Director of the Pinacoteca di Brera, Milan and Executive Director of the National Museum of the Last Supper of Leonardo da Vinci as she shares her extensive knowledge of Leonardo da Vinci's The Last Supper.Celebrate the final week of Reimagining the Renaissance at AGSA with a highlight on Da Vinci, one of the most significant Italian Renaissance masters.Professor Rostagno's visit is proudly supported by the Consulate of Italy in Adelaide.For more information visit agsa.sa.gov.auImage: Leonardo da Vinci, The Last Supper, 1495–1498, Basilica di Santa Maria delle Grazie, Milan, Italy.
Thank you for listening to this talk produced by the Art Gallery of South Australia. Join David Washington, Executive Director of The Don Dunstan Foundation, in conversation with AGSA Deputy Director, Emma Fey, as they discuss Don Dunstan's legacy and the 50th anniversary of the decriminalisation of homosexuality in South Australia.For more information visit agsa.sa.gov.auImage: Pink shorts worn by South Australian Premier Don Dunstan. c1972, polyester, 30.0 x 48.0 cm; History Trust of South Australia; photo: Mark Eckermann
Thank you for listening to this talk produced by the Art Gallery of South Australia. Join AGSA Director, Jason Smith, for an introductory talk. For more information visit agsa.sa.gov.auPhoto: Saul Steed
Thank you for listening to this talk produced by the Art Gallery of South Australia. Hear from Rebecca Evans, Exhibition Curator and Curator of Decorative Arts, as she discusses fashion in Radical Textiles.For more information visit agsa.sa.gov.auImage: installation view: Radical Textiles, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join artist Peter Adsett and Nici Cumpston, Curator of Aboriginal and Torres Strait Islander Art and Artistic Director, Tarnanthi, in conversation to discuss the significant new display Two Laws One Big Spirit.Image: left: Rusty Peters, Gija people, Western Australia, born Springvale Station, Western Australia, 1935, died Kununurra, Western Australia 2020, Different Languages for Aboriginal and non-Aboriginal People from the series Two Laws One Big Spirit, 2000, Humpty Doo, Northern Territory, earth pigments on linen, 135.0 x 122.0 cm © the artist/Copyright Agency. right: Peter Adsett, born Gisborne, Aotearoa New Zealand 1959, Painting number 8, from the series Two Laws One Big Spirit, 2000, Humpty Doo, Northern Territory, synthetic polymer paint on linen, 135.0 x 122.0 cm © Peter Adsett. Gift of GRANTPIRRIE through the Art Gallery of South Australia Contemporary Collectors 2024. Donated through the Australian Government’s Cultural Gifts Program.
Thank you for listening to this talk produced by the Art Gallery of South Australia.Did you know the Art Gallery of South Australia has a significant historic dress collection? Ingrid Goetz, Vernon-Roberts Assistant Curator of Decorative Arts & Design, will discuss this tartan dress from 1860-65, currently on display in Gallery 2, and talk about the ongoing project to research and photograph the historic dress collection.For more information visit agsa.sa.gov.auImage: Tartan dress, worn by Mrs Josephine Geyer 1860-65, cotton, silk, wood, metal, 83.0 cm (diam) (bust), 60.0 cm (diam) (waist), 55.5 cm (diam) (front length), 10.0 cm (depth); Gift of Miss G.J. Madigan 1937, Art Gallery of South Australia, Adelaide
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Mary-Anne Gooden and Kristen Phillips, textiles conservators at Artlab, as they discuss the care and display of textile and costume collections in Radical Textiles.For more information visit agsa.sa.gov.auImage: installation view: Radical Textiles, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this talk produced by the Art Gallery of South Australia.Join visiting artist Nell as she shares the stories sewn into her monumental quilt featured in Radical Textiles. The NELL ANNE QUILT includes embroidered patches made by 441 people from across the world, each patch honouring a significant woman by name.Nell's quilt emerged from a residency idea she had for the Colin McCahon House in Aotearoa New Zealand. Although McCahon's paining is often reflected in Nell's work, she wanted to honour his wife, Anne (née Hamblett, 1915–1993), an artist in her own right.Nell explained that ‘each patch and story is a world unto itself, and I felt the responsibility of honouring those stories. The time and love that went into the patches surprised me. It was a beautiful gift cycle, where people donated their mental, emotional and manual energy to something greater than one woman’s story, to form a chorus of female stories’.For more information visit agsa.sa.gov.auPhoto: Alisha Gore
Thanks for listening to this track produced by the Art Gallery of South Australia.Join Radical Textiles artist Amber Cronin as she discusses her work on display in the vestibule.For more information visit agsa.sa.gov.auImage: Installation view: Radical Textiles, featuring Against the Rush of the Arrow: Wreath, Vestment, Parament, Talisman by Amber Cronin, Art Gallery of South Australia, Adelaide; photo: Josh Vanner
Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from Natalie Badcock, Community Education & Engagement Manager. Parliament of South Australia, as she discusses the Women’s Suffrage Centenary Community Tapestries on display as part of Radical Textiles.For more information visit agsa.sa.gov.auImage: installation view: Radical Textiles, featuring the Women's Suffrage Centenary Tapestries by Kay Lawrence, Art Gallery of South Australia, Adelaide;; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from Gallery Guide, Helen Bulis, as she discusses The Adoration of the Magi, by William Morris and co.For more information visit agsa.sa.gov.auImage: Detail: Morris & Co., manufacturer, operating 1861-1940, Edward Burne-Jones, designer, born Birmingham, England 28 August 1833, died London 17 June 1898, John Henry Dearle, designer of floral ground, born London 1859, died London 1932, manufacturer, The Adoration of the Magi, 1900-02; designed 1887, London, wool, silk, 251.2 x 372.5 cm; Morgan Thomas Bequest Fund 1917, Art gallery of South Australia, Adelaide
Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from fashion designer, Radical Textiles artist and the Studio feature artist Stavroula Adameitis, aka Frida Las Vegas, as she discusses her practice.For more information visit agsa.sa.gov.auPhoto: Samuel Graves.
WARDROBE CRISIS with Clare PressTapestry! Embroidery! Quilting! Tailoring! Can Textiles Change the World? You BetSeason 10, Ep. 227Friday, December 6, 2024From Victor & Rolf's "Get Mean" frock through Jordan Gogos's radical upcycling projects to Paul McCann's "Sovereignty Never Ceded" gown, certain items of clothing speak loudly - with intention - about the times we find ourselves in. Let's not forget the long traditions of tapestry-making, quilting, embroidery, and the newer but related concepts of stitch-n-bitch craftivism. Cloth can be a radical medium. You might call it soft power, for its undeniable tactility - but don't mistake soft for weak.
Join Senior Curator, Prints, Drawings & Photographs, Julie Robinson as she discusses the work of artist Ann Newmarch.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Tim Roberts, Curator at The David Roche Foundation and researcher of LGBTQ+ memory, as he discusses the AIDS memorial quilt on display in Radical Textiles.For more information visit agsa.sa.gov.auPhoto: Rob Spark
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Leigh Robb, Curator, Contemporary Art as she introduces new exhibition, Radical Textiles. For more information visit agsa.sa.gov.auImage: Grayson Perry, artist, born Essex, England 1960, Factum Arte, designer, operating 2001, Flanders Tapestries, manufacturer, operating c.1999, Morris, Gainsborough, Turner, Riley, 2021, London; Flanders, Belgium, acrylic, cotton, merino wool, viscose, polyester, 274.0 x 360.0 cm; James and Diana Ramsay Fund 2023 Art Gallery of South Australia, Adelaide, © Grayson Perry. DACS/Copyright Agency, 2024; photo: Jack Hems
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Public Programs Officer, Isobel Clemow-Meyer and Neo Ambassadors, Aryan, Mia and Victoria as they discuss youth arts programs.For more information visit agsa.sa.gov.auImage: Sam Roberts
Join Gloria Strzelecki, Associate Curator of Aboriginal and Torres Strait Islander Art as she discusses the folklore and pagan influence in Reimagining the Renaissance.Photo: Saige Prime.
Hear from Russell Kelty, Curator of Asian Art, as he discusses the role of Art in Japanese architecture during the late Edo period.photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.Hear from Maria Zagala, Exhibition Curator, as she discusses the work of artists collected and admired by Brent Harris.For more information visit agsa.sa.gov.auImage: Detail: Edvard Munch, artist, born Norway 1863, died Norway 1944, Auguste Clot, printer, 1858, 1936, Attraction I, 1896, Paris, lithograph on paper, 47.2 x 35.5 cm (image); Gift of Carol Adams, Aldridge Family Endowement, Mary Choate, Gwinnett Family, Aaron Gwinnett, Ulrike Klein AO, Lilly Lipman, Mark Livesey, Leo Mahar, Pam McKee through the Art Gallery of South Australia Foundation Collectors Club 2023 through the Art Gallery of South Australia Foundation Collectors Club 2023, Art Gallery of South Australia, photo: Stewart Adams.
Thank you for listening to this track produced by the Art Gallery of South Australia.Dr Grace Waye-Harris, Lecturer, University of Adelaide discusses the importance of dress and portraiture in Tudor England and in the royal courts of Renaissance Europe.For more information visit agsa.sa.gov.auImage: after Hans Holbein The Younger, born Ausburg, Germany 1497, died London 1543, King Henry VIII, c 1540s, London, oil on wood panel, 65.0 x 57.5 cm, 89.5 x 81.5 x 9.0 cm (frame); A.M. and A. R. Ragless Bequest Funds 1965, Art Gallery of South Australia, Adelaide
Thank you for listening to this track produced by the Art Gallery of South Australia.Timed to coincide with Chihuly in the Botanic Garden, hear about AGSA's glass collection with Rebecca Evans, Curator of Decorative Arts and Design.For more information visit agsa.sa.gov.auImage: Installation view: Imperial iris Persian pear by Dale Chihuly, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.Photography specialist, Stephen Zagala, discusses works on display by Andy Warhol and Bridgid Berlin.For more information visit: agsa.sa.gov.auImage:
Leigh Robb, Curator of Contemporary Art, and Yuexiu Shen, Lorraine Hossack Emerging Curator, discuss the work of artist Julia Robinson on display as part of the South Australian Living Artists (SALA) festival.Image captionJulia Robinson, born Adelaide 1981, Legs eleven, 2010, Adelaide, flywire, fibreglass, fabric, fixings, thread, timber, vinyl, plaster, chair, belt, 90.0 x 100.0 x 60.0 cm; South Australian Government Grant 2011, Art Gallery of South Australia, Adelaide, © Courtesy the artist and Hugo Michell Gallery.
Listen in on Artist Brent Harris and Curator Maria Zagala as they walk you through Brent Harris: Surrender and Catch.0:34 - Foreword 2:05 - First Gallery10:14 - Second Gallery13:13 - Third Gallery19:41 - Fourth Gallery28:02 - Fifth Gallery33:06 - Sixth Gallery 39:44 - Seventh Gallery
Curator of Australian Paintings and Sculpture, Tracey Lock, introduces the recently acquired painting Sydney Harbour Bridge by Portia Geach.Photo: Saul Steed
Nici Cumpston OAM, Curator of Aboriginal and Torres Strait Islander Art, speaks to this years NAIDOC week theme, 'Keep the Fire Burning! Blak, Loud & Proud'.Image Caption:Image: Saul Steed
South Australian artist Jeff Harris discusses his painting Pears with Knife, a recent acquisition into the AGSA collection with his daughter and academic Dr Claire Harris.Image Caption:Jeff Harris in his Rose Park studio with daughters Claire and Miranda
Yuexiu Shen, Lorraine Hossack Emerging Curator, discusses the power of text in literature, calligraphy, and literati painting in art from the Edo period (1603-1868) in Misty Mountain, Shining Moon: Japanese Landscape Envisioned.Image Caption:Ichikawa Beian, 1779, 1858, Pine wind, plum moon ..., c 1850, Edo (Tokyo), pair of six-panel screens ink on paper, 173.0 x 377.0 cm (each); Gift of Andrew and Hiroko Gwinnett through the Art Gallery of South Australia Foundation 2003, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery South Australia.Join Isobel Clemow-Meyer, Public Programs Officer, and Dr Lisa Slade, Assistant Director Artistic Programs, as they discuss AGSA's collection through a queer lens in celebration of Pride Month.For more information visit agsa.sa.gov.auImage: installation view: Metamorphosis, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Claire Walker from the Department of Historical and Classical Studies at The University of Adelaide reveals the family background of Frances Woollascott, an Augustinian Nun painted by Nicolas de Largilliere in 1729, currently on display in Gallery 13.For more information visit agsa.sa.gov.auImage: Detail: Nicolas de Largillière, born Paris 1656, died Paris 1746, Frances Woollascott, an Augustinian Nun, 1729, Paris, oil on canvas, 80.6 x 65.4 cm; Gift of William Bowmore AO OBE through the Art Gallery of South Australia Foundation 1991, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery of South Australia. Associate Curator of Australian Paintings and Sculpture, Elle Freak, discusses the surrealist drawings of Dušan and Voitre Marek in the context of the 18th Adelaide Biennial of Australian Art: Inner Sanctum.For more information visit agsa.sa.gov.auImage: installation view: 18th Adelaide Biennial of Australian Art: Inner Sanctum, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from 2024 Adelaide Biennial artist Tina Stefanou who will introduce her work Hym(e)nals, 2022, in Inner Sanctum.For more information visit agsa.sa.gov.auImage: Tina Stefanou, born 1984, Hym(e)nals, 2022, four-channel video projection from performance documentation, quadraphonic sound; Courtesy of the artist; photo: Wil Normyle.
Thank you for listening to this track produced by the Art Gallery of South Australia.Assistant Director Emma Fey introduces the theme of recovery through nature in the 18th Adelaide Biennial of Australian Art: Inner Sanctum.For more information visit agsa.sa.gov.auImage: Installation view: 18th Adelaide Biennial of Australian Art: Inner Sanctum 2024 featuring works by Seth Birchall, Art Gallery of South Australia, Adelaide, photo: Saul Steed.
Curator of Australian Paintings and Sculpture, Tracey Lock, discusses the legacy of Max Carter’s seven decades of giving the AGSA.Image Caption: M.J.M Carter at the Art Gallery of South Australia, Adelaide, photo: Saul Steed.
Join artists Zaachariaha Fielding and Alfie Lowe for their discussion of their collaborative work recently acquired into the AGSA collection and currently on display in Gallery 6.Image Caption: Zaachariaha Fielding, Pitjantjatjara/Yankunytjatjara people, South Australia, born Port Augusta, South Australia 1991, Alfred Lowe, Arrernte people, Northern Territory, born Moora, Western Australia 1996, Z munu A titutjara II (488-23AS), 2023, Adelaide, glazed ceramic with sgraffito, mixed media, 55.0 x 44.0 cm; Edward Minton Newman Bequest Fund 2023, Art Gallery of South Australia, Adelaide, © the artists and the APY Art Centre Collective.
Hear from Adelaide Biennial artist Jessica Loughlin and learn more about her commission for Inner Sanctum in Gallery 10.Image Caption: Jessica Loughlin, born Melbourne, Victoria 1975, depth of field, 2020, kilnformed and handground glass, 47.0 × 47.0 × 3.0 cm; Private collection, Courtesy of the artist, Sabbia Gallery Sydney and Caterina Tognon Arte Contemporanea, Venice © Jessica Loughlin, photo: Rachel Harris.
Less known among the enormous oeuvre of Hans Heysen are his monotypes. Join Associate Curator Maria Zagala as she introduces Heysen’s monotypes in the context of the 18th Adelaide Biennial of Australian Art: Inner Sanctum.Image Caption: installation view: 18th Adelaide Biennial of Australian Art: Inner Sanctum , Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Gallery Guide David Roach as he explores Florence Fuller's work Inseparables and Mother and Child on display in Gallery 3C.For more information visit agsa.sa.gov.auImage: Florence Fuller, born Port Elizabeth, South Africa 1867, died Gladesville, New South Wales 1946, (Mother and child), 1880s-90s, Melbourne , oil on canvas, 43.0 x 61.0 cm; James and Diana Ramsay Fund 2021, Art Gallery of South Australia.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Gallery Guide Jill Swann as she discusses 'The Lovebirds and the Matchmaker': Hans Heysen, Selma Bartels and Mrs. Maude Vizard Wholohan.For more information visit agsa.sa.gov.auImage: Hans Heysen, born St Pauli, Hamburg, Germany 8 October 1877, died Mt Barker, South Australia 2 July 1968, Poppies, c 1907, Adelaide, oil on canvas board, 53.5 x 49.5 cm; Gift of the Crosby Family, Jane McGregor, The Hon Mark Livesey, The Hon Ann Vanstone QC and Dick Whitington QC through the Art Gallery of South Australia Foundation Annual Collectors Club 2021, Art Gallery of South Australia, © Chris Heysen.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Adelaide Biennial artist Heather B. Swann in conversation with Adelaide Biennial Curator Jose Da Silva as they share insights about what Inner Sanctum means to them. For more information visit agsa.sa.gov.auPhoto: Sam Roberts
Thanks for listening to this track produced by the Art Gallery of South Australia.Join Adelaide Biennial artist, Kate Llewellyn AM in conversation with Jason Smith, Director, Geelong Gallery.For more information visit agsa.sa.gov.auPhoto: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Adelaide Biennial artists Lillian O'Neil, Jessica Loughlin and Teelah George, facilitated by Leigh Robb, Curator, Art Gallery of South Australia, as they share insights about their work and explore what Inner Sanctum means to them.Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Adelaide Biennial artists Lawrence English, Jacobus Capone, Paul Knight and Tina Stefanou, facilitated by Peta Rake, Director, UQ Art Museum as they share insights about their work and explore what Inner Sanctum means to them.For more information visit agsa.sa.gov.auPhoto: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Adelaide Biennial artists Christopher Bassi, Ruha Fifita, Khaled Sabsabi and Jasmine Togo-Brisby facilitated by Léuli Eshrāghi curator, Musée des beaux-arts de Montréal as they share insights about their work and explore what Inner Sanctum means to them.Photo: Nat Rogers
Thank you for listening to this talk produced by the Art Gallery of Australia. Join Adelaide Biennial artists Clara Adolphs, Seth Birchall and Marikit Santiago, facilitated by Liz Nowell, Executive Director, Arts Project Australia as they share insights about their work and explore what Inner Sanctum means to them.For more information visit agsa.sa.gov.auPhoto: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Erin Davidson, Project Manager, Adelaide Biennial of Australian Art, and Lisa Slade, Assistant Director, for a deep dive on the works in the 18th Biennial of Australian Art Inner Sanctum. For more information visit agsa.sa.gov.auImage Caption: Marikit Santiago, born 1985, Thy Kingdom Come, 2021–22, interior paint, acrylic, oil, pyrography, pen, gold leaf on found cardboard (pen and paint markings by Santi Mateo Santiago and Sarita Santiago), collaboration with Maella Santiago, 167 x 307cm; Courtesy of the artists and The Something Machine, Bellport, New York; photo: Garry Trinh.
Russell Kelty, curator of Asian art, will discuss the late master of the Rinpa style, Suzuki Kiitsu (1796-1858), and his work on display in Misty Mountain, Shining Moon.photo: Nat Rogers
Assistant Director Lisa Slade speaks to the work of women artists in the 18th Adelaide Biennial of Australian Art: Inner Sanctum.photo: Sven Kovac
Credit: Adelaide Chamber SingersChristie Anderson, Artistic Director & ConductorAnne Cawrse, ComposerJakub Gaudasinski, Sound & Recording EngineerMax Mackinnon, Film Director
Credit: Adelaide Chamber SingersChristie Anderson, Artistic Director & ConductorAnne Cawrse, ComposerJakub Gaudasinski, Sound & Recording EngineerMax Mackinnon, Film Director
Credit: Adelaide Chamber SingersChristie Anderson, Artistic Director & ConductorAnne Cawrse, ComposerJakub Gaudasinski, Sound & Recording EngineerMax Mackinnon, Film Director
Credit: Adelaide Chamber SingersChristie Anderson, Artistic Director & ConductorAnne Cawrse, ComposerJakub Gaudasinski, Sound & Recording EngineerMax Mackinnon, Film Director
Credit: Adelaide Chamber SingersChristie Anderson, Artistic Director & ConductorAnne Cawrse, ComposerJakub Gaudasinski, Sound & Recording EngineerMax Mackinnon, Film Director
Credit: Adelaide Chamber SingersChristie Anderson, Artistic Director & ConductorAnne Cawrse, ComposerJakub Gaudasinski, Sound & Recording EngineerMax Mackinnon, Film Director
Be among the first to experience Inner Sanctum. This introductory talk will cover the key themes and artists in the 18th Adelaide Biennial of Australian Art.Image caption: Tina Stefanou, born 1984, Hym(e)nals, 2022, four-channel video projection from performance documentation, quadraphonic sound; Courtesy of the artist; photo: Wil Normyl
Gayle Quarmby, daughter of artist Rex Battarbee, and Gloria Strzelecki, Associate Curator, Aboriginal and Torres Strait Islander Art, discuss the work of Battarbee and Albert Namatjira on display in Gallery 6.Back to TopImage Caption:Toggle image captionAlbert Namatjira, Western Aranda people, Northern Territory, born Ntaria (Hermannsburg), Northern Territory 1902, died Mparntwe (Alice Springs), Northern Territory 1959, Rutjipma- Mount Sonder, c 1954, Ntaria (Hermannsburg), Northern Territory?, watercolour on paper, 28.5 x 38.0 cm (sight); Donated in memory of Brian, Madge and Alister Hastings by Alison Hastings through the Art Gallery of South Australia Foundation 2018. Donated through the Australian Government’s Cultural Gifts Program, Art Gallery of South Australia, Adelaide, © Namatjira Legacy Trust/Copyright Agency.
Transformed by fire: Yuexiu Shen (Lorraine Hossack Emerging Curator) discusses the Seated Guanyin porcelain figure and Ah Xian’s Human human cloisonné sculpture in the new Metamorphosis collection display.Image caption:installation view: Metamorphosis, featuring Seated Guanyin, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Director Rhana Devenport ONZM discusses the moving image work Lady Gaga: Mademoiselle Caroline Rivière by Robert Wilson on display in Gallery 16.Image Caption: Robert Wilson, born 1941, Lady Gaga: Mademoiselle Caroline Riviere, 2013, HD Video; music by Michael Galasso, Courtesy RW Work Ltd.
Curator of Asian Art, Russell Kelty, discusses Misty Mountain, Shining Moon: Japanese Landscape Envisioned with Dr. Shoko Yoneyama, Associate Professor of Asian Studies at the University of Adelaide.Image CaptionBloom Softly 1-22, 2022, Japan, blown, cut glass, 29.5 x 23.0 x 23.0 cm (overall); Gift of Mr Eiji Naka with the assistance of A Lighthouse called Kanata 2023, Art Gallery of South Australia, © Togashi Yoko.
Join Ingrid Goetz, Vernon-Roberts Assistant Curator of Decorative Arts & Design, as she discusses some new additions in Gallery 12.Image: Selinda Davidson, Pitjantjatjara people, South Australia, born Mparntwe (Alice Springs), Northern Territory 1994, Tali Tjuta 2, 2021, Adelaide, blown glass, high fire enamel, 39.0 x 23.0 x 22.0 cm (irreg), 31.5 x 57.0 x 37.5 cm (box); Acquisition through Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art supported by BHP 2022, Art Gallery of South Australia, © Selinda Davidson.
Nici Cumpston OAM, Artistic Director of Tarnanthi and Bernadette Klavins, Tarnanthi Project Manager, present their closing remarks on this year’s Tarnanthi Festival exhibition at AGSA.
In Kaurna language, panpapanpalya means conference and describes a gathering to share and exchange knowledge and ideas. Join leading Aboriginal and Torres Strait Islander artists, curators, academics and writers as they come together to share their insights in three 45-minute sessions.Sonia Rankine talks to Injalak artists Doreen Djorlam, Lorraine Narminyilk, Connie Nayinggul, Merrill Namundja and CEO Nina Haigh.
Tune into artist talks from Tarnanthi 2023 partner exhibitions across South Australia.Maningrida artists discuss their exhibition 'mane djang karirra: the place where the dreaming changed shape' at FUMA.
Tune into artist talks from Tarnanthi 2023 partner exhibitions across South Australia.Nici Cumpston talks to artist Colleen Raven Strangways and curator Marika Davies.
Tune into artist talks from Tarnanthi 2023 partner exhibitions across South Australia.Saltbush Country artists discuss their exhibition at Port Pirie Regional Art Gallery.
In Kaurna language, panpapanpalya means conference and describes a gathering to share and exchange knowledge and ideas. Join leading Aboriginal and Torres Strait Islander artists, curators, academics and writers as they come together to share their insights in three 45-minute sessions.Marika Davies talks to Saltbush Country artists Lauren Mustillo, Aunty Sandra Saunders and Juanella McKenzie.
In Kaurna language, panpapanpalya means conference and describes a gathering to share and exchange knowledge and ideas. Join leading Aboriginal and Torres Strait Islander artists, curators, academics and writers as they come together to share their insights in three 45-minute sessions.Jessica Clark talks to Juluwarlu Art Group – John Woodley, Landon Punch, Wimiya Woodley and Gabby Howlett (art centre manager) and Iwantja Arts – Eric Barney, Betty Muffler, Maringka Burton, Priscilla Singer and Vicki Cullinan.
Thank you for listening to this track, produced by the Art Gallery of South Australia.Join Rosemary Collins, Gallery Guide, as she discusses the depictions of Madonna and Child on display in Gallery 12 while reflecting on the origins of Christmas.For more information visit agsa.sa.gov.auImage: Barbara Longhi, born Ravenna, Italy 1552, died Ravenna, Italy 1638, Madonna and Child, 1570-1600, Ravenna, Italy, oil on canvas, 37.0 x 30.5 cm; N.F. Rochlin Bequest 2022, Art Gallery of South Australia, Adelaide, photo: Joaquin Cortes.
Thank you for listening to this track, produced by the Art Gallery of South Australia.Join Rebecca Evans, Curator of Decorative Arts, as she discusses new acquisitions on display in Gallery 16.For more information visit agsa.sa.gov.auImage: @Chair, 2022, London, stainless steel, 68.0 x 94.0 x 70.0 cm (overall); Prudence Lee Bequest 2023, Art Gallery of South Australia, © Brodie Neill.
Curator of Asian Art, Russell Kelty discusses the life and career of the brush and ink painter Yukawa Sanshū (1892-1948) and his monumental folding screens on display Misty Mountain, Shining Moon: Japanese Landscape Envisioned in Gallery 20.photo: Nat Rogers
Artist talks from the Tarnanthi 2023 opening weekend at the Art Gallery of South Australia.
Artist talks from the Tarnanthi 2023 opening weekend at the Art Gallery of South Australia.
Artist talks from the Tarnanthi 2023 opening weekend at the Art Gallery of South Australia.
Artist talks from the Tarnanthi 2023 opening weekend at the Art Gallery of South Australia.
Artist talks from the Tarnanthi 2023 opening weekend at the Art Gallery of South Australia.
Artist talks from the Tarnanthi 2023 opening weekend at the Art Gallery of South Australia.
Artist talks from the Tarnanthi 2023 opening weekend at the Art Gallery of South Australia.
Artist talks from the Tarnanthi 2023 opening weekend at the Art Gallery of South Australia.
Thanks for listening to this track produced by the Art Gallery of South Australia.Join AGSA Curators Leigh Robb and Tansy Curtin as they introduce the new themes on display in Gallery 16.Our collection is supported by the generosity of many philanthropic groups such as the James and Diana Ramsay Fund. For more information about philanthropy at AGSA and this talk visit agsa.sa.gov.auImage: @Chair, 2022, London, stainless steel, 68.0 x 94.0 x 70.0 cm (overall); Prudence Lee Bequest 2023, Art Gallery of South Australia, © Brodie Neill.
Thank you for listening to this track produced by the Art Gallery of South Australia.Elizabeth Close, Pitjantjatjara and Yankunytjatjara artist, discusses her new sculptural work SandWoman on display in Gallery 22 as part of Tarnanthi at AGSA .This work was developed through the Guildhouse Catapult + Tarnanthi 2023 mentorship.For more information visit agsa.sa.gov.au
Tarnanthi Project Manager Bernadette Klavins shares insights on selected works from the Tarnanthi exhibition.Photo: Tangentyere and Yarrenyty Arltere ArtistsMpulungkinya2023, Mparntwe (Alice Springs), Northern Territory woollen blankets, natural dye, synthetic polymer paint on canvas and linen, wool, cotton, feathers, terracottaCourtesy of Tangentyere and Yarrenyty Arltere Artists
Thank you for listening to this talk produced by the Art Gallery of South Australia.Join Dr Lisa Slade, Assistant Director, Artistic Programs, as she discusses the history of the Iwantja Art Centre in Indulkana on the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.For more information visit agsa.sa.gov.auPhoto: Nat Rogers
Thank you for listening to this talk produced by the Art Gallery of South Australia.Educators are invited to hear about Tarnanthi, Festival of Contemporary Aboriginal and Torres Strait Islander Art at AGSA from Nici Cumpston, Tarnanthi Artistic Director and Curator of Aboriginal and Torres Strait Islander Art, and Gloria Strzelecki, Associate Curator of Aboriginal and Torres Strait Islander Art.For more information visit agsa.sa.gov.auPhoto: John Montesi
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Nici Cumpston OAM, Artistic Director of Tarnanthi, introduces this year’s Tarnanthi Festival exhibition at AGSA.For more information visit agsa.sa.gov.auPhoto: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Tansy Curtin, Curator, International Art Pre-1980, as she introduces new acquisitions by Louise-Adeone Drolling and Barbara Longhi.For more information visit agsa.sa.gov.auImage: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Elle Freak, Associate Curator, Australian Paintings & Sculpture, introduces new work on display The Journey by Helen Maudsley.For more information visit agsa.sa.gov.auImage: Saul Steed
Thank you for listening to this talk produced by the Art Gallery of South Australia.Join Lorraine Hossack emerging curator, Yuexiu Shen, as she discusses the influence of Chinese literati brush and ink painting on Japanese artists during the Edo period (1615-1868) through hanging scrolls and screens on display in Misty Mountain, Shining Moon: Japanese Landscape Envisioned in Gallery 20.For more information visit agsa.sa.gov.auImage: Installation view: Misty Mountain, Shining Moon: Japanese Landscape Envisioned, Art Gallery of South Australia, Adelaide, 2023.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Glenn Barkley, artist and author of the new publication Ceramics: an atlas of forms, discusses all things clay.For more information visit agsa.sa.gov.auPhoto: Ainslie.Co Photography
Thank you for listening to this track produced by the Art Gallery of South Australia.Curator, Asian Art, Russell Kelty, will discuss the life and career of the woodblock print artist Utagawa Hiroshige (1797-1858) and his series The Fifty-Three Stations of the Tōkaidō on display Misty Mountain, Shining Moon: Japanese Landscape Envisioned in Gallery 19a.For more information visit agsa.sa.gov.auImage: installation view: Misty Mountain, Shining Moon: Japanese Landscapes Envisioned featuring work by Utagawa Hiroshige, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Enjoy Director Rhana Devenport’s final remarks on Frida & Diego: Love & Revolution.
Image caption Photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Ramsay Fellow, South Australian glass artist Liam Fleming as he discusses his latest exhibition Light and Colour on display in Gallery 17.
For more information visit agsa.sa.gov.au
Image: Liam Fleming in the Jam Factory Glass Studio, 2021; photo: Sia Duff.
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Hear from South Australian artist Julie Blyfield in conversation with Rebecca Evans, Curator of Decorative Arts & Design.
For more information visit agsa.sa.gov.au
Image: Julie Blyfield, Australia, born 1957, Dog Wattle vessel, 2007, Gray Street Workshop, South Australia, blackened copper, 10.0 x 8.2 cm (diam.); Ed and Sue Tweddell Fund for South Australian Contemporary Art 2007, Art Gallery of South Australia, Adelaide, Courtesy Julie Blyfield.
Thank you for listening to this track, produced by the Art Gallery of South Australia.
Meet South Australian Studio feature artist Alice Lindstrom as she discusses her art making practice and shares some insights on the exhibition, Frida & Diego: Love & Revolution.
For more information visit agsa.sa.gov.au
Photo: Sam Roberts
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Russell Kelty, Curator of Asian Art, discusses the artist Katsushika Hokusai (1760-1849) and his obsession with Mount Fuji in the display Misty Mountain, Shining Moon: Japanese Landscape Envisioned.
For more information visit agsa.sa.gov.au
Image: Katsushika Hokusai, Japan, 1760 - 1849, Fine wind, clear weather (Gaifū kaisei), from the series Thirty-six views of Mount Fuji (Fugaku sanjūrokkei), c.1830-32, Edo (Tokyo), woodblock print, ink and colour on paper, 24.5 x 36.5 cm (image & sheet); South Australian Government Grant 1976, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Curator of Contemporary Art, Leigh Robb, as she reflects on themes of pilgrimage and home in the work of selected artists in the 2023 Ramsay Art Prize Exhibition.
For more information visit agsa.sa.gov.au
Photo: Saul Steed
Hear from Dr Damon Moon, second-generation potter and erstwhile apprentice to his apprenticed to his father Milton Moon AM, in conversation with exhibition curator Rebecca Evans.
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Join Award winning architect and Director of GGA, Paul Gillett as he shares his experience designing the exhibition Frida & Diego: Love & Revolution.
For more information visit agsa.sa.gov.au
Image: Frida Kahlo, born Mexico City 1907, died Mexico City 1954, Diego on my Mind, 1943, oil on Masonite, 76 x 61 cm; The Jacques and Natasha Gelman Collection of Mexican Modernism, © Banco de México Rivera Kahlo Museums Trust/ARS. Copyright Agency, 2022.
Thanks for listening to this track produced by the Art Gallery of South Australia.
Join Curator of Contemporary Art, Leigh Robb and artist, Fiona McMonagle as they discuss AGSA's recent acquisition Magdalena Carmen Frida Kahlo by McMonagle.
Image: Fiona McMonagle, born Letterkenny, Ireland 1977, Magdalena Carmen Frida Kahlo, 2023, Melbourne, watercolour, ink, gouache on paper, 157.0 x 115.0 cm; © Fiona McMonagle, photo: Tobias Titz, courtesy Hugo Michell Gallery, Adelaide
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Tansy Curtin, Curator of International Art pre 1980, for an exclusive teacher tour of Frida & Diego: Love and Revolution.
For more information visit agsa.sa.gov.au
Image: Frida Kahlo, born Mexico City 1907, died Mexico City 1954, Diego on my Mind, 1943, oil on Masonite, 76 x 61 cm; The Jacques and Natasha Gelman Collection of Mexican Modernism, © Banco de México Rivera Kahlo Museums Trust/ARS. Copyright Agency, 2022.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as founder of Dutton Pottery, artist Neville Assad-Salha, shares his insights on Milton Moonin the exhibition Milton Moon: Crafting Modernism. Potter and former head of the JamFactory’s ceramics studio, Neville Assad- Salha talks about Milton Moon, in the exhibition.
For more information visit agsa.sa.gov.au
Image: Milton Moon, Australia, 1926 - 2019, Fish pot, 1973-1975, Summertown, Adelaide Hills, stoneware, 20.9 x 20.2 cm (irreg); Bequest of Sylvia and Derek Duckhouse 2020, Art Gallery of South Australia, © Estate of Milton Moon.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Dr Lisa Slade and artist Angela Tiatia discuss selected works in the 2023 Ramsay Art Prize.
For more information visit agsa.sa.gov.au
Image still: Angela Tiatia, The Pearl, 2021-23, digital video. Image courtesy the artist and Sullivan + Strumpf. ©️The artist.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Set against the backdrop of the Elder Wing of Australian Art, see the FIFA Women’s World Cup™ Trophy up close and join AGSA’s Assistant Director, Artistic Programs, Dr Lisa Slade, Natasha Stott Depoja and Japan Football sensation Aya Miyama for a conversation around the contemporary heroes. Discover insights about how girls and women are defying expectations, both in and out of football.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Tansy Curtin, Curator of International Art, pre-1980, introduces Frida & Diego: Love & Revolution.
For more information visit agsa.sa.gov.au
Image: Tansy Curtin, Art Gallery of South Australia; photo Saul Steed
Join Emma Fey, Assistant Director, Operations as she speaks on the Elder Wing of Australian Art.
Photo: Morgan Sette.
Join us as Rhana Devenport, Director, speaks on the Ramsay Art Prize.
Photo: Nat Rogers.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Tracey Lock, Curator of Australian Art, discusses Milton Moon: Crafting Modernism.For more information visit agsa.sa.gov.auPhoto: Saul Steed
Nici Cumpston OAM, Artistic Director of Tarnanthi, Curator of Aboriginal and Torres Strait Islander Art introduces the Ramsay Art Prize 2023.Image: Saul Steed.
Russell Kelty, Curator Asian Art, and Yuexiu Shen, Assistant Curator, Contemporary Art, discuss the influence of Chinese art and culture in Indonesia on display in Interwoven journeys: The Michael Abbott Collection of Asian artImage caption: Indonesia, West Java, Altar valance (tokwi), with dragon guarding wish-fulfilling pearl, 1900 - 1950, Cirebon, west Java, cotton with dye, tulis hand-drawn batik, 106.0 x 101.0 cm; Gift of Michael Abbott AO QC through the Art Gallery of South Australia Foundation 2012. Donated through the Australian Government's Cultural Gifts Program, Art Gallery of South Australia, Adelaide.
Teho Ropeyarn, Angkamuthi/Yadhaykana people, Northern Cape York, Queensland, born 1988, Mount Isa, Queensland, Athumu Paypa Adthinhuunamu, 2022, Brisbane, vinyl-cut prints, colour ink on paper with audio; duration 4:50 mintues, 350.0 x 720.0 cm; Courtesy the artist and Onespace, © courtesy of the artist and Onespace, photo: Michael Marzik.
Rebecca Evans, Curator of Decorative Arts and Design, introduces Milton Moon: Crafting Modernism.Photo credit: Milton Moon in studio Tarragindi, Queensland, 1966. Photographer: John McKay.
Hear from Henry Gillespie, Andy Warhol's friend and portrait subject, on Andy Warhol and Photography: A Social Media.Image: Andy Warhol, United States of America, 1928 - 1987, Henry Gillespie, 1985, New York, synthetic polymer paint and screenprint on canvas, 101.6 x 101.6 cm; South Australian Government Grant 1996, Art Gallery of South Australia, Adelaide, © Andy Warhol Foundation for the Visual Arts, Inc. ARS/Copyright Agency.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Julie Robinson, Senior Curator, Prints, Drawings & Photographs, makes closing remarks on Andy Warhol & Photography: A Social Media.For more information visit agsa.sa.gov.auImage: Oliviero Toscani, born Milan, Italy 1942, Andy Warhol, 1975, New York, United States of America pigment print on paper, 32.0 x 46.0 cm (image), 40.0 x 50.0 cm (sheet), Public Engagement Fund 2021, Art Gallery of South Australia, Adelaide © Oliviero Toscani
Thank you for listening to this track produced by the Art Gallery of South Australia. In commemoration of Anzac Day, join Rebecca Evans, Curator of Decorative Arts and Design, to discuss Olive Bishop’s Wash and War.For more information visit agsa.sa.gov.auImage: Olive Bishop, Australia, born 1941, Wash and War, 1977, Hackney, South Australia, earthenware, 48.0 x 45.0 cm; South Australian Government Grant 1977, Art Gallery of South Australia, Adelaide, © Art Gallery of South Australia.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Maria Zagala, Associate Curator of Prints and Photographs, discusses Andy Warhol & Photography: A Social Media.For more information visit agsa.sa.gov.auPhoto: Nat Rogers
Thank you for listening to this talk produced by the Art Gallery of South Australia. Join us as Nici Cumpston, OAM, Artistic Director of Tarnanthi, Curator of Aboriginal and Torres Strait Islander Art, on Dhambit Mununggurr in Bewilderness Gallery 9.For more information visit agsa.sa.gov.auImage: installation view: Bewilderness: Recent acquisitions, 2022, featuring Dhambit Munuŋgurr, Djapu ceremony ground, Kumuntjai Napanangka Jack, Kuruyultu, Jan (Djan Nanundie) Billycan, All the Jila, and Naomi Hobson, Iwayi, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.In celebration of SA Youth Week, Vanguard Penny Mantis speaks on the influence of Andy Warhol on social media.Photo: Oliviero Toscani, born Milan, Italy 1942, Andy Warhol, 1975, New York, United States of America pigment print on paper, 32.0 x 46.0 cm (image), 40.0 x 50.0 cm (sheet), Public Engagement Fund 2021, Art Gallery of South Australia, Adelaide © Oliviero Toscani.For more information visit agsa.sa.gov.au
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Julie Robinson, Senior Curator, Prints, Drawings & Photographs, discusses Andy Warhol and Photography: A Social Media.For more information visit agsa.sa.gov.auImage: Julie Robinson in Andy Warhol and Photography: A Social Media, 2023; Art Gallery of South Australia, Adelaide, photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Russell Kelty, Curator Asian Art, will discuss the epic Ramayana and its influence on the art and culture of Bali in Interwoven Journeys: The Michael Abbott collection of Asian art.For more information visit agsa.sa.gov.auImage:Installation view: Interwoven Journeys: The Michael Abbott collection of Asian Art, 2023, Art Gallery of South Australia, Adelaide; photo: Saul Steed
Thanks for listening to this talk produced by the Art Gallery of South Australia.Christopher Makos, photographer and Andy Warhol’s close friend and artistic collaborator, discusses Andy Warhol and Photography: A Social Media.For more information visit agsa.sa.gov.auImage: Christopher Makos with his work Altered image: Five Photographs of Andy Warhol in Andy Warhol & Photography: A Social Media, 2023; Art Gallery of South Australia, Adelaide, photo: Saul Steed
Thank you for listening to this talk produced by the Art Gallery of South Australia.Join Gloria Strzelecki, Associate Curator, Aboriginal and Torres Strait Islander Art, and Ingrid Goetz, Vernon-Roberts Assistant Curator of Decorative Arts & Design, as they speak on the tableau in Gallery 6.For more information visit agsa.sa.gov.auinstallation view: Gallery 6, 2022; Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Dr Lisa Slade, Assistant Director, on Bewilderness: Recent acquisitions in Gallery 11.For more information visit agsa.sa.gov.auinstallation view: Bewilderness: Recent acquisitions, 2022, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Rebecca Evans, Curator of Decorative Arts and Design, in conversation with South Australian artist Jess Dare on love and art making in Gallery 9.For more information visit agsa.sa.gov.auJess Dare, Australia, born 1982, Frangipani Lei, 2021, Adelaide, powder coated brass, stainless steel cable, sterling silver hallmark, 42.4 x 24.4 x 0.4 cm; Purchased through the Barrie and Jane Vernon-Roberts gift for the development, maintenance and display of the Rhianon Vernon-Roberts Memorial Collection 2022, Art Gallery of South Australia, © Jess Dare, photo: Grant Hancock.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Assistant Director Lisa Slade and Curator of International Art, pre-1980 Tansy Curtin as they present the Art Gallery's 2023 program.For more information visit agsa.sa.gov.au
Thank you for listening to this track produced by the Art Gallery of South Australia.Sera Waters imagines a new future for us all – one where ancient textile traditions can craft hope in the face of climate change. Join us for this engaged discussion between artist Sera Waters and Melissa Keys, Senior Curator at Heide Museum of Modern Art set against the backdrop of Waters’ current Guildhouse Fellowship exhibition, Future Traditions.For more information visit agsa.sa.gov.auPhoto: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.AGSA's Aboriginal and Torres Strait Islander Art and Australian Art curators will introduce the new display Cosmos in Gallery 1 of the Elder Wing.For more information visit agsa.sa.gov.au
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Maria Zagala, Associate Curator of Prints, Drawings & Photographs, to discuss Katherine Hattam's Our list as part of Bewilderness: Recent Acquisitions.For more information visit agsa.sa.gov.auImage: Katherine Hattam, Australia, born 1950, Our list, 2019, Melbourne, collage of gouache, charcoal on book pages on ten sheets of paper, 56.5 x 76.0 cm (each), 282.5 x 152.0 cm (overall); Helen Bowden Fund 2021, Art Gallery of South Australia, Courtesy of Katherine Hattam, photo: AGSA.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Rebecca Evans, Curator of Decorative Arts and Design, as she looks at Virginia Leonard’s bold ceramic sculptural work, Such is the situation when one has a gammy leg, 2021 as part of Bewilderness: Recent Acquisitions.For more information visit agsa.sa.gov.auImage: Virginia Leonard, New Zealand, born 1965, Such is the situation when one has a gammy leg, 2021, Auckland, Aotearoa (New Zealand), clay, gold, resin, 82.0 x 60.0 x 60.0 cm; Edward Minton Newman Bequest and Ceramics Fund 2022, Art Gallery of South Australia, © Virginia Leonard.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join Yuexiu Shen, Assistant Curator, Contemporary Art, as she presents closing remarks on the exhibition Nalini Malani: Gamepieces.For more information visit agsa.sa.gov.auImage: Nalini Malani, India, born 1946, In Search of Vanished Blood, 2012, Mumbai, India, single channel digital video, 16:9, colour, sound, 11 min, financial newspapers on 3 walls; On loan from the Artist, © Nalini Malani.
Thank you for listening to this talk produced by the Art Gallery of South Australia. Join Tyson Hopprich from Access2Arts as he shares the creative approach to The Studio: The Exquisite Familiar.For more information visit agsa.sa.gov.auPhoto: Andrew McEvoy
Thank you for listening to this talk produced by the Art Gallery of South Australia,Join Gallery Guide Julie Redman to explore WAVE by Gerry Wedd.For more information visit agsa.sa.gov.auImage: Gerry Wedd, born 1957 McLaren Vale, South Australia, WAVE urn, 2022, Port Elliot, South Australia, earthenware, 63.6 x 50.0cm (diam.); © Go Patterson Films and Adelaide Contemporary Music Festival; photo: Grant Hancock.
Thank you for listening to this track produced by the Art Gallery of South Australia.Tuesday Talk - Join Gallery Guide David Roach to explore aspects of colonial South Australia in Gallery 2.For more information visit agsa.sa.gov.auphoto: Andre Castellucci
Thank you for listening to this talk produced by the Art Gallery of South Australia.Join Vanguards Sophie Heath and Sarah Jackson to explore the work of Dorrit Black in Gallery 4.Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Elle Freak, Associate Curator Australian Paintings & Sculpture, speaks on recent acquisition by Jeffrey Smart The Argument, Prenastina in Gallery 4.For more information visit agsa.sa.gov.auImage: Jeffrey Smart, Australia, 1921 - 2013, The argument, Prenestina, 1982, Italy, synthetic polymer paint, oil, pencil on canvas, 120.0 x 60.0 cm; James and Diana Ramsay Fund, 2022, in memory of James Ramsay AO to commemorate twenty years after his passing., Art Gallery of South Australia, © Jeffrey Smart, photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.Join us as Dr Lisa Slade, Assistant Director, introduces the latest exhibition Bewilderness.For more information visit agsa.sa.gov.auImage: Installation view Bewilderness, Art Gallery of South Australia, 2022: photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Hear from Gloria Strzelecki, Associate Curator of Aboriginal and Torres Strait Islander Art as she introduces the new exhibition, The nature of culture, which features recent acquisitions into the AGSA collection.
For more information visit agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Russell Kelty, Curator Asian Art, as he explores the selection of Kalighat paintings from the AGSA collection on display in the exhibition Nalini Malani: Gamepieces in Gallery 23A.
For more information visit agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Director Rhana Devenport introduces the latest exhibition Nalini Malani: Gamepieces.
For more information visit agsa.sa.gov.au
Image: installation view: Gamepieces by Nalini Malani, 2015, MoMa, New York.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us for Curators and the Collection: To Dot or Not to Dot with Lisa Slade, Nici Cumpston and Gloria Strzelecki.
For more information visit agsa.sa.gov.au
Image: Daisy Leura Nakamarra, Women Dreaming, 1982
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Join Pure Form ceramic artist Kenji Uranishi in conversation live with Asian Art Curator Russell Kelty in Gallery 19A.
For more information visit agsa.sa.gov.au
Image: Kenji Uranishi, born 1973, Clouds across the sea VIII, 2022, Brisbane, slip-cast porcelain, seihakuji glaze, 29.5 x 16.5 x 16.5 cm; Private collection.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Rebecca Evans, Curator of Decorative Arts in conversation with artist Gerry Wedd as they introduce the immersive cinematic world of WAVE, a co-presentation with the Adelaide Film Festival project produced by Go Patterson Films. In this work, Gerry Wedd’s iconic ceramics and drawings are brought to life by digital imagery by Jumpgate and an evocative soundscape composed by Gabriella Smart.
Image: still: Mark Patterson, b.1958, Australia, Gabriella Smart, b.1963, Australia, Gerry Wedd, b.1957, Australia, WAVE, 2022, Adelaide, digital video with sound, 12 mins.
Thank you for listening to this track produced by the Art Gallery of South Australia.
As part of the state’s new festival, WellFest, join Russell Kelty, Curator Asian Art, as he discusses the transformative and healing potential of ceramics in the free exhibition, Pure Form.
Image: Miyashita Zenji, Breeze of a shady nook (Ryokuin no kaze), 2000, Kyoto, coloured clay banded stoneware, overglaze, 53.0 x 54.0 x 21.5 cm, © Miyashita Zenji.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Nici Cumpston OAM, Artistic Director of Tarnanthi, Curator of Aboriginal and Torres Strait Islander Art, and hear how art is a critical tool for keeping culture safe and strong. Nici will also discuss the ethical production and sale of works of art by Aboriginal and Torres Strait Islander artists ahead of the Tarnanthi Art Fair online 14 – 17 October 2022.
For more information visit agsa.sa.gov.au
Photo: Nat Rogers.
Thanks for listening to this track produced by the Art Gallery of South Australia.
Join us as Elle Freak, Associate Curator, Australian Paintings & Sculpture, makes closing remarks on the dual exhibitions Archie 100: A Century of the Archibald Prize and Robert Wilson: Moving Portraits.
For more information visit agsa.sa.gov.au
Image: Sally Ross, The Huxleys 2018, oil on wood panel, 130 x 110 cm; Private collection, © Sally Ross.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Tracey Lock, Curator of Australian Art, speaks on new acquisition by Fred Williams in Gallery 6.
For more information visit agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Tansy Curtin, Curator of International Art pre-1980, as she discusses portraits by Ambrosius Benson and Francis Coates in on the latest display Facing the Collection in Gallery 7.
For more information visit agsa.sa.gov.au
Thank you for listening to this track produced by the Art Gallery of South Australia
Join Maria Zagala, Associate Curator of Prints, Drawings and Photographs, speaks on Robert Wilson: Moving Portraits.
For more information visit agsa.sa.gov.au
photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
In celebration of SALA Festival, join Kylie Neagle, Education Officer, in conversation with South Australian artist and ceramicist Sam Gold as they share their insights into Pure Form: Japanese sculptural ceramics.
For more information visit agsa.sa.gov.au
Photo: Thomas McCammon
Curator of Decorative Arts & Design, Rebecca Evans will introduce you to the work of nineteenth century British artist and designer, William Morris and his company Morris & Co. Dr. Lisa Slade will take you on a journey through the Australian Art collection and will include works of art by South Australian-born artists who travelled to Europe, such as Dorrit Black, Margaret Preston and Jeffrey Smart.
Curators and Collection is a series of professional development sessions held throughout the year, one per school term. These recorded talks provide an opportunity for our teachers to become better acquainted with the permanent collection and the curators who care for them. Educators are also provided with a range of ideas and suggestions on how to incorporate the themes and ideas discussed in these talks into their teaching programs.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Explore A Vast Emporium: Artistic exchange and innovation in a global age with curator Russell Kelty.
The discovery of sea routes that directly connected Europe to the vast maritime world of Asia enabled the creation of a global trading community. For the first time, Europeans had direct access to a wealth of luxurious commodities such as lustrous Chinese porcelain, vivid Indian textiles, and elegant Japanese lacquer.
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Gloria Strzelecki, Associate Curator of Aboriginal and Torres Strait Islander Art, speaks on the work of Jacqueline Hick as part of Archie 100.
For more information visit agsa.sa.gov.au
Photo: Saul Steed
In celebration of SALA Festival, South Australian artist and ceramicist Jeff Mincham shares insights into his favourite works of art in Pure Form.
Thank you for listening to this track produced by the Art Gallery of South Australia.
In celebration of SALA Festival, South Australian artist and curator of The Studio Jasmine Crisp in conversation with Lisa Slade, Artistic Director, as she shares insight into her favourite works featured in Archie 100.
Photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Leigh Robb, Curator of Contemporary Art, in conversation with South Australian Living Artists (SALA) Festival feature artist Mark Valenzuela and Singapore-based ceramicist Alvin Tan.
With a career spanning two decades, Mark Valenzuela is an Adelaide-based artist who works between Australia and the Philippines. Although his practice wilfully resists categorisation, ceramics is an enduring medium for Valenzuela and has functioned as a linchpin to his many-parted installations that combine elements of painting, drawing, sculpture, video, assemblage and street art.
Alvin Tan is a Singapore-based ceramicist, President of Nanyang Clay Group, Singapore and part of the international Academy of Ceramics, Switzerland.
For more information visit agsa.sa.gov.au
Photo: Saul Steed.
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Elle Freak, Associate Curator of Australian Paintings and Sculpture, considers the work of Nora Heysen in Archie 100: A Century of the Archibald Prize.
For more information visit agsa.sa.gov.au
Image: Nora Heysen, Robert H Black, MD 1950, oil on canvas laid on composition board, 78 x 59 cm; National Portrait Gallery, Canberra, gift of the artist 1999. Donated through the Australian Government's Cultural Gifts Program, © Lou Klepac; photo: AGNSW.
Rhana Devenport, Director and curator of the exhibition, introduces 'Robert Wilson: Moving portraits'.
Lisa Slade, Artistic Director, introduces Archie 100: A Century of the Archibald Prize.
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Join us as Nici Cumpston speaks about contemporary ceramics by Aboriginal artists from across the Country, currently on display in Gallery 6.
For more information visit agsa.sa.gov.au
Photo: Sven Kovac
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Russell Kelty, Curator of Asian Art, further delves into Pure Form: Japanese sculptural ceramics.
For more information visit agsa.sa.gov.au
Image: Kaneko Jun, born 1942, Untitled triangle (dango), 2004, Omaha, Nebraska, stoneware, slip, glaze, 147.0 x 114.0 x 48.0 cm; Acquired with the assistance of Raphy Star National Gallery of Australia, © Jun Kaneko.
Thank you for listening to this track produced by the Art Gallery of South Australia.
This curator talk will take you through highlights of AGSA's permanent collection exploring a variety of works of art, helping you to prepare for a self-guided visit to the Gallery. The themes and works discussed will also provide you with some alternative ideas for teaching portraiture in your classroom.
For more information visit agsa.sa.gov.au
Image: Grace Cossington Smith, Australia, 1892 - 1984, The artist's sister, 1936, Sydney, oil on paperboard, 49.5 x 41.5 cm; South Australian Government Grant and d'Auvergne Boxall Bequest Fund 1989, Art Gallery of South Australia, Adelaide, © Estate of Grace Cossington Smith.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Rebecca Evans, Curator of Decorative Arts & Design, in conversation with furniture maker Jon Goulder on Chaise lounge in Gallery 15.
For more information visit agsa.sa.gov.au
Image: Liz Williamson, textile artist, Australia, born 1949, BROACHED COMMISSIONS, Australia, est. 2011, Broached Goulder chaise lounge from the Broached Goulder collection, 2019-2020, Adelaide, celery top pine (Phyllocladus aspleniifolius), coconut fibre, hessian, handwoven leather, 95.0 x 260.0 x 120.0 cm; James and Diana Ramsay Fund 2020, Art Gallery of South Australia, Adelaide, © Broached Commissions.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Maria Zagala, Associate Curator of Prints, Drawings and Photographs, introduces a recent major gift of artists books, the Experimental Art Foundation book archive, in Gallery 6.
To enquire about the Experimental Art Foundation book archive visit: https://www.agsa.sa.gov.au/collection-publications/library-print-viewing-room/
For more information visit: agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Leigh Robb will discuss the recently acquired photograph by South African visual activist Zanele Muholi, Zazi, 2019, from the series Somnyama Ngonyama, (Hail The Dark Lioness).
For more information visit agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Associate Curator of Aboriginal and Torres Strait Islander Art Gloria Strzelecki speaks with 2022 Adelaide Biennial of Australian Art: Free/State artist Rhoda Tjitayi.
For more information visit agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Russell Kelty, Curator of Asian Art, introduces Pure Form: Japanese sculptural ceramics.
For more information visit agsa.sa.gov.au
Image: Matsutani Fumio, born Ehime prefecture 1975, Yellow (Ou), 2021, Ehime prefecture, stoneware, 43.2 x 52.3 x 28.2 cm; Collection of Raphy Star, © Matsutani Fumio, photo: Grant Hancock
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Gloria Strzelecki, Associate Curator of Aboriginal and Torres Strait Islander Art, speaks on the numinous aspects of the 2022 Adelaide Biennial of Australian Art: Free/State.
For more information visit agsa.sa.gov.au
Image: installation view: 2022 Adelaide Biennial of Australian Art: Free/State, featuring Namaslay by Min Wong, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Curator Sebastian Goldspink and artist Shaun Gladwell discuss his latest moving image work as part of the '2022 Adelaide Biennial of Australian Art: Free/State'
How do ‘knotty’ histories and entangled cultural traditions inform contemporary art writing? Can we write new meaning into old works of art? Does art writing reveal what pictures conceal? How does truth-telling shape artistic process and art’s interpretations? Come sail with us as we attempt to unravel some of these knotty questions – and canvass a raft of others! Ahoy Speakers: Adelaide Biennial: Free/State artist and April First Fridays curator Sera Waters, artist and writer Ali Gumillya Baker, art historian Michael Newall and moderator Una Rey, Editor of Artlink. Co-presented with Artlink Magazine to mark the launch of Issue 42:1 Art / Write / Read.
Thank you for listening to this track produced by the Art Gallery of South Australia.
In celebration of South Australia’s History Festival and its 2022 theme ‘Reimagine’, Tansy Curtin, Curator of International Art pre-1980, speaks on some of the benefactors and collectors who have helped shape AGSA’s collection since 1882.
For more information visit agsa.sa.gov.au
Image: Tansy Curtin, Art Gallery of South Australia; photo Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Elle Freak, Associate Curator of Australian Paintings and Sculpture, introduces a major new acquisition on display in the Elder Wing of Australian Art.
For more information please visit agsa.sa.gov.au
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Leigh Robb, Curator of Contemporary Art, and Bernadette Klavins, Teen Programs Officer, discuss the work of Loren Kronemyer and Laith McGregor as part of the 2022 Adelaide Biennial of Australian Art: Free/State in Gallery 9.
For more information visit agsa.sa.gov.au
Image: installation view: 2022 Adelaide Biennial of Australian Art: Free/State, featuring Strange Days by Laith McGregor, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Rhana Devenport, Director, introduces Yayoi Kusama’s THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS in Gallery 6.
For more information visit agsa.sa.gov.au
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installation view: THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS by Yayoi Kusama, 2017, National Gallery of Australia, Canberra; © Yayoi Kusama, courtesy of Ota Fine Arts, Tokyo/Singapore/Shanghai
Thank you for listening to this track produced by the Art Gallery of South Australia.
Hear about Adelaide Biennial of Australian Art: Free State from Sebastian Goldspink, curator of the exhibition in preparation for your visit to the Gallery with your students.
For more information visit agsa.sa.gov.au
photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Listen in as Lisa Slade, Assistant Director, Artistic Programs and South Australian artist Angela Valamanesh discuss her work as part of the 2022 Adelaide Biennial of Australian Art: Free/State.
For more information visit agsa.sa.gov.au
Photo: Saul Steed.
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Dr Lisa Slade chats with James Tylor and Rebecca Selleck.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Leigh Robb, Curator of Contemporary Art, chats with artist Min Wong.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Saul Steed
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Sebastian Goldspink, Curator of the '2022 Adelaide Biennial of Australian Art: Free/State', chats with artist Kate Scardifield.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Saul Steed
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Leigh Robb, Curator of Contemporary Art, chats with artist Kate Mitchell.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Leigh Robb, Curator of Contemporary Art, chats with artist Darren Sylvester.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Dr Lisa Slade chats with artist Reko Rennie.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Leigh Robb, Curator of Contemporary Art, chats with artist JD Reforma.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
Thank you for listening to his track produced by the Art Gallery of South Australia.
Join us as South Australian artist, arts writer and academic, Sera Waters, explores her latest work as part of the 2022 Adelaide Biennial of Australian Art: Free/State.
For more information visit agsa.sa.gov.au
Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Artlink editor Una Rey chats with artist Abdul-Rahman Abdullah.
Recorded before a live audience at the Art Gallery of South Australia on Friday 4 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Artlink editor Una Rey chats with Worimi artist Dean Cross.
Recorded before a live audience at the Art Gallery of South Australia on Friday 4 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Artlink editor Una Rey chats with Kamilaroi/Gamilaraay artist Dennis Golding.
Recorded before a live audience at the Art Gallery of South Australia on Friday 4 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Saul Steed
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Artlink editor Una Rey chats with artist Jelena Telecki.
Recorded before a live audience at the Art Gallery of South Australia on Friday 4 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Sebastian Goldspink, Curator of the '2022 Adelaide Biennial of Australian Art: Free/State' discusses Julie Rrap’s work.
Recorded before a live audience at the Art Gallery of South Australia on Friday 4 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Saul Steed
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Leigh Robb, Curator of Contemporary Art, chats with artist Mitch Cairns.
Recorded before a live audience at the Art Gallery of South Australia on Friday 4 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Sia Duff
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Sebastian Goldspink, Curator of the 2022 Adelaide Biennial of Australian Art: Free/State, chats with artist Stanislava Pinchuk.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Saul Steed
In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works.
In this conversation, Dr Lisa Slade chats with artist Tom Polo.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'.
For further information visit www.agsa.sa.gov.au
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Photo: Saul Steed
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Rebecca Evans, Curator of Decorative Arts & Design, discusses Georgie Gaskin's Love Garland brooch in Gallery 15.
For more information visit agsa.sa.gov.au
Photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Curator Sebastian Goldspink introduces the 2022 Adelaide Biennial of Australian Art: Free/State.
For more information visit agsa.sa.gov.au
Image: Sebastian Goldspink; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Elle Freak, Associate Curator, Australian Paintings & Sculpture, in conversation with 2022 Adelaide Biennial artist Tom Polo in the Elder Wing of Australian Art.
For more information visit agsa.sa.gov.au
Image: Tom Polo with his work Guiding Guardians (This Wasn't Yours), Ramsay Art Prize 2021, Art Gallery of South Australia, Adelaide; photo: Nat Rogers.
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Join us as Tansy Curtin, Curator of International Art pre-1980, will discuss the recent acquisition The city, view of the Town Hall, a delightful Parisian street scene by French painter Raoul Dufy in Gallery 15.
For more information visit agsa.sa.gov.au
Image: Raoul Dufy, born Le Harvre 1877, died Forcalquier 1953, ‘The city, view of the Town Hall’, 1904, Paris, oil on canvas, Gift of Mary Choate in memory of L.F. (Frank) Choate through the Art Gallery of South Australia Foundation 2021.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Russell Kelty, Acting Curator of Asian Art, will discuss the recent acquisition Mosque Lamp in Gallery 19a.
For more information visit agsa.sa.gov.au
Photo: Nat Rogers.
Thank you for listening to this track produced by the Art Gallery of South Gallery of South Australia.
Join us as Tarnanthi Artistic Director Nici Cumpston speaks about the work of artists from the Kimberley region in Western Australia who use natural pigments sourced from their traditional Country, including Angelina Karadada Boona and Tracey and Kathy Ramsay.
For more information visit agsa.sa.gov.au
Image: installation view: Tarnanthi 2021, featuring Emerging Wandjina by Angelina Karadada Boona, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Rhana Devenport, Director, as she discusses Pumpkin (M) by Yayoi Kusama in Gallery 17.
For more information visit agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Nici Cumpston OAM, Artistic Director of Tarnanthi to learn more about the work of Barkindji artist Kent Morris.
For more information visit agsa.sa.gov.au
Image: installation view: Tarnanthi 2021, featuring Barkindji Blue Sky-Ancestral Connections #10 by Kent Morris, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Assistant Director, Artistic Programs Dr Lisa Slade shares her insights on the prophetic power of art and artists in her lunchtime talk on Tarnanthi artist John Prince Siddon. Siddon’s work is highlighted in the recent review of Tarnanthi in the SMH by John McDonald.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join AGSA Vanguards Kathryn Ellison and Ella Di Stasio in conversation about the moving image work Think Evolution #1 by Aki Inomata.
For more information visit agsa.sa.gov.au
Image: Aki Inomata, Japan, born 1983, Think Evolution #1: Kiku-ishi (Ammonite), 2016-17, Tokyo, HD video, 2 min, sound; Mary Phyllis Henderson Bequest Fund through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide, ©︎AKI INOMATA / Courtesy of MAHO KUBOTA GALLERY.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Associate Curator of Prints, Drawings and Photographs, Maria Zagala, discusses new acquisitions by performance artist Stelarc.
For more information please visit agsa.sa.gov.au
Photo: Saul Steed
Tarnanthi’s Artistic Director Nici Cumpston is a curator, artist and educator of Barkindji, Afghan, English and Irish descent. She explains the ethos of Tarnanthi and gives an overview of this year’s festival in this interview with Raymond Zada.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Image: Nici Cumpston OAM in front of Tjala tjukurpa - Honey ant story by Yaritji Young, Tarnanthi 2021, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Yorta Yorta/Wamba Wamba/Mutti Mutti/Boonwurrung artist Maree Clarke talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. Clarke, who is celebrated for reviving Aboriginal art practices from south-eastern Australia, has a selection of large-scale and normal-size necklaces on display at the Art Gallery of South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Wunambal artist Angelina Karadada Boona talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. A series of her paintings in ochre on paper, which contemporise the Kimberley tradition of Wandjina rock art painting, is on display at the Art Gallery of South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Sia Duff
Trawlwoolway artist Julie Gough talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. Her installation project Psychoscape positions her work in dialogue with Tasmanian colonial paintings and furniture from the Art Gallery of South Australia’s collection.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Sia Duff
Gija artist Nathan Thomas talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. His work, among a display of boab nuts engraved to look like birds, is at the Art Gallery of South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Ngarrindjeri /Ngadjuri/Narungga/Wirangu artist Sonya Rankine talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. Her works woven from natural materials are included in the display Keepers of Culture at the Art Gallery of South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Ben Searcy
Angkamuthi/Yadhaykana artist Teho Ropeyarn talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. His large-scale works on paper are on display at the Art Gallery of South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Ben Searcy
Balanggarra artist Karen Mills talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. Her abstract paintings, which she has described as ‘lyrical landscapes of memory’, are on display at the Art Gallery of South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Sia Duff
Ngarrindjeri artist Sandra Saunders talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. Her seven-panel portrait painting is on display in the exhibition Drifting Sands at Port Pirie Regional Art Gallery in South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Torres Strait Islander artist Gail Mabo talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. Her sculptural installation Tagai is on display at the Art Gallery of South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Sia Duff
Pitjantjatjara artist Sally Ann Wipana Foster talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. Her painted work made from reclaimed car parts is in the display Mutaka (motorcar) at the Art Gallery of South Australia.
Music: Ngana Nyunyi by Tilly Tjala Thomas
Image: Ben Searcy
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Gloria Strzelecki, Associate Curator of Aboriginal and Torres Strait Islander Art, discusses the installation by Trawlwoolway artist Julie Gough, on display as part of Tarnnathi.
For more information please visit agsa.sa.gov.au
Image: Julie Gough, Trawlwoolway people, Tasmania, born Melbourne 1965, The Promise, 2019, Hobart, found chair, vellum, LED light, dimensions variable © Julie Gough; photo: Simon Cuthbert.
Panpapanpalya means conference in the Kaurna language. In this three-session discussion forum, First Nations artists, curators, academics and writers share views and insights about art and the world that inspires them.
In this session led by artist and academic Ali Baker, artists and curators Julie Gough, Sandra Saunders, Marika Davies, Carly Tarkari Dodd and Lakota Milera-Weetra discuss their experiences of making and exhibiting art.
Recorded before a live audience at the Art Gallery of South Australia on Friday 15 October 2021, during the opening weekend of Tarnanthi 2021.
Music: Ngana Nyunyi by Tilly Tjala Thomas
For more information visit agsa.sa.gov.au
Photo: Nat Rogers
Panpapanpalya means conference in the Kaurna language. In this three-session discussion forum, First Nations artists, curators, academics and writers share views and insights about art and the world that inspires them.
In this session led by Renee Johnson, artists John Prince Siddon, Gail Mabo, Sonya Rankine and Margaret Beebe discuss the theme of making and materiality.
Recorded before a live audience at the Art Gallery of South Australia on Friday 15 October 2021, during the opening weekend of Tarnanthi 2021.
Music: Ngana Nyunyi by Tilly Tjala Thomas
For more information visit agsa.sa.gov.au
Photo: Nat Rogers
Panpapanpalya means conference in the Kaurna language. In this three-session discussion forum, First Nations artists, curators, academics and writers share views and insights about art and the world that inspires them.
In this session led by poet and writer Ali Cobby Eckermann, artists Angelina Karadada Boona, Timo Hogan, Karen Mills, Nora Abbott, her daughter Sadie Richardson and Rhonda Sharpe discuss the themes of memory, history and place in their work.
Recorded before a live audience at the Art Gallery of South Australia on Friday 15 October 2021, during the opening weekend of Tarnanthi 2021.
For more information visit agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Fiona Salmon, Director of Flinders University Museum of Art, to discuss Keepers of Culture as part of Tarnanthi in Gallery 1.
For more information visit agsa.sa.gov.au
Photo: Saul Steed
Tuesday Talk - Gloria Strzelecki introduces artist Sonya Rankine's work in Tarnanthi by AGSA
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
As part of Tarnanthi 2021, Sally Foster speaks of her work of art.
For further information visit www.agsa.sa.gov.au
Photo: Ben Searcy
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
As part of Tarnanthi 2021, Sally Foster speaks of her work of art.
For further information visit www.agsa.sa.gov.au
Photo: Ben Searcy
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
As part of Tarnanthi 2021, Sonya Rankine speaks of her work.
For further information visit www.agsa.sa.gov.au
Photo: Ben Searcy
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
As part of Tarnanthi 2021, Teho Ropeyarn speaks of his works.
For further information visit www.agsa.sa.gov.au
Photo: Ben Searcy
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
As part of Tarnanthi 2021, Teho Ropeyarn speaks of his works.
For further information visit www.agsa.sa.gov.au
Photo: Ben Searcy
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
As part of Tarnanthi 2021, Teho Ropeyarn speaks of his works.
For further information visit www.agsa.sa.gov.au
Photo: Ben Searcy
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
As part of Tarnanthi 2021, Gail Mabo speaks of her work, 'Tagai'.
For further information visit www.agsa.sa.gov.au
Photo: Sia Duff
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Celia Dottore, Tarnanthi Project Manager, introduces the work of Melbourne-based artist and designer, Maree Clarke, who is a Yorta Yorta, Wamba Wamba, Mutti Mutti, Boonwurrung woman.
For more information visit agsa.sa.gov.au
Image: installation view: Tarnanthi 2021, featuring works by Maree Clarke, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Hear from Trawlwoolway artist Julie Gough, who will speak about her installation for Tarnanthi titled Psychoscape on display in Gallery 8 at AGSA. Recorded live at our Educator Connect event on November 5th 2021.
For more information visit agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Hear from Trawlwoolway artist Julie Gough, who will speak about her installation for Tarnanthi titled Psychoscape on display in Gallery 8 at AGSA. In this unsettling body of work, Gough positions colonial works of art from the AGSA collection alongside new moving image works and objects that expose stories she has uncovered through ongoing research into the archives of her ancestors in Tasmania. She challenges the established colonial narrative perpetuated in Australia’s national story and does not shy away from speaking the truth about what she uncovers.
For more information visit agsa.sa.gov.au
Image: Julie Gough, Hobart, Tasmania; Courtesy the artist, photo: Lucy Parahkina
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Curator of Contemporary Art, Leigh Robb introduces Ai Weiwei’s installation, 258 Fake, comprised of 7,677 digital photographs, on view as part of this year’s Oz Asia Festival exhibition, True Self.
For more information visit agsa.sa.gov.au
Photo: Saul Steed
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Lisa Slade and Nici Cumpston talk with award-winning Pitjantjatjara artist Timo Hogan about his monumental triptych painting Lake Baker and his responsibility for Country, alongside Brian Hallett from Spinifex Arts Project.
Recorded before a live audience at the Art Gallery of South Australia on Sunday 17 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Tarnanthi’s Artistic Director Nici Cumpston talks with Wunambal artist Angelina Karadada Boona about her practice and her Wandjina paintings.
Recorded before a live audience at the Art Gallery of South Australia on Sunday 17 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Tarnanthi’s Artistic Director Nici Cumpston talks with Kimberley boab nut engravers Margaret Beebe and Nathan Thomas from Waringarri Aboriginal Arts.
Recorded before a live audience at the Art Gallery of South Australia on Sunday 17 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Lisa Slade and Nici Cumpston talk with Tiwi artists Carol Puruntatameri and Thecla Bernadette Puruntatameri, from Munupi Arts, about the Tiwi Papers project.
Recorded before a live audience at the Art Gallery of South Australia on Sunday 17 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, AGSA Assistant Director Dr Lisa Slade talks with Iltja Ntjarra curator Marisa Maher and artists Mervyn Rubuntja, Vanessa Inkamala and Selma Coulthard about the Kuprilya Living Water project.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 16 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Sia Duff
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, AGSA Assistant Director Dr Lisa Slade talks with Walmajarri artist John Prince Siddon about his work, alongside Emilia Galatis and Liam Kennedy of Mangkaja Arts.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 16 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Sia Duff
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Tarnanthi’s Artistic Director Nici Cumpston talks with Balanggarra artist Karen Mills about her artistic practice and processes and about her paintings in Tarnanthi 2021.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 16 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Sia Duff
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Tarnanthi’s Artistic Director Nici Cumpston chats with Torres Strait Islander artist Gail Mabo about her practice and the story behind her installation work Tagai.
Recorded before a live audience at the Art Gallery of South Australia on Saturday 16 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Sia Duff
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of works on exhibition during Tarnanthi 2021.
In this conversation, Tarnanthi’s Artistic Director Nici Cumpston talks with artist Julie Gough about her practice and her installation project Psychoscape.
Recorded before a live audience at the Art Gallery of South Australia on Friday 15 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Sally Scales, from the APY Art Centre Collective, chats with Anangu Pitjantjatjara Yankunytjatjara artists Nyunmiti Burton, Nyurpaya Kaika Burton and Iluwanti Ken.
Recorded before a live audience at the Art Gallery of South Australia on Friday 15 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Luritja artist Doris Bush Nungarrayi, from Papunya Tjupi Arts, presents a series of her paintings, with interpreter Lorraine King.
Recorded before a live audience at the Art Gallery of South Australia on Friday 15 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
In a series of public talks, First Nations artists discuss their art, practice and motivations in front of their works on exhibition during Tarnanthi 2021.
In this conversation, Tarnanthi’s Artistic Director Nici Cumpston talks with Ngaanyatjarra/Pintupi artist Katjarra Butler and her daughter Sally Butler about her paintings in the series Ara Katjarraku.
Recorded before a live audience at the Art Gallery of South Australia on Friday 15 October 2021, during the opening weekend of Tarnanthi 2021.
For further information visit www.agsa.sa.gov.au
Music: Ngana Nyunyi by Tilly Tjala Thomas
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
In celebration of OzAsia Festival, join us as Russell Kelty, Acting Curator of Asian Art, discusses the Tree of Life motif as it appears on Indian trade texitles and Indonesian carving in A Vast Emporium: Artistic and cultural exchange in an age of global trade.
For more information please visit agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Hear from Dr. Lisa Slade, Assistant Director, Artistic Programs as she introduces teachers and educators to Tarnanthi and discover strategies for engaging students with works of art.
For more information please visit agsa.sa.gov.au
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Nici Cumpston, Artistic Director of Tarnanthi and Curator of Aboriginal and Torres Strait Islander Art introduces this year’s Tarnanthi exhibition at AGSA.
For more information please visit agsa.sa.gov.au
Photo: Sven Kovac
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Rebecca Evans, Curator of Decorative arts introduces the new acquisition Alice and Friend in Wonderland by Khai Liew.
For more information please visit agsa.sa.gov.au
Image: Khai Liew, Malaysia/Australia, born 1952, Alice and Friend in Wonderland, 2020, Norwood, Adelaide, Queensland blackbean (sp. Castanospermum), 150.0 x 104.0 x 56.0 cm; Gift of Diana McLaurin, Frances Gerard AM, William J S Boyle C.M., John Crosby, Charles Mansfield, Mary Choate, James Darling AM and Lesley Forwood, Shane Le Plastrier, The Hon Justice Mark Livesey through the Art Gallery of South Australia Foundation 20th Anniversary Collectors Club 2020, Art Gallery of South Australia, Art Gallery of South Australia, Adelaide, © Khai Liew.
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Join us as Tracey Lock, Curator of Australian Paintings & Sculpture, introduces the painting Sunset over Morestil by John Peter Russell.
For more information please visit agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Join us as Dr Lisa Slade, Assistant Director, will introduce the Elder Wing as a painterly arboretum in her talk as part of this year’s Nature Festival.
For more information please visit agsa.sa.gov.au
Image: Hilda Rix Nicholas, born Ballarat, Victoria 1884, died Tombong, New South Wales 1961, Two Moroccan men with eucalypts, 1912-14?, Tangier, Morocco, oil on board, 37.1 x 45.0 cm; Gift of Aldridge Family Endowment, Joan Beer, Gwinnett Family, Roger Lang, Nick Le Messurier, Skip and Lilly Lipman, Dr Michael Llewellyn-Smith AM, Leo Mahar, John Phillips, Louise Rigoni, The Hon. Ann Vanstone, QC, Dick Whitington QC, Karen Wilson through the Art Gallery of South Australia Foundation 20th Anniversary Collectors Club 2020, Art Gallery of South Australia, Adelaide, © Bronwyn Wright.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Russell Kelty, Acting Curator of Asian Art, discusses the development of porcelain as a conveyor of taste and style in A Vast Emporium: Artistic and cultural exchange in an age of global trade.
For more information please visit agsa.sa.gov.au
Image: China, Jiangxi, Plate, with sailing ship, 1700-20, Jingdezhen, Jiangxi, porcelain, underglaze blue decoration, 27.2 cm (diam.); Elizabeth and Tom Hunter Fund 1989, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Tansy Curtin, Curator of International art, will discuss the Baroque painting Narcissus by Pietro Negri which has recently been restituted to a South Australian family after being stolen by the Nazi regime during the Second World War.
For more information please visit agsa.sa.gov.au
Image: Tansy Curtin, Art Gallery of South Australia; photo Saul Steed
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Learn more about the exhibition Dušan and Voitre Marek: Surrealists at sea; join curator Elle Freak and Voitre Marek’s children, Olga Sankey and Ivan Marek, for a discussion about the making of this major survey exhibition and the legacy of the Dušan and Voitre Marek.
For more information please visit agsa.sa.gov.au
Image: Voitre Marek, born Dolní Oldřichov, Czechoslovakia 1919, died Adelaide 1999, My Gibraltar, 1948, on board the SS Charlton Sovereign, oil on board, 29.0 x 20.5 cm; d'Auvergne Boxall Bequest Fund 1996, Art Gallery of South Australia, Adelaide, © Estate of Voitre Marek
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Join us as Elle Freak, Associate Curator, Australian Paintings & Sculpture, shares her final remarks on the exhibition Dušan and Voitre Marek: Surrealists at sea.
For more information please visit agsa.sa.gov.au
Image: Elle Freak, Dušan and Voitre Marek: Surrealists at sea, Art Gallery of South Australia, Adelaide; photo Saul Steed.
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Join us as Tracey Lock, Curator of Australian Paintings & Sculpture, considers how Dušan and Voitre Marek embraced nature’s elemental and spiritual forces.
For more information please visit agsa.sa.gov.au
Image: Dušan Marek, Australia, 7 /03/1926 - 1993, Analysis of substance, 1952, Kings Cross, Sydney, oil on canvas, 36.5 x 88.2 cm; Purchased with the assistance of James Agapitos OAM and Ray Wilson OAM 2007 National Gallery of Australia, © Art Gallery of New South Wales.
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Join us as Maria Zagala, Associate Curator of Prints, Drawings & Photographs, discusses Dušan and Voitre Mareks’ drawings in the exhibition Dušan and Voitre Marek: Surrealists at sea.
For more information please visit agsa.sa.gov.au
Image: Voitre Marek, Australia, 1919 - 1999, Surrealism is an art that follows (like a person walking in a river) life so as to transform it into life in a line - word – color (Surrealism je umění které sleduje (jako člověk jdoucí v tok řeky) život tak aby jej přetavil v život v lince - slovĕ – barvĕ), c.1955, Adelaide, pen & ink on card, 30.2 x 38.0 cm (sheet); Gift of the Marek and Sankey families through the Art Gallery of South Australia Foundation 2020, Art Gallery of South Australia, Art Gallery of South Australia, Adelaide, © Estate of Voitre Marek.
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In celebration of the crossover between 2021 Ramsay Art Prize and the South Australian Living Artist Festival (SALA), join Leigh Robb, Curator of Contemporary Art, in conversation with South Australian Finalist Kasia Tons.
For more information please visit agsa.sa.gov.au
Image: Kasia Tons, born 1985, After, 2019-2020, Lenswood, South Australia, wool, cotton, synthetic threads on cotton canvas base, 171.5 x 98.0 cm; Courtesy of the artist, © Kasia Tons, photo: Madisyn Zabel.
Thank you for listening to this track produced by the Art Gallery of South Australia.
For more information please visit agsa.sa.gov.au
Image: Dušan Marek, born Bítouchov, Czechoslovakia 1926, died Adelaide 1993, Equator, 1948, Gibraltar, SS Charlton Sovereign, oil on board, 121.7 x 91.2 cm, 126.5 x 96.0 x 5.5 cm (frame size); South Australian Government Grant 1972, Art Gallery of South Australia, Adelaide, © Art Gallery of South Australia
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Join us as Bernadette Klavins, local artist and writer, introduces the work of SALA feature artist Roy Ananda in the latest display Roy Ananda: Further Annotations.
For more information please visit agsa.sa.gov.au
Photo: Nat Rogers
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Join us as Lisa Slade, Assistant Director, Artistic Programs, uncovers the surrealist metaphors that appear and repeat throughout the exhibition Dušan and Voitre Marek: Surrealists at sea.
For more information please visit agsa.sa.gov.au
Image: Dušan Marek, born Bítouchov, Czechoslovakia 1926, died Adelaide 1993, Perpetuum mobile, October 1948, SS Charlton Sovereign, oil on board, 121.7 x 91.2 cm; South Australian Government Grant 1972, Art Gallery of South Australia, Adelaide, © Art Gallery of South Australia.
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Join us as AGSA Director, Rhana Devenport, speaks on the work of Hiroshi Sugimoto in Dark Matter, Bright Light in Gallery 17.
For more information please visit agsa.sa.gov.au
Image: Installation view - Dark Matter, Bright Light, Art Gallery of South Australia, Adelaide, 2020; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Elle Freak, Associate Curator, Australian Paintings & Sculpture, introduces the latest exhibition Dušan and Voitre Marek: Surrealists at sea.
For more information please visit agsa.sa.gov.au
Image: Voitre Marek, born Dolní Oldřichov, Czechoslovakia 1919, died Adelaide 1999, My Gibraltar, 1948, on board the SS Charlton Sovereign, oil on board, 29.0 x 20.5 cm; d'Auvergne Boxall Bequest Fund 1996, Art Gallery of South Australia, Adelaide, © Estate of Voitre Marek
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Russell Kelty, Associate Curator of Asian Art, discusses a 16th century Japanese screen depicting the arrival of a Portuguese ship in A Vast Emporium: Artistic and cultural exchange in an age of global trade in Gallery 21.
For more information please visit agsa.sa.gov.au
Image: China, Jiangxi, Plate, with sailing ship, 1700-20, Jingdezhen, Jiangxi, porcelain, underglaze blue decoration, 27.2 cm (diam.); Elizabeth and Tom Hunter Fund 1989, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Rebecca Evans, Curator of Decorative Arts & Design and Ramsay Art Prize 2021 judge, in conversation with South Australian artist Kate Bohunnis to discuss her winning work in this year’s prize.
For more information please visit agsa.sa.gov.au
Image: Ramsay Art Prize 2021 featuring Kate Bohunnis with the work edges of excess; photo Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Nici Cumpston, Curator of Aboriginal and Torres Strait Islander Art, as she discusses Daniel Boyd’s immersive large scale diptych painting Untitled (TBOMB), a major new acquisition from the series Sandpiper dance by the Kudjila/Gangalu artist.
For more information please visit: agsa.sa.gov.au
Image: Daniel Boyd, Kudjila/Gangalu people, Queensland, born 1982, Cairns, Queensland, Untitled (TBOMB), 2020, Sydney, oil, synthetic polymer paint and archival glue on canvas, 245.0 x 396.0 cm (2 panels, overall); James and Diana Ramsay Fund 2020, Art Gallery of South Australia, Adelaide, © Daniel Boyd.
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Join us as Rhana Devenport, Director, introduces the Ramsay Art Prize 2021 in Gallery 9.
For more information please visit agsa.sa.gov.au
Photo: Nat Rogers
Tracey Lock, curator of Australian art and curator of 'Clarice Beckett: the present moment' speaks about the fortunate and unfortunate events associated with Clarice Beckett. As author of the book, curator and designer of the exhibition Lock shares highlights and challenges in the assembly of the exhibition during the time of a global pandemic.
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Join us as Rebecca Evans, Curator of Decorative Arts, speaks on the Rhianon Vernon-Roberts display in Gallery 6.
For more information please visit agsa.sa.gov.au
Photo: Sven Kovac
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Tracey Lock, Curator of Australian Paintings and Sculpture, makes closing remarks on the exhibition, Clarice Beckett: The present moment
For more information please visit agsa.sa.gov.au
Image: Clarice Beckett, Australia, 1887 - 1935, Evening landscape, c1925, Melbourne, oil on cardboard, 35.5 x 40.7 cm; Purchased 1974 National Gallery of Australia, Canberra.
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Join us as Maria Zagala, Associate Curator of Prints, Drawings & Photographs, discusses Janet Dawson’s abstract lithograph Grand bruit from 1960 in Gallery 6.
For more information please visit agsa.sa.gov.au
Photo: Nat Rogers
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Join us as academic and poet Jill Jones, who is also short listed for the 2021 NSW Premier’s Literary Awards discusses the influences of Theosophy and other 19th century spiritual movements on developments in modern art.
For more information please visit agsa.sa.gov.au
Image: Clarice Beckett, Australia, 1887 - 1935, Saturday, n.d., Melbourne, oil on pulpboard, 30.5 x 23.7 cm; Private collection.
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Join us as Julie Robinson, Curator of Prints, Drawings & Photographs, explores Frank Hurley’s photographs in Antarctica: Five Responses in Gallery 8.
For more information please visit agsa.sa.gov.au
Image: Frank Hurley, Australia, 1885 - 1962, A glacial fairyland, 1912, Cape Denison, Antarctica, carbon photograph, 56.7 x 73.4 cm (sight); Gift of Richard Phillips 1994, Art Gallery of South Australia, Adelaide.
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Join us as Tansy Curtin, Curator of International Art pre-1980, discusses the work of Mary Beale and introduces two recent acquisitions, The Penitent Magdalene and Head of a Boy, on display in Gallery 13.
For more information please visit agsa.sa.gov.au
Image: Mary Beale, Britain, 1633 - 1699, Mary Wither of Andwell, early 1670s, Hampshire, oil on canvas, 73.0 x 60.0 cm; Gift of Helen and John Bowden in memory of Mary Overton 2003, Art Gallery of South Australia, Adelaide.
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Join us as Tracey Lock, Curator of Australian Paintings and Sculpture, discusses how and why Clarice Beckett aspired to paint the exact illusion of reality.
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Image: Clarice Beckett, Australia, 1887 - 1935, Motor lights, 1929, Melbourne, oil on board, 28.3 x 35.2 cm; Gift of Alastair Hunter OAM and the late Tom Hunter in memory of Elizabeth through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide.
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Join us as Russell Kelty, Associate Curator of Asian Art, speaks about woodblock prints created in mid-nineteenth century Japan which depict samurai, currently on display in Gallery 21.
For more information please visit agsa.sa.gov.au
Image: Japan, Archery contest at Sanjusangendo (Sanjusangendo toshiya no zu), c.1750, Kyoto, tsuitate screen, wood, silk, ink and pigments and paper, 131.3 x 148.0 cm (image), 143.0 x 159.8 cm (overall); Gift of Frances Gerard and Mark Livesey QC with the assistance of the Roy and Marjory Edwards Bequest Fund through the Art Gallery of South Australia Foundation Collectors Club 2014, Art Gallery of South Australia, Adelaide.
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Join us as Dr Alessandro Antonello from Flinders University discusses his research on Antarctica set against the backdrop of a series of new acquisitions on display in Gallery 8. This talk will be held in the Radford Auditorium.
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Image: Frank Hurley, Australia, 1885 - 1962, A blizzard, from the Australasian Antarctic Expedition 1911–14, 1912, Cape Denison, blue-toned carbon print, 35.1 x 41.7 cm (image); Gift of Joan Beer, William J.S Boyle C.M, Peter and Sandra Dobson, Gwinnett Family, Roger Lang, Shane Le Plastrier, The Hon Justice Mark Livesey, David McKee AO and Pam McKee, Peter and Pamela McKee, Dick Whitington QC and Peter Wilson through the Art Gallery of South Australia Foundation Collectors Club 2019, Art Gallery of South Australia, Adelaide.
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Join us as Tracey Lock, Curator of Australian Paintings and Sculpture, speaks about Beaumaris as Clarice Beckett’s metaphoric Bodhi Tree and introduces aspects of spiritualism in the art of Beckett.
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Image: Clarice Beckett, Australia, 1887 - 1935, The empty seat, c1925-30, Melbourne, oil on canvas on board, 47.5 x 58.0 cm; Anonymous Gift under the Taxation Incentives for the Arts Scheme 1993 Bendigo Art Gallery, photo: Ian Hill Photography.
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Join us as Tracey Lock, Curator of Australian Paintings and Sculpture, introduces Clarice Beckett: The present moment in Gallery 25.
For more information please visit: agsa.sa.gov.au
Image: Clarice Beckett, Australia, 1887 - 1935, The red sunshade, 1932, Port Phillip Bay, Melbourne, oil on board, 14.2 x 22.0 cm; Gift of Alastair Hunter OAM and the late Tom Hunter in memory of Elizabeth through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide.
Commissioned for the exhibition, musician Simone Slattery has created a suite of soundscapes that accompany the viewing experience. Inspired by Beckett’s own connection with nature, Slattery has woven a delicate score that includes sampled birdsong and the sounds of the street, made in collaboration with nature recording artist Andrew Skeoch.
Image: Clarice Beckett, Australia, 1887 - 1935, Lights, St Kilda, c1931, Melbourne, oil on canvas on board, 35.0 x 39.8 (image); Gift of Lady Drysdale 2001 Newcastle Art Gallery, New South Wales, photo: Tobias Spitzer.
Commissioned for the exhibition, musician Simone Slattery has created a suite of soundscapes that accompany the viewing experience. Inspired by Beckett’s own connection with nature, Slattery has woven a delicate score that includes sampled birdsong and the sounds of the street, made in collaboration with nature recording artist Andrew Skeoch.
Clarice Beckett, Australia, 1887 - 1935, Wet sand, Anglesea, 1929, Anglesea, Victoria, oil on board, 29.3 x 39.0 cm (sight); Gift of Alastair Hunter OAM and the late Tom Hunter in memory of Elizabeth through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide.
Commissioned for the exhibition, musician Simone Slattery has created a suite of soundscapes that accompany the viewing experience. Inspired by Beckett’s own connection with nature, Slattery has woven a delicate score that includes sampled birdsong and the sounds of the street, made in collaboration with nature recording artist Andrew Skeoch.
Clarice Beckett, Australia, 1887 - 1935, October morning, c.1927, Melbourne, oil on canvas on board, 54.7 x 44.4 cm; Gift of Alastair Hunter OAM and the late Tom Hunter in memory of Elizabeth through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide.
Commissioned for Clarice Beckett: The present moment, musician Simone Slattery has created a suite of soundscapes that accompany the viewing experience. Inspired by Beckett’s own connection with nature, Slattery has woven a delicate score that includes sampled birdsong and the sounds of the street, made in collaboration with nature recording artist Andrew Skeoch.
Clarice Beckett, Australia, 1887 - 1935, Gladioli, c1922, Beaumaris, Melbourne, oil on board, 60.0 x 45.0 cm; James and Diana Ramsay Fund 2020, Art Gallery of South Australia, Art Gallery of South Australia, Adelaide.
Soundscape created by Simone Slattery.
Commissioned for Clarice Beckett: The Present Moment, musician Simone Slattery has created a suite of soundscapes that accompany the viewing experience. Inspired by Beckett’s own connection with nature, Slattery has woven a delicate score that includes sampled birdsong and the sounds of the street, made in collaboration with nature recording artist Andrew Skeoch.
Image: Clarice Beckett, Australia, 1887 - 1935, Beach scene, c.1932, Beaumaris, Victoria, oil on canvas on board, 24.2 x 29.5 cm (sight); Gift of Douglas and Barbara Mullins 2003, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Director Rhana Devenport as she discusses a major new sculptural acquisition on display in Gallery 17.
For more information please visit agsa.sa.gov.au
Photo: Saul Steed
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Join Leigh Robb, curator of contemporary art and Lucas Croall, artist and academic, for an illuminating conversation about the mechanics of vision, concepts of infinity and the outer edges of perception.
Recorded live on Friday 5 February 2021 as part of First Friday: Smoke and Mirrors
For more information please visit: agsa.sa.gov.au
Image: Olafur Eliasson, Denmark, born 1967, Dark matter collective, 2018, Berlin, 217 partially silvered glass spheres, paint (black), stainless steel, 171.0 x 169.0 x 67.5 cm; James and Diana Ramsay Fund 2019, Art Gallery of South Australia, Adelaide, © 2018 Olafur Eliasson, photo: Jens Ziehe.
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Join us as Russell Kelty, Associate Curator of Asian Art, discusses the depiction of the samurai in woodblock prints of the late 19th century.
For more information please visit: agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Gloria Strzelecki, Assistant Curator of Aboriginal & Torres Strait Islander Art, introduces new acquisitions in Gallery 6.
For more information please visit: agsa.sa.gov.au
Photo: Saul Steed
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Join Curator of Contemporary Art, Leigh Robb, in conversation with artist Julia Robinson as they discuss mythology and dangerous women in art focusing on Beatrice, and the iconic Circe Invidiosa from 1892 by John William Waterhouse, recently returned from loan in Italy.
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Image: installation view: 2020 Adelaide Biennial of a Australian Art: Monster Theatres featuring Beatrice by Julia Robinson, Santos Museum of Economic Botany; photo: Saul Steed.
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Join us as Nici Cumpston speaks on Naomi Hobson’s photographic series 'Adolescent Wonderland' in Gallery 24.
For more information please visit: asga.sa.gov.au
Image: Naomi Hobson, Southern Kaantju/Umpila people, Queensland, born 1978, Coen, Queensland, The Birthday Skirt “I love this! think I’ll wear it to Puchaanu’s birthday party coming up soon.” Donna., from the series Adolescent Wonderland, 2019, Coen, Queensland, digital print on paper, 81.0 x 110.0 cm; Courtesy the artist and Redot Fine Art Gallery, © Naomi Hobson/Redot Fine Art Gallery
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Sally Scales, Chairperson of the APY Executive Board Council, discusses the works by APY Land artists in Gallery 23.
For more information please visit: agsa.sa.gov.au
Image: Installation view: Tarnanthi 2020: Open Hands featuring Ngayuku ngura - My Country by Wawiriya Burton, Art Gallery of South Australia, Adelaide, © Wawiriya Burton/Tjala Arts/Copyright Agency; photo: Saul Steed.
Tuesday Talk: Nici Cumpston introduces the moving image works created by artists from Tangentyere and Yarrenyty Arltere art centres.
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Join us as Gallery Guide Rosemary Collins explores John Russell’s work Fishing Boats, Goulphar on display in Gallery 15.
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Join Gallery Guide Pam Norman to explore Gilbert & George’s, Dark shadow no 9 on display in Dark Matter, Bright Light.
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Photo: Andre Castellucci
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Join Gallery Guide Brian Knott to explore Mary Cockburn Mercer’s Virgin of the Rocks in Gallery 5.
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Photo: Art Gallery of South Australia; photo: Andre Castellucci
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Join us as Curator of Contemporary Art, Leigh Robb, introduces Dark matter, bright light, the new display in Gallery 17 featuring recent international acquisitions alongside iconic collection works which explore the mechanics of vision, perception and concepts of infinity.
For more information please visit: agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Join Nici Cumpston, Curator of Aboriginal & Torres Strait Islander Art as she introduces the Ernabella Project in Tarnanthi 2020: Open Hands.
For more information please visit: agsa.sa.gov.au
Image: Nici Cumpston OAM, Artistic Director, Tarnanthi and Curator of Aboriginal and Torres Strait Islander Art featuring Kapi Tjukurpa (Water Dreaming) by artists from Ernabella Arts, Tarnanthi 2020: Open Hands, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
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Join us as Fiona Salmon, Director of the Flinders University Museum of Art, introduces the work of Lena Yarinkura and Yolanda Rostron in Tarnanthi 2020: Open Hands.
For more information please visit: agsa.sa.gov.au
Image: installation view: Tarnanthi 2020: Open Hands featuring Karrh (Spider) and Ngalbenbe (sun story) by Lena Yarinkura, Art Gallery of South Australia, Adelaide, © Lena Yarinkura/Maningrida Arts and Culture/Copyright Agency; photo: Saul Steed.
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Kick-start your Pridevember weekend; Troy-Anthony Baylis will discuss potential inter(sex)ions between 'chromatopia', the Rainbow Flag, and the expanding ‘chromatones’ of nu-queer representation.
image: Gareth Sansom, Australia, born 1939, Wittgenstein’s brush with Vorticism, 2016, Sorrento, Victoria, oil and enamel paint on canvas, 213.4 x 274.3 cm; Australian Art Donations Fund 2019, Art Gallery of South Australia, Adelaide, © Gareth Sansom, photo: Andrew Curtis.
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Join us as Russell Kelty, Associate Curator of Asian Art, speaks on Dragon and Bamboo by Kano Tan’yu in Gallery 19 in Samurai.
For more information please visit: agsa.sa.gov.au
image: KANŌ Tan’yu, Japan, 1602 - 1674, Dragon and bamboo, with inscription after Sesshū Tōyo, 1650-1660, Edo (Tokyo), hanging scroll, ink on paper, 94.0 x 50.5 cm (image), 9.0 x 8.0 x 75.0 cm (box); Gift of Shane Le Plastrier through the Art Gallery of South Australia Foundation 2018, Art Gallery of South Australia, Adelaide.
What’s the connection between the rainbow and gay pride? Join Dr Lisa Slade to find out more about the politics of colour in this lunchtime talk set against the backdrop of the Chromatopia display in Gallery 9.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Rebecca Evans, Curator of Decorative Arts & Design, and Tansy Curtin, Curator of International Art pre 1980, discuss Modern British art including the work of the Bloomsbury group and Omega Workshops in Gallery 13 of the Melrose Wing of European Art.
For more information please visit agsa.sa.gov.au
image: Roger Fry, Britain, 1866 - 1934, Still life: jug and eggs, 1911, London, oil on wood panel, 30.5 x 35.3 cm, 36.0 x 41.0 x 2.3 cm (frame); South Australian Government Grant 1984, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Celia Dottore, Tarnanthi Project Officer, introduces the work of Betty Muffler and Maringka Burton exhibited as part of Open Hands.
For more information please visit agsa.sa.gov.au
image: Maringka Burton and Betty Muffler in front of a collaborative work in progress; image courtesy the artists and Iwantja Arts.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Nici Cumpston, Curator of Aboriginal & Torres Strait Islander Art, introduces Tarnanthi: Open Hands.
For more information please visit: agsa.sa.gov.au
Image: Nici Cumpston OAM, Artistic Director Tarnanthi, Curator of Aboriginal and Torres Strait Islander Art featuring Quandamooka djagan marumba (Quandamooka country is beautiful) by Sonja and Elisa Jane Carmichael, Tarnanthi 2020: Open Hands, Art Gallery of South Australia; photo: Saul Steed.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Tracey Lock, Curator of Australian painting and sculpture introduces the major new acquisition by Robert Dowling in Gallery 3 of the Elder Wing of Australian Art.
For more information visit: agsa.sa.gov.au
image detail: Robert Dowling, Australia/Britain, 1827 - 1886, Baptism of Christ, 1863, London, oil on canvas, 222.6 x 161.0 cm (sight); Gift of Thomas Coats Memorial Church Trustees through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join guest speaker Dr Ralph Body, as he shares his insights into Hans Heysen and his creative response to trees, in celebration of the inaugural Nature Festival.
For more information please visit: agsa.sa.gov.au
image: Hans Heysen, Australia, 8 /10/1877 - 1968, Red Gold, 1913, Hahndorf, South Australia, oil on canvas, 129.5 x 174.5 cm; Gift of the Rt Hon. Sir Charles Booth 1913, Art Gallery of South Australia, Adelaide, © Chris Heysen.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Maria Zagala, Associate Curator of Prints, Drawings & Photographs, connects the works of French Expressionist artist Georges Rouault with the new work from Restless Dance titled Seeing Through Darkness.
For more information please visit: agsa.sa.gov.au
image: Restless Dance Theatre, Seeing Through Darkness directed by Michelle Ryan, 2020; Developed with the support of the Art Gallery of South Australia in response to the Gallery’s collection of works of art by Georges Rouault, © Restless Dance Theatre; photo: Shane Reid.
Thank you for listening to this track produced by the Art Gallery of South Australia,
Join us as Gloria Strzelecki, Assistant Curator of Aboriginal & Torres Strait Islander Art, introduces Converging currents, a new display of bark paintings from the Gallery’s collection.
For more information please visit agsa.sa.gov.au
image: installation view: Converging Currents: Bark Painting from Arnhem Land, Art Gallery of South Australia, Adelaide, 2020; photo: Saul Steed.
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Join Dr Lisa Slade, Assistant Director, introduces the new display Chromatopia in Gallery 9.
For further information visit www.agsa.sa.gov.au
image: Bernadette Klavins viewing works in Chromatopia, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Thank you for listening to this talk produced by the Art Gallery of South Australia.
Join Restless Dance Theatre’s Artistic Director Michelle Ryan, lighting and stage designer Geoff Cobham and Assistant Director Dr Lisa Slade for a colourful discussion about the creative development of Seeing Through Darkness.
For further information visit www.agsa.sa.gov.au
image: Restless Dance Theatre, Seeing Through Darkness directed by Michelle Ryan, 2020; Developed with the support of the Art Gallery of South Australia in response to the Gallery’s collection of works of art by Georges Rouault, © Restless Dance Theatre; photo: Shane Reid.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Tansy Curtin, Curator of International Art pre 1980, introduces a number of early Australian Modernists who had international careers in Gallery 3 of the Elder Wing of Australian Art.
For further information visit www.agsa.sa.gov.au
image: Ethel Carrick Fox, Australia, 1872 - 1952, Sur la plage, c.1910, France, oil on wood panel, 26.5 x 35.0 cm; Gift of Aldridge Family Endowment, Frank Choate, Susan Cocks, Dr Michael Drew, Emeritus Professor Anne Edwards AO, Dr Michael Hayes, Lipman Karas, Edward Mansfield, Jacqui McGill, Jane McGregor, David Urry, Peter and Pamela McKee, Dr Joe Verco AM, Dick Whitington QC, Peter Wilson and Zena Winser through the Art Gallery of South Australia Foundation Collectors Club 2018, Art Gallery of South Australia, Adelaide.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as inaugural Guildhouse fellow Troy-Anthony Baylis discusses his Berlin residency and new installation Nomenclatures with Leigh Robb, Curator of Contemporary Art.
For further information visit www.agsa.sa.gov.au
image: Troy-Anthony Baylis, photo; Sia Duff
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as South Australian maverick maker Tom Moore introduces his newly acquired works of art into the AGSA collection made possible with the support of the Gallery's Contemporary Collectors.
For further information visit www.agsa.sa.gov.au
image: Tom Moore; photo Saul Steed.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Assistant Curator of Australian painting and sculpture, Elle Freak converses with South Australian artist Margaret Dodd about her new display in gallery 17.
For further information visit www.agsa.sa.gov.au
image: Margaret Dodd, Australia, born 1941, Holden with hair curlers, from the series This Woman is Not a Car, c.1977, St Peters, Adelaide, earthenware, 20.5 x 40.0 x 18.0 cm; Catherine G. Brown Bequest 2018, Art Gallery of South Australia, Adelaide, © Margaret Dodd/Copyright Agency, photo: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as South Australian artist, Kirsten Coelho speaks with Curator of Decorative Arts, Rebecca Evans about her work as the feature artist of 2020 SALA Festival.
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Russell Kelty, Associate Curator of Asian Art, introduces the new exhibition Samurai.
For further information visit www.agsa.sa.gov.au
image: Utagawa Kuniyoshi, Japan, 1798 - 1861, Sasai Kyuzo Masayasu, from the series Heroic stories of the Taiheiki (Taiheiki eiyuden), c.1847-50, Edo (Tokyo), woodblock print, ink and colour on paper, 35.7 x 25.7 cm (image & sheet); Gift of Brian and Barbara Crisp in memory of their son Andrew 2005, Art Gallery of South Australia, Adelaide.
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join us as Monster Theatres' artist Mark Valenzuela discusses the monsters and meaning at work in his installations made for the 2020 Adelaide Biennial.
For more information visit: www.agsa.sa.gov.au
image: Saul Steed
Tracey Lock, Curator of Australian paintings and sculpture, introduces the newly acquired sculpture by C Douglas Richardson.
Image: C Douglas Richardson, Australia, 1853 - 1932, On the beach, 1914, Melbourne, white clay low fired, 29.5 cm (height); Gift of Will Abel Smith and Mary Choate through the Art Gallery of South Australia Foundation Collectors Club 2019, Art Gallery of South Australia, Adelaide.
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Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Gloria Strzelecki, Assistant Curator of Aboriginal and Torres Strait Islander Art discusses a new acquisition in the Elder Wing of Australian Art.
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, join Nici Cumpston, Curator of Aboriginal and Torres Strait Islander Art, and Senior Kaurna Man Mickey Kumatpi O’Brien in conversation.
For further information visit www.agsa.sa.gov.au
Senior Kaurna man Mickey Kumatpi O’Brien and Artistic Director, Tarnanthi and Curator of Aboriginal and Torres Strait Islander Art, Nici Cumpston next to the 'Murlapaka' shield, made by Kaurna people in the 19th century. Photo: Saul Steed.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Maria Zagala, Associate Curator of Prints, Drawings and Photographs, discusses Donald Judd’s sculpture, Untitled 1974-75.
For further information visit www.agsa.sa.gov.au
image: Donald Judd, United States, 1928 - 1994, Untitled, 1974-75, Adelaide, reinforced concrete, 126.0 x 760.0 x 660.0 cm (irreg); South Australian Government Grant in association with Marshall and Brougham Pty Ltd 1974, Art Gallery of South Australia, Adelaide.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as AGSA Director Rhana Devenport introduces the new acquisition and moving image work Think Evolution #1 by Aki Inomata.
For further information visit www.agsa.sa.gov.au
image: Think Evolution #1: Kiku-ishi (Ammonite), 2016-17, Tokyo, HD video, 2 minutes; Mary Phyllis Henderson Bequest Fund through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide, ©︎AKI INOMATA / Courtesy of MAHO KUBOTA GALLERY.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Rebecca Evans, Curator of Decorative Arts and Design, speaks about the newly acquired pearl brooch made by colonial artist Julius Schomburgk.
For more information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Monster Theatres Curator Leigh Robb converses with 2020 Adelaide Biennial artist Mikala Dwyer for this week's Tuesday Talk.
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Tansy Curtin, Curator of International Art pre 1980, introduces John Peter Russell’s Fishing Boats, Goulpar, 1900 in the Melrose Wing of European Art.
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
Join us as Tracey Lock, Curator of Australian Art, speaks about Sidney Nolan's painting, Antarctica.
For further information visit www.agsa.sa.gov.au
Image: Sidney Nolan, Australia, 1917-1992, Antarctica, 1964, London, oil on composition board; Gift of the Gwinnett Family, Helen Bowden, Ross Adler AC, The Hon. Justice Mark Livesey, Peggy Barker, Elspeth Doman OAM, Tom Pearce, Lady Potter AC, Dick Whitington QC and David and Jennifer Hallett, through the Art Gallery of South Australia Foundation Sidney Nolan Appeal 2019, Art Gallery of South Australia, Adelaide, Estate of Sidney Nolan/Copyright Agency.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this recording Leigh Robb, Curator of Contemporary Art, is in conversation with artist Kynan Tan on his work in the 2020 Adelaide Biennial of Australian Art: Monster Theatres.
For further information visit www.agsa.sa.gov.au
photo: Saul Steed
Karla Dickens has brought her own sinister circus to Adelaide, 'A Dickensian Country Show' is a uniquely Australian iteration of the funfair, absorbing and repurposing the trappings of regional country fairs and Easter shows. Dickens looks behind the scenes of carnival life, and beckons us into the side-shows and boxing rings to reframe the ‘greatest show on earth’ as a carnivalesque pastiche of Australian history and politics. Her fortune tellers offer portents of doom and visions of a ravaged planet. In no holds barred fashion, Dickens’ troupe of carnival performers speak to the atrocities of colonization, declaring that ‘True Horror is the massacre of Australia’s first people’.
Image: Karla Dickens with her work A Dickensian Circus: Clown Nation, 2020 Adelaide Biennial of Australian Art: Monster Theatres; photo: Saul Steed.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Rhana Devenport, AGSA Director, discusses the work of 2020 Adelaide Biennial artist Judith Wright, on display in Gallery 24.
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In recognition of reconciliation week, join us as Lisa Slade, Artistic Director, speaks on the work of 2020 Adelaide Biennial artist Karla Dickens.
For further information visit www.agsa.sa.gov.au
photo: Mick Richards
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, distinguished Professor Larissa Hjorth reflects on ecogrief and the power of creative practice and ethnography to transform how we live in the world.
Recorded live on Saturday 29 February 2020
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording ,Julie Robinson, Senior Curator of Prints and Photographs, speaks on The Sleep of Reason Produces Monsters display within Gallery 7, in concert with Monster Theatres.
Recorded live on Tuesday 17 March 2020
For further information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Neo representative Georgia interviews 2020 Adelaide Biennial artist Erin Coates on her artistic practice and environmental awareness.
Recorded live on Sunday 1 March, 2020
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Polly Borland discusses her work in the 2020 Adelaide Biennial Monster Theatres.
Recorded live on Saturday 29 February, 2020
For further information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Karla Dickens discusses her work in the 2020 Adelaide Biennial Monster Theatres.
Recorded live on Saturday 29 February, 2020
For further information visit www.agsa.sa.gov.au
image: Mick Richards
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Abdul Abdullah discusses his work in the 2020 Adelaide Biennial Monster Theatres.
Recorded live on Saturday 29 February, 2020
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Tracey Lock speaks on the work of John and David Dallwitz in Adelaide Cool in Gallery 17.
Recorded live on Tuesday 25 February 2020
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, John Dallwitz speaks on his and David Dallwitz's work within Adelaide Cool in Gallery 17.
Recorded live on Tuesday 11 February 2020
For further information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Allan Campbell, Curator of The Cedarsm, speaks on the work of Nora and Hans Heysen currently on display in Gallery 3.
Recorded live on Tuesday 28 January 2020
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Artistic Director, Nici Cumpston makes closing remarks on Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art.
Recorded live on Tuesday 21 January, 2020
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, join Artistic Director, Nici Cumpston, in conversation with Tony Wilson about his work as part of Tarnanthi.
Recorded live on Tuesday 14 January, 2020
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Bruce McLean, Curator of Indigenous Australian Art, Queensland Art Gallery & Gallery of Modern Art is in conversation with Garry Sibosado & Darrell Sibosado, Judy Watson, Robert Fielding, Ngupulya Pumani, Wukun Waṉambi and Carol Puruntatameri & Mario Walarmerpui
Recorded live on Friday 18 October, 2019
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Hannah Presley, Curator of Indigenous Art, National Gallery of Victoria is in conversation with Iwantja Young, Women’s Film Project: Vicki Cullinan, Leonie Cullinan, Betty Chimney, Katie Wallatina, Sandra Saunders, Amanda Jane Reynolds, Jonathan Jones, Thea Perkins and Marisa Maher.
Recorded live on Friday 18 October, 2019
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Clothilde Bullen Senior Curator, Aboriginal and Torres Strait Islander Collections and Exhibitions, Museum of Contemporary Art is in conversation with Carly Dodd, Jacob Boehme, The Unbound Collective: Ali Gumillya Baker, Simone Ulalka Tur, Faye Rosas Blanch, Natalie Harkin and Ryan Presley.
Recorded live on Friday 18 October, 2019
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, John Mansfield, AM QC Australian Jurist, speaks on the land and sea rights of the traditional owners of Yirrkala and East Arnhem Land.
Recorded live on Tuesday 7 January, 2020
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Nic Brown and Madeline Reece, Flinders University Co-Curators, discuss Tjina Nurna-ka, Pmarra Nurna-kanha, Itla Itla Nurna-kanha: Our Family, Our Country, Our Legacy as part of Tarnanthi.
Recorded live on Tuesday 3 December, 2019
For further information visit www.agsa.sa.gov.au
image: Rhett Hammerton
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Jill Swann, Gallery Guide and Volunteer Assistant Curator of The Cedars, will discuss the still life work of Nora Heysen in Gallery 3.
Recorded live on Tuesday 24 December, 2019
For further information visit www.agsa.sa.gov.au
image: Andre Castellucci
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Lisa Slade, Artistic Director, speaks about the installation by Tiwi Artists as part of Tarnanthi.
Recorded live on Tuesday 17 December, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Leanne Santoro, Curator of Decorative Arts and Design, speaks on the recent updates within the Morris collection.
Recorded live on Tuesday 10 December, 2019
For further information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, South Australian artist and ceramicist, Gus Clutterbuck, offers insight into Peggy Griffiths’ installation as part of Tarnanthi.
Recorded live on Tuesday 26 November, 2019
For further information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Gloria Strzelecki, Assistant Curator, Aboriginal and Torres Strait Islander Art, will discuss the Tarnanthi exhibition Bunha-bunhaga: Aboriginal agriculture in the south-east in Gallery 1.
Recorded live on Tuesday 19 November, 2019
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Peggy Griffiths-Madij discusses her large-scale paintings on paper with Adelaide artist Gus Clutterbuck and talks about life in her Miriwoong homeland in the East Kimberley.
Recorded live on Friday 18 October, 2019
For further information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Celia Dottore, Tarnanthi Project Officer, explores Ryan Presley's Blood Money series as part of Tarnanthi.
Recorded live on Tuesday 12 November, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, a Gallery Guide discusses works of art depicting equine subjects on display in the Elder Wing of Australian Art.
Recorded live on Tuesday 5 November, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Rhana Devenport, Director of the Art Gallery of South Australia, introduces Lee Mingwei and Sonic Blossom, an extended performance between singers and visitors.
Recorded live on Tuesday 29 October, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Nici Cumpston, Artistic Director of Tarnanthi, introduces the exhibition at the Gallery.
Recorded live on Tuesday 22 October, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, South Australian art historian, Jodie Vandepeer, introduces new acquisitions by Maud Baillie in the Elder Wing.
Recorded live on Tuesday 8 October, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Maria Zagala, Assistant Curator of Prints, Drawings and Photographs, explores Lucian Freud's Boy with white scarf, 1949, in Gallery 13.
Recorded live on Tuesday 10 September, 2019
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Maria Zagala, Associate Curator of Prints, Drawings & Photographs and Acting Curator of International Art pre 1980, will explore Anne Ferran’s Scenes from the Death of Nature I and II 1986, in the context of the Radical Classical in Gallery 12.
Recorded live on Tuesday 30 July, 2019
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Erin Davidson, Project Officer, will be in conversation with Asha Southcombe, Teen Guide, as they explore the Ramsay Art Prize 2019 in its final weeks.
Recorded live on Tuesday 20 August, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, South Australian artist Honor Freeman explores her work from the Guildhouse Collections Project, as part of SALA Festival 2019.
Recorded live on Tuesday 13 August, 2019
For further information visit www.agsa.sa.gov.au
image: Craig Arnold
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording,Join South Australian artist Sera Waters as she delves into her work on display in the Ramsay Art Prize, as part of SALA Festival. Talk will be accompanied by an Auslan interpreter.
Recorded live on Tuesday 6 August, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Hear from Director Rhana Devenport as she discusses William Kentridge's exhibition, That which we do not remember.
Recorded live on Tuesday 23 July, 2019
For further information visit www.agsa.sa.gov.au
image: Nat Rogers
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Tangentyere artists Nyinta Donald Peipei, Betty Napaljarri Conway and Grace Kemarre Robinya discuss their work and life in Alice Springs’ Town Camps with painter Thea Anamara Perkins, whose portraits of the artists hang nearby.
Recorded live on Saturday 19 October, 2019
For further information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Artist-curator Jonathan Jones and historian Bill Gammage explain how Aboriginal agriculture shaped the Australian landscape over millennia, revealed in the groundbreaking research behind Bunha-bunhanga: Aboriginal agriculture in the south-east.
Recorded live on Sunday 20 October, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Barkandji artist Badger Bates talks about his woodcarving and linocut practice and its connection to his Country on the Barka (Darling River) in western New South Wales.
Recorded live on Saturday 19 October, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Yolŋu printmakers discuss their work at the award-winning Yirrkala Print Space, a Yolŋu-run centre of printmaking excellence and training in East Arnhem Land.
Recorded live on Saturday 19 October, 2019
For further information visit www.agsa.sa.gov.au
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Yolŋu artists talk about their works in the Dhawuṯ and Gurruṯu displays and how these pioneering projects developed at Buku-Larrŋgay Mulka art centre in Yirrkala, East Arnhem Land.
Recorded live on Saturday 19 October, 2019
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, join Alice Clanachan, AGSA Assistant Curator of Prints, Drawings and Photographs, and Craig Middleton, Manager, Centre of Democracy as they unpack the unique history and legacy of Herbert Gustav Schmaltz’s painting Zenobia’s last look on Palmyra 1888.
Recorded live on Tuesday 16 July, 2019
For further information visit www.agsa.sa.gov.au
image: Robin Tatlow-Lord
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Leigh Robb, AGSA Curator of Contemporary Art, looks at the artist’s studio in the work of William Kentridge with a focus on 7 Fragments for Georges Méliès and Parcours d’atelier.
Recorded live on Tuesday 9 July, 2019.
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, Nici Cumpston (AGSA Artistic Director, Tarnanthi) speaks about the work of Vincent Namatjira, Hayley Millar-Baker and Dale Collier in the Ramsay Art Prize 2019 for NAIDOC Week.
Recorded live on Tuesday 2 July, 2019
For further information visit www.agsa.sa.gov.au
image: installation view, 'Ramsay Art Prize 2019', Art Gallery of South Australia, Adelaide; photo: Grant Hancock
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, AGSA Curator of Australian Art Tracey Lock discusses the major new acquisitions in the Elder Wing of Australian Art.
For further information visit www.agsa.sa.gov.au
image: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, AGSA Assistant Curator of Australian Paintings and Sculpture, Elle Freak, discusses a selection of works in the Ramsay Art Prize 2019 which share a contemporary approach to traditional craft techniques, such as embroidery and stitching.
For further information visit www.agsa.sa.gov.au
image: installation view, 'Ramsay Art Prize 2019', Art Gallery of South Australia, Adelaide; photo: Nat Rogers.
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In this recording, contemporary artist William Kentridge discusses his creative practice and processes ahead of his exhibition at AGSA, 'William Kentridge: That which we do not remember'.
About the exhibition: Described as one of the most powerful voices in art today, William Kentridge emerged as an artist during the apartheid regime in South Africa.
'That which we do not remember', an exhibition curated by the artist himself, traces the arc of Kentridge’s thirty-year career and draws connections between the myriad aspects of his work including drawing, collage, stop-motion animation, performance, theatre, tapestry and sculpture.
For further information visit: www.agsa.sa.gov.au
image: William Kentridge, courtesy Naomi Milgrom Foundation
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In this live recording, artist Caroline Rothwell speaks about her work currently on display in 'Femmage'.
For further information visit www.agsa.sa.gov.au
image: Courtesy the artist
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, AGSA Director Rhana Devenport and Project Officer Erin Davidson discuss the Ramsay Art Prise and the broader context of art prizes today.
For further information visit www.agsa.sa.gov.au
image: installation view, 'Ramsay Art Prize 2019', Art Gallery of South Australia, Adelaide; photo: Nat Rogers.
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this live recording, the winner of the Ramsay Art Prize 2019 is awarded to Vincent Namatjira for his work, 'Close Contact.'
The Ramsay Art Prize is a $100,000 art prize supporting contemporary Australian artists under 40.
For further information visit www.agsa.sa.gov.au
photo: Nat Rogers
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In this live recording, Assistant Director, Artistic Programs, Art Gallery of South Australia, Dr. Lisa Slade, discusses the exhibition 'Quilty' in relation to National Reconciliation Week 2019.
For further information visit www.agsa.sa.gov.au
image detail: Ben Quilty, Australia, born 1973, Irin Irinji, 2018, Southern Highlands, New South Wales, oil on linen, twelve panels, 224.0 x 551.0 cm; Private Collection, Courtesy the artist, Mim Stirling.
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In this live recording, Curator of Australian Art, Tracey Lock, considers works of art on display in the Elder Wing in celebration of History Week.
For further information visit: www.agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this recording, produced by the Art Gallery of South Australia.
In this talk Elle Freak, Assistant Curator of Australian Paintings and Sculpture introduces the recent acquisition of Bessie Davidson’s transportable paintbox with a French coastal scene held inside.
For further information visit www.agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In this live recording, Curator of Aboriginal and Torres Strait Islander Art, Nici Cumpston, introduces audiences to works by Papunya Tula artists.
For further information visit www.agsa.sa.gov.au
Photo: Saul Steed
Thank you for listening to this Tuesday Talk, produced by the Art Gallery of South Australia.
In this talk, artist Robyn Stacey discusses her work currently on display in gallery 6 and introduces the audience to the camera obscura.
Robyn Stacey: Ray of Light is on tour through across regional South Australia until 2020.
For further information visit www.agsa.sa.gov.au
photo: Saul Steed
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In this Tuesday Talk, Julie Robinson, Senior Curator, Prints, Drawings and Photographs, discusses the work of Fred Williams in the exhibition 'Ways of Seeing: Recent acquisitions from the collection'.
For further information visit www.agsa.sa.gov.au/whats-on/exhibi…gill-guardians/
photo: Saul Steed
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In this Tuesday Talk, Leigh Robb, Curator of Contemporary Art, AGSA, and artist Tarryn Gill discuss Gill's practice and her series 'Guardians'.
For further information visit https://www.agsa.sa.gov.au/whats-on/exhibitions/tarryn-gill-guardians/
photo: Saul Steed
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In view of the 100th anniversary of Colin McCahon’s birth, Director Rhana Devenport ONZM speaks about McCahon’s work of art 'The five wounds of Christ no. 2'.
For further information visit www.agsa.sa.gov.au
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
In celebration of International Women’s Day (8 March 2019), Maria Zagala, Associate Curator of Prints, Drawings and Photographs discusses the recent acquisition by Helen Frankenthaler in the exhibition, 'Ways of Seeing'.
For further information visit www.agsa.sa.gov.au
Photo: Sven Kovac
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
Gloria Strzelecki, Assistant Curator, Aboriginal and Torres Strait Islander Art introduces the key themes of the exhibition 'Quilty'.
'Quilty' is on display at the Art Gallery of South Australia until 2 June 2019.
For further information visit www.agsa.sa.gov.au
image: Ben Quilty, Australia, born 1973, New Bird, 2017, Bowral, New South Wales, oil on linen, 80.0 x 70.0 cm; Gift of Ben Quilty through the Art Gallery of South Australia, Contemporary Collectors 2019. Donated through the Australian Governments Cultural Gifts Program, Art Gallery of South Australia, Adelaide, Courtesy the artist, photo: Mim Stirling.
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
Artist Ben Quilty and Dr. Lisa Slade, Curator of 'Quilty', guide educators on a tour through the exhibition.
For further information visit www.agsa.sa.gov.au
image detail: Ben Quilty, Australia, born 1973, 'Inhabit', 2010, Southern Highlands, New South Wales, oil on linen, steel, bronze, 100.0 x 80.0 cm (16 paintings each); Gift of the Art Gallery of South Australia Contemporary Collectors to mark the 130th anniversary of the Gallery 2011, Art Gallery of South Australia, Adelaide, Courtesy the artist, installation view: Quilty, Art Gallery of South Australia, Adelaide, 2019; photo: Grant Handcock.
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
Maria Zagala, Associate Curator, Prints, Drawings & Photographs highlights new acquisitions in 'Ways of Seeing'.
For further information visit www.agsa.sa.gov.au
image: installation view: 'Ways of Seeing: Recent acquisitions from the collection', Art Gallery of South Australia, Adelaide, 2019; photo: Saul Steed.
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
Dr. Lisa Slade, Assistant Director, Artistic Programs, guides educators on a tour through the new hang of the Elder Wing of Australian Art.
For further information visit www.agsa.sa.gov.au
image: installation view: Elder Wing of Australian Art, Art Gallery of South Australia, Adelaide, photo: Saul Steed.
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
Hear from Director Rhana Devenport ONZM as she introduces the new acquisition by the experimental antipodean, Len Lye.
For further information visit www.agsa.sa.gov.au
photo: Nat Rogers
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
Leigh Robb, Curator, Contemporary Art speaks about the more divisive contemporary works of art in the collection, with a focus on Berlinde de Bruyckere's 'We are all flesh'.
For more information visit www.agsa.sa.gov.au
Photo: Sven Kovac
Thank you for listening to this talk, produced by the Art Gallery of South Australia.
Maria Zagala, Associate Curator of Prints, Drawings & Photographs, AGSA, Memory Holloway, Professor Emerita, Art Education, Art History and Media Studies at UMass Dartmouth, MA, and Meaghan Morris, Professor of Gender and Cultural Studies at the University of Sydney, deliver a three-part lecture on the impact of the #MeToo movement and the contemporary reception of Picasso’s practice.
For further information visit www.agsa.sa.gov.au
Photo: Sven Kovac
Kaurna Acknowledgement of Country provided by Kaurna Warra Kaarpanthi.
For further information visit www.agsa.sa.gov.au
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, Curator of Australian Paintings & Sculpture, Tracey Lock, introduces the new Elder Wing of Australian Art and describes the fresh methodology for seeing and experiencing Australian art.
For further information visit www.agsa.sa.gov.au
Image: Installation view: Elder Wing of Australian Art, Art Gallery of South Australia, Adelaide, 2018; photo: Saul Steed
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, Senior Curator Julie Robinson discusses works by Picasso and Rembrandt in the exhibition 'Picasso: The Vollard Suite'.
For further information visit www.agsa.sa.gov.au
Photo: Sven Kovac
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, Associate Curator of Prints Drawings and Photographs, Maria Zagala, introduces the exhibition 'Picasso: The Vollard Suite'.
For further information visit www.agsa.sa.gov.au
Photo: Sven Kovac
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, Project Officer, Gloria Strzelecki shares her insights on the work of John Mawurndjul in the exhibition 'John Mawurndjul: I am the old and the new'.
For further information visit www.agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, Fiona Salmon, Director, Flinders University art Museum, shares her observations on the exhibition 'John Mawurndjul: I am the old and the new' and her experience working with the artist in Maningrida.
For further information visit www.agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, photographer Ed Douglas discusses the work of Diane Arbus and her contemporaries in the display Diane Arbus: American Portraits.
For further information visit www.agsa.sa.gov.au
image: installation view, Diane Arbus: American Portraits, Art Gallery of South Australia, 2018; photo: Saul Steed.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, Art Gallery curators Leigh Robb and Russell Kelty introduce the work of contemporary artist Chiharu Shiota in her first Australian public gallery survey.
For further information visit www.agsa.sa.gov.au
image detail: Chiharu Shiota, 'Absence Embodied', 2018, Art Gallery of South Australia; photo: Saul Steed
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s curator of Asian Art, James Bennett, explores the imagery of the Balinese astrological calendar on display in Isle of the Gods: Art of Bali.
For further information visit www.agsa.sa.gov.au
image: installation view. Isle of the Gods: Art of Bali, Art Gallery of South Australia, 2018, photo: Saul Steed.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Assistant Curator of Australian Paintings and Sculpture, Elle Freak, shares her insights on the Gallery's new acquisition by Rosalie Gascoigne.
For further information visit www.agsa.sa.gov.au
photo: Sven Kovac
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, The Art Gallery’s curator of European and Australian Decorative Arts, Rebecca Evans, discusses key works in the display To Have and to Hold: The Daalder Collection of Contemporary Jewellery.
For further information visit www.agsa.sa.gov.au
image: installation view, To Have and to Hold: The Daalder Collection of Contemporary Jewellery, Art Gallery of South Australia, 2018, photo: Saul Steed.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, Artistic Director of TARNANTHI, Nici Cumpston, introduces the exhibition John Mawurndjul: I am the old and the new.
For further information visit www.agsa.sa.gov.au and www.tarnanthi.com.au
image: Nat Rogers
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, The Art Gallery’s Assistant Director, Artistic Programs, Lisa Slade, provides an introduction to recurring themes in the work of John Mawurndjul in the exhibition John Mawurndjul: I am the old and the new.
For further information visit www.agsa.sa.gov.au
image: installation view: John Mawurndjul: I am the old and the new, Art Gallery of South Australia, 2018, photo: Morgan Sette.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, The Art Gallery’s Curator of European and Australian Decorative Arts, Rebecca Evans, speaks with artist Lauren Simeoni about her work in To Have and To Hold: The Daalder Collection of Contemporary Jewellery, as well as Lauren’s presentation of the Art Gallery’s Sunnyside Up Studio.
For further information visit www.agsa.sa.gov.au
Photo: Sunny Side Up! Studio, Art Gallery of South Australia, photo: Saul Steed
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Associate Curator of Australian Paintings & Sculpture, Gloria Strzelecki, and Curator of Aboriginal and Torres Strait Islander Art, Nici Cumpston, discuss selected works in the collection display titled 'Desert Colour'.
For further information visit www.agsa.sa.gov.au
image: installation view, 'Desert Colour', Art Gallery of South Australia, photo: Saul Steed
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Senior Curator of Prints, Drawings & Photographs, Julie Robinson, introduces the display 'Diane Arbus: American Portraits.'
For further information visit www.agsa.sa.gov.au
image: Diane Arbus, United States of America, 1923 – 1971, 'Lady bartender at home with a souvenir dog', 1964, New Orleans, United States (printed after 1971 by Neil Selkirk, New York), gelatin silver photograph; Roy and Marjory Edwards Bequest Fund 2005, Art Gallery of South Australia, Adelaide.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Assistant Curator of Australian Paintings and Sculpture, Elle Freak, highlights the work of South Australian artist Theresa Walker- Australia’s first professional female sculptor.
For further information visit www.agsa.sa.gov.au
image detail: Theresa Walker, Australia, 1807 1876, 'Mocatta, commonly known as Pretty Mary, a Native of South Australia', 1838, Adelaide, Wax medallion with metal, velvet & carved wood frame, 9.2 cm (wax medallion); Bequest of Sir Samuel Way 1916, Art Gallery of South Australia, Adelaide
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Associate Curator of Prints, Drawings and Photographs, Maria Zagala and artist Ian North introduce Ian North’s recent series of photographs of the Fleurieu Peninsula.
For further information visit www.agsa.sa.gov.au
image detail: Ian North, Australia, born 1945, Fleurieu no. 7, c. 2016, Adelaide, Type C print, 62.5 x 170.0 cm (image); private collection, Courtesy of the artist and GAGPROJECTS.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, South Australian artist Geoff Wilson and the Art Gallery’s Assistant Curator of Prints, Drawings and Photographs, Alice Clanachan, discuss Wilson’s work on display in 'In Good Company: the drawings of Geoff Wilson.'
For further information visit www.agsa.sa.gov.au
image detail: Geoffrey Wilson, Australia, born 1927, Two buildings, Sydney, 1989, Sydney, watercolour, pencil on paper, 14.5 x 34.0 cm (image); private collection, Courtesy the artist.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Assistant Curator of Prints, Drawings & Photographs, Alice Clanachan, discusses Tracey Moffatt’s 'Body Remembers', a new photographic series first shown at the 2017 Venice Biennale.
For further information visit www.agsa.sa.gov.au
image detail: Tracey Moffatt, Australia, born 1960, Spanish Window, from the series Body Remembers, 2017, Sydney, digital pigment print on paper, 162.0 x 244.0 cm (image); Collection of Neil Balnaves AO, Courtesy of the artist and Roslyn Oxley9 Gallery
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery's Co-acting Director, Lisa Slade, celebrates NAIDOC Week 2018 with a discussion on art from Ernabella.
image: installation view, Gallery 6, 2018, Art Gallery of South Australia
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery's Curator of Australian Paintings and Sculpture, Tracey Lock, speaks about Nora Heysen's painting 'Ruth'.
image detail: Nora Heysen, 'Ruth', 1933, Art Gallery of South Australia.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, The Art Gallery’s Curator of Aboriginal and Torres Strait Islander Art, Nici Cumpston, leads a Reconciliation Week Talk on the Ken Sisters' work 'Kangkura-KangkuraKu Tjukurpa - A Sister's Story'.
image detail: left to right: Ken family artists Tjungkara Ken, Freda Brady, Yaritji Young, Maringka Tunkin and Sandra Ken with their work Kangkura-KangkuraKu Tjukurpa – A Sister’s Story, 2018 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide; Courtesy the artists and Tjala Arts, photo: Nat Rogers.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Curator of Contemporary Art, Leigh Robb, discusses a new acquisition by American contemporary artist Matthew Monahan.
image detail: installation view, Melrose Wing of European Art, Art Gallery of South Australia.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, The Art Gallery’s Associate Curator of Prints, Drawings & Photographs, Maria Zagala, introduces the Queen Adelaide display as part of South Australia’s History Month.
For more information visit www.artgallery.sa.gov.au
image detail: Thomas Howell Jones, 'A Windsor Pear daily seen at the royal table', 1833, Art Gallery of South Australia. Gift of John Biele through the Art Gallery of South Australia Foundation 2016.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Assistant Curator of Prints, Drawings and Photographs, Alice Clanachan, discusses Christo and Jean-Claude’s 'Wrapped coast, one million square feet, Little Bay, Sydney, Australian 1968-69'.
For more information visit www.artgallery.sa.gov.au
image detail: installation view, 'Rethinking Australian Art', Art Gallery of South Australia. Photo: Saul Steed
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Curator of European and Australian Decorative Arts, Rebecca Evans, discusses the new culture of leisure and fashion in Colours of Impressionism: Masterpieces from the Musée d’Orsay.
Colours of Impressionism: Masterpieces from the Musée d’Orsay is on display at the Art Gallery of South Australian until 29 July 2018
For more information visit www.artgallery.sa.gov.au
image detail: Auguste Renoir, France, 1841-1919, Madame Darras, c. 1868, oil on canvas, 48 x 40 cm, Gift of Baroness Eva Gebhard-Gourgaud, 1965, Musée d'Orsay, Paris, France, photo: © RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Assistant Curator of Asian, Russell Kelty, reveals the Japanese influences on Impressionism in Colours of Impressionism: Masterpieces from the Musée d’Orsay.
Colours of Impressionism: Masterpieces from the Musée d’Orsay is on display at the Art Gallery of South Australian until 29 July 2018
For more information visit www.artgallery.sa.gov.au
image detail: Alfred Sisley, Britain, 1839 – 1899, Snowy weather at Veneux Nadon, c. 1880, oil on canvas, 55.0 x 74.5 cm; Bequest of Count Isaac de Camondo, 1911, Musée d'Orsay, Paris, France, photo: © RMN-Grand Palais (Musée d’Orsay)/Jean-Gilles Berizzi.
Thank you for listening to this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, The Art Gallery’s Curator of European, British and North American Art, Tony Magnusson, and Associate Curator of Australian Paintings & Sculpture, Gloria Strzelecki, discuss the life and practice of artist Berthe Morisot in Colours of Impressionism: Masterpieces from the Musée d’Orsay.
Colours of Impressionism: Masterpieces from the Musée d’Orsay is on display at the Art Gallery of South Australian until 29 July 2018
For more information visit www.artgallery.sa.gov.au
image detail: Berthe Morisot, France, 1841-1895, The hydrangea, 1894, oil on canvas, 73.1 x 60.4 cm, Gift of Ernest and Julie Rouart, 1920, Musée d'Orsay, Paris, France, photo: © RMN-Grand Palais (Musée d’Orsay)/Patrice Schmidt
The Australian Institute of Architects Foundation: 2018 Droga Architect in Residence lecture, Art Gallery of South Australia. 28 April, 2018.
The Foundation’s inaugural program, the Droga Architect in Residence, launched in March 2014, is the first of its kind in Australia. The residency programs aims to promote architecture and design through a curated program that serves as a forum for contemporary issues in architecture, urbanism and design.
The 2018 Droga residency has been awarded to an emerging Istanbul-based practitioner, Alexis Şanal. Her passion is exploring living culture and built environments that blend contemporary urban realm with timeless physical and natural contexts to create imaginative and meaningful experiences. Her residency proposal focuses on market contexts as public places of exchange within an Australian context. Alexis is co-founder of SANALarc, a knowledge-centric studio, focused on civil and civic architecture, research and city-design.
For more information visit: http://foundation.architecture.com.au/current-residencies/
Thank you for downloading this Lunchtime Talk, produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery’s Curator of Australian Paintings and Sculpture, Tracey Lock, discusses the work of Australian artists living in France in the late nineteenth and early twentieth centuries.
Insightful lunchtime floor talks are presented by our curators and invited guests, held every Tuesday at 12:30pm.
For more information visit: artgallery.sa.gov.au/agsa/home/Even…and_tours.html
Thank you for listening to this Lunchtime Talk produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery's Curator of European and North American Art, Tony Magnusson, introduces the exhibition Colours of Impressionism: Masterpieces from the Musée d’Orsay.
Colours of Impressionism: Masterpieces from the Musée d’Orsay is on display at the Art Gallery of South Australia until 29 July 2018.
For more information visit: http://artgallery.sa.gov.au/agsa/home/Exhibitions/NowShowing/Colours_of_Impressionism
Insightful lunchtime floor talks are presented by our curators and invited guests, held every Tuesday at 12:30pm.
For more information visit: artgallery.sa.gov.au/agsa/home/Even…and_tours.html
Thank you for listening to this Lunchtime Talk produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery's Curator of Contemporary Art, Leigh Robb, discusses the work of Lindy Lee in the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
The 2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: adelaidebiennial.com.au/2018
Insightful lunchtime floor talks are presented by our curators and invited guests, held every Tuesday at 12:30pm.
For more information visit: artgallery.sa.gov.au/agsa/home/Even…and_tours.html
Thank you for listening to this Lunchtime Talk produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery's Assistant Curator of Australian Paintings and Sculpture, Elle Freak, discusses the work of Pip & Pop in the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
The 2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: adelaidebiennial.com.au/2018
Insightful lunchtime floor talks are presented by our curators and invited guests, held every Tuesday at 12:30pm.
For more information visit: artgallery.sa.gov.au/agsa/home/Even…and_tours.html
Thank you for listening to this Lunchtime Talk produced by the Art Gallery of South Australia.
In this live recording, the Art Gallery's Senior Curator of Prints, Drawings & Photographs, Julie Robinson, discusses Patrick Pound in the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
The 2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: adelaidebiennial.com.au/2018
Insightful lunchtime floor talks are presented by our curators and invited guests, held every Tuesday at 12:30pm.
For more information visit: artgallery.sa.gov.au/agsa/home/Even…and_tours.html
Thank you for listening to this Lunchtime Talk produced by the Art Gallery of South Australia.
In this live recording, curator of the 2018 Adelaide Biennial, Erica Green, introduces the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
The 2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: http://adelaidebiennial.com.au/2018
Insightful lunchtime floor talks are presented by our curators and invited guests, held every Tuesday at 12:30pm.
For more information visit: artgallery.sa.gov.au/agsa/home/Even…and_tours.html
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Tamara Dean discusses her work on display in the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: http://adelaidebiennial.com.au/2018
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording the Ken Sisters discuss their work on display in the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: http://adelaidebiennial.com.au/2018
Universal Concerns is a panel discussion produced by the Art Gallery of South Australia for the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
Chaired by the Art Gallery of South Australia’s Curator of Contemporary Art, Leigh Robb, this panel considers how contemporary artists negotiate culture, cosmology and spirituality in their work. Panellists include participating Adelaide Biennial artists Amos Gebhardt, Hayden Fowler and Khaled Sabsabi.
2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: http://adelaidebiennial.com.au/2018
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording John R Walker discusses his work on display in the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: http://adelaidebiennial.com.au/2018
Divided Worlds of Time is a panel discussion produced by the Art Gallery of South Australia for the 2018 Adelaide Biennial of Australian Art: Divided Worlds.
Facilitated by the Art Gallery of South Australia’s Assistant Director, Lisa Slade, this panel looks at the ‘temporal’ as a key agent in the dividing and uniting of worlds. Panellists include participating Adelaide Biennial artists Julie Gough, Timothy Horn and Christian Thompson.
2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018.
For more information visit: http://adelaidebiennial.com.au/2018
Thank you for listening to this Artist Talk presented by the Art Gallery of South Australia.
In this live recording Dean Cross discusses the origin of his work in the series 'PolyAustralis' on display in TARNANTHI.
Installation image: Dean Cross with his series ‘PolyAustralis’; photo John Montesi
Thankyou for listening to this live recording presented by the Art Gallery of South Australia. In this recording Artistic Director of TARNANTHI, Nici Cumpston introduces artists and important guests Ishmael Marika, Wukun Wanambi and Yinamala Gumana to discuss the work of Nonggirrnga Marawili.
Image: Baku-Larnnggay Mulka Centre artist Yinimala Gumana; photo: Nat Rogers
Visual Arts Educators South Australia (VAESA) Winter conference talk on STEM and the Arts.
Thankyou for listening to this live recording presented by the Art Gallery of South Australia. In this live recording director Nick Mitzevich launches the inaugural Ramsay Art Prize and announces the winner Sarah Contos. This prize is presented by the James and Diana Ramsay Foundation and is Australia’s richest Art prize for contemporary artists under 40.
Thank you for listening to this live recording produced by the Art Gallery of South Australia, for the launch of RED.
In this panel discussion, Director Nick Mitzevich talks with artist del kathryn barton, composer Tom Shutzinger and Costume Designer Alice Babich at the official launch of RED presented free as part of First Fridays at the Art Gallery of South Australia and the Adelaide Festival. This exhibition is free and is showing until the 30 April 2017.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording exhibiting artist Bridget Currie and performance artist Alison Currie explain their collaborative work in Versus Rodin: bodies across space and time.
This exhibition is showing until 2 July, 2017.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording, Garry Stewart explains ‘Doppelganger’, the work of the Australian Dance Theatre, that is included in the exhibition Versus Rodin: bodies across space and time.
This exhibition is showing until 2 July, 2017.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Brent Harris explains his work on display in Versus Rodin: bodies across space and time.
This exhibition is showing until 2 July, 2017.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording exhibiting artist Elvis Richardson explains her work on display in Versus Rodin: bodies across space and time.
This exhibition is showing until 2 July, 2017.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Tim Silver explains his work on display in Versus Rodin: bodies across space and time.
This exhibition is showing until 2 July, 2017.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Sera Waters explains her work on display in Sappers and Shrapnel: contemporary art and the art of the trenches.
This exhibition is free to attend and is showing until the 29th January, 2017.
Sera Waters, Sappers and Shrapnel: contemporary art and the art of the trenches, Art Gallery of South Australia, 2016.
Thank you for listening to this live recording produced by the Art Gallery of South Australia, for the launch of the exhibition Sappers and Shrapnel: contemporary art and the art of the trenches.
In this panel discussion artist Ben Quilty joins author Richard Flanagan and World Vision representatives Ralph Baydoun and Conny Lenneberg to discuss contemporary art and conflict.
Ben Quilty, Sappers and Shrapnel: contemporary art and the art of the trenches, Art Gallery of South Australia, 2016.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Rene Kulitja explains her work on display in Sappers and Shrapnel: contemporary art and the art of the trenches.
This exhibition is free to attend and is showing until the 29th January, 2017.
Rene Wanuny Kulitja from Mutitjulu, Northern Territory, holding a work of art by Margaret Smith from Imampa, Northern Territory, 2015 © Tjanpi Desert Weavers, NPY Women’s Council. photo: Rhett Hammerton
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Fiona Hall explains her work on display in Sappers and Shrapnel: contemporary art and the art of the trenches.
This exhibition is free to attend and is showing until the 29th January, 2017.
Fiona Hall, Sappers and Shrapnel: contemporary art and the art of the trenches, Art Gallery of South Australia, 2016.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Richard Lewer explains his work on display in Sappers and Shrapnel: contemporary art and the art of the trenches.
This exhibition is free to attend and is showing until the 29th January, 2017.
Richard Lewer, Sappers and Shrapnel: contemporary art and the art of the trenches, Art Gallery of South Australia, 2016.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Olga Cironis explains her work on display in Sappers and Shrapnel: contemporary art and the art of the trenches.
This exhibition is free to attend and is showing until the 29th January, 2017.
Olga Cironis, Sappers and Shrapnel: contemporary art and the art of the trenches, Art Gallery of South Australia, 2016.
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Alasdair McLuckie explains his work on display in Sappers and Shrapnel: contemporary art and the art of the trenches.
This exhibition is free to attend and is showing until the 29th January, 2017.
Alasdair McLuckie, Sappers and Shrapnel: contemporary art and the art of the trenches, Art Gallery of South Australia, 2016.
In this conversation Rebecca Evans, Curator of European & Australian Decorative Arts talks with Catherine Truman at the Art Gallery of South Australia. They discuss Truman's survey exhibition, contemporary jewellery and curating.
Catherine Truman, Australia, born 1957, Red Laboratory Shells (from some uncertain facts), 2012, hand carved English lime, shu niku ink, laboratory glass; Courtesy the artist, photo: Grant Hancock
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this conversation South Australia's most celebrated portrait artist Robert Hannaford and broadcaster Phillip Adams discuss Hannaford's life and work.
The exhibition Robert Hannford is on display at the Art Gallery of South Australia from 2 July until 9 October 2016.
http://www.artgallery.sa.gov.au/agsa/home/Exhibitions/NowShowing/Robert_Hannaford
This podcast is introduced by Alice Clanachan, Assistant Curator of Prints, Drawings & Photographs at the Art Gallery of South Australia.
Robert Hannaford, Australia, born 1944, Self-portrait, 1969, charcoal, white chalk on paper, 76.9 x 51.9 cm; Gift of Tiffany & Co. 2016, Art Gallery of South Australia, Adelaide
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Sue Kneebone reveals the interconnection of her works currently on display Gallery 10.
This podcast is introduced by Elle Freak , Associate Curator of Australian Paintings, Sculpture and Aboriginal & Torres Strait Islander Art at the Art Gallery of South Australia.
http://www.artgallery.sa.gov.au/agsa/home/Exhibitions/NowShowing/SUE_KNEEBONE
detail: Sue Kneebone, Australia, born 1963, Neat Drop, 2014, Adelaide, mixed media: found chandelier, kangaroo skulls, chain, found chair, rock, glass bottle, leather, seed pod, wood, dimensions variable; Gift of Tracey and Michael Whiting though the Art Gallery of South Australia Foundation's South Australian Artists Fund 2015, Art Gallery of South Australia, Adelaide. Installation view: Deadpan, Fontanelle, 2014. Courtesy the artist. Photo: James Field
Thank you for listening to this Artist Talk produced by the Art Gallery of South Australia.
In this live recording Leigh Robb, Curator of Contemporary Art, and Kate Kurucz discuss what inspired her works The Island and Uncirculated, on display in Galleries 15 and 17. https://guildhouse.org.au/projects/collections-project-kate-kurucz/
This podcast is introduced by Leigh Robb, Curator of Contemporary Art at the Art Gallery of South Australia. http://www.artgallery.sa.gov.au/agsa/home/
Kate Kurucz, The Island, 2016, oil on linen, 91.0x 91.0 cm; Courtesy of the artist. Photo: Grant Hancock
Thank you for listening to this Artist Talk, produced by the Art Gallery of South Australia for the 2016 Adelaide Biennial of Australian Art.
In this live recording Louise Haselton discusses her work on display in Magic Object and how she incorporates space into her practise.
For more information please see adelaidebiennial.com.au
Thank you for Listening to this Artist Talk, produced by the Art Gallery of South Australia for the 2016 Adelaide Biennial of Australian Art.
In this live recording South Australian glass artist Tom Moore discusses the creation of his work on display in Magic Object.
Thank you for listening to this artist’s talk, produced by the Art Gallery of South Australia for the 2016 Adelaide Biennial of Australian Art.
In this live recording Michael Zavros addresses his work on display in Magic Object and explains the meticulous technique he has developed in his practice.
This recording is introduced by Lisa Slade, Curator of the 2016 Adelaide Biennial of Australian Art: Magic Object.
For more information please visit adelaidebiennial.com.au
Thank you for listening to this artist’s talk, produced by the Art Gallery of South Australia for the 2016 Adelaide Biennial of Australian Art.
In this live recording Jacqui Stockdale address her work on display in Magic Object.
This recording is introduced by Lisa Slade, Curator of the 2016 Adelaide Biennial of Australian Art: Magic Object.
For more information please visit adelaidebiennial.com.au
Thank you for listening to this artist's talk, produced by the Art Gallery of South Australia for the 2016 Adelaide Biennial of Australian Art.
In this live recording Gareth Sansom address his work on display in Magic Object and reveals the narrative behind his painting ‘A universal timeless allegory’.
This recording is introduced by Lisa Slade, Curator of the 2016 Adelaide Biennial of Australian Art: Magic Object.
For more information please visit adelaidebiennial.com.au/
Thank you for listening to this recording of THE ILLUSIONISTS, a panel discussion produced by the Art Gallery of South Australia for the 2016 Adelaide Biennial of Australian Art: Magic Object.
Interlocutor Lisa Havilah, Lisa Roet and Adelaide Biennial artists Abdul-Rahman Abdullah, Glenn Barkley and Robyn Stacey share in this discussion around the revival and role of illusionism in contemporary Australian art.
This recording is introduced by Lisa Slade, Curator of the 2016 Adelaide Biennial of Australian Art: Magic Object.
For more information please visit http://adelaidebiennial.com.au/
Lisa Slade, Curator of the 2016 Adelaide Biennial of Australian Art: Magic Object, introduces this recording of POWER, BELIEF AND THE PERFORMATIVE.
Facilitated by the Art Gallery of South Australia’s Contemporary Art Curator Leigh Robb, this panel coheres around the resurgence of the performative in contemporary practice as seen in the work of British artists Michelle Browne, Sandra Johnston, Destiny Deacon and Biennial artist, Chris Bond.
This panel discussion was produced by the Art Gallery of South Australia for the 2016 Adelaide Biennial of Australian Art: Magic Object.
Please see http://adelaidebiennial.com.au for more information.
Lisa Slade, introduces this recording of CONTEMPORARY CURIOSITY, a panel discussion produced by the Art Gallery of South Australia for the 2016 Adelaide Biennial of Australian Art: Magic Object.
This panel probes curiosity as a human urge that unites the scientist, the historian, the artist and the philosopher.
West Australian academic and writer Ted Snell facilitates this discussion with Adelaide Biennial artists Heather B. Swann, Nell and Kate Rohde.
Please see http://adelaidebiennial.com.au for more information.
Lisa Slade, Curator of the 2016 Adelaide Biennial of Australian Art: Magic Object, introduces the panel discussion: ANIMISM AND OBJECT BEHAVIOUR.
Facilitated by West Australian curator and writer Gemma Weston, this panel focusses upon the role of animism in the work of Biennial artists, Lola Greeno, Louise Haselton and Clare Milledge. The panel addresses the question – can animism as a system of exchanges and relationships between human and non-human subjects help us to understand ourselves and our ecology?
This recording of ANIMISM AND OBJECT BEHAVIOUR was produced by the Art Gallery of South Australia.
Please see http://adelaidebiennial.com.au for more information.