Stack Magazines: Recent Episodes
Stack Magazines
Conversations with independent publishers, telling the stories behind the stories in some of our favourite magazines.
In this conversation he shares what he has learned from running Wyrd Science magazine, and explains why now is the time to take the next step up.
Nancy Heley is the editor and creative director of Sandweegies magazine, and she has a passionate love for print, and food, and her adopted home of Glasgow. In this episode she explains how one transcendent chicken sandwich led to a magazine idea, and how it's fast growing beyond its original remit.
Austė Skrupskytė Cullbrand is creative director and editor of Playground magazine, the independent publication that fills its pages with stories about creativity and the creative industries. Based between Lithuania and Sweden, the magazine has always had a Nordic / Baltic character, but it's evolving fast, and leaning further into its regional identity as a way to stand out on international newsstands. In this conversation, Austė shares her thoughts on the magazine's progress so far, and the creative community they are building.
Andy Crysell is editor of No Way Back, an archive publishing project that looks back at music and subcultures of the late 20th century, republishing stories from the music press to show how people experienced key turning points in the moment. It would be easy for No Way Back to slide into fond nostalgia, but instead of distant wistfulness, the magazine's main currency is the immediacy of its writing. Dipping into a story from The Face in 1986, or Rolling Stone in 1979, the reader is carried along on the energy and excitement of the moment, rather than ruminating on what it all means decades later. In this episode, Andy speaks about the ideas behind the project, and his ideas of where it will go next.
Chris Hassell and Josh Jones created Ralph magazine to swim against the digital tide. In this conversation they explain how they were inspired by the chaotic fun of pop culture magazines from the 90s, and why they decided to make a magazine that's guided by creativity and joy.
Hear our independent magazine show, recorded live at St Bride Foundation on Thursday 5 February, and featuring stories from The Fence, Die Quieter Please, Dispatch and Piscine
. All the magazines we work with on Stack are niche to some extent, but Carrier digs in deeper than most, representing the cargo bike community to the wider world, and presenting them as altruistic innovators who are working to bring about positive change.
Chris Harrigan is editor of The Story, a publication that launched in 2025 as a literary magazine with a difference. As its name suggests, it’s fascinated by stories and storytelling, and in its pages writers and artists explore the meaning of what they do. They ask why we need to tell stories, how they manifest in such different ways, and why writing can be so bloody difficult sometimes. In this conversation, Chris speaks about the ideas and ideals that motivated him and his colleagues to launch the magazine in print.
New Papers is the literary magazine that's meant to be performed as well as read. Each issue launches with a recital, in which the entire magazine is read in order on stage at the Rose Lipman Hall in Hackney. In this episode, editor Colton Karpman and art director Dilara Koz speak about the ideas behind their publishing and performance project.
Laura Frade is managing editor of Apartamento, one of the world's best known and most beloved independent magazines. As the publication turns 18 years old, I spoke to her about the secrets of its enduring success.
Hear from all the independent magazines we delivered from July to December this year, featuring Hotshoe, Troublemakers, Not Here to Make Friends, Cake Zine, Off Licence and Beneficial Shock!
Rob Orchard is co-editor of Delayed Gratification, the magazine that launched 15 years ago with the bright idea of using the slowness of print as an advantage. Rather than racing to be first with the news, they dedicate each issue to a three-month period and reflect on events after the dust has settled. In this conversation he reflects on what he and the team have learned from publishing 60 issues of the magazine, including the constant battle with deadlines; the changing demands of social media; and the advantages of advertising on the Underground.
As we come to the end of the year, we're looking back at all the independent magazines we delivered to our subscribers in 2025. This first part covers our deliveries from January to June, and it features the people who make Broadcast from Brooklyn, Solomiya from Kyiv, Skin Deep from London, New York Review of Architecture from New York (of course), Playground from Vilnius and Stockholm, and No One from Amsterdam.
Charles Emmerson is the editor of Translator, the magazine that searches for great stories from beyond the Anglosphere, and translates them into English. In this conversation he speaks about the art of translation, the important decisions that have to be made along the way, and how his magazine is helping English speakers to better understand the world.
Sophie Barshall is editor of The Toe Rag, the free arts magazine distributed at independent and not-for-profit venues across London and beyond. In this conversation she speaks about the importance of arts coverage, the dire state of arts funding in the UK, and why The Toe Rag is not a passion project.
In this episode they speak about the process of defining a new picture of motherhood, and building a sustainable business out of that initial disillusionment.
, created from odd and experimental bits of text that don't quite fit anywhere else. It's a brilliantly anarchic print magazine and digital audio title, and in this conversation they speak about their interest in AI tools, explaining how they push them to glitch and break, sifting through the artistic and aesthetic potential of what remains.
Réiltín Ní Aodhagáin and Lilou Angelrath are the editors of Mnemotope, a literary magazine that looks beyond the publishing industry's usual niches in its search for a new type of storytelling. In this episode they speak about their radically open approach, winning design awards without knowing the rules of graphic design, and how beer mats help them to attract submissions from a different sort of writer.
Recorded live at Indiecon 2025, eight independent publishers speak about their magazines and other projects. Featuring Sebastian Wells from Solomiya, Timothy Frazier from Photographic Bandwidth, Sotiris Trechas from Fluffer Everyday, Oliver Gabe from The Paper, Yuto Miyamoto from Troublemakers, Pang Xue Qiang from Meantime, and Anja Charbonneau from Broccoli.
Recorded at the Indie Publisher Summer Forum in Amsterdam, this episode features a panel discussion on the role of branding in independent magazines. Featuring Damian Bradfield from WeTransfer and Fupe, Megan Wray Schertler from In Real Life Media, and Peter Kormanyos from Purgatory Sandwich, it begins with the question of what branding is, and how small, print magazines can use it to punch above their weight.
Erin Mathias, Oliver Gabe, and Owen Davies are the editors of The Paper, the big, funny, dark magazine from Wales. In this conversation they speak about their love of extreme contrasts, and why they don't give readers room to breathe.
Nicola Hamilton is the founder of Issues, the Toronto magazine shop that opened in the city's West End in 2022. In this episode she speaks about her love for print, and how she's trying to find a better, more engaging way of bringing magazines into people's lives.
Penny Martin is editor-in-chief of The Gentlewoman, the magazine celebrating, "modern women of style and purpose". In this conversation she speaks about her enthusiasm for creating 1995, a one-off magazine published to celebrate the 30th anniversary of designer shopping outlet Bicester Village. And she reflects on The Gentlewoman's own 15 years in print, and what it takes to keep the magazine on top after a decade and a half.
Hear five independent magazines live on stage at the Queen of Hoxton in London. Featuring stories, essays and poetry read by The Fence, Real Review, Vittles, Offal and The Paper.
Tommy Sissons is the editor of Grass, the magazine of working-class arts and literature that launched in 2020 and recently reached the milestone of its fifth issue. In this conversation he speaks about the definition of what the working class is these days; his belief that class isn't talked about enough; and his mission to showcase the next generation of writers and artists.
Founder and editor Anja Charbonneau explains why she decided to stop publishing Broccoli magazine, and how that has enabled her to either launch or develop an exciting new slate of print titles
Editor Anano Shalamberidze speaks about Vision Undressed, a new magazine that’s dedicated to providing a platform for Georgia’s often underappreciated fashion talent.
Clem MacLeod, Caitlin McLoughlin, and P Eldridge are the editors behind Worms, the magazine that’s dedicated to exploring the underground and surfacing the best writing, bringing it up, “to the literary topsoil”. In this conversation they talk about the recent changes they have made to the magazine, allowing them to keep on publishing the best work, while avoiding the pitfalls of binaries and simple definitions.
Emily Makere Broadmore is editor-in-chief of Folly journal, which she describes as a literary journal for people who don’t buy literary journals. Online, the magazine calls itself, "The rebel child of the literary New Zealand scene," and, "The love child of a literary journal and a Victorian gossip rag," and I hope you’ll enjoy hearing Emily's story of overcoming establishment criticism to create a fresh new literary voice for New Zealand.
Hear our panel from the Publishers Spring Meet, speaking about how to market a magazine
Josh Jones is a serial magazine maker who has been editing and publishing for more than 20 years, making everything from small zine projects, to international arts and culture titles, to customer publications for big brands. He’s a genuine font of knowledge and now he has published his own self-help book for anyone who wants to make their own magazine. I sat down with him to hear why making a magazine is not actually that hard, and why he advises people to just get started.
Ellen Freeman is the editor of Mildew, the secondhand fashion magazine that's based in Mexico, and which reflects on a whole world of vintage, recycled, and upcycled fashion and art. We delivered the second issue to Stack subscribers in November 2023, and the third issue came out at the end of last year, so I caught up with Ellen recently to find out what’s happened in a year’s worth of independent publishing, including the big change that has seen Mildew officially joining the Broccoli independent publishing empire.
The Lemming is an independent, anti-profit magazine that’s made with a strong DIY ethos, and an even stronger sense of social justice and political activism. In this episode, creative director Gabriel Carr, editor Beth Jones, and political editor Joseph Conway speak about their commitment to telling the truth, rather than telling two sides of a story.
For the first Stack podcast episode of 2025 I spoke with creative director Alex Stevenson and editor-in-chief Chloe Hayman about Soft Stir, the Australian magazine that provides a space for emerging artists and writers to experiment and find their voice.
The second instalment of our podcasts looking back at the magazines we delivered to Stack subscribers in 2024, featuring Serviette (Toronto), Nobody (Berlin), The Fence (London), Get Familiar (Amsterdam) and Pleasant Place (Amsterdam).
We're taking stock of the magazines we delivered to subscribers in 2024. Hear from the editors, designers, and publishers who made Dirty Furniture, Desired Landscapes, Offal, Crude Futures, and A Shade Colder, the magazines we sent out from January to May this year.
Peter Kormanyos is a strategist for TBWA advertising agency in Amsterdam, and he has also published a strange and intriguing new magazine called Purgatory Sandwich. The launch edition is split into two separate issues, which are presented together in a brown paper sandwich bag, promising what it calls, “Experimental fuckaroundery for lunchbreaks”. It's gleefully weird and chaotic, and in this episode he speaks about the ideas behind his creative project.
Les Jones, Molly Campbell and Wilf Jones are the team behind Contemporary Collage Magazine, and they're also father, daughter and son. The magazine started as an online publication, but when readers said they wanted to read in print the team also added a real ink and paper version, and in this episode they speak about how they're running it as a financially sustainable family business.
Rob Orchard is one of the founders and editors of Delayed Gratification magazine, and one of the authors of Misc., a new book they published earlier this month. If you’re a long-time listener to our podcast you might remember that I spoke to Rob three years ago, when the first Delayed Gratification book was published, and as you’ll hear, Misc. has been shaped in large part by that experience. This new book is smaller, cheaper, and more deliberately created for people buying Christmas gifts, but none of that changes the fact that the book market is incredibly competitive and a really tough place to make money. Or as he puts it, “When you publish a book, you buy a ticket in a lottery”.
Magculture Live is coming up fast (Thursday 7th November, at the Vitsoe shop here in London) so I took the opportunity to sit down with Magculture founder Jeremy Leslie and have a long chat about magazine stuff. We spoke about some of the high-profile magazines, like Vice and The Onion, which have recently returned to print. We spoke about changes in magazine design trends, and the forces that can influence those decisions. And there was a lot of love for Richard Turley and his many print projects.
Nicolas Kemper is publisher of New York Review of Architecture, the big, two-colour, newsprint magazine that has become renowned for its long, critical, entertaining essays about architecture and the city. He gave the first talk of the weekend at this year’s Indiecon and I loved his enthusiasm for all parts of publishing – not just the fun stuff like writing, editing, and throwing parties, but also what he calls, “building pipes”; making sure that things like their subscription management and contributor invoicing systems run as efficiently as possible. We're playing his Indiecon talk for this episode of the Stack podcast, so you can hear the story of how he and the team are building through their versions of the magazine.
Viêt and Jeremy Raider-Hoàng are the founders, editors and creative directors of No One, a new magazine that explores the queer nightlife of a different city each issue. It feels natural to marry the subjects of nightlife and queer culture, and you can tell there are big, serious ideas behind their impulse to document the hedonistic fun they see around them.
For this first episode of the new season I’ve got a conversation with Kat, the woman who makes Moan, a magazine of sensuality and eroticism that prioritises the female gaze. It has a lot of explicit imagery, but it’s definitely not pornographic, and in fact there’s something about the risograph print and production that makes it feel like more of an art book than anything else. Hear what she has learned from publishing the magazine for the last five years, and how she's planning on taking it to the next level.
Ellie Jackson is the editor-in-chief and creative director of The Movement Movement, the women’s sports magazine that is committed to broadening our understanding of what sports coverage should look like. Issue one came out a few weeks ago, but that was preceded by issue zero, which came out in 2022, and in this episode she speaks about the delay between the two issues, and the struggle to stay on track when life gets in the way.
Steph Chung is managing partner at Racquet, the New York-based magazine that takes a fresh, anti-elitist look at the world of tennis. There have been some big changes since the last issue, with editor David Shaftel and art director Larry Buchanan both leaving the magazine, and a more commercial emphasis across the pages, with a big Gucci photo shoot on the cover and inside, and a partnership with Seoul-based cultural creators Ssoldot. It’s all part of a plan to take advantage of what Steph calls, “the convening power of the magazine”, and in this conversation she outlines their plan for making it more commercially successful, while expanding further into events, merchandise, and other activities based around tennis.
Zuzana Kvetková is executive editor of Backstage Talks, the magazine that grew out of Bratislava’s By Design Conference. Their new issue will be landing in shops very soon, and as she explains in this podcast, it marks something of a watershed. Because after 10 years they’ve decided that it’s time to stop running the conference, which in turn prompts lots of questions about what the magazine should be.
Yuto Miyamoto is editor of Troublemakers, a new Tokyo-based interview magazine that fills its pages with ordinary people living variously extraordinary lives. It’s a very personal magazine – he makes it with his wife, Manami Inoue, who is the art director, and interviewees are photographed at home, with lots of space dedicated to exploring their thoughts and beliefs. They're stretching the dictionary definition of 'troublemakers', and having some fun along the way.
Tom Rowley runs the Backstory bookshop in Balham in South London. He was previously a journalist for The Telegraph and The Economist, which he describes as his dream job, but when the pandemic knocked everything sideways he decided it was time to reassess and follow his other dream of running a bookshop. As he puts it, though, he felt the pull of ink in his veins, and started publishing Backstory magazine, which allows him to dig into the stories behind the stories in the books that he loves, reflecting on the experience of reading and writing.
Lucy Roeber is editor and publisher of the Erotic Review, a magazine that became particularly well known as a bimonthly title in the late 90s and early 2000s. It had since switched to publishing online and it was going to close altogether, and in this episode she tells how she set out to bring it back as a fully-fledged print magazine. In her hands it has become a lovely, thick literary magazine, aimed at an international readership and dedicated to reaching, “outside the embarrassed parameter” to explore the rich subject of desire.
Conor Foran is editor of Dysfluent, a magazine based on his experience of stammering, which aims to become a publication of stammering pride. Using a custom typeface with letters that get stretched out, or chopped up and repeated, Dysfluent aims to reflect the sound of a stammer, representing individuals' voices as closely as possible.
For the entire time I've worked in magazines, I've been told that print is dead. But what does that actually mean? And why has the idea endured for so long? I took a deep dive into the death of print to see if I could figure out what's going on, and what that means for the future of magazines and digital media.
Olivia Crandall and Elena Foraker are editors of Not Here to Make Friends, a lovely, thoughtful, almost scholarly journal about reality TV. In this episode, they speak about wanting to engage completely with their subject matter, embracing both the good and the bad, and using this much maligned television genre as a way of understanding what’s going on in society more broadly.
Erin Rimmer and Simon Doherty are two of the founders of Roughcast, a brilliantly abrasive, punk-inspired magazine that’s here to shake up what it calls the “dull pastiche” of British media. It’s a passion project run by a group of friends, but it also has some big ideas about the way media works, particularly relating to freelancers, and the urgent need to find a way of publishing that doesn't depend on the routine exploitation of junior writers, photographers and artists.
Natassa Pappa is editor-in-chief and creative director of Desired Landscapes, the pocket-sized magazine that brings a fresh and philosophical perspective to travel writing. Natassa is based in Athens, but she was over in London recently for a talk at the Magculture shop, so we met up the following day and went for a walk on Hampstead Heath to talk about her radically subjective approach to travel.
Lina Fadel is one of the poetry editors at The Other Side of Hope, a magazine that centres around journeys in refugee and immigrant literature. It’s partly a literary magazine and partly a community project, because as she explains in this episode, it’s all about bringing people together and providing a platform for voices that wouldn’t otherwise be heard.
"I was just hanging out with my algorithm and it got a little claustrophobic..." Daniela Rodriguez is editor-in-chief, designer and illustrator of Superstars Only, a brilliantly personal magazine that she makes with her boyfriend Adrian Tiu and a few close friends in New York. As you’ll hear, Daniela is incredibly self-effacing and the magazine itself has a lovely lowbrow charm, but it’s also really quite experimental and exciting, and I was interested to hear her describing the process she goes through in making an issue, and the special magic that she feels print brings to the project.
Recorded live at the Shifting Landscapes event in London on Saturday 2nd December, this conversation features Emmanuel Vaughan-Lee, executive editor of Emergence, and Bram Broerse and Maurits Wouters, founders of Studio Airport and designers of Emergence. Emmanuel has been on the Stack podcast before speaking about making Emergence magazine at the meeting point of climate, environment, spirituality and humanity, and in this discussion we broaden the focus to encompass Emergence's podcasts, films, immersive exhibitions and more.
We don't have many business to business magazines on the Stack podcast, but I'm making an exception for the Grub Street Journal because it's a magazine about magazines, and while it's ostensibly a trade magazine for the print publishing industry, it takes great joy in playing around with the sort of editorial tone that other B2B publishers would never try. As you'll hear, publisher Peter Houston and editorial director Joanna Cummings have loads of experience working across a wide range of contract publishing and newsstand titles, and lots of love not just for magazines, but also the people who make them. "Magazine people are people too," Peter says at one point. "We're not just spreadsheets and KPIs and ad / editorial ratios."
Zweikommasieben is the Swiss magazine that's obsessed with the contemporary musical moment. We delivered their 27th issue to Stack subscribers in August this year, and then the following month we invited everyone to join us for a conversation that digs into the details behind the making of the magazine. It was great to catch up with them, and to hear them reflecting on what it means to have spent 12 years trying to capture the present.
Recorded live on Tuesday 10th October at The Scrandit in Bristol, this podcast episode features four independent publishers speaking about the challenges and opportunities of combining left-wing politics and print. The conversation was moderated by Eliz Mizon, strategy lead for The Bristol Cable, and it featured Max Jeffrey, art director of Stir to Action, Erin Mathias, editor of The Paper, and Phil Wrigglesworth, editor and art director of Left Cultures.
I dropped into the Magculture shop in Clerkenwell to speak with founder Jeremy Leslie ahead of next month's Magculture Live event. This will be their 10th year of the London-based conference (they also run it in New York) and it was really interesting to hear his thoughts on the last decade of running the event, as well as the general state of magazine publishing at the moment. We also took the opportunity to geek out over some favourite new titles, running through a few of the magazines that have caught our eye recently.
Osman Bari is founder, editor and designer of Chutney, a magazine that provides a platform for underrepresented voices to tell stories about cultural identity, colonialism and migration. We met up to speak about his ideas behind the magazine, the influence of food on the title, and his own changing status of settler and immigrant, and how being in London affected the stories he wanted to tell.
Recorded in August 2023 for our Stack Magazine Club, this conversation with editors Aliza Abarbanel and Tanya Bush explores Cake Zine, the magazine we delivered to our subscribers in July 2023. Telling the story of the literary food magazine so far, they explain how they started in the pandemic with their Sexy Cake issue, then released Wicked Cake in time for Hallowe'en last year, before switching to Humble Pie for this third issue.
The first issue of Te was published in 2021 and it caught my eye because it seemed to be doing something clever with food publishing: Its stories are about the different ways that ingredients can travel around the world, or the different values and associations that might be attributed to particular dishes, and so the whole thing seemed to be using the conventions of a food magazine as a sort of Trojan horse for telling stories about people and cultural anthropology. I assumed the second issue would use food in a similar way, but when I picked it up I realised that this was no longer a magazine about food, and the focus had switched to sound. Intrigued by the change, I spoke with founder and editor Michael Guo to hear about his thinking behind the project.
Recorded at Indiecon in Hamburg, editors Vasudhaa Narayanan and Tarini Sethi speak about The Irregular Times, their playful and provocative newspaper dedicated to platforming the creative work and everyday activities of people of colour across India and beyond.
Recorded live at Indiecon 2023, hear from the team at Solomiya, the extraordinary magazine made by young people in Ukraine who are documenting and coming to terms with what it means to be at war. I’m a huge fan of what the team are doing with this magazine – I note in my introduction that I’ve never seen a magazine like this being made by people who are at war, and that’s a large part of what makes it so extraordinary. But it’s also skilfully made, thrillingly creative and often painfully honest, making it an absolute must-read.
Recorded live at Issues in San Francisco on Saturday 5th November, hear Anja Charbonneau (Broccoli), Victor Gonzalez (Gross) and Michael Ray (Zoetrope) discussing their work publishing independent magazines on the West Coast of the USA.
Recorded at our Independent Magazine Fair on Saturday 14th May, this episode of the Stack podcast focuses on the independent magazine makers that are trying to change the world for the better. Evar Hussayni, senior editor of Azeema; Ellie Jackson, editor of The Movement Movement; and Nina Carter, co-creative director of It's Freezing in LA! all speak about what they do and why it matters.
Recorded live at our Independent Magazine Fair on Saturday 14th May 2022, this panel discussion features advice from the unconventional magazine makers behind Real Review, A Profound Waste of Time and Paperboy.
Recorded at our Independent Magazine Fair, this panel discussion features expert advice from the people behind Delayed Gratification, Season Zine, and The Modernist.
Martha Dillon is editor of It’s Freezing in LA!, the magazine about climate change that recently published its eighth issue, themed around ‘Borders’. I spoke to her a couple of weeks after COP26 came to an end and I was interested to hear her thoughts on the conference, as well as the wider climate change conversation and how greater interest in the subject is allowing them to be more ambitious in what they’re doing.
"We miss having a tactile experience..." Platon Poulas is one of the people behind Dead Slow, a strange new magazine concept that we have in the Stack shop at the moment. He and his co-founder Anunaya Rajhans describe themselves as producers rather than editors, and that reflects the unusual format of the magazine, which is presented as a vinyl record, complete with a cardboard sleeve and sides A and B. In this conversation he explains the idea behind the vinyl references, and also his and Anunaya's desire to create a piece of printed ephemera that celebrates other forms of physical media.
"The world suddenly feels bigger again..." Nelson Ng is founder, editor and art director of Lost, a travel magazine based in Shanghai and published in both English and Mandarin. Of course the pandemic has made international travel much more problematic than it used to be, and that will inevitably have consequences for anyone making a travel magazine, but as you’ll hear Nelson is pretty philosophical about the situation, and he speaks about how he thinks travel feels different these days, while also acknowledging that he expects it will be significantly harder to make his next issue.
"We've always loved analogue. We produce records, we make books, we do physical shows – it's part of who we are..." Sean Bidder is editor of Fact, the music and visual art magazine that was relaunched last year as a big, glossy, biannual publication. I spoke to Sean and Zak Kyes, founder of Zak Group and art director of the relaunch, to find out what brought Fact back to print, and how it fits in with the broader activities of publisher The Vinyl Factory.
"A book is different to a magazine – you've got more space. You can take more time..." Rob Orchard is one of the founders and editors of Delayed Gratification magazine, and now one of the authors of An Answer for Everything, their hardback book published by Bloomsbury. Infographics have always been a big part of what Delayed Gratification does, and the book really leans into that, with 200 ridiculously detailed, meticulously researched infographics set over 300-odd pages. In this conversation Rob explains how it was the uncertainty and disruption of the pandemic that finally took the book from being a loose set of ideas and turned it into a real actual thing you can go and buy in the shops, and also how the process of making the book alongside the magazine is the hardest thing they’ve ever done.
"A lot more love and care goes into it because it's in print..." Tom Preece is one of the founding editors of Yuck, the Manchester-based music magazine that released its fifth issue this summer. Publishing a music magazine is tough when nobody is allowed to go out and listen to live music, but now life is opening up more here in the UK and I was excited to hear how that’s changing the scope of what Yuck can do, including planning for their first live event next month, and increasing the size and ambition of the magazine itself.
"I'm finally at a point in my life where I'm proud of my identity as disabled..." Olivia Spring is founder and editor of Sick, the magazine made by chronically ill and disabled people. In this conversation Olivia speaks about her own illness, why she decided to start the magazine in the first place, and how she’s using it as a way to challenge some of the ableist prejudices she faces day to day.
"I just really needed a sense of freedom..." Zena Alkayat is editor and publisher of Bloom, the gardening magazine she started when she moved into a new flat and suddenly became somebody who had a garden for the first time. Unable to find gardening books or magazines aimed at her, she decided to go ahead and publish one herself. In this conversation she talks about how the magazine has evolved over 10 issues, the difficulties of independent publishing and also the opportunities it has opened up for her.
"Running a Kickstarter is a very overwhelming thing..." Caspian Whistler is creative director and editor-in-chief of A Profound Waste of Time, the beautiful illustrated magazine that’s inspired by video games. He’s one of the independent publishers who has successfully funded his magazine through Kickstarter, and he has a campaign live at the moment to reprint issues one and two, which is currently sitting at just under £80,000 pledged with 22 days left to go. In this conversation he speaks about the stresses and strains of running a Kickstarter, independent publishing, and generally getting by in the pandemic.
"We can talk about football as our very own way to experience the world..." Matteo Cossu is editor and co-founder of Uno-Due, the annual magazine about football and culture that he started with some footballing friends in 2014. The first two issues of the magazine were published in Italian but for the third issue they switched to English and produced a beautiful 250-odd page hardback tome with fascinating stories from all around the world. In this conversation he explains how the magazine first came about and why everything they do with Uno-Due stems from their original desire to tell footballing stories that reflect their experience of the game.
"We wanted people to lose themselves in words..." Marius Sosnowski is deputy editor of Dispatches, a large-format magazine of ideas published out of Berkeley in California, and inspired by that city’s intellectual and counter-cultural heritage. As he explains in this conversation, Dispatches was always intended as a big publication, and they make the most of those oversized pages by packing them with text – this is definitely a magazine that needs to be read.
"The whole magazine itself becomes a piece of art..." Aaron Beebe is the founder and art director of Plastikcomb, a magazine that champions collage, comics, fine art and more, all of it unified by a low brow pop aesthetic. There’s something raw and rough and experimental about Plastikcomb – its pages break out of the orderly grids of contemporary magazine design and instead respond to the featured artwork to create something that is itself a piece of art, and in this conversation Aaron speaks about his influences and the series of happy accidents that led him to this point.
"I don't think we've made the perfect Bum yet..." Lee Marable and Roosa Melentjeff are the editors and designers of Bum, a lovely risograph printed magazine based in Helsinki and dedicated to exploring stories around arts, architecture and design. As they explain in this conversation, the magazine really started because they wanted to experiment with risograph printing, and I think it’s clear they’ve totally fallen in love with this unpredictable and painstaking method of printing.
"We put the artist as a human before the work..." Audrey Rose Smith and Vicente Muñoz are the editor and creative director of Balcony, the new magazine that explores art in the everyday. Both Audrey and Vicente work in New York in jobs connected with the art world, and Balcony is the result of their frustration with the way art is commonly discussed – they want to present this intimate, behind-the-scenes view of artists as a way of challenging the commercial, event-driven narrative that tends to dictate which artists are covered in the mainstream press.
"I hope it makes people feel good..." Harriet Fitch Little is editor of Kinfolk magazine and editor-in-chief of Kindling, the new title published by Kinfolk to explore the subject of bringing up children. In this conversation she explains how the Kinfolk team ended up making a magazine about raising kids, how the pandemic played its part, and why it was particularly important that Kindling remained an open and non-judgemental magazine.
"American football is a reflection of America – good and bad..." Shawn Ghassemitari is editor-in-chief and creative director of Spiral, the magazine that takes a creative look at American football. I was really interested to hear about his reasons for making the magazine – his parents immigrated to the US from Iran in 1978 and he speaks about the sport as a way of assimilating into American culture, and also as a way of reflecting all elements of that culture, both good and bad.
"Things are going to be weird for the rest of our lives..." Peter McCain is the creative director and editor-in-chief of Batshit Times, the New York-based satire and arts magazine that released its first issue in April last year. That first issue was themed ‘Quarantine’, and when I read it I assumed the whole project was conceived in response to the pandemic, but as he explains in this conversation, there are lots of other things he’s much more worried about.
"We just wanted to know – what do people care about now?" Lea Kloepel is editor of Synchron, the magazine she launched earlier this year with her boyfriend and art director Johannes Farfsing, and which stands out as one of the strangest and most striking magazine launches I’ve seen for a long time. It's dedicated to exploring contemporary visual art and fiction, but it does so in a way that is brilliantly inventive and entirely its own – Lea's explanation of the origins of their weirdly organic typography is one of my all-time favourite examples of geeky magazine design obsession!
"Juggling is just playing – it should talk to everyone..." Florence Huet is the founder and editor of Yana, an extraordinary magazine about juggling that is on a mission to combat the stereotypes and assumptions about what it means to juggle. It's packed full of geeky references that Florence explains in this conversation, helping to open up even further a magazine that had already totally caught my imagination.
"We all wear clothes – we all have something to say about them..." Abigail Buzbee and Ryan Hunt are editor and art director of Novella, an experimental fashion magazine that takes a handmade, literary approach to its subject. In this conversation they explain why they were so excited to play with the conventions of the fashion magazine, and how at the start of the project they actually didn’t intend to make a magazine at all.
"You go mad if you don't do anything here..." Agnese Zile is creative director and editor-in-chief of Nork, the magazine she started as "an ode to the north", but which has evolved over the years to become a broader exploration of the world, though still with a distinctly dark perspective evocative of her adopted home in Tromsø. In this episode she talks about her reasons for changing the magazine, the challenges of independent publishing, and the strange lure that keeps pulling her back to publishing this labour of love.
"I can't just put this on a hard drive – I have to do something about it..." Mari Oshaug is editor-in-chief and publisher of Bikevibe, the magazine that sets off for a different city each issue and reports on the cycling culture it finds there. Mari started the magazine in 2014 by accident – she was on holiday in Tokyo and found herself taking hundreds of photos of the bikes she saw on the streets, and realised that she wanted to actually do something with the pictures rather than just store them away and never look at them again. In this episode she talks about building her team and what they look for in the cities they cover, as well as the obvious problems that coronavirus has thrown in their path.
Marketa Kinterova is editor-in-chief of Fotograf, the long-running Czech magazine of photography and contemporary art. We delivered their ‘New Utopias’ issue to Stack subscribers in August this year, and in this conversation we get into some of the things that I really love about this brilliantly provocative and avant-garde magazine.
"You can't wait for other people to change things for you..." Afsaneh Rafii is founder and editor-in-chief of Icarus Complex, the magazine that takes an in-depth look at the issues surrounding climate change. In this episode we go right back to the start to speak about her initial impulse to make a magazine, through the process of publishing a first issue and her realisation that while she’d been working on that, several other groups of independent publishers had also been creating the launch issues of their own magazines about climate change.
"The future is always contested..." Casper Skovgaard Petersen is editorial manager of Scenario, the quarterly magazine produced by the Copenhagen Institute for Futures Studies. As you’d expect, he has a lot to say about the various possible futures we might have waiting for us, and in this episode he speaks about the different techniques they use at the institute, challenging dominant narratives to look beyond what seems to be obvious or self-evident, and how they use those same techniques editorially in producing the magazine.
"I think it's striving for... the America we hope we can be." Hannah Hirsh and Natasha Rao are two of the editors behind American Chordata, the literary and arts magazine that recently published its 10th issue, and which we sent to our subscribers in September. It’s always been operated by volunteers as a labour of love, with the team constantly changing, and Hannah and Natasha took over part of the way through the making of this latest issue. In this episode they speak about that process, what they have planned for the future, and what they see as the overall mission of American Chordata today.
"We have a sane business model... you don't spend more than you have coming in." Matt Bors is editor and founder of The Nib, the magazine that uses comics to tell stories about some of the big, serious issues facing the world. The magazine launched online first, as one of the sites that were part of Medium in its early days, and in this conversation he explains how that relationship came to an end, and how he ended up working with First Look Media, another company with lots of money to spend, and how that also came to an end as their priorities shifted. These days Matt is running the whole thing entirely independently on what he calls a “sane business model”, funded by his readers, and I was really interested to hear his thoughts on the experience of working with those big, wealthy partners, compared to the business he runs today.
"It really is like getting a tattoo; for better, for worse..." Asher Penn is the editor and founder of Sex Magazine, a title that publishes brilliantly personal Q&A interviews with artists, musicians, filmmakers and other creative people (and no sex). In this conversation Asher explains how the magazine has evolved over the years, and how he has developed his characteristic style, which draws upon his interviewees’ life experiences as a way to understand their creative output.
"I didn't want to only do one thing..." Bardia Koushan is editor and art director of Autodidact, the magazine that brings together work by a wide range of artists and creative people. The second issue came out a few weeks ago, themed around the idea of mistakes, and I really enjoyed speaking to him about the different types of mistakes they included, and particularly the mistakes he made while making the issue. I love it when magazine makers speak openly about the pitfalls of publishing, and as he says, “You can’t make an issue on mistakes and not embrace it yourself.”
"The bathing community is something special – if you know you know..." Ekin Balcioglu and Steve Weiner are the founding editors of Hamam, a new magazine that celebrates the art and culture of bathing. Inviting readers inside the world’s bath houses, saunas and hot springs, they're clearly having fun in their new role as bathing ambassadors, but there's something else going on here too. It’s hinted at in Hamam’s strapline, “The magazine of letting go”, and I was interested to hear how this magazine taps into their spiritual beliefs as well as a pursuit of freedom, openness and equality.
"It's so Fare to be going to the grandmother's kitchen..." Ben Mervis is editor-in-chief of Fare, the magazine that travels to a different city each issue to report on the food culture it finds there. For their latest issue they went off to Antwerp in Belgium, and as he explains, they completed their trips to the city by the start of March, just before coronavirus restrictions kicked in. But with COVID-19 severely limiting the travel and hospitality industries for the foreseeable future, they have made dramatic changes to the magazine to make sure they will be able to keep on publishing over the coming months.
"What happens when London prices out every artist?" Lucy Fowler is editor and art director of Mind the Gap, the magazine she made as part of her fashion journalism course at Central Saint Martin’s in London. Frustrated by the inequalities she found in Britain's creative industries, she wanted to showcase some of the unsung artists, designers, musicians and other creative people found outside the London bubble, and the result is a brilliantly fun and impassioned piece of independent publishing.
"We want writers to see us publishing work that might not be published elsewhere..." Jules Danskin and Heather Parry are the managing director and editorial director of Extra Teeth, a literary magazine that publishes great new writing from Scotland. They sent us copies of their first two issues recently and I was really impressed not just by the quality but also the range of the writing, and as you’ll hear during our conversation, part of their motivation in making the magazine is to challenge and redefine what Scottish writing really is – there’s a clear ambition to look beyond what they call the highlands and islands and Edinburgh noir, and find something else.
This year’s Indiecon festival took place in Hamburg from 5–6 September, bringing people together from all over Europe for a brilliantly defiant (but still socially distanced) celebration of print. This special episode of the podcast was recorded at Indiecon by Nina Prader from Lady Liberty Press, and features the people behind Alien magazine (Portugal), Club Sandwich (France), C/O Vienna (Austria) and Word (Germany).
"We get to be the seagulls following the trawler..." Rob Orchard is one of the editors behind Delayed Gratification, the quarterly news magazine that looks back at events once the dust has settled and takes a slow, considered approach to retelling stories with the benefit of hindsight. Their current issue covers the period from January to March this year, which of course was when coronavirus first emerged from Wuhan and started spreading around the world, and in this episode Rob talks about how he and the team brought a clear and fresh perspective to a story you might think you already know.
"We thought we'd make a printed exhibition in the format of a magazine..." Anja Dietmann and Max Predinger are two of the people behind Pfeil, the Hamburg-based art magazine that we delivered to Stack subscribers in June this year. This isn’t a magazine about art – the magazine itself is conceived as an artwork and they’re absolutely committed to each issue’s artistic concept, which leads them to do some slightly crazy things with it.
Bijan Berahimi is the founder and editor of Joon, which he describes as a sort of love letter to Portland. Bijan runs Fisk design studio and gallery in Portland and the magazine is a collaboration between Fisk and Brown Printing, one of the city’s main printing companies, and you can clearly see that they’re using the project to show off the stuff they can do. It’s an absolutely gorgeous piece of print, with lovely bright colours, loads of different paper types, glosses, foils and finishes, but it’s also a really readable magazine with a lovely warm feeling of community and some genuinely surprising storytelling.
"It's a grind. You have to get out there and do it..." Chris M Walsh is founder and editor of Fifty Grande, the travel magazine that goes deep to uncover the real USA. Chris is an experienced editor, having spent time at Billboard and Zagat, and now he’s drawing on the lessons he learned from those big, corporate publishers, while also improvising and getting his hands dirty with the scrappy business of small independent publishing.
Andrea Leung is one of the team behind Aww, the magazine that mixes animals and illustration to create a little bundle of happiness and creativity. Aww is published in Hong Kong, and I spoke to Andrea a few weeks ago, before the changes in the law and the increased Chinese government control, but in our conversation Andrea makes it clear that the magazine is intended as an escape from Hong Kong's politics, and from the many other difficulties people are currently facing around the world, and instead focuses on providing readers with some animal-based "illustration therapy".
"It has this ambiguous position of being geographically inside but ideologically outside..." Nina Vukelić and Rafaela Kaćunić are the founders and editors of This is Badland, the magazine that presents “The other Balkan”. The question of Balkan identity has been central to the entire project right from the start, but this fourth issue is themed “Are we home?” presented as a question that allows them to dive deep into ideas around nationalism, nostalgia, power and politics. But of course they do all that along with brilliantly bizarre photo shoots, playful, provocative stories and amazingly characterful and disruptive typography.
"We wear all the hats..." Feeeels is one of the most impressive new magazine launches I've seen so far this year. Made by a core team of four graphic designers who met on the graduate programme at Rhode Island School of Design, each issue is themed around a different tactile adjective, with contributors using the touchy, feely, human messiness of real stuff as inspiration for a fresh consideration of the world. In this episode Lauren Traugott-Campbell, Sarah Mohammadi, Angela Lorenzo and Drew Litowitz explain why they started by investigating the idea of 'fuzzy', what they learned from making that first issue, and why they've decided that issue two is going to be the 'slick' one.
"We keep going. We keep publishing. We keep speaking..." Maya Moumne and Hatem Imam are editors and creative directors of Safar, the visual culture magazine that’s based in Beirut, and which we delivered to Stack subscribers last month, May 2020. It’s a totally fascinating magazine, because while it begins from visual culture and design, it pushes out far beyond that to tackle big, difficult stories based in politics and social justice, with a particular focus on Lebanon and the wider Arab world. In this episode they speak about their motivations in making this magazine, and also about the particularly difficult conditions they’ve had to endure: the political upheaval that started with last year’s October Revolution, the economic disaster that has accompanied it, and of course the COVID-19 pandemic, which has led to an extremely harsh lockdown across Lebanon.
"If you were running a successful magazine, why would you write about tripe or bins?" Eddy Rhead is one of the editors of The Modernist, the magazine we delivered to our subscribers last month, April 2020. Featuring a bin on the cover and including stories on bus shelters, concrete and the vagaries of 1950s planning permission, it makes for a decidedly strange read. But it's also beautiful and enlightening and unexpectedly idealistic: "There's a paucity of ambition in today's society," Eddy says. "There isn't that ambition to make the world a better place – modernism didn't always get it right, but that's what they were aiming for."
"At the moment it's more difficult to be daring..." Samira Ben Laloua is founder and publisher of Extra Extra, the erotic arts magazine that presents what it calls the “mundane and sensual city life”. The contemporary urban experience is right at the heart of this magazine, and coronavirus means that experience is more disrupted now than most people can remember, so I was interested to hear what they’re doing to adapt and cope with the restrictions.
"Journalism is in crisis and Europe is in crisis..." Kyrill Hartog is editor-in-chief of Are We Europe, the print magazine and digital platform that was launched in 2017 out of the chaos surrounding Brexit. It exists to tell stories about Europe in a non-divisive and constructive way, and since it’s a magazine that was born out of crisis, I wanted to speak with Kyrill to find out what they’re doing in the face of coronavirus, a new type of crisis that is affecting independent magazine makers around the world in totally new ways.
"You can have way more fun in print..." Ricarda Messner is one of the editors of Sofa, the Berlin-based magazine that dedicates itself to exploring themes like teenagers, cyber love, masculinity, and most recently play. We delivered their play issue to Stack subscribers this month, March 2020, and Ricarda dropped in at the Stack office a few weeks ago to speak about making "a print magazine that feels like the good old days of the internet."
"Somehow all our eclectic tastes combine and we get this glorious mess..." Dzenana Vucic is one of the volunteer editors behind The Lifted Brow, the literary magazine that styles itself as “a quarterly attack journal from Australia and the world”. Providing a platform for underrepresented voices, they do a great job of tapping talent that might otherwise be overlooked, uncovering experimental forms of literature and producing brilliantly exciting work. In this conversation she speaks about how the team make that happen, the pressures they face as a group of volunteers working without pay, and the many ways in which the Brow is growing beyond the magazine itself.
"We may not make it, but if we don't we'll go up in flames..." Jacob Barnes is editor-in-chief of Soft Punk, a new literary and arts magazine that’s working hard to tell stories you won’t come across elsewhere. Jacob and most of the team are navigating the move from university into work, and it seems like almost by accident they’ve found themselves creating this magazine as a way of showcasing the sort of stories they love. But there’s also something more deliberate and ambitious going on; they’re also committing themselves to a demanding quarterly publishing schedule, and engaging with the sort of serious work that can make a lasting impression on readers – at least it did for me.
"Why can't we talk about identity in a way that brings people together rather than divides us?" Luc Hinson is the editor and co-founder of Between Borders, the new magazine that aims to straddle some of the dislocations that are currently dividing Britain. The project began in 2017 and was inspired in large part by the fallout from the Brexit vote, and after publishing online for a couple of years and gradually figuring out their editorial voice, they’ve released their first print issue, themed around transit, a familiar subject they use as a way of uniting very different people from very different backgrounds.
"We take a very deep and holistic view..." Dörte de Jesus is the editor and founder of The Lissome, a sustainable fashion magazine based in Berlin. She became fascinated by the fashion industry while working at Elle Germany, and although she quickly became disillusioned by the wastefulness of fast fashion, she says she felt inspired to champion the people and companies working at the forefront of more sustainable making. In this conversation she tells the story of how she started publishing online, before moving into print while making some major changes in her personal life along the way.
"We believe these stories deserve to be told..." George Wright is the driving force behind The New Issue, a new print magazine published here in the UK by Big Issue North. The Big Issue helps homeless people by recruiting street vendors to sell copies at a profit, which the vendor then keeps, and The New Issue is dedicated to helping the same people but via a different route. It’s intended as a slower, longer read; it’s more expensive with higher production values; and its quarterly publishing schedule allows the team more time to find and develop the stories they want to tell. In this conversation George speaks about the motivation behind the new magazine, and how they're reaching readers without selling on the streets.
"Obviously it was just me in my bedroom..." Joel Seawright is the man behind Rotten, an extraordinary magazine that reveals and comments on the process of magazine making. Joel left school aged 15 and struggled to find work without any qualifications, but he knew he loved photobooks and started playing around with the idea of making a magazine as a way of working with the photographers he admired. He had no experience of publishing; he felt like he didn’t have a voice; and moreover he felt like he needed to prove himself to his dad and show what he could do. The result is a magazine unlike anything else I’ve seen – scrappy and handmade, funny and opinionated, it’s intensely personal but also intended as a general demonstration that these days virtually anyone can make a magazine.
"There are lots of horrible assumptions and stereotypes around disability and I just wanted to smash them all to pieces..." Claudia Walder is the editor of Able, the magazine that provides a platform for people with a wide spectrum of disabilities and chronic illnesses. She was diagnosed with ME when she was just 23 years old, and in this episode she speaks about the frustration and shame she felt at having to stop work and become "a disabled person", and also the revelation that made her want to turn that around and create a bold, confident magazine that communicates a wide range of disabled people’s experiences.
"We're just a big group of friends who make a magazine together..." Daniel Milroy Maher is the editor of Swim, the art and photography magazine that takes a refreshingly unpretentious approach to the work on its pages. As Daniel explains in this episode, the magazine was initially intended as a way to showcase the work of friends, and while it has grown since then and now also includes some really big names, it’s managed to keep that same feeling of easy accessibility.
"I've never found anything interesting to read about soil..." David Reeve and Luciane Pisani are the editors and art director of Where the Leaves Fall, a magazine that focuses on our contemporary relationship with nature. It’s the sort of subject that can easily feel overwhelming, but they explain that they’re on a mission to tell stories about sustainability and the natural world that feel human, and which ultimately inspire readers to take positive action. They’re also keen that their magazine should help give a platform to voices that aren’t normally heard, and so they search far and wide, looking particularly to the global south for local stories about these global environmental issues.
"We wanted to do something that was ours..." Jessica McGowan and Coco Cassibba are the art director and fashion director of photography magazine Primary Paper. The title started without any grand plan – the word they use to describe the process is “impulsive”, as they set out to make something based on the work they love. In this conversation they speak about what they've learned along the way, why print is so important to the project, and why they love not having a client.
Published by a group of British students studying overseas on the Erasmus programme, 34minus1 is a showcase of creative projects made by fellow Erasmus alumni in 2018. The magazine has a political motivation – concerned that Brexit could mean the end of British involvement in Erasmus, 34minus1 was launched to show what British students would be missing out on.
"We don't ever do controversy for the sake of it..." Maria Dimitrova is the editor of Mal, the journal of sexuality and erotics that was started in 2018 by the Feeld dating app. In this conversation she speaks about that origin story, the importance of editorial independence, and how they’re “following the thread”, taking advantage of opportunities as they arise and allowing the project to take its own direction.
"The web is ephemeral – a server goes down and you're gone..." Emmanuel Vaughan-Lee is a filmmaker and the executive editor of Emergence Magazine, the California-based title that explores our relationship with the natural world. Published in four online issues per year, and then in one beautiful, thick annual print edition, it's an ambitious and forward-thinking publication that wants readers to slow down and reflect on the way we live. In this conversation Emmanuel explains how he came to be editing a magazine that operates at the meeting place of ecology, culture and spirituality; why it was always essential to the project that there should be a print output; and how they go about transforming their stories into print.
"The cover is the playground for design..." Ariane Spanier is the designer of Fukt, the magazine for contemporary drawing. She makes it it along with her partner Björn Hegardt, and it has become renowned for its fantastically creative, fun-loving covers. Their current issue won Cover of the Year at the Stack Awards last week, and Ariane dropped in at the office the day after the ceremony to speak about the process she went through in creating an eye-catching concept that embodies their take on the theme of systems. In this conversation she explains why she’s attracted to such a playful design style, why she thinks it works so well for the cover of this magazine, and how this long-running title has changed over the 20 years it has been published.
"We're not National Geographic..." Josef Shaw is editor and designer of Bumble, the magazine that raises awareness of the plant and animal species that are currently under threat, and offers simple, practical things that readers can do to help. It was started last year by Josef and editor-in-chief Rachel Nellist, and in this episode he tells the story of how they funded that first issue, how they’ve managed to make it self-sustaining since then, and how they started out aiming at younger readers, but found that they have a broader readership than they expected.
"I see the appeal in holding something..." Karl Henkell is editor-in-chief of Record Culture, the magazine that visits vinyl lovers in their homes and studios. Long interviews give them the space to talk about their passion, and they're photographed surrounded by piles of vinyl, giving a lovely intimate picture of who they are and what music they listen to. In this conversation Karl talks about his first impulse to create a print magazine, his pursuit of the perfect interview, and how he's working to put Record Culture in front of the right readers.
"These are the stories you won't find in Singapore's mainstream narrative..." Pang Xue Qiang is one of the founders of Meantime, the magazine that explores the history of Singapore via the love stories of its citizens. It’s a lovely, sweet and affecting magazine that also has a deeper purpose hidden just below the surface – flying below the radar of Singapore's strict government controls, it specialises in telling tales that you wouldn’t hear in the country's mainstream narrative.
"It's not looking outward for approval..." Helen Jennings is editor of Nataal, the magazine of global African creativity. Launched online in 2015, the project grew steadily until last summer the first print edition hit shelves around the world, immediately impressing with its lavish production values and its fresh approach to the fashion, music and visual arts coming out of Africa and the diaspora. In this conversation Helen speaks about the new sense of confidence she’s seeing amongst young African artists and creatives, and why, when they finally started working on the print product, they really didn’t have any choice but to go all out and make something spectacular.
"People actually read magazines!" Anna Broujean is the editor and art director of Club Sandwich, the Paris-based title that uses food as an absurd and accessible way into exploring anthropology, sociology, psychology and other social sciences. The first two issues were published in French, but issue three, dedicated to the humble pickle, features both French and English. In this conversation Anna speaks about the ideas behind her eccentric magazine, the reason why they decided to add English, and why she has been pleasantly surprised by the results.
"Sometimes it just needs to be big..." Ben Clement is the founder of Good Sport, the magazine that launched out of Melbourne in 2014, fusing sport with art, food, fashion and other facets of popular culture. In this conversation he explains how his love for sport and his career as a photographer came together to create the magazine, how it has evolved over the years, and why sometimes sports photography just has to be big.
"It's for the people who love dusty record shops..." David Holt is one half of the joint venture that is bringing cult music magazine Wax Poetics back to record and magazine shops across Europe this summer. Created by its original editorial team, the magazine, which was launched in 2001 but switched to print on demand in 2018, will return to the format that was so beloved of music enthusiasts, and the relaunch begins with a collector's edition that combines archive material from the vaults with fresh pieces on London's thriving jazz scene and 90s acid jazz. In this conversation David speaks about his original interest in the magazine, and why he thinks the time is right for its return to the newsstand.
This is the last episode of the Stack Magazine podcast for a little while, but we'll be back in September with a new season of conversations with independent magazine makers.
“We love pregnant men!” The first Temple Arles book fair was held in the South of France last week, and we were there selling some of our favourite independent magazines. Organised as part of the photography festival that has been held in the town for the last 50 years, the fair included some extraordinary photo books and zines, so we took the opportunity to speak to the people behind some of the most striking titles.
Brilliantly bizarre, the three zines we picked out embrace the ease, accessibility and unpretentiousness typical of the format, using their unassuming pages to explore unique obsessions:
Album by Eline Mugaas and Elise Storsveen uses a vast archive of found photography to create unexpected associations between images, challenging conventional ideas on subjects like gender roles and encouraging the viewer to question what they see.
Boyz II Men is a collection of photography shot by the artist Thick Nina, exploring the formation of masculinity and considering the role of men, often in relationship with women.
Narco by Lina Ibáñez presents images of the various actors who have played Pablo Escobar in film and on TV, and comes complete with a plastic baggy of white powder (Colombian corn flour, not cocaine).
“From weakness you make something strong...” Laurent Laporte is editor and founder of Where is the Cool?, the French magazine that presents readers with an eclectic and totally original selection of things that it has decreed are cool. In this conversation he shares his thoughts on turning weakness into strength (he’s not a journalist, which is why you won’t find long written articles in the magazine); the ongoing struggle of independent publishing; and why this thing absolutely has to be a print magazine.
"Magazines were magical to me – they transported me to somewhere else..." Marvin Scott Jarrett launched Ray Gun in 1992, working with the designer David Carson to create one of the most radical and influential magazines of the decade. After becoming disillusioned with the music industry in the late 90s (he didn't like boy bands) he went on to launch Nylon magazine in 1999, pioneering a publishing model that embraced both print and digital.
He's now released a book with Rizzoli looking back at Ray Gun, showcasing some of its most famous artwork and locating it within the music, fashion and design cultures of the 90s. He was in London to promote the book at the end of May, so I caught up with him to speak about his career so far, and how he threw himself into magazine making, learning along the way.
"Satire is an interesting weapon, but it's been co-opted by the establishment." Freddie Marsh is one of the editors of The Fence, the satirical magazine that launched in London earlier this year. In this conversation Freddie explains why he and his fellow founders were inspired to produce a new satirical magazine, why it's important that politics is just one part of what they cover, and why The Fence needed to exist in print.
"You're constantly trying to break it..." Seb Emina is the editor of The Happy Reader, the literary magazine made for Penguin Books by the publishers of Fantastic Man. The 13th issue is out now, featuring Hollywood star Owen Wilson alongside Meditations by Marcus Aurelius, and Seb dropped into the Stack office to speak about the making of the magazine, and why its simple structure encourages him to play with ever more ambitious and eccentric editorial ideas.
"We have money all of a sudden!" Charlie Brinkhurst-Cuff is the editor of gal-dem, the magazine made by women of colour and non-binary people of colour, which made an immediate impact when its first print issue launched in 2016. They've been working hard since then to increase their reach, for example with their takeover of The Guardian's Weekend magazine last year, and this week saw the release of their first book, I Will Not be Erased. I caught up with Charlie to speak about the rapid growth of gal-dem, including the funding they received earlier this year, which is allowing them to embark upon "gal-dem 2.0" – the ambitious next stage of their development.
"It's world peace for publishers..." Nikki Simpson is the woman behind the International Magazine Centre, a proposed hub for publishers and anyone who works with magazines. Aiming to launch in Edinburgh in 2022, Nikki wants to bring together all kinds of magazines, from the biggest corporate titles to the smallest independent outfits, helping them to build connections between one another and using strength in numbers to draw wider attention to magazines that might otherwise be overlooked. In this conversation she explains where the idea came from and how she's taking it forward, and why she wants to hear from LOTS of magazine makers.
"I want to inspire more women to have a career in type..." Amber Weaver is the author of Femme Type, an all-female publication about type design and typography. While studying graphic design at university she noticed that the type projects covered in the books she found in the library were invariably created by men, so she started her own list of great work done by women. The list continued to grow after she left university and joined People of Print, and she saw the opportunity to create the book she had longed to read. The resulting publication features more than 40 women working in the type industry, funded by a successful Kickstarter campaign that raised over £10,000 – more than double its initial target. In this conversation, Amber speaks about how she ran that campaign, and explains that with her list still growing, there are lots of opportunities for building on the book and doing more to support the community that has gathered around it.
"I want it to feel like you're having a chat with a friend." Maria Ilana Moore is editor of Dear Movies, the zine that collects personal writing about films and TV shows. Launched at the end of 2017 as a staple-bound, black-and-white publication that Maria made along with "a few of my film-y friends", it has grown into a thicker zine with a proper perfect bound spine and an international roster of collaborators. But there's no chance of it getting any bigger – Maria is clear that her unassuming piece of print should remain a hobby, and in this conversation she explains why she doesn't have any aspirations to turn a profit, and how the zine is based as much on friendship as it is on a love for the movies.
"Some countries just feel the world should not be watching..." Rachael Jolley is the editor of Index on Censorship, the 47-year-old title dedicated to promoting freedom of expression. Rachael has been in the editor's chair for the last five years, and in this conversation she speaks about the changes she has made in that time, cultivating a network of contributing editors in countries like Turkey, Mexico and China that allows the magazine to give a local perspective from places that can be difficult to report on. And she's also keen to emphasise that freedom of expression is not just a problem in faraway places, pointing to the disturbing development of journalists being killed for their work in European countries like Malta and Slovakia.
"A city is a text for us..." Natassa Pappa is the editor and creative director of Desired Landscapes, a magazine that looks deeply into cities to discover the stories and quirks that make those places unique. Small and compact, it's based on the classic pocket guide book and the plain typographic cover doesn't give any indication of the strange and whimsical stories the magazine contains within. In this episode she explains the inspirations that led to this unique magazine in disguise, as well as the technical difficulties of creating the object she wanted to make, and the challenges and opportunities that come from working in Athens these days.
"You begin by believing you can do it..." Mathieu Triay is the editor of Visions magazine, a literary science fiction title that publishes a wide range of stories; from super-short flash fiction written in collaboration with a computer author, through to a whole novel translated from French to English for the first time. Triay is a tinkerer, a creative technologist who has mixed his wide-ranging skills with his love for sci-fi to produce this unique magazine, and in this episode of the Stack podcast he explains why he decided to work in print, what made him want to become a translator, and how he paid for the whole thing by creating a typeface.
Buy a copy of Visions from the Stack shop: https://www.stackmagazines.com/product/visions-issue-1/
"There is a weird, very British, eccentric attachment to hand dryers..." Wedgely Snipes (not his real name) is the editor of the South London Review of Hand Dryers. A lovely newsprint zine printed by Newspaper Club, it's simultaneously a fond parody of the London Review of Books, a silly excuse for writing about hand dryers, and a heartfelt experiment in creativity and collaboration. As you'll hear from our conversation, Wedgely genuinely loves hand dryers, but he's also obviously aware of the silliness of the whole thing, and it's this balance of commitment and self-awareness that makes the humour in the zine so infectious.
"I don't know if we ever really thought we'd finish at eight issues..." Each issue of Weapons of Reason focuses on a major global challenge, like the environment, population growth or demographic shift, and brings some sense to these big, complex, difficult subjects by zooming in on a specific part of the wider challenge. Their latest issue is dedicated to technology, and they chose the rise of artificial intelligence as the area they wanted to explore, looking at the past, present and potential future of a technology that is affecting the way we all live our lives. In this conversation the magazine's publisher, editor and art director speak about the reasons why they wanted to tackle such difficult and important subjects, how they use a simple illustrative style to communicate complex ideas, and where they are planning to take Weapons of Reason next.
We delivered this issue of Weapons of Reason to Stack subscribers in March 2019, but if you're not currently part of our independent magazine club you can buy a copy in the Stack shop: https://www.stackmagazines.com/product/weapons-of-reason-issue-6/
"They defied taboos, they attacked conventions... they caught a moment in time." Ian Birch is the author of Uncovered: Revolutionary Magazine Covers, an aural history of magazine cover design from 1958 to 2016. He spent his entire career in magazine publishing, working on the launches of titles including Grazia, Red, Heat and Closer, and in this conversation he draws on his decades of experience to chart the ways in which magazines have changed over the last 60 years. Beginning with One, the magazine for gay men published in 1958, and running right up to the relaunch of Esquire earlier this year, he considers the art and conventions of cover design, as well as the shifting role of the printed magazine in wider culture.
"Design cannot make a boring magazine interesting..." Audrey Fondecave is one of the editors of Too Much, the Japanese magazine that mixes art and architecture to create a poetic understanding of the spaces we inhabit. They call the resulting hybrid 'romantic geography', and each issue is exhaustively researched, drawing upon a wide pool of expert contributors to ensure that the ambitious editorial is as authoritative and provocative as possible. In this conversation, Audrey speaks about their process for creating the magazine, why it absolutely needs to exist as a physical object, and why she doesn't want it to last forever.
"I'm not going to kill your kids at night..." Valentina Egoavil Medina is the editor and creative director of Suspira, the magazine that views horror through a female lens. The first issue focused on monsters, seeking to understand what makes something monstrous; while the second issue was devoted to fetishism, exploring female sexual power in horror and beyond. In this conversation she speaks about the ideas behind the magazine, the twin frustrations that led her to making a magazine about horror, and the stuff that really scares her. We're sold out of the second issue, but you can still pick up copies of the award-winning first issue in the Stack shop: https://www.stackmagazines.com/product/suspira-issue-1/
"There are no bosses..." New Internationalist launched in 1973 to highlight the global inequalities that emerged as countries across the global south began to make their way in a post-colonial world. In the 1980s it adopted a non-hierarchical co-operative structure, and in 2017 it issued a community share offer, giving its readers the opportunity to buy a piece of the organisation. Buoyed by the success of its sale to its readers, last year the magazine embarked on the first major redesign in its history, relaunching last summer as a bimonthly magazine with a fresh and impactful new look. In this conversation, production editor Kelsi Farrington and co-editor Yohann Koshy explain the thinking behind last year's changes, the sometimes painful process of guiding a non-hierarchical organisation through such major transformation, and why they're doubling down on their coverage of human rights, international politics and social and environmental justice.
"It's not entirely a surprise, but it's a delightful provocation..." Penny Martin is the editor of The Gentlewoman, the phenomenally successful magazine that fills its pages with fascinating women and discerning fashion, all presented with a wry smile that sets it apart from the rest of the newsstand. Renowned for its iconic covers that have featured a wide range of stars including Angela Lansbury, Beyoncé and Simone Biles, it rejects standard tools like cover lines and garish colours, instead using characterful portrait photography and subtle design touches to create an impact. In this conversation Penny speaks about the slow-burn process of choosing their cover stars, the trust they place in their collaborators, and the way she knows that they've got a cover right. ("A magazine cover works for us if I end up shrieking with laughter every time I see it.")
"It's Donald Trump and Vivienne Westwood in the same image..." Naoise O'Keeffe is editor-in-chief of Hot Potato, an "alternative newspaper" that uses fashion photography and simple one-page explainers to engage younger readers in big, difficult subjects like Brexit, gun control and the rise of Donald Trump. Printed at tabloid size by Newspaper Club, it looks at first glance like a fairly standard newsprint magazine, but O'Keeffe and her designer Maude Vervenne have introduced a little creative chaos to make sure it stands out from the crowd. For example in this episode you'll hear Naoise explain why they decided to make virtually every spread in the magazine look like a cover, and why it was important that the writers and the photographers should never meet or speak to each other.
"It's totally out of my comfort zone, but I'm 100% okay with that..." Steven Gregor is the editor and publisher of Gym Class, the magazine that has evolved over the last 10 years to become the magazine-maker's magazine. He published the last issue in 2016 as a fond farewell to print, explaining that he couldn't afford to keep on losing money on his passion project. But the start of 2019 saw the return of Gym Class, again taking magazines as its core subject matter, but with some major changes that have pushed Steven and his project on into ambitious new territory. In this episode he speaks about the excitement that brought him back to publishing, the challenge (and rewards) of handing over creative direction to somebody else, and the magpie-like approach to publishing that has helped to make this latest iteration financially viable. We delivered this magazine to Stack subscribers in January 2019, but if you weren't on the mailing list you can head over to the Stack shop to pick up a copy for yourself: https://www.stackmagazines.com/product/gym-class-magazine-volume-2-issue-1/
"Let's just stay up until four in the morning..." Marc Holzenbecher is the publisher and executive editor of Still, the brilliantly eclectic arts and literary magazine based between Berlin and New York. In this conversation he speaks about the practical difficulties of working on a passion project with a team that is scattered across time zones, and about the thrill of producing something that's as close to perfect as it can be. We delivered this issue of Still to Stack subscribers in June last year and I spoke to Marc in May, shortly before the magazines arrived at our warehouse, but it has taken me nine months to post this episode because it took so much work to clean up the background noise! If you haven't already seen this one for yourself and you want to pick up a copy, head to the Stack shop to place your order: https://www.stackmagazines.com/product/still-issue-6/
"It feels like you can find everything on the internet, but that's just not true." Reagan Clare is the founder of Homesick magazine, the title that delves into archives to present previously unseen images and the stories of their creation. Going behind the scenes of the fashion, music, film and entertainment industries, each issue takes a tour of vintage pop culture from the 60s to the 90s, for a pre-internet exposé featuring fascinating characters you'd probably never otherwise have come across.
We're hosting a launch party for the new issue at The Ace Hotel in Shoreditch on Thursday 7 February. So if you're in London and you'd like to come along, RSVP to reserve your free tickets and join us for a beer and a chat with Reagan herself: https://www.acehotel.com/london/events-and-spaces/calendar/2019-02-07/stack-homesick-launch/
"Don't do everything yourself – that's mad..." Recorded live at The Book Club in London on Tuesday 22 January, this extra-long episode focuses on some of the most common challenges encountered when publishing an independent magazine. Divided loosely into four sections that focus on funding, commissioning, production and distribution, followed by an audience Q&A, we devote an hour and a half to understanding the first-hand experiences of independent magazine makers. Our expert panel features Caspian Whistler, creative director and editor-in-chief of A Profound Waste of Time; Elisabeth Krohn, editor of Sabat, editorial advisor to Suspira, and co-founder of Dreadful Press; and Helen Jennings, editorial director of Nataal. And as always with independent publishing, you can expect open and honest conversation from people happy to share their expertise.
This podcast is supported by Park Communications – tap into their printing expertise at https://www.parkcom.co.uk/
"We wanted to break something..." Dominika Hadelova and Aldo Buscalferri are the editors and creative directors of Matto, a new magazine based in Paris that combines art, photography, fashion and erotica. The artists, designers and other people featured in the magazine are united by their utter dedication to what they're doing, and Dominika and Aldo reflect that with a similarly obsessive commitment ('Matto' means 'crazy' in Italian). All independent magazines are inevitably personal reflections of the people who make them, but for this one Dominika and Aldo have really immersed themselves in an editorial world, admitting that there's often no separation between the magazine and their personal lives.
If this is the sort of crazy you want in your life, head to the Stack shop to buy your own copy of Matto: https://www.stackmagazines.com/product/matto-issue-1/
"It's like a little chameleon..." Suze Olbrich is the editor of Somesuch Stories, the literary magazine that covers a vast range of subjects including nature, sex, society and spirituality in its aim to reflect, "the full contemporary experience". It looks a lot like a paperback book, and in this conversation Suze speaks about the pleasure she gets from seeing it popping up in different places, alongside both books and magazines, quietly carrying its short stories and creative non-fiction to new audiences. This issue is built around the theme of redemption, and Suze also speaks about her personal experiences of making the magazine, with all the challenges that entails, and the strategies she has found for overcoming and coping with those difficulties.
"You don't need to be into video games. You just need to like pretty words and pictures..." Caspian Whistler is creative director and editor-in-chief of A Profound Waste of Time, the magazine that uses beautiful illustration and long first-person stories to reflect the experience of making and playing video games. The magazine sold out of its first print run, and has proven so popular that even after a second run it's difficult to get hold of copies. But it hasn't all been plain sailing. In this conversation Cas reveals the difficulties he has faced along the way, from early success with a Kickstarter campaign that raised almost twice its target amount, to the "nightmare" of the reprint, when his Croatian printer went bust, taking his money with them.
"The word 'finance' made me want to run a mile." Elana Schlenker and Mark Pernice are the art directors of Hacking Finance, a new magazine that takes a progressive and provocative look at business and our relation to money. This first issue is themed around 'movement', and features stories on a wide range of subjects, from the man trying to make a commercially viable hydrogen-powered car, through to the disruptive and creative impact that skateboarding can have on cities. For more information and to buy a copy, check Hacking Finance in the Stack shop: https://www.stackmagazines.com/product/hacking-finance-issue-1/
"We approach special issues with trepidation..." John L Walters and Simon Esterson are the editor and art director of Eye magazine, the international review of graphic design. Their latest issue is the second in a two-part special focusing on magazine design, and it's their biggest issue ever, packed with fascinating interviews and comment covering both the mainstream and independent worlds (and the places where those two realms intersect).
It's a massive undertaking, so it's not surprising that this double issue has been bubbling away for a number of years before finally emerging onto the newsstand, and I loved hearing the stories behind the stories straight from John and Simon. As I write this we currently have copies of this latest issue available to buy from the Stack shop, so do head over there to pick one up for yourself...
https://www.stackmagazines.com/shop/
"My degree suffered a little..." Arne Meyer was one of the editors and art directors on the current issue of Brasilia, the magazine made by students at the University of Applied Sciences and Arts in Hanover. They won Student Magazine of the Year at the Stack Awards, so Arne dropped in at the Stack office the morning after the ceremony to speak about the making of the magazine, and the challenge of keeping quality high when the team has to change each year.
"Magazines tell the story of what's going on right now." Bobbie Johnson is the editor of Anxy, the California-based magazine that aims to break down the stigma around mental health. Anxy won Art Director of the Year and Best Use of Illustration at this year's Stack Awards, so the day after the ceremony Bobbie came over to the Stack office to talk about their evolving mission, and why a group of people based in Silicon Valley use a print magazine to communicate their ideas.
Recorded live at The Queen of Hoxton in London on Monday 19 November, this week's episode features all the winners and commended magazines from the Stack Awards 2018. Hear our judges sharing their thoughts on the stand out titles, hear the winners giving their heartfelt acceptance speeches, and hear our little microphone breaking down whenever we play our walk-on music. See lots of pictures from the awards on the Stack site: https://www.stackmagazines.com/current-affairs/stack-awards-2018-winners-event-party/
"It just became this thing we couldn't shake..." Perrin Drumm is the founder and director of Eye on Design, the initiative launched by AIGA in 2014 as a way to reach designers in the college to mid-career age bracket. Originally a blog that Perrin ran on her own as a side project, it quickly grew into a fully fledged website, and then in 2017 came the first full issue of the Eye on Design print magazine. In this conversation Perrin tells the story of her journey so far, explaining the advantages and challenges of publishing both online and in print ("Now we're running on two treadmills at the same time"), the importance of theming issues, and the experience of working on an all-women team.
"You can't deny there's something bigger than us out there..." Jay Armstrong is the editor and creative director of Elementum, a beautiful biannual journal that draws upon the landscape and folklore of the British Isles to create a totally original sense of place. Filling her pages with stories about nature, identity and spirituality means she could easily cross over into politics and religion, but as she explains in this conversation, she actively avoids those subjects and instead prefers to plough her own furrow towards, "a crucible where academics, folklorists and artists can bring their own responses".
She's also a mum, and she speaks about the challenge of fitting the magazine around the rest of her life, and the things she has learned along the way about the practicalities of publishing on a biannual schedule. I love it when a magazine finds an original way of viewing familiar material, and her "genre fluid" publishing does exactly that, crossing over conventional boundaries to bring a fresh and distinctive view of Britain's nature and history.
"It's a totally fresh look at cycling..." Josh Page started The Domestique as a blog where he and his friends could post their stories about cycling. Deliberately turning away from the mainstream coverage of the sport, with its focus on elite male athletes, they instead placed an emphasis on the sense of community they found from riding their bikes together. Now a print magazine on its second issue, The Domestique has continued on its mission to tell alternative stories from across the cycling world, and has even branched out into other sports in search of people getting involved in things they love. In this episode Josh speaks about the changes he has made along the way, the inevitable struggles (and surprising success) with advertising, and why the blog turned out to be just too much work (but may well be making a comeback soon).
www.thedomestiquemag.com
"People want their little treat, even when times are hard..." Scott Bentley loves coffee. A magazine designer for big brands like Men's Health, Arena and FHM, in 2013 he decided to turn his passion into print and launched Caffeine magazine. Distributed for free in cafes across London and the UK, plus at coffee festivals and other special events, the business has grown fast over the last five years and he's now printing 40,000 copies per issue. In this episode he speaks about his reasons for starting in the first place, the journey from hobby to sustainable enterprise, and the importance of being picky when building a distribution network.
"Music is a springboard for everything else..." Recorded live at The Book Club in London on Tuesday 25 September 2018, this episode is a panel discussion featuring the people behind four of the UK's most interesting music magazines: Hanna Hanra (Beat), Tom Armstrong (The Move), Paul Bradshaw (Straight No Chaser) and Woody Cecilia (Cool Brother). Of course they're all driven by a love for music, but they have chosen very different ways of expressing that passion, and have each found their own ways of overcoming the challenges thrown up by independent publishing. In this conversation they share the sometimes hard realities of making music magazines, plus lots of tips for getting a print project off the ground.
This episode is sponsored by Park Communications
"The London Review of Books can be quite a daunting experience." Ed Needham loves books. And he also knows a thing or two about making magazines; he was the editor of FHM in its late 90s heyday, and he went on to edit FHM in the USA, then Rolling Stone and Maxim. But his latest editorial position is altogether more humble – Strong Words is a new magazine that takes a fresh and unpretentious look at books, and Ed is its editor, publisher, marketing manager and van driver.
He dropped into the Stack office to speak about his new publishing project, the ways in which it has changed since it started earlier this year, and how he plans to develop it over the coming months. As is often the case with independent publishers who find they have to do everything themselves, Ed is open about the things he finds most difficult, and excited by the opportunity to tweak all aspects of the magazine as he goes. There will be lots of magazine makers who feel very familiar with his struggles over marketing, distribution and production...
"We have the dog as our muse." Marta Roca is the editor and creative director of Four & Sons, the magazine that mixes art, culture and lifestyle with dogs. There's a simple joy that shines off the pages of the magazine, and when she dropped into the Stack office earlier this summer, Marta explained that her approach is all about surprise: "You have to be ready for the unexpected... Because you're not going to be rational with a dog." I think you can hear in her voice the love and passion she has for her subject, and all of that flows out onto the pages of this lovely magazine.
"We're celebrating the art and culture of magazines." Jeremy Leslie has been at the heart of London's magazine world since he launched his magCulture blog in 2006. Over the years he has turned his love for magazines into a business, with a well stocked shop, an annual conference that runs in London and New York, and a series of partnerships and collaborations. In this episode he looks forward to a busy autumn ahead, and shares some of the magazines he's been most impressed by recently.
"Trump was like a bomb going off..." Good Trouble is the great big newsprint magazine we delivered to Stack subscribers this month, published out of New York and providing a meeting place for arts, culture, protest and activism. In this conversation editor Rod Stanley tells the story of how Donald Trump's election in November 2016 spurred him into action and set him on the path to creating this impassioned piece of print alongside designer Richard Turley.
As well as his reasons for starting Good Trouble in the first place, he speaks about the design of the magazine ("It treads the line between technical detail and chaos") and the virtues of publishing as an independent ("I don't think you get that direct connection from mass media").
"Heritage is such an important part of place." Lindsay magazine launched earlier this year with a collection of idiosyncratic and absorbing stories from around the world. Editor and creative director Beth Wilkinson says it's often mistaken for a travel magazine, but in this conversation she explains why she wanted to present a deeper idea of culture and place that looks to history and heritage to better understand the way people live their lives now.
"We plug into a deep history of pamphleteering, troublemaking and piss taking..." Paul Gorman is co-curator of Print! Tearing It Up, the independent magazine exhibition on at Somerset House in London this summer. In this conversation, recorded live on Tuesday 31 July as part of Stack's week-long takeover, he speaks about his surprise at the current boom in independent magazines, and traces the lines of influence that have led to some of our favourite contemporary titles.
"It's important to have a little disturbance." NXS is probably the strangest magazine we've ever sent out on Stack – a brilliantly adventurous avant-garde title from Amsterdam, every part of it is designed to provoke and inspire. In this conversation, two of the team behind the magazine explain how they use the editorial structure, the typography, and even the physical shape of the pages to create a unique publication that brings together disparate ideas and individuals that would never otherwise encounter one another.
"People will give you a million hearts on Instagram, but they might not buy your magazine..." Conor Purcell has been making magazines for a long time. He's spent the last 13 years working on both corporate jobs and his own independent projects, making mistakes and learning along the way, and now he's pooled all that experience in a new book: The Magazine Blueprint. Except he hasn't only written about his own adventures – he's spoken to more than 50 editors, art directors, publishers and magazine sellers to create a comprehensive guide to independent publishing. He dropped in at Somerset House this week to speak about the making of the book, why it all takes so long to go from the idea to the finished printed object, and why he's still learning as he goes.
"I couldn't give a shit what the medium is." Jeff Taylor is the founder of Courier, the London-based magazine dedicated to covering startup culture. But as Jeff explains in the podcast below, print is not sacred to Courier's mission, and while he values it as, "an immersive, evocative but still authoritative long-form format", he is also excited about the opportunities afforded by other ways of reaching people who care about the future of business.
Independent magazines are renowned for their loveliness: the thick paper, gorgeous photography and enticing design are all there to make you want to buy a copy. But what is their own definition of beauty? And how does that compare to the sort of images we're used to seeing in mainstream editorial and advertising? Recorded live on 22 May 2018 at The Book Club in London, this panel discussion brings together the makers of Beauty Papers, Staple and Ladybeard to speak about the ideas and ideals behind their magazines.
"If art is about football it's really boring." Eddy Frankel is the editor and founder of OOF, the self-proclaimed 'art and football magazine'. But as he explains in this conversation, he's really interested in what football can tell us about the wider world, using the sport as a metaphor to explore changing ideas of society, health, corporate sponsorship and more.
"There's still a desire for long-form photo essays." Francesca Sears is Director of Special Projects at Magnum Photos, and in this episode she explains why the legendary picture agency decided to publish its first ever newspaper. Drawing upon the Magnum archives, A Brief Visual History in the Time of Isis takes a long view of history to tell a fresh story about how the group has managed to draw so much attention to itself, and challenges the image that Isis has so carefully created.
"The only thing for sale in this magazine is our ideas." Everyone knows that food magazines are supposed to be full of delicious recipes and gorgeous photography of dishes that you can either buy or make for yourself in your fantastically successful life. But Mold takes a different approach – instead of promoting aspirational images, it questions why we eat the things we do, and how that might need to change if we're going to meet the demands of feeding a rapidly expanding global population. In this episode, editor and founder LinYee Yuan explains the thinking behind her exciting, provocative magazine, and considers what the future may hold for Mold.
"Everyone has an opinion on this..." Exploring conflict and visual culture, Contra Journal wants readers to think again about the images they see everyday on the news and elsewhere. Very few people would consider themselves an expert on the subject, but almost everyone has strong feelings about it, and in this episode three of the editors discuss the ideas and motivations behind the magazine, and explain why the slowness of print is so important to the project.
"We like to go beyond the landscapes we visit." Cartography is a beautiful, photo-led travel magazine that documents not only the people and places it encounters, but also their unseen histories and "holiness". In this conversation, editor and creative director Paula Corini explains the ideas and motivation behind their uniquely spiritual approach to travel journalism.
"The process comes first and the results later." Flaneur magazine is the experimental, reflexive magazine that builds each issue around a single street. The strapline has always been 'Fragments of a street', but for the latest issue, based around Treze de Maio in São Paulo, they've intensified the fragmentation and broken their stories up into numbered chunks that flow through the pages. It's their most ambitious issue to date, and in this episode editors Grashina Gabelmann and Fabian Saul explain how they and the rest of the team made it happen.
"You come for a week and you never leave..." Slightly Foxed is the literary magazine that launched 15 years ago when three friends decided to take a stand against chain bookshops and celebrity publishing. As the magazine grew the team expanded, and in this episode they tell the story of how they became an extended family of book lovers, and why everything comes back to keeping their readers happy.
"Making a magazine is the best way to get to know a country." Froh! is a magazine and media NGO based in Cologne, and they've built a reputation for telling fascinating, unexpected stories from places like Armenia, Moldova and Lithuania. Their latest project is a book called Tbilisi – Archive of Transition, launching now on Kickstarter and based on three years spent working with locals and archives in Georgia's capital. In this episode, three of the team explain why they're drawn to these places, and why the rest of Europe could learn from them.
"I just can't think of anyone else who could do this job better than I could!" Andrew Diprose is group creative director of Wired in the UK, and in this conversation he reflects upon a career that has seen him working on iconic titles including i-D, Smash Hits and GQ, and for the last nine years Wired. He's a genuine magazine fan, and while the print publishing world has changed around him, he remains committed to the high standards that help his award-winning work to stand out from the crowd.
"Let's just make a poetry magazine – how hard can that be?" Megan Conery and Molly Taylor launched their poetry magazine hotdog in 2015, and quickly found out just how hard it could be. We delivered the third issue of hotdog to Stack subscribers last month, so Megan came over to the office to share some of the things they've learned along the way, and to talk about what drives them to keep on making the magazine bigger and better each time.
"Magazines can be more than just pieces of paper." The Party Next Door is an attempt to push beyond the established definition of what constitutes a magazine. Presented as a 12-inch vinyl record in a screenprinted sleeve, with gatefold outer sleeve, it looks to all intents and purposes like a standard record, but it's presented as issue one and its creators intend it to be a publication. Co-founder Andrew Foxall stopped in at the Stack office to give us the background to this ambitious publishing project.
"The one thing I knew is I didn't want to be an editor." Liz Schaffer is the editor of Lodestars Anthology, the travel magazine that trades in escapist tales from some of the world's most beautiful destinations. In this episode she speaks about why she never wanted to edit her own magazine, how she ended up being won over, and what are some of the unexpected benefits that have come along the way.
"People think letterpress is supposed to look knackered... We don't do that." Nick Loaring and Pat Randle are the editors, designers, publishers and printers of Double Dagger, the big, beautiful, letterpress journal that we delivered to Stack subscribers in October last year. They stopped in at the Stack offices this week to speak about their love of ink, the evils of photopolymer plates, and the simple beauty of moving type around to create a true letterpress layout.
Independent magazines with a social or ideological mission are hugely popular at the moment, but can they really affect change in the world? Recorded live at The Book Club in London on 30 January 2018, this panel discussion brings together a group of the people behind those independent magazines, speaking about the challenges and opportunities they face. Featuring: James Cartwright, editor of Weapons of Reason; Rob Orchard, editor of Delayed Gratification; Sean Dagan Wood, editor of Positive News; Samira Shackle, editor of New Humanist; and Justinien Tribillon, editor of Migrant Journal.
"It started out of a need – there was no place for magazines in Berlin." Mark Kiessling and Jessica Reitz opened their magazine shop Do You Read Me?! in Berlin in 2008, and over the last 10 years they have become renowned for their discerning collection of quality print. In this episode Mark reflects on a decade of selling the best magazines, including the changes they've seen during that time and the massive increase in the number of independent magazines around the world.
"To see your little magazine poking out on the shelves is an amazing feeling." James Roberts and his friend Hugo Ross launched Vanguards magazine together while the two of them were studying Fine Art at Edinburgh University. With their studies behind them, the pair collaborated with 12-B, a design and risograph studio in London, to produce the second issue of their magazine exploring Scottish design and brands. In this episode, recorded at the end of 2017 just after the second issue had launched, James speaks about his excitement at seeing his magazine out in the real world, and why the pair plan to move beyond Scotland's borders in future issues.
"I have an urge to make things that stay in the world." James Guerin is the founder, publisher and editor-in-chief of Berlin Quarterly, the literary and arts magazine that considers the cultural world as seen from Germany's capital. In this episode he reveals his motivations for making the magazine, the vintage magazines that still inspire him and his own desire to leave a lasting impression in print.
"How can you change without changing?" Marco Velardi is editor-in-chief of Apartamento, the iconic interiors magazine that is currently celebrating its 20th issue and 10th anniversary. We met up in Berlin to speak about the enduring pressures of independent publishing, the things they've learned along the way, and the challenge of keeping a magazine fresh while remaining familiar.
"It was three of us in a white van." Thomas Sumner is the creative director of The Essential Journal, the men's fashion and lifestyle title based in Liverpool. Now distributing 50,000 copies every month across Liverpool, Manchester, Leeds and London, and working with high end advertisers like Rolex and Jaguar, he reflects on the title's rapid growth, its editorial ethos and the opportunities that lay ahead.
"I'm always waiting for the surprise." Christoph Amend is the editor-in-chief of Germany's Zeit Magazin, the magazine distributed with news weekly Die Zeit. In this conversation he speaks about his earliest experience of writing articles, how his first professional magazine jobs taught him that creativity and profitability must go hand in hand, and why it's important for him as an editor to keep on writing.
Hear all the judges' comments and winners' acceptance speeches from this year's Stack Awards, recorded live at The Queen of Hoxton on Monday 20 November 2017.
"Eastern Europe deserves a means of expression." Kajet is a new journal published from Bucharest and dedicated to telling unheard stories from across the region. First-time magazine makers Petricā Mogos and Laura Naum dropped into the Stack office this week to speak about their experiences making the magazine, and to explain why we need a fresh and authentic voice of Eastern Europe.
"I think we needed this period of very beautiful and luxurious magazines to prove that print was of worth... but now we're moving on." Ruth Jamieson is the author of Print is Dead Long Live Print and Angharad Lewis is the author of So You Want to Publish a Magazine, and together they judged the Student Magazine of the Year category in this year's Stack Awards. They came over to Somerset House for the judging session this week, and after we'd picked our winner, we sat down for a wider conversation about the current state of independent magazine publishing.
"You guys don't make dog owners look crazy..." Julian Victoria and Emily Rogers are the editors of Dog, the lifestyle magazine for people who love dogs. With its ultra simple cover concept, Dog has become a familiar sight on newsstands around the world, and in this episode they reveal their motivations in making the magazine, and explain why their readers aren't quite as doggy as you might expect.
"If we can't capitalise on football being more popular than it's ever been, we probably shouldn't be in the business of making a football magazine!" Mundial is the football lifestyle magazine that was launched by Dan Sandison and Seb White as a one-off print project for the 2014 World Cup. Fast forward three years, and the co-founders tell the story of how their quarterly magazine has evolved from that first issue, and why they're aiming to make the most of next year's World Cup in Russia
"This is the survival mode for magazines – they'll never disappear because they're so beautifully made... You can't do that online." Marc Robbemond and Reny van der Kamp are two of the people who run Athenaeum Nieuwscentrum, the Amsterdam magazine shop that's an Aladdin's cave for print enthusiasts. In this episode they speak about a life spent selling independent magazines, and the boom they're seeing in indie print.
"People of Print is about everyone being part of it – we're not just some company telling you what's cool." Marcroy Smith is the founder of People of Print, the organisation that started out as a simple list of screen printers and expanded to become a publishing company, a printer, a retailer and many more things along the way. In this conversation he recounts the often accidental journey he has taken over the years, as he responded to problems he encountered and tried to find a better, fairer way to put print out into the world.
"Everything is about story, and the content defines the design." Cassius Matthias is the founder and editor of Yes & No, a bold new magazine that defies categorisation. In this conversation he tells his own story, of how recovering from serious illness set him on an unconventional path to publishing his own magazine, and how a background in filmmaking informs his original approach to telling stories in print.
"It's almost as if they don't care about the future of the magazine industry." Fraser Allen is the publisher of Hot Rum Cow, the Edinburgh-based independent magazine dedicated to booze. The tequila issue has just hit shelves, but after five years and some top industry awards, Fraser and the team are calling time on the magazine. In this episode he speaks about his frustrations with distribution and retail, the opportunities he still sees for both independent and mainstream publishers, and why now is the right time for a new challenge.
"Independent magazines are more like a culture than a market." Urs Spindler and Malte Brenneisen are the co-organisers of Indiecon, the co-editors of Gentle Rain magazine, and the co-founders of Die Brueder, the creative agency based in Hamburg and Berlin. For this final episode from Indiecon 2017, I spoke to them about the challenges faced by independent magazine makers today, and heard their thoughts as both industry commentators and individual creators.
"I would have quite liked it if we hadn't needed to publish The New European in the first place." Steve Anglesey is digital content director of The New European, the multi-award-winning newspaper that was set up in nine days as a response to Brexit. The whole project was only expected to last a few weeks, but one year on, he reflects on the newspaper's first year in print. Recorded live in front of an audience at the Indiecon festival in Hamburg in August 2017.
"The devastation of the shooting at Pulse nightclub was one of the biggest markers that shifted the intention of my work, and made me question why I was doing it." Ryan Fitzgibbon, editor-in-chief of Hello Mr, on the shock that led to the relaunch of his magazine for gay men, as well as a new publishing project that aims to empower new voices from across the LGBT community.
The Stack Awards opened for entries this week, and Kirsten Algera and Ernst van der Hoeven flew into London to join us for our launch event, which brought together some of the winners from last year. They're the creators of MacGuffin magazine, our Magazine of the Year for 2016, and I met them at their hotel the morning after the event to find out more about what it meant for them to win the award, and what they have planned for the rest of this year. This is our last episode of the podcast for the summer, but we'll be back in September with more conversations with independent magazine makers.
Davide Cazzaro is the Seoul-based publisher and editor-in-chief of Nang, the magazine of Asian cinema. He dropped in at our office when he was in London earlier this year, and gave us a look behind the scenes at the latest issue, themed around scars and death. He also spoke about the many opportunities he sees for 'micropublishing', as well as the various challenges involved in producing and distributing a small independent magazine, which will probably sound familiar to anyone who has tried it themselves...
This week I made my first ever trip to Wimbledon to speak with Caitlin Thompson and David Shaftel, publisher and editor of Racquet magazine. Recorded during their garden party, with Pimms clinking and the cheers from centre court in the background, it's probably our most quintessentially English episode so far, despite the fact that it features two Americans. Hear them speak about their mission to create a fresh and distinctive tennis brand that means something to them, and which does justice to the sport they love.
Recorded live in Amsterdam on 21 June 2017, we speak to Isabel Seiffert and Justinien Tribillon about their phenomenally successful Migrant Journal, the magazine that takes an ambitious, expansive look at the subject of migration. Thanks very much to Athenaeum Nieuwscentrum for organising the event, and to WeTransfer for the support, and listen out for Amsterdam's celebration of the new herring season beginning towards the end of our audience Q&A...
Last month we delivered Anxy magazine to our subscribers around the world, so we were very pleased to have contributing editor Kati Krause drop into the office to speak about their mission to smash stigmas around mental health. This first issue is themed around anger, and Kati speaks about why that made for a good starting point, how they approached their subject, and why anger isn't necessarily a bad thing.
This week's episode isn't ideal for listening with small children. Louis Jensen runs Illegal! magazine, which exists to empower drug addicts and encourage open conversation about the reality of drugs, addiction and criminality. I loved speaking to him about the growth of the magazine so far, but there is some swearing and of course some quite adult topics of conversation. You have been warned...
Recorded at the Byline festival of journalism, Riposte magazine editor Danielle Pender and her husband Dan Ziglam speak about creativity, balancing work with family life, and the ridiculous stress of organising live events.
We all know Little White Lies as a brilliant film magazine, but these days it's also a film podcast hosted by none other than James Richardson (TV presenter of Football Italia, World's Strongest Man, etc). I dropped in on editor David Jenkins and digital editor Adam Woodward to hear how the podcast found its way into the world, and to catch up on the print magazine, now 70 issues in and under the artistic influence of new creative director Lauren Boglio.
The last 12 months has seen a new wave of British independent magazines made by people of colour, so we brought a group of them together for a panel discussion at The Book Club in London on Tuesday 23 May. Featuring Mariel NO, assistant arts and culture editor of gal-dem; Campbell Addy, founder of Nii Journal; Rhona Ezuma, founder of Thiiird; and Jason Nicco-Annan, co-founder of Signatures.
Dogear is the bookmark that thinks it's a magazine – a lovely, unassuming piece of print that we were lucky enough to send out on Stack this month as a special little extra gift for subscribers. I caught up with editor and co-founder Joe Hedinger to hear about the project so far, and his plans for where Dogear might take him next.
Cathy Olmedillas began publishing her independent children's magazine 10 years ago, and in this conversation she reveals the process of evolution that saw it transform from a passion project into a sustainable business. As she admits, she has a "disease" for starting magazines, and she speaks about some of Anorak's successful siblings, as well as the ones you won't be seeing on a newsstand near you any time soon.
The latest issue of Printed Pages is out now, with Ted Parker's big pink grin beaming out from newsstands around the world. It's Nice That's magazine has built up a reputation for selling out in super-fast time, so I dropped into their office to speak to editor Owen Pritchard about wrangling content, commissioning top creative talent, and making a phenomenally popular piece of print.
Pylot is the analogue photography magazine that promises to never retouch its images for beauty. With the latest issue hitting shelves right now, editor Max Barnett and fashion director Patricia Villirillo stopped by to talk about why analogue is so important to them, what they've learned along the way, and why there's more to their magazine than meets the eye. (Also featuring a special guest appearance by a helicopter hovering above Somerset House.)
There are loads of really great music magazines out there, so how do you make one that stands out from the crowd? Liv Siddall's solution was to make a music magazine without commissioning a single music writer – instead she turns to the bands themselves and the staff at the Rough Trade record shops to create a totally unique title that's packed full of fun and idiosyncratic charm.
Cereal is the travel and style magazine renowned for its beautiful minimalism, and with the latest issue founders Rosa Park and Rich Stapleton have introduced their most substantial redesign to date. Editor-in-chief Rosa stopped in at the Stack office to speak about the sense of confidence that underpins the redesign, and the very many other projects currently coming out of the Cereal office.
Last week Giovanni Marchini Camia flew over to London to present Fireflies magazine as part of our Magazines at the Movies event. He's normally based in Berlin, so I took advantage of him being around to grab him for a quick podcast chat before the event started. He spoke about his arts-inspired movie magazine, creating a new vocabulary for speaking about film, and working remotely to make a magazine between Berlin and Melbourne.
Mixing witchcraft with feminism, Sabat magazine brings a fresh perspective to the occult. It has been brilliantly successful since it first launched a year ago, but the magazine was always conceived as a three-part project, and with the third issue out now, editor Elisabeth Krohn is calling an end to the print title. She came over to the office to speak about her reasons for making Sabat in the first place, and why now is the right time to stop.
This week we met up with Arman, Ganesha and Théodore from Eyesore to speak about their magazine dedicated to the changing face of the city. Starting as a student publication, Eyesore is now a project they and the rest of the team run outside their regular jobs, creating an alternative and artistic perspective on buildings, streets, places and spaces.
For the last 13 years, Peter Lundgren has been mixing magazines with t-shirts: each 'issue' of T-Post is a high quality, ethically produced t-shirt with a graphic on the front and a story printed inside. He runs his apparel publishing empire from Umea in northern Sweden, but we lured him down to speak at this year's EDCH conference in Munich, so I caught up with him there to record this podcast conversation and find out about how he reaches new customers, how marketing has changed over the last 13 years, and why ethical choices need to be visible.
This week we're off at the EDCH editorial design conference in Munich, where the first speaker was Peter Bil'ak from Works That Work. He spoke about his innovative design magazine that's not a design magazine, and also announced that he's going to stop publishing after issue 10. I wanted to find out more, so I grabbed him in a break, and we spoke about his aims in making the magazine, and why he's decided that the project can't go on forever.
This week's episode features bonafide magazine expert Jaap Biemans, better known as Coverjunkie. I dropped in at his home in Amsterdam and chatted with him about the phenomenon of Donald Trump as a cover star, and how the tone of Trump covers have changed now he has taken the presidency. Also, Instagram, Dutch politics, and why Jaap wishes he was really designing the news. It's a good one...
A fresh new redesign of frieze magazine hit newsstands yesterday (23 February, 2017) so I dropped into their office earlier this week to speak to the man behind the changes. David Lane is the co-founder and art director of The Gourmand magazine, and now he's bringing his expertise to bear on the contemporary arts title. In this episode he speaks about changing fonts, attention to detail, and a striking new direction for the cover of a venerable magazine.
Recorded live at Makerversity in Amsterdam on Monday 6 February 2017, this episode features a panel discussion with Kirsten Algera, editor of MacGuffin, Sim Kaart and Tom Janssen from Voortuin, and Marc Robbemond, buyer at Athenaeum Nieuwscentrum. There's a ton of great independent publishing coming out of Amsterdam at the moment, and during our discussion we try to figure out what's driving it, and what's going down particularly well with the city's readers.
This week we're speaking with Anja Aronowsky Cronberg, editor of Vestoj, a fashion magazine unlike any other. The latest issue is dedicated to 'masculinities', and she speaks about the fascinating history of beards, her dislike for fashion shoots, and her fondness for a pre-historic David Shrigley.
Recorded live at The Book Club in London on 24 January 2017, with Liv Siddall, editor of Rough Trade magazine, Jack Self, editor and founder of Real Review, and Steven Gregor, the man behind Gym Class magazine. Listen in and hear them speaking about why small magazines make more sense for them than a big, heavy, expensive luxury print product.
This week we're joined by Eddy, the founder, editor and art director of Water Journal, a photo-driven magazine that dedicates its pages to exploring water in all its forms. I love it when magazines plumb the depths of a niche, and as you'll hear this title is driven by Eddy's own personal obsession, as well as his desire to do things differently. Inspiring stuff for any aspiring independent publishers out there...
This week we paid a visit to Rabbits Road Press, the new community risograph print studio and publishing press based in Newham, East London. There we spoke to founders Sofia Niazi, Rose Nordin and Heiba Lamara about their aims for the press, and how it fits in with their feminist magazine OOMK.
We're back for our first proper podcast episode of 2017, chatting with Tom Armstrong, editor of London-based music magazine The Move. Hear him speaking about the transformative power of music, the excitement he feels when he gets to share something, and the fear that set in when his first copies of the new magazine arrived.
On our second podcast trip to New York we go back to Small City in Brooklyn for a panel discussion recorded in front of a live audience on 20 October 2016. We were joined by some of the city's most exciting independent food magazine makers, with Claudia Wu from Cherry Bombe, Walter Green from Lucky Peach and Michele Outland and Fiorella Valdesolo from Gather Journal speaking about what they do.
Recorded on 18 October 2016 in front of an audience at the School of Visual Arts in New York, this panel discussion features three of the city's most exciting independent publishers speaking about their magazines. Featuring Ben Yarling from American Chordata, Christopher Isenberg from Victory Journal and Sarah Forbes Keough from Put A Egg On It.
This week I caught up with Jack Self, editor of Real Review, to speak to him about his magazine that won Launch of the Year at our awards ceremony last month. He has a fantastic talent for exploring the structures and forces that shape the way we live, and he spoke about the infrastructures of architecture, politics, publishing and much more. It was a really inspiring meeting, and I'm looking forward to seeing what he'll do in 2017.
This week Supermundane dropped in on the Stack office, so we whipped out the microphone and took the opportunity to record an interview with him. The renowned illustrator and artist was making magazines before Stack even existed, and it was brilliant to hear him reflecting on his work for Anorak and Fire & Knives, and very exciting to discover that he's planning a new print magazine for next year. Listen to our interview, then Google the talk he did earlier this year for It's Nice That. You won't be disappointed...
This week we slip back in time to early September, for a conversation with Danny Miller, publisher of Weapons of Reason and co-founder of creative agency Human After All. The serial magazine maker speaks about the mixture of altruism and pragmatism that runs through his projects, including the Publishing Playbook, a free online resource for anyone who wants to make their own magazine, and of course Weapons of Reason, a magazine that wants to inspire positive action in its readers.
Charlotte Roberts and Bertie Brandes, the two women behind Mushpit magazine, drop in on the Stack office at Somerset House to talk about the making of the crisis issue, and the anxieties that come from doing the thing you set out to achieve.
This week's episode begins on a train to Nottingham, jets off to New York, then ends up back here in my living room in London. And in the middle of it I speak with Mackenzie Peck, editor and founder of Math magazine, the progressive porn quarterly. You won't be surprised to hear that there is a fair amount of adult material in this one, so you might not want to listen along with the kids.
This week we're zipping back across the Atlantic for an interview with Nadia Saccardo from Pallet magazine. We met while I was in New York last month, and I was fascinated by her thoughts on independent publishing and the passion that sees her currently working across craft beer (Pallet) dogs (Four & Sons) and sports (Good Sport). They're all fine magazines, and Nadia is brilliantly eloquent on what makes them so special.
Reporting from the Mod Mag conference in London, we speak with organiser and magCulture founder Jeremy Leslie about what independent means today, and why on earth he takes on the stress and hassle of organising an international magazine event.
This week's episode comes from New York, where I dropped in on Noelle Roth and Matthew Schnipper, art director and managing editor of The Pitchfork Review.
This week's episode comes direct from my kitchen table, as I'm joined by Kitty Drake, Sadhbh O'Sullivan and Scarlet Evans from Ladybeard magazine. As you'll hear, this is my second attempt at featuring Ladybeard on the podcast, and the three don't disappoint, with tales from the front line of independent publishing.
With the new issue of Flaneur magazine hitting newsstands around the world, we speak to publisher Ricarda Messner about her new project, Sofa magazine. Smaller, cheaper and potentially much more profitable, could it help lead the way for a new breed of independent magazines?
Steven Gregor, editor, publisher and creative director of Gym Class magazine, speaks about the current state of independent magazine publishing, and why he decided to make this issue his last.
This week we're rescued from a small audio disaster by Rob Orchard, editor of Delayed Gratification magazine. Their latest issue is hitting shelves right now, and Rob talks us through the making of his ingenious magazine that is always proud to be last to breaking news.
We catch Agnese Kleina, fresh from the stage at Indiecon, to speak about her upcoming Benji Dinner project, and the community-building power of independent magazines.
Steve escapes to the lake with Nelson Ng, creator of Lost magazine, to hear about his nascent publishing empire, and the way that mobile phones are revolutionising independent print magazines in China. Recorded at the Indiecon festival in Hamburg.
Dan Stafford, editor and art director of Amuseum magazine, speaks about silliness, physicality and the importance of making a magazine you love. Recorded in front of a live audience of Stack subscribers at the Ace Hotel in London on 28 June 2016.